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astonmartinii · 4 months

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passion for fashion | max verstappen social media au

pairing: max verstappen x fem it girl!reader

she's everything and he's just ken (in a red bull shirt)

MASTERLIST | TIPS | MY SMALL BUSINESS

vogue

liked by yourusername, maxverstappen1 and 490,233 others

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vogue: it's the start of the f1 season, you know what that means... y/n y/ln fashion season is in session

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user1: @yourusername make sure you're windows are bolted shut tongiht... you're on my rob list

user2: and mine PLEASE SPARE ME SOME OF YOUR CLOTHES

user3: her and lewis hamilton are the only real ones in that paddock

user4: the way they're still besties despite what went down in 2021 >>>

lewishamilton: me and y/n 🤝 making the paddock our runway

yourusername: someone has to make it interesting around here

lewishamilton: see @maxverstappen1 even y/n is bored of you winning everything...

maxverstappen1: womp womp

lewishamilton: womp womp ???? have some decorum

maxverstappen1: jokes on you i don't know what that means

user5: i wish i looked that good candidly

user6: at what point do we stage an intervention for max's wardrobe

user7: babe if the girlfriend effect still hasn't hit then it's terminal

user8: especially when your girlfriend is Y/N Y/LN

maxverstappen1: i'd do anything for her <3

yourusername: even wear something other than red bull merch?

maxverstappen1: let's not get too far ahead of ourselves

user9: i love them your honour

yourusername

liked by landonorris, maxverstappen1 and 1,209,445 others

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yourusername: max verstappen wins, water is wet

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user11: water is wet and i will be drowning myself in it tonight

user12: me after hearing the dutch national anthem one too many times

landonorris: tell him he has too many already and he should let his best friend have a go

yourusername: he said that's not possible because i don't know how to drive an f1 car

landonorris: nuh uh you can't be his best friend and his girlfriend that's not fair

maxverstappen1: welp, idk what to tell you buddy

landonorris: i feel BETRAYED

yourusername: i'm sorry i'm just that loveable lando... i see how it is

landonorris: HOW HAVE I BECOME THE VILLAIN?

user13: max terrorises them on the grid and in the paddock they maximise their joint slay to terrorise everyone in a two mile radius

user14: they slay so much i can't even be angry at it

danielricciardo: so that's why i was kicked out of the elevator

yourusername: you weren't kicked out it was your floor?

danielricciardo: why did i not make the post? I THOUGHT I MEANT MORE TO YOU

maxverstappen1: just because we both had teenage crushes on you doesn't make you special. you'd have to fight seb and jenson for real special treatment

yourusername: throw fernando and kimi in there as well.

danielricciardo: i was confident in my fighting chances, but i'll leave nando and kimi to it

maxverstappen1: pussy

danielricciardo: EXCUSE ME

yourusername: idk how we got here but don't talk to my boyf that way daniel 😔

danielricciardo: i'm blocking both of you

user15: i am so baffled

user16: IT couple for real

maxverstappen1

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maxverstappen1: clocked in for my shift as the trophy husband to the prettiest girl in the world

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user17: max verstappen why is there a whisper meme in your photo dump

user18: his ass acting like he wasn't at one of the most prestigious galas in the world

charles_leclerc: YOU got an invite and that's the best you could do

maxverstappen1: you better take that back right now y/n dressed me tonight and i look SEXY and COOL

yourusername: charles :( he looks very handsome

charles_leclerc: my bad y/n i wasn't aware that was your pick

yourusername: SAY HE'S HANDSOME CHARLES

charles_leclerc: ??? no

yourusername: wow. you really aren't a girls girl charles. i am disappointed

maxverstappen1: does our history mean nothing charles? i have no issue recreating the inchident at the next race

charles_leclerc: FINE. you look very handsome max

yourusername: more passion please

charles_leclerc: you look very handsome max!

yourusername: more! give the lestappen girlies some crumbs to feed on

charles_leclerc: YOU LOOK VERY HANDSOME

maxverstappen1: thank you 😊

user19: ignoring what ever the fuck that was ... MAX IN A SUIT WHAT THE FUCK MAX IN A SUIT

user20: y/n y/ln the woman you are

user21: so how can we implement this willingness to wear a suit into his paddock fashion

lewishamilton: you might have to waterboard him

charles_leclerc: i volunteer as tribute !

yourusername: 🤨

maxverstappen1: 🤨

f1paddockfashion

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f1paddockfashion: max verstappen in non-red bull attire? MAX VERSTAPPEN IN NON-RED BULL ATTIRE? also y/n slaying as per.

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user24: this is - i don't know how to feel

user25: maybe the real max verstappen in non red-bull attire was the friends we made along the way

user26: i am CELEBRATING but ladies do remember it's still alpha tauri 😭😭😭

user27: please let us have this while we can

user28: it's not plastered with sponsors so we'll take it

user29: idk about you guys but i think this means y/n should be knighted for her services

user30: i actually think prying the red bull merch out of max's hands might be the hardest thing in the world

user31: call me crazy but those jeans look kinda baggy 😳

user32: omg they definitely are

user33: death to the skinny jeans? fuck it first child named after y/n

user34: can we maybe get y/n in charge of max's merch cause the shit he sells should be considered criminal

user35: for real we need babe in the board room asap

user36: fuck it get her in the red bull board room as well

user37: go all the way and get her with the f1 execs

yourusername

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yourusername: i love him even if all he wears is red bull

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user39: so ... who made the inchident shirt?

charles_leclerc: and how do i get one?

maxverstappen1: i got it made and considering you DON'T think i'm handsome you can go fuck yourself :)

charles_leclerc: GASP. that is my face you have to make me one

maxverstappen1: boooooo no i don't

charles_leclerc: can i copyright my face? i'm sending you a cease and desist

maxverstappen1: fine. but you will never look as hot as y/n in it

charles_leclerc: so you can call me ugly? @yourusername ???

yourusername: it was a compliment to me so soz

user40: the way she's fashion's IT girl and she still loves him even though his whole wardrobe should be burned

user41: real love

maxverstappen1: i love you. i wear my red bull merch to give you the runway

yourusername: sureeeee ... i love you too xx

maxverstappen1: let me live 😭😭😭

yourusername: the girls are dragging your name babe i need them to know HOW SEXY YOU ARE

maxverstappen1: i don't care how sexy they find me, as long as you love me that's all i need

yourusername: you're SO FUCKING CUTE I LOVE YOU

maxverstappen1: I LOVE YOU TOO

user42: can they chill? some people on here are lonely

maxverstappen1

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maxverstappen1: my closet looks like this, so her's can look like this :)

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user43: max verstappen i misunderstood you. i was unfamiliar with your game.

user44: he's the standard now i fear

user45: a man who wears the same three outfits so you can have the whole walk-in for your collection >>

yourusername: thank you babe. you are god's strongest soldier

maxverstappen1: i AM. that room is scary. there's too much that i don't understand. so many shoes, so many straps i can't navigate it

yourusername: that's okay baby. there's your red bull draw and that's all you need

maxverstappen1: no the people don't understand. i went in there once and i swear i ended up in narnia

yourusername: you passed out with the AC on the highest level and jimmy and sassy sat on you. you were not in narnia

maxverstappen1: oh. well...

user46: this is the closet y/n deserves the rest of that house is defo a mojo dojo casa house

user47: fighting all the trophies, helmets and framed race suits with her narnia closet

lilymunhe: may i request a trip to the narnia closet x

yourusername: omg yes! come over next time you and alex are in monaco - the boys can entertain themselves

alexalbon: what if i want a closet tour as well?

maxverstappen1: don't do it alex you'll never find your way back out

alexalbon: (i was going to strategically leave a pair of albon athletics shoes in there)

yourusername: alex i already own a pair i bought them release day!

alexalbon: OMG ... one instagram pic so my sales can go platinum?

maxverstappen1: don't try and pimp my gf out

alexalbon: ???

yourusername: max 😭 and sure alex!

fin.

note: thank you for reading soz for the long waits between posts a girl has been BUSY but i hope you've all enjoyed! happy galentines day or palentines day to all that celebrate and thanks for 4.7k!! xx

#f1 imagine #f1 x reader #f1 instagram au #f1 x you #f1 #f1 social media au #max verstappen imagine #max verstappen instagram au #max verstappen x you #max verstappen x reader #max verstappen fanfic #max verstappen #max verstappen social media au

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harrysfolklore · 23 days

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baby fever - husband!charles blurb

gif credits to @blueballsracing <3

MASTERLIST | MY PATREON

If there was something you never got tired of no matter how many years passed was joining Charles for race weekends.

And ever since you became husband and wife a year ago, being by his side during races and practices felt even more exciting and special.

This weekend was no different, you were joining him for the Emilia Romagna GP and this time you were bringing the newest addition to your little family: your dog Leo.

"Do you have Leo's pass?" Charles asked as you sat on the back of the car that was driving you to the circuit.

"Yes, I have it," you said, scratching behind Leo's ears, "Do you hace your pass though? I didn't see you grabbing it before we left."

Charles eyes widened at your words, "Shit!", he exclaimed, patting his jeans pockets in search of his pass, "I think I forgot it back there."

"Of course you did," you rolled your eyes and shook your head, "You're such a teenager sometimes, always forgetting everything."

"Give me a break, woman. I've got a lot on my mind," Charles retorted playfully, leaning over to give you a quick kiss on the cheek. "Let's just hope they'll let me in without it."

"I don't think they will," you laughed, feeling the car start to slow as it approached the entrance to the paddock. "It's not like you're Charles Leclerc driver for Scuderia Ferrari or something."

Charles threw his head back in laughter, kissing you cheek again and scratching Leo's little head.

The driver pulled up to the security checkpoint, and as predicted, the guards immediately asked for Charles’s credentials. Charles gave them a sheepish smile, scratching the back of his head. "I might have left it back at home," he confessed.

"Mr. Leclerc," the guard began, trying to keep a straight face. "This is the third time this season."

"Does it help that the dog has his pass?" you chuckled, holding up both your pass and Leo's as if to compensate.

