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#so i just chose this specific part
amaranthdahlia · 6 months
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[all for one/one for all] wolf in sheep's clothing - rlyy short animatic lol
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snek-eyes · 10 months
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Queen instrumentals playing in Give Me Coffee or Give Me Death
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(instrumentals arranged by Eos Counsell)
(insp. / template / BoRhap breakdown)
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freckleslikestars · 1 year
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Vala being Vala in Stargate SG-1 9.01 Avalon pt. 1
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mavspeed · 1 year
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something that really pisses me off is this headcanon that ice would have been or was against mav pulling bradley’s papers for the academy.
like i’m sorry but I need some of you to think for a second. this is a man whose jet wash indirectly also led to the accident that resulted in goose’s death and probably carried that guilt for half his life too. this is also the man who was there to watch mav and carole grieve for the brother/husband they lost for YEARS. not to mention he was close to goose as well since they were both at the academy. like he would have wanted to protect bradley just as much as mav did when he made the decision to pull the papers. it’s a dumb moment for both of them but again. 100% they would have both thought they were doing the right thing for bradley.
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it’s time we as a society face the truth: foo fighters is castiel-coded
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blood-choke · 9 months
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Thanks for saying the bit about butch being identity more than presentation. I'm aware it is, like I'm not dumb, but I never feel like I show the fact that I'm butch enough, even if I'm soft butch. Like wearing androgynous clothes means fuck all in modern day since women's fashion is androgynous at a base line currently, plus I have very long hair and tend to keep my nails somewhat long so my identity doesn't show at all and it makes me constantly feel like I'm appropriating the label. But like if I were cis, I'd probably take testosterone for a bit like she/her Lea did; that idea is super enticing. As is I like being trans because it gives some masculinity to my physicality. If it were the past where women wore dresses, I'd definitely wear men's clothes (probably mixed with some parts of women's stuff). Just modern day doesn't let me visibly defy social norms as much as I want. My leather jacket and boots just isn't enough to show my identity.
Sorry for the ranble. Just made me feel way better, seeing confirmation that it's largely identity. Even if I don't have anyone to truly express it with.
you're welcome!
it was definitely something i had to unlearn; especially now with so much of lesbian bar culture having been pushed out and forgotten, a lot of younger people just.. don't know what these words mean, and when i was their age, butch and lesbian both were Bad Words that you never said at all except to demean someone.
reading older lesbian literature helped me overcome that and learning about all of the people that came before us; both about butches and femmes. digging through archives and putting myself into butch/femme spaces online has been hugely beneficial to me. i used to feel the same & like i could never "claim the label" because i didn't look a certain way, but that's just simply not true.
and this is especially not true for lesbians and other women who are already having other labels forced upon them by society; for not being white, for not being skinny, for not being hyper feminine, for not being cis, etc.
one of the things that made it really click for me was picture archives, specifically these kinds of pictures:
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(pride, nyc, 1977 by meryl meisler)
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this one is nancy tucker & her partner, and the two of them would switch shirts throughout the march. (1970 by kay tobin lahusen)
you can see how similar butches and femmes can look, and this is also what i mean when i say femmes are just as sanitized in popular media. butch and femme can be adjectives, but they are also nouns, they are genders and they are roles that people fill within lesbian relationships and within their community; how they move through the world, interact with society and how they interact with other lesbians and other women romantically and sexually.
this quote is one of my favorites:
“Butch is a trickster gender—and so, in a similar way, is femme. Lesbian gender expressions do not emulate heteropatriarchy, they subvert it. Femme removes femininity from the discursive shadow of masculinity and thereby strips from it any connotation of subordination or inferiority. Butch takes markers of “masculinity” and divests them of their association with maleness or manhood. Butchness works against the gender binary—the masculine/feminine paradigm—and reclaims for women the full breadth of possibilities when it comes to gender expression.”
— Caroline Narby, “On My Butchness”
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zeezu-ix · 2 months
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filling out forms infront of my parents actually pains me when i get to the gender related questions.
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enbysiriusblack · 8 months
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thinking about how different but also similar andromeda and sirius' disownment/running away was.
andromeda leaving, not because of ted, but because her family were were so prejudiced and corrupt. they all knew she was going to leave, it was an ultimatum- us or him. and she loved her family so much, but as soon as they made it clear she had to choose, she knew she had to leave them, because they didn't truly care about her or anyone else's happiness. druella and cygnus were fairly calm about it, as soon as she made her choice she was no longer their daughter. bellatrix was outraged, pleading for andromeda to stay and then refused to acknowledge she had ever existed once she had left. narcissa was sad mostly, she understood to a small degree and kept some of andromeda's belongings but never spoke to her again.
sirius leaving because he couldn’t cope. he had seen and experienced life and family outside of his own and ached to have that for his own. he had long realised his family weren't good people, and had twisted views which he despised and couldn't remain to be a part of. he left suddenly in the middle of the night, the evening before having gotten into a terrible fight with his parents and realised he had to go because it would only get worse. orion cared more that sirius was meant to be the heir than the fact he was losing his child, walburga was furious at the loss, being stuck with the wrong child and blamed the potter's for everything. regulus felt betrayed that sirius had left, that he didn't care enough to stay.
