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freakshowtwopointoh · 6 months

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Hi!! Can I request jealous Jordan li where reader is spending a lot of time with someone else, maybe for a school project or something and Jordan notices and is like, nope, not happening, this one's mine bc they're so in love with reader and want all of the attention

Whew, that was a lot, haha,

Thank you!!!!

*not sure if u want established partners or situationship w feelings or something else, but i think imma go with situationship bc thats always the vibe for jordan lol if u want more established relationship lmk*

Debate club was a sensible extracurricular, and you had been doing it since your school stopped having model UN in 9th grade. It wasn't your favorite thing in the world, but you liked to argue, so it worked out. This week, you were arguing the "for" case with your teammate for the semester, Blake Mathers. He's a grating sophomore with floppy hair, and telekinesis powers you've only seen him use to enable his own laziness. The head of the club was nice enough, but he was insistent on "teamwork" when you'd much rather write alone. It was exhausting, trying to filter your thoughts and opinions, and allowing others to shine was not your style.

You try to pay attention to what Blake was saying about the topic, but all you were thinking about was Jordan Li. Ever since you made out at one of Dusty's infamous parties, they had invaded your senses and your thoughts. They'd catch you staring during class, or you'd wear a tiny skirt to a party, and you'd end up in a closet, or a car, or a bedroom, all limbs and heavy breathing.

"Um, hello? Did you hear me?" You shake your head.

"Sorry. Say that again?"

"The argument we wrote yesterday. It's gone - my computer got fucked." Ah, crap. This is the second time Blake's stupidity has made you re-do work. You'd done some research at the start of the week, and he'd forgotten to mention the topic had been changed. You sigh.

"Well, fuck. Alright, let's go back to the library then." You turn around and start walking, trying not to show your disappointment. You'd been hoping to "run into" Jordan at the JitterBean - hence the tight-ass skinny jeans.

Waste of an outfit, you think bitterly, pushing open the glass doors and setting up at the table that you and Blake had been using to do your assignments. Thankfully you'd saved your notes from yesterday, so you began reconstructing your argument while Blake screwed off.

You weren't paying much attention to what he was doing until you saw him fucking with Justine. Now there's some bullying you can get behind. You giggle, and watch as he makes another paper airplane fly around her head. She glares over at him and storms out, which makes you laugh out loud. The librarian glares, and you exchange a guilty look with Blake before getting back into writing.

The afternoon goes by easily after that. You were vaguely aware of other students milling about or studying nearby, but you were in the zone. Finally, at almost 8, the argument was done, and you saved it in multiple places just in case.

You wave goodbye to Blake, happy that the session went reasonably ok and the work was done. Saturday's debate was going to be a blast.

"Have fun on your little date with Mathers?" Jordan was leaning against the outside wall of the library, expression unreadable.

"Is the infamous Jordan Li jealous?" Their eyes harden slightly.

"Not jealous, just lookin out for you. He's a moron." They begin walking beside you, not acknowledging how unhinged they were behaving. Just looking out for you? If they weren't so damn hot, you might slap them. But the fact that they were asking meant.... something, right? You ignored how that made your heart swoop and just kept walking.

"We have debate club together, and he keeps fucking shit up, that's all." You say, in spite of yourself. If you were smarter, you'd let them wonder what you were doing with him. But you couldn't keep from looking at them, and feeling disappointed you can't make out any relief in their eyes. But then, their arm is snaked around your waist and their lips are at your ear.

"You wear those skin fucking tight jeans to just study with him?" You grit your teeth, forcing your mouth to not say what you wanted so desperately to say: 'No, I wore them for you, and you're clearly the idiot if you can't tell that I am so wrapped around your finger that I will dress up just in case I see you.' and just roll your eyes instead. They let their hand slide from your waist to your back pocket, daring you to stop them. And of course you don't. With every inch their hand travels, your heart skips another beat. When they squeeze your ass ever so slightly, a whimper sneaks out before you can stop it.

And with that, you're being pressed against a tree and their lips are on your neck.

"Fuck, J." You curse as their teeth sink into your skin.

"You're mine, baby. Only mine." They murmur in your ear.

"Always have been." You say back, almost moaning as they continue their assault on your neck. They pull away at this.

"Yeah? That why you're spending all your time with Mathers and co instead of me, in such," They pause to run their hands on your hips, pulling you tight against them. "delicious clothes."

"I thought you weren't jealous." You murmur, sliding your hand up their back. "But I wore these, and what's underneath, for you and you alone. He's just a moron who's forced me to re-do my work twice this week alone."

"Oh, you poor baby. Let me take you up and make everyone hear who really owns you." You barely hold back a moan as they drag you up to your dorm to fulfill their promise.

#jordan li #gen v #gen v prime #jordan li x reader #gen v smut #gen v fic #jordan li imagine #request #reqs open

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sylvies-chen · 6 months

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I love the ballad of songbirds and snakes, don’t get me wrong. but the streets are comparing coriolanus snow to anakin skywalker and I just… somebody get me a gun! I need to buy a gun!

and listen, I totally get the idea behind it. they’re both young formerly promising men who spiralled downwards into violence and authoritarianism and, as a result, betrayed their best friends and the women they care for. on a basic level, they have some similarities. but again, it’s like… the most BASIC and SURFACE LEVEL comparison to make!

snow is not a fallen angel or tragic doomed hero. the entire point of the book + film was that he was always prone to thinking manipulatively, to being selfish, to being violent, to liking the system too much, to letting not just anger but genuine hatred inform his decisions. HE IS THE VILLAIN. and vader is a villain too— the most iconic villain of all time— but anakin is a whole other story, and coriolanus doesn’t hold a candle to anakin when you compare some deeper elements of their motivations.

first off, you only need to look at how they treat their ladies to understand what I’m saying. everyone loves the heartbreak of anakin and padme just as they love the heartbreak of lucy and snow, but that love for their tragic story seems to blind people to the absolute insanity that is snow’s thoughts about lucy. he lies to her, thinks she’s trying to kill him, her song doesn’t satisfy or please him, and in the books he even goes so far as to say she isn’t even that good looking??? anakin, on the other hand, delivers a minute-long monologue about how deeply in love he is with padme, how a single kiss from her haunts him, how he is willing to utterly devote himself to her and fulfil her every demand because there’s nothing else he can do. he expresses his love in a very immature way at times, but it is real and genuine. tbosas makes you question at times whether coriolanus really loves lucy, or whether just this idea of “taming” her seems appealing.

even their downward spirals are vastly different in nature. coriolanus snow becomes more paranoid in an attempt to maintain his image, in order to keep lucy under his spell. his ambitions are nuanced, not black and white by any means, but they are selfish. anakin’s spiral, though there’s no denying the horrific acts he commits, begins from a place of fear and love. he is so genuinely scared of losing his wife and his unborn children that he becomes susceptible to an outside force manipulating him towards the dark side. anakin also fulfils that element of the shakesperian tragic hero in that there’s this idea of potential that we see so present in him. he’s introduced as the one who would bring balance to the force, someone powerful beyond comprehension, a saviour of sorts. snow was never shown to have that level of promise. he was just a man who existed in a system and it is about him grappling with that system until eventually that disgusting fascist mindset takes over.

and lastly, of course, you can’t ever mention these two in tandem without remembering the fact that anakin did the right thing in the end! and coriolanus did not! luke fought to bring anakin back when vader had taken over for so many years, and in the end it paid off. anakin does the truly selfless thing in sacrificing himself to save luke. he lets love inform his decisions, as he once did before, only the fear is gone and so that love orients him towards good instead of darkness. anakin is a fallen angel, but he’s also a man who loved too much and didn’t know what to do with it. snow, comparatively, admits he isn’t above killing children and then laughs in the face of the masses he’s worked to oppress for over half a century right before his death.

anakin skywalker’s story is of the destruction and reconstruction of his good heart, of light, of balance, of love. it is cyclical, and it is tragic. coriolanus snow’s story is not. it is a story not of something sinister growing in an otherwise good heart, but a story of something sinister unravelling and revealing itself.

they are not the same.

