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#original broth
peniswizard69 · 1 month
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I hate to give it to staff but they did snap with the booping thing. This is the "enrichment in my enclosure" thing we keep talking about, I feel like a bear that recieved a block of ice with pumpkins in it
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Local Alchemist needed to be stopped.
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My formula of restore fatigue:
Spring salad: lettuce, radish, potato, (optional: apple, orange, watermelon). Unfortunately it has Burden side effect. (if choose orange, you'll get a bonus Shield effect) Can also side with Ranch dressing: cheese wedge, leek, onion, garlic. And this one has Damage Agility side effect. It can be fix by removing the garlic.
Potato soup: potato, garlic, leek. This recipe has Frost Shield side effect. Perfect choice for a cold weather.
Corn salsa: corn, tomato, onion, garlic. Unfortunately it has Damage Agility side effect, but you can get Detect Life in the process.
Grilled cheese sandwich: bread loaf, cheese wedge, cheese wheel. Unfortunately it has Damage Agility side effect. I should have removed the cheese wedge. Sorry Baurus :(
Classic ham sandwich: bread loaf, cheese wedge, ham, lettuce. Unfortunately this recipe also has Damage Agility side effect, but bonus Fire Shield woohoo!
Gyudon: beef, onion, rice
Mix berries: blackberry, strawberry, (we only have two kinds of berries?) (optional: apple, orange, pear). Actually, don't put apple or pear in it. They will cause Damage Health.
Crabby corn soup: crab, corn, onion. You can add cheese wedge for bonus Fire Shield (and Damage Agility) effect.
Chili con carne: beef (/boar meat /mutton /venison), onion, garlic, tomato. Side effect is Detect Life. (Beef flavor will grant you Shield effect. Unfortunately Boar meat will have burden side effect and Venison is Damage Health)
Pumpkin pie: pumpkin, sweetcake (/flour /sweetroll). Unfortunately both flour and sweetroll has Damage Personality side effect
Carrot cake: carrot, sweet cakes
Strawberry cheesecake: strawberry, cheese wedge, flour (/sweetcake /sweetroll). The flour version has Reflect Damage side effect. I highly recommend it.
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siddunbi · 4 months
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poor alistair cant catch one break can he
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semiotomatics · 1 year
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softquietsteadylove · 9 months
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Hello beautiful! ✨🖤
I have an idea for a new AU with Thena and Gilgamesh. Gilgamesh starts at an elite culinary school where the food in each lesson is judged by strict critics.
The students in the higher classes warn the new ones that one specific critic (Thena) can never be satisfied and never gives a good review. Many students have dropped out of school because of this. But Gilgamesh wants to see for himself.
🖤✨ Hgs and Love! ✨🖤
"I heard she made everyone in her class cry in their first lesson."
"I heard that she subs in for real food critics sometimes."
"I heard that the dean himself gave her a full-ride scholarship she's so good."
Gil rolls his eyes at the classmates of his whispering - loudly - about their expected panel of judges. He doesn't think this critic can possibly be as frightening as people are making her out to be. She's just a student, like them, right?
"Can't they just put us out of our misery?" Druig grumbles next to him, shifting nervously on his feet as he looks down at his dish.
"Hey," Gil nudges his shorter, more nervous friend, "don't look so freaked out. "It's a great dish."
Druig sighs, "thanks, man. But it's not you I gotta impress, is it? It's 'em."
The door opens and three senior students step into the room.
Sersi is the top student in the Molecular Gastronomy course. She makes creations that seem transmuted right down to the atomic level, it seems sometimes. They look stunning, they're always delicious, and the way she can make one thing taste entirely different from how it looks is always a showstopper.
Phastos all but wrote the bible by which the school acts. He doesn't cook, but his knowledge of biology, chemistry, physics--is so all-encompassing that there's basically nothing he doesn't know. It is just a rumour, but supposedly he has written all the recipes the courses use for instructing students since he arrived.
Thena is last, and by far the scariest. She looks like she's never seen the sun or eaten a morsel of food, at that. Her reputation precedes her, and her perfect palette is as terrifying as it is rare. She doesn't cook either, but if there is any sort of flaw in any way, she will detect it. And she won't have the smile on her face that Sersi does when she breaks the news.
Thena stands between the other two, eyeing the class with an expression that already screams that she's not looking forward to this. "Please present your dishes."
The first two come up, their trays rattling from their nerves.
Gil watches from his table a little further in the back. Sersi and Phastos try first, giving their praise as well as gentle critiques and advice. Once Thena is done sniffing it, she takes a bite.