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hella1975 · 10 months
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sometimes i think about the fact my grandparents literally overnight just cut us off and im like. how did u even do that. does it torment you
#eeaao's 'how did you let me go so easily' moment. like i dont let myself even THINK about this too often#bc i immediately beat myself back with the 'if it's hard for you then imagine how hard it is for mum. her PARENTS cut her off'#but like. idk. my nan i couldn't give less of a shit about which is something i always find so interesting#bc even as a child with NO basis for it or any understanding of her behaviour both past and present i still wasn't Comfortable around her#like children are smart actually. i just Knew her vibes were off and i Knew my mum was weird when she was around#like i truly dont think i ever loved my nan even when she was a very frequent part of my life#but my grandad? i ADORED him. id see him multiple times a week and he's the kindest man ive ever met#and hannah what i told you about my mum saying certain people have magnetic auras THAT WAS ABOUT HIM#like i cant actually put into words what it was about him but people just wanted to know him and spend time with him#but he was weak and let my nan walk all over him and when push came to shove he chose her and now ive not spoken to him in 3 years#& i KNOW he loved me. he thought the world of me like it's a bitter unspoken thing between me & my sister that we KNOW i was his favourite#he used to buy me egg butties at agricultural shows when my mum said no and specifically ask for two eggs#he used to sit and eat his soup with me when he came over to do work at the house#he used to play with me. he used to smile all the time. i can so clearly hear the way he'd go ''iya [my name]' with his proper rural accent#or how he'd tell anyone who would listen 'she's tough as old boots that one'#and i could make him laugh like NO ONE else could and he'd light up and go 'give over' and he genuinely enjoyed my company#i KNOW HE DID. and i havent spoken to him in 3 years. he'll be dead soon#and i cant talk to my mum about it bc it's her DAD it is so much worse for her and i cant talk to my sister about it#bc she wasn't close with him like i was and she just shuts the conversation down and those are the only two people#who know my grandad and know what he meant to me so im just here like. he literally stopped speaking to me overnight#i stopped hearing from him i stopped meeting up with him im so so angry with him the love is still there i dont know where to put it now#why couldnt he stay. why did he pick her when she's a loveless void of inhumanity. why werent we enough#hella goes home#my grandparents on my dad's side are also not in the picture funnily enough but idgaf about them. she got that grandparentless swag
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bluffmotel · 5 days
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I always LOVE your character analysis', so random question!!! Would you indulge me about your thoughts on the Romeros (both paul and dante)? You can be as vague or as detailed as you want!
oh i absolutely love this question, thank you! and the timing was rather perfect, given the release of the black book, so it’s safe to say these two ( and more specifically dante ) have been haunting around the depths of my mind … and while i’m a vince & tyler fan first and foremost, i do have thoughts on everyone else and the general story! so without further ado, let’s talk about the romeros :
while as dusk falls is about two respective families ( the holts & the walkers, as we come to find out pretty quick ) i think it’s irrefutable to deny that paul and dante are tangled inside this little web themselves! they’re two figures that help bring the past and present together : paul recognizes jim, although not well, but more importantly if vince allows his father to leave for the hospital, he makes a rather pointed comment about not letting dante see or recognize him. jim also seems rather interested when asking our protagonist, “so you met the sheriff? what’s he like?” before doubling down rather hard on not trusting the law, and this opinion of dante is so intense that ( depending on dialogue choices ) if vince sides with the holts over dante, jim can potentially agree with his choice, in a way he won’t with dante. and given paul’s entanglement with sharon for decades and his bond with bear? these two are in the frying pan right there alongside our leading families! it’s rather easy to dismiss their importance, i think, but give the two enough thought and them being there while the desert dream goes down, as passive and aggressive forces respectively, really feels fated. of course it’s dante the holt boys stole from, and of course it’s paul’s place of work the walkers stumble upon, and of course it all comes to a head and leaves us with one of our final choices in book one : which of these devils are you trusting? dante or the holts? i like to imagine this echoes whatever went down all those years ago with jim, or at least serves as a continuation of whatever he refused to finish.
but that’s getting a little more into general game territory & it’s themes, so back to my thoughts on the romeros specifically, which can be summed up as … i love them! dante in particular grew on me a lot throughout the constant replays, even though i always adored his character! and paul was fantastic in his background role, casually revealing the more heavy hand he had in things ( which you don’t expect! ) with throwaway lines and oddly loaded advice. paul’s a good man, and if it’s not obvious by how protective joyce is of him, then it’s proven tenfold when he either tends to an injured vince at the very end of book one, or tries giving cpr to his dead body if tyler drowns him. like?? what a sweetheart! there’s nothing to hate about paul, but he’s a great example of a character who’s more than what he seems without taking away from the main narrative, another role joyce serves right along with him. these two did their thing as ‘random’ people in the desert dream and the devs took great care to lay out some good groundwork for them in spite of their non importance. and, in general, they act as good voices for vince to consider when it comes to the final choice! joyce trusts dante, talks about him with respect and all of her slightly biting remarks are full of affection ( sentiments that mean a lot coming from her, someone who’s shown herself to be stubborn and no nonsense ), but on the other side, paul warns vince against dante, lamenting on their family’s low opinions of him and his position as sheriff ( an important opinion because paul is dante’s family ), and so on so forth. paul and joyce balance each other well, and i always make sure paul gets his pizza. he has low blood sugar, dale! give him some food, god damn it!
