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#tw: homophobia
cinematicnomad · 2 months
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9-1-1 ▸ 2.09 hen begins
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yams-here · 2 months
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crater crew but they're all full grown adults with children
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Nemona and Penny have one child that they conceived through surrogacy (Nemona is the one that got pregnant because it was the one compromise to her parents to stop pressuring her into getting into an "actual relationship" so she can have a heir in case anything happens) and she's the battle studies teacher. She often works with Eri for her classes though. Still battle crazed, but a lot better at reading a room and responding accordingly. Penny is still general IT support at the academy but she often helps the league too. Passes down to her child the secrets about painting hair, pirating anime and having crushes on their best friend's mom. They live in Mesagoza.
Arven and Juliana have two children and they conceived the first fairly early. (By complete accident mind you but I imagine they were ready to tie the knot as fast as possible) Arven is the home ec teacher that kids with difficult home lives flock to like birds, although he also published a study about herba mystica that was successful enough to guarantee him a spot as a researcher to carry them on further (that and nepotism) which he refused. Juli still works with the League, being strongest champion and all that, but she also works on a lot of side gigs, since her main work gives her a lot of free time. But her second favourite thing in the world (her entire family is tied for first place) is gardening. They live in a nice little home in cabo poco.
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Jake comes back after yet another difficult visit to his family in Texas, where his dad - when he did speak to Jake - was nothing but passive-aggressive and made snarky remarks about Jake's "lifestyle" and "are your friends perverts like you too?"
He walks in the door to his own house and Bradley is immediately right there, giving him a big hug,
And as Jake holds on tight to Bradley and tries not to cry (his dad's always been like this, after all, why does he still feel any need to cry about it?), Bradley says
"...Welcome home."
..And Jake immediately feels just a little bit better.
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celluloidbroomcloset · 5 months
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It's interesting that Izzy is the one who sees Ed's attraction to Stede first. Yes, Izzy is the closest to Ed, and he pays a lot of attention to Ed because that's part of his job. But it's clear from his voiceover at the start of "Art of Fuckery," and what happens with his character subsequently, that he's watching Ed very carefully for signs that he's slipping out of his Blackbeard persona, and more broadly, out of the performative masculinity that Izzy believes is the mark of a real man.
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A lot has been said about Izzy's internalized homophobia, but it's a very complicated kind of homophobia - he doesn't fit the trope of the closeted gay man using homophobia to cover his sexuality. Izzy has no apparent problem with homosexuality - as Calico Jack says, it's more or less expected at sea. The form of his homophobia has more to do with gender presentation and sexual roles, not the concept of gay sex or attraction.
The two men on the Revenge he has the most immediate conflicts with are Lucius and Stede. To him, neither of them perform masculinity correctly, and both of them, in their own ways, refuse to participate in the masculine hierarchy he's steeped in.
Izzy's problem clicks for Lucius immediately, because Lucius is an out gay man who has undoubtedly met men like Izzy before. He's not ashamed of his sexuality or his presentation of it, and so he defies the hierarchy by explicitly refusing to participate.
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Stede is more complicated because he's not out at all. Izzy calls Stede a "ponce" and a "fop," but neither word would necessarily imply that Stede's gay; being a fop is not equivalent to sexuality (though in "Act of Grace," Izzy's emphasis makes it clear that "twat" is standing in for a much stronger word). It is Stede's presentation of masculinity, his effeminacy, that Izzy finds repellent. Stede's not a "real pirate" (read: a real man). The idea that Ed - the man's pirate and the pirate's man - would be seduced by him upends Izzy's worldview and is something he feels he must put a stop to.
At the start of the "Art of Fuckery," Izzy's realization that Stede has "seduced" Ed is immediately followed by the stabbing scene, which Izzy overhears. I'm still not clear if we're meant to think that Izzy believes they're actually having sex on the deck, but regardless, it confirms the "seduction" for him.
This is the one clear time that we see things filtered through Izzy's perspective, with the episode literally starting with his voiceover. He's horrified by what he hears on deck, and the obvious sexuality connected to it, and he immediately insists that Ed kill Stede.
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This is not a subtle show. The stabbing on deck is explicitly sexualized. Not only is Ed being "stabbed" by another man, he's being stabbed by an effeminate man. In Izzy's reading of the world, there are men who penetrate and men who are penetrated, men who dominate and men who are dominated, and those roles are aligned with masculine presentation. It would be fine for Ed to be stabbed by Calico Jack, a properly masculine man who understands the masculine hierarchy, but not by Stede.