"You lack identity."
The whole class practically keels over. It may seem small, and maybe even nitpicky. But to hear that you - as a chef - have no identity in your food?--it's devastating.
"I would say you lack creativity, but that is not what this is," she states and sets her spoon down after the one bite. "You have replicated a family recipe in the hopes that it would convey an emotion. But the balance has been put off by your muddled intentions. It's over-seasoned, and the flavours battling for dominance has overpowered what would actually make it shine if you weren't so clumsy."
The class is practically crying for their fallen comrade. And this is round one!
Druig blows out a breath as they watch their fellow student shuffle back to his table in shame (borderline in tears). "And the Ice Queen strikes again."
Gil stares straight ahead. He shrugs, "she did give him advice, though."
Druig looks at him with wide eyes. "If I shove you into a lion's den and tell you not to die, that's advice, I s'pose."
Gil chuckles just a little, still watching eagerly, "shut up."
The critique goes on, many falling to the Ice Queen's sharp words along the way. It's not that she has nothing nice to say at all, it's just that the bad seems to always outweigh the good for her.
Sersi and Phastos offer sympathetic smiles and waves; obviously they're used to this.
"Next."
Gil and Druig approach with their trays, a plate for each judge. Druig goes first.
He clears his throat, "I-I've made a confit salmon with swiss chard gelee and potato mousseline."
Sersi smiles brightly at them, showing off what's made her such a darling of the culinary world already. "That's very impressive, Druig!"
"A lot of technique," Phastos murmurs as he takes a bite. "The textures are right, although it's maybe a little soft overall."
Druig nods, taking the criticism at face value, "thank you."
"You have too much to prove."
Gil keeps a careful eye on his tablemate. Druig is stubborn, and younger than the rest of them. She's right, she just doesn't have to say it like that.
Druig stands tall against it, though. He looks the Ice Queen in the eye as he says, "and?"
Thena raises her eyes to him. Gil sees that they're green for the first time. "You've selected the most advanced techniques you've mastered thus far, but as Phastos said, there is no cohesion to the presentation of all of them in one dish. You didn't have to make a mousse of the potatoes--in fact, potatoes are not what I would have served with salmon in the first place."
Druig crosses his arms.
"The salmon is cooked perfectly," Thena says just as cut and dry as the negative stuff. She places her fork down, again, needing only one bite of each element to make her assessment. "It only brings out that, had you leaned into your strengths instead of showcasing your weaknesses, this could be perfect."
Druig has his arguing face on, and Gil almost wonders if he should drag him back from the judging table to cool off. He rolls his eyes, though, going back into his dismissive and pouty shell for the time being. He huffs, "I'll take it."
Gil is left alone as Druig moves back to the table.
Sersi smiles, "and what have you made today?"
"Chicken and dumplings!"
A poor man's dish. Chicken stew with dumplings in it: something that needs no technique to put forth. The whole room is silent, not even trying to hide the overall horror that has descended over them.
Even Sersi strains a little to smile at him as they pull their bowls closer. "How...interesting."
"I know, I know," Gil laughs, watching as Thena draws her spoon up to smell everything. "Just hear me out."
"I made a really quick chicken stock and let it simmer while I was preparing everything else. I made it more ramen style than country chicken soup style, but I also added some cinnamon and star anise to kind of have an element of what makes pho so comforting."
"Then while that was simmering I was roasting some veg with the other half of the carcass. I mashed up and then pan fried some potatoes and there's actually a little something in those dumplings."
"Well, that certainly sounds..." Sersi trails off, looking to her left as she holds a dumpling in hand, "impressive."
Thena is smiling.
She licks her lips as she puts her spoon down, still smiling at the shimmering bowl of broth. She picks up a dumpling and her eyes spark.
"You already know, don't you?" Gil smiles sheepishly. She looks at him as she takes a bite, pulling out the cheese he put in the centre. He snickers at the look on her face. "I made a simple mash and then turned it in to a dough with some flour and a little duck egg for some bite to it. Then I added a little more potato with some butter and the little piece of cheese curd for some chew. Like a-"
"Pierogi."
Phastos pushes his glasses up his nose as Thena utters something that isn't a direct review of the food.
Gil beams, his whole chest swelling with warmth from the inside out. "You order them for lunch all the time, right? You must have made them when you were little."
Thena smiles, taking a second bite of the fried mashed potatoes and their filling. "I did."
Gil celebrates to himself a little, clenching his fist. He looks over his shoulder and gives Druig a big thumb's up.
Thena takes another bite of the soup, too, her lashes fluttering as she savours the small but deliberate spoonful. "Hm."
