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#sorry forgot what this post was about
suiheisen · 4 months
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is it hockey or is it only fans (audio on)
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metukika · 4 months
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when ure apparently the only social person in your friend group
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shrimpari · 11 months
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Beat ToTK a bit ago and all I could think about was them.
One day I’ll get to play a new Zelda game that gave me the same or similar emotional rush that Twilight Princess did
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hai-nae · 6 months
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astral projection thoughts for mcu mk from awhile ago
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flowercrowngods · 1 year
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part 1 | part 2 | part 3 | part 4 | part 5 | part 6 (these make one big story, you won't understand this part without the others)
day 07: free space a happy ending
Wakefulness embraces him so slowly and gently that Steve’s not entirely sure he isn’t dreaming when he sees Eddie lying next to him, watching him with an easy smile as his fingers tap out a slow beat on his pillow. Steve looks at him, blinking away the remnants of sleep, not quite daring to do anything more than that for fear of it being a dream after all, scared that Eddie would disappear if Steve reached out to touch. 
But then Eddie’s smile widens. “Good morning, sunshine.” 
Steve gasps a little and moves his hand to Eddie’s cheek, tucking a few strands of hair behind his ear, his breath hitching when Eddie leans into the touch. 
“You’re here,” he whispers, his gaze wandering over Eddie’s features, taking it all in and looking for any indication that this is a dream. 
Eddie hums. “And you’re pretty.” 
It hits him out of nowhere, the open sincerity in Eddie’s voice, the fondness in his eyes, the honesty in everything about him. The love, open and free now — or getting there, at least. It’s still so raw, though, so new, that Steve doesn’t know how to handle it yet. 
“Shut up,” he huffs once he’s caught his breath, rolling over to hide his face and the way his cheeks are heating up. He rolls right into Eddie's chest, though, and he's so warm, so close, smells so good that Steve wants nothing more than to bury his face in his neck and stay there for the rest of the morning. Or maybe the rest of his life.
The reflex to pull away is there. The urge to run and hide, to laugh it off, to freeze up and find something else to do, something to occupy his hands and stop them from reaching for Eddie. Years and years of muscle memory telling Steve to leave. 
But Eddie's arms come around him, holding him close and pulling him even closer. And Steve breathes him in, remembering that it can be okay. Remembering that they get a chance now. 
Remembering the words. 
What are you doing? 
Changing the world. 
So he tries that, too. Changing the world. He tries by winding his arms around Eddie, too, and breathing in again and again, learning that Eddie won't disappear if he does. 
Slowly, he dares to move his arms, stroking along Eddie's back in slow, gentle patterns, lulling himself into a safety he hasn't felt in a while. Maybe ever. At some point Eddie begins to hum, and Steve thinks that it's just another one of his audible smiles, inviting Steve and the rest of the world to join in if they're so inclined. But then he detects a familiar melody in the vibrations of Eddie's neck against his skin, and he holds his breath to find out what it is. 
His heart jumps when he recognises the song as one he used to listen to on repeat like a lovesick fool around the time his feelings for Eddie turned into something more, something better, something infinitely worse. 
It skips and he forgets how to breathe as he lets his hands travel over Eddie's back, slowly and tentatively daring to slip underneath his shirt and touch his skin. 
Eddie begins to sing, then, and Steve wonders if he's even been in love with him before, because nothing of what he's ever felt compares to Eddie's gentle, hoarse, sleep-rough voice as he sings Somebody to Steve, to their little bubble, or to the world outside. 
"I want somebody to share, share the rest of my lifeShare my innermost thoughts, know my intimate details."
He closes his eyes as he listens, focusing on the vibrations, on the warmth, on the closeness, on how this moment is everything he's never even dared to want. Everything so perfect that he couldn't even dream it up. 
Everything. You're everything. 
He needs to be closer still, so be buries his nose in Eddie's neck and breathes him in, tangling their legs, filled with a breathless kind of joyful bliss when Eddie's breath hitches, too, and he stumbles over the words of the second verse as Steve tries to climb into his skin. 
"I want somebody who cares for me passionatelyWith every thought and with every breath."
You have me, Steve thinks, pressing his lips to Eddie's pulse point. It's not a kiss, not quite. It's something deeper. It's a promise. 
Eddie's hands come up to hold him there even as his voice carries through the drumbeat of Steve's heart in his throat, running fingers through his hair, lightly scratching at his scalp, making him purr along to the melody. 
"But when I'm asleep I want somebodyWho will put their arms around me and kiss me tenderlyThough things like this make me sickIn a case like this, I'll get away with it."
When the song ends, Eddie's words faded out, replaced once again by the gentlest silence, Steve feels raw. Vulnerable. Open and exposed. But he also feels safe, and loved, buried in Eddie's skin and held there, as though Eddie is just as scared of fading away as Steve is. 
