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#something something do not cite the deep magic to me witch
emoheritageposts · 2 years
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Chapter 1
AN: Special fangz (get it, coz Im goffik) 2 my gf (ew not in that way) raven, bloodytearz666 4 helpin me wif da story and spelling. U rok! Justin ur da luv of my deprzzing life u rok 2! MCR ROX!
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Hi my name is Ebony Dark’ness Dementia Raven Way and I have long ebony black hair (that’s how I got my name) with purple streaks and red tips that reaches my mid-back and icy blue eyes like limpid tears and a lot of people tell me I look like Amy Lee (AN: if u don’t know who she is get da hell out of here!). I’m not related to Gerard Way but I wish I was because he’s a major fucking hottie. I’m a vampire but my teeth are straight and white. I have pale white skin. I’m also a witch, and I go to a magic school called Hogwarts in England where I’m in the seventh year (I’m seventeen). I’m a goth (in case you couldn’t tell) and I wear mostly black. I love Hot Topic and I buy all my clothes from there. For example today I was wearing a black corset with matching lace around it and a black leather miniskirt, pink fishnets and black combat boots. I was wearing black lipstick, white foundation, black eyeliner and red eye shadow. I was walking outside Hogwarts. It was snowing and raining so there was no sun, which I was very happy about. A lot of preps stared at me. I put up my middle finger at them.
“Hey Ebony!” shouted a voice. I looked up. It was…. Draco Malfoy!
“What’s up Draco?” I asked.
“Nothing.” he said shyly.
But then, I heard my friends call me and I had to go away.
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AN: IS it good? PLZ tell me fangz!
Chapter 2
AN: Fangz 2 bloodytearz666 4 helpin me wif da chapta! BTW preps stop flaming ma story ok!
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The next day I woke up in my bedroom. It was snowing and raining again. I opened the door of my coffin and drank some blood from a bottle I had. My coffin was black ebony and inside it was hot pink velvet with black lace on the ends. I got out of my coffin and took of my giant MCR t-shirt which I used for pajamas. Instead, I put on a black leather dress, a pentagram necklace, combat boots and black fishnets on. I put on four pairs of earrings in my pierced ears, and put my hair in a kind of messy bun.
My friend, Willow (AN: Raven dis is u!) woke up then and grinned at me. She flipped her long waist-length raven black hair with pink streaks and opened her forest-green eyes. She put on her Marilyn Manson t-shirt with a black mini, fishnets and pointy high-heeled boots. We put on our makeup (black lipstick white foundation and black eyeliner.)
“OMFG, I saw you talking to Draco Malfoy yesterday!” she said excitedly.
“Yeah? So?” I said, blushing.
“Do you like Draco?” she asked as we went out of the Slytherin common room and into the Great Hall.
“No I so fucking don’t!” I shouted.
“Yeah right!” she exclaimed. Just then, Draco walked up to me.
“Hi.” he said.
“Hi.” I replied flirtily.
“Guess what.” he said.
“What?” I asked.
“Well, Good Charlotte are having a concert in Hogsmeade.” he told me.
“Oh. My. Fucking. God!” I screamed. I love GC. They are my favorite band, besides MCR.
“Well…. do you want to go with me?” he asked.
I gasped. 
Chapter 3
AN: STOP FLAMMING DA STORY PREPZ OK! odderwize fangs 2 da goffik ppl 4 da good reveiws! FANGS AGEN RAVEN! oh yeah, BTW I don’t own dis or da lyrics 4 Good Chralotte.
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On the night of the concert I put on my black lace-up boots with high heels. Underneath them were ripped red fishnets. Then I put on a black leather minidress with all this corset stuff on the back and front. I put on matching fishnet on my arms. I straightened my hair and made it look all spiky. I felt a little depressed then, so I slit one of my wrists. I read a depressing book while I waited for it to stop bleeding and I listened to some GC. I painted my nails black and put on TONS of black eyeliner. Then I put on some black lipstick. I didn’t put on foundation because I was pale anyway. I drank some human blood so I was ready to go to the concert.
I went outside. Draco was waiting there in front of his flying car. He was wearing a Simple Plan t-shirt (they would play at the show too), baggy black skater pants, black nail polish and a little eyeliner (AN: A lot fo kewl boiz wer it ok!).
“Hi Draco!” I said in a depressed voice.
“Hi Ebony.” he said back. We walked into his flying black Mercedes-Benz (the license plate said 666) and flew to the place with the concert. On the way we listened excitedly to Good Charlotte and Marilyn Manson. We both smoked cigarettes and drugs. When we got there, we both hopped out of the car. We went to the mosh pit at the front of the stage and jumped up and down as we listened to Good Charlotte.
'“You come in cold, you're covered in blood They're all so happy you've arrived The doctor cuts your cord, hands you to your mom She sets you free into this life.” sang Joel '(I don’t own da lyrics 2 dat song).
“Joel is so fucking hot.” I said to Draco, pointing to him as he sung, filling the club with his amazing voice.
Suddenly Draco looked sad.
“What’s wrong?” I asked as we moshed to the music. Then I caught on.
“Hey, it’s ok I don’t like him better than YOU!” I said.
“Really?” asked Draco sensitively and he put his arm around me all protective.
“Really.” I said. “Besides I don’t even know Joel and he’s going out with Hilary fucking Duff. I fucking hate that little bitch.” I said disgustedly, thinking of her ugly blonde face.
The night went on really well, and I had a great time. So did Draco. After the concert, we drank some beer and asked Benji and Joel for their autographs and photos with them. We got GC concert tees. Draco and I crawled back into the Mercedes-Benz, but Draco didn’t go back into Hogwarts, instead he drove the car into……………………… the Forbidden Forest!
