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#this isn't going in the novel
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I did a little writing exercise today based off a prompt:
Ari leans against the bar, tilting the bottle in his hand to the side to look at the label. It’s not what he imagined doing with his evening, working behind a bar, but he’s almost entirely happy to do so. It’s almost relaxing, despite the drunks.
His customer service could do with a little work though.
“I usually drink sort of...summery wines, you know?”
“Uh...” Ari tunes into whatever it is the customer was saying, wondering for how long he’d been talking. Neptune shoots him an amused look from the other end of the bar, but refuses to interject. “Are you asking for a recommendation?” He doesn’t drink much wine, he’s always looking for alcohol with a bit of length to it, that he can feel in his chest.
“Yes, please, I’m looking for something with that sort of flavour, but not wine.”
He doesn’t have the heart to explain that wine tastes like wine because of how it’s made and what it’s made from. “We have this...cider?” He reaches up to the top shelf to pull down the bottle, placing it down on the bar “...it tastes sort of fruity.”
Neptune, brushing past him, mutters a quiet: “Just like you!” Ari’s cheeks heat, biting back a laugh despite the mortification.
“Is that a hate crime?” Asks the customer, frowning.
“Absolutely, unfortunately, I married her so I just have to deal with it...now would you like to try the gin?”
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khattikeri · 3 months
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one of my favorite things about mdzs is that for how heavily its plot involves politics of classism and misogyny... even the characters most directly impacted by it can't and don't free themselves from it. literally the closest exception is mianmian.
meng yao being the "son of a whore" wasn't some sort of commie awakening for him that led him to wanting everyone to be socially equal. he played the political game, climbed the ladders, sucked up to and backstabbed and murdered people, including other prostitutes who actually had nothing to do with how he and his mother were treated at the brothel he grew up in.
he put in so much extra excessive effort for even a fraction of the same respect that members of gentry cultivation clans got. and he did deserve to be treated more humanely! but he feeds into the exact same system that created him, leading to his own undoing.
his efforts were for a fragile upward mobility that was never going to hold up. he never surpassed his origins nor did he empower others in similar stations, because the society he lives in is not one that would accept that.
the second he got caught and all those crimes exposed, he was scapegoated to hell and back, replacing wei wuxian as society's terrible one-sidedly evil boogeyman overnight.
speaking of not-quite male gentry, i think it's interesting that wei wuxian explicitly doesn't try to climb the ladders in BOTH lives, knowing full well that anything he does will be punished just for the sheer fact that he is wei wuxian.
wei wuxian is scolded for giving intelligent and correct answers in school. lan wangji does the same and is praised.
wei wuxian occasionally lounges around with fellow disciples and is punished. jiang cheng does the same and mostly escapes.
wei wuxian refuses to carry his sword around in public (after losing his golden core, which nobody knows) and is scorned as an arrogant upstart. nie huaisang has been doing the EXACT SAME THING for YEARS and nobody bats an eye.
unlike jin guangyao, wei wuxian knew subconsciously from the start that his acceptance was superficial and that he could be cast out any time. when he was 10 and recently taken in by the jiangs, he canonically would not eat or use "too much" food and water because he thought they'd find him a nuisance for "wasting their things" and kick him back out.
now away from just the classism, yu ziyuan is a proud and strong noblewoman in a society that belittles and derides women for everything they do. her strong cultivation doesn't matter. she's victim to the vicious rumors of her husband loving another woman who is strong like her but apparently had a more likeable personality.
it doesn't matter even if jiang fengmian didn't cheat or that wei wuxian is wei changze's son with cangse sanren; yu ziyuan can't bear with the humiliation of herself (and by extension her children) not being "good enough". she's ridiculed for "failing" in that one duty as a wife, mother, and woman.
she lashes out and takes out that anger on everyone present for years, giving her children lasting trauma and also being a key element in how the jiang family and yunmeng jiang sect are effectively wiped out at the hands of the wen clan.
madam jin doesn't even have a name outside of the fact that she's married to jin guangshan. i don't even remember reading anything that indicates if she's a strong or weak cultivator, or what, which in itself proves that to most people, it doesn't matter. she's "just" a woman.
of course she's angry at her husband's affairs and all the bastard children they bring in. but she also can't do anything about them, so she lashes out at the few people she can: servants. non-cultivators, probably. those very same bastard children.