Gil inches forward.
"It's not...perfect."
The class lets out a collective sigh.
"But," Thena is still smiling, taking a third bite. "I think it's about as close as I've ever had."
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gatheryepens · 6 months
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I just made cabbage, spinach and carrot soup and it’s actually kind of good.
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seeminglyseph · 2 months
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Why is it that adaptations of “children’s” media for all ages or more mature audiences somehow involves “removing subtext” and “explaining everything in simple and plain dialogue to avoid misunderstandings by the audience”
It’s like the media targeted towards a more mature audience has even more hand holding and fewer mature themes than the media targeted towards children.
Like, yeah I watched Avatar when it came out as a young adult, and it has an adult fandom. But like many children’s media that has an all ages fandom, it was made with children in mind but was good enough that everyone could enjoy it. That’s the mark of good all ages content. Why are we making it more mature by like… taking *out* the messaging and subtlety and lessons and putting *in* really blunt dialogue that explains themes no longer present in the media and violence that enforces a message that runs counter to the theme that worked so well in the original media.
Like. Why is it that remakes targeted towards older audiences seem less mature in their storytelling? I know it’s technically “mass market appeal” but still, it feels like the assumption is that adult audiences are more ignorant and incapable of understanding media and difficult subject matter than children, so adaptations more likely to have adult or teen audiences need things explained and the lessons learned more explicitly family friendly and reductive.
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theelf-online · 7 months
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me: im not going to fast for yom kippur this year, because i'll be in post-comic con recovery and it won't be healthy to do so
the universe: woe. severe nausea be upon ye.
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pinkfey · 2 years
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something that will always KILL me about the star wars sequels is how it had absolutely nothing to say :|
like the originals have this outstanding message of hope and undercurrent of dwindling perseverance and the power of LOVE and the prequels (while clunky in tangible ways such as poor lighting and camerawork and dialogue etc) story-wise had a very consistent and cohesive theme as a cautionary tale portraying how easily the rise of unchecked power can devastate the universe and what happens when you neglect society’s most vulnerable as well as this underlying critique of the powers that be
AND THEN there’s the sequels which are here to uhhhhh *spins wheel* give space fascists a redemption arc and…….. underutilize every single established character, butchering the entire series’ potential in the process to an extent that no amount of spin-off tv shows or nostalgia bait can undo 🤷🏻‍♀️
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soupbender · 1 year
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I'd love the see the notes for Bad Fortune AU, on Tumblr or AO3 or wherever! Even a bulleted outline can be very entertaining 👀
I love your drawings about the AU where Zuko is a fortune teller!! Thank you for making them!! - AnonFisio
SORRY FOR REPLYING TO THIS SO SO LATE i am trying to finally shake off my hiatus a bit… and okay my notes are thee most confusing thing like even i barely understand looking at them now. but i do have a little segment of the first chapter written in that same document so im including that below:] if i reorganize the notes i may post them sometime since i will never ever finish this particular au tbh 😭
The midwives track rain-wet feet into the delivery room. Outside, the clouds are swirling so dark they blend into the night sky, thick and unforgiving, highlighted only in passing with the full moon.
These are not the proper conditions for a royal birth. Funny, how the heavens do not care about that.
(Or, perhaps, they do. Perhaps that is worse.)
It is nearly dawn by the time Ursa cradles her baby. She lies on a pillowed ledge by the round window, overlooking the gardens. Wind and water whip at the just-blooming flowers; scatter the fragile leaves. There is not a hint of thunder in the sky. No lightning cracking through the stars.
Zuko’s skin is cold as rain against hers.
The sun bursts over the horizon line just as Prince Ozai breaks into the room. Ursa holds Zuko tighter to her bare chest and privately wonders what it would be like to have a husband who she would hold her child out to. Who she would trust to cradle him.
Ozai barely glances at the boy before announcing, “The doctor will prepare a solution. The child will die peacefully.”
“No, please,” says Ursa, thinking she rarely says anything else these days.
Ozai considers, “Fine. Out of my mercy, he shall be left upon a cliff face. If the Spirits—“ here he raises a mocking brow, unimpressed as always in his wife’s belief in such things— “see fit, then the boy will be taken in by some other wretched soul.”
Ursa had not wanted the child, had not wanted the husband, had not wanted the marriage. This is a poorly-kept secret. But with Zuko pressed to her now, her heart speeds at the idea of leaving him (a feeling that will reoccur in her life, but thankfully she is no prophet and does not know this.) “What do the Fire Sages say?”
