#the whole 'putting my favourite characters into different settings' thing? | Explore Tumblr Posts and Blogs

hollowtones · 10 months

Note

first yiik impressions?

Hi. Thanks for your message. I've been thinking about this for days. I wrote paragraphs. Here you go!

Everyone talks up how the game is bad, but I've never looked into it much myself, so I went in with an expectation along the lines of "people whose opinions I often agree with think it was an awful mess, I'll likely think something similar". Expectations were low. Even then I wasn't really ready.

"YIIK" is a game of tedium. I don't think it's a game about tedium, that's something different (though it could be, if it was a different video game altogether; "what if the world was made of pudding" etc). To some degree I think the tedium is by design but I'm not really sure what it's in service of.

I don't think tedium in a video game is a bad thing. "Morrowind" and "Breath of the Wild" are two video games I like very much, and some of my favourite memories of those games are of slowly wandering through empty expanses, or having to suddenly deal with equipment degrading or supplies dwindling because I forgot to prepare. Moments like that feel thoughtful! They're interesting moments of reprieve or of tension that feel thoughtfully and intentionally designed! "YIIK" feels like trudging through chest-deep molasses so it can shout "hey did you know you're stuck in my molasses right now? that's weird, why are you stuck in my molasses right now? did you notice?" directly into your ear.

You'll notice this is a pattern.

Combat is turn-based and involves completing little minigames, timing button prompts or hitting targets or some such. It's a cute idea that wears out its welcome when you start realizing how long every single one takes to resolve, especially when you have multiple party members, and sometimes multiple enemies (I'm told this part specifically gets more egregious as the game goes on). I don't think it's awful or unsalvageable but I'm not super into it as of the point we're at.

This is a pattern.

Leveling up is a manual process that you have to unlock, and it involves going to a save point (any save point? we didn't check), to enter the Mind Dungeon, to enter the actual Mind Dungeon, to walk down a set of stairs and enter individual doors one-by-one, so that you can choose how you want to allocate stat increases, so that you can walk down a different set of stairs to commit your choices and spend your banked experience to level up. I think "you can only power up at specific points / times / locations" and the granularity of stat growth are interesting ideas, and the environment they made for it are a charming idea, and I don't think it needed to be a "Hotel Mario" level that you had to slowly walk through. It could have been a menu. They could have used the resources for a nice background or backdrop for a menu that accomplishes the same thing.

This is a pattern.

I haven't really mentioned anything about the story or writing yet. The protagonist's name is Alex and he's a very self-important nerdy misanthropic dickhead white man (a very specific kind of guy that I've definitely met at least once or twice) who is obsessed with a paranormal message board populated by people like him and desperate to find out more about the disappearance of a woman he witnessed. (The woman & her disappearance are based on the real life death of Elisa Lam & aren't handled with a whole lot of tact, IMO, but other people have put this into better words than I can right now. It sucks. It keeps coming up and it makes me bristle every time.) Alex is a bad person. I know he is. You know he is. The game knows he is. I've seen some reviews say a negative point of the game is "the main characters aren't likeable", which I don't really get, because that's the point of the characters, as far as I can tell. The issue, then, is how much time the game takes to exposit at you how bad the characters are. It's exhausting. Every time Alex has a monologue, it feels like it sums up to 10 minutes of "I am a bad person. I am a bad person. Alex is a bad person. This character is a bad person. Do you get it? He's a bad person. Alex is a bad person. Do you understand yet, player? Alex is a bad person. You should know that he's a bad person. Do you get it?"

This is a pattern.

(I don't know how interested I am in bringing up the game's lead writer right now, if at all, but there's a well-known anecdote where he talks about wanting to write a story about a bad person who is forced to grapple with himself and do better, and how the reason why his game wasn't well-received was because people who play video games didn't get it & weren't ready for a story like that. I dunno. I can understand being upset about negative reception to something you poured time and sweat into, and saying something hasty because of it. "Final Fantasy 4" is a beloved RPG classic, though, and "Disco Elysium" came out the same year to overwhelming praise. I haven't played either of these yet, though, so I'll admit maybe I'm off the mark here.)

The characters we've met so far (i.e. the ones that aren't unnamed NPCs) are… well. There's a smarmy younger kid who idolizes(?) Alex & also made the aforementioned paranormal website. So far it seems like he mostly exists to go "hey fuck you Alex, you dickhead" and immediately say something even more insensitive. There's the insensitive based-on-a-real=ass-dead-woman elevator woman, who immediately disappeared from the narrative while still being an essential part of the narrative. There was a dead(?) robot in a bedroom, who had a choir of ominous hooded people monologue about how weird and sad and strange and uncanny the scene is. What the!? There's a woman who works at the arcade and has Powers. Her design's cute. (I feel like, generally, the game's visuals are Fine. The audio, too. That all ranges from Just Fine to Surprisingly Neat. I don't really have much issue with those aspects of the game, but I don't have much to say about them either.) Alex and Kid Whose Name I Didn't Care To Remember are constantly very uncomfortable to her, because she's a woman and because she isn't white, in the 15 or so minutes we've seen her on-screen, and she gets to tell them off, but then immediately kind of goes "well whatever I can smile and put up with this and hang out with you". It feels misogynistic. I know to some degree Alex is misogynistic on purpose, because the game is bludgeoning your skull in and yelling "ALEX IS SHITTY TO WOMEN! AND PEOPLE OF COLOUR! DO YOU GET IT? HE'S SELF ABSORBED IN A SHITTY WAY! DO YOU GET IT, PLAYER? YOU UNDERSTAND THAT ALEX SUCKS ASS YET? MAYBE 10 MORE MINUTES OF THIS WILL MAKE IT CLICK?" But for a woman of colour (the only one we've seen so far who isn't Probably Just Dead) to finally tell him off for being a shithead, only to turn around and go "well it's ok, you're cool now, let's hang out now because it's narratively convenient and you're the protagonist" is pretty damn egregious!

This is a pattern.

Writing in general feels stilted and long-winded. Most of the main characters feel like they don't talk like people do. Alex gets to feel like a person but that's mostly because he gets to talk to himself so damn much. Most of his monologues feel like overly flowery prose, like someone padded it out with identical adjectives to meet a school essay word count. There's an interesting idea or premise or setpiece every now and then. There's a spark. A glint of something compelling. Every single time this has happened so far I find it immediately snuffed out by an over-blown "oh my god!!!!!!! how weird!!!!!!', or a very long plot dump, or a Joss Whedon-ass quip. There can be no small moment of joy. No story element or visual element can stand on its own legs. There can be no room for ideas to breathe. No space for the player to wonder, to dream, to play in the space. The narrative is compelled to suffocate iself on itself, to take up all space, to swallow itself whole in its making. One very minor (so far?) side character has some interesting dialogue in this one dream world, and I think "oh that's neat", and then I learn they're lines taken wholesale from a book (and I think that's fine, reference is fine, but I have a bit of a chuckle over the fact that this character is the reason why the game has a giant REFERENCES option in the main menu). The literal first minute of the game is a bird telling you "oh my god, the title of this game, right? why'd they spell it like that? so fucking dumb, am I right!" It feels insecure. It reads like the writing has no confidence in itself. It has to make a comment about how silly and video-gamey it is, roll its eyes at itself, mock itself for the thing it's doing while continuing to do it without addressing it or discussing it or doing anything with it.

This is a pattern.

There's a specific part of "YIIK", at this early point in the game (we're only around the start[?] of chapter 2), that feels emblematic of the thing as a whole up to this point. Alex is getting phone calls from a stranger. They're confusing and weird and sound a little like something you might hear in a dream. They make references to some shared past, some childhood, some understanding of Alex, or maybe of you, the player. They've come up a few times. Every single time, I'm left thinking about what it could mean, how it fits in with everything we've seen so far & what the game seems to be talking about, with regards to connecting to other people and to yourself. It's a neat little thing. It's a neat idea. I'm charmed by it. As much as my thoughts on this game are largely negative, I still try to look at it fairly, to understand it, to talk about it, to let myself be surprised by it. As soon as I find myself thinking about this, my thoughts are immediately drowned out by Alex telling me how weird the phone call is, how random and uncanny and dumb this is, and how he's rolling his proverbial eyes about it, in spite of all the other paranormal happenings around him, for another period of Just Too Long. And I am sapped of all strength and I crumble to dust.

I'm genuinely transfixed. I'm transfixed! Maybe the fact that I wrote Paragraphs about the 4-or-5 hours I've seen of the game can tell you as much, even if you skip everything I wrote in them.

I can't wait to see more.

This, too, is a pattern.

584 notes · View notes

niko-sasaki-dbd · 4 days

Text

Queue Interview with the Dead Boy Detectives Cast 👻🔎

This is going to be a long post! (These are my favourite parts from the interview!)

George Rexstrew as Edwin Payne

Acting Inspiration

Oh, gosh. Well there are so many. Meryl Streep, obviously. Viola Davis, obviously. More recently, I was blown away by Enzo Vogrincic in Society of the Snow. And Eden Dambrine in Close.

Cast Camaraderie

I loved working with all my co-stars. I’m practically related to Jayden [Revri] and Kassius [Nelson] at this point. Yuyu [Kitamura] is a dream. Jenn [Lyon] is mother hen. Bri[ana Cuoco] is the cool older sister. Josh[ua Colley] is the cheeky cousin. Ruth [Connell] is the godmother who gives you a card and £20 for your birthday. It really is one big happy dysfunctional family. I’m grateful for all of them, on and off camera.

Jayden Revri as Charles Rowland

Dressing The Part

These heads of departments, and Monique and Kelli, [they’re] unbelievable. They were so collaborative. We went through different hairstyles and different things we could do with the makeup. We added a bit of eyeliner for [Charles] just to make it feel more 80s. And then Kelli, I mean, it was like she did her research on me. She added badges to the jacket which kind of represented me as Jayden, before I even got there. It wasn’t until I got the haircut, put the makeup on, put the costume on, and I was like, Okay, this is Charles.