shoutout to meng yao getting shoved down a flight of stairs at age fourteen, because if madam jin tried that move against her husband instead, it would make her lose even more face, which as a noblewoman she'd never do.
and that's not getting into how jiang yanli is consistently sidelined for being physically weak.
that's not getting into how mianmian was actually a good cultivator, but was mocked by everyone around her for trying to stand up for wei wuxian when everyone was turning on him. how everyone scoffed at luo qingyang's words as "just some lovesick woman" who "obviously wants to marry or bed him since he saved her".
luo qingyang is the only one of these characters who HASN'T died. she didn't play society's games like jin guangyao. she didn't dig her heels in confidence of her own abilities like wei wuxian.
she didn't bitterly lash out like yu ziyuan and madam jin. she didn't gently accept it like jiang yanli.
she just LEFT.
she married an ordinary merchant and cultivates separately from mainstream cultivation society, and therein found her own peace and happiness.
mxtx doesn't bother with particularly class conscious or feminist vocabulary to hand-hold readers into understanding these disparities, but that choice highlights them & the deeply entrenched politics of their society even more. i really love it.
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lotus-pear · 3 months
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bsd fic authors i understand yalls pain SO well right now why is it so fucking HARD to write dazai. like i have a whole fucking spreadsheet dedicated to tireless analysis i have done on my part so i can accurately characterize him but he is such an unpredictable and morally gray character that it's hard knowing his limits and boundaries and where he draws the line for himself.
#i hate when ppl make him out to be a sadistic villain with no remorse. like did we read the same manga 💀#but at the same time he is NOT crying abt all the ppl he sent to the grave. he sleeps just fine at night knowing he committed atrocities#yes he feels remorse? but he isn't like kunikida to weep at someone's grave for failing to save them#and then we have his emotions themselves#dazai isn't emotionless. far from it. he has difficulty expressing affection but yk he finds someone endearing when he trusts them#trust is very important to dazai and is one of the aspects of human emotion that he can fully grasp#but like everything else is in a hazy gray area that he does not feel like exploring. he feels alienated from his humanity bc of this#AUUUGHH can someone help me with character analysis PLEASE#I WASNT PAYING ATTENTION TO THIS MF UNTIL RECENTLY SO I MISSED OUT ON A LOT OF IMPORTANT DETAILS#see i would go and reread a few light novels but like i don't have time for that#and this is for dazai specifically. i am very well versed on his relationships w other charcaters#but just like asigiri himself said: it's very difficult to write dazai and write him WELL#so yeaaa i have a lot of smart ppl following me pls help#bsd#ALSO MY FRIEND STILL HAS NO LONGER HUMAN UUUUGHHHHHH I NEED THAT BACK BC I TABBED IT A SHIT TON#FOR LIKE CONNECTIONS TO YOZO AND BSD DAZAI AND WHERE ASIGIRI DREW INSPIRATION FROM YOZOS CHARACTER FOR DAZAI#THAT WOULD BE SUCH A VALUABLE FUCKING RESOURCE BC I DID SOME ANNOTATIONS IN THEM TOO BUT MY BOOK IS ANOTHER FUCKING STATE#I HATE IT HERE FML
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mewtwo24 · 4 months
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I just started reading the svsss volumes (and re-read them again because A LOT IS GOING ON) but like. This shit is so hysterically funny I don't even know where to begin.
Was no one????? Going to tell me that one of the cornerstone jokes in the damn series is that lbh's adoration for his one and only 'tism person who literally cannot express his emotions to save his life is basically genetic?????????
Was no one???? No one AT ALL going to tell me that Mobei-Jun straight up yeets Airplane at the problem in one of the scenes?????? And that in the most hilarious twist of fate Airplane then unyeets Mobei-Jun not twenty minutes later?????