"Alright, alright," the guard burst into laughter, shaking his head. "But next time, no excuses. We’ll let you through this time. Right Mrs. Leclerc?"

You smiled widely at the guard calling you by your new middle name, "I'll make sure he doesn't forget it!"

"Thank you!" Charles said, relieved, as the car was waved through. He reached over to scratch Leo's head. "Looks like you're the star of the show today, buddy."

Leo barked happily, tail wagging as you all stepped out of the car. The familiar buzz of the paddock enveloped you, the hum of engines, the chatter of the teams, and the clicking of cameras.

As Charles go through the gates, you and Leo following close behind, a camera from Ferrari's social media team approached him and asked how was he feeling about the start of Race Weekend.

"Started the morning without my pass," he said as he kept walking, Luckily they let me through and my wife had our dog's pass," you laughed quietly from behind him, "So today I can get to work and tomorrow we drive, so it's all good. But I almost missed out on race weekend for a pass."

The camera team chuckled at Charles’s confession, "Well, it’s good to know Mrs. Leclerc and Leo are on top of things," one of the team members remarked, directing the camera toward you and Leo.

"Always ready to save the day!" you gave a playful salute to the camera.

You and Charles made it to the Ferrari area, where his team would tell him what activities he had to do before getting in the track, as you walked hand in hand, you noticed that a couple of Tifosi were hanging around, and a little boy who's eyes lit up as Charles walked by caught your attention.boy,

"Baby, look," you called for Charles, pointing at the little boy, "Why don't you go say hi."

Charles followed your gaze and noticed the little boy standing shyly among the crowd of Tifosi, clutching a miniature Ferrari car in his hands. His eyes were wide with excitement as he looked up at Charles.

Charles smiled warmly and made his way over to the boy, crouching down to be at his level. "Ciao, piccolo amico," he greeted, extending his hand. "What's your name?"

The boy told Charles his name, and as you stood back watching the interaction, you couldn't help but think how good he was his kids.

Even before you got married, you and Charles had talked about wanting a family together, but you agreed that would needed to wait until the time was right.

However, every time you saw him interact with little kids you couldn't help but feel what people called "baby fever" take over your body.

The little boy handed Charles his little Ferrari toy for him to sign, "Now it's even faster!" Charles said as he handed it back to him, "Would you like to meet my wife and our dog, Leo?"

"Yes, please!" the boy's ever grew even wider.

Charles beckoned you over, and you walked up with Leo trotting happily beside you. "Hii, this is Leo. Do you want to pet him?"you said warmly

The boy hesitated for a moment, then reached out tentatively. Leo, always friendly, wagged his tail and leaned into the boy's hand.

"He's so soft," he said, beaming up at you. "And he's got his own pass!"

"Yes, he does," you laughed, "He's a very special member of the team."

After taking a few pictures with Charles, the boy went back with his parents with a happy smile on his face.

"You're really good with kids, did you know that?" you said to Charles, feeling his arm wrap around your waist and pull you to him.

"I love being around kids," he caressed your cheek softly, "Little fans always make my day."

"You'll be such an amazing dad someday," you let out before you could even stop yourself, watching Charles' smile grow bigger at your words.

"Am I sensing some baby fever?" Charles teased, making you cover your face in embarrassment.

"It's not baby fever!" you protested and Charles gave you a raised eyebrow, "It's not!"

"Sure, sure," Charles chuckled, pulling you closer and planting a gentle kiss on your forehead. "Whatever you say, Mrs. Leclerc."

"Don't tease me, it's true," he raised an eyebrow at you again, "Okay, maybe I'm getting a bit of baby fever, but we agreed to wait until the time is right and that's fine."

"I know, I know," he pulled you to his chest, kissing the crown of your head, "But honestly, I can't wait to have our own little ones to bring to the races. You'd be an amazing mom and Leo would be a big brother."

You threw your head back in laughter, pecking his lips softly, "That sounds like the dream."

"It does," he kissed your lips again, "Now, I have to get to work to make my wife and kid proud."

"Go do that, Leo will be cheering you on."

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thepunkmuppet · 8 months

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the possible future of the hatchetfield series: hatchetfield halloween party livestream full rundown

again apologies if someone has already done something like this, but I’m procrastinating doing my coursework and just want to talk about hatchetfield I want everyone to be aware of this exciting stuff that was announced in the stream so here you go:

the next starkid musical to be released will not be in the hatchetfield universe.

the guy who didn’t like musicals will soon be ready to license.

nightmare time 3 was originally planned to be released in the same year as nightmare time 2 and will wrap up the overarching nightmare time stories (which seem to be miss holloway and the foster sisters respectively).

if they did a fourth hatchetfield musical, it would be about miss holloway and her backstory. it is already written. I am very very extremely normal about this fact 😃

there is a possibility of a hatchetfield movie, and workin’ boys was sort of a test for this concept. it would be a slasher murder mystery centering around the hatchetfield community players (zoey chambers and the cast of workin’ girls, possibly also with ruth, hidgens, alice and any other theatre-oriented characters but that part’s just my speculation). the transcription of the teaser description can be found below the nmt descriptions.

ok so here are the transcriptions of the nmt3 episode descriptions:

Story #1: Bottle Imps

Bill Woodward has been chosen to test CCRP’s latest and greatest product; Bottle Imps. These reality-bending buddies will bring their owner the one thing they desire most. When his new imp, Lovely, leads him to his soulmate, Bill decides to use his magical companion to play matchmaker. But to help Charlotte find the man of her dreams, Bill will have to bend the Imp’s rules. Rules he’s been warned, must never be broken…

Story #2: Frankenruth

Desperate to see a naked body, Ruth Fleming and Richie Lipschitz volunteer at the morgue of St. Damien’s Hospital. Their terrible plan becomes exponentially more terrible, when they become unwitting subjects in the experiments of the body-snatching madman, Doctor Laszlo, who claims to have conquered death itself. If Hatchetfield thought Ruth was bad before, then they will cower before the unspeakable horror of… Frankenruth!

Story #3: Becky Barnes Climbed a Tree

Becky Barnes is on top of the world! Not in a literal sense, of course. She’s deathly afraid of heights. After years of struggle, Becky’s life is finally everything she dreamed it would be. She’s engaged to her high school sweetheart, Tom Houston, and the two have a surprise baby on the way! But, as the couple prepare for the arrival of baby Marie, a shadow from Becky’s past returns to haunt them.

Story #4: Devil’s Night

Tim Houston has a crush. Unfortunately, it’s on his older, mature and totally cool babysitter, Grace Chasity, who he fears will never see him as anything but a snot-nosed little kid. But when a devilish maniac with murderous designs on Grace attacks Hatchetfield the night before Halloween, Tim must protect his beloved, or join the killer’s growing body count. It’s another slashing adventure on the night HE came home… Devil’s Night.

Story #5: (long special episode) Miss Holloween

It’s Halloween in Hatchetfield once again, and Miss Holloway is celebrating the same way she’s done for decades, staving off the horrors that go bump in the night. But when Duke gives her an invitation to his wedding, the dejected Miss Holloway begins to chafe under the terms of a contract forged many years ago. She strikes a new bargain, but unfortunately her creditors are known for their tricks, not treats. Just as Miss Holloway gives up her powers in exchange for a mortal life, a monstrous new threat rears its ugly head. As All Hallows Eve descends, and all Hell breaks loose, Miss Holloway must save the town or die trying… for real this time.

Story #6: (long special episode / season finale) Orb Weaver

Lex Foster had a life once. A home. A boyfriend. Now there is only the road, and her sister, and the fear of the men who are hunting them. As Hannah Foster watched Lex sink deeper into despair, she is certain of only three things: Webby is gone. She cannot help them. They are alone. Elsewhere, an old soldier awakens from a catatonic state. Returned from some unimaginable Hell with a mission. He knows that somewhere, two magical girls require immediate evac… then maybe some coffee.

very important: if you want nightmare time 3, WATCH NIGHTMARE TIME 2. BUY A TICKET TO THE LIVESTREAM. SHOW THAT THERE IS LOVE AND DEMAND AND IT’S WORTH THEIR TIME AND MONEY I AM BEGGING YOU

hatchetfield movie: Cast Party Massacre

The Hatchetfield Community Players. You will never find a cattier troupe of two-faced thespians. But when the blood begins to flow at their latest show’s cast party, they must consider: is there a secret murderer in their midst? And more importantly, who amongst them is a good enough actor to pull off such a performance? Can they set aside their petty squabbles and tangled romances, or is it curtains for this ensemble? Who will survive… the Cast Party Massacre!

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picturejasper20 · 7 months

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Steven Universe as a character is someone who has been mischaracterized and flanderized over the years, to the point people who aren't into the fandom or haven't watched the show believe that mischaracterization to be a fact rather that a product that comes from memes and jokes

The truth is that Steven often fights in the series when it is needed, usually by fusing with someone else like Connie or Amethyst since he is still developing his powers in the original series. He doesn't cry when he has to fight back or defend himself, with exception if the person attacking is someone he considers a friend. Because, yes, for a 14-15 old teenager it isn't fun having to do something like that and it can be traumatic.

He also doesn't start to cry the moment someone refuses to change their mind or is being mean. He often isn't afraid to be sarcastic or call that person out. He didn't cry when Aquamarine mocked him in ¨Stuck Together¨ nor when Jasper didn't apologize for poofing Amethyst in ¨Crack the Whip¨

However, what we see is sometimes him blaming himself for not being able to help people that, more often than not, have been hurt by Rose Quartz, his mother, in some way. After Season 3, Steven fears a lot that he is going to become like Rose and he is going to hurt people the way like she did.

In general Steven deals with an Atlas complex in the show. He feels like he has to fix his mother mistakes and deal with ¨what she left behind¨ even when Rose wanted for him to be his own person as seen in the tape she left for him as it was revealed in the episode ¨Lion 4: The Alternate Ending¨.

Steven also defines his identity a lot for being to help other people and fix their problems. He believes that he has to be ¨useful¨ for others. So when he believes that he failed to help someone, that may lead him to think that he isn't living up to his ¨purpose¨ or that he is a failure as a person.