Stede defies Izzy's categorizations by quite literally not understanding the role he's supposed to play in the first place. Stede's not humiliated by his shirt being cut off in "A Damned Man"; he says that he quite enjoyed it. Izzy's threats go right over his head in "A Gentleman Pirate" - he can't even remember Izzy's name. It doesn't occur to him to be scared or humiliated. He further upends Izzy's reading by treating Ed kindly. Ed can't bring himself to fulfill his role in the masculine hierarchy by killing (stabbing) Stede, and Stede sits down and offers him gentleness.
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Stede throws Izzy's concept of masculinity out of whack by being an effeminate man who penetrates, a fop who seduces a "real man," and whom Ed sees no shame in asking to stab him. He's too fluid for Izzy to get a hold of. He doesn't just not participate in the performance of masculinity that Izzy wants from him; he doesn't even know that there's a performance going on.
Later in the episode, it's Izzy who stabs Stede, pinning him to the mast and re-establishing the masculine hierarchy - Stede is the one to be penetrated by a "real pirate." Then Stede just...breaks his sword. He did it on purpose. Izzy is effectively emasculated, but Stede doesn't even know it. He just knows that he "did it right."
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What has thrown Izzy off is Stede's lack of participation in the masculine hierarchy. He doesn't know the rules that Izzy has been controlled by, and so he's not "doing it right." Being penetrated isn't inherently shameful. Penetrating isn't inherently about dominating or gaining power over. Stede's face when he stabs Ed is simply one of concern, because he's hurt him. He's not getting a sexual thrill out of harming Ed, and penetration doesn't equal power for him. Stede throws everything Izzy thinks he knows about masculinity overboard simply by existing.
(I think I've got more to say about how this all shifts in Season 2, and why that's so important to Izzy's arc, but I done wrote enough for now.)
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overthinkinglotr · 10 months
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Inspired by the trash homophobic conservative poll that was going around recently:
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strangersteddierthings · 10 months
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The Conversation
Final Part of The Interview [Part One] [Part Two] [Ao3]
Steve finishes putting on his boots, shoves a beanie on his head, and grabs his thermos of coffee before heading outside. Robin had texted when they left Pendleton so they should be arriving soon, and he wants to make sure the dogs stay clear of the driveway, and also finish some of the chores he is being lazy about. The mountain air is cold in February, and the snow is deep, but it's still warm for a winter day in Eastern Oregon.
His childhood house had been at the edge of a little forest. His current home is tucked away in the woods, trees for miles, and the nearest neighbor farther still than that. He's lived a lot of places, been able to see the whole of America almost, and in the process, he's learned that he'll always be a small-town boy. The real revelation is how at home he feels in this two-bedroom cabin sequestered away from any town at all. Sure, he's got to drive a little over half an hour to get to the nearest grocery store, but he's learned he likes that.
He's got 1600 acres of woods all to himself and the dogs. He's owned this property for almost four years, but recent events made him finally move out here. Originally, he'd bought it to make it as another flip project, but something in his gut told him to make it a vacation home / safe haven for his family instead. Robin, mainly, as a getaway from the LA life and overwhelming spotlight she'd started to face as her music career took off. He might be turning it into his permanent home and base of operations, but everyone knows they're still welcome.
Anyway, the day might be warm for winter, but the night won't be, so Steve sets his thermos on the top of the wooden railing of the porch and heads down the steps to the woodshed. The plan in the summer is to update the cabin, which includes adding central air and a good heating system, but until then, portable heaters are in the bedrooms and the wood stove gets the rest of the cabin. There's also plans to start the construction on the guest house. It's going to be a busy summer.
He replenishes the woodpile on the porch from the woodshed and debates chopping more but decides against it. That can be a tomorrow chore. Next is cleaning up the snow paths he's made previously. Doesn't want anyone falling on their ass on the way to the house, no matter how funny that'll be to watch. As usual, Pancake makes the task difficult because she wants to play with the snow shovel. Melody cries until he throws snow into the air by the shovel full for her to play in. Chowder, old man that he is, supervises from the porch, front paws hanging just off the top step.
It's rough going but he manages to complete the few chores, even with two dogs underfoot.
Steve is on the front porch, forearms holding his weight as he leans against the railing, thermos of coffee between his hands, taking in the afternoon sun and enjoying the silence when Dustin's work truck slides into the driveway. Almost literally, given the foot and a half of snow still on the ground. The driveway is long, okay. Steve's doesn't have enough time in his day to keep up with salting it all.
It'll be strange to see Eddie after all these years. He still can't believe Robin got him to come. When he'd asked how she did it, she brushed him off with an it's not important.
