Hey for your jily muse, out of order <3
Okay this is unforgivable, I know. You sent this prompt over two months ago. TWO. This ask has been sitting in my inbox since the 18th of January, so you probably won't even remember sending this but I promise you I've been thinking about it constantly and waiting to have free time to work on it and I have this tendency to leave things unfinished so this is me working through that as well lol
Without further ado, here it is ❤️
Out of Order - 744 words
Evans is in the boys' bathroom. She's in the boys' bathroom and she's crying.
One of her hands is gripping the sink, while the other fruitlessly wipes the tears that keep escaping.
She hasn't noticed his arrival, and Sirius doesn't bother clearing his throat. “I'm sure there's a perfectly logical reason for this.”
She makes a startled noise and turns to face him, her expression a mixture of anger and sadness. It's comical, really, so Sirius laughs.
“There is,” she mutters as she wipes her nose with the sleeve of her jumper. Her voice lacks the edge she usually aims at him— and at James, too, though Sirius can't help but notice a slight difference there.
He walks towards her and hands her his monogrammed tissue - he's never used it for this purpose specifically, but it has proved to be useful during the occasional prank or after a rough full moon - which she grabs immediately. She doesn't thank him, but he doesn't expect her to.
“Ah well, that's all I needed to know. It's not like you're invading my personal space or something.”
She lifts an eyebrow and eyes him curiously, looking more like her usual self. “I'm sorry, is there a plaque or an inscription that I haven't noticed? Does House Black monogram bathrooms as well as tissues?”
“Not that I'm aware of, no. Don't give my mother ideas, though, she might actually try to do that.”
She makes an attempt at a smile, but it quickly turns into a quiet sob.
“Apparently there can only be one crying girl per bathroom, and Myrtle has claimed the one across the corridor as hers so it's out of order,” she explains as she tries to regain control of her emotions, “and I thought this one was empty since everyone is heading down to watch the match.”
“You were right... for the most part. Why aren't you going then?”
“No reason,” she replies, her voice even, but she's not looking at him.
Sirius thinks he knows why. He suspects it has to do with the good luck kiss that Cornelia Kettleburn gave James at breakfast and how quickly Lily disappeared after that.
“Cool. I'm not going either. Fancy going to the Astronomy tower for a smoke?”
She looks taken aback. “I— wait, why aren't you going?”
In truth Sirius wants to go, and James is going to kill him for this, but lately he's been claiming that he no longer has feelings for Lily, and Sirius hates being lied to, so technically this is just payback.
“James got on my nerves so I'm skipping the match in protest,” he adds with a shrug and it's the truth, because it wouldn't be fair to lie. “So, are we smoking or not? Got a fag I can borrow?”
She's not an idiot: she knows this is an olive branch of sorts. Sirius can tell she's deciding whether to believe him or not; after a moment she sighs, and Sirius knows he's won.
“Haven't you got your own? Merlin, you're cheap,” she says while producing a pack of cigarettes from her satchel and handing it to him, a smirk on her face. He's glad to see that she seems to have calmed down significantly.
“I'm trying to quit so I stopped carrying them around,” he replies and grabs one, putting it in the breast pocket of his vest.
“Looks like it's working,” she notes as she fixes her appearance in front of the mirror and readies herself to leave the room.
“Absolutely.”
“Why are you mad at Potter anyway? Thought you two were inseparable,” she asks as she walks towards the door, a step ahead of him so that he can't see her face.
“Can't tell you, it's a secret.”
She huffs. “You lot are starting to sound ridiculous with all these secrets,” she whips her head towards him, her disapproval clear on her face, though he's almost certain this is just another way of disguising her curiosity. “Is this little group of yours a cult or something?”
“It's a counterculture,” he explains as he exits the bathroom, “how else are we going to beat those bigoted dickheads? The only way to fight a cult is with another cult.”
He's just joking, but the idea doesn't sound half bad to his ears.
Apparently Lily disagrees, because she snorts. Loudly. “Not sure about that logic but you do you, I guess.”
“Thanks for the support.”
“Anytime, Black.”
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sambucky + 12. babysitting together 👀 if you like!
Oh, fun! Since this came from this forced proximity list I did it a little different than going a Wilson Family route.
(That said, I do have several Wilson Family fics 💜)
I'm sorry this is so so so late. I forgot how to write. Or really even think
Waltz of the Bees
Sam wasn't even aware that the library could close in the middle of the afternoon.
This stupid project just kept getting better and better. Which was probably his fault because he'd said something stupid after getting paired with Bucky Barnes, like that it couldn't get any worse. This was the universe laughing at him over and over. They were a month away from graduating and Sam was going to be stuck working with Bucky for most of it.