In reality, he isn't that much different from other hero protagonists from other animated shows. Those who are kind and emphatic and willing to listen to other people and give them a second chance if the person changes their ways. You probably like an animated show that has a protagonist like this. (Who was probably taken inspiration from Steven if the series came out after SU).

The main difference, i think, is that Steven goes a bit more than those protagonists do when it comes to listening to other people, understand their motivations and give them another chance if they regret their actions. A lot has to do with how he is aware that his enemies (usually gems) act the way the do because of the system they were born into rather ¨they are evil just because¨. He gets that their motivations come from the system that hurt them or lead them to believe that their actions are justified.

Another common mischaracterization is that Steven becomes super buddies with every person he helps...when this isn't always the case. There are some occasions that Steven shows discomfort around people who he has given a second chance. Just because he gives them a second chance doesn't mean that he immediately considers them close friends, maybe allies at best.

A good example of this is the gif above of Steven's interactions with White Diamond in ¨Homeworld Bound¨. White Diamond touches Steven very close to where his gem is- which makes Steven distressed since in his battle again White, she ripped his gem out to prove that Pink was still ¨alive¨. In most of the episode Steven shows to be very uncomfortable around the Diamonds and Spinel, to some extent. They bring him bad memories, which is the main reason he has been doing everything to avoid going to them to ask for their help until this point in Steven Universe Future. He even almost accidentally hurts White's gem by smashing her head against a pillar when she lets him control her to talk to himself. This being result of a intrusive ¨vengeful¨ thought.

I wouldn't say that Steven hates the Diamonds,but- he doesn't want to be their friend neither and wants to avoid in general because he feels nervous and bad around them. It's something like ¨I'm glad that you are changing but i don't want to be associated with you. Please, i would appreciate if you kept your distance from me.¨ dynamic.

On last point, Steven is someone who usually pushes his feelings down in certain situations and buries them down, which has led him to have strong emotional outbursts in bad moments. He usually prefers to ignore his own problems and take priority on others. Again, this comes a lot from his desire to be useful and be needed, making him trying to ignore how he feels about certain people and pretend that he is doing fine.

This explains why we don't see him lash out that much to others in the original series, and, why he feels so frustrated and angry in Future, since all that anger and negative feelings can't no longer be ignored as they used to and they are having a negative impact in Steven's mental health. This, of course, isn't meant to be seen is a healthy coping mechanism. It is in fact potrayed as something pretty self-destructive for Steven, as a huge flaw of his, that over time he comes to learn that it isn't the best way for him to deal with his problems.

These are some of the most common misconceptions i have seen about Steven's character online. I could go in more depth with some of them but i think the points should be clear enough. This could be considered a general analysis of how Steven is as a character and how he operates, leaving aside more specific things that can be covered in other posts.

#steven universe #steven quartz universe #steven universe future #rose quartz #su analysis

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theladyyavilee · 2 years

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season 4 buddie/bathena parallels, season 5 buddie/madney parallels, SEASON 6 BUDDIE/HENREN PARALLELS, PLEASE AND THANK YOU 👀👀👀

#9-1-1 #buddie #eddie diaz #evan buckley #I would cry <3 #I am so ready to find out more about henren and how they started out #and more about karen in general #and I just #they <3 #they are THE romantic blueprint on 911 #and I'm sure there'll be parallels #but also QUEER LOVE as a concept is jsut everything and I CANNOT WAIT #also OBVIOUSLY in addition to the madney/buddie parallels we are gonna get FOR SURE because eddie and chim are both #in love with a buckley sibling they share a kid a with and being idiots about it <3 #and I mean #there are always buddie/bathena parallels #but THIS SEASON WE ARE GOING FOR THE TRIFECTA

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norrisleclercf1 · 7 months

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You Can't Leave Me

Pairing: Charles Leclerc x Female!Reader x Lando Norris

Rating: R

Words: 2.6K

Warnings: Pure and utter angst, some humor as a coping mechanism, hospitals, crashes, medical talk, it's just heartbreak guys I'm sorry

Our Boy Series Masterlist

Synopsis: Monza. Rain. Nothing could go wrong at the Temple of Speed

"You can't act up when sitting here, do you understand?" Elijah groans as his Dad points at him. Elijah should've said yes when his Papa asked him to sit at the Red Bull pit wall instead. "Dad, I'm 18. I think I can act like a big boy and sit on the pit wall." Lando tightens his glare as the rain pours down around them.

Monza. The temple of speed and the track everyone loved for the hard racing, especially this year. The battle for the WDC was tight this year, facing off between his Dad, Uncle Max, and Uncle Oscar, who was still killing it at McLaren. Charles wasn't having the best season, as he was there but not where he wanted it to be.

Charles never once complained, as he loved watching Lando race and showing everyone how amazing he was as a driver. "Elijah, don't give me lip," Lando grumbles as he fixes Elijah's jacket. "Dad can do it myself." He laughs, not caring that he is getting drenched in the rain. The fans would eat up his wet and wild look right now. "Elijah, just let him." Charles pops up behind his son, pulling him in for a kiss on the cheek.

"Yeah, but I'm not a baby anymore." He groans, seeing the 3 of them on the big screen. Charles chuckles as the fans go wild and nods to the camera that quickly looks away. "Doesn't matter. You're our baby boy, and you'll get treated like it." Charles reaches out and pinches Lando's cheek, who slaps it away.

"The rain is letting up," Lando looks up to the sky, the rain dripping down his skin, and Elijah makes a face seeing the lovey-dovey face on his Papa's. "Yep, how about you two stop bullying your son and get ready." Elijah turns, smiling brightly, seeing his Uncle Max and Christian. "Hey, good lucky kiss?" Lando asks. Charles rolls his eyes and quickly dips, and they kiss with Elijah's body, blocking out any cameras.

"Oi, you too." Lando juts out his cheek, and Elijah whines loudly, shoving his Dad away. "I'm 18, Dad." Lando gets this look on his face but quickly wipes it out with a smirk. "Yeah, alright. I'll go get a kiss from your sister and brother anyway." Lando waves as he runs off into the garage. Charles looks Elijah up and down before shaking his head.

"Love you, Ducky," Charles whispers, entering the Mercedes garage. Turning, he sees Max slightly glaring at him. "What?" Max sighs and pulls Elijah into a side hug. "You should still give him kisses, Elijah; you never know when it'll be the last one." Max pats him as he yells back at GP he's coming. Rolling his eyes, Elijah slides on the RB headset and settles in for a long, wet, crazy Monza race.

"There's my girls," Lando beams, approaching you and Cecile. "Daddy!" Cecile beams as she hugs him tightly, Lando savoring the moment. He had this feeling. He couldn't explain it. Usually, he would be quick with his hugs and kisses, but this time, he let each one linger more.

"Everything okay?" Lando pulls away from Cecile, meeting your worried expression. "Yeah, of course, love." Lando makes a face at Callum, who giggles loudly with the large headphones on his head. "Just nervous," Lando adds, kissing you gently and then Callum on his cheeks. "Daddy!" Callum claps happily.

"Yes, buddy," Clearing his throat, he takes the 3 of you in before shooing you off to see Charles. "See you after the race!" "You better!" You tease back as one of the team members throws up an umbrella, leading you to the Mercedes garage. Lando takes 3 deep breaths, remembering his breath techniques to calm him down. Sliding down into the cockpit, he smiles at the little picture of his family and touches it softly. "Alright, let's go." He says into the radio, getting a reply.

"You know the last time you sat here, you were 8 and watched your Papa win." Christian talks into his headset, which has Elijah turning and smiling. "Yeah, I don't know who was happier. Ferrari or Uncle Max." Christian laughs, knowing all about Lestappen and how close they are. "Yeah, never seen a driver happier to lose a WDC, but here we are." Elijah chuckles. The picture of Max and Charles crying as they hugged was hanging up in their house. It was a gift from Max to Charles.

"Hey, are you sure it's okay for them to race in something like this?" Elijah wasn't one to worry about rain during a race, but something in his head told him it wasn't right. "Yeah, kid. They're okay. It's a Saftey Car start anyways." Christian waves off Elijah's worries, helping ease some of the younger one's tension. "I know, but….still," Elijah grumbles, looking at the screen as his Dad pulls up to the P2 spot behind his Uncle Oscar. "It'll be fine, besides," Christian moves and points to a button with his last name lit up. "If you get nervous, hit them, and you can talk to your Dad." Elijah gives him a tense smile and gently hits the button.

"Dad?" Letting it go, he waits for the familiar clicking and sighs, hearing Lando's voice fill his ears. "Hey, Ducky. Miss me already?" He jokes Elijah, smiling at the stupid nickname. "Be careful, old man or Uncle Carlos will jump down your throat." Lando shakes his head, the camera zooming in on the motion.

"I'm not old. That's your Papa." Lando lets go of the radio button and smiles, that feeling from earlier easing. The lights go out, and Lando follows the blinking lights of the Saftey Car and Oscar. He knew this track well. It was the first win for McLaren and a track he's always been great at. He had nothing to worry about.

"He's doing great, kid!" Christian laughs as the rain continues to batter the drivers and fans alike. Elijah was slightly glad he didn't have to race today. This rain was horrible. Clearly, not if the FIA was letting the race go on. "Dad, you're currently P1. Piastri is .2 behind you." Elijah, let's go of the button just once in a while, giving him an update. Glad that Christian was letting him do this.

Looking at the track map, he sees his Papa is battling Russel and the new rookie in McLaren for P4. But, sadly, they wouldn't be fighting for a podium too far back from his Uncle Max. Elijah smiles, clicking on the radio again to talk to his Dad, but the sound of screams has him looking up at the screen quickly.

There on the screen, through the thick clouds of smoke and rain laid in a bile of metal, was his Dad's car. Elijah doesn't know whose screams are louder, those in the stands or in the garage behind him. "Dad?" Elijah pleads, hoping that Lando will answer. "Dad? Are you okay?" It's static silence on the other end, Elijah choking on a laugh. This was some sick prank. Lando had to be okay.