Speaking of Robin, she's the first person out of the truck, sliding out of the passenger seat and then cursing when she drops right into the snow. She shoots an accusatory look towards the cabin, and therefore Steve, like he placed the snow there himself, when the fault is Dustin, who has left the driver side with plenty of room between the truck and the snowbank.
Dustin gets out of the truck and Steve faintly hears him say this side, man, less snow before pushing his door closed and turning to brace himself as Pancake and Melody rush from the porch to circle like sharks, barely restraining themselves from jumping up. Chowder follows after slowly, taking his sweet time getting to Robin, his favorite human. Steve can't even be jealous about that because Robin is his favorite human, too.
The back driver side door opens, and he watches as Eddie Munson all but falls out of the truck. It's the least graceful anyone's looked getting out of the back of the truck and that's counting Chowder and his old man hips. Seeing Eddie again is- well, it's a lot of emotions all at once, but they're are all overshadowed at the moment by how Eddie looks... well, bad. His hair is longer than Steve's ever seen it, a little longer than mid-back length, but it looks like it hasn't seen a proper hair brush in a couple of days. Even from this distance Steve can see the bags under his eyes. He looks like he hasn't slept in days.
He pushes himself off the railing and meanders down the two steps, waiting for them to notice he's waiting. Robin trudges out of the snow berm and to the front of the truck, where Chowder is waiting patiently for his pets and kisses. Dustin has managed to get Melody to stop hopping in front of him so she can get her side scratches, and Pancake has realized there is a new, third person with a set of hands currently not petting her, and is circling Eddie, waiting for him to reach down and pet her but he just stands completely still, heading tracking her in her circles.
"She's friendly, I promise," Steve calls out, which makes Eddie's head snap up to look for the source of the voice. Well, everyone looks, but Eddie looks like he's seeing a ghost, which. Fair. Steve kind of feels the same way.
"Hello, Dingus," Robin calls as she stands from her crouched position, where she's been cuddling Chowder. As soon as she stands, he starts making his way back to the porch. "I have delivered one Edward Keaton Munson. You are not allowed to ask anything of me for, at minimum, a year."
"Steve! Why didn't you tell me you knew the Eddie Munson?" Dustin shouts.
Robin is scoffing, clearly offended. "Am I not famous enough for you Henderson!?"
"Get back to me when you've run a 24-hour Dungeons and Dragons live stream for charity!" Dustin shoots back, then has to dodge Robin's half-hearted punch aimed for his arm.
Eddie stays silent, looking more pale than when he got out of the truck. Steve's a little concerned he's going to faint.
"You been living under a rock, Dustin?" Steve asks. "My knowing him is apparently the only thing on the internet currently."
Dustin puts his whole head into the eye roll. "You spend a month backpacking with your girlfriend in the southern hemisphere and you never get to hear the end of it. I told you I'd catch up on your drama after I catch up on my DnD Live Plays."
"You also missed me winning a Grammy, you know."
"I thought Steve's thing was more important?"
"You are impossible, Henderson."
"You guys going to argue in the snow all afternoon, or do you want to come inside?" Steve says then places his fingers in his mouth and whistles. Melody and Pancake dash for the front door, where Chowder is already waiting. Dustin, Robin, and a still eerily quiet Eddie fall into line to walk the trail to the porch Steve had cleared.
Steve jumps the steps, grabs his thermos, lets the dogs in, and then holds the door for everyone else. Robin and Dustin breeze past, but Eddie slows, eyes jumping around Steve's face as they just look at each other for a moment. Eddie opens, then closes, then opens, then closes his mouth.
"Hi," Steve offers up, shifting a foot to hold the door open so he can wave his fingers at Eddie.
Eddie swallows thickly, then whispers back, "hey."
"In the house, Eddie. Don't want to let too much cold in," Steve tilts his head towards the doorway.
"Oh, right, sorry," that kick starts Eddie again and he crosses the threshold, Steve close behind.
Robin and Dustin are currently occupying the bench just inside the door, taking off their shoes. Once Dustin has his boots off, he leaves the bench, heading to the kitchen. Eddie seems lost, just standing in the entryway, so Steve takes the spot Dustin just left and proceeds to undo the laces on his boots. He gets one boot done by the time Robin stands, wandering after Dustin once she's hung up her coat, scarf, and gloves. Eddie doesn't move still, so Steve pats the empty spot beside him.
"No shoes in the cabin. Dogs track in enough snow, don't need us doing it too," Steve says, then busies himself with his other boot.