True, they could just not try with this project. It's not like it was really going to affect their GPA and they were both already accepted into their colleges. (College. That's where this whole cruel joke had started. Bucky was going to the same school Sam was) But they were both categorically incapable of not trying. This whole weird tension between them was born out of their inability to not try.
Sam had transferred to this school at the beginning of sophomore year and the next three years were a battle between him and Bucky for top marks. Bucky scored a chemistry award over Sam. The baseball coach took Bucky away from pitching to put Sam in. Sam took the basketball team to the state quarterfinals. Bucky placed at state in the high jump. Sam created a robotics club and Bucky won a pretentious English scholarship. This teacher adored Bucky, that one thought Sam might've created the moon and its gravitational pull on the tides.
He and Bucky had managed to avoid each other for the most part. They didn't sit near each other in class and, other than during baseball season, their extracurriculars didn't overlap. And now, thanks to this awful Modern History project, they were tangled together for the last part of their high school careers.
Possibly the worst part was that Bucky was fine. Nice, even. He was studious and friendly. He actually put in his part of the work, which was kind of a double-edged sword since it meant they were both passionate about various decisions and both of them were bad at the 'kill your darlings' part of the creative process. They argued about little things constantly, but the project as a whole was looking fantastic. So Sam couldn't even hate the actual work.
What he could gripe about was that Bucky was nosy. He asked a thousand questions about Sam and committed all the answers to memory. Walking into the Barnes house, because the library was inexplicably closed, Sam wished he had the same habit because he knew nothing about Bucky's life.
Like the fact that he had five sisters.
Or the fact that not everyone called him Bucky.
Bucky's two older sisters and his mom called him Jamie, while his three younger sisters and dad called him Bucky. The two baby nieces just babbled and anything with a B or U sound was interpreted as Bucky's name.
There were a lot of people in Bucky's house. Sam had known plenty of big families but never in a context where he was sitting in the house with them. And there were so many girls.
Sam also learned Bucky wasn't allowed to have boys in his room and the suggestive reminder of that from one of his older sisters was enough to make him blush furiously and scowl at her as he elbowed Sam back out of the kitchen. And, oh, Sam hadn't known that about Bucky either.
"Alright, Jamie, we're heading out," Mrs. Barnes said. "The show should be over around nine and we're going to get dinner after. We'll bring you and Sam something back." She ruffled Bucky's hair and leaned over to kiss his head afterwards.
"The girls need to be in bed by--" his oldest sister started to say.
"Yeah, yeah, I know," Bucky waved off. "And Sam probably won't be here by the time you all get back." He gave his second oldest sister a hug and wished her good luck, then pulled on his twin little sisters' braids. Rebecca, the sister Sam knew from school, had escaped a few minutes earlier, off to a friend's house. She'd also had waggly suggestive eyebrows for Bucky when she and Sam had passed earlier. Sam had no idea what that meant, but it brought out the same blush and scowl.
Everyone else filed out of the house and suddenly the bustling, too small space became far too large. Especially when the older niece suddenly shot across the room like a rocket as soon as the door was closed.
"Gus-Gus!" Bucky called, hurrying after her while Sam still tried to fathom how something so small could move so fast.
The baby was in a small rocker by the couch and she watched Sam with the same crazy blue eyes that Bucky had. Most of the Barneses had those eyes. Becca and Mr. Barnes were the only exceptions. Sam was pretty sure the odds of that happening, genetically speaking, must've been astronomically low and yet. Augusta, the toddler, also had dark eyes, but she didn't sit still long enough to let anyone know it.
"How are you this evening?" Sam asked the baby. She grinned at him and then giggled wildly, kicking her little legs hard enough to get the rocker started. "Well, I'm glad to hear it," Sam continued, which just made her laughter that much louder. "You don't happen to have any opinions on Mutant Rights do you?" When the baby just kept giggling and chewing on a teething ring, Sam sighed. "I thought not. It's too bad. You would have been an interesting interview source."
"You're not really getting to recruit my niece into our project are you?" Bucky asked from somewhere behind the couch.
"She volunteered. She was interested in it," Sam defended lightly.
Bucky reappeared on the right side of the couch, holding his older niece. "Sorry about this. I don't know if it's better to get everyone out of the house or worse to be forced into babysitting with me."
"I don't mind," Sam said honestly. "Down in Louisiana, my mama had an open-door policy. Anyone who needed a place to stay for a little while was welcome in our house. I've done plenty of babysitting."
Bucky sat beside Sam, keeping Augusta in his lap and offering his fingers up as captives for her attention. "Right," he agreed, even though there was no way he could've known that. "Still, thanks for coming over. I know some of your friends from the team were doing something tonight."
Sam barely kept a grimace off his face. "Trust me, I wasn't going to that either. I'm not driving to a field to drink shitty beer. Could've stayed in Louisiana and done that."