"God dammit, Dad! Answer me! Are you okay?" Elijah rips his hand away as he pulls at his blonde locks, praying for some click of the radio or anything. The mechanics and everyone else around him were scrambling as the smell of burnt rubber and oil filled his lungs. "Daddy? Please, you've got to answer me." Elijah whimpers, finger white from how hard he pressed the radio button.

Strong arms wrap around Elijah's middle and pull him back. "No! No, Daddy! No, stop; I have to make sure he's okay! Daddy!" Elijah screams; people stop and stare as the arms pull harder, Elijah fighting. Another pair joins as they rip him away from the only comfort he's got. "No!" Like a wounded animal, Elijah roars as they pull him into the Red Bull garage. "Elijah, hey, it's me. Elijah, it's me!" He doesn't listen as he sobs, pulling at his hair as he tries his best to get back to the radio.

"Ducky," A broken whisper as Elijah finally looks up, seeing the grim look on his Papa's face. "No, no. Don't." He begs, seeing it was Carlos and Max holding him back. "He," Elijah chokes and sputters on spit as he breaks. People yell, rushing the cameras out as Charles moves to your side. Elijah couldn't bear to look at you and Cecile. His Dad had to be okay. He was okay. He is okay. "Eli, come on," Cecile whispers, pulling his hands out of his hair.

Cecile was stone cold; no emotion showed on her face. "Cece," she hauls her brother to his feet, with his weight supported by her two uncles. "The race is canceled. We're coming with you." Max leaves no room open for a fight as he grabs the keys out of Charles's hands.

Elijah doesn't remember the drive; one moment, he's in the garage screaming, and the next, numb in the hallways of an Italian hospital. Cecile was holding Callum as you were curled into Charles, sobbing loudly, Charles hiding his face in your hair. Max and Carlos caged Elijah to ensure he didn't bolt.

"He didn't answer me," Elijah whispered. Charles looked up at his son but could not comfort him. "He was probably unconscious. It happens." Max replies, playing with Lando's hat. "Not like that," You whimper; Charles shushes you as you release a fresh wave of sobs. "I'm going for a walk." Cecile blurts, handing the sleeping toddler off to Carlos.

"Cece, wait." Elijah reaches out for his sister, but she pulls back anger in her eyes. "Just let her go," Max whispers, watching as Cecile rounds a corner.

"Um, loved ones of Lando Norris-Leclerc?" Elijah stands quickly as the others just look at the nurse. "We're his loved ones. I'm his son." The nurse sighs and looks over their shoulder as a haggard-looking doctor walks over. "Is there an adult I can talk to?" The accent was thick, but Elijah understood him perfectly. "I am an adult! I'm 18. Look, can you tell us," "Ducky, stop." Charles stands and walks over, stopping next to him.

"I'm Charles Norris-Leclerc, his husband. Just," Charles takes a deep breath, gathering himself. "Is he alive? Is," Charles's chest shakes as he steadies himself. "Is my husband alive?" Elijah stares at his father, seeing the man who is usually so strong, broken before him. The doctor looks Charles up and down and rubs the back of his neck.

"Mr. Norris-Leclerc, I'm sorry," "No, no, he's not. He can't." Elijah whimpers, staggering back into his Uncle Carlos's chest. "Say it," Charles whispers, looking over at you. "I'm sorry, but he's in a medically induced coma." You stand, tripping over the chairs as you grasp Charles's arm. "He's alive?" The doctor nods, groaning as he tries to find the right words.

"He's got intracranial bleeding. That means his brain is bleeding. You don't want that. Not only that, he's got multiple broken bones and a ruptured spleen, and we don't know how he is… cognitively. He's in a coma to help us reduce the swelling in his brain and deal with the mountain of injuries. We have a 24-hour window to see if he makes it through the night. Then, he may survive, but there's no promise." Elijah stops listening to the doctor ramble as he collapses against his Uncle, crying.

"Elijah, we can go see him." You whisper, wiping your eyes as Charles gathers Callum into his arms, a death grip on the child. Cecile standing far back. "I can't, Papa. I don't want to see Daddy like that." She whispers; Charles nods and walks over, kissing her before handing her to Max. Walking to the room, Elijah tries to prepare himself, the nurse speaking softly as he heads to the neuro-ICU ward.

"Listen, nothing ever prepares you for this. If you can't handle it, that's okay. But, he's not going to look like himself." The nurse warns them, but you don't care and walk in first. "Lando, oh baby." You whimper and drop into the chair beside his bed. He was littered with wires, tubes, and bandages.

"His curls," Elijah whispers, standing at the foot of the bed. "What, baby?" "Dad's curls, they're gone." It was stupid to point out, and your laugh proved that. "Oh, that's okay. He'll grow them out again." Charles whispers, taking Lando's other side. "I didn't kiss him," Charles looks up, and fresh tears gather in his eyes. "You can kiss him now," His Papa whispers, reaching for him.

Elijah walks over and stops, taking in the battered and mangled body of his Dad. "I should've kissed you, Daddy. I'm not too old; I'll never be too old for you. You're, you're always going to be my dad. And I don't care that you fuss over or kiss me. You can embarrass me for the rest of my life; I'll never be too old." Elijah sobs as he crumbles to the floor, sobbing into Charles's lap.

"You can't leave me, not yet, Lando. We're not ready." You whisper, kissing a cheek as you listen to the gentle beating of the machines. Charles shudders out a breath as Elijah's sobs quiet down, falling asleep from exhaustion. He doesn't know the time, but you're soon asleep on the couch in the room with Callum in your arms.

"Lando," Charles whispers, chuckling at how his hands weren't injured, just a broken toe or two on his feet. "You knew, didn't you? People always say before a disaster that they can feel it. Did you?" Charles leans in closer, resting his head gently over his heart. "You've never been nervous to race in the rain. You're the best in the rain, I envy that. This should be me. You would be handling this better than me." Charles takes a deep breath and listens to the steady thump of his heart.

"Don't leave, you can't. You still have to teach Cecile how to drive. Kiss Elijah some more on camera when all the cute girls are watching. Callum, Callum needs his Daddy. Y/n, she needs you, will kill each other if you're gone, so you can't. Do you hear me? You can't leave me yet, not yet. I go first; that was our deal. Me, not you." Charles sighs, touching the bandages on Lando's head.

"Did they have to shave the curls?" Someone snorts at the door, and Charles turns, seeing Oscar with Cecile standing before him. "He looks like a mummy." Charles laughs, holding his hand out for his daughter. "Yeah, he kinda does." Cecile walks over and sits in Charles's lap, staring at Lando.

"She felt ready, so I brought her here," Oscar whispers, sitting down where you were not too long ago. "Thank you," Charles whispers as Cecile traces the tubes and wire. "He'll be okay." Oscar looks at Cecile, who smiles softly. "No way Daddy dies with a bald head." Charles covers his mouth, trying not to laugh as Oscar fails. "You're right, he'd haunt our ass for letting that happen." Charles takes one last deep breath and wipes his eyes.

Lando wasn't leaving, not yet. And Charles was going to make sure of that. A nurse comes in, but Oscar holds up his hand. "Let everyone in or stay. But we're not leaving." They seem ready to argue but sigh, moving to the side as everyone else files into the room. None of them are prepared for Lando to leave them just yet.

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bloodyshadow1 · 26 days

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I get people being sympathetic to the Rat grinders, I really do, but the way people will out right lie about canon to make the Bad Kids the villains. The Rat Grinders are kids, they're being groomed by charismatic and dangerous teachers who they trusted, they're corrupted by rage so they're not thinking straight. At the end of the day, that makes them cultists, pitiable and sympathetic, but still villains who are perfectly willing to create a hell on earth for the plan.

I've seen posts condemning the bad kids for killing the rat grinders, I've seen posts calling the Bad Kids bullies this season, I've seen posts that blame the Bad Kids for the whole thing saying the rat grinders are just kids who are being tricked. It's all bullshit, whatever your headcanons, whatever your feelings on the Rat Grinders, they're not the good guys here and are very much the villains this season.

The bad kids killed the 3 of the rat grinders this fight, Ivy, Oisin, and Ruben. No, they didn't stop to try and reach out to them, to try and make them see the light. The Rat Grinders are trying to condemn a whole town to become the domain of a the new god of rage and murder a goddess to usurp her domain. They are high level with the capacity to cast 9th level spells regardless of their hp, with two epic level pc's with super abilities that normal class features don't cover. If the Bad Kids hesitated they would be dead, they knew that, the Rat grinders tried to murder them little over an hour ago. They've hated the bad kids for years and now decided to make their vendetta known, they fucked around and found out.

Which leads me to my second point, the Bad Kids are not bullying the Rat grinders. They're not pleasant to the rat grinders, but you don't have to be nice to the people who hate you. Other than Fig, who I will admit was messed up with how she treated Ruben this year, but also the Rat Grinders did something similar, they were just bad at it, the Bad Kids mostly ignored the Rat grinders. The worst thing the other bad Kids do to the Rat Grinders is make fun of Kipperlily's name, that's it. They don't even do it in front of other students, unless they legitimately forget her name, other than that it's only in front of each other or not other students like Alewyn or Jawbone. It's not great, but that is literally all they have done.

The Rat grinders however, have done all they could to make themselves enemies of the Bad Kids. Ivy was a mean racist bitch who helped steal the cloudrider engine and place pingpong balls all over seacaster manor for the plan. Ruben tried to get the bad kids to take drugs knowing it would get them in trouble. He intentionally had frosty fair held at Gorgug's home to corrupt it, putting not only Gorgug's family in danger but countless other people. Sure Jace had a hand in that, but at best Ruben was an accomplice. Buddy was a smug creep who vandalized Kristen's locker, threatened her brother, and demeaned her and her goddess, without being corrupted by rage. Mary Ann legitimately didn't do anything wrong this season she was just there and did her best on the field as she was supposed to (not even saying this as a joke, she has literally done nothing bad on screen so it's hard to judge her like the rest). But Oisin tried to honey pot Adaine the first week of school, stole the cloudrider engine and the pingpong ball trap, and sent a whole pack of dragons on them to murder them and hundreds of other kids. Kipperlily has been goading the bad kids since the first day of school, she has tried every dirty trick to try and win. She has murdered people, not even people affiliated with the bad kids, but people like Buddy who was on her side, she's tried to murder the bad kids or at least make sure it's harder for them to come back to life if they die, she's stolen from them, she's tried to kill them, she's done everything bad the fans have accused the bad kids of but worse.