and to talk more about dante, he’s an excellent character in a gaming world full of pathetic villains or straight up irredeemable monsters. the ceo of interior night has been very vocal about making sure nobody in as dusk falls felt like anything less than a human being, and dante ( as well as bear, i’d say ) proves she mostly succeeded … in the case of book one, anyway. it’s very easy to villainze him in the moment and even away from the game if you only give him a passing glance : he’s ruthless, he threatens vince, someone who could’ve been nothing but obedient this whole time, and his abuse of his badge is supposed to be as revolting as it feels. but! he perfectly encapsulates one of the main themes in this game, which is that he doesn’t want to do this, but he feels like he has to. dante is looking at what is clearly multiple crossroads and just like the holts he only sees one path forward, which just happens to be the most violent one. it’s the path where he survives and he is safe, unscathed, and he can return to what his normal is. i’ve been meaning to make a big web weave about adf and this theme in particular but to perfectly sum it up, here’s a quote that feels like it was almost made for this game :
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hansel, by richard siken.
like! this is what adf is about! dante may be one of the more awful parties, yes, but he is still just a man who truly believes in his little black heart that this route is what’s best for him -- and so he’s gotta take it. it’s rather easy to not notice his humanity in the midst of this high stakes situation ( and because his counterpart is paul, of all people ), but it is there, and this is exactly why i enjoy seeing him on my screen and would love to do more with him himself someday! dante, in particular, cares about the holts … and i mean the holt boys, not just sharon. despite his spiraling mental state and the time limit he’s under, the sheriff exercises a rather immense amount of patience when it comes to the holts, like, it’s rather obvious he didn’t want them coming to harm in the way that they did. when dale comes out for the iconic sniper scene, dante attempts bargaining with him after his initial instinct to annoy and pry -- and it’s clear that he wants dale to just hand him the book, and he wants dale to surrender and give dante what he needs so everyone can make it out alive, at least. in his moment of blind need, he fails to actually notice that dale’s confusion and fear is genuine, mistakes it as dale’s usual playing around, and goes “have it your way,” before signaling his sniper. he could’ve just shot dale the second he stepped out of the door, and then looted his corpse for the book, or whatever else. but no. he takes the slightly longer way, for as long as he can, and since dante believes himself to be above the law, who is he holding back for? it’s for the holt boys, kids he probably saw grow up! and it’s for sharon. and it’s for joyce, and paul, and maybe even vince and his family, at first. dante becomes colder as the night drones on but given his immense power trip, it’s clear he had no real qualms ending things with police brutality, even at the beginning. makes his attempts at trying to end things peacefully at the start of book one a lot more interesting, in my opinion, because we quickly find out this was dante’s way of showing everyone mercy. which is scary! but again, showcases he’s more than some villain.
and his face after killing dale, if you choose not to save him, also doesn’t scream that this is someone who’s particularly enjoying this. the expressions made between the shot firing and dante looking at the kid’s body bag corpse is … grim.
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like, this is not a victorious look at all! the way he just watches as dale’s body is picked up and taken away, expression never changing … he probably feels numb, this sense of : i did what i had to. but he doesn’t like it, and maybe it’d be easier if he did, and maybe he wants it that way too, you know?
i also find this scenario particularly tragic because i believe dale was probably dante’s token favorite out of the holt boys, at least before their falling out. it’s just bizarre to me the amount of hatred dale holds for him in a rather pointed manner -- it just feels personal, and it wouldn’t be personal if dale never cared for two rock’s biggest pig to begin with. how i think the juvie thing went down, in simple terms, is this : dante, who was still a close friend of sharon’s at the time and enjoyed visiting & hanging around the house here and there, someone who saw the first two holt boys through their infancy with paul, got a call about dale ( who had pushed past his usual amateur crimes to commit literal assault ), and had no choice but to actually act this time. he had probably let dale off the hook beforehand, covered up his petty theft and underage drinking and what have you, and this fostered some unhealthy opinions about dante and his generosity, so when dale landed himself in genuine hot water, hot water that even the sheriff himself couldn’t cool down, he couldn’t do anything except give him juvie. WHICH! i like to believe dale committed this crime as an eighteen year old, which could’ve landed him in jail i’m sure since his actions were so severe. so dante didn’t leave dale hanging, technically, but him not letting him off with a slap on the wrist like the holts expected ( like dale thought he would ) fostered a hatred and finally cut dante & sharon apart for good. dale’s loathed dante ever since for his betrayal and dante responds with equal amounts of vitriol back. but his fondness and favoritism remains and shows itself in tiny ways even still, like his almost palpable disappointment that dale came out of that motel instead of tyler, for example. he was like damn, i was prepared to shoot tyler, not dale … :( and i think this is so fucking funny!