#anakin skywalker #coriolanus snow #the ballad of songbirds and snakes #tbosas #star wars #star wars prequels #lucy gray baird #anidala #anti coriolanus snow #anti snowbaird

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starberry-cupcake · 22 days

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I'm back! Thank you kindly for your patience, we're done with Act III! It was probably a terrible idea to wait because this is so long, I'm so sorry.

previously, in harrowhark! a vagrant the ninth:

this happened

also a couple previews that will show up in this but are in the tag

currently, chapters 24-31 (END OF ACT III!!!):

harrow wakes up after sleeping a sensible amount of hours in yandere twin's room

yandere twin, who's into chomping cavaliers, complains about having had some harrow soup

they have a sort of tender moment, I guess

they have a complicated dynamic

harrow falls asleep again

she's in the bed and yandere twin is sleeping on the floor

and harrow is woken by the sound of self inflicted pain and torture

harrow gets tired of this and decides to just rip yandere twin's arm off

@lady-harrowhark reminded me that I called this (!!!) in this recap

I had absolutely 100000% forgot I said that but congrats past me!!!

so, there's this scene in which harrow rips yandere twin's arm off and puts a new bone-y one in there, remade with her own parts

like this

some people have told me in the replies that it's a sessual sort of scene, and I get that, I suppose it was the vibe it was going for

total respect to that

but I'm gonna be honest here

it felt like I was witnessing a birth and harrow was the midwife

so harrow lets yandere twin know that she's been improving her necro powers via studying and practicing to try to make up for her being "lyctor lite"

harrow and alleged gideon aka ortus are the only people here that seem to be getting any work done tbh

so now, with the new arm, inner chad can use the sword again

and yandere twin is happy because she's now a proper lyctor and has senior chad aka augustine's approval

harrow is proud of herself for doing nice necro things like chopping and reconstructing arms

as a thanks, yandere twin agrees to help harrow to kill alleged gideon the first aka ortus

nobody asked you, but ok

I actually have no qualms with alleged gideon aka ortus

because he's at least direct and honest about it

everyone here has an agenda, at least this guy's like directly trying to physically kill harrow

at this point, I respect the direct approach

augustine and emperor reverend professor john can go fu—

WELL, ACTUALLY, WE'LL GET THERE LATER

CHAPTER 28

we're back at gideon-less canaan house

canaan house isn't safe in any universe, all the trails lead to death

everyone who's alive or accounted for is having a sleepover

there's a bunch of people unaccounted for, actually

the kiddos from the fourth are allegedly hidden elsewhere

who knows, at this point

I don't trust anyone

there's a fog and rain and water rising still

which reminds me of the movie identity, in which they all were trapped in that motel because it wasn't actually a motel and they weren't actually alive per-se

magnus and abby say that protozoa should have decked mayonnaise uncle

which is one of the reasons why the gideon universe is superior

aside from the presence of gideon and camilla

I miss them so much I'm gonna start biting cavaliers

anyway, where in the hell is duracell bunny nephew???

he wasn't with mayonnaise uncle when he yeeted himself

his soul, which got detached from his body in the gideon universe, is still flying like a balloon across universes and dimensions, I guess

abby didn't expect regina george twin to die, apparently, and says "if she's gone, then perhaps that means..." but doesn't elaborate

nobody ever elaborates

abby also makes harrowbean read another one of the "harrow texts"

I can't keep adding them all together in recaps because this will end up being super long but here goes the new one

"I will remember the first time you kissed me —you apologized— you said, I am sorry, destroy me as I am, but I want to kiss you before I am killed, and I said to you why, and you said, because I have only once met someone so utterly willing to burn for what they believed in, and I loved him on sight, and the first time I died I asked of him what I now ask of you. I kissed you and later I would kiss him too before I understood what you were, and all three of us lived to regret it—but when I am in heaven I will remember your mouth, and when you roast down in hell I think you will remember mine"

so yeah, we've got a triangular situation, I suppose

I need to put all of them together to continue to draw connections

my though was that this could be ice cube barbie aka annabel lee, because of the long-lost sun, but I'm unsure still

I don't think the timing fits the other side of the 3d model that's the gideon's mom and rebel leader situation

inconclusive still

abby suggests harrowbean she might be haunted

which might also fit with ice cube barbie??? maybe??? idk

CHAPTER 29

harrow says she doesn't remember shit about chad

get perpetually owned, chad

mercygirl asks harrow things about her necro process for the arm reconstructing and the last thing she asks is "what is the name of the saint of duty?" to which harrow says "ortus the first" and mercygirl goes

me and my "alleged gideon" theory are very happy about this

the hill I will die on

mercygirl continues to use onomatopoeias to express herself

I do not want to think about what that would imply in a later situation I don't want to dig into

"you read unholy omens in the way people say good morning" that's what these recaps are, thank you very much harrow

that's our tagline over here, that's our brand

"how you loathed any sentence beginning with augustine says" SAME, BESTIE

I HATE THAT MAN

he can go fu— ANYWAY

harrow and yandere twin are having sleepovers so that harrow isn't murdered in her sleep

apparently the nudes are cyrus and his cavalier and yandere twin likes that energy

they gifted them to others as souvenirs too

it's like if you had a university classmate who sent nudes to the groupchat every birthday

yandere twin says augustine the asshole has agreed to help kill alleged gideon aka ortus the first

I don't trust any of these lyctors if they're willing to kill each other this easily

how do I know they've got my back in combat if they don't have each other's backs—

I CAN'T EVEN ARTICULATE MY THOUGHTS AND NOT SOUND TERRIBLE NOW THAT I KNOW WHAT HAPPENS LATER IN THE PARTY

ANYWAY

yandere twin reminisces about not having been apart from regina george twin much in their lives and hoping she's sleeping well wherever she is

I also don't know where she is

yandere twin tells harrow that she was more farsighted than her

which I'm sure she was, but she doesn't seem to remember shit about it, and the letters remain unopened

harrow thinks it's kinda gross that the cyrus lyctor murdered his cavalier to become a lyctor and then took all of their nudes to the emperor's bolthole

none of these lyctors are operating from a place of common sense, harrow

"you were lucky that the memory of your own cavalier did not hurt you—except sometimes in the form of a sick headache in your temples, or in words stuck on repeat in your head"

so, augustine's plan involves dinner

harrow, hearing that, is like this

they look for clothes in the cavalier's things

yandere twin says "valancy trinit was my height, weighed more than both of us put together, and —judging by her portraits— had a body that did not quit"

I sure hope she's a thick girl, because I've had enough disappointment with the gideon cover not letting her have the arms she deserves

I hope valancy trinit looks kinda like this

ANYWAY, here's the makeover vibes, as previously shared

apparently chad could embroider, which I have to admit is a good quality

hate giving him any props, but I must be fair

harrow painted the less cute skull in her repertoire and we respect that

they went to augustine's room and he's still an asshat

I don't like how he treats yandere twin tbh

I feel like yandere twin has a thing with validation because of how her life has been and he uses that

augustine justifies his betrayal to his fellow lyctor saying that he "caused more pain over these last scant forty years than I dare to admit"

mercygirl is also here for the party, all dressed up

SO HERE'S THE THING

I am so embarrassed I didn't pick it up on the fly and it took me the whole chapter to put it together

augustine tells her "dios apate, minor"

at the time, I didn't remember what it meant, and when I finished reading the thing, I was like "oh, it's exactly like the deception of zeus"

I forgot that's what it was called

I mean, I got the "dios" part, obviously, but forgot the "apate"

my ancient greek professor is going to come back into my life to shoot me at my doorstep

to be fair to myself, it was a long while ago that I took ancient greek

AT LEAST I PICKED THE REFERENCE UP AFTER, OK????

god, I'm so embarrassed

palmolive, I'm so sorry, I promise I figured it out eventually

mercygirl punches augustine in the face, which is great

he insists on it being "minor", which idk where the line is there and I'm not gonna ask

idk which things are or aren't...involved in a minor form of zeus's deception

mercygirl says she's not wearing the right dress, I don't think it matters, it worked just fine