And that's just the Rat Grinder's individually. Why are the Bad Kids monsters for killing dangerous people who have tried to kill them, but the Rat Grinders aren't? The Rat Grinders literally tried to commit mass murder of their school a little more than an hour. 500 students of the Aguefort adventuring academy were in Seacaster manor when it was brought into the sky and beset by dragons. 500 innocent bystanders, almost all children, half of them younger than both parties.

I'll get to the rage stars in another post, but I just want to finish this off with, the Rat Grinders are kids, kids who are being groomed by evil men and corrupted by magic. But the Bad Kids are just kids too. They're kids who have been specifically targeted by the rat grinders. The rat grinders started this feud, the Bad Kids retaliated and were better at it. If you're going to take a shot at the king you better not miss, and the rat grinders have been missing their shots this whole season. I don't get why people are blaming the bad kids for trying to save the world but it pisses me off. I apologize for the rant but the tag is for everyone

#fantasy high #fantasy high spoilers #fantasy high junior year #fhjy #fhjy spoilers #the rat grinders #the bad kids #riz gukgak #fig faeth #kristen applebees #gorgug thistlespring #fabian seacaster #adaine abernant #long post #fantasy high meta #d20 #d20 spoilers

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sevensoulmates · 1 month

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Buddie 7x06 Meta

HURRAH! It's not a four-parter this time!! Just a one-parter! It's a Madney/Chim-centric episode (which by the way I loved) but the buddie we got was AMAZING! I'm so excited for the rest of the season. We're just gonna dive right in!

First, I want to say that with the hindsight of this episode, we now know that the bachelor party was not ACTUALLY something that needed to happen, narrative-wise. It didn't actually contribute anything to the Chim plot, as that would've happened with or without buddie going crazy in the hotel room. So, all of the Bachelor Party was written purely for the purpose of watching Buck and Eddie have a good time. Maybe for comedic relief, maybe for the purposes of furthering their story at a later point in the series. Time will tell.

First, I've seen other people point out that Buck expected Eddie to be early (even though he's the first person there) because he wanted Eddie to help him set up for Chim's party. To Buck, Eddie is the person who helps him with everything. This is Buck's idea, yes, but Eddie is the proverbial co-host in this married dynamic. So Eddie being "late" feels more like Buck being disappointed his partner wasn't there to help him behind the scenes to make everything perfect. It really does make the whole scene feel like Buck-and-Eddie (the bro-in-laws) throwing the party. So of course Eddie's breaking the unspoken rules by being late.

I love how Eddie walks in completely ready to be fawned over by Buck with their couple's outfit. It's hilarious to me because 1.) Tommy was planning on coming, Buck could've told Eddie he wanted to do a couple outfits with Tommy instead?, and 2.) Eddie was fishing for compliments and it just makes me giggle. If Buck wasn't so stressed out over this bachelor party, he likely would've reacted how Eddie wanted and given him a bunch of compliments on his look. It was jaw-dropping. If most of us (the audience) were blown away seeing Eddie in a pink suit for the first time in the bts (to the point where most of us were like "no way he's in character, this has to be Ryan's wardrobe choice"), I know that the other characters were too. It's not Eddie's typical wardrobe choice. In fact, it's such an out-of-character fashion choice for him, that it's unlikely that Eddie just had this lying around in his closet to throw on. He probably had to go and buy a suit like this just for the occasion. Eddie had to put in a lot of effort to do this couple's costume with Buck, and he did it all happily and enthusiastically. We'll come back to this in just a second because...

CLIPBOARD BUCK IS BACK! sans clipboard but you get my drift. I love how this visually connects Buck to his sister and harkens back to a lovely Buddie moment "This is Eddie's house, I'm not really a guest" back in season 3. This time around, we have Eddie assuming he would get special husband privileges and is pouty when Buck doesn't allow it.

BUT at the same time, he's not getting on Buck's case too much about it beyond the initial pouting. He may not know why Buck's so insistent on throwing a party, but he knows it's what Buck wants, so he moves on, and even watches with somewhat amusement when clipboard Buck gets turned on Ravi for doing the same thing later.

I also want to point out that Eddie has never once, ever, been upset with, annoyed by, or irritated with Buck when he's in Clipboard Buck mode. Most of the time, Eddie either finds it amusing cute, or is just generally accepting of it. This is no exception, however, this later devolves into Buck and Eddie going absolutely wild. This further exemplifies how Buck and Eddie accept and support each other, even when the other is being lowkey stupid (everything they do at the bachelor party) or unreasonable (clipboard Buck). It's all very much partner in crime coded.

Framing. Jesus Christ the FRAMING. Tommy walks in and not even two seconds into the interaction, the camera frames Eddie FRONT AND CENTER between them, watching Buck and then watching Tommy. Buck and Tommy hug and when they pull back, there's Eddie watching them with an odd look on his face. I'm not going to go so far as to call this jealousy/pettiness, but it is odd. There's an intimate physical moment between Buck and Tommy, and then Eddie, who constantly haunts their narrative, is just there. And he's actually objecting to Tommy's presence there. Not in a mean or hostile way, but just a second ago he was high-fiving Tommy, welcoming him in, but once the physical special relationship between Buck and Tommy is established, Eddie starts to bristle a little bit.

This entire exchange is just odd. Eddie knows that Tommy is friends with Chim. He has every right to be there for Chim alone. He's also aware that Buck now has a closer relationship with Tommy, and Buck's the only one who wants this bachelor party, so it should be obvious that Tommy would come. And yet...Eddie is questioning Tommy's presence there. He's reducing Tommy to Buck's "date", not Eddie's friend or Chim's friend, or someone who's slowly integrating into the group. No, it only becomes a problem when Tommy is there as "Buck's date".

This is then proven by Tommy, who's actually known Chimney longer than either Buck or Eddie have known him. He has all the right to be invited. But what's especially interesting is Buck's face when Eddie starts expressing objections to Tommy's presence. He looks shocked, a little worried, loss for words. Like he's worried Eddie is disapproving of them. It could be worry lingering from last episode, where Buck was afraid of his queerness pushing Eddie away. It also showcases a bit of awkwardness between Tommy and Eddie too. Eddie has been established as enjoying spending time with Tommy, and now he's hesitant to have Tommy in spaces with Buck as a romantic partner. It demonstrates that maybe Eddie isn't as comfortable with Buck and Tommy together as he led Buck/the audience to believe. But where is that uncomfortablity stemming from? That's yet to be determined canonically.

Buck then goes on the deny that Tommy is his date (for the bachelor party) and insists that Tommy is only his date officially tomorrow at the wedding. I personally don't understand why Buck would need to clarify that Tommy isn't his date to the bachelor party. If they're dates for one, it's usually assumed they're dates for the other, especially given how close the events are. I get that Buck wants to make the night about Chimney, but it can be about Chimney and still have Tommy there as a date.

This is also an interesting line that I've pondered over. Because while it's true that taking Tommy as a date anywhere would be hard launching both Buck's queerness and his relationship with Tommy, which could draw attention away from Madney and to Buck, but it also shouldn't be that big of a deal (and is proven at the end of the episode too). If the wedding had gone to plan originally, then Buck and Tommy going together wouldn't have had to have drawn too much attention. He could've told Chim, Hen, his parents + everyone separately before the ceremony even began. It didn't have to be such a huge deal, so I was wondering why Eddie brings out the usual phrase the show tends to use when they want to remind Buck that not everything is about him. But Buck wasn't trying to make it about him. Eddie should know this. As much as Buck has had issues in the past of taking things far too personally, and believing things to be more about him than they actually are, that's not what is happening here.

I actually think Eddie saying this line is more revealing of Eddie's feelings than it is about Buck making it about him again. It's revealing that Buck, his relationship with Tommy, and Buck's queerness are a big deal to Eddie, enough so that he believes it will draw a lot of attention. And maybe Eddie's not as cool with the idea of everyone knowing about Buck and Tommy as he tells himself. I want to reiterate that I don't believe any of this stems from legit homophobia towards Buck and/or Tommy, but more so a discomfort Eddie harbors about Buck's queerness, what it means for Eddie, and what Buck being with Tommy takes away from Eddie. All of this is unconscious, confusing, and frustrating for Eddie, and therefore what comes out of Eddie's mouth is a barb at Buck's expense. And it's why his reaction to BuckTommy at the end of the episode is kind of muted but mostly positive. He's confused.

Buck had told Tommy previously that it was an 80s theme party and asked him to dress up. This brings me back to my previous point that Buck could've asked Tommy to dress up with him. Instead, Buck and Eddie are framed as the literal "couple" here visually, and Tommy is framed as the odd one out. Not only that, but what he is wearing is a Henley, which as most of us know, is a staple of Eddie's wardrobe. (General author's note: I don't usually harp on about wardrobe choices in the show because that's not my specialty but I will here because it is a textual part of the plot).

We've previously established in the last few episodes that Tommy is a narrative mirror to Eddie. Tommy's meant to be like Eddie in almost every way, same interests, similar personality types, etc. He's even paralleling Eddie here by dressing the same way Eddie normally dresses. But it's being juxtaposed by Eddie standing right beside him (once again Eddie is framed in the middle throughout this entire exchange with Buck/Tommy when Eddie very easily could've just stepped off to the side to let them have some privacy). EDDIE is dressed way differently than he usually is in a bright pink suit, going out of his way to make Buck happy even if it brings him out of his comfort zone wardrobe-wise. And in contrast, Tommy did not take the time to dress up, even though he knew Buck wanted him to. I'm not saying that this makes Tommy a bad person, or inconsiderate of Buck, but it's just one of those little things. One of those forethought things that Tommy just isn't aware of because he's only been dating Buck for a few weeks at this point.

