Quarter Notes: Blurbs & Briefs from Sound Bites
- In this edition: Jason Isbell and Amanda Shires; moe.; the Wood Brothers; Genesis
AMBASSADORS ISBELL AND SHIRES, I PRESUME: Jason Isbell and Amanda Shires are the 2023 Record Store Day ambassadors.
To celebrate, the couple will release a joint EP, the Sound Emporium, available in - where else? - record stores - when else? - on RSD, April 22.
THE KEYS TO mOE.: Keyboardist Nate Wilson has joined moe. full time. His arrival marks the band’s first lineup chance since Jim Loughlin rejoined in 1999.
Wilson had been touring with the group while guitarist Chuck Garvey recovered from a 2021 stroke.
“He has since proven himself a valued contributor to our sound, and now with Chuck back in the groove, he compliments our overall style,” bassist Rob Derhak said in a statement.
WOOD BROTHERS GIVE BACK: Continuing a 2022 tradition, the Wood Brothers will donate $1 of every concert ticket sold to the Nature Trust of BC.
“We have to do things for wildlife for its own sake and conservation is so important for wildlife,” Chris Wood told the organization. “Land acquisitions are so important for conservation, and the Nature Trust is doing a great job of securing land.”
GENESIS BBC BOX SET ON TAP: Genesis will release BBC Broadcasts, a 53-track box set, March 3.
Singers Peter Gabriel, Phil Collins and Ray Wilson are all represented on what Rhino Records calls “cream of the group’s work recorded by the BBC between 1970 and 1998.”
1/31/23
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utter bullshit that we stop growing at a certain age.
humans should grow (both taller and wider) at a continuous rate throughout our lifespans. i want to be 80 years old with the proportions of an average human being except i am the height of a multistory building. that would be so fun. that would require so much societal rearrangement. this isn't a want it's a need
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Shelby: I’ve been dropping them the most insanely obvious hints for like a year now. No response.
Katherine: Wow. They sound stupid.
Shelby: But they’re not. They’re really smart actually. Just dense.
Katherine: Maybe you need to be more obvious? Like, I don’t know… “Hey! I love you!”
Shelby: I guess you’re right. Hey Katherine, I love you.
Katherine: See! Just say that!
Shelby: Holy shit.
Katherine: If that flies over their head then, sorry Shelby, but they're too dumb for you.
Shelby: Katherine.
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I want to express how much I love Clem as a character! I love how mysterious they are. My hunter doesn't trust them as far as they can throw them (avoiding taking the deal by using Lea as an excuse) but they still don't want to see them get hurt, especially by Duncan. And I as a reader am so excited to learn about them and see where their story goes...
clementine is Thee little meow meow
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Wood Brothers and Fans Protect Wildlife
- “Let’s do it again,” band says
One dollar from every Wood Brothers ticket sold in 2022 was donated to the Nature Trust of BC.
Working under the North American Wetlands Conservation Act, the U.S. Fish and Wildlife Service added $2 to every one the Woods raised.
Together, the United States and Canada used the funds to conserve and protect wetlands and cross-border migration corridors.
“Thanks to everyone who bought a ticket to our shows this past year,” the band said in a statement.
“Your support helped permanently protect two essential wetland habitats. Let’s do it again” in 2023.
1-2-23
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what is your underlying motif?
the lightning rod
whether it’s your turbulent nature, your flash quick mind, or the air of unknown about you, your undercurrent is the lightning rod. you are somewhat unpredictable, but if we unraveled we’d see you know exactly what you’re doing, but it’s makes you feel less vulnerable to pretend it wasn’t planned. some people stay back from you, but others would follow you cross country, for the very same reason. they don’t know enough about you. the difference is in who wants to learn more. keep your golden nature, it’s exciting, but don’t be afraid to admit what you know. matshona dhliwayo said “lightning strikes but does not roar” your bite will always be worse than your bark, keep that close to your chest.
tagged by: @shdwtouch
tagging: @feygloom, @triickst, @stilettobite, @softersinned, @savageshadows, @championsofthegate, @shiilelagh, @lieriel !!!
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Sméagol and the Gift
'Now!' said Sam. 'At last I can deal with you!' He leaped forward with drawn blade ready for battle. But Gollum did not spring. He fell flat upon the ground and whimpered.
'Don't kill us,' he wept. 'Don't hurt us with nassty cruel steel! Let us live, yes, live just a little longer. Lost lost! We're lost. And when Precious goes we'll die, yes, die into the dust.'
Devastated by this. Just a little longer, he begs. Even though his existence is a torment. Even though the will that holds him to life is barely his own anymore. He has long outlived his time but it's such a cruelty that now the only freedom for him is in death. I'm glad Sam didn't kill him but the whole scenario is awful.
When a mortal keeps a ring of power he does not gain more life, he continues, denied natural mortality as the fear of death is amplified and twisted into fear of separation, nothing matters anymore but the keeping, the continuing. In that miserable existence there is no peace, and at its end there is no graceful goodbye to life, there is only dust. Sudden, empty, and final.
It would take murder to spare him that. Or falling with the ring into the fire.
Bilbo let it go in time (did he feel anything when it was destroyed?) Frodo is freed of it now, though the toll it extracted for the separation was at very least a finger. It was too late for Gollum for the price to be anything other than it was, and that's brutal.
If you live long enough, death is no longer the enemy. What Sauron did to Gollum ensured that it would always be the enemy, to be feared and avoided for ever, once time and the ring had fashioned it into the only escape left. Evil.
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Ok because I can’t let this thought go, I need to say my piece on media analysis and fandom’s version of it really quickly:
I’ve worked as an on-set dresser, a set dresser, and in the set decoration department in other roles. I get how set dressing works. And I’m also a huge fan of media analysis and overanalyzing and drawing meaning where you find it from the text, intentional or not.
I’m all on board with finding details in the set dressing and expanding on them, but there are so many times I see posts that argue small set dec details are intentional and foreshadowing something - usually a ship going canon - when it never feels that way to me. Yes, there is thought behind every aspect of film, but that doesn’t mean that the exact placement of everything has some great meaning behind it. Sometimes the meaning is “it would make logical sense for this item to be in this space” and nothing more.
I don’t comment on these posts bc I don’t want to be overly negative or ruin anyone’s fun, but the problem I keep seeing happening in fandom spaces is that meaning that was never intentional on the creators’ part will be drawn from small details and passed around fandom as proof of foreshadowing of something that was never intended to happen. And because someone is able to find meaning in something, people believe it was an intentional set-up.
Sometimes the item is just there. Sometimes a set dresser went “yeah that looks good” and there’s nothing more to it. Sometimes the DP goes “yeah that shot looks visually good and the items in it make sense” not “every item placed in this shot is intentional”.
(Sometimes something gets stuck in a weird place and you don’t notice it until cameras are about the roll but it’s like, not worth the hassle of holding for art bc literally everyone hates holding for art, so it just lives there now.)
The problem isn’t drawing meaning from the text where you find it. That’s a great way to interact with media honestly. The problem is making the mistake of deciding it was intentional AND intentionally setting up the exact scenario you already wanted to happen. Bc honestly, until we hear it from the creator’s mouths, we don’t know always know what minor details were intentional.
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