( i will say that after reading the black book, none of the above paragraph is canon anymore technically. but i don’t really care at this point because what they did do with dante and dale’s assault was so baffling and borderline stupid! so, like i said when i first got it, i’m viewing the book with the same mindset one would consider a writer’s tweets of ‘canon’ facts about their favorite book on twitter … meaning i can just pick and choose what i like and dislike. there is nothing in game that contradicts the above headcanon, so it’s still canon compliant to me -- anyway! just had to add that little note, just in case )
and this goes straight into headcanon territory, but personally? dante’s the one who got dale a tombstone made, the one we see at the very end of book two. it’s certainly not bear who got it made, someone thousands of dollars in debt and someone who could also be dead at this point … and everyone else either straight up wouldn’t waste their money on such a thing ( like joyce ), or just wasn’t there long enough to make such a memorial. it’s small and it’s ballsy given the holts and their awful reputation, but it’s still something. i’ve always wanted to write a fic about this -- dante going through the process of burying dale and getting him a nice plot of land as well as an actual tombstone … i wouldn’t be shocked if he thought of it as an apology for how things went, in the end. i cannot for the life of me think of anyone else who’d have the money and the desire to give dale, and potentially bear and tyler, a tombstone in their memory. maybe he thought it’d absolve him of any wrongdoing or lingering guilt he felt? maybe he thought it was enough, when in fact giving these people a proper burial was the least he could do. it’s a fun thought of mine that makes me quite sad regardless!
okay buckle up because we’re still talking about dante and the holts kinda, however! dante strikes me as someone who really, really wanted kids, but becky was probably unable to have them for some reason ; be it because of her accident, her being infertile, or what have you. i think he always dreamed of being a father and never fully was allowed that experience! which shows in how he interacts with zoe and ash, where there’s an overt awkwardness but also this sense of eagerness, a little display of tender heart and real worry. for example, he never once threatens zoe’s life! he may endanger her if she stays in the motel, and he has no qualms trying to kill her dad, yes, but not once does he use her as leverage against vince -- despite the fact that said kid could be firmly in his grasp, if she’s the one released! and i’ll have to post the scene when i replay, but if vince tells dante about zoe while in the back office and then takes her out as the hostage, dante bends down and talks to her and is stupidly sweet about the whole thing! so it might seem ironic for him to have a line, but he does, and it’s kids … another example is that when joyce calls him about ash being missing, he sends every available officer out there to search for ash, and when he finds him, he’s nothing but cautious and gentle and worried. it’s almost odd to see from him! when he quickly sheds his cool composer to show the intense rage underneath in most situations we see him in! but he does care deeply for kids and i like that his life’s punishment is him not being able to have them, be it because of them not actually being his own or circumstances making him not being able to raise any he might have. for someone as ambitious as dante i find it sooo endearing that he just, kinda wants children the most? adds to him i think, and it’s something that somberly reminds you that even the most evil seeming people could have the most mundane desires. seriously, there’s such an empty vibe to the big romero house with a wife who hardly leaves her room and some dog in the spacious backyard … ( and spoilers for the black book : but seeing how much dante wanted a dog and a big house really gives you ‘white picket fence’ american dream! with the missing component being the, y’know, kids, and said missing componet carves out this hollow feeling the entire time you dwell on it )
and this want makes me think he was probably around for the holt boys’ upbringings! i mean, not to be crude, but he was banging their mom and seemed to genuinely have loved her at one point in time, so i can only imagine he’d hang around the house here and there. same as paul, i’m sure! and maybe some part of him enjoyed doting on the boys without actively having to be their pa, allowed to just do the fun things most wannabe parents dream of doing rather than the actual hard work and responsibility, and maybe this once there bond contributes to his reluctance to kill the holts immediately. idk! i could see him being around for tyler and dale’s childhood, only to slwply begin fading when jay was brought into the picture -- and then he didn’t help dale out when it counted, and all the bridges between him and the holts were swiftly burned with that. he definitely talks about tyler and dale like he knows them well, which isn’t as weird for dale ( who has a reputation ) but for tyler? someone who notoriously fades into the background and keeps his head down? it implies a bond, i think, where he knew them young and even after him and sharon fell through he decided to keep tabs on them. would scope out where tyler was doing his odd jobs and had officers keep an eye on dale, etc. he’d keep trying to wash his hands of the holts but he never truly puts them behind him, which can be said for everyone else in the game, honestly! they’re like an infection ( something jay even describes them as! ) to where even if you think you’ve cleaned everything off, there’s always one spot you miss, and then the growth process begins again. anyway! he is unhinged for this by the way. man said : two kids without a stable pa figure? sign me up! and then he’d go on to potentially kill one of them on purpose after antagonizing them like he’s a teenager, which he has the nerve to act sad about in the aftermath. insane!!