Bucky shot him an almost shy smile and then pulled open his laptop on the coffee table. He passed it off to Sam when he opened the project file again. For the past week, they'd been conducting interviews with people who'd been there to see Leshner and Xavier go head to head in debates. They’d been trying to transcribe them, but it was slow work between all their other commitments. Luckily, the rest of the project had come together on its own without the interview quotes, so they weren’t too far behind.
“Do you think we have any homo Superior classmates?” Bucky offered up while Sam was in the middle of parsing out a name.
“I dunno,” he said with a shrug. “It’s not my business.”
“You ever think you were one?”
“I thought I could talk to birds when I was a kid.”
He could feel Bucky staring at him and he let it marinate a bit. “What, like you understood them?”
“Yeah, like what they were singing about and everything. And they understood me. Mostly, I was a bored kid with a second story window,” he admitted. “But it was fun to pretend.”
Augusta squawked like a bird and then giggled to herself. Sam smiled at her and chirped back and she copied the noise. “Yeah,” he agreed. “It was just like that.”
Bucky ruffled Augusta’s dark hair and moved her to the other side of the couch again so he could sit closer to Sam. They fell into another productive silence, broken only by Bucky pointing out when Sam transcribed something incorrectly.
“It just…it would suck, don’t you think?” Bucky interrupted again. “To be a mutant and have to watch some of your dipshit classmates talk about the fight for your basic recognition and protection.”
Sam’s eyebrows rose slowly. “We do it with the Civil Rights movement every year,” he pointed out. “And in the debate classes, someone always has to argue against something that should be innate. Healthcare, marriage equality, taxes for the stupidly rich.”
Bucky’s mouth twisted and he sat back heavily. “It just sucks. Other people are talking about super soldiers and spy rings.”
“We’re not taking a side. We’re just delivering information. Besides, I’m not a dipshit, so we’ll be fine.”
Bucky snorted and pushed a hand through his hair. It was longer than he’d ever worn it and Sam wondered if he was going to cut it back to his normal pomp and fluff before graduation. He played with it now, as he thought or while he was waiting for Sam to finish talking so he could argue or as he stood in front of the vending machine and worked out how to shake a snack free.
“You have a homo Superior friend you’re trying to protect?” Sam asked to distract himself from Bucky’s hair.
“Nah,” Bucky said with a shake of his head. He released the lock of hair he had been crimping between his fingers. “With Xavier’s school being in New York, I think most of them just go there. I wonder about your old school.”
“Louisiana has its own schools,” Sam said. “It’s not like X and Magneto are the only ones out there. A kid I used to go to summer camp with was a mutant. He was pulled out of our school before seventh grade but he kept coming back to camp. He had, like, lava in his veins. We always made him get into the pool first to warm up the water. He ran so hot.”
Augusta mimed an explosion, making a bursting noise as she threw her arms wide. Bucky quickly reached out to steady the small lamp on the end table. When the toddler yanked on his shirt, he leaned over to listen as she babbled nonsense. Sam had not inherited his mother’s ability to understand babies. Old people, no problem. Lisps and stutters, easy. Listening to his dumbass friends after they’d caught a linedrive to the mouth and had more gauze than teeth in their gums, sure. But babies were something else. He just took in their facial expressions and went from there.
“A phoenix,” Bucky said with a nod. Which, how he got any semblance of a question from the girl was beyond Sam. But that was closer than the fact that Augusta knew enough about phoenixes to ask about them.
She jumped up from the couch, threw her arms wide like wings, made the explosion noise again, and then took off, shouting Feeeeeeeeenix over and over.
“She’s gonna think she can talk to birds for years now,” Bucky said to Sam. Sam couldn’t tell if he was exasperated or fond as he shot an exasperated/fond half glare to him before following after the toddler again.
“Your uncle is difficult to read,” Sam told the baby next to him. He’d expected her to have drifted off, but she was still wide eyed and attentive. She blinked at him and smiled softly. "Do you think so too or does he just do that for me?"
June blew a raspberry and then brought a teething toy to her mouth instead of giving him any more information. Sam sighed and turned back to the laptop in front of him. Bucky's computer was as chaotic as his backpack. Nothing was organized and there were five different sets of browser tabs open, all full of research and YouTube links and documents. He clicked away from the transcription page, fully intending to go back to their PowerPoint, but he got distracted by a tab in the far left corner called Compos'R. He clicked over to it before he could convince himself not to be nosy. Bucky had dug through his journal the other day anyway.
The website was a simple affair, like one of a half dozen Sam used for drafting essays. No frills, no distractions. But instead of writing, it was full of sheet music. Lines and lines of complicated notes and piano riffs. Sam used to sing in his daddy's church choir–the ability had left him when his voice dropped–but he never learned to play an instrument and he'd never seen hymns with music this intricate. The piece was called “English Class Tango,” which helped Sam find the beat of the notes.