It's one thing to see people joke about sqq and lbh being unable to communicate but it's on a league of its own when you have to read HUNDREDS OF PAGES of sqq's inner monologue be like 'that's my darling boy. my baby. my sugar plum pumpy umpkin you're my sweetie pie' but on the outside he says "get lost binghe" and somehow deems that an effective expression of his affection that lbh will surely understand. 'Why is lbh whining and crying and tugging at my sleeve like a plaintive wife, why is he so angry?' Sqq asks, the entire circus, as lbh is about to fling himself off a cliff for attention--
In short, MXTX is the queer comedian of our generation and nobody appreciates her enough
#svsss#bingqiu#shen qingqiu#luo binghe#mxtx what must it be like to carry the gays on your shoulders like this#she ran so that the rest of us could walk oh my actual god#i just can't get over how much of the novels are sqq panicking because he needs to 'do right' by lbh#aka make lbh the absolute lunatic from the original#so its just this uproarious back and forth between a guy trying to make a bbg desperate for his love into a human weapon#AND make himself disappear before that weapon is turned on him (also probably the self-hatred talking)#amazing showstopping spectacular **slaps sqq's back** you can fit so many repressed internalizations of toxic masculinity in this mf#legit as i read these volumes i just kept thinking of that meme like 'congrats sqq buddy that's the worst anyone's ever done it' (joke)#not that lbh is any better but in fairness the lad is going through a lot too so i spare him too harsh a judgement#also sincerely i dont think i was prepared for just how stupid how crazy lbh goes for sqq. it was. MAGNIFICENT#I was like 'surely he isn't that dramatic' and then by god everyone. by god I started reading and went#'jesus christ that's a nuclear missile shaped little meow meow and that's HILARIOUS'#i also just can't get over sqq insisting 'IM NOT GAY. I DONT GAY. IM THE STRAIGHTEST STRAIGHT!!!!'#while. literally. saying full stop to lbh of like 'wym i smile more genuinely at everyone else they're just scarecrows around me'#sqq--the man who couldn't bear to see lbh suffering as a young boy.#who was so affected he was crying in his sleep and calling out lbh's name over and over#ON WHAT LEVEL IS THAT HETEROSEXUAL SQQ. THE JIG IS UP#literally EVERYONE around sqq being like 'congrats on being the last to know' about his love for lbh#and can we talk about sqq being like 'we used to communicate so seamlessly that we had no need for words. there was no greater joy for me.'#and highlighting that though gongyi xiao was a similar and talented young lad he fell decidedly short because he did not have above quality#and then sqq still being in denial; i swear i LOVE the little hints mxtx drops i feel like the happiest mouse scampering around for crumbs#additionally a question: how does anyone take liu qingge seriously#when he's displeased he just yells 'HEY' and does nothing about it (most times)#that is the most boomer dad energy i think i've ever seen#also :(((((((( all the jokes about tianlang-jun (though accurate) were so deceptive my heart was broken at the end of vol.3
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ddarker-dreams · 7 months
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there needs to be a name for the emotion you experience when you can tell a guy's about to turn a normal convo into something real awkward
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fromtheseventhhell · 2 months
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Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.
Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.
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pinkd3mon · 1 year
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Feeling loved
Bonus:
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evie-doesnt-write · 4 months
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I know this is a hot take but allowing Xie Lian to be a genuinely flawed character who makes mistakes and, in the past, has been (and can still be) wrong but still tries to be good, with his inherent goodness not dependant on these things, makes him a better and more sympathetic character, and actually enhances his goodness rather than taking away from it
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hairtusk · 29 days
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we're already 1/4 of the way through the year... i may have only read three novels so far, but by god, i've read the ever-loving shit out of them
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gilsart · 6 months
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this was originally created as a funny halloween joke, but what better day to post it than this (acting like it isn't november 7 already in my time zone) [i totally forgor]
he dressed up as his worst nightmare!
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tungle-squentacles · 5 months
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huevember 22! ngl I don't like this one as much but I wanted to try something design ish. may redo some time in the future
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Banter
Notes I Pure fluff maybe + chung myung content ?!?! woah.. keep in mind that this is not edited and checked :3
Chung Myung will never let you live this down. No way. Especially when he, quite literally, had you pinned down. "Give up yet?" He asks, his tone teasing as he looks down at you with that shit-eating grin he knows you have a hate-love relationship with. God, you want to wipe that grin off his face so bad. "Love," You start, your tone seemingly pleading as you look up at him. The one and only Mount Hua's Divine Dragon, Chung Myung, swore he could explode at any given moment. And while that normally is a threat to the other disciples, it means something else now. Slowly but surely, you lean closer to him. You then pout, "Please.." A kiss, then you turn the tables on him. For a split second, he was caught off-guard with that kiss; you didn't waste any time switching your positions. How cute he looks when he's under you. "I'll kiss you, okay? So please, keep your voice down."
Notes II Chung Myung deserves all of the kisses and hugs in the world.