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itstimeforstarwars · 9 months
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I have a friend irl who is also a mutual on my main blog and whenever we get together he is like "sorry this is really embarrassing but this is something I'm really into rn" and then shows me some shit I put on his dash 72 times in the last month. Lmao. I got you into this hellhole and you don't even realize it.
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graviconscientia · 3 months
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I read "Mishapocalypse" and heard all my joints creak at once.
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marciliedonato · 11 months
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No bc I literally don't understand what the actual FUCK paramore were thinking joining the biggest tour in the world as an OPENER as a replacement for an EU tour that fans gave been asking for for the longest time *AFTER* the presale period for said tour tickets (that cost an arm, a leg, your first born child, a blood sacrifice and your kidney on the black market excluding accommodation and transport 🙂) has already ended a MONTH ago and somehow thinking fans would actually be happy abt this. Like I seriously cannot understand their train of thought behind this. Literally who signed off on this. Who genuinely thought this was a good idea and not a massive "fuck you" to EU fans, some of which (like us here, hi, remember us? It's been 12 years this week...) have been waiting for TEN+ years wishing and hoping and holding out hope we would have our special moment seeing everyone else get to have theirs and just have so much fun and awesome experiences while we sit and watch and tell ourselves someday, somehow, it will be us.... And then whenever it is time for shows to happen (bc pmore is not a touring band, there's only one shot and it's when there's an album out - so it's been at least 6 years for everyone here) we either get ignored or.. whatever the hell this is.
Like I don't think you understand so ill say it again... THEY ANNOUNCED THEIR EU TOUR IS AS AN OPENER FOR THE BIGGEST ARTIST IN THE WORLD WHEN YOU CAN'T EVEN GET TICKETS ANYMORE AND *BASICALLY* CALLED IT THEIR EU TOUR BC THEY HAVENT SAID ANYTHING ABT ACTUALLY DOING ONE OF THEIR OWN.... yeah.
And don't even get me started on the ppl trying to gaslight EU fans into feeling bad or make us the bad guy here for not being happy with this shitty arrangement... Yes, this is big for them. Yes, they're gonna make a shit ton of money and yes, h and t are friends so they're literally chilling with friends for months (extra fun for them) but bands are literally nothing without the fans and we're being told to just smile and suck it up and be happy for them bc somehow money and fame matter more than the people who got you where you are and are just asking you for something as basic as respect bc they're literally being treated below everyone else... That's all it is abt, right? The money and selling out arenas (bc 'tHeY cOuLdnT dO iT oN ThEiR oWn tHiS iS mAssIvE jUsT ShUt uP anD bE hAppY fOr tHeM')....as long as u can make a shit ton of money it's a free for all, fuck the fans and their feelings right lol 🤪🤪🫠 like 'omg ur upset one of ur fave bands is treating u like ass/lesser than?? omg grow upppp they dont owe u anythinggg 😒😐'
Anyway I'm still pissed and I do hope they will do the right thing and like, at least try to have their own shows between her gigs or smth and can fix this for everyone specially considering how many people are giving them pushback for this bc this is absolutely atrocious and a diservice to EU pmore fans and our right to be upset is valid and I will not be told to calm down by Americans (et al but mostly americans) who are used to everything being handed out to them on a silver plate telling us to be happy abt them making bank and that we're overreacting fuck that noise lol
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whumpering-heights · 1 year
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have you ever considered giving your characters names?
Bwahaha! Hey, i give them names! Eventually. For the record, in case people were confused: Villain: Ethan Douglas Hero: Chris Vigilante: Jackson Sidekick: Jaime Henchwoman/Hench/Aide (i really want to change her title again, havent gotten around to it yet): Ada The Mayor: Mayor Mercy
The creature will get a name! Ive even picked it out already. He just hasn't recieved it yet in the story itself.
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storm-of-feathers · 2 years
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if i saw a squiddle in real life i would maul someone
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onemoore · 2 years
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Everyone is celebrating the anniversary of the Supernatural pilot and I can't stop thinking about how no one is mentioning that the WB actually put a card up at the start of the episode telling viewers to turn off their lights for maximum effect or whatever.
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valyrfia · 1 month
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How does charles see it as "foreplay" when charles doesnt like that man??????
You've seen how the man looked at Max in 2019-ish? Hating a guy's guts is like.....80% of the fun for Charles. As is toying with them like prey (thinking about Sebchal wedding ring camera angles+kiss joke mayhem, also 2019).
In short: Carlos tries something to psych Charles out and Charles just laughs and goes "do not cite the deep magic to me witch" before ruining Carlos' life.
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The farmer seems to be able to bounce back from being so gravely injured that they required emergency surgery. What if the adventures witnessed the farmer come back from something they really shouldn't have been able to? How would they react to their seeming immortality? (Btw love your stuff you keep me fed when it comes to sve I hope both sides of your pillow are cool)
Both sides of the pillow are cold... Mmmmm.... 😌 Thank you so much, dear anon, for your kind words! Enjoy some headcanons and have a good day as well🫰
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Lance:
That wizards' and witches' wounds heal faster than those of ordinary humans (that is if elixir and healing spells are not taken into account), Lance had known long ago, where he and other students had been taught about the subject at the Academy of Magic. In Farmer's case, however, the pink-haired adventurer observed simply inhuman regeneration, and it both impressed and confused him. Even the effects of a life elixir usually last several days before full recovery. Here the Farmer had dealt with a serious wound after fight with Highlands monster named "Bully" in one night without potions or healing magic. Intriguing... Lance is torn with curiosity as to why this is so, but the adventurer wouldn't just tactlessly ask the Farmer such personal questions. Might bring the subject up gently, or wait for Farmer to tell him themselves if they feel like it.