He'd noticed a piano tucked away near a window in what he assumed was supposed to be a dining room but had been converted into a pseudo-office. He hadn't really thought about it, except to think that it was adding to the cluttered, claustrophobic feeling of the house. Now, he couldn't stop thinking about it. About Bucky curled over the keys, papers strewn around him as he tried a bar over and over again. He thought about Bucky in the sleep clothes he sometimes showed up to early Saturday practices in, playing the piano in the middle of the night. Did he ever get kicked out when someone had to take a meeting? Did he have to cherish stolen moments in a shared space? Or was he good enough that no one even minded him playing while they worked?
Down the side of the webpage, there were tabs to other songs. "Waltz With Bees (under the trees and sun)" and "Just A Little Peace" and "Junebug, 3am" and "Triumph in Red," which was a title Sam recognized. Not from Bucky or music. It's what the newspapers had called Sam after a run of games where he had made several spectacular plays. Why would Bucky name one of his songs after Sam's compliment?
He navigated to that sheet music. It was less complicated than the tango, but Sam could tell it would sound more voluminous. There was a play button at the top of the screen. It wasn’t necessarily sitting there pulsing and glowing and begging him to press it, but he did so anyway. Logically, Sam knew he and Bucky had had the volume up to help with the transcriptions, but he hadn’t expected the music to blare out like that. He scrambled to get the volume turned down, which he did just in time to hear Bucky shout out his name. But his voice was far away, down the other end of the house, maybe changing Augusta’s diaper or something. So Sam kept the music playing.
It was like something from a movie. The brash entrance bars were soon dialed back to a lilting, easy melody that Sam just knew in his bones. It was the wind and the sunshine and the butterflies of an early day warm up. It was the scrapping of the field and the sprinklers sputtering to life. And then the music got faster, the notes got more intense and heavy, the pounding adrenaline of a game getting started, the thrumming of a crowd. And that crack of a bat that had started the song. The sailing melodic rush of hope in the form of high keys as Sam ran back to the wall, glove outstretched, fighting to find the ball in the sunshine. The decrescendo of the out nestled in Sam’s glove.
“Wilson!” Bucky snapped again, closer this time.
Sam quickly paused the music and tried to get back to the tab with their transcription page. But he couldn’t do it with shaking fingers and, at the same time, June began to wail. Sam almost went to cover his ears but decided instead to reach out to the baby. She grabbed his hand but didn’t stop crying.
“Junebug,” Sam heard from behind him. And then, “Gus!” again and the patter of small feet and then bigger feet as Bucky retreated once more.
Sam looked back for the visual confirmation that he was alone in this and then just decided to pull June out of her seat. Babies liked to be held, right? She continued to cling onto Sam and even put her tiny, incredibly heavy, head on his shoulder but still kept crying.
“I don’t know what to do for you,” he apologized a little desperately. “I don’t know how to feed you or change you.” He wasn’t even sure which room was the nursery, though he imagined he could follow Augusta’s shrieking laughter.
June reached over Sam’s shoulder and Sam followed her gaze to the piano. “I’m sorry, kiddo. I don’t play piano and I don’t think Uncle Bucky would appreciate you crawling all over it without him.”
This just made June sob louder. Sam sat down on the couch and continued to gently bounce the baby on his shoulder as he looked at Bucky’s laptop again. He’d managed to click out of “Triumph in Red'' but the tab was still on Compos’R. He went to the waltz songbook and hit play. As soon as the notes were loud enough for June to hear them over her own crying, she settled down. It was a softer song. Again, Sam could practically hear the bees dancing around Bucky’s head in the shade of a tree on a sunny day. Or maybe Augusta’s head. Or Becca’s. Had Bucky watched Becca twirl aimlessly under a tree as she danced away from playful, sated bees?
He stood with June against his shoulder and began to turn in a simple waltz. His parents both believed that the only things someone really needed to know was how to properly eat spaghetti in company and how to dance at any function. Most of Sam’s childhood memories involved standing on his daddy’s feet while he held onto Sarah’s hands–her on their mama’s feet–while their parents danced together, explaining steps and beats to them. It had not been useful at junior high dances when no one else knew what they were doing, but Sam held his own at prom.
June was peacefully quiet. Her little fingers curled in Sam’s shirt as she clung to him and part of his collar wound up in her mouth, but he didn’t mind. So long as she wasn’t still crying.
It took three more turns for Sam to find Bucky standing in in the entryway, staring at Sam like Sam might’ve hung the moon just for him. Sam’s steps faltered a little and June seemed like she was taking in a breath to cry, so he righted himself, just made his waltz a little tighter so he could keep Bucky in his eyeline more often.