He lifts his head just slightly, enough to meet Eddie's eyes – only to find that they're closed, an expression so serene like Steve has never seen before. Mesmerised and overflowing with affection, he reaches out to trace the line of his brows, down to his cheeks and all the way to his lips, where his eyes are glued for a second. 
The thought of kissing Eddie is right there. The opportunity is, too. But he doesn't. He barely dares to move as it is. But he does roll them over the rest of the way until he lies comfortably on top of Eddie, and tucks his head underneath his chin, finding one of his hands and lacing their fingers. 
"You've got him," he breathes eventually. "That somebody. If you—“ 
"Yes," Eddie says, his other hand finding its way to the nape of Steve's neck to play with his hair again. "I want."
"Good." It's lame; far from what he wants to say. From what he has already said last night. It feels like they're doing this backwards, starting with the I love you and catching up with the slow build-up afterwards. "Good. Me, too." 
"Good," Eddie hums, and there's that smile again that Steve can't help but mirror. 
They fall asleep again like that even though it’s already late in the morning; cuddling and holding and cradling each other, still trembling slightly. Maybe that's what changing the world will do to you. Maybe that's the bravery more than the love. 
Or maybe it's just Steve and Eddie. Steve and Eddie. SteveandEddie. 
I love you. 
~*~
It takes a bit for Steve to relearn loving Eddie. To not associate it with tragedy and sadness and a bone-deep loneliness that'll leave him breathless even on the best of days. 
It takes a while for Steve to learn a whole new kind of breathlessness, a whole new kind of aching when it comes to Eddie. 
And Eddie's not much better than Steve, pulling away when Steve wants him closer, swallowing his words and needing a second, third, fourth try until he learns that he gets to love Steve now. 
Years of unrequited love, or feelings unreturned, of words put out into the universe with no one to receive them, are not easily or quickly unwritten. But every time Steve's breath gets lodged in his throat and he wants to run away, Eddie is right there to remind him of what they can have now. Every time Steve tries to be a little less of who he really is, Eddie is right there to coax him out of his head with gentle touch and a lot of hugs. 
Every time Eddie starts to doubt himself and all the ways he makes Steve the happiest person on the planet, Steve is right there with the words he only has for Eddie. Words that don't get stuck anymore. Words that finally get a recipient. 
~*~
Their first kiss, the first real kiss, doesn't happen that first morning. They spend the first week only holding each other, barely wanting to let go, hiding their vulnerabilities within each other. 
Steve is worried about it at first, seeing Eddie so quiet, so reverent, lacking his usual cheer, his energy and snarky comments. He asks about it one night, ready to prove right that he isn't and can never be enough for him, that all he will do is steal the things that make him Eddie. 
Eddie stops then, lifting Steve's chin with a finger when he's too scared, too ashamed, too vulnerable to meet his eyes on his own accord. 
"Stevie," Eddie says, his voice so gentle that Steve immediately feels stupid for doubting. "I have loved you for ten years. I've had you for three days. Let me bask in it. Let me be unable to be myself with how absolutely and utterly overcome I am with the knowledge that I have you now. That I get to hold you. That I get to kiss you and keep you and... God. I'm not unhappy. I'm so much the opposite of that that I'm not sure there's a word for it. Other than devoted. Smitten. Bewitched, body and soul."
Steve wants to kiss him then. Almost does, with the way they're just staring at each other, breathing the same air —air that smells like Eddie now. In the end, Eddie just holds him, brushing a kiss to his cheek, his forehead, his temple, and whispers, "Let me bask in it." 
And so they do. 
Wayne called Eddie not long after with the words, "Chrissy just told me the wedding's off. Please tell me that means what I think it means." 
Eddie just blushed, reaching for Steve, tucking a strand of hair behind his ear. "Yeah, I, uh. I finally talked to Steve."
There was a very loud cheer on the other end that made Steve laugh, falling into Eddie's side, holding him tight, a weight falling off his shoulders knowing that Wayne was okay with them. 
You know, I always figured it would be you. 
No matter what happens, you'll always be a son to me.
It made his eyes sting again, but he basked in the moment and in the knowledge that Wayne was on their side. Always has been, always will be. 
"You better come here on Sunday, and bring Robin and Chrissy, too." 
"Robs and Chrissy?" Eddie asked. 
"Oh, you're in for a treat. I'll see your asses on Sunday, boys." 
And with that, he hung up. Steve immediately went to call Robin, hopeful and giddy with Wayne's implication, knowing that Chrissy was Robin's person just like Eddie was his. 
"She loves me," Robin said, on the verge of tears, and Steve joined here right then and there. "She's– Steve. She's so– She... God!" 