Isaac:
"Fools are lucky." Isaac used to say to the other adventurers when all the gossip and rumors about one event or another started up again. Surviving the Apophis attack was just such a topic, but Isaac refused to comment on anything further, citing the pointlessness of this idle talk. However, the grumpy scarred adventurer had many thoughts and theories about Farmer's incredible regeneration in his head, he just didn't want to let anyone in on it. Such wound healing is not normal, even by the standards of mages. Is Farmer really human? Maybe they're not at all who they say they are. On the other hand, their main witch Camilla wouldn't trust Farmer then and would definitely see something wrong. Either way, Isaac would be cautious of them. Even if they aren't a spy or something, a little caution never hurts.
Alesia:
Alesia was glad that Farmer is alright. Though if the sniper's memory didn't deceive her, their wound was pretty deep and serious, so she was a little worried when the Farmer's announced with a smile that they were going to adventure again. To Alesia's concern, the Farmer showed them that the wound had already healed. And that put her in a bit of a stupor. She looked questioningly at her former mentor Marlon, but the wise old adventurer only shrugged his shoulders, saying like yeah, they are like that. The girl had discussed it with Isaac when she returned to her Guild, and she was the one who had inadvertently started all those rumors about the Farmer and their incredible regeneration. Not because Alesia was spreading the rumors on purpose, but because her words were picked up by Camilla (that witch loves all the fresh gossip). Alesia only hopes that the Farmer knows what they are doing and can defend themselves.
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thebardbullseye · 3 months
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“Philosophical and Personal Musings on the Wizard Stone and the Axiom of Proliferation” – An Essay and Divinations for Arc 3 of “The Wizard, the Witch, and the Wild One”
From the Desk of The Bard Bullseye
Happy Birthday, Worlds Beyond Number!
Spoilers abound! This is an essay discussing the actual-play podcast “The Wizard, the Witch, and the Wild One” from the fine folks at @worldsbeyondpod It is an expression of my analysis of and engagement with the content of the second arc of the show and also contains some speculation about future plot and current themes. These interpretations are my own, include some reflections on my personal philosophy, and are written in a mostly academic style of writing (be warned, it’s around 3,000 words!). If you do read through it, I hope you find my points interesting and thought-provoking regardless of whether or not any of it turns out to be true (and I have done my level best to adhere to the facts of the story thus far, with transcript pages and timestamps cited when available/applicable).
Abstract (TL;DR, or I ain’t reading all that, but I’m happy for you):
The Wizard Stone’s discovery that the Axiom of Proliferation is untrue has major implications for the overarching story and the direction of the next arc. Herein, I explore my reaction to this moment in Episode 19 and how my experience and own philosophy potentially align with Stone’s. Then, I examine the logic of her argument and its implications for the greater worldbuilding in Umora. Specifically, there is a fundamental problem with the way that wizards are using the lingua arcana that is affecting the link between the Spirit and the Mortal worlds (i.e., the “greater binding”), and this is leading to detrimental effects. This, I believe is ultimately what Grandmother Wren (and now Ame) and Coven of Elders (and possibly the Man in Black?) are concerned with, though they have come to vastly different conclusions about who is at fault and how to solve this problem, which are yet to be revealed in the forthcoming third arc (see footnote 5).
Introduction
Something has piqued my interest and scratched a deep philosophical itch for me in the second arc of “The Wizard, the Witch, and the Wild One.” While the first arc introduced the characters, explored ideas of ‘quest fever,’ and masterfully wove in lore and character motivations for reclaiming Eursulon’s sword, Wavebreaker, the second arc has expanded upon the characters and their relationship to the greater philosophy of the Citadel and Umora.
I don’t usually speculate where stories might go next or craft my own fan theories. Especially for ongoing projects (i.e. TV shows, actual plays, books in a series, etc.), I tend to be along for the ride, and I spend time analyzing the story being told and the characters within. And rarely do I put these thoughts to paper, at least not coherently; I am more likely to ramble endlessly to a friend or lurk on Discord for others’ opinions, chiming in occasionally. However, I have noticed some things brewing in this arc that I wish to discuss at-length and even speculate upon: my perspective and analysis of the philosophy of the Wizard Stone, and the possible implications for the forthcoming third arc.
I don’t often see myself in stories. Not to say that I don’t see myself or parts of myself represented in media: i.e. demographically, socially, politically, etc., but rarely do I find a specific character or character motivation that ‘snipes through the duplex door’ where I go “oh shit that’s me” or “I relate to this on a deeper level.” This happened to me in Episode 19, when Suvi is investigating the records of her mother’s early time in the Citadel: her expulsion from the College of Divination and readmittance to the College of Abjuration because she had accused one of her professors of “treason against magic itself.”
Upon her dismissal from the Citadel, Stone wrote a dissenting missive to the Archmagi of the Citadel regarding one of the three metaphysical axioms, the Axiom of Proliferation, and how this particular axiom “does not describe any actual truth of the lingua arcana, nor does it more broadly describe any facet of the greater binding” (Ep. 19, transcript p. 12). She goes on to posit that not only is it “pure intellectual technology,” but that its continued acceptance as fact is a “danger to the future of wizardry” and “[a] stain on the face of magic itself” (Ep. 19, p. 12). An axiom in this context is described as “simple… laws that are given to young wizards about broad truths of spell casting in general… that are true across spells [and], … different schools of magic” (Ep. 19, p. 13). That is, “the Axiom of Proliferation is essentially that the more times a spell is written down … the weaker the spell becomes” (Ep. 19, p. 13).