He sees Eddie sit and begin to untie his- jesus, he's not even wearing boots. Just a black pair of sneakers. Eddie unties his shoes in silence, sitting rather stiffly next to Steve.
This quiet, obedient Eddie is not what he expected.
"You want something to drink?" Steve asks, once both of them are free of their shoes.
"No, thank you."
"Alright. Have a seat, then," he gestures towards the couch. The cabin door opens up directly into the living area, which Steve has set up as 3/4th a living room and 1/4th dining room, in that a small kitchen table is along the far wall. Beyond that wall is the kitchen, where Robin and Dustin are undoubtedly helping themselves to his coffee or hot chocolate.
Eddie shuffles off to sit on the edge of the couch, as close to the armrest as he can get. Now that Steve can see him closer, he can see he's added more piercing to his face than just the eyebrow ring he wore in high school. Snake bites, a septum piercing, and a second eyebrow ring next to the original. He's sure that if Eddie's hair wasn't covering his ears, he'd see more metal there. Eddie had hung up the coat he'd been wearing but under that is a hoodie he didn't take off, so Steve can only guess if he ever got those tattoos he'd been planning in high school. His entire outfit is black, which just makes him look sickly in the cabin lighting.
Steve drops himself into the chair facing the couch. It's Melody's favorite chair to curl up in, but Steve thinks she'll forgive him for taking it. There's tension in the room, so he tries to break it. "You look like you've seen a ghost, dude."
Eddie makes a weird nose, almost a whimper or a whine, but before he can say anything, Robin rounds the wall, holding a mug of hot liquid and she says, "Oh, I'm sure he feels that he has. I didn't tell me we were coming to see you."
"Robin!" Steve is shocked.
"What? You said you wouldn't mind getting some closure, so I got him here. Does it matter how?" She takes a seat on the opposite end of the couch from Eddie, making a show of how comfortable she is in the space by sitting cross-legged and leaning back against the couch, in comparison to Eddie who is sitting up completely straight, barely on the couch with how close to the edge he's sitting.
"Yeah, it does! If he's not here voluntarily- if Eddie doesn't want to talk to me you can't-"
"I do," Eddie says. It grabs Steve and Robin's attention and Steve sees Eddie almost wilt under their twin stares. He clears his throat before continuing, "I mean, I would have come still, if she'd told me. I do want to talk to you. Apologize for.... for everything. So much I don't even know where to begin, or how."
"Uhh, this feels like something personal," Dustin says from where he's standing with his own mug, hovering nearby. "Should I be here for this?"
Good question. Steve doesn't care if Robin and Dustin hear what they talk about, but Eddie might. "How about we just relax a bit. How was the drive?"
Eddie scrunches his face, a half confused expression on his face.
"Fine," Robin says at the same time Dustin says, "Tense as fuck."
"Those two things don't seem like they match," Steve says.
Dustin moves to plop himself on the couch in between Eddie and Robin, then quietly curses as his drink sloshes over the edge of the mug. He starts mopping at it with the sleeve of his shirt as he says, "Robin is a liar. The tension in the truck is going to linger that's how bad it was. I'll be feeling the tension every time I get in the rig. Clients will feel the tension when I pull up to their curbs!"
"It was not that bad!" Robin swats Dustin. Successfully this time, since there's no way for him to dodge unless he wants to spill his drink again.
Steve just laughs. "Robs, light of my life, mate of my soul, knowing you and your grudges, Dustin's probably going easy on the description of the tension here."
"Well, there wouldn't be tension if I was allowed to say what I want to say."
"Can we go, like, five minutes without your negativity?"
"My negativity!? I'm not negative, I'm rational and level-headed!"
"You are not sounding very level-headed right now."
Dustin chimes in, "Steve's right. Level-headed people don't have to shout that they're level-headed."
"What say you, Eds?" Steve asks, the old nickname slipping out. He doesn't have time to be embarrassed about it though.
Eddie stands quickly and flings his hands in the air, having reached an invisible limit Steve is unaware of, pacing about the living room as he basically shouts, "Why don't you hate me!? You should hate me! I hate me! I can't- why are you just sitting there, trying to have a-a decent conversation with me? You should be screaming at me! You should be mad! Why aren't you? My fuckin' song ruined your life!"
The silence in the living room is heavy following that, all eyes on Eddie. Even the dogs, who had been in various states of sleep, lift their heads and look in Eddie's direction.
He looks mortified by the out burst, and his face turns red. "I-I'm sorry. I- I'm just, I'm sorry. I need air."
They all watch silently as Eddie jams his shoes back on and goes out the front door without tying them or grabbing his coat.