CHAPTER 30

everyone gets drunk except for alleged gideon aka ortus and harrow, because they're the only people in this group project who are doing the work

augustine and mercygirl start fighting about something their cavaliers did back in the day

they start toasting for cavaliers and talking about how "hot pyrrha was"

there is no respect for the dead in the emperor's bolthole

there's about to be something else in the emperor's bolthole in a minute though

I was excited about them drinking, though, because that's when people start spilling some truths

the lost commander of BOE is a "she", her name is/was Commander Wake, she almost killed alleged gideon aka ortus

I'm still spinning with the gideon's mom theory

and the background telenovela I've got going on

BOE found a Herald, killed it and turned it into weapons against these clowns

good for them, tbh, kill these drunk irresponsible bastards

emperor reverend professor doctor john thinks it's narcissistic of him to toast to himself

I want to murder him in cold blood

I hate this man so viscerally I want to rip him apart with my hands

the twist in this book is that I'm gonna reach to his murder and it's gonna be me

it's like bastian reading the neverending story but it's me killing this man

his full name is john gaius but I had been spoiled of his name by people not tagging their posts

he also does a "your mama" joke because he's my villain origin story

"part of your brain temporarily calcified into atheism" I'M GLAD, HARROW

so, they start to make out, all three of them

I finally caught up about zeus's deception and all about here

emperor awful is sandwiched between mercygirl on a table and augustine behind him and they forget there are children in the room

well, not children, but same difference, they're a million years old

harrow and yandere twin get the hell out of that display

CHAPTER 31

yandere twin wants to kiss harrowbean before she leaves to kill alleged gideon aka ortus, but harrow doesn't let her

harrow says "my affections lie buried in the Locked Tomb" to which yandere twin responds "Somebody might even exhume them for you"

when harrow mentioned not wanting to be touched while sleeping beside yandere twin, I remembered the pool hug and all that, that was a nice time

people were being killed left and right but it was a nice time

ANYWAY

harrow has a whole plan and has it all figured out, it's a really good plan, it works very nicely, but alleged gideon aka ortus isn't where they told her he was

sometimes, life works that way

the man you plan to kill isn't in the training room and all

she goes to look for him in not!dulcinea's crypt or whatever

and she sees this

and the spear

she follows the children's hospital trail of blood to the incinerator

alleged gideon aka ortus is inside the fire thingy and not!dulcinea is operating the controls

I wonder who could have predicted that this woman could still be an issue even after death

me, it was me

anyway, no time for I-told-you-so's because harrowbean decides to help him out of there

I'm very happy because I need him alive

he knows things and he's less bad than everyone else around here

because he's upfront about the killing

he tells her some things while he's kind of out of it

like to use blood wards instead of bone ones

that it will make her safe from "us"

"I know you're there. Kill me all you like. I would know you in the blindness of my eyes" he says and, among other things "Just tell me—back then—why you brought along the ba—"

WAS HE GONNA SAY BABY???? WHAT IF HE WANTED TO SAY BABY???

I'm still on my gideon agenda, sorry if it's embarrassing to read

of course emperor dickhead stops him before he can finish it

alleged gideon aka ortus says he doesn't remember shit afterwards and harrow sees her own mental state reflected in his

they can't find not!dulcinea, apparently

she's probably operating heavy machinery elsewhere

harrow is putting up her blood wards when she hears augustine and mercygirl argue about the whole zeus situation

the incinerator alarm apparently interrupted their plan of letting this happen

whether or not they had a hand on the not!dulcinea thing idk

mercygirl says she didn't move her

we end this act with ice cube barbie maybe annabel lee saying "The water is risen. So is the sun. We will endure."

obligatory yearning for camilla moment

That is the end of Act III and of my commentary because this was way too long and I need to make less chapters at a time istg

#luly reacts to tlt #harrow the ninth spoilers #harrow the ninth #tlt #the locked tomb #long post #gif cw

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scriptorsapiens · 7 months

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Classicstober Day 18: Phaedra (𐀙𐀂𐀉𐀨)

Phaedra was Ariadne's sister and married Theseus to become Queen of Athens (that must have been a WILD Christmas dinner). Things were good until Theseus' son by the Amazon queen dropped by for a visit. His name was Hippolytus (𐀂𐀢𐀬𐀵)…

Phaedra's story isn't quite as well known as many others in greek mythology, outside of a few tragedies and operas. The nature of the beast for most of these stories is that there are a couple of versions and no one can say which one is the 'real' one, but Phaedra's story, depending on the version you go by, can have wildly different vibes.

As I mentioned, she was Ariadne's sister. In some versions, when Ariadne helped Theseus defeat the Minotaur and escape, Phaedra was with her and part of Theseus' crew when he decided to abandon Ariadne on Naxos, eventually becoming his wife in Athens. In others, Phaedra is ignorant of the role Ariadne played in Theseus' victory and is instead sent to Athens to marry him for a political alliance. The implications of both versions are fascinating from a story-telling perspective. If Phaedra left with Theseus, just how complicit was she in leaving Ariadne behind? If their marriage was purely political, what did she think of the man who had just abandoned her sister? In the end, though, the important part (story wise) is that she marries Theseus and becomes Queen of Athens.

I depicted Phaedra here in her full queenly raiment. Yes, Athens was a purely Mycenaean settlement at this time, but the Mycenaean woman's fashion borrowed LOTS from the Minoan and considering where Phaedra was born she deserved a more Minoan look. That's why she has that quilted-looking over-garment on her dress. I made her palette green to represent her role as queen of Athens, and since Athena is the goddess of olive trees it made sense to me to lean into it. She is also blonde and amber-eyed to show her connection to Helios through her mother, Pasiphaë.

The architecture here is based on Minoan buildings. I imagine that inside the Cyclopean walls of Mycenaean Athens they could afford to make things more royal and less military-pragmatism. Athens is known for being a center of intellectualism in the ancient world (an image they painted themselves with), but even though this scene is set many centuries before the height of Classical Athens' power I decided to lean into that here too.

As for Hippolytus… the sources we have for the ancient Amazons are vanishingly rare. Most scholarship has focused on the Phrygians during the Classical Period, and I was able to find precious little reference for the Bronze Age Phrygians that might represent the historical Amazons. I did find one reconstructed garment, and even though it was very plain (and probably mean for a woman) I decided to put Hippolytus in it anyway. The Amazons were practical warriors, so I doubt that, as a child, Hippolytus would have had any other clothes than what his mother had. I also decided that he should be tall, taller than Theseus, as the Amazons were said to stand taller than normal men.

I could go into more details on the very disastrous story between Hippolytus, Phaedra, and Theseus, but I think it falls outside the purview of this piece. It is a fascinating, compelling story, though, so if you have made it this far into my ramble then I recommend checking it out.

#classicstober #classicstober23 #classicstober2023 #phaedra #hippolytus #greek mythology #ancient greek mythology #greek myth art #mycenaean #linear b #tagamemnon #amazons

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dearasteria · 9 months

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Major Gale romance SPOILERS below, so please DO NOT read and watch if you don't want to get spoiled.

I was REALLY worried about how romance with Gale would go, especially after talking to him right after he gets Karsas' book. My Tav wanted to believe and trust him, but something didn't feel right. At the end of Act II, when Tav tries to convince him not blow himself up for his ex's forgivness/to save Faerûn, it can be summed up with that one gif from Grey's Anatomy: "So pick me. Choose me. Love me" 🤡. Honestly, she asks not only to choose her, but also not to kill her and the rest of the team. Gale is so easily swayed and tells Tav that he loves her, even more than Mystra. Tav should be happy, right? But I'm like WAIT A DAMN MINUTE, it was faaar too easy, I mean, no protests from him, I didn't even have to use persuasion to convince him. At that point, after the trauma that Bioware had caused us with Anders and Solas, I'm getting paranoid. Gale doesn't love Tav, he's definitely hiding something. But I'm thinking to myself, "Okay, calm down, he just doesn't want to die, super understable. Maybe he really loves her and he needed to hear it? He needed reassurance that he has something to live for? Yes, it must be it". But then I go to the quest journal and see this:

DAMMIT GALE, you snake 🐍 My poor baby Tav (especially since the romance scene in Waterdeep was so warm and tender). She's so in love in him. Now I'm convinced that he will definetly betrey us, stubs us right in the heart.

