Fellow Pathologians I am emotional about this on this night. As if you've simply turned away from her for a second........
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Provence (2) (3) by Maurice Biggins
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the cunty mice will decide your fate
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Pablo Picasso - Visage pendant Madoura. Originally cast in 1950. Silver.
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new ask format:
I unpacked all of my tchotchkes! it's a pretty wide range of stuff? things? but I love it all, and I'm so grateful to have space in our new apartment to get everything out at least to look at temporarily, if not for long-term display.
so while I can see everything and remind myself of it, I invite y'all to pick an object, let me know which one via screenshot or descriptor, in asks or replies or reposts - y'all know how to reach me here - and I will either identify it or tell a story about it or tell some sort of rambling unrelated story or simply tell you if I've used it in a painting at this stage.
(and if you have a collection like this as well and it would also enjoy telling stories about it, I'd love to see your photo and ask you about an object as well)
(and yes my answers will be dictated to my phone, so patience for all of the weird word substitutions is much appreciated)
so uhh have at it, folks!
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I was rereading all of Victor's dialogue and again experienced thoughts about what year Patho is set in. I prefer to interpret Patho as anachronistic, but it's fun to parse what year it *could* be. As a fine little treat. I think Anna's narrative is best at answering that question, as convoluted as she is; Victor claims that Anna came to town six years ago, and Anna tells Clara the same, saying that she was fleeing political persecution. Andrey similarly tells Daniil that, “[Anna] claims to be a political case. But really, look at her—does she really look like she belongs to the underground? She has nothing to do with the February revolt” affirming that Patho is post-1917. Assuming that Anna arrived ~1917, six years later would be 1923. That roughly fits with the talk of the ending war, given that the Russian Civil War ended the year prior, and there’s actually a reference to the 1923 “The Face in the Abyss” in the Bachelor Route (“Everyone is after a female figure. What is this, the vestiges of matriarchy? The Snake Mother, the abyss, yadda yadda?”). But again, I don’t think this is canon, especially since “The Snake Mother,” the companion story to “The Face,” wasn't published until 1930. This is just a theory. Dare I say. A game theory
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Little quarter machine ($0.50usd) tchotchkes xD
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They were a smidge overpriced for how small they are, but I wanted Sniper Sparrows.
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Waddington, NY (2) (3) by wabisabi2015
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