Others have pointed out that Tommy would've had to change out of his clothes and into his uniform regardless if he was on standby, so why couldn't he have at least just added a little bit of 80s flair to his current outfit? It wouldn't have been any more time-consuming. Maybe it would've put Tommy out of his own comfort-zone, or maybe he would've been a bit embarrassed, but that's the kind of thing that one might reasonably risk in order to make their partner happy.

Tommy isn't aware that by not dressing up, he's hurting Buck's feelings. That's just one of those things he wouldn't know about Buck because he does not have the lived experience of what Buck needs emotionally from his partners. Eddie, on the other hand, has years of experience with Buck and knows that if he really wanted to he could be just like everyone else who didn't dress up and that Buck would put on a face of being fine with it, but deep down inside, it would make Buck feel ignored and hurt. Eddie doesn't want to ignore Buck, and as we've seen from his last line about "making it about you", Eddie can't ignore Buck. So even if it means pushing himself out of his comfort zone, Eddie's going to show up in full costume, ready and enthusiastic to be with Buck.

All of this is being done for a purpose. It's to show us that while Buck and Tommy are still learning and developing their relationship, something is off, specifically in comparison to Eddie. The show is purposely framing Eddie as a better partner to Buck than Tommy is being in the current moment. Which is kind of unfair, if you think about it. If the show was setting Tommy up to be Buck's newest love and future endgame, they would instead be giving them opportunities to grow together, to get to know each other. Instead, the show is telling us in every subtly way it can that hey, wouldn't Buck fit so much better with Eddie instead? It's contradictory and doesn't further the plot if BuckTommy growth was the purpose. These bachelor party scenes as plot devices only work if the purpose is to show the audience that something isn't fitting with Buck and Tommy, but whatever that missing piece is, it does fit with Buck and Eddie.

Tommy then doesn't understand that they're supposed to be dressed up as the Miami Vice characters. He instead assumes The Wedding Singer (1998). First, I want to say that this is the 2nd Adam Sandler/Drew Barrymore romcom that's been mentioned in canon in relation to Buck (the first being 50 First Dates in the season 5 finale) and as a huge fan of those movies, I'm fangirling. Second, it aligns with Tommy's s2 characterization where he loves romcoms (Love, Actually, and now The Wedding Singer). Third, it's an interesting choice from the writers here to pick The Wedding Singer as the movie that springs to Tommy's mind. There are plenty of 80s movies with bright colors that could've been name-dropped. They instead purposely went for a movie about the 80s but made in the late 90s, for the express purpose of having Eddie point out that Tommy's wrong. This is all very subtle, but it definitely does feel like Eddie is trying to lowkey one-up Tommy. But why would he feel the need to do this?

I've seen others point this out as well, but The Wedding Singer is about two people who are engaged to other people who are very obviously not right for them, though they might try to convince themselves differently. I rewatched the movie yesterday morning and I found it very enlightening. Adam Sandler's character is very much in love with Drew Barrymore's character, and almost tells her to leave her fiance for him, but in the end, he assumes incorrectly that she's happy with the other guy, and leaves them be. Drew Barrymore's character was ready to settle with someone she didn't fully love for security, and the only reason she doesn't tell Adam Sandler's character the truth is because she thinks he's still in love with his ex. It's all very miscommunication-y, but at the same time, it's reflective of Buck and Eddie's characters currently too given that neither of them really knows what they're looking for, they're just seeking a feeling, and may or may not be finding it in their current respective partners. But in the end, even after all the miscommunications, there's a HEA in The Wedding Singer.

Something else of mention was how in the movie, Adam Sandler's character was asked how he knew that things weren't working out with his ex and he said something along the lines of "It was the little things. Like, one time we were going to the Grand Canyon, and I had never been there before and she had, and instead of letting me take the window seat in order to see the beauty of it from above, she took the window seat for herself." This reminded me of this scene with Tommy, where it's just the little things that aren't fitting between him and Buck. I will come back to the topic of BuckTommy and misalignment later.

There have been many posts discussing how Crockett and Tubbs are another one of those "manly" buddy-cop pairings who were very queer-coded best friends who obviously never got together. Many people believed Crockett to be bi-coded as well. What's interesting to me is that this marks the second/third time in the last two episodes where they argued about who is the bi-coded character. I just find it interesting meta-textually when you think about the fact that fans used to argue incessantly (still do honestly) about whether Buck or Eddie could be queer and now that Buck is confirmed to be queer, people argue that Eddie can't be queer now. Additionally (I don't watch Miami Vice but I looked at a lot of the pictures) it seems that visually, Eddie should be aware that he is dressed as Tubbs, since most of pictures of them feature Crockett in blue/green semi-casual and Tubbs in pink/elevated suits. Visually, their roles should be obvious to anyone who is familiar with the show. Just like how Buck's queerness is now obvious. But now, the argument is well, there's an argument to be made that Eddie could be Crockett, and subtextually, also queer.

The narrative continues to hint with every single episode that passes that it's very likely Eddie will discover his own queerness at some point in the show. Just like there's no need for Buck and Eddie to argue over who gets to be Crockett, they can both be Crockett for christ's sake, they're both gonna end up queer. Of that I am certain.

So not only was Eddie totally down to clown with Buck at this karaoke bachelor party, but he was the one who suggested the couple's costume. We see more instances of Eddie not trying to tell Buck "hey, Chim said he didn't want a party, so don't do it", instead he goes along with it and finds a way to be even more enthusiastic about it. And I don't think that that was just because Eddie really wanted to party. I think it was because Eddie realizes that Buck must be wanting to do this for a reason. Possibly Buck might be doing this because he wants to show Chimney just how supportive he is of him and Maddie, maybe it's because Buck never got to be too involved with Maddie's last wedding because Doug hated him. Maybe this is his way of trying to make up again for his actions in season 5 when Maddie left and Buck didn't tell Chim. Or hell, maybe it's just now hitting Buck that he's going to have a brother, for real now, after realizing all he lost with Daniel, and wants to make this day special for Chim to showcase his appreciation of their brotherhood.

Buck is obviously overcompensating for something, and Chim and the rest of the gang don't realize why the bachelor party is so important to Buck. Hell, Eddie might not know entirely either, but he does sense that there is something more than just "I want to party" going on with Buck and this bachelor party. And so, as always, he is ride or die for Buck.

Then, when everyone else gets up to leave karaoke, Eddie doesn't even get up. He doesn't make it look like he's also considering leaving either. He doesn't check his watch or phone or make it seem like it's a burden or an inconvenience to be there or like there's somewhere else he'd rather be.

Once again, this scene with Tommy and Buck is framed with Eddie clearly in the picture, to show how he's just chilling, drinking, and ready to stick it out with Buck regardless of what happens. And then Tommy is the last one to finally leave and disappoint Buck that night.

And now I want to bring it back to BuckTommy, misalignment, and the ever-present Screaming Universe. If this was real life, it would just be a coincidence, but it's not. This is scripted fiction and everything is done with a purpose. What purpose did the writers have to get rid of Tommy but keep Eddie around to party with Buck all night long? If the writers wanted, they could've had Tommy stick around, more so to show a juxtaposition between the three of them hanging out. Or the writers could've had Eddie leave, and Tommy stay. It would've served the same purpose. Tommy still could've left the next morning for work and come back sooty for the kiss. Instead, the story/universe wanted Tommy to leave and this undeniably creates a micro-conflict between Buck and Tommy. It's undeniable that Buck is disappointed that Tommy's leaving and that he didn't really seem all that enthused to be there in the first place. Tommy then leaves, he's gone for the majority of the episode and comes back at the end. This is now a pattern for the third time in a row.

In Tommy's introduction episode 7x04, he and Buck have a moment at the beginning of the episode, a conflict between Buck and Tommy is introduced, Tommy is there a couple times throughout but he and Buck do not have any one-on-one scenes again until the end where their "miscommunication" is resolved by their kiss. In 7x05, they have their date at the beginning where weirdness happens and Tommy ends it, is gone the rest of the episode, until he returns at the end for Buck to make up with and rekindle. And now in 7x06, Tommy is there at the beginning, there's a misconnection, Tommy leaves for the rest of the episode, and they reconnect at the very end.

That's three whole instances of conflict with BuckTommy all written in a very similar way back to back to back. All of these conflicts revolve around the theme of misalignment and not knowing what they want personally nor what the other person wants. All of this harkens back to that first little moment with Buck and Tommy in 7x03 where Buck pats Tommy's arm, Tommy reaches to connect their hands and misses. I predicted that this would be a metaphor for the rest of their relationship, and so far I've been right. Because it seems like no matter how hard both of them try, they aren't quite connecting, not to the fullest. There is always a conflict that pops up that pulls them apart every single episode and they have to find ways to resolve this at the end. Again, if this was irl it'd be a different story, but as part of a narrative where they're not only trying to showcase Buck's first-ever queer relationship but also strongly comparing it to his "platonic" relationship with Eddie, it feels pointed and poignant. Buck and Tommy's constant misalignment feels like the "universe" trying to tell them something but they're not yet at the point of understanding what.

I highly doubt Buck would've wanted to party with a bunch of strangers if he wasn't feeling so disappointed by both Tommy and Chim. Eddie too, I'm wondering why he didn't want to go home or go be with Chris and visit his family. Or maybe go and see if maybe Marisol wanted to hang out. In fact, Marisol not being in this episode at all, or even mentioned, after the last episode is telling as well.

Many people have pointed out that the karaoke scene parallels Maddie and Chim, and this is even more pointed when the song that is playing when Maddie and Chim get married is Island in the Stream which is the song they first sang karaoke to. Buck and Eddie we know sing "What I Like About You" by the New Romantics, which Oliver, Ryan, and Tim all described as the best song for them to sing to/with each other at this point in time. I still think of it as canon even though we didn't hear it (I get why, they had little time and also licensing is expensive). This song is a romantic song, that's undeniable, and it also makes me think of Shrek and Fiona so it's double iconic. It's also an interesting choice in the moment where Buck is at a low emotional point, and Eddie chooses to stick around with him, indulge with him, and have fun together. It really is a great moment to show how not only are they there for each other in serious and emotional moments, but they also just enjoy spending time with each other, and would choose to spend time with each other any time they can.