“I think she’s gonna be a dancer when she grows up,” he offered when Bucky didn’t speak after a few more bars.
“She likes music. She always has. It’s usually the only thing that calms her down. Other than food and a diaper change,” Bucky agreed. The moment of awe and adoration seemed to have passed and he came over to the other side of the couch to turn off his music. “What were you doing snooping around my things?” he asked and took June from Sam in the same moment, which staved off any impending meltdown.
"It's hardly snooping when you left me with your laptop. Why do you keep so much open anyway?"
Bucky made a face. "What am I supposed to do? Remember all the shit I wanted to look at?"
"You could save them as bookmarks."
"You actually use your bookmarks? If I'm not staring at the page, I don't remember it exists. It has to stay up."
Sam rolled his eyes and sat back in the couch while Bucky tried to juggle the laptop and his niece. The inequity between them didn't last long. Augusta came running up from the other side of the couch and crashed into Sam's legs.
"I dance!" she shouted. "I dance, I dance, I dance!"
Sam almost nudged her away with a suggestion she show them before he realized she meant she wanted to dance with him. So he scooped her up in a grand twirl and let her laugh herself breathless. The same kind of adoring look was on Bucky's face when Sam turned to look at him again. He took it as permission to keep spinning in wild circles with Augusta.
About the time that Augusta had laughed herself into exhaustion, June realized what was going on and voiced her own disagreement. Bucky tried to quiet her down by bouncing her on his hip or blowing raspberries on her shoulder or tickling her cheeks, but she wasn’t having any of it. She made grabby hands towards Sam and bawled louder when he didn’t immediately reach back for her.
Sam and Bucky looked at each other. Bucky looked apologetic but helpless and he held the baby further out to Sam. With a sigh, Sam put Augusta down on the couch, making a show out of her ‘crashing’ down, and bundled her up in a blanket. He took June then and cuddled her close before beginning to gently dance again. She settled instantly. Augusta finished digging her way out of the blanket and stood on the couch next to Bucky, peering at his laptop, which he’d picked up again. A few seconds later, the same song waltz began to play.
“I didn’t know you were a composer,” Sam said quietly over the baby’s head. “Or that you played piano at all.”
“Yeah, most people don’t, unless they go to church with us,” Bucky agreed. “I don’t talk about it a lot. Doesn’t have anything to do with school.”
“Yeah, but you’re really good,” Sam insisted. “I mean, is that what you want to do in college?”
Bucky shrugged, set aside his laptop, and picked up Augusta. She was nodding off again, the momentary rush of adrenaline wearing off. He picked up the same easy waltz Sam was doing and copied him on the other side of the living room. “I’ve thought about it. I don’t know.”
“You should,” Sam insisted. “At least as an extra-curricular or a minor or something.”
Bucky snorted. “A Fine Arts minor. I think that’s a lot of work for very little reward.”
Which, yeah, probably, Sam agreed to himself. How were there so many hidden depths to someone Sam had always figured was very…ken-doll like? Sisters and nicknames and a notable amount of empathy for people he didn’t know and a hidden talent and eyes that were way more expressive than Sam had ever given him credit for. Turns out, they weren’t just ridiculously blue.
“Is she out?” Bucky asked, nodding towards June. “We could probably get them both in bed at the same time.”
Sam nodded. He didn’t have to check. She’d gone from weighing almost nothing to being like a sack of potatoes a few minutes ago. He followed Bucky down the hall of the house, trying-not-trying to peek into the rooms to catch a glimpse of Bucky’s. Earlier this afternoon, he would’ve assumed it looked like a locker room, but now he wasn’t so sure. He felt like he wasn’t sure about anything to do with Bucky.
“Hey,” he said, putting June in the crib and pulling the blanket up to her waist. (But not near her face, he knew that was a rule, right?) “Which one of your sisters has the kids?”
“The oldest,” Bucky said. “April.”
“Right. Is that why she chose more month names? I mean, that’s not a pattern in your family right?”
“Definitely not,” Bucky agreed. “She was the only month name. But she always thought it would be so cute if her and her daughter had the same kind of name. She was going to go with Julia for a while, but she thought it wasn’t obvious enough. There’s always the next one.”
“Could always go with Jan,” Sam suggested. “And May obviously.”
“She didn’t want April and May,” Bucky explained. “Even though I thought it’d be hilarious.”
“But she’d be willing to do June, July, and August?”
Bucky shrugged as he turned on a castle shaped nightlight and turned off the overhead light. They stepped into the hallway and Bucky pulled the door three-quarters of the way shut. “You wanna sit in my room for a while? I mean, unless you wanted to put on the TV or something,” he offered.