At the beginning of Act III, he becomes obsessed with a book called The Annals of Karsus that may help him learn more about the crown. He becomes obsessed with how powerful he can become. When Tav gives him the book and says, "We already know the crown's dangerougs. Wouldn't that make things worse?" he replies:

"Worse? It could be the best thing that ever happened to me. To us."

After all this, Gale tries to convince Tav to help him reconstruct the crown. We have this beautiful scene on the boat and when I tell you my jaw dropped. HE CHOOSES TAV, listens to her concerns and simply chooses her.

The way he says it, the way he corrects himself… damn. For Tav, it's like a bucket of cold water. And I'm like, "Here we go again" 🤡

Furthermore, when we visit the Stormshore Tabernacle in Baldur's Gate and interact with Mystra's statue, he seems to feel so uncomfortable, he doesn't want to be there. Tav starts to think he's definitely hiding something. She would like to hear Mystra's version of what happened between her and Gale (I hope we can talk to her at some point in the game, it would be very interesting).

My Tav, however, disagreed, and Gale replies, "I hope you're right. I truly do. Godly power, perhaps I can live without, but you? You're everything". Has the curse of dating mages that leave players heartbroken been broken?

But I have to admit, when he said: "With you, I forget my goddess. I love you. Tell me you feel the same way. Tell me you want what I want. Please" - OH GODS 😳. I was so close to agreeing to this madness. The VA did an amazing job (side note: so many talented VAs in this game, it's mind blowing), the writing is amazing, the music is incredible, I was blown away, really.

Next day, after the boat scene, he's so adorable and full of love for Tav. Then I remembered his gratest flaw (for me it's more like his biggest fear) from the scene with Zethino in the circus: "He thinks he, and the world, might be better off if he were dead". At the time I thought he was lying, manipulating Zethino and his answers. My distrust of mages in games… Yes, I have a problem 😅

I haven't finished the game, but I have high hopes for a happy ending. No spoilers please, thanks :)

What a rollecoster of emotions, I love it, I love Gale. It felt like I was playing Dragon Age: Origins for the first time, way back when I was a teenager. It's really insane how this game makes me feel, how much I care about its characters and story.

EDIT: Okay, so we have an audience with Mystra, I mean only Gale, but we see the whole conversation between them. My only complain is that Gale doesn't mention Tav when Mystra asks him why he defied her 💔 The outcomes are different depending on whether you do it before or after the boat scene. Personally, I think doing the boat scene before meeting Mystra is much better. I get the impression that Gale is abandoning the plan to reconstruct the crown solely for Tav and his love for her. And the drama 👌🏻 it gives me life.

#sorry for the wall of text #ignore my rambling #the thing is i'm very excited and none of my friends play bg3 and my husband can't listen to me anymore 🤭#baldur's gate 3 #bg3 #baldur's gate 3 spoilers #bg3 spoilers #Gale #gale of waterdeep #gale romance #might delete later #Tav #gale bg3

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utilitycaster · 5 months

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I genuinely believe the fact that so many popular Imogen/Laudna fics are no-powers AU is, if not the main cause, at least a factor in why so many people resist or even are hostile towards any interpretation of Imogen that isn't largely sweet and harmless. Like, write the fic you want, but Imogen in particular is someone so fundamentally shaped by her powers that to write a no powers AU is to write what is essentially a completely original character who happens to share her name.

I think it's made even more obviously a factor because many of those fics try to reconstruct aspects of Imogen's personality by giving her anxiety or agoraphobia (or both) but the problem is that those are purely mental illnesses, rather than something that both gives her powers and penalties (again, the X-Men problem). Some real-world mental illnesses cover the symptoms of Imogen's abilities, but none cover the abilities themselves. It's quite literally a removal of agency: they take away what she can (and frequently does) do with her powers, leaving only the negative effects on her behind while eliminating the negative effects she can have on others. No wonder there's this overwhelming push to woobify her from that corner; they've utterly defanged her and are now crying that other people who can still see her fangs (and even like them) are talking about them.

And the thing is, for all I can be negative about fanon, it is, ultimately, fine - so long one can either keep it separate in one's mind from canon or else remain in a particular fanon sandbox. But unfortunately people leave the sandbox, and when other people respond to the canon Imogen, who as of episode 81 (RIP CRStats) has voluntarily used Detect Thoughts/Open Mind 60 times and has openly stated her intent to use it specifically to know what her party members are doing in advance and theoretically prevent it, the fanfic crowd is utterly unable to react to this intelligently. The idea of Imogen they have is sweet girl with severe anxiety and a goth girlfriend. The problem is this construct exists only in their favorite fanfic writers' domestic fluff modern AU no powers setting. And frankly, I'm not interested in talking about that warped mirror version of her when I could have all the fascination, complexity, glory, and agency of the real thing.

#i also think that turning imogen's issues into specifically mental health only is for lack of a better term Not Great.#i remember when she took off the circlet people on twitter compared it to her going off her meds as like. a sympathy thing.#and. while obviously the psychiatric field is not without many flaws and prejudices. generally going off meds is. not a good sign.#i will say i would love to see the no-circlet au in which imogen stops ashton. i don't think that goes well at ALL.#like i don't know if they stick around after that.#cr tag #anyway been thinking about the role of fanfic a lot lately in case you couldn't tell #we are finally admitting the importance of They Would Not Fucking Say That and should embrace it #and i'm obviously thinking quite a lot about the book i just posted about a lot too #it is depressing that people are more comfortable with Girlfailure than Selfish #that a woman is only allowed memeable and sanitized quirky faults. GOD FORBID she want actual power.#(were i to be called selfish by someone i respect i'd feel bad but talk through it. girlfailure though? i'm stabbing them.)

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son1c · 4 days

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On the topic of chimera Sonic, Tails must be going THRU it

First a dragon like creature kidnaps his brother

then he has to venture into the dungeon to save him

then when he finds his older brother he’s not acting like himself and has feathers, wings and has the body of a freaking LION from the waist down

Then he has to presumably watch him kill people

And then after all that Tails finds out that Sonic died

That poor boy 😔 (im living for the angst)

And speaking of when Tails encounters Sonic again, does he find him already transformed or does he find him before in that trance-like state Falin was in when she snuck out the window in the middle of the night after she was resurrected? Or is it something different entirely?

Chimera Sonic is legitimately rotting my brain /pos

OKAY SO... i've been doing some thinking about this crossover... and i've decided that sonic got kidnapped specifically because of his gauntlet. which ofc he's wearing again now that he's back in the satbk world.

but why did falin want his gauntlet? well... it's not that SHE wanted it, but she was told to get it. and sonic, the stubborn bastard, refused to give it up, so she ended up just taking him with it.

what's so special about the gauntlet? well, after sonic left camelot at the end of satbk, merlina gave up her goal of creating an undying world. but... wizards are peculiar things, aren't they? she spent all that time studying necromancy. all those hours laboring over ancient texts. even if she's not going to go through with her plan anymore, she still has the ego to preserve her hard work.

so, she split up her research. the spells she crafted are broken up like puzzle pieces and scattered throughout the satbk world... and one line of it, she had engraved on the inside of sonic's gauntlet. (for nostalgia? maybe. but she also knew the gauntlet would be protected within the walls of the castle.)

but yeah. falin was ordered to retrieve the gauntlet. so that's precisely what she did. as for why thistle wants it... well, he wants to reconstruct the spell of eternal life that merlina created because he believes it will bring back delgal. so he's on a mission to gather all the artifacts with her spell.

right. so, sonic and tails. sonic was summoned to the satbk world via magic portal (exactly like the last time he went there). tails got dragged along because they were standing literally right next to each other and of course tails is gonna follow him through the weird sketchy portal! they don't call him sonic's best bud for nothing, you know!

but who opened the magic portal??? well, it was merlina. sorry for the spoilers. she's currently "missing" in the land of camelot, and she doesn't greet sonic or tails when they fall through her portal. like i said in a previous post, there's about a day that goes by where everything is... normal... and sonic and tails get to explore the castle and converse with the knights and catch up on the goings-on of the world and stuff.

merlina's deal here is that she's working with thistle. in the first game, merlina appeared to be a good guy until it was revealed she was the twist villain. this time, she seems like the bad guy... until it's revealed she's actually trying to stop thistle. see, she knows power when she sees it. and thistle is a huge threat. so, she's working "with" him in order to find a weakness and stop him. that's also why she called sonic back to this world... because she knew she was going to need his help.

unfortunately, things didn't go as she'd planned. falin delivering sonic's gauntlet along with his DEAD BODY to thistle shocks her. but it's fine. she can work with this--she hopes. things get a little tricky when thistle wants to dispose of sonic though, and merlina has to come up with an excuse for him NOT to do that.

cuz she can't let thistle know that she knows sonic. that would make her look suspicious. after all, she summoned him to camelot IN SECRET to help her TAKE DOWN thistle. so, she claims that she can sense an immense power within sonic and that he might be "useful" to them... so they shouldn't let him go to waste. thankfully, this works. and thistle is like "ok slay" (not his exact words).

merlina revives sonic with the magic she's learned from thistle. sonic then has about 5 seconds to process coming back to life, seeing merlina, and also some other weird elf guy before said elf guy steps in and turns him into a chimera using a bottled monster soul.

merlina also wasn't expecting this, by the way. but she's a very "ends justify the means" type of person and that hasn't changed. so, she promises to succeed in stopping thistle as she watches him turn her friend into a monster before her eyes.