Now I wanna talk about just how close physically Buck and Eddie get in this episode. For a lot of us, it's kind of whiplash because while Buck and Eddie have hugged and touched before, never so much in this way, or this much, or this intimately. Buck has his arm around Eddie's neck, their faces closer than they've probably ever been before? Buck is literally whispering into Eddie's ear ("keep on whispering in my ear, tell me all the things that I wanna hear because it's true, that's what I like about you") pulling Eddie into his chest. Eddie's leaning his entire upper body onto Buck, resting most of his weight on Buck. They're pressed together thigh to thigh, leaning their knees on each other. All of this demonstrates not just an emotional closeness, but a physical closeness (thank you, ABC, fuck u Fox), and not only that but an intimate physical closeness. All of this coming right after an episode where Buck came out. I love this because it shows a lack of Eddie being weirded out by being physically close to a queer man as a (seemingly) straight man. But it's also just so telling because Buck and Eddie have not been this physically close before....like ever...in this show. And now they are at the turning point of Buck's queerness being made textual and Eddie's queerness being STRONG subtext? Oh my goodness it's such strong storytelling.

This might be reading into it, and I acknowledge that, but this dialogue exchange felt to me less like they were talking about all the nameless people who were around them and more so like they were talking about each other. These are strangers, they don't know Chim, let alone love him. Neither do these people know/love Buck or Eddie. Instead, this conversation reads to me more like Buck talking about how Chim should be here because his friends (Buck, Eddie, Hen, etc) love him, and Eddie agrees. Looking even deeper, given that Chim didn't show up and the rest of their friends left them for the night, this feels more like Buck and Eddie talking about themselves. Because why is Eddie here? There's no reason for Eddie to be here partying it up except for the fact that he loves Buck and he wants to make him happy and enjoys spending time with him. This exchange is Buck recognizing that, and Eddie agreeing that he really, really does love Buck. And that's why their shenanigans continue as they all move on to Chim's hotel room.

They could've given up/left once Chim's door was locked, but Eddie encourages Buck to keep on going. Touching Buck like how Eddie loves to touch Buck, in the way that's most appropriate for them, on the shoulder like this. Then he kicks the door in and when Buck is ready to go wake Chim up to party, Eddie's like "Eh let him sleep", because, for Eddie, he doesn't really need Chimney around to have fun. Despite what they were just saying about bringing the party to Chimney so that Chimeny could feel the love too, Eddie's perfectly content just partying it up with Buck and only Buck.

These three clips in the bachelor party montage....I'm just gonna be frank with you, they're so obviously meant to look sexual. So CONTENT WARNING**** for me about to talk about sexual positions and such.

I don't have to tell you that although Buck and Eddie are technically partying with a bunch of other people, none of them are actually important. They're NPCs there to give Buck and Eddie an excuse to do all of this stuff with each other. So everything they do in this scene is more so a reflection of their relationship with each other, as well as their metaphorical queerness than it is about just general partying.

We know (due to bts) that at some point Eddie was leaning over to pour alcohol into Buck's mouth. It looks like Buck is leaning back on the couch in his most favorite/frequent canonical sex position (girl on top/riding) that we've seen in the past. This time with his mouth wide open with a phallic symbol pouring a liquid directly into his mouth. It looks like a blowjob/cum shot. Then we have Eddie with his clothes being pulled off and torn away. From the bts, we know that Buck is behind him and helps the girls pull off his sleeves. Other than the obvious "ripping each other's clothes off" metaphor, there's also the "orgasmic" look on Eddie's face as well. Others have also discussed how Eddie appears to be recreating the "crucifixion pose" /Jesus on the cross with his arms out like that in a reference to his catholic guilt arc and how before he's very much let that guilt control him and now in this scene with his close being ripped off, it can also be a metaphor for Eddie's eventually freedom from compulsory heterosexuality and guilt.

The last still with both Buck and Eddie vigorously shaking champagne bottles near the crotches (mimicking mutual masturbation) and then both of the champagne bottles "explode" mimicking both of them reaching a mutual climax, which then cuts immediately to both of them waking up the next morning. It's very very obviously a metaphorical gay sex scene.

Separately from that, I want to discuss this specific still, with both Buck and Eddie in between 2 very clear-as-day drag queens. This inclusion elevates the scene subtly yet very clearly to represent both Buck AND Eddie in proximity to queerness/the queer community. It further cements the queerness of this entire montage scene.

Finally, to conclude the bachelor party scenes, I just want to reiterate, that Buck and Eddie could've figured out Chim was missing any which way. They could've gone over the next morning w/o partying there. Buck could've gone by himself, etc. There were many ways the "Chim is missing" plot could've been done without needing to go this route for Buck/Eddie. Which means that this plot was not for any necessary reason other than to bring Buck and Eddie together.

Then while they're going on their chase to find Chimney, Buck and Eddie are paired up together the entire time, working together as a team, once again looking more like an established couple than anything else.

Then, as if fitting with the BuckTommy "beginning and ending only" episode pattern, Tommy comes back only at the very end of the episode, and he and Buck kiss, transferring soot onto Buck's face and providing a very quick and easy way to come out to all the rest of the people who haven't yet known about Buck. Most people look surprised, others smug (Henren, we'll get to them) and Eddie gives an interesting close-lipped smile. This moment in and of itself isn't very loud. His face is purposely vague here (hats off to Ryan, king of microexpressions). Of course, Eddie's going to look happy for them, he's not going to look jealous. But his smile could be brighter, his eyes could be warmer. There's again just something off about his expression there. I think it's confusing for a reason, because Eddie too is confused about everything he's feeling.

Hen is incredibly smart, so I'm not surprised that she clocked Buck's queerness a while ago. Her telling Karen this, and Karen's agreement means that this is something they likely discussed in private as well. In my opinion, if she was able to clock Buck, there's no way she hasn't also clocked Eddie. She just isn't saying anything because she's a respectful and empathetic person.

Hen wasn't really there for most of Buck's Tommy-arc, but she WAS front and center for all of Eddie's "performance anxiety" around dating women. Trust me, when Eddie figures it out and he and Buck finally get together, Henren will say something along these lines again, I'm certain of it.

And that's the end of this episode! It was such an emotional ride! I loved everything they did with Maddie and Chimney, and the Buddie plot was so fun! I had a blast, and I'm so excited for next week! I get the feeling the latter half of the season is gonna dive deeper into Eddie's storylines. Yay!

#911 abc #buddie #911 analysis #911 meta #buddie meta #BuckTommy #buck x eddie #meta

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bylersswingset · 3 months

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Guys yk how in Mikes monologue he says "i love you on your bad days"? Nuh uh.

WHY IT DOESNT APPLY TO EL:

-When they're at Rinkomainia and El hits Angela, he's all like "WHAT DID YOU DO" and then he doesn't sit next to her and comfort her (we'll get back to who he is next to).

-The day after Rinkomainia he just confronts her with everything and when she tries to tell him how she feels he just shuts it down. He also knows that she wanted to hear that he still loved her but WHYYYY couldn't he say it? It parallels Nancy and Steve in season two where Nancy can't tell Steve she loves him bc she doesn't.

WHY IT APPLIES TO WILL:

-When Will was possessed and sent demodogs to the lab, Mike was still there by his side. When he made it out he was holding Will in his arms (cuties). When everyone was trying to get Will to talk, Mike was talking to Will about the day they met. Even after all that he didn't leave Will's side. Clearly that was a bad day 💀

-In season 3 when Will was upset at Mike and he was all like "it's not my fault you dont like girls" (it is). Will pedaled away and Mike was like omg I fricked up 💀. HE DROVE ACROSS TOWN TO APOLOGIZE. WHEN DOES HE DO SMTH LIKE THAT W EL??? 🤨

-Back to Rinkomainia Will and Mike start fighting abt how Mike never tried to contact him (which actually is a miscommunication bc Mike did try to call him but the phone was busy and "Mike wont stop whining abt it"). Then they hear a scream and run to see El and Angela. Who is he next to after this happens??? WILL. HE ISNT NEXT TO HIS GF WHO WAS JUST PUBLICLY BULLIED. HES NEXT TO WILL. Even after the argument buddy still doesn't leave his side.

Anyways I'm a bit of a yapper

TL:DR- Mike doesn't love El on her bad days, but he loves Will on his.

#byler #byler endgame #bylerproof #stranger things #ST5

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scoobydoodean · 9 days

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ok so forewarning, i don’t really have a question here, just lots of thoughts.

there’s so many layers to the general *badness* about the mia vallens therapy scene. like to the manipulation (for lack of a better word) that sam rewrites. like it makes such a difference that she thinks jack is their little brother instead of the son of the thing that killed dean’s best friend/loml. not to mention the fact that it’s been what like a week since *everything*

and like yes dean’s being cold towards jack and giving him orders (which, i could argue they weren’t uncalled-for), but tbh he’s only being moderately colder/more direct with him than he’s been with cas at times on hunts (thinking hunteri heroici) and even similar to how *sam* has been with like claire and even dean himself (thinking that episode dean turned into a teenager and all of MOC). like genuinely, how was sam expecting him to act like?

also (half joking) i genuinely think dean would’ve warmed up to jack even quicker than he did (we can already see it in this same episode, like that look he gives jack when he asks mia if buddy hurt her too) if he heard jack say he hates anakin skywalker lol

ok wait i do have a question. do you think jack actually was “terrified” of dean during that therapy scene?

(post linking to some context)

Okay so I rewatched 13.01-13.04 on a plane this past week so it's all extra fresh on my mind rn. The thing about 13.04 is that Dean wasn't comfortable bringing Jack on the hunt, and Jack didn't want to go, but Sam pushed insistently for all of them to go on the hunt together... primarily because Dean's feelings were thwarting Sam's plans for Jack and his own emotional coping mechanisms in a larger sense.

