Oh we are so BACK
When I tell you I saw this and died. HELLO?????
I keep hiding my face lahshjsdhjgfsaf HE HAS NO RIGHT. NO RIGHT AT ALL BEING THAT SEXILY INTENSE AAAAAAAAAAA
Anyway, I should probably try to make some attempt at describing the event since. If I don't I'll just be barking/crying/hiding my face for the next twelve hours.
Basically--and I'm not sure this is going to be across the board, but it held true for Napoleon and Sebastian at least--each suitor has a birthday event this year instead of a separate story. Comte's won't be released until tomorrow, but they have posted a preview.
From what I gather, he talks a little bit about himself and reveals parts of his past that haven't come to light in the game yet. There wasn't really enough to convey a coherent narrative beyond attending a party, but the line displayed here does get across the larger theme:
Comte: (I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)
He talks about how the aristocracy have thrown parties and extravagant celebrations for his birthday for most of his life. But none of it has ever really made him happy, largely because he knows that they are attempts to strengthen and broadcast power relations within high society. While I don't think he means it's entirely devoid of well wishes, I do think he sees it as a nexus of influence--and thus, by nature, impersonal. And honestly, I don't think he's wrong about that; the higher the echelon in social standing, the more it requires performance to maintain the position.
That being said, there is a fascinating flashback where he remembers a pureblood telling him about how falling in love with a human is an experience of another caliber entirely. My understanding is that Comte was still a fairly young vampire at the time, so he didn't really understand what the person was getting at. It seems like the other pureblood was trying to convey the difference in feeling, perhaps the fact that humans are more grounded in accordance with how they live--the reality and necessity of change.
After reading this--and the recent 5th bday story--I can absolutely see how change is something Comte has a complicated relationship with. He's known a certain way of life for so long, has constructed a sensibility of distant, rational maturity. After all the heartbreak of his youth, and two very acute traumatic events in his life, I can see why he'd be so afraid of broaching any kind of proximity with another person. Because on some level it's so much easier not to put your feelings on the line, to never have to fear devastating loss. And that's to say nothing of the worry of being unable to measure up on behalf of another person, of letting them down.
I'm so excited to see the rest of the contents, but something about the preview made me equal parts giddy and enamored (all I do is kick my feet with excitement LOL). I think what gets to me with Comte is that he truly does love companionship as a place to rest, a place where he can be honest about himself and his feelings without fear of ridicule (and the same goes for MC). In a world increasingly obsessed with surface level performances of power, status, and emotion, it's hard not to feel his exhaustion to the core.
Also, because these lines at the end more or less destroyed me in the best possible way:
MC: ...The you who had nowhere to belong no longer exists. In much the same way...Abel, I belong to you.
Comte: ...
Comte: I wish I could say to myself all those years ago, the me who kept indulging in such paltry things.
Comte: Until you meet MC, you will never know love...
The warmth of MC in my arms filled me with such joy I was near tears.
(I don't need momentary pleasure or ephemeral affection any longer. Now that I know love, there's nothing but you.)
The moment my lips found hers, the sweetness lit a fire deep in my body.
Comte: These cute lips that melt against mine, the heat of your skin, the love that envelops me in your embrace--always leaves me so deeply in love with you.
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i love writing regulus trying to figure out muggle things because i imagine him picking up a kettle or something and just staring at it. examining it from all angles. giving it a little shake. its fun
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ok ok i just read Martyr by @gemglyph and HOLY SHIT i think it killed me. i might be dead. is this the afterlife? /POSITIVE IT WAS SO SO SO SO GOOD IT MADE ME STAND UP AND TAKE A WALK SO GO READ IT RNRNRNRNRN IT MAKES MY BRAINWAVES GO BRRRRRRR GO READ IT.
and while you're at it, go read Elastic Heart by @skyloftian-nutcase CUZ IT IS ALSO AMAZING AND SUPERB AND FANTASTIC.
GORGEOUS heart-wrenching angst for BOTH OF THESE FICS and i NEED TO SCREAM ABOUT IT. SUCH GOOD SKY ANGST THESE FICS ARE LOVELY AND TOUCHING AND SO PAINFUL BUT ALTOGETHER GOREGOUS
BUT ALSO HEED ALL TAGS
so i made a meme (spoilers below)
(not us all writing angst fics about the curse and also sky has ✨problems✨ and he leaves thinking everyone's gonna hate him LMAO)
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continue being a little mean to toh fans please it is really irritating how some act like its got the best writing of any modern cartoon
Daawwwww I don't have it in me. TOH fans love it for a reason, and there are legitimately good moments! It's just not the most complex or well-written show out there—which it doesn't need to be—but I also totally get your exhaustion. It gets tiring seeing people praise it so highly over and over again when it's just like...fine. It didn't do nothing but it also didn't do something, you know? It's main couple is cute and queer, but that's pretty much all there is to them. It has a fun cast of characters, but they all tend to fall into archetypes. Luz is a sweet main character, but she doesn't have any real flaws and kinda takes a back seat to Hunter and Eda (the white people lol). Her foil with Philip was interesting...but then they kinda backed off and went the "you and Belos are nothing alike" direction.
((I'm also going to answer this anon with another: ))
And It's not that an unsympathetic villian is bad, or that Belos would even be sympathetic with added backstory, it's just that...there were a lot of interesting things to explore with his character that were left hanging.
Like, while he's definitely not at all a good person, it's intriguing that he would bother to recreate his brother over and over again knowing that each time the grimwalker was going to betray him. It's intriguing that he was even willing to kill his brother to begin with (though Caleb was super underutilized in general). Like, you can give a villain depth without justifying or victimizing them (hi Finnegran from tdp, I'll also add Spider Queen & LBD here). So it just feels like a missed opportunity all across the board. It's still surprising to me that we got a confirmation on the Wittebane backstory through an unrelated background character, rather than Philip himself (who had literally possessed a main character, and mindscapes had already been well-established....the pieces were all there me thinks).
And obviously it's like, people can love something despite it's flaws, and they can cherish it for the good it has, but they still don't need to praise it as an ultimate form of media, you know? We don't need to pretend toh was this dark and complex story—it was just a story a lot of people liked and resonated with. Which I'm glad it's there for those people, and I'm glad there are options when it comes to queer pieces of media!
That said the show with the best writing of any modern cartoon is The Dragon Prince (streaming on Netflix).
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