An axiom as defined in philosophy is a statement that is self-evidently true and serves as a starting point for reasoning. Therefore, any argument against its truth would call into greater question the philosophical foundation of the Citadel itself. If Stone’s claim that this was not a true axiom had not been dismissed swiftly and discredited, it is possible (though highly unlikely, given the power of empire) that this would have led to a redefinition of the philosophy of wizardry in Umora.
This is what struck me like a bolt of lighting while listening to this episode. I did almost this exact thing when I was in grad school!
Stone is… me? Faulty logic and its effects
As part of my master’s degree, I took a philosophy seminar on bioethics, which covered some polarizing subjects and more fringe points of view. Most of these topics cannot be directly studied or supported by scientific evidence, so the conversation and academic debate is largely conceptual or theoretical (i.e., conducting research to investigate these ideas have varying states of legality and moral acceptability) (see footnote 1). This course was excellent and a bit out of my comfort zone, but it challenged me to think critically about fundamental logic and accepted ideas that often go unexamined until they are taken to the extreme. At one point in the semester, we were discussing a particular topic and the current state of debate surrounding it. Immediately, I was perplexed by some of arguments made to justify it, and at first, I didn’t have the language to express why. Much like Stone, I found myself screaming (internally) “you’re all idiots!” or “you’re missing the point/the bigger picture!” or “that’s not how that works!” Essentially, I had arrived at the conclusion that if this idea were to be implemented broadly in society, it would likely have major negative ramifications, and furthermore, not even achieve the desired and purported effect that they were arguing for! 
Eventually, I figured out what the underlying problem was: a logical fallacy inherent and unidentified within the current debate. Since scholars had just accepted the argument at face value and moved on, most of the debate was concerned with its future implementation or theoretical follow-on effects on individuals and society at large. I did find some existing papers that danced around the idea of fallacious reasoning (i.e., that the theoretical benefits were greatly exaggerated, if not a zero-sum game, or that the negative long-term effects may outweigh the short-term benefits), but none named it specifically or even examined the logical argument the entire debate was predicated on. So, for my term paper, I researched and wrote about this fallacy, and in it, I discussed how the discovery and acknowledgment of it would reframe the debate and perhaps even bring about reform to existing systems!
In the process of writing and researching, I felt incredibly isolated intellectually (this was also peak-COVID so that didn’t help either). Now that I had put the pieces together, it seemed quite obvious to me, but it was difficult to find supporting evidence or other similar arguments to mine (even if they weren’t breaking the logic down so specifically). Was this thing I had reasoned actually true? Why had no one pointed this out before? What if I’m wrong? What if they’re right and I’m a fool for daring to challenge them? What does my professor think? They’re an expert and approved the topic, so I know I’m not entirely off-base, but do they agree with me? I knew that if I wrote a strong, supported, and persuasive argument, that I couldn’t fail, but I deeply cared whether or not I was actually right. It was also probably one of the first times that I wrote with passion (and specific planning ahead of time!), rather than churning out yet another good-enough research paper (that I may or may not have written days ahead of the deadline or the night before).
Thankfully, unlike Stone, my fears that I would not be taken seriously, or worse, told that I was flat out wrong (and be silenced) did not come to pass—my professor agreed wholeheartedly with my argument that this fallacy is pervasive in the current literature. (Though I feel must disclaim that I still could be wrong in some other aspect of my argument, and that simply arguing the existence of a fallacy can be treacherous! In philosophy, no one ever has the only or complete answer—if they claim to, they are either lying or ignorant.) As part of the course, we did a mock peer review in class and my professor sent us further feedback on our papers after we submitted our initial draft of the term paper.
One particular piece of feedback stands out to me upon reflection and comparison to Stone’s experience and the philosophy of wizardry. It said something along the lines of ‘We think that is a very admirable and unique take on this subject. No one found any fault in your logic; however, it is important to consider the practical implications of identifying this fallacy.’ Point taken, of course, that the mere identification of a flaw in logic is not the end of the conversation—it is merely the start of a new discussion and opportunity to surface new arguments.  
In my case, the identification of the fallacy was the concrete thing I felt I could verifiably yell about (academically) to explain why I disagreed so vehemently with current literature (and some truly wild propositions made by certain scholars). Of course, one should not commit the ‘fallacy fallacy,’ which is that simply pointing out a fallacy invalidates the argument. Instead, it was a means to discuss practical implications: some less harmful methods, some overlooked existing solutions, and to pull knowledge from other related disciplines that had not yet been considered because this fallacy had yet to be identified (see footnote 2).
The philosophy of Stone’s accusation of ‘treason’ and treatise to the Archmagi
In listening to and reflecting upon this episode and the conclusion of the second arc, I wonder if Stone felt similarly to me: that she had a fundamental disagreement with the way that wizards (and the Empire) conduct magic. I wonder if she learned about the Axioms and something didn't sit right with her, so she dug into the philosophy or history of it. Moreover, I find it particularly striking that her original specialization was divination. Although it has not been stated outright, I think it can be plausibly inferred that Stone divined some kind of knowledge about the fundamental ‘wrongness’ of current wizardry and the disastrous follow-on effects it would have. She may have been unable to fully convey her revelation in the moment, and so just shouted ‘treason against magic’ at her mentor. As was the case with me, the Axiom of Proliferation was just the most concrete thing that Stone could point at to explain herself.