Steve sighs, deep and annoyed. At Robin and himself. He looks to Robin and she looks shocked by Eddie's outburst. She was watching the door, but turns her head to meet Steve's eye, a small frown on her face.
"Well, it's not like he's going far," Dustin says. "You going after him?"
"I don't know if I should."
Dustin scoffs. "Don't be an idiot, of course you should. We drug that guy to the middle of nowhere to talk to you. He agreed to come to the middle of nowhere even though I could have been a hit man hired by Robin to off him in the woods and he didn't even complain. Didn't even question. I don't know what happened, but I think you two need talk it over."
Steve blinks at Dustin. "Since when did you get so wise?"
"I've always been wise. You just refuse to see it with your ageism. Go. Robin can fill me in on the beef, here in the toasty, cozy cabin, while you two chat in the cold, and freeze your asses off."
"I don't have ageism-"
"Wrong argument to be having, Steve!" Dustin interrupts. "And take another cup of coffee with you. Even if he doesn't drink it, dude doesn't have gloves either so y'know, warm the hands."
Steve does just that. Fills his other thermos with coffee, taking a chance by adding cream and sugar, before putting his boots, coat, and beanie back on. He throws Eddie's coat over his arm and tucks both thermos' against his body with that same arm so he can have a free hand to open the door.
Eddie isn't far. He's pacing back and forth in front of the truck, talking to himself.
Taking a deep breath to steel himself, Steve steps off the porch and makes his way to Eddie. "Hey."
The pacing stops and Eddie turns to look at Steve. They just look at each other as Steve approaches. Steve doesn't stop until he's close enough to reach out and touch before he shuffles the two thermos's to his other arm and extends the one with Eddie's coat on it out.
"Thank you," Eddie says, taking the coat and shoving himself into it quickly.
"Brought you coffee, too," Steve holds out one thermos and after a pause, Eddie takes it, too, then almost instantly brings his other hand up to cradle it, warming his fingers.
He looks up from the thermos and meets Steve's eye. "I am sorry, Steve. I'm sorry for how things ended between us, and for the song I wrote, and for-for not thinking about how people would be able to work out that you were the Steve from Hey Steve. You should hate me for that alone. I'm so sorry for everything that's happened because I didn't think of the consequences."
"I don't- I don't hate you man. Not... not anymore. Not for a long time."
"Well, you should!"
Steve frowns. He wants to argue because who is Eddie to tell him how he should feel? But that's not going to help anything. "When Robin called me. During her interview after the Grammy's and asked if she could tell the truth I never- I didn't know what she meant by the truth. But. Well, nothing she said was a lie, but it wasn't the full story."
Eddie stays silent, seemingly waiting for Steve to continue.
"Those first two years after our breakup were- I'm not going to lie, they were fucking awful. I think I received my first bit of hate mail the very same day Hey Steve released. It was harsh. All from the same person, but sent to my Facebook and my Twitter and Instagram. Guess they really wanted me to read it.
"And then, with each passing day, a new person, new message, just as awful. After three days I deleted Instagram and Twitter. Then I locked down Facebook but like- physical letters showed up at my house. I can't lie, it certainly felt like you'd ruined my life."
Eddie makes a wounded sound at that. "That's because I did! What I did was unforgivable and-"
"You don't get to decide for me if I forgive you or not!" Steve snaps. "I haven't actually said I did forgive you, did I? All I've said is I don't hate you."
That gets Eddie quiet again for a moment, then he says, "you ended up hospitalized because of me."
"Robin said I ended up hospitalized, and that's true, but it wasn't- It was more complicated that just being your, and your fans', fault. For people who were supposedly on 'your side' of our breakup, they used a lot of homophobic language. That's how my mom found out. The letters were easy enough to just get rid of because all the bad shit was on the inside, but someone sent a post card, and mom collected the mail that day. It's... I don't like talking about this."
"Then don't," Eddie is quick to say, "you don't have to explain anything to me, or make yourself relive these events. It's- you don't owe that to me."
"I think I need to. I wrote you a song, said I'd do it all again, and I meant that. I want you to understand why. Just. Just give me a minute."
Eddie nods and takes a sip of his coffee. He looks pleasantly surprised and takes bigger drink before his face falls into a frown as he stares down at the thermos and Steve has to look away. He turns and squeezes his eyes shut to continue. "Mom showed the postcard to my father, and he confronted me that evening. It was.... it didn't start off bad. He asked if it was true. That I was gay. I made a choice, then. I didn't have to; I could have lied. I could have told him I was straight and that I didn't understand what the postcard was saying, but I didn't.