Cast Camaraderie.

The vibe was just incredible. Me and George, we really wanted to set the tone for the series and make sure that everyone’s having fun and it’s an environment where we could all talk about how we’re feeling. We were just such a big support blanket for each other. If there was ever a time that somebody needed space, or they wanted to prep themselves for a certain scene they were going to film, we all respected that and we were each other’s cheerleaders the whole entire time. And it’s still the same to this day now. I think it really shows when you watch the series that we all knew what we were making and we wanted to make something that we would want to watch, which we’ve all done. I cannot shout out my castmates enough. Forever grateful.

Kassius Nelson as Crystal Palace

Acting Inspiration

I watched a lot of animation. I used to watch the Addams Family, the black-and-white one, because I didn’t have Disney Channel or anything. Monk, Murder She Wrote, I was watching those things, so maybe I was actually destined to play a detective, now that I’m thinking about it. I watched a lot of cartoons and animations. I just liked the idea that I could be engrossed in another world. And I always wanted to know what happened next, or when the film finished, I would be like, “Okay, but then what? What happens after that?” And now I get to be part of that question or that answer (...).

Dressing the Part

We have a fantastic costume designer, Kelli Dunsmore. I always say that she literally wove the story into the fabric of the clothes, because there are things that she foreshadowed in the clothing that happened episodes later. Or, if characters start to get in some sort of relationship with each other, that will be reflected in the clothes that they wear or the colors that they have. Or, if they’re feeling any type of emotion, (...)l. Crystal wears these massive platform boots that must be about four or five inches. They’re huge, very heavy, but it’s funny because they change the way that you walk. (...) She’s not very light, which makes sense with the things that she’s going through and the experiences that she’s having. Practically, it helped, because Jayden and George are like six-foot-something. So, if I film a scene and I’m at the bottom of the lens and they’re up there, that helped. I’ve got a good couple inches on my feet.

Yuyu Kitamura as Niko Sasaki

Acting Inspiration

Sandra Oh is a woman that I will forever be indebted to because who she was on Grey’s Anatomy was so formative for me. The most interesting thing about her character was not that she was Asian, but that she was such a fully fleshed person with flaws and amazing qualities. And her work ever since I think has been iconic, so she’s a woman that I deeply look up to.

Landing the role in Dead Boy Detectives

I auditioned from Hong Kong and my dad was my reader because all of my acting friends were in New York. My dad was able to carve out time and be an amazing reader. And in that audition side, it’s the scene where Niko gets to see the “Dead Boys” for the first time, and there’s a line in there that was something along the lines of me talking to Edwin and asking, “Do you two make out with each other?” And my dad stopped the tape and he was like, “What are you reading for?” And I was like, “Don’t give me notes, it’s fine!” And so that was the audition process! I think within a month I found out I got the part and it’s been an absolute dream ever since.

Dressing the Part

(...) I think on paper Niko can seem like a certain type of character, but even in the choice of every costume we did, every color that she wears, every meticulous little piece about everything from her nails to her room, it’s so well curated and thought out. Through her journey, we also find that she’s a woman that wears what she feels. On the surface, she might seem like the most joyful, young, optimistic girl, but it’s the inner confidence and bravery where we find that she’s layered, and she is very much a young woman coming of age.

SOURCE: MEET THE REAL DEAD BOY DETECTIVES (AND FRIENDS)

59 notes · View notes

bougiebutchbinch · 6 months

Text

EDITED TO ADD: yes, I 'know what abuse looks like'. Yes, I have personal experience. I can't believe I have to shake my Trauma Credentials in front of Certain Rabid Ed Stans so they won't make weird unbiased claims about my personal life and experience.

Take a good, long, hard look at yourself. Is that really the person you want to be? Is that really supportive of other survivors, to make them dredge up their own trauma to defend a freaking fandom opinion?

ANYWAY.

I think the whole 'Ed isn't REALLY an abuser tho, because [extremely convoluted reason that victim blames and glosses over abuse]' thing from certain Ed fans is melting my mind a little. I say, as an Ed fan.

You can like a character who has done shitty things! You can like a character who does not take any actions to try and become a less shitty person! I certainly do! I love Ed! He's the reason I started watching the show, and he was my fave character all the way through Season 1 and for some of Season 2! He's great fun to write and I am so eternally fascinated by him. That love is why I'm so annoyed about what they did with his character.

But y'know what? Even if you hate exploring the mere possibility that Ed is, canonically, an abuser, it's possible to create a wholly different fanon if you wanna!! No one is forcing you to accept canon within your fanworks! That's what fanworks are for, and why I'm writing Season 2 fix-its, lmao.

But maybe don't deny what is very clear text within canon itself, just because you stan a character? Just... take a step back???

Like...... I ship Cross Guild. Clean Cut Clown Abuse in canon (if you know anything about One Piece). I choose to ship it as a consensual and fun silly BDSM relationship, rather than the Very Fucked Up Work Situationship it is in canon, because I think Buggy deserves 3 Big Hott Boyfriends (Yes, They All Smoke Weed).

But I'm not.... gonna deny...... that in canon he's in an extremely shitty abusive situation that's played for Comedy Purposes...... just because I love Crocodile and Mihawk.....? I'm not gonna say that people who really, really don't like the ship because of the abusive overtones are 'making stuff up' or 'just don't understand literary devices', or (heaven forbid) that 'it's okay actually because Buggy is a villain and therefore he deserves it'?

Hell, I love the Joker as a character (in certain franchises). But I'm not gonna pretend he isn't an extremely abusive, fucked-up and dangerous guy?

Obviously these are very different characters in very different tonal settings, but just -

You guys realise you can like characters who would be inexcusable IRL, right?? You guys realise that it doesn't make you a bad person, so long as you don't start claiming their victims 'deserved' it, or that these actions would be acceptable in real life?? When a show clearly shows Your Favourite Blorbo abusing people and acknowledges that the survivors are badly mentally affected by this trauma, then does not show your blorbo putting any meaningful work into changing... You can accept that this will make other people dislike his character, while still personally caring for him, yeah??? We've all accepted those basic principles as a fandom, right???????

.....Right?

#ofmd #our flag means death #blackbeard #ed teach #ofmd critical #:gently pours gasoline on the flames:#the izcourse #the edcourse

112 notes · View notes

philtstone · 8 days

Text

been trying to put words to why i find psych so unique and effortless in the world of comedy tv and i think ive cracked it. theres a truly excellent approach to storytelling that goes something like this: you pick a high stakes Setting. examples from some Classic media include ancient egypt, space pirates, and in the case of psych: homicide mysteries. all the examples im thinking of are also arguably homages or adaptations to an existing Version of the setting that has expectations or assumptions associated with it. the mummy (1999) was a reimagining of the original horror movie. guardians of the galaxy (2014-2021) borrows and subverts so much of what the audience already knows about classic movies like star wars. (psych is, of course, sherlock holmes). anyway; the setting predisposes itself to more dramatic plot bc inherent to that setting are Stakes. instead of going with the setting-appropriate tone, you commit 200% to comedy through — not the plot — but the DNA of your characters. true, a talented writer will include many deliberate jokes, but the comedy never really turns on and off because your core premise is “watch me put a group of unhinged yet endearing idiots in this major situation and go along with them for the ride”. the more unhinged and idiotic they are, the better, but they have to be setting-appropriate. they have to have the skills and tools to navigate that setting competently or it all falls apart. they’re not bad at their setting, they’re just deeply chaotic. cuckoo bananas. generally stupid (affectionate). they have SO many (complementary) issues.

now comes the most critical part. you tie the whole thing together by also committing 100% to multiple other genres in your already mishmashed genre. when you do romance you do High Romance. when you do drama it is hitting at these characters emotional CORES. and it works because your setting is high stakes and your characters are already three dimensional by being simultaneously hypercompetent and major dumbass. id argue this is a bit different than the more generic works in the indian masala genre or western superhero movie approach because often in those movies its a jack of all trades type situation where there are inserted tracks into a movie thats fundamentally genreless. what im talking about here has fully embraced all 5 of its genres with GUSTO. it’s not slipping in little quips or including one comedy track, it’s always funny. it’s not pairing off two characters for the sake of it, the romance is integral to the core plot of the story and character motivations. its emotional moments are built into the fabric of the story and never afterthoughts.

finally, in order to make the writing work effortlessly (because real life people don’t talk like that) you need a cast with chops and chemistry that makes it all feel organic. there are no breaks or looks into the camera or starts and stops to the emotional and comedic action because the actors embody the spirit of the story so dynamically and work off of each other so well.

like i said, some of my favourite examples of this kind of ensemble comedy-in-a-high-stakes-setting stories are classics like the mummy and more modern works like guardians of the galaxy. it clicked for me the other night that psychs writing reminds me of those stories a lot, but its doubly clever because psych does homage settings inside its already an homage setting and still manages the “watch these idiots in this high stakes situation” bit so well. it’s an entirely different experience from watching a sitcom because the writing never takes you by the shoulder and says “you’re in a sitcom, time to laugh”. id actually argue that psychs weakest episodes are the most sitcom like in flavour. at these stories’ best you’re just dunked into this truly chaotic situation thats made effervescently funny yet also deeply emotional and compelling and dramatic by dint of the characters being Exactly Who They Are All Together. it takes a very talented kind of writer and a special kind of cast to pull this type of storytelling off but when they do. it is so so fun and so so worth it.