#bestjeanistmonster reblogs #long text post #chimera sonic #things are different because i didn't want to copy beat for beat however. lancelot is still learning black magic for sonic saving purposes #rest assured.

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witchofthesouls · 2 months

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Lately all I can think of is TFP Optimus being demon bait. Amongst every iteration that I seen with the Matrix, he feels more like a placeholder involving the relic than an actual Champion for Primus. Plus TFP is the only one who doesn't retain any knowledge about his past as Orion Pax.

Placeholders are easier to tempt than champions since they aren't fully protected or warned of the danger. The Matrix of Leadership practically rats him out to anything supernatural when you consider it acts more like a vessel unlike other relics. Optimus is gonna have a mixed time should a demon hone in on him.

I get what you're saying. All the strange and, let's face it, very sus Artifacts are painting a very wild picture.

Personally, while I do believe TFP Optimus is a legitimate Prime, he isn't a fully realized one. It gets weirder with the Canon lore in the Aligned verse that the Matrix was housed with Prima's Star Saber and that Optimus is supposed to be the reincarnation of the mysterious Thirteen. Plus, Metroplex from the games vouched his status as a Prime: "Metroplex heeds the call of the last Prime." (Fall of Cybertron game)

I wonder how come the writers didn't go with the Primal Artifacts being semi-sentient? It would really make sense with the mythos and immense powers, especially since those tools can be only wielded by a Prime. So the building blocks were there. Or, have the ghost of Prima within the Matrix that's controlling new ordained champions, and it's intefering with Thirteen's connections? The Matrix has an established history of reformatting new bearers, so is it a big surprise that they're turned into Prima's thoughts of a prefect guardian? Prima has different Aspects and Domains compared to his youngest brother.

The themes of identity and self-determination are there. I think he internally struggled with it. Is he Orion Pax of Alpha Trion? Optimus Prime of Prima? Are they one and the same mask? Does he remember the Wilds in his dreams? Did he have hopes and plans for reconstruction? At night, does he recounts all the steps that brought him to that point?

But yeah, TFP!Optimus would be a succulent prize for a supernatural entity. The Matrix is both a beacon and lighthouse. To see a mortal God-King or a divine champion drowning in uncertainty would turn the very dangerous or very desperate towards him because a contract could be established.

Weirdly enough, out of all the Autobots, I think Optimus would have the easiest time navigating any potential entities. Orion Pax lived and breathed in doublespeak as an archivist directly sponsored by Alpha Trion himself. He knows the intricate dance to steer between treacherous allies and hostile enemies and how to be very leery of certain agreements. Orion was stuck between impossible contradictions of his status.

Ratchet has had certain privileges afforded by his function and frame. He's comfortable taking over things and saying his piece, especially among the current team. He also has a poor opinion of non-Cybertronian anything. He would either be killed for insolence and disrespect or be ensnared in a dream that gives him his deepest wishes. Arcee, depending on your viewpoint, is either lucky or unlucky, especially since she survives all her partnerships. Even Jack Darby, no matter how careful, has a human lifespan, which is seafoam to a Cybertronian. Something would latch onto her anger and grief. Bulkhead can be a very considerate soul. Some being would be charmed by the mech. Bumblebee is kind, and Smokescreen can be impulsive and so very clever. Traits that are endearing to many entities in old tales.

Optimus would have his hands full should something start sniffing around the base.

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preciouslittletoonette · 5 months

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I was just thinking about the Wish concept art and the whole worry of "Star being too similar/compared a lot to Genie". I was thinking about all the different ways they could've or even would've like, lessen the comparisons by just changing certain things.

Genie is a zany, verbally loud, fast-talking comedian type wish granter who can immediately summon things with a snap and a point of his finger. He's a cosmically powerful being bound to certain rules and the whims of his master (at least in the first film) along with the restraints the lamp has on him that only allows him to grant three wishes per master. This is the basic layer of what and who Genie is, this is what the least invested audience member would notice.

So with all of this in mind, we can now use this to both deconstruct and reconstruct Star as a character.

Starting with the established thing: Star is verbally mute, that already removes the verbally loud, fast-talking comedian edge Genie is known for. I can even push it and say on a surface level, that's a stark enough of a difference, seeing as Genie's draw was that he was such a zany fast-talker voiced by Robin Williams (RIP King). But I want to go all the way in so I will.

Now for their powers and wish-granting abilities.

Both Star and Genie should be/are cosmically powerful. They are both beings that grant wishes after all. That'll always be something they share as characters. So how do you make it different from each other?

I have a few things in mind. The biggest thing being: what are the limits of their abilities? How do their wish granting powers manifest? What is their attitude and general behavior like when they use magic?

I already mentioned Genie's limits above. I'll get to Star's soon but that's gonna be an entire talk I want to leave for later. For now, I will talk about how do their wish granting powers manifest.

When Genie grants wishes, it's a very instantaneous BOOM in your face kind of deal. He does things dramatically with comedic flair.

I think to make Star different from that, you can draw inspiration from another Disney wish granter that I'm really surprised Disney didn't do more to reference her or the movie she's from: the Blue Fairy from Pinocchio.

So the way Blue Fairy grants wishes for those who haven't seen Pinocchio in forever or haven't seen it at all: the Blue Fairy- rather than instantaneously granting your wish as Genie would- would give you the means and path towards your wish coming true, but in order for your wish to really come true, you yourself gotta have that drive, put in the effort and work towards your wish.

That's how Star's wish magic should work. While, he could still grant impossible, extraordinary wishes like make animals talk and give plants sentience, yeah. But I think it would be interesting along with being meaningful to see Star set up a path for someone's wish to come true. It could spark a small discussion between him and Asha about wishes and how one is to truly go about them. Star gets into the real truth of what his powers are like that basically comes down to:

"My powers will only go as far as the wish maker themselves are willing to go"

Which now brings us to what is Star's limit? Genie is limited by rules of the lamp and the whims of his master. Star has no such thing as he is a free being. He owes no one anything and he's bound to nothing, leaving him with no rules other than the ones he himself placed on himself. So, he's got to be possibly very powerful. And he probably could grant everyone's desires. But he won't/can't. Why?

Because it's your wish. And Star can only go as far as you yourself are willing to go. This isn't a meet half way type of thing either.

This is a "we are travelling to your destination TOGETHER. We are both gonna work on this TOGETHER. You are gonna put the work in from start to finish and I am going to help you get there no matter how long it takes or how much we'll lose along the way".

Because THIS is what classic Disney movies are about!!! THIS IS HOW WISHES WORKED IN THE CLASSIC MOVIES. YOU DIDN'T JUST WISH UPON A STAR AND YOUR WISH WILL COME TRUE, YOU HAD TO GO ON JOURNEYS, PUT IN EFFORT AND MAKE SACRIFICES.

Star would be willing to go the mile to make your wish come true, but you got to be the one to lead him there.

Now for the more fun bit that'll lean in more to what Star's personality might be like. Their behavior as they do magic.

Genie is explosive in such a way that he is constantly buzzing with pent up energy that came from years of imprisonment and isolation and his magic reflects that. It is fast and wild and funny to watch.