“Your room sounds fine,” Sam said and hoped it didn’t sound as quick as it felt.
If it did, Bucky didn’t react. He opened a door at the end of the hall, closer to the living room again, and gestured inside while he went to get his laptop. In actuality, Sam wasn’t that far off in his assumption about Bucky’s room. It was fairly messy and he had clothes and pieces of uniform thrown all over and a baseball mitt crushing open the book they were supposed to be reading in English class. But there was a lot that Sam wasn’t expecting. A lot of books. A lot of journals. He had a whole pinboard full of scraps of paper with quotes or doodles on them. There were also a lot of blankets. More blankets than Sam could really start to count.
“I know the guys rag on you for always bringing a blanket on away-games, but do you have some kind of thyroid problem?” Sam asked when Bucky walked back in.
Bucky snorted again and threw himself across his bed. His music was still playing from his laptop, soft and quiet, the perfect background to his bedroom. “I just hate being cold,” he said.
“Sounds like you could use a phoenix yourself,” Sam joked.
“Unfortunately, I have you and you are no furnace.”
“Hey now!” Sam objected. He sat down on the corner of Bucky’s bed. The computer kept his attention for a few seconds before he was looking across all of Bucky’s things strewn around the room. He reached down for a very well loved beanie baby that seemed to be crawling under the bed. It was a white cat with floppy legs and long whiskers. Sam tossed it at Bucky and he ran his thumb over its head and back absently until he realized what he was doing and shoved it under his pillow. All these blankets and he only had one pillow on the whole bed.
“Anyway, I was thinking for our conclusion slides, we could talk about some younger activists,” Bucky said, turning the laptop to half face Sam. “I know we’re supposed to focus on the old guys, but their whole motive was building a better world for others. You know, however misguided they might have gone about it.”
“You’re very forgiving of these guys. I mean, you see a bunch of nuance that everyone has just reduced them down to facts in a book.”
Bucky looked up at Sam with a frown. “You do the same thing,” he muttered. “It’s not like I’m giving them much more grace than you.”
“No, I guess not,” Sam agreed. Though he mostly was thinking of them more critically because of this project. Other than that no one’s existence should be legislated and it was pretty damn rich for homo Sapiens to say that because some homo Superiors were violent it was a mark against all of them. “I guess I just didn’t expect you to put so much thought into this project.”
Bucky leaned back on his bed and leveled a stare on Sam. God, those eyes were unfair. Sam tried to not squirm. “Why’s that, Wilson?”
“I mean, you don’t have to. Neither of us do. You doing well is just gonna help me too.”
“So?” Bucky prodded.
“So I figured you’ve been trying to get a leg up on me for three years. I know you were the golden boy before I showed up and happened to be into all the same things you were.”
Bucky’s relaxed sprawl tensed suddenly and his obnoxious eyebrows creased down. “What?” he asked and sat up in an ungainly flail of limbs. “You think I was battling you?”
“I mean…yeah?” Sam said with his own frown forming. “I couldn’t turn in an assignment without you finding extra credit to add to yours.”
“And you thought that was me trying to one-up you?” Bucky asked again.
Sam threw an arm up in the air. It brought the corner of a deep blue blanket up too and he batted it off of his leg. “Yes! Obviously I did! Last year, when I was having that fantastic season and was a shoe in for All-State? You had the most phenomenal second half of a season ever. You qualified just based on six games!”
“I wasn’t trying to outshine you!” Bucky insisted. “I was trying to impress you!”
Sam came up short. The blanket somehow came over his leg again. “What?” he asked. He wasn’t even sure how the word came out because his brain was just static. Like the noise after a train runs into a wall, because that’s more or less what had happened in his brain. “What?” he repeated.
“Everything I’ve done since you moved in has been to make you notice me! I wanted you to think I was cool and talented. That I could keep up with you.” Bucky pushed his hands through his hair and stood jerkily. “Oh my God, no wonder you’ve hated me.”
“I wouldn’t say hate,” Sam defended. Just, kind of, like, really irritated by.
“I have been trying so hard to make you notice me and the whole time you were purposely looking the other way,” Bucky continued. “It’s been three years!”
Sam’s frown turned defensive. “That’s not my fault! You could’ve just talked to me! Maybe then I’d have known you have sisters you’re close with and you care about protecting people you don’t know and you’re always cold!”
Bucky flushed deeper red–which only made his eyes bluer, absurd–and he looked away from Sam. “I didn’t think I could,” he admitted. “You’re so cool and your friends are cool and you never looked at me.”
“My friends are idiots,” Sam said. “My best friend lives in Montana on a ranch and I get to see him, like, three times a year. He’s nothing like the people I hang out with at school.”
“You’ve never mentioned that.”
“And you’ve never mentioned that you play piano,” Sam retorted. He stood and took one step towards Bucky before taking two back.