But beyond my own biases and affinity for Stone, it follows that she may well have examined or done a proof on the Axiom of Proliferation which led to her discovery that the premise of the Axiom was false. Let’s examine the argument that Stone may have made (and the one that Suvi may have done a poor proof of, by her own admission). The argument is as follows:
All Axioms of magic describe a truth about the fundamental nature of magic
The Axiom of Proliferation states that the more times a spell is written down (proliferated), the weaker the spell becomes, which is a truth about the fundamental nature of magic.
Therefore, the Axiom of Proliferation is an Axiom of magic.
This can be simplified:
All A’s have property B
C has property B
Therefore, C is A
This does not necessarily lead to a false conclusion, and while the argument may be valid, it may not always be logically sound, see for example:
All people are mortals.
John is a mortal
Therefore, John is a person.
In the Citadel’s view, there is no flaw here, because they teach (and presume) that the Axiom of Proliferation is true in the lingua arcana. Wizards, of course, are known by their secrets, so it follows that in their philosophy of magic, they would have some kind of justification for keeping magic limited to the select few. But, if one of the premises is false (in this case, premise 2), then this justification is in jeopardy. It stands to reason that Stone must have had serious evidence to declare that premise false, and as she was studying divination, it was likely a vision or prophecy of some kind. Presuming she is correct, then it also speaks to her incredible intelligence (although she did not have the social grace at 19 years old to deftly navigate this accusation) (see footnote 3a).
Although (as far as we know), Stone did not make another public ruckus about the Axiom upon returning to the Citadel, I don’t think this caused her to abandon the belief that the axiom was erroneous. Upon her readmission, she joined the College of Abjuration, specifically studying “counterspelling, dispelling magic, [and] sort of metamagic, … the magic of magic itself” (Ep. 19, p. 11). This might seem to be an odd choice for a backup specialization, but Stone’s issue with the Axiom and metamagic are deeply intwined philosophical concepts, as metamagic is essentially the equivalent to metaphysics in our world.
Wizardry and the nature of magic in Umora
Wizards are defined in Umora to be people that can use a “language of magic” the “lingua arcana” to cast magic, and importantly, that “they believe [the lingua arcana] is the language the universe uses to understand itself,” which was only coined about 250 years prior to the present story (Ep. 19, p. 16). At the end of the first arc, Suvi discovers from her father’s notes that the reflexive indicative, which was taught to her as a necessary component of the lingua arcana, is in fact entirely unnecessary for spellcasting. And further, Stone also doesn’t use the reflexive indicative, which is demonstrated through her unique casting of Mending in the very first episode. It is unclear so far in the worldbuilding (to me, at least) if the lingua arcana is the language the universe uses to understand itself, or if it is a construct used by people to explain, communicate, and more importantly cast magic in Umora (much like math and science are ‘constructs’ that describe the nature of our world, though the fact that it is constructed does not mean it is not true). If it is the latter, then there is likely to be forces at work, be it the components of spell casting (such as the reflexive indicative), the casters themselves, or others yet to be revealed, that are manipulating and restricting the nature of magic in Umora (see footnote 3b).
Thus, I would posit that there is some issue in the way that the restriction of the lingua arcana is affecting the “greater binding,” which is “the theory of magic, that magic is the interplay between the Spirit and the Real—or the Spirit and the Mortal” (Ep. 19, p. 14). Essentially, the lingua arcana describes the nature of the relationship between the Spirit and the Mortal world, while the greater binding is the metaphysical link between them. Stone all but confirms this in her letter to the Archmagi, that if the issue is left unresolved, it would endanger the future of wizardry (Ep. 19, p. 12).
Other pertinent wizarding history and context
Stone and Soft were also part of a group called the Acadator, which was dedicated to rooting out corruption and bad actors within the Citadel. We don’t really know too much else about them, the exact specifics of their philosophy, or if they still exist as a group (given that Steel and Eiorghorain were members). There is also some history surrounding two early wizarding groups pre-Citadel, the Antivoli and the Accordati, that had a philosophical disagreement about accepting the help of the Saraz Imperium for building the Citadel (specifically related to the sharing of magic), which led to a civil war called the Cataclysm of Carrow (Ep. 19, p. 16). In terms of timeline, the lingua arcana was coined in 1423, the term ‘wizard’ was coined in 1456, the Cataclysm of Carrow was in 1467, and three years later, in 1470, the Erien (Citadel) was built. The current story with the three protagonists is taking place in 1670, so it has only been 200 years since the Citadel was created, and the lingua arcana coined only 47 years prior to that (in less than a human lifespan).
Further, the creation of the Irulian Desert, the Erien, and the Citadel is a destructive history—wizards razed a verdant forest and turned it into a hot, unlivable desert with a miles high glass tower at the center. Additionally, the Wizards of the Citadel pool their magic beneath the Erien in an ‘Aerith,’ into which they deposit magical reserves and draw upon its combined strength when in crisis (see footnote 4). Mechanically, we see Suvi ‘donate’ unused spell slots at the end of the day.
We do know that Grandmother Wren’s cottage is located on top of a source of great magical power and serves as her sanctum. Wizards also use the towers of the Citadel as their sanctums, and I believe the following is speculation, as I do not think it has been canonized yet, but it is possible that the Aerith serves a similar purpose as a source of great magical power that previously belonged to the Spirits that wizards alone now use and control. This control is the key difference that may be contributing to, or even causing, detrimental effects on the greater binding.