( also quick timeline here, that i keep in mind whenever i talk or think about the romeros : so sharon and paul definitely knew each other first, but given paul’s energy towards sharon in the desert dream and obliviousness to her and dante’s affair, i don’t think they stayed close -- not after paul married, anyway. paul probably still came around, given his bond with both sharon & bear, but while dante was probably there a lot for the them as kids, i could see paul becoming a more strong figure when they were teenagers and young adults. their behavior towards paul in the desert dream is … strange! though if i had to guess, i’d say they just didn’t want to act like they knew him as well as they did, in order to protect him from any potential danger as well as themselves. wouldn’t want the other hostages to realize they wouldn’t kill paul, you know? it’d be a weakness, which is something the holt boys try very hard to hide in the desert dream situation )
though to focus back on paul a tad, i’m always obligated to talk about him and bear! like, i love paul and bear, so so much, and they’ve grown on me tremendously once i realized they went into vietnam together as soldiers. there’s something delicious about their predicament, where paul is forced into navigating a war with someone he’s jealous of, and someone who he believes to be a pretty shitty guy. and not only did they go in together, they came out together too … went through the flames and trauma and horror as one of those rare duos that actually got to go back home, with all their limbs attached and all! it’d certainly change paul’s views on bear i think, to have seen him in action like that, and to foster what would’ve been a profound understanding, what with their bond being forged in intense warfare and all. his bond with bear is something i wish the game commented on more ( besides an offhand remark ) but oh, it’s quickly become one of my favorite things. bear is so incapable of making friends, and here’s the only one he probably has, someone so unlike him in personality and also someone who wants his wife carnally! like, jesus, the holts can never catch a break, they’re always involved in the most complicated relationships known to man as the town’s locally cursed family and as the town’s most wanted, i guess! but yeah, paul and bear <3 i view paul actually being closer with bear when they come back, electing to spend more time with him over sharon, since it’s easier and safer for him and his marriage … until that crashes anyway. and then paul decided to go sober, which is probably what destroyed their hangouts, leading to paul’s odd holtless time! would probably see the boys around town, as well as sharon and bear, but might just greet them and ask how things are ( typical small town stuff ) rather than actively making an effort to hang. that kinda thing. like he’s still present in their lives, and i think all the holts respect paul a lot more than words can say, and in their own warped ways, but he was. distant. before things went awry.
also totally unrelated to the romeros, but it’s crazy that tyler is born during the last round of american drafts for vietnam, aka 1973. just find it fascinating that bear would’ve either a.) had to have already served his time, b.) hasn’t been drafted just yet, or c.) came back after one term only to leave again for a second one. i can’t remember which one i personally went with, but it’s fun to think about regardless! that, and the fact there’s no mention of dante serving in the war … which i don’t think he did, personally, and given his extreme macho energy, that’s an absolutely fascinating aspect of his character. but i digress!
hm, some other quick thoughts on the romeros include smaller scale things! like how i usually view the rest of the romero family to be more like paul, more meek and silent, almost an entire herd of pushovers. we know the family shares paul’s point of view where it concerns dante’s title as sheriff -- and while this does paint an unsavory image of dante, i can see another picture that implies dante as the romero family’s black sheep. someone always looked at oddly and gossiped about, disapproval aimed at everything dante does because he’s dante, someone unlike the others. the rest of their blood probably doesn’t bother with him at all outside of paul, a family member dante orbits despite his jabs and vocal distaste towards paul’s peaceful nature. i mean, they share friends, a friend list which is only comprised of the holts and joyce, dante’s officers notwithstanding. two rock is a rather small world ( or, at least, it was supposed to seem that way ) but i still find it telling how tangled up in each other’s lives they are! they even liked the same girl, how crazy is that? and dante also makes a passing comment about how paul shouldn’t lock himself away ‘like grandma did’, and he says this remark with disdain … again! i can’t quite back this up with hard canon evidence, but the other romeros ( & hayes’, paul’s actual last name ) have that sort of meek vibe. this black sheep position dante fills also serves to give him and dale more ground as a narrative pair! which, if it wasn’t obvious from the tyler/vince and jay/zoe pairings in the story, this game loves it’s foils and parallels! another minor thought is that paul gives massive queer energy in ways indescribable but i’ll never forget how he can be like ‘maybe it’s mine and i wear it!’ about sharon’s bra if dante finds it in his trailer, and then can hold it up to his chest if i remember correctly?? the fact his extemely masculine cousin doesn’t even bat an eye at this only makes it more queer! he was like yes that tracks, you would wear a bra /derogatory ,,, i just rotate that scene in my mind a little bit, i will not lie.
my very quick final thought is that jim totally helped dante kill sheriff clayson, an action that would then finally put dante in power. which the black book confirms, because dante did in fact kill that guy! just not with jim, but oh well. jim was there and he helped and he hates dante for it now, trust. what they actually did with jim & dante was boring so this is still canon in my head!
ahh, i think this about sums my thoughts on them up? i probably have more lurking around in my mind and, like always, a lot of these points could suffice as posts on their own with more detail, but! it was fun to pour my general thoughts out there, so thanks so much for that opportunity! hopefully this was coherent and made sense lmfao <3 i’m tickled you love my character analysis for this niche ass game!!