I like to think Star's is a more relaxed, ethereal version of that. Not so ethereal, you would think of Blue Fairy when you see it though. But Star's magic gets released in a sparkly, dusty way (like pixie dust almost) as opposed to Genie's zap and puff of smoke.

Another way to differentiate Star from Genie, I think Star's gotta have lower energy than what Genie has. Genie's energy comes from years of imprisonment that bubbled and finally exploded once released. Star, I don't think would have that. Star is a star, it is very likely he could see what was happening in the world below but not really be able to interact with humans. Once he gets down to Rosas, he wants to see and touch everything. He's quietly curious with a child-like spark to him, who keeps dusting his magic with something to see what would happen.

Now for Star's shape-shifting, I think comparisons are more likely to happen with characters like Maui or Camilo because they're more recent. I think this one stands fine alone.

One lil detail I would add to Star is in regards as to how he flies. I've always been in love with how Disney went about Peter Pan flying. Sometimes when Peter lands, he does little pirouette spins which are so so so charming. And just in general, sometimes there's something oddly graceful about how Peter flies that I think would work super well for Star.

So this is my conclusion as to how to mitigate the Star & Genie comparisons by just changing bits of pieces of the surface level traits of him a little.

So Genie is as what I said above: a zany, verbally loud, fast-talking comedian type, shape-shifting wish granter who can immediately summon things with a snap and a point of his finger. He's a cosmically powerful being bound to certain rules and the whims of his master (at least in the first film) along with the restraints the lamp has on him that only allows him to grant three wishes per master.

Whereas Star would be: a verbally mute, gentle & curious type wish granter with a very relaxed, dreamy kind of magic meant to reflect his daydreamer tendencies. Star is a free cosmically powerful being with no limits to what his magic can do, with his only condition for his wish granting magic being that the wish maker themself must meet him from start to finish and put forth the effort and drive in order to make the wish come true with the help he has/will provide.

And those are my thoughts :)

#wish 2023 #disney wish #wish #the star #disney wish star #star boy #long post #wish star

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dragonseeds · 7 months

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what are your thoughts on rhaegar and lyanna?

oh i love them! there’s all this talk of them haunting the narrative and they do, but i’d take it further and say they are the black hole at the center of the story. the choices that they made, starting with lyanna’s decision to defend howland reed and what that meant to both him and rhaegar, who was very likely at his lowest point at harrenhal after the ruination of his careful plans, touched or changed the lives of every character and plot line in the series. the story itself is such a fun mashup of tristan and iseult, lancelot and guinevere, helen and paris, the fall of camelot and all of arthuriana really, the classic trope of the princess in the tower and the dragon and the knight: all of that in one couple and we don’t get to experience any of it with them. we can guess and speculate, but we can never truly know them. we experience their story only through the memories the people who survived the war they ostensibly kicked off, and those memories are all heavily colored by trauma, guilt, nostalgia—alternately faded and sharpened by time. it’s this incredibly fun and brilliant reconstruction of some of the most enduring tragedies in folklore and mythology and i adore it.

hate beyond articulation the way asoiaf.tumblr.edu approaches their relationship and the individual characterizations of both of them, though. just absolutely some of the most insufferably sanctimonious disingenuous decontextualized analysis i’ve ever experienced—much of that coming from people viewing this through a historical lense instead of a thematic one. like, imagine approaching the battle of the trident as “rhaegar is a bad person for fighting for his father who was evil! he lost the moral high ground with that one” as opposed to “rhaegar as a character exists to fail and die; he was the last dragon, carrying the unbearable weight of his family’s legacy and the burden of the prophecy for which they conquered westeros: the end of his life is the end of the targaryen dynasty. he must fail and he must die, so that dany and jon can grow up free of that weight and that power. daenerys gets to redefine what it means to be targaryen on her own terms. she and jon separately and unknowingly do the things that he thought he had to do—the things he was conceived and born to do—but never knew how: they do it because of their circumstances, because of the people that they have grown into, because they believe it is their duty, because they have the power to do it.” also, like, re: interpretations of battle of the trident, is there maybe another battle that occurs later in the series that is exactly the same thematically and contextually? where perhaps a character who was missing for a while shows up on the eve of battle, knowing that the opposition is right and their cause is just but that his family will die if he doesn’t fight with them? anything that adds an extra layer of meaning to what happens, aside from dany’s own connection—which is not as thematically similar but is still incredibly meaningful. like i certainly don’t think there’s any one interpretation of a character or story, but the worst ones are consistently applied to rhaegar.

and then with lyanna in particular, it’s like people cannot stomach her or find her sympathetic as a character unless they’re wallowing in her eternal victimhood. the constant dismissal of the importance of lyanna’s actions and what they meant to rhaegar is pure misogyny, by the way. her choices and her agency, the inherent meaningfulness of the struggle for both of those things in a system that seeks to reduce her to her body and the use men can make of it—all of that is important. the person she was and what that meant to people was important, but from the way i most often see her discussed, it’s like her gendered death is the only thing that matters. it’s okay to lament her because she got crushed by the wheel. if she hadn’t, if she wasn’t a victim to write flagellatory meta about, she would be a hypocrite, someone who needed to learn a lesson—as difficult for some of these people to relate to as dany or rhaenyra apparently are.

like, it’s just wild to me because her kindness to howland reed and her choice to defend him, to disguise herself as the knight of the laughing tree and risk her life and reputation to fight for him—is the answer to and the embodiment of one of the most thematically significant questions in the series. we see it most prominently in dany’s chapters because she asks it directly: why do the gods make kings and queens if not to protect the ones who can’t protect themselves? that’s what lyanna did, when no one else was doing it: she had more honor than any knight at that tourney or any man sitting on the small council, and it meant something to rhaegar. like what about this is hard to understand? i think he must have idealized her immediately: she must have seemed like something out of a song or a story to him, and rhaegar was a singer, a songwriter, a bard: he knows how stories are supposed to go—how to finish a song, or at least he thought he did.

bran, who also loves stories, says it himself: “and the mystery knight should win the tourney, defeating every challenger, and name the wolf maid the queen of love and beauty.” like obviously bran has some critiques i cut out, but he has the ending right—only the wolf maid was the knight, and she couldn’t have won. in the feudal gender prison, women are rewarded for being beautiful and their worth is derived from that and from what their bodies provide. she should’ve won the whole thing, but the system doesn’t allow that, so rhaegar—in a fit of single-minded capital r romantic hero idiocy—dedicates himself to winning the tourney to honor her in the only way he can: the only way the system allows him to recognize her. it was the worst possible move he could make at that time because of the romantic connotations, but i love him for doing it, as stupid as it was and even though there is no way it didn’t hurt and humiliate elia, or make him look terrible when he desperately needed to make a good impression on the lords of the realm—it’s just such a Moment. being reminded that there’s good in the world—feeling hope in the face of endless abject overwhelming despair—how do you express gratitude for that? the idea that he could only doing it by hurting someone who didn’t deserve it and making himself look like an ass is fucking awesome. i’m genuinely so sorry for people are incapable of enjoying that. could not be me!

but that’s just my interpretation of what happened at harrenhal. like i said, part of why i like them so much is that we truly don’t know. while i love darker relationships in general, the idea that he crowned her at harrenhal because he wanted to impregnate her then does not work for me. it’s a popular theory, but it renders some of the very few contextual clues we are given about what happened meaningless. for one, he didn’t know that elia wouldn’t be able to have more children at that time. this was discovered after she gave birth to aegon, and that is the point at which the question of the third child appears to have become a motivating factor for him. i personally think he left for the riverlands to consult with the ghost of high heart—the one whose prophecy is the reason he was born, the reason is parents were forced to marry, the reason his family burned alive the night he came into the world—and ran into lyanna somewhere near harrenhal. it’s possible he had been in contact with her prior to this (how? without her family knowing? what are the logistics of that?) but i think it’s just as likely it was pure chance. i really like the idea that his crowning her queen of love and beauty caused lyanna’s father to set a date for her wedding to robert or talk of moving it up, maybe even suggest a double wedding at riverrun, which would have almost certainly caused her to balk. either way, high heart is located between harrenhal and riverrun. arya also stops there while she’s kidnapped by the brotherhood without banners on the way to ransom her to her family at riverrun, and they trade songs to the ghost for her dreams and prophecies. i think it’s worth noting because arya’s journey in the riverlands mirrors lyanna’s right down to her “death” as arya stark when she leaves for braavos, paying the ferryman’s fee with the coin jaqen h’ghar gave her—just as jon’s journey at the wall mirrors rhaegar’s in many ways right up until his own death.