"Yeah," Steve laughed at the ceiling above his bed, grinning because Robin sounded so happy, not even caring that she didn't have the right words for it, because he could hear Chrissy laughing in the background, too. Laughing and saying hi to him and interrupting Robin's ramblings and groans and giggles with kisses that always left her dumbstruck for a good two seconds each time. 
When the call ended, he went right back to the living room, where he and Eddie started watching Pride and Prejudice before, and fell right on top of him with a happy, happy smile. 
~*~
It happens at Wayne's, exactly one week after Eddie showed up at Steve's in the middle of the night. One week after the phone call. One week after I love you. 
It happens in the soft glow of the fairy lights Steve and Eddie helped him put up years ago. I happens after Wayne hugged him tight once more, after he pulled Chrissy to the side and promised her that she's still his kid, that he still loves her, and that he's happy to see her smile like that. After he promised the same to Robin.
It happens when Wayne's inside to refill their drinks and Chrissy and Robin are caught up in each other that they're blind and deaf to the rest of the world. When Steve turns to find Eddie looking at him with the softest, gentlest expression. 
"Eddie," he whispers, leaning in to rest their heads together, lacing their fingers and stroking his thumb along Eddie's palm.
"Yeah, baby?" 
Baby. It fills him with butterflies, with the urge to scream, to shout from all the rooftops that he loves Eddie, and more importantly, that Eddie loves him back! Baby. Baby.
"I love you." 
"Hmm. I love you more." 
No, you don't. Just longer. "Can I kiss you?" 
He can feel Eddie's little gasp before he leans in even closer, rubbing their noses together, cradling Steve's face with his free hand. "Please," he whispers. 
And Steve does. He captures Eddie's lips, pouring into it everything he feels and more. Sealing the promises he's made and all the ones he's yet to make. The promises to love and cherish Eddie. To be brave. To be there. To stay and keep and bask. 
It's nothing like their first kiss all those years ago. There is no question behind it this time. Only declarations, only promises, only the beginning of a shared future. 
And there are many, many more after this one.
🌷🤍🌷 THE END 🌷🤍🌷
tagging: @sexymothmanincarnate @mcneen @livsters @eddiemunchondeeznuts @abstractnaturaldisaster @steddie-as-they-go @hyperfixationgoddess @goodolefashionedloverboi @stxrcrossed186 @eddiemunsonswife @bidisastersworld @ghost-ly-s @romanticdestruction @walkingaftermidnight07 @anaibis @rainydays35 @mightbeasleep @sunfloweringstories @korixae @tuesdaycats @totoroinatardis @ilovebookshowboutyou @musical-theatre-gay @theluckyalien @copingmechanizm @srra @changelingbaby @sassygoop @obsessivelyme @r0binscript @hardboiledleggs @estrellami-1 @bisexualdisastersworld @space-invading-pigeon @swimmingbirdrunningrock @y0urnewstepp4r3nt @oxidantdreamboat @spilled-jar @phirex22 @littlemsterious @captaingigglyguinea @animecookie95 @sharingisntkaren @haluton @littlemsterious @animecookie95 @suddenlyinlove @bisexual-bilingual-biped @jinx-nanami @makewavesandwar @scheodingers-muppet @morcantinon @hexdbog @homosexualhomocide13
god i can't believe it's over. i thank you, every one of you, who cheered for me, cried with me, screamed and yelled at me, and stayed with me throughout this past week. i have no words right now other than thank you 🤍🌷 and i hope this is okay
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buwheal · 6 months
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BEACH OUTFIT 💥💥💥💥
He used to surf the web back in 98'.
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roseworth · 1 year
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broke: jason is mad at dick for putting him in arkham
woke: jason doesn’t care that dick put him in arkham because he was using it as a means to an end and he could’ve escaped at any time
bespoke: jason doesn’t care that dick put him in arkham but he still brings it up constantly whenever he needs to guilt trip him
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writer-room · 1 year
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I had an idea, and so I made some low effort memes. Happy Dragons Rising everybody
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That is all
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cosmokrill · 8 months
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I'm just going to leave you guys with these images to figure out the relationship Noah and Thierry have with each other /silly
Thierry belongs to @vellichorom
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meyerlansky · 1 month
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#hboww2rewatch timestamp roulette: THE PACIFIC, PART TWO ↳ peaches. your new name is peaches.
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radiocity · 8 months
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The L Word | S2E01
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literaphobe · 2 months
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you’ve heard of And There Was Only One Bed, now get ready for There Were Actually Several Beds, Including Ones You Built With Your Bare Hands, Because You’re Really Good At Making Beds, But I Shared A Bed With You Once And Now I Can’t Sleep Unless You’re Next To Me Anymore, Sorry I Know You Put A Lot Of Effort Into My Bed, Can I Still Crawl Into Yours?