#as dusk falls#answered asks.#THANK YOU FOR THIS … have a wordy ass ramble in response lmfao#i try to be cohesive with these but i wanted to lay down all i could so it’s a bit jumbled and incoherent#but … yeah … i love them … i think they are so fascinating#tbh there is not a single mf that i hate in book one i love ALL these people. this cast of characters is PERFECT#which is rare in games i think. i usually have to make myself like everybody but with book one’s main cast it comes naturally#even the more hateable characters like bear and michelle are SO stupidly well written#and you can’t remove one of the book one characters without changing literally every thing. which i also like!!!#like you can tell the devs REALLY cared about this specific group and formed the story around them and i loooove it#( this is energy they lacked in book two which is why it’s so weird tbh! but i digress let me not be a hater#and yes i hated on the black book in this my bad <3 i just didnt Like It Much even if it was a fun read#anyway anyway! ahem! )#i am shaking dante and paul around like items in a tin can tbh#also dante being like AND YOU CHOSE THEM? OVER ME??? to vince if you don’t side with him is HILARIOUS BTWW#everyone wants vince carnally in adf and dante is not exempt from this. he’s just less insane about it than tyler <3#dante & vince are pure comedic potential all of their scenes make me laugh. i couldn’t put this in the post so surprise! find it in the tag#i didn’t talk about paul NEARLY as much as i wanted to or should’ve here but i love all his scenes!!!#and despite how jarring it is i don’t mind his moment in book two! i actually quite enjoy it. easily one of my fave moments#y’know. because we focused on someone other than jay for three seconds ADJAKDKAKSA sorry. let me reign in the hater#paul is my king he is my everything he has done nothing wrong in his life#and his friendship with joyce is EVERYTHING TO ME i love how they’re written so fucking bad#it says a lot that when my niece played adf she thought they were married. like they’re THAT close fr fr and it’s refreshing to see#they just mesh perfectly and i love their bonds with vince and michelle and jim!!’#i also ADORE him using his medical knowledge from the war to help vince if michelle is shot … such good defining character traits#as well as his compassion!!! compassion is a big theme in adf too in the sense that it doesn’t make someone weak and paul shows this well#anyway i almost don’t wanna shut up because i love them so bad but. i think i’ll hush for now#tldr : the romeros are well written characters ( even BECKY! ) and they’re a big part of the walkers & holts bullshit#like in a romero and juliet story they are both as important as friar lawrence yknow. that’s the vibe.#thanks sm again and random questions are always welcomed here!! so have an amazing day <3
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gildedmuse · 1 year
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So, I just know all of Tumblr was wondering, "hey, you remember that really weird ZoLaw fan with the annoyingly overly stylized post? I wonder if she's seen this and if she has any theories or thoughts, an observation or two?"
Well, allow me to set your wandering mind at ease, fictional Tumblr fan. The answer is: No. No, I really don't.
I have like three hundred.
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[I also spent time just trying to track down as many translations as possible. Is Tera A Criminal's Daughter or The Daughter Of Thieving Bandits! These are CLEARLY separate things and can ENTIRELY change how her utter nonpresence in Zoro's life shaped him! Though I can take comfort in knowing that, regardless of what kind of crimes her father was committing they were more important than anything his daughter ever did in her entire life.]
And, hey, as might as well jump right into that whole mess.
1. Wait, Zoro's mom is dead? Thank goodness, I was worried Oda forgot one!
(AKA: Stop. Murdering. Moms.)
I'll go first, I don't mind saying when I was wrong. True, in the past I may have suggested that the vast majority of female characters in One Piece come off as ever so slightly, "leaning into sexist tropes with unadulterated joy; it's the misogynistic tropes equivalent of a child running naked through a grocery store. It's right there, everyone sees it, yet people shut up and continue shopping in part because, well, these days you just expect most people to cover that junk! What would you even say? And if you DO speak up and call out the inappropriate, be prepared for blank stares and tantrums; but THEY don't mind! THEY don't think it's wrong! You're just being mean!"
More or less a direct quote.
However, I see now that I rushed to judgement and the reality of the situation is far more nuanced. With that in mind, I was just wondering if someone could help answer some of the questions I have.
Like: Why does Oda believe that it's illegal for (maternal) female characters to survive other character's backstories?
More importantly, why hasn't someone just reached out to explain the misconception!? It can't be that difficult. If nothing else, just have a lawyer or judge or other expert in censorship on hand. Or is the one of those cases where back in highschool his friends made something up and then kept pretending it was real to see if he'd believe you and not only did he fall for it, it took over 20 years before he learned that, what, no that's not illegal. That would be crazy if it were an actual law. Cause you know, after the first 10 years I think yeah you have to just lean into it. Pretend it's a creative decision on your part and definitely not because you were terrified of being sentenced to a slow and humiliating public death.
Just to be clear that's definitely what's up, right? I mean, I'm struggling to think of another reason....able excuse why a story that I really enjoy keeps playing the same old sexist tropes cards again and again to the point of absurdity. It would just help if I had a valid excus- explanation. I almost mistyped the word explanation.
....
....
So I imagine it went like.
"That's the third mangaka they've had to Publically Execute this week!"
"They've started taking this law way more serious lately."
"This one really deserved it though! I heard his main character has a mother in her late forties!"