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quirkle2 · 3 months
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who wants zombie au writing. don't answer that ur getting it anyway (1.6k words)
His shoes knock against the old flooring of the house, wood creaking under rubber soles that slide over the woodgrain. He drags them a bit, lifts his limbs up no more than he strictly has to, and they lead him to the nearest sittable surface.
The couch is old and dusty and has likely gone untouched for months, much like everything else nowadays, so he watches the thin cloud of dust billow off the cushions largely with disinterest. He collapses into the fabric heavily, feels the whole thing scoot back an inch and hit the wall behind him. The sound echoes, carried by lifeless rooms, while he unceremoniously drops his backpack to the floor by his feet.
The breath he lets out is slow and methodical and born of pent up muscles, aimed at the ceiling where he rests his neck against the back of the couch and relaxes every limb one by one. It’s a process he forces himself through, if only to rid the constant ache beneath his skin.
Slow, sweeping footsteps meander around the room in front of him, and Ritsu angles his gaze down from his craned back position to look at his brother. He wanders, like he so often does—seemingly aimless, but there’s something procedural about it that he’s convinced he just hasn’t figured out yet.
Shigeo’s empty eyes crawl along the hearth of the fireplace, explosions of ash sprayed out across the red brick. His head tilts up to trace his attention around the angular lines of the television, hung on the wall and screen grey with dust. He flits back and forth between the roundness of the bricked mantle and the sharp edges of the screen, like he’s taking notes.
Shigeo paws the television. Four lines of muck are cleared. The zombie blinks, paws at it again with dusty, curious fingers. Ritsu watches him make a mess of the television screen in silence, blinking tiredly.
He almost closes his eyes, but he fights against the urge and moves his fingers down his lap to reach for his bag. His middle hooks around the loop at the top and he lugs it up and into his lap, where he unzips it and peers into the shadowy contents.
Ritsu fishes out the water bottles. He finds the one with the messy R scribbled along the cap in sharpie and takes a big swig of it. It’s warm going down, constantly insulated in a bag of old, sweaty clothes. He feels like he can taste the odor in it, but it clears the grain in his throat from stomping all over dirt roads today, so he’s still grateful.
He holds out the one labeled S to Shigeo. “Thirsty?”
Shigeo looks at him from where he’s crouched down to the floor now, inspecting the soot along the hearth. Unfortunately, he sees handprints in the black already, and when his brother reaches a hand out to take it, his palm is covered in soot.
He lets him have his fun and settles his own bottle back in the mess of tangled clothes and rolls of bandages. Ritsu rakes his fingers through their stock with no real purpose—he knows exactly what’s in here, and none of it is useful.
They’d been searching all day; Ritsu doesn’t really know how far they’d walked, but it had to be a lot of miles. In and out of stores, up and down empty houses, weaving between warehouses—they didn’t really stop for a break. Not when Ritsu can hear Shigeo’s stomach from here and he himself has shaking hands. They can’t afford a break.
Nothing, though. Not a single goddamn thing worth taking. A settlement must have come through here long ago and swept the highway. They’re in the countryside, where houses are spaced out acres from each other and there’s entire cow pastures between properties. And yet every house they’d seen and entered provided nothing.
Ritsu stares into the negative space in his bag where there should be supplies. His stomach cramps and if he smells another whiff of that godawful sweaty, bloody sweatshirt he still carries, he’s going to throw up bile.
He leans away from the open pouch, eyes wandering to his brother who draws… something into the soot of the hearth. His water bottle sits on the floor, abandoned and still unscrewed. Ritsu leans forward with great effort and a grunt, leaning over his bag to grab at the top of it.
It takes him two tries to get Shigeo’s attention, and one more for an answer on where the cap is. It’s then placed in his palm, covered in soot and also saliva. Ritsu swallows down the nausea that rolls up his throat and wipes it off with his frankly already disgusting sleeve, and screws it back on.
He leans back again, succumbing to the urge to let his eyes rest, and he listens to the very subtle swipe of his brother’s hands across brick. There’s birds outside, chirping, and even though it’s still very much a common occurrence, Ritsu cannot help but feel nostalgic about it.
If he ignores the awful hum of silence, and the distinct lack of an electric thrum throughout the walls, and the fact that this is a stranger’s couch and not his, he can almost imagine normalcy. He can almost say this feels like those quiet moments after school, when he settles on the couch and scrolls through his phone in a house that only holds him and his brother because their parents simply aren’t home yet.