Bucky crossed the distance between them. His eyes dropped from Sam’s face quickly. He reached for the middle of Sam’s shirt and curled his fingers in the material gently. “I think we kind of fucked this up.”
Sam tilted his head in acknowledgement even though Bucky couldn’t see him. He brought his fingers up to Bucky’s shoulder, just so he could get Bucky’s eyes on him again. “Maybe we could start over,” he suggested. “Hi, I’m Sam Wilson. I think we have a lot of common interests.”
Bucky’s mouth twitched into something that was almost a smile. “Hi, Sam. I’m Bucky. What things do we have in common? ‘Cause you seem a lot cooler than me. And hotter.”
Sam laughed. “Well, baseball,” he said. “We could go throw a ball around now and then if you wanted. And I know you’re good at mech-shop projects. I like circuitry stuff, which is just mech but smaller.”
“I dunno about that, Wilson,” Bucky teased. “But maybe I could watch you work a little. See what it was all about.”
“Could probably use your ridiculously long fingers for something,” Sam pointed out.
Bucky’s fingers tightened in Sam’s shirt. “Yeah, they’re good for a lot of thing,” he promised in a purr, which made Sam laugh again. “I can think of something else we have in common.”
“What’s that?” Sam asked.
“My nieces are obsessed with both of us. I’ll make music and you can dance.”
Sam dropped his arms around Bucky’s neck. “That sounds ideal,” he said. “I could teach you how to dance too,” he offered. “In case I’m ever not available.”
Bucky slid his arms around Sam’s waist. “Now, that sounds ideal,” he corrected in a sigh and pulled Sam closer. “I’m a very good student.”
Sam tried not to shiver. Failed miserably. “I know,” he breathed. “But I’ll still go slow.”
“That’s okay with me,” Bucky said. “I like being near you.”
“Especially when I’m looking at you?”
“Especially then,” Bucky agreed. He brought his eyes up to Sam’s face and grinned when Sam was already looking at him.
They, and the bees, waltzed.
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So so indebted to u for posting those lovely illustrations from Cyrano <333 & even more so for yr tags!! I'm completely in love w yr analysis, please feel free to ramble as long as u wish! Browsing through yr Cyrano de Bergerac tag has given me glimpses of so many adaptations & translations I'd never heard of before! I'll be watching the Solès version next, which I have only discovered today through u ^_^ As for translations, have u read many/all of them? I've only encountered the Renauld & Burgess translations in the wild, & I was curious to hear yr translation thoughts that they might guide my decision on which one I buy first (not necessarily Renauld or Burgess ofc). Have a splendid day & sorry for the likespam! 💙
Sorry for the delay. Don't mind the likespam, I'm glad you enjoyed my tags about Cyrano, and that they could contribute a bit to a further appreciation of the play. I loved it a lot, I got obsessed with it for months. It's always nice to know other people deeply love too that which is loved haha I hope you enjoy the Solès version, it may well be my favourite one!
About translations, I'm touched you're asking me, but I don't really know whether mine is the best opinion to ask. I have read... four or five English translations iirc, the ones I could find online, and I do (and especially did, back when I was reading them) have a lot of opinions about them. However, nor English nor French are my first languages (they are third and fourth respectively, so not even close). I just read and compare translations because that's one of my favourite things to do.
The fact is that no translation is perfect, of course. I barely remember Renauld's, but I think it was quite literal; that's good for understanding the basics of the text, concepts and characters, but form is subject, and there's always something that escapes too literal translations. Thomas and Guillemard's if I recall correctly is similar to Hooker's in cadence. It had some beautiful fragments, some I preferred over Hooker's, but overall I think to recall I liked Hooker's more. If memory serves, Hooker's was the most traditionally poetic and beautiful in my opinion. Burgess' is a whole different thing, with its perks and drawbacks.
Something noticeable in the other translations is that they are too... "epic". They do well the poetic, sorrowful, grief stricken, crushed by regrets aspects of Cyrano and the play in general, but they fall quite short in the funny and even pathetic aspects, and that too is key in Cyrano, both character and play. Given the characteristics of both languages, following the cadence of the French too literally, with those long verses, makes an English version sound far too solemn at times when the French text isn't. Thus Burgess changes the very cadence of the text, adapting it more to the English language. This translation is the one that best sets the different moods in the play, and as I said before form is subject, and that too is key: after all, the poetic aspect of Cyrano is as much true as his angry facet and his goofy one. If Cyrano isn't funny he isn't Cyrano, just as he wouldn't be Cyrano without his devotion to Roxane or his insecurities; Cyrano is who he is precisely because he has all these facets, because one side covers the other, because one trait is born from another, because one facet is used as weapon to protect the others, like a game of mirrors and smoke. We see them at different points through the play, often converging. Burgess' enhances that. He plays with the language itself in form and musicality, with words and absences, with truths masking other truths, with things stated but untold, much like Cyrano does. And the stage directions, poetic and with literary value in their own right in a way that reminded me of Valle Inclán and Oscar Wilde, interact with the text at times in an almost metatextual dimension that enhances that bond Cyrano has with words, giving them a sort of liminal air and strengthening that constant in the play: that words both conceal and unveil Cyrano, that in words he hides and words give him away.