#obviously theres more to this but its late and i needed to write this all down somewhere #and obviously all these things have flaws or moments that are less funny or less compelling than others #but i stand by my analysis #i miss this kind of story writing the world needs more of it #phil.txt #psych #the mummy #guardians of the galaxy #perhaps delete later idk

51 notes · View notes

raayllum · 9 months

Note

this sequence lives in my head rent free

AAAAAAAAAA

why does the shot of callum's deep breathing linger for so long? why does rayla look so troubled? callum just did an incredible spell, and seemingly solved all their problems, so why is it all so unsettling?

specifically

this shot

ik this can't just be me. we the viewers are made to notice this scene

i think

help

So there's a few things, I think:

Thus far in show, outside of Light Spell (which is physical) and Ghosting spell (which is emotional / metaphysical) there's been very few instances of like, Primal magic being dangerous/horrific. (Viren's killing of the guards when Aaravos is channelling it through him notwithstanding in 2x09, but that's also easy to get wires crossed on because it's Aaravos, y'know?). So Callum having primal magic send him to his knees and giving him a hard limit is new, particularly for him. (It is worth noting, of course, that primal magic - as far as we know - doesn't leave any longterm harm or in-body corruption the way dark magic does, though, which is arguably the biggest thing.)

The second is that it harkens back to Callum's primal stone - which he had to destroy - and the reflection motif with the mirror that was ongoing in early S4 for him in particular (which TDP tends to have characters have a reflection like that when they're making decisions or not liking what they're seeing, which we'll get to in a second). But like, the Primal Stone foreshadowing continues, my beloved, and it's nothing good.

Jack De Sena has also said that when voicing Callum (particularly S2 onwards) he pays a lot of attention to how and where Callum's breaths are placed while he talks or does stuff. (This is why I loved Callum's sharp inhales and shaky exhales whenever he was angsting over Rayla in early S4, and that his crying when he thinks he's lost her sounds far more like a panic attack than like, sobbing.) And in S5, Callum has steady breathing basically the whole way through... until this scene when he's taken on too much (not too little) and is struggling for a decent chunk to catch his breath. And also why when Callum starts panicking in 5x08 over Finnegrin threatening Rayla ("Just let her go") you hear it in his breathing first and foremost.

But that's all like, little technical stuff. What I think 5x07 does so well is set up everything that's going to come crashing down in a lot of ways in 5x08, specifically in Callum's steadiness (of identity) and specifically his confidence. When 5x07 opens up, he's getting terse with Nyx for dismissing his skills and prowess as a mage and his position as High Mage, and in his zealousness to prove it, he sends poor Sneezles into the water... because of his pride and the fact he wants that recognition (whereas Rayla, who was also diminished as a "junior assassin" doesn't say a word about it, because pride isn't on of her faults). But then, when Finnegrin starts to catch up with them, Callum remains optimistic that he'll be the one who makes a positive difference (nor is he necessarily wrong):

And Callum's burst of speed combined with Rayla's idea to hide ("He can't hurt us if he can't see us") seems to work. Until it doesn't, and his attitude starts to change because well, the stakes have changed.

And then we get what's probably one of my favourite lines in the season / favourite bits of foreshadowing.

You put them in irons. You put them in chains.

S: I don't get it. What happened? Rayla: He took their wind away.

This was a far more taxing, difficult spell to pull off, and one that took a lot out of Callum (not unlike how Viren and Claudia's uses of dark magic have made them collapse) so it's unsettling to see similar physical behaviours here as a consequence. And it's worth noting that after this scene, Callum doesn't come up with any other ideas. This was 2/2, he's done. And I think it really elevates the impending sense of desperation and fear (that is of course going to be cranked up next episode) as well as the comparative limits of primal magic in contrast to dark magic. Magic can't fix everything, and it's this choice (taking the winds out of the sails) that signals to Finnegrin next episode that Callum is a mage, and sets up all of the conflict that comes from it.

A primal spell that leads to a dark magic consequence (in more ways than one).

Callum starts out as optimistic and proud at the beginning of 5x07. The episode literally whittles him down as it goes on. In 5x08, he starts off okay but battered, but still confident in his worldview ("See? As long as we protect each other, as long as we love each other, you can never control us"). By the end of 5x08 that's all changed, because he's had to accept that it was too simplistic, that it wasn't true, that

His loved ones (specifically Rayla) were/are the key to controlling him, even when Finnegrin wasn't the one holding his chains anymore ("That deal is no longer on the table"). He couldn't control everything, but he could control his responses, and he made his choice. And it's not a reality he likes, but it's the one lives in and the one he chose to live in, and he had to accept it. No matter how bitter or dark.

#tdp callum #s5 #5x07 #callum #arc 2 #thanks for asking #mini meta #m4rs-ex3 #analysis series #tdp meta #the dragon prince #tdp #i can't tell if i expressed what i wanted but #yeah #hope this makes sense #requests #finnegrin said 'you're a slave to your friends your loyalties your pride' and he said it For Me

115 notes · View notes

glorious-sunset · 2 months

Text

LBFAD Reflections – Index

Like many LBFAD (Love between Fairy and Devil) viewers, I was amazed by the complexity of the plot, just begging for a rewatch! As I began slowly rewatching it, many new things became clear, such as, what were characters actually thinking, now that we knew their backstory? Often their thoughts didn’t match their words. What was happening between scenes, since the fast pace meant that a lot was happening off-screen? Some of the smallest actions and plot developments now had so much deep meaning! And many parallels became clear between events of different episodes and different character arcs.

Rewatching LBFAD, I had so many mental notes in my head on all of these, that I thought I should put them into words. Indulging my love of writing, I wrote my reflections and insights on each episode into a story format and found my favourite set of screenshots from each episode to complement them. I also described my insights on the series overall in separate articles. These may be interesting to others wanting to reminisce on the multidimensional characters and engaging plotlines of this most inspiring series!

This post is a table of contents to each of my LBFAD articles and episode reflections. None of them are spoiler-free. My reflections on ep. 3 onwards are story-like, while eps 1 and 2 are more scene-setting. The links to each post are on their titles.

Location Names in LBFAD – Meaning and Significance

For English viewers, some of the location names in LBFAD are given in Mandarin. However, the meanings of these names have deep significance that are lost in translation! Here are my translations and interpretations of these meanings.

Character Names in LBFAD – Meaning and Significance

What’s in a name? For the characters of LBFAD, a whole lot of hidden meanings! These are not apparent to English viewers. Here are my translations and interpretations of these meanings.

How Immortals age in cdramas - clues from LBFAD

How does ageing work for these lucky immortals in terms of human appearance? LBFAD gives us a few clues about this mysterious process!

LBFAD Artwork Hidden Meanings - Opening Artwork | Closing Artwork

The created artworks used for LBFAD are unique and have many hidden layers of meaning! Here are my interpretations of these stunning works of art.

Episode 1

Changheng’s destiny leaf has unexpectedly changed – but the destinies of high gods are supposed to be very stable! His destiny changed because of DFQC's actions. In the last episode of the series DFQC changes XLH’s destiny as well. This is great foreshadowing! And it highlights DFQC’s unique tendency to break nature’s laws time and time again!

Episode 2

“Don’t forget, your body is in benzuo’s (this seat of power’s) hands now”.

XLH, mocking his self-address, angrily retorts that “ben gu niang (this girl) is going to make you bald now!” The moment she angrily starts tugging at her hair is when he first notices the effect of the one-heart curse she cast on him, which causes him phantom physical pain even when body-swapped!

Episode 3

How could such a weak and pathetic creature, who can’t even protect herself, have cursed him, the most powerful being in the three realms?! No wonder he would “very very very very much like to kill” her. The fact that he can’t is tremendously frustrating and he is boiling inside.

Episode 4

XLH has now upgraded her nickname for him from the insulting “little celestial criminal” to “Big Qiang” (Da Qiang), the transition from little to big reflecting the growth of her regard for him. She affectionately calls him Da Qiang from now on. His nickname for her, “Xiao Hua Yao”, little flower demon, is his appraising way of calling her a wicked little flower, or a flower with thorns.

Episode 5

DFQC has many enemies who scheme behind his back and want to kill him, is aware of Shiyuntian’s unflattering propaganda around him, and never gave these insults a second thought. But when XLH says that “even the air becomes clearer” without him around, it is like a sharp stab to his gut. When even the thoughts of the mightiest kings don’t bother him, why should the words of an inconsequential little flower?!

Episode 6

Yunzhong carefully eavesdrops on their every exchange. He is not unsympathetic to Changheng’s plight. As a member of the ruling family, Yunzhong himself had to sacrifice the love of his life to fulfil his responsibilities. That is why he allowed CH to keep the handkerchief of his love as a memento, on the strict understanding that his duties must always come first.

Episode 7

As they sit down to tea together in their usual idyllic alcove, XLH reminisces about the joyful memories they have created together over the past ten days or so. Just yesterday, during one of their regular teatime chats, she had happily recounted to him how she had seen snow fall in Haishi for the first time recently. To her delight, he had created snow around Arbiter Hall for her, and a little campfire to warm themselves by as they watched the falling snowdrifts together.

Episode 8

DFQC roughly brushes a tear from XLH’s cheek and we see that the greenhouse flowers are in bloom! They are linked to XLH’s mood, so despite Changheng smashing her dreams, DFQC’s efforts to comfort her have had a far greater impact, and she is now happy.

LBFAD is the most inspiring series I have ever watched and here is why…

…Aesthetically, I found the beautiful 4K production quality as enjoyable as high-budget productions such as Lord of the Rings and Game of Thrones. …Every single character of note in the series goes through profound character growth, the only exception being the abstract ultimate villain Taisui….

All of my LBFAD articles can also be viewed with the tag #lbfad reflections (hyperlinked).

More LBFAD articles and episode reviews to follow!

38 notes · View notes

saneabandoned · 8 days

Text

Diving into Star Wars: The Clone Wars

“Good soldiers follow orders.”