I think Dean's feelings compared to Sam's here are relatively more simple (and yet somehow still intensely misunderstood to a baffling degree). Dean was grieving. He was grieving Cas who died right in front of him, he was grieving Crowley (he pleads with Chuck to bring "even Crowley" back in 13.01!) and he was grieving Mary.

The thing with Dean's grief over Cas is this: instead of viewing it from Dean's perspective, we tend to analyze it as omniscient viewers who know Cas will come back, refusing see how miraculous Cas’s return truly was. We refuse to see Cas's death was different this time and appeared very permanent. There was no uncertainty like there was in season 7 or 8. His wings burned into the ground and his grace extinguished. Dean pleaded and prayed for Cas and Mary and Crowley's return to the only person who ever brought Cas back from certain death (via explosion in 5.01 and 5.22)—the person who told Dean in 11.23 he was leaving and Dean was on his own. Dean didn't hear back. The ONLY reason Cas comes back in 13.05 is that 1) Jack woke him him up unwittingly using powers no one knew he possessed and 2) Cas then annoyed a creature they didn't even know existed into letting him out of a place they 3) didn't even know existed and 4) Cas somehow came back with a body even though he had been burned to ash. All of this is completely miraculous. It was unforeseeable. It doesn’t even make complete sense as a viewer. In other words, Dean has ZERO reason to hope for Cas's return. There was ZERO reason to refuse to acknowledge that grief… but that's exactly what Sam does. He suggests Dean pray for Chuck to bring Cas back in 13.01. As soon as Sam knew Dean already tried that and Cas was DEAD dead, he treated Cas as something Dean needed to reframe and get over:

SAM: You thinking mom is gone and Cas is gone, and that Jack can’t be saved. Dean, after everything we’ve gone through… We just lost people we love, people who have been in our lives for a long time. Everything’s upside-down. I get it. But we’ve been down before. I mean, rock bottom. And we find a way. We fix it because that’s what we do.

This is the "Pull yourself up by your bootstraps" speech in 13.02—like a day after they burned Cas's body. Sam's wording here is cruel too—saying Dean is "thinking" Cas is gone as if he didn't die right in front of him? He refuses to acknowledge Cas's death as something Dean was actively and rightfully mourning. This becomes a major point of contention between the brothers at the end of 13.03.

DEAN: Look, I know you think that you can use [Jack] as some sort of an interdimensional can-opener and that’s fine, but don’t act like you care about him! Because you only care about what he can do for you! So if you want to pretend, that’s fine! But me? I can hardly look at the kid! Because when I do all I see is everybody we’ve lost! SAM: Mom chose to take that shot at Lucifer. That is not on Jack!

Sam will only name Mary—the one person whose death they can’t 100% confirm (the same thing happens in front of Mia in 13.04). The absence of Cas’s name here is pointed. So Dean says:

DEAN: And what about Cas?

And how does Sam respond?

SAM: What about Cas?

Uh... wow. That's what really sets Dean off to full on shouting:

DEAN: [Jack] manipulated him, he made him promises, said, ‘paradise on earth’ and Cas bought it and you know what that got him? It got him dead! Now you might be able to forget about that, but I can’t!

Sam's denial of what Dean literally SAW (Cas died) and how that hurts—his insistence that Dean also halt grieving to hope for the impossible—it's a major sticking point and very revealing of Sam's own coping mechanisms. Sam's chief response to grief is to disassociate himself from it. We see a textbook case in season 8 (see: 8.08), but in most of the series, what this actually looks like for Sam is to keep moving and hunting (ex: 1.02, 2.02, 2.10, 2.11, 2.18 3.11, 4.09, 9.01) which is also why he insists on bringing Dean and Jack on the hunt in 13.04. Sam tries not to think about what they've lost and focuses on what he CAN do. He focuses on hoping Mary can be saved because she's the one person he didn't SEE die.

The thing about Dean’s grief over Mary is this: he convinces himself Lucifer had to have killed her. She's the one person whose death Dean can't be certain of, but he absolutely cannot bear the thought of hoping she’s alive and it turning out he’s wrong. He knows he wouldn’t psychologically survive hoping in that and his beliefs being crushed. It would be like losing his mom all over again (a THIRD time). So he sticks to what is most likely: Lucifer killed her. He can't contend with the hope Sam is clinging to desperately, and that's what makes them such poor companions in grief. Sam feels off balance when Dean won't keep moving and hoping like him—when Dean can't keep up the pace Sam wants to run at in his own grief—and in doing so, Sam keeps pushing Dean to contend with hopes that open Dean up to a WORLD of pain Sam can psychologically convince himself not to feel. Grieving together just really just doesn't work for them because they're never on the same page and deal in such different ways—and this has been hurting them from as early as 2.02!!!

Now to bring Jack into this more fully: Jack represents Sam and Dean's different perspectives on grief and on Mary. Just like Dean despairs over Mary's demise, Dean despairs over the possibility of Jack being good. He can't bear the idea of hoping in that and being wrong. The psychologically safest option for him is to assume the worst and not hope or believe in anything turning out okay.

Sam, on the other hand, pretty much immediately sees a way to use Jack to get Mary back. This is clear when he and Jack get locked up together in the jail cell in 13.01. After establishing that Jack isn't hearing things and (probably) isn't going to murder him imminently, Sam immediately starts down a line of questioning establishing how well Jack understands his powers, and then asks him outright:

SAM: Jack, look, um... before you were born, you -- you opened up a door to another world. Do you remember that? JACK: Yes. SAM: Okay, um, could you do that again?

Shortly after, when Sam arrives, he tells Dean (who is convinced after everything that happened in 12.23 that 12.19 that Jack is evil or will turn evil):

We need him.

Sam repeats this sentiment multiple times with clear meaning, and later in 13.04, he admits to Jack that he wants to use him to open the portal. This doesn't mean he doesn't also grow to see himself in Jack quickly and genuinely believe in his capacity for good, but he isn't fully honest with Jack about his motives until 13.04 where he finally comes clean, and this poisons the well with Jack a little.

@shallowseeker has pointed out before that in 13.03, while trying to figure out how to get Jack's powers to work (and spying on Jack through cameras from another room) Sam is seen reading "The Drama Of The Gifted Child". I wish I could find the post because Shal probably brought it up too, but when I was rewatching this episode, I noticed the chapter Sam had just settled into read before being interrupted was titled,

"Depression and Grandiosity: Two Related Forms of Denial"

Given the accusations flying from Sam toward Dean then from Dean toward Sam about denial in the following episode (13.04), this feels amusingly pointed. Dean is depressed (and about to attempt suicide in 13.05), Sam is depressed and has "grandiose" ideas of using Jack to pop open a portal to another reality while hiding behind the guise of being the most rational person in the room when he... isn't necessarily? And it's easy to argue "Well, Sam turns out to be right even if he didn't ultimately have much of a reason to think he was" but the core problem here is how his beliefs effect how he treats other people's grief. He isn't honest with Jack about his motives (while Dean is somewhat brutally honest) and pushes and watches even while claiming he's giving Jack space (13.03), he refuses to give Dean space to grieve even the family member they know is dead, he inserts a therapist into the situation and criticizes Dean's grief when Dean won't play his game, and in 13.05, after Dean says that he can't believe in anything right now, Sam's clumsy attempts at help involve plying Dean with alcohol he says he doesn't even want and trying to send him off to strip clubs—believing that Dean performing being okay will somehow address his mental state because Sam's idea of coping himself is simply "going through the motions".

As for Jack, I don't think he's scared of Dean. I think he's scared of what Dean believes. He's scared that Dean is right. From 13.01-13.06, Jack is contending with the question of whether he's destined for evil or good, and in his depressed state, Dean believes Jack is destined for evil because hoping in anything is completely beyond him at that moment. Sam tells Jack that he can be good, but he hides ulterior motives as to why he's being nice, and when those ulterior motives are revealed, it leaves Jack thinking Sam is the kind of person who will lie to Jack and tell him he's good just to get what he wants. Meanwhile, Jack knows Dean is being completely honest with him about what he believes. 13.03 and 13.04 clearly demonstrate that Jack understands the difference between beliefs and facts: Dean could be right or he could be wrong. What Jack holds onto like an anchor is that he can trust Dean to tell him the truth about what he believes—even if it hurts.

It's also just so obvious that Jack immediately wants Dean—specifically—to like him (see: Jack mimicking Dean's mannerisms while eating in 13.02, and his clumsy attempts to earn his favor in 13.04). Sam also picks up on this, and encourages Jack to seek Dean's approval in 13.04 to try and change Dean's beliefs. Sam (and to some extent Jack) are thinking in 13.04, that if Jack can prove to Dean that he can be good, and if Dean tells him he did a good job (which Dean does in the end), Jack can believe that. Sam sees that Jack wants Dean's approval and the impression that Dean's beliefs have had on Jack and thinks by pushing them together as soon as possible (when neither of them want to go on the hunt) and treating them as a family and forcing Dean to accept Jack when Dean just isn't ready (including by paralleling Jack with himself in a way that becomes an accusation), he can "fix" Jack so he isn't scared of his powers anymore (13.03) and then he can teach Jack to use his powers and Jack can open a portal to save their mom.

Jack's attempts to earn Dean's favor in 13.04 are clumsy. His first attempt is directly ignoring Dean telling him to wait in the car and sneaking into the crime scene, potentially contaminating it. At Mia's office, Jack's outburst about losing a mother is what allows Sam to set up the whole family therapy trap to begin with, and because Dean knows Sam is going to use that to hurt him, he warns Jack not to make outbursts like that. Dean is not being nice. Point blank. And I do think his tone is a little different than with Cas which in the past felt more like exasperation. I also don’t think it makes him the devil. I think that's understandable when putting in even a tiny amount of effort and it's kind of laughable to me how few people seem to even try because they're so caught up in Sam's happy family narrative and the idea that someone wanting Dean's approval presents an obligation that Dean give it no matter how emotionally impossible—and in a situation where asking him to lie would actually destroy that much more of Jack's trust.

#13.01 #13.02 #13.03 #13.04 #13.05 #dean and mary #mary #dean and jack #jack #and cas is my best friend #the flannel business #bad therapist sam #season 13 #mail #i just stopped

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