But not all is good, at all. Unlike Hooker, Burgess reads to me as not entirely understanding every facet of the characters, and as if he didn't even like the play all that much, as if he had a bit of a disdainful attitude towards it, and found it too mushy. Which I can understand, but then why do you translate it? In my opinion the Burgess' translation does well bending English to transmit the different moods the French text does, and does pretty well understanding the more solemn, cool, funny, angry, poetic aspects of Cyrano, but less so his devotion, vulnerability, insecurities and his pathetism. It doesn't seem to get Roxane at all, how similar she is to Cyrano, nor why she has so many admirers. It does a very poor job at understanding Christian and his value, and writes him off as stupid imo. While I enjoyed the language aspect of the Burgess translation, I remember being quite angry at certain points reading it because of what it did to the characters and some changes he introduces. I think he did something very questionable with Le Bret and Castel-Jaloux, and I remember being incensed because of Roxane at times (for instance, she doesn't go to Arras in his version, which is a key scene to show just how much fire Roxane has, and that establishes several parallels with Cyrano, in attitude and words, but even in act since she does a bit what Cyrano later does with the nuns in the last act), and being very angry at several choices about Christian too. While not explicitly stated, I think the McAvoy production and the musical both follow this translation, because they too introduce these changes, and they make Christian as a character, and to an extent the entire play, not make sense.
For instance, once such change is that Christian is afraid that Roxane will be cultured (McAvoy's version has that infamous "shit"/"fuck" that I detest), when in the original French it's literally the opposite. He is not afraid she will be cultured, he is afraid she won't, because he does love and appreciate and admires those aspects of her, as he appreciates and admires them in Cyrano. That's key! Just as Cyrano longs to have what Christian has, Christian wants the same! That words escape him doesn't mean he doesn't understand or appreciate them. The dynamics make no sense without this aspect, and Burgess (and the productions that directly or indirectly follow him) constantly erases this core trait of Christian.
Another key moment of Christian Burgess butchers is the scene in Arras in which Christian discovers the truth. Burgess writes their discussion masterfully in form, it's both funny and poignant, but it falls short in concept: when Cyrano tells him the whole discussion about who does Roxane love and what will happen, what they'll do, is academic because they're both going to die, Christian states that dying is his role now. This destroys entirely the thing with Christian wanting Roxane to have the right to know, and the freedom to choose, or to refuse them both. As much as Cyrano proclaims his love for truth and not mincing words even in the face of authority, Cyrano is constantly drunk on lies and mirages, masks and metaphors. It's Christian who wants it all to end, the one who wants real things, the one who wants to risk his own happiness for the chance of his friend's, as well as for the woman he loves to stop living in a lie. That is a very interesting aspect of Christian, and another aspect in which he is written as both paralleling and contrasting Cyrano. It's interesting from a moral perspective and how that works with the characters, but it's also interesting from a conceptual point of view, both in text and metatextually: what they hold most dear, what they most want, what most fulfills them, what they most fear, their different approaches to life, but also metatextually another instance of that tears/blood motif and its ramifications constant through the whole text. Erasing that climatic decision and making him just simply suicidal erases those aspects of Christian and his place in the Christian/Cyrano/Roxane dynamic, all for plain superficial angst, that perhaps hits more in the moment, but holds less meaning.
Being more literal, and more solemn, Hooker's translation (or any of the others, but Hooker's seems to love the characters and understand them) doesn't make these conceptual mistakes. Now, would I not recommend reading Burgess' translation? I can't also say that. I had a lot of fun reading it, despite the occasional anger and indignation haha Would I recommend buying it? I recommend you give an eye to it first, if you're tempted and can initially only buy one.
You can read Burgess' translation entirely in archive.com. You can also find online the complete translations of Renauld, Hooker and Thomas and Guillemard. I also found a fifth one, iirc, but I can't recall it right now (I could give a look). You could read them before choosing, or read your favourite scenes and fragments in the different translations, and choose the one in which you like them better. That's often what I do.
Edit: I've checked to make sure and Roxane does appear in Arras in the translation. It's in the introduction in which it is stated that she doesn't appear in the production for which the translation was made. The conceptualisation of Roxane I criticise and that in my opinion is constant through the text does stay, though.
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