"I knew how he felt about queer people, and I told him the truth anyway. I was bisexual. I thought it was a miracle that he didn't kick me out instantly. Instead, he calmly asked me if that meant I liked woman. I said it meant I liked more than just woman.
"Then he told me that didn't matter. That so long as I liked woman, I would be with a woman, and that we never had to speak of this again. And I told him no. He didn't get to decide that for me. He said that he would rather have a dead son than a faggot one. And I thought- I never- surely he was just meaning, like, metaphorically, right? Like, he'd disown me, kick me out or something so I scoffed and said- God, I was so stupid. I knew it wasn't safe, but I was so angry at him, I shouted 'dead or alive, I'm your faggot son so deal with it.' And he- he said 'dead it is' and he attacked me."
He hears Eddie suck in a breath, hears the crunch of snow in what could only be Eddie taking a step towards him but stopping after just one step. Steve doesn't know if he wants Eddie to close the distance and give him the hug he knows Eddie wants to do. Steve doesn't know if he'd welcome the embrace or not. He sucks in his own shaky breath, and continues, "He almost beat me to death that night. The only reason he didn't was because mom dialed 911," Steve turns around, looks at Eddie and sees the tears falling down his own face reflected on Eddie. "As far as I know, dad's still serving time for his attempted murder, so like, at least I don't have to worry about him. And mom... I don't even know what to think of that.
"She called 911, didn't want to see me die, I guess, but also couldn't have a gay son. She sold the house, and everything in it, while I was still in the hospital, and just... disappeared. Robin's family took me in. She told that story during the interview, you knoe, but I wasn't even at the house when that guy with the gun showed up. I was meeting with a lawyer.
"She-Mom was- I don't know what she was trying to do but she gave me the family business. The whole company! It felt like she was trying to buy my forgiveness, except she didn't ask for it and still hasn't contacted me. It's like... she felt guilty about what happened but hated me at the same time. Felt she needed to do something to alleviate her guilt? Or maybe she just wanted to cut herself free of the whole Harrington name; free herself from me and my father. I don't think I'll ever get closure for that one."
Steve quits talking, needs to take another moment. He'd already rambled on about more than he meant to but talking to Eddie had always done that to him. Afterall, before they dated, they'd been friends. He sips at his coffee, not knowing what else to say.
"Jesus, Stevie, I'm so sorry. I didn't know- It's no excuse but I'm just so sorry."
He doesn't think Eddie knows he called him Stevie, but it's nice to hear. "So, see, it wasn't your fault. Your song set things into motion, for sure, so it's nice to hear an apology, but like, if anyone is the bad guy in this situation, it's Richard Harrington."
"But Robin said she just had to help you move to here. That you still get hate mail, and doxxed. That's on me. I saw your list of addresses, Steve! You've had to move, like, eight times a year!"
Steve can't help the cackle that springs from him. He surprises himself with the laugh, and Eddie, too, if his wide eyes and eyebrows hidden behind his bangs are any indication. "I- yeah, I move a lot. And yes, this most recent move was because of a brick with Hey Steve scratched into it broke my living room window, but like, I've only had to move because of harassment like, four times, if I'm counting the whole mom-selling-the-house thing."
"What?"
Steve holds up a finger, adding a new one as he counts them out. "Mom sold house. Scary gun guy at Robin's. The year anniversary of your first album's release. I was still in Hawkins, figuring out what to do with all the money I'd, uhh, inherited I guess, so I was easy to find. And the most recent one. Not sure what inspired it this time. Usually, the hate mail resurges when you go on tour, but it's less and less every time. Anyway, none of those other moves are because of crazy fans."
Eddie blinks at him, a picture of confusion. "But I found a YouTube video and that guy- he showed all your old addresses. He said- I thought..."
"Well, there are a lot of addresses. But not because of your fans. I move for my job. Do you... did you even read the truck?" Steve gestures to Dustin's truck and Eddie steps around to see the printed H&H Project Flip and below that is their website.
Eddie looks back to Steve like that answers nothing. Which, fair, but it would answer a lot of questions if Eddie had looked up the website. "After that surge of anniversary hate, I knew I needed to get out of Hawkins. Robin was graduated, then, and headed to college. I decided I wanted to see more than just Hawkins. I followed Robin to college in Chicago, and uh, bought a house. A real fixer upper but that was fine. I had plenty of money to throw into it. On a whim I thought, what if I try to fix it. I had a lot of free time and if it ended up badly, I could afford to pay a professional to fix whatever I broke. I found that I loved doing that."