This seems to encapsulate the whole seven seasons of the series Star Wars: The Clone Wars. If you haven’t seen it, haven’t heard of it – in short, it’s an animated series set between Episode II and III of the prequel saga. However, the aim of this is not to be a guide – you can go to Wookiepedia for that; this is supposed to be an essay – analysis, some kind of a deeper-ish dive into the philosophy and meaning of the series, that frankly is one of the best things to happen to this film universe, perhaps ever. I have, time and again, tried to explain for myself the meaning it carries and just why it has me in such a strong chokehold, but I have failed, or at least haven’t reached a conclusion. Maybe it’s not possible, maybe it’s just the magic of being a fan – you see and feel things not everyone would understand, because it speaks to you on some personal level, that even some (more chill than me, at least) fans won’t be able to entirely relate to. I have yet to meet a person as obsessive as I am over all kinds of different media – don’t get me wrong, even though Star Wars is without a doubt my favourite universe, there are many more I have indulged in, wrote about, watched, listened, theorized and all that good stuff throughout many years. But as I have recently come to realize, I have spent the last ten-ish years of my (not that long, to be fair) conscious life thinking about this universe, this whole galaxy (pun absolutely intended) of characters, morals, and plots.

Speaking about morals, that’s where some of the importance of The Clone Wars comes for me personally. Ever since I can remember, Star Wars has been a huge deal in my life – I watched the movies at a very young age (thanks, mom!), but started reading more and more into the whole world as I got older. I thought I’d reached the peak somewhere in high school when I would literally rewatch the prequels every single weekend, and the OG movies about once a month too. I just found it mesmerising, I always have – being a person with a huge imagination, that never quite stops working (and that’s caused me some trouble as well), I found a haven in this world, a place where nothing is too weird, everything is just so brilliantly imagined and thought of, written and painted so vividly, that it feels like someone has taken the insides of my brain, turned them into a whole painting, adding stories, characters and just overall putting into words and pictures the things that I can’t really understand and explain for myself. I found a mirror in this world, a sanctuary for all my thoughts. I used to listen to the soundtracks whenever I felt anxious, and it would transport me directly into the universe I felt so safe in. It was an escape from reality; still is – not that reality was or is particularly scary or unbearable for me; but sometimes I wish I was elsewhere; somewhere where there is courage, bravery, adventure, love, all the things I longed for while being quite honestly, mostly a bored teenager at school.

I have always loved writing, loved expressing my thoughts, putting them into words (as is becoming obvious by this text) and have always greatly appreciated when films, books or other media would reciprocate that – when the words on the screen or the page would feel like I wrote them myself, so true, so real, so incredibly close to me, that I would get literal shivers and wonder if telepathy is actually possible. But hey, that’s The Force for you!

As of now, I have just finished completely rewatching the whole Clone Wars series and as always, I have many thoughts on it. The first time I watched it was right after the final season came out because at that time, and especially during the pandemic, I was going deeper than ever into my interests, rewatching all my favourite things, while also searching for new ones to keep me from going absolutely insane (I think I maybe have succeeded in the opposite though). So, stumbling across this series, I thought I’d give it a try. The rest is history – after absolutely and hungrily devouring it, I continued to Rebels, and every other possible piece of media under the sun. Fabulous times.

Now, one thing I’d like to make clear – I’m not a pro. I am not in any way a certified critic, a writer, or any other sort of person authorised to make such an analysis. I am but a fan, a fan for whom this universe means more than I could ever hope to be able to put into words; a fan who after years of contemplation, has reached a point where I can’t keep it inside any longer. I’d love if this piece of writing makes it out in the universe, reaches as many people who enjoy Star Wars as much as I do, but even if not, I am writing it for myself, I am trying to step out of my comfort zone, reach deep into myself, and in a life of struggling with the loudness of my thoughts, trying to put something down, manifesting my emotions and creating something physical from them; these characters that mean so much to me will never be real, I can never hope to speak to them, touch them, or see them in real life. They have although shaped me as a person and largely formed my psyche and morals, view of the world, inner monologue, even some of my characteristics.

So nevertheless, for me they are more real than a lot of people I know are.

***

To begin, I don’t intend to focus on the Jedi’s role in the war – it is of course vital, but I think the discourse about that is to be found more detailed in relation to the movies, namely the prequels, as CW is very much about the clones themselves. When I first started watching it, I will be honest, I didn’t think I’d find what I ended up finding – and that is such depth that I couldn’t imagine finding again, after being a fan of the movies, both OG and prequels, for so long. But was I wrong!

But let’s start with Ahsoka, since I started by mentioning the Jedi and she is one of the first new characters to appear (besides Rex and many others, of course). First, I wasn’t convinced that I liked her much – she was a bit of an annoying youngling for the first few seasons, after all. I wanted Anakin and that’s about it. Well, I got what I wanted, I think, as I am firm in my opinion that Anakin’s arc is so widely explored that you get a whole another view of his character, something I didn’t think was possible, after all – isn’t the entire saga about him? It is, but still – what I saw in CW, through characters such as Ahsoka and Rex, contributed so much to Anakin’s development as a character and leading force in the saga as I don’t think anything else ever did in the movies, any of them. So, yes, I got what I wanted, but also, I got so much more – Anakin is not my main point of discussion here, I think as main of a character he might be in this series, he is not THE main one, at least not for me. And as Dave Filoni is quoted saying – The Clone Wars is about Ahsoka and Rex.

Who are they? That was my main wonder when I first started watching – why would I care about a random clone captain and a youngling? They are both not present in the movies, and the clones themselves have very little personality there, they are just side characters, until they end up executing Order 66, which is of course devastating. But after watching CW, I completely changed my outlook on it, but more on that later. So, Ahsoka and Rex – admittedly, in the beginning, I didn’t find that much since it’s just mainly classic Star Wars battles and a loose plot that is not absolutely VITAL to the end result but brings so much deeper insight into the clones’ personalities, and ultimately through that to the whole feel.

What I really find devastating about this series is the nagging feeling of doom you inevitably carry with you – you spend so many episodes and seasons watching your favourite characters win numerous battles, you root for them, you cry and laugh with them, you grow so attached to them; but you know how the story ends, you’ve seen Anakin become Vader, again you know about Order 66, you know the Empire rises after all and Palpatine’s plan works – and every time you hear someone say “you’re going to lose this war”, you hope for the opposite, but you know they’re right and there’s nothing to be done – evil wins in the end of this. And as I read somewhere – this is a story that happened a long time ago – it’s over, it has already happened, there is no hope, at least in this series, which I find frankly terrifying. Amazingly done, but still heartbreaking.

Clones, war, and choices

The point about choices and what it means to be a soldier gradually becomes more and more pronounced as the show goes on – one amazing example of this is the Umbara arc where the 501st is led not as usual by Anakin, but by Pong Krell (who later turns out to be a traitor of course). This is one of the darkest moments in the show, as clones are made to kill one another, to sacrifice themselves without reason, and for the first time to face an incompetent, and frankly evil general, and to choose to disobey. This is for me a crucial moment, as the clones have never before chosen to disobey direct orders – they were, after all, made to comply and to follow what their generals tell them to.

"I used to believe that being a good soldier meant doing everything they told you. That's how they engineered us. But we're not droids. We're not programmed. You have to learn to make your own decisions."

But here, we can see the conflict – especially in Rex, as he is the captain and has to face the general and answer for his deeds. He looks him directly in the eye and tells him they are not willing to go on a suicide mission, that they will not follow his orders, after he’s made them fight and kill their brothers unknowingly, and even ordered Fives and Jesse to be executed. However, Rex struggles with killing Krell, when he decides to; he orders him to kneel and points the blaster at his back but is unable to fire the shot. Once again, Star Wars proves that its plot has much deeper nuances and philosophies; for the first time here, we are faced with the harsh truth – the clones are people. We know that, but it somehow gets lost in the movies, as the focus there is on the Jedi’s end, which is just as tragic, of course. But before now, no one has considered what it really means to be a clone. They were made for war, they were made to die, their lives and their deaths were planned. Are the Jedi and the Republic, in that case, really the “good” side? That’s what I, at least, started to reflect on when I reached this point in the series, and it changed my whole outlook on the saga, on everything I have seen thus far. Yes, I still think the Jedi are cool and whatnot – but did they not deserve what happened to them for so blindly exploiting their soldiers? They didn’t know about Order 66 of course, and Palpatine is in no way right – but how come the Jedi are innocent in this? I don’t think they are, at least not fully. They could’ve stopped so much suffering and helped so many more clones, if not for their narrow views, which are all the reason for the clones’ suffering, Ahsoka’s leaving and consequently, Anakin’s betrayal.

"Sometimes in war, it's hard to be the one that survives."

Oh, Cody, Co-dy! The friendship the clones and in this case – Rex and Cody – share is truly precious and very accentuated in this arc especially (here the first arc of the last season) – it is Cody who Rex confides in about not wanting to lose any more brothers, as he knows he is one of the few ones who will understand him fully, what it means to be a soldier, to have to live with the morals of war, to have never known anything but loss. This is what makes Rex dive and slightly recklessly (thank God) search for Echo, proving that he’s alive, saving him from the tortures. They are brothers, and they never leave their own behind. But he is not possessive or jealous, and when he senses Echo’s pull towards Clone Force 99, he is ready to give him the push he needs to join them. He knows his brothers, as I said, and he knows the trials of war, so if Echo will feel even an ounce happier with this squad, he deserves it, after all he’s endured – “If that’s where you feel your place is, then that's where you belong."