He can almost hear the creak of wood from Shigeo walking around his room upstairs. He can almost tap his fingers on the couch cushions to the pattern of his brother making his way down the steps. He can almost hear the fridge opening, and the sound of milk being poured into glass.
Almost. But Ritsu listens to sharp silence instead, and he tries not to think too hard.
He drifts for a while, feels himself truly sink into the couch and let the cushions claim him, and he thinks about nothings because if he doesn’t, then he’ll lose it. He carefully sifts through the nothingness of his mind, through the passing thoughts that have no bearing, and he focuses on that, on the lack of substance. His head is too full of things that have too much substance.
He misses boredom. He tells himself he misses boredom—the complete insubstantiality of it—because if he lets himself think of what he really misses, it’ll drive him insane.
The cushions move, and Ritsu peels his eyes open and lets himself get pulled from liminal mindspace. The cotton in his head recedes, and he blinks, and then he’s swiveling his head to look at his brother who sits in the cushion right next to him.
His hands and the cuffs of his hoodie are smothered in black. Shigeo sits hunched, gaze still wandering even when there’s not much decoration in this house to look at. He studies the off-white walls, the chips in the paint, the holes drilled in where there maybe used to be photos hung.
Ritsu gazes at him quietly, chest instinctively rising and falling to match his brother’s rhythm. He watches the expansion there, under his hoodie, in the subtlety of the folds and the way they warp over the movement. It’s slightly quicker than what he’s used to, but Ritsu knows his brother’s heart rate is much slower. He’s felt it before. He’s listened to it before, with his ear against a chest.
Ritsu’s attention moves to his eyes, and the heavy bags underneath them, and the paleness of his pupils and the ghostlight of him underneath that. He stares into them, looks for stray, familiar thoughts that might enter his head. Looks for old memories that might shine through in the form of recognition when he sees furniture layouts, and candy wrappers, and ads for soda.
Ritsu looks for it all the time, that glint of familiarity. And he finds it, sometimes. And really, he thinks that’s keeping him going more than food ever will.
Shigeo turns his head, and looks at him. Sometimes, when his brother looks at him, there’s not much there. No substance, no anything. And Ritsu finds it a bit evil that he craves silence in his own head, and yet noise in Shigeo’s, and often times it is the other way around.
His brother looks at him now, though, with that comforting recognition. That growth of the pupils, that softening of the hard edges of his face where unknown stressors have gotten to him. Ritsu wonders what zombies get stressed out. He figures it’s the same deal with humans, considering they’re largely alike.
Ritsu wonders if Shigeo knows he’s sick. He wishes he could ask him. He wishes for a lot of things. Silence in his own head is one of them.
Ritsu swivels his head away and stares at the ceiling, if only to force the thoughts to pause. He studies the popcorn ridges above them, traces the peaks with his gaze. It calms him, gives him something to focus on. He looks for patterns in the shadows they make.
Shigeo shifts next to him. And then he shimmies down, settles into the cushions, and plops his head right down on Ritsu’s shoulder.
Static roars in his mind and his heart stammers. Ritsu swallows the lump in his throat but that just makes it bigger, so he clamps his mouth shut and breathes carefully through his nose.
The tears cut through the grime on his face. He plops his own head down against his brother’s, and lives in the noise.
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yeliuxi · 4 months
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In hindsight, it was very funny I was so baffled and surprised at reviews of Qi Ye saying that this romance novel protagonist didn't really seem to have any romantic feelings for his partner. I never noticed anything. I just thought he was being more normal about it. Anyway Jing Beiyuan is aromantic because he's just like me fr
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mintjeru · 3 days
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in kuyu's historical fantasy webnovel turning, protagonist yuder aile is described to have only focused on the development of his own abilities prior to his execution and subsequent regression. in an attempt to prevent the disaster he saw in that future, he begins to build genuine connections and trust with not only his cavalry member peers but also his commander, kishiar la orr. the slow-paced and natural progression of yuder's relationship with kishiar, beginning with curiosity, progressing to mutual respect, and later encompassing loyalty and romance, is a major point of interest. however, their relationship still manages to not obscure the equally compelling plotlines, politics, and character dynamics present in the story. yuder's complex relationship with kishiar and the story's refusal to revolve solely around romance strongly mirrors the arospec experience. in this essay i will-
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good-to-drive · 1 year
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there are a lot of good character arcs in fiction but my personal favorite is “insecure existentially tormented quiet beatle” to “hare krishna plant dad ukulele hoarder” 
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