He's still just being looked at like he's not making sense.
Steve rolls his eyes, "I flip houses, dude. Me and Dustin. Harrington and Henderson Project Flip. I was in Chicago for three years, lots of addresses for that city. But then Robin pointed out there were a lot of states. That I should see all 50 of 'em by renovating a house in each. She'd moved in with her then-girlfriend by this time, so she said I should go. See the States at the least. So, I did. I find it easier to just live in the house I'm renovating, so I'm not paying mortgage and then rent somewhere else in the same city."
Eddie looks like he's had a rug pulled out from under him and he lets out a laugh that's a little hysterical.
"And moving so much has allowed me to meet so many amazing people, y'know? I got friends in all the states. So, like, yeah, you did ruin my life, but like, just my life from 18 to 20. So, yeah, I'd do it all again. Did you think I've been living in perpetual misery for the last ten years?"
"Robin certainly made it easy to assume that, so yeah!"
"I think she did that on purpose. To hurt you back."
"I deserve it," Eddie says. "I didn't even try to check in on you. Well, once, but when I couldn't find you on any socials I just. Gave up."
Steve shrugs. "I didn't reach out either. And if you'll remember, I broke up with you. Screamed in your face that we were over and went home."
"I don't know when, or even if, Corroded Coffin will tour again, but I swear to you, we'll never play or release Hey Steve again. And I'll release a statement, or go on camera, or something, and address this. I can't make it right, but I can make a change starting now, to do better and be better," Eddie says this while gripping his thermos to death.
"I believe you, and I forgive you."
Eddie nods grimly, then looks from Steve to the cabin, and back to Steve. "Do you think Robin will ever forgive me?"
"I don't know. You hurt her pretty badly, too. We were all best friends in school and when we broke up, you cut off Robin, too. And then, when she started to gain her own fame- I think when she first moved to LA, she thought you'd try to reach out. But you never did."
A silence falls over them, and Steve refuses to break it. He's done enough talking. They drink their coffees 'til they're empty before Eddie speaks.
"Where does this leave us?"
Steve thinks about it before answering. "You were my best friend before you were my boyfriend. You'd been in my life longer than you've been out of it. We don't have to be anything. We can have our closure and go our separate ways, if you'd prefer. But, I think I'd like another chance at being your friend."
"I can do friend," Eddie says slowly, like he's picking his words carefully. "I can. But, full transparency, I think I still love you."
It hurts to hear, after all the pain and the time, and it's a bittersweet kind of hurt. "I'll always love you, Eds. I meant it, you know, every word of the song. But I don't know if we can, or should, try again. We were so good until we weren't."
Tears spring from Eddie's eyes when Steve says he loves him, and they don't stop falling even as he's nodding along with everything Steve says. "No, I know. I know. I just, I needed you to know. Friend is, it's so fucking great. More than I ever expected, and certainly more than I dared hope."
"Come on. Let's go inside where it's warm and chat with Dustin and Robin like civilized people. I need a break from the heavy talk."
"Yeah. Me too. Thank you, Steve. For the chance."
Steve shrugs and shoots him a crooked grin. "Yeah, well, ruin this a second time and Robin will rip you to shreds on live TV, probably."
There's more to talk about. More hurts to heal and things to discuss, Steve knows. And maybe after all the talking, they'll learn they've changed too much to even be friends. But that'll be okay, because if that's how it goes, it'll be because they talked it out instead of screaming at each other in a living room.
If they've changed too much, this time, it'll end gently.
It doesn't stop Steve from letting a little bit of hope in. That this won't end, that they can find a way to be in each other's lives again.
As friends, or more.
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stormywinter42 · 2 months
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Okay time to vent
I hate the idea of coming out I hate it so much. The fact that you have to come out as ANYTHING only exists because of hate. Really you should never have to come out as anything. It should be like seeing someone wearing a sweater during the summer you think “oh they like sweaters” or “maybe they have temperature problems” or honestly most of the time you would literally not think anything of it. It literally does not matter you usually wouldn’t even notice. Seeing a guy kiss or hug another guy or a girl with an Adam’s apple or facial hair or someone who doesn’t feel any attraction should be the same way. It’s not just for queer stuff though. People have to come out as religious (or atheist) or neurodiverse or even just having a different political view. There’s no reason at all for this the only reason coming out is such a big deal or even something that needs to happen in the first place is the intense fear of rejection that comes with it. Rejection for something you can’t control. If the world wasn’t just constantly hateful nobody would have to come out it would be completely normal and nobody would care.