Therefore, I love the Skako Minor arc and Echo’s retrieval, not only because it sets up the ground for The Bad Batch (I’m not even going to begin trying to explain what it means to me, as it deserves to have another huge debate on its own), but because it shows Rex’s devotion to his brothers – all of them. Even though he tries to be just a soldier, to live through the deaths, he still cares immensely, and that’s what makes him a good captain. His bravery is unmatched, he is always the one leading his men, and looking out for them, because he knows his men, he stands and fights side by side with them, and he’s ready to die on the battlefield, thus setting the example for everyone.

The philosophy of war is extremely complicated – this is what I enjoyed so much about the series (and the movies of course, politics and war is the main theme), among all other things; the fact that we see war as destroying, as a necessary evil, as a tragedy by itself – but war also created life in this case and its ending brought much more death than any of the battles ever did.

"The mission... the nightmares. They're finally... over."

I’m sorry, but I think I have never witnessed anything as remotely tragic as Fives’ arc – Palpatine told only him the whole truth, fully knowing no one would believe the clone hasn’t lost his mind; but the sacrifice the trooper made ultimately saved so many lives, mostly Rex’s, one of his closest friends. Fives never got to reunite with Echo but losing him made Rex realise how important every brother is to him, and in consequence, he never gave up on any of them (not that he was inclined to do so before of course). In his last sane moment, Rex begged Ahsoka to “find Fives”, and she understood. She knew the clones better than anyone and knew exactly what that meant and never doubted it for a second. Fives saved her life, too.

Fives’ arc is the first time the show begins to become darker and more sombre – it is also the point when we as spectators begin to realize what Order 66 actually means, having seen before only its results; but this time we see its execution, through the eyes of the clones themselves. They are forced to kill all Jedi, after being their most loyal soldiers, and honestly – incredibly loyal friends as well. They can’t control it and it’s not their choice – but that doesn’t mean they don’t realize what they’re doing – Rex said he couldn’t help it; Wrecker said he tried to fight it (The Bad Batch); Bly shot Aayla so many times, so she wouldn’t suffer and her death would be quick; Cody didn’t even check if Obi-Wan was dead; Wolffe didn’t kill Plo Koon. They were people, they were made to do inhumane things, but they found a way, they made a choice, so that they could somehow live with it after.

We get all of this through the clones’ perspective, rather than the Jedi, and it’s just as painful, if not more – we are used to hearing “the army betrayed its generals”, but what happens when we realise, they couldn’t do anything about it? What happens when we see the struggle, when we can almost feel the pain of having to betray? The clones, the most loyal creatures ever created, made for loyalty, have to turn on their generals, on their comrades, on their closest friends.

So, I come back to Ahsoka and Rex. We see them in the very first moment of the show, and they have already formed a bond, which is unlike anything else. They fight side by side the whole war – from the battle of Christophsis to the Siege of Mandalore – and Dave Filoni is truly right when he says this show is about them; but I think also in a broader sense. It is about two creatures who were destined to fight all their lives, who no matter their completely opposite backgrounds, turned out to be the same things – soldiers. Through and through, in their own ways. Their friendship transcends beyond all of this, they have a unique connection, that’s never shaken, even in the direst of moments; even years later, when they meet (in Rebels), you can feel their love for one another, the purest friendship there ever was, somehow ironically created by the ugliness of war and constant fight. Both Rex and Ahsoka suffered losses we cannot imagine – Rex says he tries not to hold on to any of his brothers, and Ahsoka is a Jedi, so it is forbidden for her to form such attachments; but we know. We see it in their eyes, we can hear it when they speak. Rex can never forget Fives’ death and the fact that he died thinking no one believed him; he ran to Skako Minor in an instant even though it might have been a trap, but the chance to save Echo was not one he was going to miss out on this time. And he saved his brother, against all odds. And he saved Ahsoka, as she saved him, time and again. Because that's what brothers do.

“I’m no Jedi” – an interesting phrase for Ahsoka and Rex to have in common, given how different both their roles and backgrounds seem to be, but it is indeed the one they unexpectedly share. Spoken first by Rex here, and then a lot later by Ahsoka in Rebels, it is highly unprovable that it’s on purpose. However, I don’t think anything in Star Wars is done without a reason, so I choose to believe there is some thread connecting them – after all it is Rex and Ahsoka, and that will always matter. What it means for both of them is simultaneously the same, yet different – Rex is the clone closest to the Jedi, there is no doubt about this; he’s used to their ways, he has as equally as strong a moral code, so it is somehow thinly implied that he acts similar to them, despite (or thanks to) being one of the strongest and most respected clone leaders. His closeness to both his general and commander is widely known, so no one seems to pay attention to the fact that he is actually a clone, as he makes his own decisions, and often chooses to fight where a Jedi would opt to step back.

Ahsoka and Anakin

For me Ahsoka became the best character in the whole saga, no ounce of doubt, sorry. She is the embodiment of the Force, she is fierce, loyal, but also incredibly wise for someone her age, and someone who is still learning. On many an occasion, she proves to be more experienced than Anakin (and in my book, experience outranks everything) and I feel like he’s learned as much from her as she did from him – if not more. She is the one keeping him sane and grounded, and I’m a firm believer that had she not left the order, he wouldn’t turn. Ahsoka’s presence brings so many new layers to Anakin’s character, that have not been explored before that and had she stood by him, he wouldn’t be able to become what he became. So, yes – ultimately, I blame the Jedi order for Anakin’s betrayal, I always have, but after watching this series, and seeing it from another point of view, I simply cannot be shaken. They took everything from him and left him alone, which has always been his weakest – he has always been this little child, terrified by the dark, later consumed by it, now unable to fight it anymore. The Jedi made him, and they unmade him too. In my opinion, he shouldn’t have ever been a Jedi in the first place – he is not like Obi-Wan, not like Yoda, not even like Ahsoka (who is not the traditional Jedi either, being trained by him) – he is so powerful and so weak at the same time, and that’s where his dilemma lays – who am I? Which side am I on? He doesn’t know, but no one is there to help him – Ahsoka included, as she (rightfully so!) leaves the order when she sees the truth about it. But she carries that guilt ever since.

She blames herself for leaving Anakin, she blames herself for not fighting alongside him when he needed it; for leaving her friend, her brother. If I were Ahsoka, I would have done the same – she was betrayed by the Jedi, not by Anakin, not ever, but still. He stood with the Order when she needed him by her side. And that is what destroys him too. The loss of his padawan, his most loyal friend is unlike anything else, and for her, leaving this life that’s all she’s ever known, transforms her view on everything. And when she inevitably returns, because that’s where she is supposed to be in order for the prophecy to happen – she must be there, but not by Anakin’s side; she doesn’t fit anywhere else, but she doesn’t fit there anymore either; and she can’t follow him, so she’s sent to Mandalore, again alongside the clones, her brothers, she goes down fighting with Rex. She’s always been his sister more than a Jedi; she didn’t ever belong anywhere else but on a battlefield. She may not be a clone, and she wasn’t meant to be a soldier either; but just like the clones, the war is all she’s ever known, and even though she was meant to be a peacekeeper, peace was something she never knew, especially after Anakin’s turn to the Dark side – even though there is no longer a war, she is forever tormented by the voices she heard in his last moments as her beloved master and the pain she felt when he left.

She knew it was over in that moment – Order 66 is by far the most heartbreaking arc of them all and I can never watch it without then spending weeks thinking about it – it’s genius, really, how Palpatine had this evil plan, dictated the whole war without anyone noticing; and it worked. It worked and changed the whole entire galaxy, and nothing could have prevented it – except maybe Anakin turning; and that is what Ahsoka can’t get over; she feels it is somehow partially her fault that the dark won; if only she hadn’t left, it haunts her forever. She doesn’t know Anakin is Vader, not until she meets him after, so she thinks he’s dead like the rest of the Jedi – and when she finds out what truly happened to him, she passes out (in Rebels; another terrific moment) because the pain is just too strong – the mixture of his known presence in the Force, and his new persona, that is torn from pain and suffering, feelings so intense and unknown to her she can’t understand them. It’s not her master, but it is undeniably Anakin. And he feels abandoned, he feels alone, he is guilty and sad and in constant pain, he is no longer there, not really, but then – he is. And the memory of what he once was, what he promised, everything he taught his padawan brings such pain for Ahsoka.

She may not think she is truly a Jedi, yet she is for me the only one of them I came to respect – she is never hypocritical, doesn’t leave anyone behind, not ever, and she fights for good, always for what she deems right, never feeling like she has to change for others, but in the end always blaming herself for their fate. She could never forgive herself for what happened to Anakin, and she can never forget her brothers, the clones, she suffers and grieves for every one of them, she knows their names, they were her whole world. And the only thing she had left, because they never judged and never tried to change her, they simply stood by her. Even when they had orders to kill her.

Rex and Order 66

Ahsoka’s master was gone from that moment on, and all she had left was Rex. The other main character, and I accept no objections to that statement. Rex is... the best one ever. He is, without any doubt, my favourite from this series. Putting aside my Ahsoka obsession, I didn’t expect to grow as attached to him as I did. Then again, I can’t separate them – for me, they are a team, the best one, and I don’t think I would have liked them as much had they not been the amazing pair they are. The connection between Rex and Ahsoka is what makes this series so different and so much better than the movies for me. It shows a level of true depth and caring that we haven’t really seen before – the type of platonic trust that few people find in their real lives. If I get to have just one friend that is as loyal, I don’t think I’d need anything more. Their story is so real, so touching and beautiful and sad – I think it is not only the best one in the series, but in the whole saga, and in any storyworld, really, for me personally. They meet a kid and a soldier, but they leave the war (or maybe the war leaves them) as equals, friends bound by experiences so unique and traumatic that they can never forget them, their bond can never be destroyed. They are soulmates, and they are forever. I don’t make the rules, sorry.

"Well, I've known no other way. Gives us clones all a mixed feeling about the war. Many people wish it had never happened, but without it, we wouldn't exist.”

