So you want to learn about Louisiana Voodoo…
door in New Orleans by Jean-Marcel St. Jacques
For better or worse (almost always downright wrong) Louisiana Voodoo and Hoodoo are likely to come up in any depiction of the state of Louisiana. I’ve created a list of works on contemporary and historical Voodoo/Hoodoo for anyone who’d like to learn more about what this tradition is and is not (hint: it developed separately from Haitian Vodou which is its own thing) or would like to depict it in a non-stereotypical way. I’ve listed them in chronological order. Please keep a few things in mind. Almost all sources presented unfortunately have their biases. As ethnographies Hurston’s work no longer represent best practices in Anthropology and has been suspected of embellishment and sensationalism on this topic. Additionally the portrayal is of the religion as it was nearly 100 years ago- all traditions change over time. Likewise Teish is extremely valuable for providing an inside view into the practice but certain views, as on Ancient Egypt, may be offensive now. I have chosen to include the non-academic works by Alvarado and Filan for the research on historical Voodoo they did with regards to the Federal Writer’s Project that is not readily accessible, HOWEVER, this is NOT a guide to teach you to practice this closed tradition, and again some of the opinions are suspect- DO NOT use sage, which is part of Native practice and destroys local environments. I do not support every view expressed but think even when wrong these sources present something to be learned about the way we treat culture
*Start with Osbey, the shortest of the works. To compare Louisiana Voodoo with other traditions see the chapter on Haitian Vodou in Creole Religions of the Caribbean by Olmos and Paravinsi-Gebert. Additionally many songs and chants were originally in Louisiana Creole (different from the Louisiana French dialect), which is now severely endangered. You can study the language in Ti Liv Kreyol by Guillery-Chatman et. Al.
Le Petit Albert by Albertus Parvus Lucius (1706) grimoire widely circulated in France in the 18th century, brought to the colony & significantly impacted Hoodoo
Mules and Men by Zora Neale Hurston (1935)
Spirit World-Photographs & Journal: Pattern in the Expressive Folk Culture of Afro-American New Orleans by Michael P. Smith (1984)
Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals by Luisah Teish (1985)
Eve’s Bayou (1997), film
Spiritual Merchants: Religion, Magic, and Commerce by Carolyn Morrow Long (2001)
A New Orleans Voodoo Priestess: The Legend and Reality of Marie Laveau by Carolyn Morrow Long (2006)
“Yoruba Influences on Haitian Vodou and New Orleans Voodoo” by Ina J. Fandrich (2007)
The New Orleans Voodoo Handbook by Kenaz Filan (2011)
“Why We Can’t Talk To You About Voodoo” by Brenda Marie Osbey (2011)
Mojo Workin': The Old African American Hoodoo System by Katrina Hazzard-Donald (2013)
The Tomb of Marie Laveau In St. Louis Cemetery No. 1 by Carolyn Morrow Long (2016)
Lemonade, visual album by Beyonce (2016)
How to Make Lemonade, book by Beyonce (2016)
“Work the Root: Black Feminism, Hoodoo Love Rituals, and Practices of Freedom” by Lyndsey Stewart (2017)
The Lemonade Reader edited by Kinitra D. Brooks and Kameelah L. Martin (2019)
The Magic of Marie Laveau by Denise Alvarado (2020)
In Our Mother’s Gardens (2021), documentary on Netflix, around 1 hour mark traditional offering to the ancestors by Dr. Zauditu-Selassie
“Playing the Bamboula” rhythm for honoring ancestors associated with historical Voodoo
Voodoo and Power: The Politics of Religion in New Orleans 1880-1940 by Kodi A. Roberts (2023)
The Marie Laveau Grimoire by Denise Alvarado (2024)
Voodoo: An African American Religion by Jeffrey E. Anderson (2024)
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You know... It is REALLY easy to do the whole "voodoo doll" trope or practice while avoiding any cultural appropriation, religious misrepresentation or racist cliche. Just... don't call it "voodoo".
Because if you are not aware, this practice of using a doll or figurine to bewitch or curse or put a spell onto a person, is actually older than the creation of vodou and its various branches. It can be found in medieval Europe. Several European countries have their own specific words and terms for this magical practice - a pratice attested since very early days. Heck it was even present in Greco-Roman Antiquity!
So... there is nothing forcing you to constantly say "voodoo doll" when talking about a spell-through-puppet. Except a bad habit that the United-States media imposed onto the rest of the world, I guess...
And, as the bitter old cynical soul that I am, I will definitively grumble something about how it is very telling that Americans did not choose to pick one of the several European terms and words for this magical practice and rather latched desperately onto a term related to a discriminized, fantasized and misrepresented Black religion... grumble grumble grumble.
But I will be fair to Americans and leave the possibility of the doubt. Because we all know the common American is a bit too lazy to do thorough research or be interested in anything outside of its own country, and so it is possible that all those people did sincerely believe that the idea of "magical bewitching figurines" was created on American land - because as we ALL know, everything was invented in America and for or by Americans, right? So of course it is bound to be the "voodoo doll" because it can't possibly have existed before the United-States were founded right?
Grumble grumble grumble.
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Will say this real quick too, since I'm bringing up hoodoo and voodoo into my writing.
If you gain an interest as a non-black person it's fine to appreciate. But as a non-black person you SHOULD NOT be practicing hoodoo or voodoo, they are not for you.
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