The Witch(es)’s and the Wild One(s)’s perspectives
Additional evidence to support this theory of the Aerith's origins and purpose comes in Episode 23, when Eursulon meets the Man in Black and discusses their opinions on mortals, particularly wizards and their desire for control. Specifically, the Man in Black states, “that tower is the handle of a knife plunged deep into the heart of this world, a heart that is responsible for… a murder to the world of Spirits” (Ep. 23, 0:09:45-0:10:07).
Later, in a flashback with Mirara and Grandmother Wren, Mirara argues that “the world has burned before” (perhaps in reference to the creation of the Irulian Desert), that “[wizards] cannot be allowed to do this thing” (still unclear what that thing is), and the coven must make some kind of decision before it is too late (Ep. 23, 0:58:46-0:59:00). Wren pleas for another option, points this out as a false dichotomy, that they must not “be forced to choose between one slaughter and another,” and they should work to find common ground and coexist (Ep. 23, 0:59:07-0:59:33). Mirara retorts that she could never imagine the day that she would see “the will of wizards debase themselves” (i.e., that wizards would ever lower themselves from their current position of power) (Ep. 23, 0:59:39-0:59:52).
Wren then asserts a key point that correlates directly with Stone’s perspective: “There is nothing I have seen in the world of Mortals or of Spirits that shows me that there is a path that is wrong to tread” or anything that proves the pursuit of wizardry as inherently wrong (i.e., the lingua arcana), only those who “tread paths hurtfully, with cruel intention” (i.e., those abusing the lingua arcana for political purposes and imperial gain) (Ep. 23, 1:00:08-1:00:28). Wren also questions Mirara’s stance of wizardry as “an abomination against the natural order of the world” (Ep. 23, 1:00:40-1:00:47). Mirara then challenges her to consider her point of view and insists that even Wren cannot deny that “the poison of wizards does not spread so quickly as to choke the life from this world” (Ep. 23, 1:01:03-1:01:09).
My pure speculation and fan theory:
From this conversation, I postulate that Mirara and the Coven has taken an extremist and doomed perspective on the harm that is resulting partially from the Axiom of Proliferation (and perhaps the Aerith as well), while Grandmother Wren took a reformist stance. This would put her and her position as the Witch of the World’s Heart at odds with whatever plan the Coven intends to enact. Given what we know of the Witch Class and the other domains of the Coven, their plan is quite possibly violent, retributive, and holds little to no concern for the Mortals or people of Umora.
The third arc will begin with Ame’s meeting with the Coven of Elders at the North Pole, where they will attempt to destroy her station as the Witch of the World’s Heart. For all of the reasons above, I believe this event will connect directly to Stone’s declaration of “treason against magic itself,” but I will just have to (patiently) wait and see (see footnote 5).
Footnotes:
(1) I am well aware that I am being quite vague and obtuse regarding this subject and what specifically I was researching. Mainly because a) that’s not really the point of these musings, this is just some background info and context to explain my philosophy which is already longer than I would like, b) it would be impossible to do justice to an overview of this complex subject in an essay about something that resonated with me in a D&D podcast (and which does not engage with that subject directly, at least not in this context), c) I’ve already written a paper on this subject and am not interested in regurgitating it here, and d) Nunya Binyess (i.e. I could still be wrong about this fallacy and I’d rather discuss WWW than start a tangential IRL philosophical or political argument on this forum).
(2) Though on a deeper level, I partially disagree with the idea that I needed to account for the practical implications of the fallacy within the paper. I disagree that when challenging the fundamental nature of something (e.g., an erroneous argument, a misinformed policy, or an unjust system), there must be an immediate remedy or solution offered up. In my philosophical opinion, once a fallacy like that is identified for something that we hold to be fundamentally true, we need to sit in that revelation and undo the thought processes created by the incorrect assumptions. You cannot flip a switch and suddenly reverse all of the justifications that have gone into supporting a flawed, ingrained argument. To undo a pervasive, incorrect fundamental idea that has been implemented, internalized, or proliferated, first it must be fully examined for all its flaws, rescinded, and only then do we start from square one and think about practical changes (in a perfect world, of course, I am fully aware that the world does not work this way). I do often wonder about this reactive nature in society to demand immediate alternatives and solutions when norms are challenged, though I recognize this is a result of different lived experiences and worldviews. After all, this reactionary nature is true in Umora as well, and the wizards of the Citadel “tend to be a lot more about praxis and practice” (Ep. 19, p. 14).
(3a) Perhaps Stone rolled a nat 20 on some kind of intelligence check for the vision, but rolled a nat 1 on her Persuasion check against Sleep!
(3b) There is another essay I could write here about the history of science and empire (another grad school course) and the reflection of this in the Imperium, its taxonomy, and the (anti)-democratization of knowledge, but perhaps another time.
(4)  Something that occurred to me when piecing together the Erien and the Aerith was the similarity to Morrow’s derrick that harnessed Naram’s power in the first arc. Both serve similar purposes as well, of generating magic and magical items. It makes me wonder if it was intended for the derrick to be Morrow’s poor attempt at recreating the glory of the Citadel, or if this is just a happy coincidence/connection between the arcs.