Rex says this to Ahsoka moments before he is forced to execute Order 66 and it makes me shudder every time I hear it. Knowing what follows, knowing that the clones that have been created for war, are humans with so much more nuanced feelings that they let themselves express, that they fear the war ending as much as others might feel a war beginning is incredibly twisted. They are not machines, they are much more than that, they have feelings, and they have morals, and they are afraid. Rex has never doubted his loyalty to his commanders, and never gave any reason to be doubted – never hesitated, never showed anything less than immense courage and skill. But now he stands before the only person he’s never been able to deceive, and he voices for the first time what probably has been torturing him for a while – the knowledge that he is expendable, that his life might be over, and that this might be what he’s always fought for – the end of himself and his brothers. Victory and death, indeed.

Viewers have witnessed many a clone death, and these last episodes are the culmination of it all – from that point on, every favourite character is in danger. Of themselves. One thing that the series does marvellously is bring personality to so many seemingly identical characters – in the movies we never get any detail about their lives, their characteristics, even their looks – but now I could recognize Fives from Echo in a second; they might have the same features and the same voice, but they are not the same. They are brothers, forged by the same essence, they share the same blood and the same heart, but they are individuals with thoughts and passions so diverse it’s impossible not to notice, not to adore.

Rex is Ahsoka’s best friend, as she reassures him moments before everything went to hell. He is the man who stood and fought by her side, and who watched her grow up. Who, when faced with the order to kill her, removes and drops his helmet in a desperate try to fight Order 66 (perhaps unconsciously, as he is being mind-controlled), and so she could see his eyes, see his tears, his struggle, his shaking, and know that he had no choice, know that on some level, he is asking for help for the first time ever, the soldier he is – he removes his helmet so he could look her in the eyes, his best friend, his sister, his commander; and she knows.

She’d ran to him, when sensing there was something wrong – of course, Ahsoka would run to Rex, because he’s Rex, he’ll know exactly what to say and what to do, and maybe he could contact somebody who can fix this; this can’t be real, the war is almost over; she’s still a child after all, she can’t face this now, not alone, not without Rex. She’s never had to face anything without Rex, it’s just unimaginable – but she runs to him and in his eyes she sees someone who is not Rex at all, and suddenly all the men she trusted with her life more times than she can count, are not the men she knows, and they want to hurt her, and Rex wants to hurt her, even though it makes him suffer. She sees his tears; she feels in him what she never believed she would.

The parallels in their relationship are just amazing – one of their first interactions is when Rex says to her “good luck, kid” on their first ever mission together – and it shows just how much he already cares for her, how he understands that beneath all her witty remarks and wish to prove herself to her new master (and his soldiers!), she is still a kid thrown on a battlefield – an unnatural atmosphere for anyone, but especially for a young child with no experience whatsoever. From then on, they just keep getting closer and their friendship grows stronger until it reaches a point where they can understand each other without even speaking.

“Yeah, kid, I’m okay”, Rex says, moments after Ahsoka has removed his inhibitor chip and essentially saved both their lives, all while putting herself at a great risk, just because she cares and she can’t do this on her own. In this moment, in his eyes, she is again the kid he first saw, scared about her friend, trying to prove that she can do it all on her own – this parallel is so important to me; she has never been in such a situation alone before, because she’s always had Rex, and now she’d almost lost him, after just reuniting with him; when for a split second there was something in his eyes that she’d never seen before, the only thing that saved her was Anakin and Rex’s training (shown in Tales of the Jedi). Anakin taught her how to fight enemies much stronger than herself, her brothers taught her how to defend herself, not knowing that she’d ever have to, especially not against them. It’s truly heartbreaking.

“Ahsoka, it’s all of us” – just seconds after she has saved him, Rex looks her in the eyes and apologizes for almost doing the undoable, for almost killing her, for being okay when she almost wasn’t. How would he ever live with himself, knowing that he betrayed his best friend? The animation has developed so much by this point, that in this last episode, it’s almost like watching real people acting, at least that’s how I’ve always felt; it feels real, the emotion is just so intense and so palpable – especially with this being the first time Rex says her name. She is his friend, she is the only one who cared enough to save him, thus saving herself, proving again and again her loyalty, the thing they have most in common. They understand each other like no one else can, they have been through everything together, and now, in these crucial moments, they have both proven it – she never gave up on him, she trusted him enough to save him, and in return, he is ready to follow her anywhere and die protecting her. From his own men. Barely awake, he’d reached for his blasters, shooting his own brothers to protect her, not even fully conscious yet. They are equal, they have become one through the Force, and if it wasn’t clear before, it is now – they are sticking together to the very end, no matter what they must do, no matter how. They are forever. Loyalty means everything to the clones.

This and what follows on the bridge of the ship as it’s coming down, are my favourite scenes from the series.

“I hate to tell you this, but they don’t care! This ship is going down, and those soldiers, my brothers are willing to die and take you and me along with them!”

Even though it’s animated, even though you can’t see his face, and the only thing is his desperate voice, you can feel the devastation when Rex utters these words, touching his chest, as he says “brothers” – he has always cared for them, his family, and has mourned every single loss, but now, when there is no other choice, he knows protecting Ahsoka is the most important thing there is – the mind-controlled clones can’t tell apart their own from a traitor, so what’s the point?

There is always a right choice – and Ahsoka proves it, when she gently removes his helmet, only to show what everyone but also no one suspected – Rex is crying, he is afraid and in pain, and she is the only thing he cares about. He’s lost so much; he can’t lose her too. But she always has a plan, and she is probably the only one who cares about the clones as much as him; they don’t need to explain themselves; she doesn’t want to be the one who is responsible for so much death; there’s been too much already. They have lived a life of war, facing death and loss every single day, and enough is enough. She wants to live, but not at the cost of murder. There is no doubt in her voice when she says that.

Burying brothers

What follows is truly devastating to watch – Rex facing his brothers, as a traitor in their eyes, as some of them stand before him, still wearing their helmets with Ahsoka’s Togruta design on them, the colours of the 501st closely resembling her lekku. They’d painted their armour as soon as they knew Ahsoka was coming back to them and they were getting their commander, and little sister back, their best friend, the only one who cares enough to remember all their names, who never turned her back on them, even now, when they are against her, she still tries to save as many of them as possible; she’s been the one whose hand they’ve reached to when dying, their last memory on this world her face, her bright eyes, full of life and care, her presence calming them in the face of the inevitable, as she will have to do now as fell, at the very end.

How must it feel to lose everything you’ve fought and hoped for, in a span of hours? Palpatine’s plan is truly ingenious. The war might have ended, but only on the outside; a much larger, much more painful fight has begun, inside, for Rex and Ahsoka, who now have to navigate a life they haven’t ever considered; they may have wondered what life after the war might be like, but not like this, never like this; not as heroes, not even as fighters – as traitors in the eyes of their most beloved brothers and the new control of the Empire. But they choose to fight until the end, crashing down, falling with the cruiser together, hand in hand; the parallel of them hanging on to each other in the hanger is precisely mirroring the moment of Anakin and Obi-Wan trying to push each other away during their legendary fight on Mustafar, which is happening at the exact same time. But these two don’t let go, they simply cannot face losing each other, not now, not after all of this. They’ve fought for years, so many battles, losing track of what the fights are about – but this last one is clear; they are fighting for each other. And when they are the only survivors, they take to bury their brothers, and grieve the colossal loss side by side, silently watching, because there aren’t words to describe what they feel, and it’s not necessary, so they don’t speak. They know.

"I don’t want to bury any more of our brothers."

The devastation and sheer exasperation we hear in Rex’s voice when he says this much later, in The Bad Batch, when talking about the inhibitor chips nonetheless, is all we’ll ever need to know about him. Laying low after the end of the war, separating from Ahsoka, believed to be dead; in fact – being dead to the world in every sense, this is the choice he makes. He’s witnessed almost all his closest friends dying, he’s lost his general, he doesn’t have a purpose and a goal anymore; he has to deal with the realization that the war is over, but it ended at way too high a price, and he’s a soldier – he will fight every day, until the end, because it’s all he knows. He’s the most loyal soldier, survived Order 66 at the highest price there could ever be, and he can’t lose more. He wants to keep fighting, and he will, but not to lose. Rex doesn’t want to feel this awful feeling of loss, not ever again.

The same goes for Ahsoka – even though she quits the order and never officially finishes her training, the Jedi life is the only one she’s ever known, so her path even after leaving, after the war ends, and after she separates from Rex, is one lead by the code to a large extent, even if done so unconsciously. She claims to not be a Jedi when she faces her master as Vader in Rebels, wanting to avenge him; but she doesn’t end up doing it, she can’t possibly kill Anakin. So, she goes on, living in this middle ground – she is not truly a Jedi, but what else could she be? She has led her troops in many battles, fought by their side; even when they didn’t have to, they still called her commander, as loyal to her as ever; recognizing that she stood by them, even held them as they died.

When The Resolute crashes after Order 66, we are aware that her and Rex took every single one of their fallen brothers, buried them, and displayed their helmets, putting Jesse at the very front, the one who’d wanted to kill them the most at the end. But they know better, it was not him, not after literal moments before that he almost went insane from Maul’s questioning because he didn’t want to betray Ahsoka; he deserved a recognition, even in death. Every single one of them did, and Rex and Ahsoka gave it to them. She lets go now of her lightsaber, the Jedi weapon that bears her identity, and lays it to rest next to the fallen soldiers, because she doesn’t want to have any more connections to this war, there’s been enough fighting. She dies here too – for what it’s worth, she fell with the clones. I can’t imagine how traumatising and terrible it felt, pulling body after body out of the debris. For both of them.

Brother after brother.