"That does seem old to have your first child."
"No, he's the middle of three and 22 years old. The story even has flashbacks of defining moments in his childhood and never once did she try to sacrifice herself for him, get murdered by his enemies, or die in meaningless unrelated accidents."
"Damn, that's cold to be there for all the protagonist core moments and not die and help him develop and grow a character? They must have a very antagonistic relationship. Is she actually the villain."
"Not that we know, and when they asked about this being a possible plot twist since - obviously if she's evil no laws are being broken."
"Well, of course, that's the whole reason Statue 2-dash-57 exists; if creators can show they have consistently been building up to a surprise twist then the female character in question can continue to live so long as she continues to be unrepentant and unlikable until the resolution of her arch by the protagonist."
"That's the thing! Under oath not only did man present no evidence to support her identity as a secret villain, he went on the record stating he wanted to depict their relationship as one of a normal modern 20 year old and his mother."
"That can't be true! What publishing company would even print that!?"
"It gets worse. I told you he was a middle child? Well, according to those who've read the actual manga, his younger sister was really sick as a child."
"Oh, well, at least-"
"It was just a fish allergy. She's perfectly fine."
"Sometimes I feel this law is unnecessarily harsh but.... Then you hear stories like that, and you realize that some people really are monsters."
#So this was going to be one post three parts (because obviously) then I remembered even people who have purposefully followed me hate that#I took into consideration that not everyone wants a unmountable wall of Zoro meta analysis on their dash so now its gonna be 3 post style#keeping in mind I've already written it all up and will just be posting them one after the other so effectively the same result#only with the illusion of my empathetic nature#I do have a lot of thoughts on what amounts to a very small amount of scribbled lines and a couple doodles#he literally didn't even bother giving Kuina's mom or grandmothers a name like they didn't even have a identity#In fairness there wasn't a need for them to have any kind of identities or individuality or identifiable features#everyone knows only one trait really matters when it comes to adult females: they go down#into the ground....as a corpse. After ensuring that their death would be the best way to help their children grow. As characters.#I'm joking cuz its funny. It's obvious why Zoro's mom got a name & description: she gave birth to a protagonist and not a human sacrifice#But have considered why those specific qualities are what he chose to define her by - she's fictional he could have made up anything!#I'll have to talk about it in the other posts I'm wasting precious tag room#one piece#roronoa zoro#one piece meta#one piece sexism#this post is not for everyone; actually its pretty much just for me#conversations with fictional people#more opinions than anyone asked for about subjects they don't even care about#Oh! I found the blogs new subtitle!#author gets sassy then preachy then sassy again and then swerves sharply to the weird#oh these tags are way too much#Zoro's backstory#Zoro family history#amusing musings#why am i the way that i am#three post style: part one!
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pensbridgertons · 2 years
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SWANFIRE MONTH 2022
day 7 • scene that made you the angriest
is this the underworld? i was on my way to the underworld. yeah, i know that's where you're heading. that's kind of why i'm here. don't go, emma. once you get there, it is not an easy place to get out of. i know you're trying to save hook, but trust me on this. this won't end the way you think it will.
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me, every night for the past three weeks: oh im feelin good rn! and i had a good day today!! im definitely not gonna lie awake filled with anxiety and dread over my future tonight :D
me, lying in bed 20 minutes later looping famous last words: by talos this cant be happening
#its like im fine literally all day qnd then i start to get ready for bed and the Dread sets in#like its an actual physical feeling in my stomach and i just suddenly out of nowhere have to hold myself back from crying#i literally go from perfectly happy to on the verge of tears in an INSTANT and idk whats causing uty#it#like i know broadly ehat the causes are but idk whats causing the specific switch at night#am i tired?? is it just bc im tired??? bc its not consistently at the same time and most of the time i dont *feel* tired#or is it just like. i knoe im going to bed so i know im gonna be alone with my thoughts and so they all come and hit me at once???#idk idk idk i just know i hate it and i want it to stop i want everything to fucking stop#id say i need a minute to breathe but really ive been using the past four months as my minute to breathe & thats part of the fucking problem#because ive been putting this all off for so long bc its so overwhelming but now theres so much igotta do and theres real tangible deadlines#so i cant keep putting it off but i DO and its just making it all even more overwhelming and my parents arent fucking helping#but its not even their fault because im chosing not to talk to them about this bc talking to them about it makes it all real#and i dont want it to be real yet im not fucking ready for it to be real yet i just need a goddamn minute TO FUCKING BREATHE#i wish i could freeze time and just give myself a day where none of this matters#actually a days not long enough i think i need like. two weeks. two weeks for me to get my shit together where none of this bullshit exists#and i can just do whatever i want and not have to think about deadlines and decisions and the fact that this is all ive wanted since the#7th fucking grade and now that its actually here i cant fucking stomach the thought of it being real because im a goddamn coward who cant#fucking commit to anything or get themself to DO anything and i know its not really my fault bc i probably have adhd and i get#knocked off my ass with a migraine every ither fucking day but i still feel like i should be more prepared for this than i am#and im not prepared and im not ready and i cant get myself ready because i cant do things like this myself because i dont really want to be#doing them at all#like sure! the bitch can write a 400+ page fanfiction no fucking problem!! they can find time for that but a college essay?? even finding#schools to apply too???? dont be fucking ridiculous they cant even get half an app done in the time it takes them to write a two 6k chapters#delete later
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bmpmp3 · 2 months
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dysgraphic artiƨts risɘ UP!!!!!