(5) I do want to briefly acknowledge the nature of improvisational storytelling in this situation, and that anything can change, be clarified, canonized, etc. at any point. This is partly why I don’t like to speculate much myself, because I trust the creators to tell the story the way they want to and follow the paths that appear, without projecting my own hopes or prescriptions when I listen to their wonderful creation that has been crafted with such care. It is also why my theory in the end is limited to the meeting with the coven- truly anything could happen at the beginning of the next arc, and whatever I might come up with is likely less interesting than what will happen. (NB: There is nothing wrong with fan theories or head canons! It’s just not usually something that interests me!) I merely saw a connection and through-line that deeply resonated with me in this second arc and felt compelled to write about it. Also, Worlds Beyond Number and WWW is just so fucking great, and it truly astounds me that this story is so deep that I have somehow written a 12-page essay analyzing essentially a 20-minute segment of one episode. I pray to Enzo that there are no grievous errors or spelling mistakes, but I wanted to post this on WBN’s first birthday! 🧡
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performativezippers · 3 months
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As a non writer I’m curious about something. Do you decide to write a specific genre and then work an idea into the genre or do you write the idea/story you want and then look to decide which genre it is? I guess I’m curious if the story or genre comes first?
Great question!
For fic: I write whatever the fuck I want and don't worry about it! I mostly write things that end happily because that's what makes me happy, but as long as I tag things appropriately (AU, platonic, IN SPACE, whatever), I don't let any of that bother me. Fic is so fun because it can so easily slide between genres. And most fic is romance AND something else; romance and crime/mystery, romance and scifi, romance and fantasy, or simply contemporary romance. There's a big thing in the publishing world right now where people are like "omg, ROMANTASY, aka fantasy with a primary romance, HOW THRILLING" and I'm like...dude...this not new! Welcome! Have you heard of a lil fandom by the name of XENA WARRIOR PRINCESS??? Do not cite the Deep Magic to me Witch. I was there when it was written.
For novels that you're trying to get published: I had to learn what book genres were! I queried my first novel—which is when you send it out to agents like a job application, with a cover letter and writing sample, and hope they want to represent you, aka help you sell it—being like THIS HAS NO GENRE and it turns out the genre was romcom with speculative elements. Aka low key romantasy, lol. Anyway, that book was Revelations and it didn't sell, I think primarily because the genre conventions were not met and it was confusing. It worked great as a fic, but required several big overhauls and ground-up rewrites to get it to place where it meets genre expectations and is maybe sell-able.
Usually the idea that comes to me is clear what genre it is, now that I know what they are. I primarily write romcoms, some speculative and some not, and so the ideas that percolate for me most are romcoms. However, my agent said recently a new idea I have might be more on the line of romcom and women's fiction* which surprised me. But that's fine! It doesn't change the book I write; it might change how we talk about it in the pitch process and, if it gets sold, how the marketing team frames it. But that won't change the story structure from a drafting perspective, I don't think.
Some genres are very close to each other (upmarket vs. book club fiction vs. women's fiction), while others are quite distinct (if you want it set in space, that's probably going to be sci fi). I think the main questions are:
(a) Setting: Is it on a space ship? (sci-fi) Are there dragons? (fantasy) Can people use magic? (fantasy or speculative) Is it in our world, in our time? (contemporary) In our world but in 1250? (historical)
(b) Character motivations (what do they NEED): To repopulate their planet? Save their mother from the evil magician? Fall in love? Save her bookstore from capitalism?
(c) Obstacle (why don't they have it ALREADY): If the obstacle is primarily internal, like she can't fall in love because she hates herself, then we're looking at a straight romance or literary fiction. If the obstacle is world-building related, like the spaceship is broken or the magician is too powerful, that's going to be firmly sci-fi or fantasy or whatever.
There should always be at least 2 obstacles: one internal and one external, but you should know which one is paramount, or which would win in an epic battle. And that will help you figure out if you're writing, say, romance with speculative elements (soulmates) or fantasy with a strong romantic element (fourth wing, i think, i haven't read it because it seems bad). Whichever you list first is your primary genre, aka which section of the bookstore it'll be in. Are you shelving this in fantasy (fourth wing) or romance (Revelations) or "fiction," and then the rest gets more specific from there.
*also, just like, FUCK the name "women's fiction." Men's fiction is called "fiction."
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vully-andthegoose · 4 months
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whenever someone comments something along the lines of “well actually that probably couldn’t happen/is wrong” or whatever and i get to put my countless hours of research to use and be like “it’s literally canon” and reference my sources down to the chapter or minute i feel like that gif of aslan when he’s like “do not cite the deep magic to me, witch, i was there when it was written”
and regardless, did u not see the gigantic CANON DIVERGENT in the tags or did u just choose to ignore it
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creative-time · 2 years
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Hot take: the dhmis fandom kinda sucks rn I really don't like all the new fans who like. Don't really know anything about the show or franchise and act like they do. And are all entitled and shit. I can't wait for the excitement to die down in a few months lol...
You know, I was kinda gonna disagree with you
Like there are some people that really need a reality check and need to learn boundaries when it comes to stuff because I have seen way to many posts complaining about how other interpret the characters
But recently things have just been getting taken way to fucking far and I have to unfortunately agree
People are getting worked up over every little thing, they complain about everything! Like who gives a shit if people see Yellow Guy as a child? Who cares if someone makes their human Tony skinny?
And when I try to say something about it, these people try to educate me?? Like don’t cite the deep magic to me witch I was there when it was written
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solavelyan · 10 months
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intro.
It's a Dragon Age sideblog! My main blog is @bogunicorn, and I go by Bog (or any type of nickname you can wring out of "bog unicorn"). If you're looking for more info about me as a person, that'll all be over on my main.