i also don’t think rhaegar and lyanna eloped because they were in love—this is implied by lyanna’s famous quote—but that they did come to love each other deeply, which is suggested by the way they died: her roses and him saying her name. notably, rhaegar did not leave the tower of his own volition—someone had to come and get him with news of war, which is hilarious because i think the tower of joy is right in the middle of like three major battles of the rebellion? like quite frankly, if he didn’t love her or care for anything beyond the prophecy and if she didn’t love him despite how badly things went wrong, then where in their story is the heart in conflict with itself?

i do want to clarify that i love the tower entrapment and the power imbalance aspects of their relationship as much as i love (what i interpret as) the genuine respect for each other that grew into love: it’s really the tension of those disparate elements that interests me. a dragon can love the maiden, but he’s only ever a dragon—still liable to hoard her like treasure or burn her up and rip her open trying to be gentle, to protect. that FUCKS, sorry! love is sweet and hopeful, but it’s also at exactly the same time horror, consumption, destruction.

idk it’s myopic to act like the beginning or the ending of their relationship—of their lives—is the summation of it. i think people want their story to be easy when it’s not: a clear case of a villain and his victims where everyone knows who to root for and no one has to think too much about things that are difficult or uncomfortable, questions where there probably isn’t an answer that doesn’t hurt someone. what a sad, tedious way to approach any text, but specifically this one. i’ve sometimes seen it suggested that if their story is romantic then it’s an endorsement or justification of all the “bad” things that happened because of it, and that’s also stupid. grrm as an author is never going to be someone who tells us how to feel about anything: he presents these characters and situations, often as a means of exploring certain facets of the human condition, and each of us has to come up with our own answers and find our own meaning. i don’t think he always knows what he means, or what those answers are, you know? but for me rhaegar and lyanna are one of the most fascinating parts of story, and whatever the truth is—if we ever find out—i can’t imagine a scenario where i don’t love them or find them really interesting and wonderfully sad.

#lyanna stark #rhaegar targaryen #rhaelya #i’d apologize for this being so long but u have got to all be used to me by now #like i couldn’t be succinct at gunpoint #or coherent apparently #and especially not about this like i’m not normal about either of them #also just to clarify because this kind of turned into a rant: none of this applies to people i follow #but like. i sincerely think that 90% of the meta about them (individually + their relationship) is bad lol #and part of that is bc so much of it is based on fanon instead of what is actually in the books #and that frustration really comes through in this post and i regret that but it’s out there now lol #asoiaf

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nightswatchdisbandmentera · 7 months

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AGoT was absolutely making some big statementsᵀᴹ re deconstructing unrealistic fantasies and how they make tragedies out of children, with Jon, Bran, and Sansa being the main vehicles for this commentary. They are basically three different versions of GRRM’s critique on the genre. All three had built life expectations based on the songs fed to them as children, but had to have those dreams and aspirations (very) violently shattered as they were thrust into a world that didn’t care how it made corpses out of them. They have all been made victims of fantasy’s violence in a tragic process that is believed to be the natural order.

Sansa realizes in time that the songs didn’t paint the full picture. The singers neglected to warn her that not all handsome princes are kind, and not all knights actually understand the contradictions in the vows they swore; some don’t really care to in the first place. She learns that the handsome prince she loves can brutalize her through the very knights who should protect her (an innocent maiden). Though he doesn’t know it yet, it was Bran’s very ideal that almost killed him. He wanted to be Barristan the Bold, a valiant knight of the kingsguard. But it was a member of this “noble” order that tried to murder him (and thus made his hopes and dreams impossible) because he witnessed him betraying the man and institution he swore allegiance to. And Jon, like Bran, wanted to be the valiant hero. He banked on the songs which propagandized the Night’s Watch and their noble exploits. Then he actually joined the watch and came to learn that this “noble” order is an oppressive xenophobic force; and the contradictions presented when the oppressed (a bastard boy with little social status) unwittingly becomes an oppressor (him initially buying into the propaganda that the wildlings shouldn’t be a protected class).

Once all is said and done, all three children are forced to take on roles that couldn’t be farther from what they envisioned. Sansa is a princess hopping from one tower to the other, forced to cater to the whims of abusive men. Bran is a crippled boy who unlocks a magical power that he doesn’t really care for; he wanted to be a knight not a magician for crying out loud! And Jon does become Lord Commander as he wished, but he is utterly depressed and lonely when he’s made to foreswear family ties and drive his friends away once he gains power over them.

But the cool thing is, in the very same way that fantasy is deconstructed through them, it is also reconstructed and given new meaning as they find a place for themselves in the world in spite of their tragedies. Sansa is still a pretty princess in a tower, but she is learning to be her own rescuer and she has managed to retain empathy and kindness in an environment that tried to tell her how futile it would all be. Bran may be crippled and incapable of becoming Brandon the Bold, but he has reinvented what it means to go on the hero’s adventure and he is beginning to build a role as the Prince of the North. And Jon may be a bastard, yet he has somehow become the living embodiment of what it is to be the valiant prince that little children love to dream about.

#it’s interesting how jon and sansa realize twisted versions of their fantasies whereas bran experiences something completely different #sansa does stay with the prince but she’s a perpetual prisoner #she wishes to bring the prince happiness and joy but it is her suffering not her beauty that excites joffrey #jon actually gets to become the knight and he actually gets to go on the adventure #but holy shit adventure sucks ass and now he’s living every single minute of his life going through a moral dilemma #and jonathan snowflake DID NOT sign up for this #he just wanted to slay some grumpkins and snarks and call it a day #but unlike his siblings bran doesn’t become a knight - he becomes a magician #and he does go on an adventure - but it’s not a knights adventure it’s a magician’s quest #how confusing for poor bran and so he’s just like b-b-b-bbbut #I wanna be a knight so why am I even going on an adventure in the first place if it’s not to be a knight wtffff #it really was bad for them rip #jon snow #bran stark #sansa stark #asoiaf #valyrianscrolls

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sadoeuphemist · 1 year

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Terrible Ideas for Video Games:

—visual novel that's just an actual novel, greatly abridged; the choices you make determine which parts get edited out. You can consciously have Anna Karenina avoid all unpleasantness with Vronsky, in which case the last scene of their relationship is them embracing, planning their trip out to the country. You can choose to have her throw herself under the train, or not; if not, all mention of suicide is omitted and she simply falls beneath the wheels out of nowhere in a tragic twist ending. You could, instead, play as Levin, and ignore Anna's story completely. By playing through the game enough times, you might eventually reconstruct the original text.

—intricately-branching storygame where the gameplay is the most generic first-person shooter imaginable, funneling you down perfectly linear corridors to mow down wave after wave of foes. You are never given the explicit opportunity to make a choice, instead the plot plays out based on a host of invisibly-tracked statistics: your accuracy, most-used weapons, damage taken, whether or not you happened to be looking in the right direction when a scripted sequence was triggered, etc. The consequences of your actions are distant and obscured, some real butterfly effect bullshit. For example: an injured comrade ends up dying, convalescing, or making a full recovery, depending on how many medkits you ended up using three missions prior. The game tells you none of this, it just plays the relevant cutscene and then plunks you down in the next mission. Two players could experience two entirely different stories, without having the slightest inkling that there was any other way the game could have gone.

—colony management sim where you have to control each colonist individually, a impossible feat of micromanagement with a population of hundreds. The moment you stop controlling someone they will immediately wander off to do their own thing, based on their own semi-randomly generated skills and traits. The thing is: every colonist wants the colony to succeed, and so if left to their own devices they are guaranteed to build a basic functioning colony. How long it lasts is up to RNG. You can switch instantly from character to character, interfering in their lives, choosing where and when to intervene with your god-like perspective, and whether the colony survives or thrives or fails completely may or may not have anything to do with you at all.