***

No matter what I say, or how much I write, I don’t think I will ever be able to express properly what this world and this series in particular mean to me. Of course I love all things Star Wars, but The Clone Wars will always hold a very special and exceptional place among them. It is a unique feeling, one I cannot put a word on, it feels too big for me, as if there is some kind of a boundary that is at the verge of explosion, it’s holding so much emotion, and there isn’t enough space for it inside. Perhaps it’s the depth and the exploration of the clones, their relationships, the empathy their lives evoke – creatures bred for war, individuals barely recognized in life. But still human, as Rex and Ahsoka remind us of the entire time – especially when we see them watching the arranged helmets of their dead brothers – the clones have not been just pawns, they are people; people who died for a cause they couldn’t have any say in. Their lives were not their own; but Ahsoka’s life wasn’t her own either. This is the tragedy of The Clone Wars, but there’s also an ironic beauty about it – Ahsoka wouldn’t have had her master or her best friend, if it wasn’t for the war. It’s a story about the philosophy of choice, hope, good and evil of course, friendship and loyalty. Victory and its highest cost, death; the consequences after a life spent fighting, which no one usually thinks about.

When the final shot rolls and we see Vader’s ominous figure step on to the same place where Ahsoka and Rex were last, as he digs his apprentice’s lightsaber and holds it, we realize what the moral of the story is. We see Anakin’s eyes behind Vader’s mask, and we feel the cold he feels – he ended up alone after all, after all his trying, he had an army, he led troopers, he cared for an apprentice, but he lost them all. He won the war, but he would rather have died with his friends – who he doesn’t know are still alive, and they don’t know what happened to him either; instead of being their enemy. But the time for choosing is over, and there is no going back for him now.

His reflection hits the clone helmet, and we see the image of Anakin, walking away from Ahsoka and Rex.

It doesn’t end with the war; it begins with it.

27 notes · View notes

randomyuu · 2 months

Text

so hold my hand (consign me not to darkness) [1/4]

Ah, yes. The fic that made me realise I’m in desperate need of Cursed Spirit Gojou in my ever-growing favourite GoYuu tropes.

Content Warning!

Major Character Death. Other characters are disrespectful to the corpse.

I highly suggest you read the fic first, or just the fic, since I don’t think I was properly able to adapt it into drawings. While I managed to use roughly two weeks of on-and-off planning, researching, and storyboarding, I only had a full week to finish it. You can read more of my thoughts below the comic if you’re curious.

Title: so hold my hand (consign me not to darkness)

Author: qalb_al_louz

It’s ongoing, and as of this drawing, the fic is in its third chapter. While this is (sexually) SFW, always be mindful of the tags! Please keep yourself safe and sound.

Please read from right to left, and enjoy!

You can only upload 30 images in one post, huh Damn, I gotta divide it into parts

Part 1 | Part 2 | Part 3 | Part 4

Alrighty, I'll put my watered down unhinged thoughts below. No extra drawings down there if you're curious haha (unless you want to see the storyboard and the characters' full body character sheet, lemme know). You can skip the stuff underneath the Keep Reading for all parts.

This fic had me grinning from ear to ear every time I read this. The atmosphere, how it goes from POV to POV—of pure fear and panic—and the peak excitement I got when Yuuji properly meets Gojou, like brooooo 😭

Gosh I cannot emphasise how much I love this fic. I’ve always been wanting to make a whole comic out of it, especially since it was 2 chapters and it doesn’t look like the author will update it, but it just… kind of forgotten ∠( ᐛ 」∠)＿

But then the author posted a new chapter and I told myself this is a sign I should really start.

also goddamn I was so naive to think I can tackle 2 chapters as comic—no I was in fact cannot

The moment I laid my eyes on the first paragraph, things were portrayed very vividly in my mind. The panel, the angle, Gojou's head rolling down... I was like, hell yeah. Then I continued reading and I finally succumbed to my desire to draw this out.

At first I want to adapt this into a vertical format like those manhwas. However the longer I try to learn and storyboard it... I am simply not yet comfortable with it, especially for such a big project. Even the 1st storyboard starts vaguely vertical before the panels quickly crammed into that B4-B5 format lol. The first sketch estimated 69 (heh) pages for 90% of chapter 1. I said "no" for my own sanity and fully focused on the usual manga format and it was narrowed down to 60. Still a lot though, quantity and time-wise. So with a heavy heart, I can only do the majority of chapter 1 :”) I really really want to draw Sukuna talks back to Gojou—do you have any idea how good that scene was??? Gojou tried so hard to restrain himself, he’s so other I love him 😭

Due to the sheer length of this comic (I'm still in disbelief), I have limit lots of things, and that includes the drawing. If you've seen my other JJK fanarts, they are more rendered than this one. Well, this one is purely sketched with the help of the eraser to tidy up some lines. This is also the first fanart that I did purely on Photoshop, so I can control the typesets and drawings in one place. Usually, I use Photoshop for panels and typesetting and Krita for drawing.

I don't really like Photoshop's brush, but it did really well in curbing my perfectionist tendencies, so that's good.

It's also been quite a while since I draw in general (sobs) so... yeah, you might find differences, or not ¯\_(ツ)_/¯ But I hope you enjoy it nonetheless!

I know setting is important, but maaan I genuinely won't miss rereading chapter 83-93 with a heavy focus on background and character locations. I just want to read the action and dialogue😭 However continuity is really important. But my spatial intelligence is almost non-existent even GPS sometimes can't help me. All I'm saying is that if you find some silly drawing mistakes, do forgive me ∠( ᐛ 」∠)＿I only drew all this in a week because otherwise I won't have another chance to complete this.

Well, lots of things I won't miss from this project, but haha let's talk about the characters instead because holy shit what was I thinking, starting this year drawing this many characters in the same project??? I have never drawn anyone here except for Yuuji, Gojou, Nanami and Megumi. I don't think I've ever drawn older Getou before. I already forgot how to draw my boy Yuuji and I gotta draw all these people???

This is what you call making a bad decision, kids. Don't do your "drawing warmup" after months of not drawing and tackling a project of a scale way bigger than you've ever tackled before.

Thank you for reading this far! I hope you find my complaint entertaining! But make no mistake, I genuinely still love the fic. Drawing this, even with all the headaches it gave me, only makes me adore this fic even more.

Thank you very much to each one of you who follows and leaves comments and tags on my silly art—it never failed to make my day :D And I sincerely wish this one also made your day or even made your minute! I'll see you in the next part!

#yuu's art #jjk-fic-fanart #jjk-ship #五悠 #goyuu #goyu #5u #gojou x yuuji #shibuya arc #shibuya arc canon divergence #lots of characters on this one #kenjaku #chousou #mahito #jogo jjk #gojo satoru

30 notes · View notes

rottenraccoons · 10 months

Note

Not sure if this has already been asked yet, but how did the team come up with the four love interests in the first place? I feel like the hardest part of developing a character is figuring out how to start. All four feel so wonderfully complex, and are not very "trope-y," which is what I struggle with the most. Thanks!

Aw, thank you! I love answering stuff like this, so I decided to go through my process on Keir and rambled a bit. I'll put my answer under a readmore for brevity.

For us, we started building Obscura with the idea that we wanted to do something dark and mature, and began with developing a setting. Once we picked and started building out the marketplace under the mountain, we could start asking ourselves "why would anyone go to this place?" and work from there. (Vesper's fractum anima is one answer to this question that we really liked for the MC.)

"Thief" feels like a pretty natural role for a marketplace, and Tobi made it clear that she wanted to develop a very dark character, so I thought a more heroic Robin Hood-type character would be a nice contrast. My original concept of Keir was for a thief who burns for justice in a deeply unjust setting; think shounen-anime hero and you're in the right neighbourhood. Pretty tropey, and I say that with love! Proto-Keir would be a delight to write in a different story.

But the rest of the team didn't think that type of character really suited the dark tone we wanted to work with, and they were right. So we took the trope and twisted it. Yes, he's a good man who burns for justice in an unjust world; and he is extremely burned out. And that twist on the formula unlocked Keir for me and the rest of the team. Burned-out Keir could be exhausted and sarcastic and even cynical about the world, bitter about the state of the marketplace and very protective of Mouse Hole as a place he can improve.

This isn't to say that "burned-out activist Robin Hood" is an original characterisation that's never been done before; TV Tropes has a whole page on the Knight in Sour Armor, which deals with similar characters. But it was the foundation we could build on as a team to make a character that felt strong enough to be a romantic interest.

I've mentioned this before, but one of the inspirations I draw from when I write about the marketplace is the awful Web3/crypto environment, a topic I enjoy reading about mostly for the schadenfreude and ended up learning about as a consequence. For Keir, I use concepts like activist burnout and compassion fatigue, things I learned about much more intimately in 2020 (you can guess why). Taking these real life ideas and bringing them into my writing is my favourite way to add depth and texture to characters and settings. If you're looking to do the same, try looking outside fiction and see what things interest you, then bring them back to your fiction.

Not to say that tropey characters are a bad thing! I could write a whole other essay on the utility of character tropes, especially in the world of romance games. Tropes can be a great place to start constructing characters to ensure that they all have their own appeal, and they're just fun to experience as a reader, especially when it's one of your faves. There's no shame in being a bit tropey, if it suits the story you want to tell!

(And if you're looking for a bit of extra ~secret sauce~: give your characters two things they want super badly, but getting one thing will compromise the other. Safety and love are a classic pair; safety often means staying closed off from other people to avoid being hurt, love requires opening up to others. Then let them struggle with those competing wants.)