This blog and my main are both 18+. Please do not follow me if you're under 18. I don't keep close track of my followers, but I do check out blogs that follow me because of the spambots, and I block minors on sight.
eta oct 2023: given The Bullshit happening at bioware following their mass layoffs and their leveraging of the next game against former employees' requests for proper severance pay, please assume that none of my posts or words are an implicit or explicit endorsement of the company itself. i mean, they already weren't, i just want you to imagine that all of my reblogs have an invisible "EA/BW execs fall off a cliff challenge" tacked onto them.
what to expect here.
Gifsets, fanart, jokey jokes, and sometimes (reblogged) meta posts.
My own Dragon Age thoughts, feelings, theories, random whatevers. My original posts of all kinds are tagged #bog post.
A general positivity toward queer shit, weird shit, horny shit, and kinky shit.
My fanfic and my OCs. I don't post fic too often, at least not in the last few months, but I have a ton of OCs (roster TBA). I write notes and profiles and little ideas for them as a hobby even when I'm not actively writing fic. Anything relating to my own writing will be tagged #bogfic, anything involving my characters tagged #my ocs and then #character name (oc).
Generally, I'm a multishipper at heart and can find something to love about any given ship, PC choice, character, or type of storyline. Chances are if I'm spending my time talking about something or speculating on it, it's because I'm having fun or enjoying myself.
Commentary on fandom trends and behaviors (and, sometimes, common sense reminders not to be a dick to each other about fake stuff).
To get blocked if you put rude or annoying shit in my mentions, including using any of my posts to character bash or otherwise go off-topic in order to air your personal grievances underneath my stuff. I don't care if you don't like Solas, or if you have strong opinions about Anders vs. Fenris, or if you think "supporting" the mages/Templars/Chantry is good/bad, or if you feel like your personal favorite character/PC option/romance isn't represented by my posts and you feel your specific criticism is the exception. Do not cite the deep magic to me, witch, I was there when it was written (like 8+ years and two US presidents ago). Mind your manners and blacklist or scroll if you need to.
what not to expect.
Speculation or spoilers about Dreadwolf. I have all that stuff blacklisted for myself, so I don't even see it, let alone reblog it. So if you, like me, are going into DA4 blind, this is a safe spot for that.
Consistent character bashing or character hate. I simply do not spend a majority of my online time thinking about stuff I hate.
Anonymous asks. Anon is always turned off, both here, on my main, and on my AO3.
Real world politics and news, or general (as in, not-DA-specific) Disk Horse. Honestly, probably not even that much Dragon Age Discourse, either.
Equating in-game choices or fandom opinions with real life politics and morality. I don't "support" any group in Thedas because Thedas is fake. My politics and activism are for real people, not Wizard Politics or whatever.
Egg or cheese jokes.
the tag system (tm).
#timeless posts - Anything reblogged from the depths of @bogunicorn in the last 10 years. Usually queued.
#bog post - Any and all of my original posts.
#bogfic - Anything involving my writing or my OCs.
#my ocs - My OCs. Often accompanied by #[character name] (oc).
#spicy bog - Ye olde horny tag.
#bogcrit, #[character name] critical, #dragon age critical, #[game] critical, #fandom bs - These are my Complaining Tags. If you never want to see anything truly critical or negative, just blacklist #bogcrit. If you want to avoid grousing or critique of a specific character, the games in general, individual games, or the fandom itself, blacklist whatever listed tag is relevant to you.
#fic, #art - Fanfic and fanart that I didn't make.
#meta - Meta or speculation posts.
#da au - Any kind of alternate universe post.
#ask meme - Blanket tag for any put-it-in-the-tags posts, as well as actual ask memes.
Characters are tagged by their full names. Origins and Inquisition PCs are tagged #the warden or #the inquisitor, as well as by surname. Hawke is always just #hawke. I don't specify gender in my character tags, this system is already complicated enough.
Ships are tagged #[character] x [character] in alphabetical order, with the PCs just using their surnames. I also use the more portmanteaus (like Solavellan, Fenhawke, Adoribull, etc) because that's what people are inclined to click/search, but I would still slap "lavellan x solas" on a Solavellan post just for consistency.
contact.
complain to my manager
send me an ask
read my fic
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dnfao3tags · 1 year
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I'm sorry but the tags on your last ask about the deleted fics mede me laugh cos you were like :
Do not cite the deep magic to me witch . I was there when it was written.
Ps . I agree with if you put something on the internet you have to deal with the fact that you can't take it back. That's just how it works. And it's not like people have their full names attached to AO3 profile. It's all mostly anonymous anyway
Do not cite the deep magic to me witch . I was there when it was written.
like i've done this shit for ages man !!! you think i know how to make a comprehensive tagging system of every trope just like that ?? i've ran multiple fic rec blogs before and i promise, almost no author cares if you share their fic after it's deleted. if anything, a bunch don't even rmb why they deleted it and sometimes regret it.
like this one time i had someone ask me for a link of a deleted fic and it was their own !!!! they had deleted it a while back and didn't have any backup copy of it and wanted to repost it.
and yeah, it's just a little funny like its fuckin mcyt fanfiction man, you're not going to hell for it. your fanfiction is not encouraging any misdeed or sin. if anything it brings people joy and comfort and you'll probably rmb it fondly later too. if not, then just forget about it. orphaning a fic also exists.
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americanphysco · 1 year
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Levi... there's a Riverdale edit set to Achilles Come Down that has haunted me for months and I can't find it do you know what I'm talking about please I need it, help me Obi Juan you're my only hoe etc....
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something something that one narnia quote that's like do not cite the deep magic to me, witch! I was there when it was written. anyway this ask has been making me laugh for the past few days now. babygirl of course Im familiar w the edit it was my blood sweat and tears that went into it. that being said if you still need the link here it is <3
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