#raise your pencils!!!! and erasers. to fix the backwards letters 😔#sorry still thinking about my weirdness with my art professors. yknow a lot of em have been really pushing us as#students to make our personal identities a major part of like our 'brand' as artists#which. well from an art history major perspective thats a very contentious and nuanced topic. i love a lot of artists who live this way#and i think its great seeing my peers who focus on identity thrive. but also as an fine arts major (double major fool LOL)#i keep getting pushed by teachers into like. specific '____ artist' identities???#specificaly woman artist. which is a little bizarre because im a bit fat and a bit gnc so im generally like. ungendered? in day-to-day life#(which doesnt actually matter to me directly that much honestly LOL people tend to view me as like. buddy? buddy or pal.)#(not man. not woman. not anything human. sometimes i remind people of a beloved dog. which. hkdsahjk thats its own can of worms)#(a can of worms that also doesnt matter much to me directly because im a wannabe furry who chose to be the dog when playing house as a kid)#(LOL so um. well. theres that) but yeah i dunno i dont really consider myself a woman artist. its been. shockingly (and sometimes luckily?)#irrelevant to most of my life and experiences and art (although dont get me wrong misogyny is very real and very present) so i dont#have a whole lot to say about it from an art perspective. you could also call me all kinds of things. a queer artist. a mixed race artist#again technically correct. some aspects more visible in my work than others. but also very technical. i focus on race a lot in in my#art historical work but i dunno how much my drawings have to say. except that i keep making too many mixed ocs LOL#i dunno i just think my professors gotta focus that energy away from tokenizing me and over to supporting like actual#capital W Woman artists capital Q Queer artists capital A Artists of Colour who are doing far more interesting things than I#far more thought out and engaged in these topics directly. i just kind of stumble into my art blindly and confused <3#sorry that was a long tangent WHAT IM SAYING Is despite all that: i do consider myself a capital D Dysgraphic artist#i think its an unmovable constant of my art and the way i draw and the way my hands move. the untrained eye doesnt seem to be as aware#of it directly. but those who are familiar can probably see it. the dysgraphia LOL if not just from whenever i write a letter or number#half of them are busted and frantically fixed HDKJSDJDS but its in all my art. if u can see it <3 ive been trying to embrace it#dygraphic artists raise your pencils indeed!! and throw away the eraser!!! make the legibility of your words everyone elses problem!!!#what does that say? what is that sketch? none of my business! none of your business!! its the business of my hand and the pencil alone#motor skill and spatial issues take the wheeeeeeeeeeeeeeeeel
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voluptuarian · 4 months
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finally figured out how to get my gothic romance hero/heroine in bed (officially) for the first time and Of Course it's happening on a cot in a storage room
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mariemariemaria · 5 months
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The new channel 4 documentary on the miners strike is fantastic. It covers different points of view, from the striking miners, to working miners, to the women in striking communities, to the police. It also shows how the Battle of Orgreave on 18th June 1984 was planned and initiated by the police, and how the media (BBC and ITV) covered this up and showed only the police's side, while positioning them as being the victims of miners' violence (which was very minimal to non existent in reality), who simply retaliated because the "restrained...traditional British policing way" (I have to laugh) didn't work.
I also didn't know until watching this that Gareth Peirce, who represented the Guildford Four and the Birmingham Six, also defended mineworkers who were victims of police brutality at Orgreave. What a woman!
#british history#working class history#miners strike#acab#im so interested in this period of history + chose this topic specifically as part of a british history module last year#so im really glad that this docuseries was made for the 40th anniversary and i hope it is never forgotten#and i often think about how miscarriages of justice against working class british people are exactly the same as#british miscarriages of justice against irish people. i was thinking this when watching#at one point an interviewee even says something like 'obviously i'd seen this happen in northern ireland but i never expected it to#happen in england!' and the way the police acted obviously made me think of what they did in the north of ireland#and the gareth peirce connection just confirmed it. but how many people saw those connections?#how many of the miners who were beaten by police saw the same things happen to irish people but didnt care? or thought they deserved it?#this isnt to blame them..they were fed lies that the irish were terrorists...but it suggests to me that this oppression is connected#also similar is how RE the post office scandal a lot of people were shocked that british justice had failed#a man in the drama even said that it was britain and he was british and that british justice wouldnt let them down#and you just think like...do you not know what british 'justice' did to innocent irish people? do you think they deserved it?#did you think you were immune because you were british? in ireland we know there is no such thing as british justice.#but british people never seem to learn this history lesson#what a better world it would be if working class british (and irish) people could recognise our similarities and joint sufferings as a#result of the british state. its quite frustrating to watch british people constantly put faith in their gov/justice system#learn from your own history!! they dont care about you!!
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