—game where leveling up means greater automation. You start out with QWOP-style controls, having to flail your character around wildly just to throw a punch. The control scheme gradually refines until you can reliably throw a punch through a series of commands, and eventually you unlock a dedicated punch button. You unlock combos, then hotkeys and macros, then autocast on cooldown. Your character technically never gets any more powerful - you could do all of this from the beginning, given enough skill - it just becomes easier to execute. The final level is an autobattler, where you just sit back and watch it happen. (Maybe this idea would be better done in reverse, not sure.)

#video games #suicide

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fullscoreshenanigans · 3 months

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unpopular opinion that each arc should have changed POV based on who it was centered around (aka escape arc was ray, goldy pond was emma, imperial was norman etc.) cuz it would have balanced out all of their development more than just focusing on emma

ty for carrying this fandom on ur back :D

If we're narrowing it down to a single person carrying the fandom, it's definitely @1000sunnygo for not only compiling the most comprehensive masterlist of materials for the English-speaking fandom, but also translating countless fanworks purely out of love for the series. The thought is very sweet, though! 💖💝

I don't entirely disagree with what I think is the underlying sentiment behind this ask of wanting more insight into the characters because switching the main POV for different arcs of a story can shake things up and be engaging, but assuming we're working under the same chapter/time constraints, I'm not sure what new development could be gained and balanced by this with how much POV swapping we already do between chapters and within single chapters? Other than potentially more insight into the specifics of Norman's time at Lambda and post-Lambda escape, including the Ayshe-Norman conflict branch that Shirai consciously cut to streamline the story.

Would swapping POVs mean we're firmly locked out of any other character's internal monologues? Or would we see monologues like Emma's feelings toward Isabella, Emma saying she wants to be like Norman and Ray, Norman saying he wants to be more like Emma, Norman's incensed vow that he won't lose to Isabella, and Emma's reflection on how Norman's apparent death hurt her retooled later on in their respective POV sections?

(Chapter 3 | Chapter 5 | Chapter 10 | Chapter 14 | Chapter 31)

Granted, the anime cut all of those too, but that's one of the main criticisms I've seen lobbied against it, even with how it reflects some of the essence of them in other ways. Still, I feel like the escape arc is balanced near perfectly in the amount of focus each member of the trio is given and at what point insight into each of their psyche's is explored. That balance is what I would have liked to see replicated in subsequent arcs, specifically during the imperial capital battle arc.

A criticism I've seen toward this portion of the story, and one that I assume is one of the main inspirations for this ask, is how Ray comparatively fades into the background/feels like he's on unequal billing with Emma and Norman despite his prominence in the beginning. The series' Japanese logo even features three parallel lines that represent each member of the trio (minus chapters 30 and 31 when Norman's line was removed to fake out Japanese readers)

(Mystic Code Book Chapter 1 | TPNManga Tweet)

So for a lot of people to see him not be as engaged with his own agenda feels kind of jarring.

I don't mind him aligning with Emma's position at this point despite his personal reservations given the conclusion of the escape arc has his entire worldview being thoroughly reconstructed, but I would have liked more reflection and insight that we see crop up in the bonus pages since we have small moments like Emma taking some time to speculate if a person losing their memories constitutes death in the story proper.

(Chapter 159 Bonus Scene | Chapter 169 Bonus Scene; I'm very happy both of these scenes are included at all, but they're unfortunately among the casualties of Shirai trimming branches that don't feel as integrated into the narrative in the last few arcs due to the accelerated pacing.)

I also feel the story would lose some cohesion by displacing Emma as the main character given she's the main driving force behind the idealism that permeates the series and thus serves as the strongest unifier to keep that theme front and center. Similarly, I'd hate to lose out on how beautifully foiled she and Isabella are during the escape arc and having such a powerful and heartbreaking mother-daughter dynamic as a focal point of a shounen jump series.

(Mystic Code Book Chapter 2)

That said, this is another topic where I'm at odds with Sugita as I would have very much been up for more time spent developing the secondary cast.

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destinysbounty · 1 year

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I was gonna put this headcanon in a fic but i probably will never write it so instead im gonna share with all of you. Do with this idea as you wish

The fact that Pixal just up and built herself a new body in season 7 suggests she could have done it at any time, but chose not to. And i refuse to believe Zane and Borg didnt at least offer to give her a body - Zane admitted he preferred having her physical, im sure he at least suggested rebuilding her at one point. As he said in season 8, "The choice has always been yours, Pixal." Which leads me to believe she was the determining factor in her own reconstruction. She chose to stay in Zane's head, and Id like to think her reasons for doing so are similar to her reasons for hiding her identity as Samurai X: self-imposed guilt.

Let me explain.

Think of it like this. Pixal was built to assist, right? Even from the beginning of their relationship, she has been put in several positions of saving, protecting, and looking after Zane. Their first bonding moments involved her repairing him and later rescuing him from a junkyard metal shredder. Just as Zane has an integral need to protect built into the core of his existence, so too does Pixal have an integral need to assist.

When Zane gave her half his heart, he seriously disadvantaged himself in combat. Not only that, but it was his heart being unable to withstand the Golden Power that killed him in the end. Im sure there was at least some small part of Pixal that blamed herself for this. Not just because she might see this as a failure to uphold her reason for existence (helping people) - but also bc maybe if he'd had his whole heart during that fight, maybe if she'd just given it back to him, he might have had a fighting chance. It would have only marginally improved his chances of survival, but that small .003% probability increase is enough to make her blame herself. A probability that small is statistically irrelevant, but she cant help using it as an excuse to blame herself - or perhaps, to give her a rationalization for her survivor's guilt. Because the heart inside her, powering her, is the same heart Zane could have used to defend himself against the Golden Power, and the feeling of it inside her is unbearable.

Then Zane comes back, and she gets scrapped. And Zane forgets everything, and his mind is in shambles, and she has to help him piece himself back together again.

She blames herself for this, blames herself for his death and for the scrambled state of his memories that came as a consequence. So she figures, she caused this, so its her responsibility to help him fix his broken mind. Its her responsibility to assist.

So she stays in his head, where she can hold his memories together and keep his mind from falling apart. She insists she prefers it this way, likes being close to him, but deep down she longs for her physical freedom and hates herself for wanting more than she deserves.

Then Borg is kidnapped. And Zane is nonresponsive. And she has a choice. So she chooses to rebuild herself and leave Zane behind.

And...she feels good. Free. She's...happy about it.

But shes also deeply ashamed. Thinks she doesnt deserve to enjoy the experience of leaving Zane's head. He needs her, she's less useful to him outside his headset...and yet here she is, being Samurai X, having the absolute time of her life. She loves it, and she hates herself for loving it so much.

So out of shame, she tells no one. Shes worried theyll be just as disappointed in her as she is in herself.

And Zane...well, maybe theres a reason the Ninjigma didnt become a problem until after Pixal left his headset. Maybe she was the only thing holding him together, and the moment she left, all his memories started spiraling out of control. Maybe the events of Decoded turned out to be for the best, and allowed Zane to sort through and finish repairing his memories on his own, without relying on Pixal for help.

When Pixal reunites with Zane, shes worried he'll be upset. "Was i more...useful...inside the computer?" But to her surprise and delight, he prefers her in whatever form makes her happiest, not whatever form makes her most useful.

And Pixal, backed by the support of Zane and their friends, flourishes in her new role as Samurai X - not just in an assistive capacity, but exploring and embracing her interests in engineering and tinkering. Things are good, for a while.

But then Zane ends up in the Never Realm. And he comes home, and she learns what happened. She hears what Vex did, how she sabotaged his memories and twisted his own sense of self against him.

Once more, she blames herself. Begins to believe that maybe if she had still been in his headset, she could have prevented all that suffering.

Anyway, Pixal with survivors guilt and a raging hero complex my BELOVED

#a lot of fics place the blame on zane for never bothering to build her a body #but! let! pixal! have! agency! over! her! own! existence!#i think pixal deserves some agency over her life. as a treat #ninjago #pixal borg #pixal ninjago #pixane #ninjago decoded #ns3 #ns8 #ns11 #destiny post

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