#obscura vn #rotten raccoons #asks #about us #(by which i mean our process)

88 notes · View notes

fake-married-my-dead-fiance · 8 months

Text

My favourite Kdramas (so far)

Currently watching: Lovely Runner, Haechi, and The Atypical Family (I tag for spoilers of current shows)

My to watch list, Venn Diagram of my favourite kdrama things, favourite male and female actors

My Main is about Jane Austen

For tracking purposes. But feel free to suggest me new Kdramas

Alchemy of Souls: Visually beautiful, wonderful soundtrack, casting is amazing, story is very well thought-out, world-building is on point, loved all of it.

Trope subversions, Love Maps, Plot driven by fear

Moon in the Day: The most angsty enemies to lovers you will ever find in your life. It's completely enthralling. The past scenes with Do-ha are amazing. There are some plot holes and the secondary characters aren't very well developed, but I don't care. It was so good!

Text Posts, On the ending, the emotional journey, Webtoon vs. Drama

Doom at Your Service: The world-building is really well done, as is the symbolism. Doom is so weirdly lovable. Also has a great soundtrack.

Extraordinary You: the story gets a little drawn out in the middle episodes, but the concept is so gripping that I forgive it. The main character is really spunky and fun and the villain is probably the most interesting character in the show.

W: Two Worlds: So good! So unpredictable! So Male Lead who was smart and actually acted smart! This is the dark companion of Extraordinary You and I loved every minute.

Happiness: the whole point of zombie horror is that the humans are the real monsters and Happiness delivered on that 100000%. Turns out Park Hyung-sik can also be serious and very good at punching people! Han Hyo-joo was also amazing. The slow burn romance was so cute. Loved it so much. Also, more of a murder mystery than a zombie show.

Zombieland Rules

Sh**ting Stars: the voluntarism in an unnamed African country wasn't great, but the rest of the show was so heartwarming and cute! There were lots of lovable characters, mature relationships, very cute friendships, and hilarious antics.

The Forbidden Marriage: The plot had lots of fun twists and the resolution was satisfying. I wish we got more So Rang hijinks in the later episodes, the hunting episode was my favourite with her running around everywhere like a maniac.

It's Okay to Not be Okay: My only critique is I wish they did more of the animations for fairy tales, but it's so good. The female lead had the most amazing outfits. The story is so good and the way they portrayed the brother's autism.

Hospital Playlist: The epitome of slice of life. I enjoyed all the characters, especially Lee Ik-jun, The Ghost, and Long Winter (Jang Gyeo-ul) and the cute kid! I love the mom and the hospital director hanging out together. The band! I cannot stop listening to their songs!

Doctor Slump: Very cute and relaxing watch. The FL's family was really cute, especially her mom! The focus on mental health was nice, though there was a bit too much of an idea that a relationship can fix your depression/PTSD. But still good!

Lovely Runner: Ongoing

Kdramas I have liked:

Queen of Tears: I loved the set-up but for me it lost it's way at the end. Too many dramatic moments and the Magic Cancer surgery and Magic Amnesia Month were just too much of a strain on my ability to suspend my disbelief. But the performances were very good, from the leads and the secondary characters, and the premise was good. I enjoyed like 80% of the show.

Text posts

Kingdom: Loved it! But I refuse to put it in my top kdramas since S2 ends on a huge cliff hanger and apparently they aren't making any more. Boo to Netflix. This was more gory than Happiness, but I loved having zombies in a historical setting.

Daily Dose of Sunshine: this made me cry multiple times. It is very good. The visuals for how different disorders feel was fascinating. Good resolutions for the characters. I loved it all except the unrealistic endings.

Extraordinary Attorney Woo: I'm blown away by their portrayal of autism. They don't shy away from making her ticks and mannerisms off-putting, awkward, and even somewhat annoying, but Young-woo has joy, she has imagination, she loves life. It's so much better than anything with an autistic character that I've seen in Western media. Not 10/10 because I did get a bit uninterested in the later cases when I wanted to know where the love story was going.

Choi Su-yeon

Oh My Ghost: I loved this one! Park Bo-young did an amazing job playing an oppressed shaman and possessed-by-a-ghost. It was very well written: there weren't any ridiculous sideplots and I was never bored. I did think the ending dragged a little bit, but overall I loved it.

The King's Affection: I loved it. I think it probably could have been cut down to 16 episodes instead of 20, but very good. The female crown price is so scared all the time and I want to hug her, but also badass! It's a very hard line to walk but they do it well. Also, the bodyguard who is also an assassin is so hot and the costumes are great.

My Lovely Liar: I really loved this show, it was very cute and occasionally very scary. The murder mystery was well done, though I'm not sure how I feel about the final reveal.

What's Wrong with Secretary Kim: I liked that for once the big trauma didn't come from the parents, what a twist! I actually loved how ridiculously narcissistic the ML was and I loved the competent and mature FL. They didn't have any ridiculous misunderstandings and they never broke up. And the ML's friend was very funny.

King the Land: The show got better as it went on. The female lead was so competent and sure of herself. The parts about the friends' struggles was heartbreaking a lot of the time. I also loved how positive the female relationships were.

Captivating the King: I'm struggling to rate this one. The ML was amazing, but the FL seemed to just always be wide-eyed scared/worried. The writing was great for the first half, but the ending was ambiguous in a way I didn't enjoy. The intimate scene in Ep 8/9 was awesome, but then we didn't really get more. I wish they had stuck the landing.

Other Kdramas I've watched:

The Red Sleeve: full review here and also here, but basically, I loved the Crown Prince's story, but the female lead fell flat. They never sufficiently explained the FL's emotional journey and they also kept ruining female characters. Justice for the Queen Dowager!

Hwarang: really great acting despite a mediocre script, but man so many plot holes and unresolved plots. I never totally decided if the Queen Dowager was actually trying to help her son or just holding on to power and I feel like they should have made that clearer. Also, what was that love triangle??? But I did enjoy myself the whole time.

Soundtrack #1: I hate endless, hopeless pining and that's all this was. It had it's cute moments, but I always felt like the male lead was in pain and I didn't enjoy that.

Hospital Playlist 2: Somehow it wasn't as good as the first season, I found myself actually getting bored. But it was nice to see all the couples get together.

Goblin/Guardian the Great and Lonely God: The roommate stuff is hilarious! It did move slowly at times, I wanted the Grim Reaper/Sunny stuff to move faster. I got really annoyed at Kim Shin for not being honest with Eun-tak. Sometimes the product placement annoyed me. But it's very beautiful and I was very invested in everyone. Problem is, I don't think I ever want to watch it again.

Marry My Husband: very fun drama, I especially enjoyed Su-min and Min-hwan, who were some of the most deep villains I've seen portrayed. However, I hated the Yu-ra storyline and I felt like the ML kept the secret of his death for way too long. Also, no happy ending for the secondary couples! I wanted more screen time with them.

Webtoon vs. Drama, Text Posts

Tale of the Nine Tailed + 1938 - It's fun, but the lore/world-building don't make a whole lot of sense. The Serpent is pretty over powered in S1 and really ought to have won. 1938 was better but the female mountain goddess made zero sense as a character. Lee Rang is probably the best part of the whole series, and his little murder fox girl in S1 or mermaid girl in S2.

Castaway Diva: I love the songs and the found family parts, but the story was lacking. Especially the older singer's story made very little sense and didn't come to a satisfying conclusion. And why not show us a little of the main couple being together?

Hotel del Luna - I enjoyed the ghost parts but the dynamic between the main couple was a mess. He is so unconditionally nice and she is such a jerk to him!

Strong Girl Bong-Soon - I loved all the parts with Bong-Soon and Min-hyuk, like he was the cutest, sweetest boy ever, but everything else was kind of annoying. And the kidnapper parts were really creepy! I just wanted Bong-Soon to smash more things. I also hated Guk-doo and I wanted all the women to dump his ass.

Business Proposal - It was cute, but it bothered me that Ha-ri wouldn't just talk to Tae-moo about her concerns about dating him. Ha-ri may be the only female lead ever with a healthy family dynamic, yay for her! The secondary couple was fun.

Death's Game - I enjoyed the genre and actor switches at first, but then it seemed to veer into being about the serial killer CEO and then back to being about suicide and the resolution left me unsatisfied.

Webtoon vs. Drama

My Demon - It was fun, but the world-building wasn't great and the ending was fine. I felt like it tried to be Doom at Your Service but failed (there were many, many references/thefts).

Destined with You - I really liked some parts of it, especially the leads and I actually liked the office romance with Hong-jo's boss (until the last episode), but they left so many things unanswered that I wish were revealed! It's like the writers forgot it was a fantasy drama halfway through and just went in a totally different direction. It makes me angry.

The Uncanny Counter - The concept was good, the actors were good, the chemistry between the actors was amazing, but the story went way off the rails. So Mun just became way too over-powered and the plot needed more balance. I wanted more demon catching and less mayor stuff. I did like the bully being saved and reformed.

Perfect Marriage Revenge - This show did exactly what it set out to do, be completely over-the-top dramatic. I really enjoyed watching it, it was a romp, but I doubt I'll ever watch it again. The evil stepmother and sister were great.

The Story of Park's Marriage Contract: It was fluffy and fun, I loved Sa-wol the maid, we should have had more of her! I hated the ending though, so much. Just so bad.

100 Days My Prince - I hated the main couple, he was just too distant and she should have figured out who he was like 10 minutes in. It felt like they only got together because he was obsessed with her, I would have preferred the nice face-blind guy. I ended up liking the peasant friend couple and the murderous princess and her assassin boyfriend better.

Started but not finished:

Moving - I started it, it seems really slow. I think I'm four or five episodes in. The Crowned Clown - First episode was way too dark! Live Up To Your Name - Acupuncture is magic? Moonlight Drawn by Clouds - the first episode seemed bonkers Strong Girl Nam-Soon - could not even force myself to watch it. Total mess The Impossible Heir - Even Lee Jae-wook couldn't save this messy plot.

#tracking post #kdramas

100 notes · View notes