Ozai’s lip curls, “A reading, that’s what you want?” He gestures to the puddles in the grass, the overflowed pond, “Even I could spout that nonsense with omens like these. Clearly, he shall be no bender. He was not even born under the right stars.”
Here lies the center of the problem. Every member of the royal family has been born by the sign of the Dragon—Ursa had learned, upon her arrival at the palace, that the wedding time was very planned. It made her a little sick. Maybe it was this same sickness which had carried through her pregnancy, maybe that is why the child has been born a month too early. Maybe that is why he has been born a Rabbit—a sign of kindness. Of virtue. The same sign, incidentally, as his mother.
An embarrassment to the royal name.
“Let the Sages tell it,” Ursa begs, a choking sensation rising in her throat, “please, my dear. At least—consult the Firelord first.”
It sends a chill down her spine, the way Ozai’s eyes land on her, the gaze somewhere between wrath and disgust. But it unnerves her nowhere near as much as the way he looks at Zuko.
+++
“You must already know,” is what he says. The words are quiet, gentled by pity. He says them only to her, carefully lowered that her husband looming in the corner might not hear.
Ursa gulps, considering pulling her baby right to her heart and running fast from the Head Sage.
“Get on with it,” Ozai snaps.
The sage’s eyes flick between them, panicked, before he collects himself; before he focuses on Zuko, asleep in his mother’s arms, this child cursed by his very birth. This child born too early and too cold. This child born with clouds over his head; without sun; without spark. Without any great glory. This child whose only piece of luck, it seems, is in being born at all.
“The level of prowess he will reach with bending is… unclear,” he announces, and Ursa’s heart drops to her stomach.
“He’s a bender?” Ozai asks, too calmly.
The sage’s eyes flash, frown deepening, recognizing the awfulness of his own honesty when he replies, “…It is unclear.”
“Roku’s granddaughter,” Ozai scoffs, “the result is just as worthless as his bearer.”
Ursa does not sob. She holds an eruption behind her throat—kept at bay, lock and key. She holds herself inside herself. She holds her heart with hedge cutters.
“But,” the Sage puts in, “he may yet have other talents. I foresee the possibility of a… truly glorious future for him.”
Ozai snorts, “The mightiest non-bender is still a non-bender. It’s a stain upon the royal name.”
“What other talents?” Ursa asks, except it sounds more like begging.
“A special ability,” the Sage answers, “unlike anything the Royal family has seen before. It could be the difference between the Nation’s victory or defeat.”
It is an act of courage, however meek, that the man looks her husband right in the eye when he speaks. That he emphasizes the sentence with care.
Ozai lets out a low, exasperated growl. It is an act of begrudgement that he says, “The boy has six months to spark.”
It is only after the prince and the sage leave that Zuko starts to cry.
“Good job, Zuko,” Ursa mumbles, half-mad and half-asleep, “Good job, darling.”
***
In a month’s time, the Fire Sages will lie about the date of Prince Zuko’s birth. In a month’s time, the entire nation will celebrate Ozai’s heir. In a month’s time, no one outside of Caldera will know the truth surrounding the little prince’s birth.
In six month’s time, Ursa will feed her son a spoonful of ground fire-flower. She will hate herself as she brings him coughing ash to her husband, as he hums his approval of his firstborn bender.
In nine month’s time, Azula will be born a dragon. The sunlight will reflect off Ozai’s sharp teeth, and only then will Ursa realize that he did not smile once the day of his son’s birth. Now here he is, bathed in midday light and summer heat, grin closer to a shark’s than a father’s.
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tinteatime · 2 years
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Obligatory a oc with their pokemon team while also experimenting with dot tones.
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peniswizard69 · 3 months
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God I love Gertrude Robinson. You spend the season one convinced she was history's biggest ignoramus then it turns out she'd spent decades travelling the world and walking right up to whichever eldritch monster made out of nightmares was trying to cause the apocalypse this week; and then she'd do the equivalent of schpritzing it like a misbehaving cat, which usually involved murder. And she did it all while serving flawless strict librarian realness
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spookykestrel · 1 year
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it's so sad how i was clearly meant to be a shepherd but was born in the united states in the 21st century
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starmolts · 1 year
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mother manages to give birth to the three cringiest people in the world.
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semiotomatics · 1 year
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me @ my notes for the next 6 days: THE BROTH WAS IMPLIED
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desertdragon · 2 years
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Imitating Kitagawa Utamaro’s ‘Lovers in an Upstairs Room’ from the Poem of the Pillow series of Ukiyo-e prints
Some info on sex and euphemisms in Ukiyo-e
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