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bowenoke · 3 months
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forgot how long it takes to boil characters, so some of them are a little undercooked
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thebad-lydrawn-sanses · 5 months
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Creator: Mm, art block. What to do...?
Creator: What do you think, wackus bonkus?
"Wackus Bonkus" (Hand): make angst
Creator: ohh, you naughty wackus bonkus
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oifaaa · 7 months
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Aoife is one of those rare names that really there is only 1 currect spelling and that is Aoife if you are spelling it any other way it is no longer the Irish name Aoife I do make the rules
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boyfridged · 1 month
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in your fic “paint it over” is that how you imagine jason making it out of the explosion at the end of utrh? not exactly the events that follow, but the preferable characterization of bruce digging jay out of the rubble and carrying him to help. and how do you think jason made it out canonically (without the help of bruce) also!!! what are your thoughts on the specifics of jason’s scar and how he’d behave toward it. i liked the part of your fic where jason was temporarily unable to speak due to the trauma his neck received. i think the scar is something that rests on the junction of his shoulder/neck, and that can be hidden with whatever clothes he wears -> no one knows he has it (or how he got it) either. i like to imagine while bruce knows his batarang made contact with jason’s throat it’s never fully registered to him that it scarred until he sees it for himself (and while i believe bruce would turn the moment in head over and over again until it’s engraved in his brain, his delayed realization—to me—is due to his repression of the occurrence)
oh i adore this whole ask. some of it i explained in my notes, but this fanfic is quite dear to me, so i will elaborate.
short answer to whether this is how i imagine jay making it out of the explosion: not exactly?
the premise that i wanted to explore with paint it over is almost the opposite of a fix-it, and definitely not what i believe it should be in canon.
what i wished to explore there is, however, the part of utrh that is perhaps the most shocking to many readers: that bruce leaves jason to die.
in-universe, i think the answer why it happens is surprisingly simple enough: bruce does not come because he is just... not there. my understanding is, that in a way, the events of under the red hood did not happen. there is nothing to follow. that purple mist in the finale of the utrh, that is often read as a force resurrecting jason (not technically wrong, either)- i believe that is the timeline already rewriting itself, making the whole story into something that was not.
and the reason for the above is the infinite crisis. if i'm not wrong, it's also the inifinite crisis miniseries where bruce meets dick right after the explosions in (or of) bludhaven-- that in batman clearly happens in the background of his confrontation with jay. however, in infinite crisis (#4, just checked it now), bruce tells dick: "i wanted to make sure...you're alright... i was in new york when it hit. got here as soon as i could." which could be a lie or a matter of the editorial not being synced enough- but i'm willing to give them a benefit of the doubt given how it ties with that sudden, stunted ending of utrh.
this makes sense for canon for several reasons. in the animated movie, since it spares us the infinite crisis tie-in, bruce says of the whole incident: this changes nothing. it changes nothing because although aditf isn't, utrh is a tragedy; it changes nothing because since his death, jason is necessarily always pushed at the peripheries of the narrative, no matter how much the fate itself tries to fix it, becoming a tragic footnote. the dead have one right and it's the right to remain silent. and that is ironically ensured on a cosmic level, with his violent attempt at being seen hidden in the folds of the timeline. you can also see it clearly in canon -- i believe it was not until the infinite frontier that the events of utrh got just tangentially mentioned (before that, even lobdell barely touched upon it). other than that, they have no consequences; they are barely ever spoken of; they seem to slip out even from jay's solo comics.
this move was necessary for batman, as a character and as a title: let's say bruce does hold red hood as he does in the alt cover of annual 25 (and the cover of the deluxe edition of utrh.) that would implore a reckoning with his failure and his (suddenly non-productive) grief that would either reconstruct the whole myth or lead to some terrifying implications. these terrifying implications are, essentially, what paint it over is about. it's about the worst happening and about there being no way back from it. and jason, in receiving what he wanted (his father's love and care) wants to deny that reality. they both want to. yet even jay cannot ignore it completely -- and i chose to use the batarang injury to emphasize it.
and about the scar: i mentioned it briefly before, but in the au jason aggravates the wounds on purpose, hence it will scar worse and cause long-term issues for his voice. it's a theme i also keep in some of my other stories (to come...) and i very much think this is what would happen in canon if he had to take care of that injury. yet as it healed, i believe he'd take to hiding it, mostly. still, as it stands, my primary take might be that in canon (if it was to follow the interference into the timeline from the crisis at least) jason would simply end up with no scar at all, and only memories for evidence of what happened, which is perhaps worse for him too (but of course better for bruce. and as it happens, this is bruce wayne's story and everyone else is just living in it- or dies in it- for better or worse. and if we're ignoring that metaphysical timeline bullshit, as you said, i believe bruce would repress it all anyway.)
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