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katowo · 8 months
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After watching queer shows that don't make it 100% they're queer right away, my favorite thing to do is go to the lower reviews on google because without fail there's ALWAYS people throwing a fit about how they "ruined the show". here's some of my favorite reviews from Good Omens and OFMD respectively:
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feel free to share more of these types of reviews in the reblogs because they are so funny to me and I want to start a collection
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classicrocker2000 · 5 months
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Source: Fab: An Intimate Life of Paul McCartney by Howard Sounes
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church-of-lilith · 2 months
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barbara’s church choir plot line in tonight’s episode of abbott elementary had me emotional in ways I can’t begin to describe.
i’ve always had an inkling of why they considered barbara to be ‘too progressive’ but hearing her flat out say it’s because of her befriending ‘some of abbott’s more ‘colorful’ teachers’ made my heart drop into my stomach.
any queer person who’s been in or around organized religion at some point can tell you how hard it is to wrestle with balancing your queerness and your religion because of how intolerant the church still is. there are delisha sloss’ everywhere, in about every community you’ll ever come across.
seeing that hatred of anything (or anyone) ‘progessive’ infiltrating the church community depicted so clearly on a network sitcom punched me in the gut. the fact that they’ve been targeting barbara all these years not only because of her befriending teachers like jacob and melissa, but also because of her inherent differences to them and all the qualities and things that make her unique? god it hurt.
i’m so glad that barbara (for the most part) doesn’t let them bother her or obstruct her relationship with god, but it was also so incredibly healing in an indescribable way to see the topic addressed the way it was. and to hear her story of why the church and returning to it meant so much to her. and to have ava give her the spotlight and her moment to shine despite everything in the end was just perfect. i wish more devout people in the world were like barbara howard.
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withacapitalp · 1 year
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Trust Me
Read it on AO3 instead here. Special thanks to @riality-check for betaing for me!!! I love me some genderfluid Steve Harrington, and writing this was so much fun!! TW: internalized homophobia, internalized transphobia, and a couple f slurs
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It started with the long navy skirt that Carol’s mother got her for her thirteenth birthday. 
Well, maybe it started a lot earlier. Maybe it started with Steve being both Tommy and Carol’s first kiss, or maybe it started with Steve always wanting to play house, or maybe it never really ‘started’ in the first place. Maybe this was just always who he was. 
But Carol thinks it really started with that long navy skirt. 
It wasn’t really Carol’s style. It was floor length and just a bit too long. When she tried it on, the bottom pooled around her on the floor like a rushing river. Her mom promised to get it tailored and told her to hang it up in her closet. 
Carol, in a hurry to get dressed before Steve and Tommy, left it on her desk instead. 
Her thirteenth birthday was perfect. Just her and her boys doing whatever she wanted. They went to Enzo’s for a fancy Italian dinner, watched a romance movie that Tommy pretended to hate, and got two scoops of cotton candy ice cream afterward to split. Her parents even let the boys sleep over in her bedroom as long as they all promised that Tommy and Steve were going to stay on the floor. 
They broke that promise pretty much the second the door was shut, but what her mom and dad didn’t know wouldn’t hurt them. 
Carol fell asleep squished between her two favorite people, snuggled in warm and safe. 
She woke up half cold. 
Tommy was still curled up on her left side, snoring and dead to the world, but her right side was chilly, and when she spread her fingers out searching, only the blankets greeted her. 
Steve wasn’t there. 
Carol cracked one eye open, looking past the empty bed and towards the clock on her bedside table. 3:48 am. 
Way too early to be awake, even for an early bird like their Stevie. If it was Tommy, she would’ve just rolled over and went back to bed, assuming he was just getting up to pee or something. That was probably what Steve was doing. Carol didn’t need to worry. 
But…but it was Steve, and Steve had a tendency to get himself into trouble. The little voice in the back of Carol’s head that sounded like her mother was nagging at her, telling her to check on him, telling her to make sure, just make sure. 
So, with a heaving sigh, Carol untangled herself from Tommy’s octopus grip and pushed herself out of bed, shivering slightly when her bare feet touched the freezing cold floor. She scurried over to where her slippers were, jamming them on and walking out the door yawning. 
She was too busy rubbing at her sleep filled eyes to notice the skirt that had been on her desk was missing. 
Light spilled into the hallway from down the stairs, directing Carol to where she would find her missing boy. She decided to slide down the banister to avoid the creaky steps, smothering a giggle and keeping quiet. Steve was probably just getting a midnight snack and watching one of her VHS tapes. Maybe she would join him, and they could watch Robin Hood or Mary Poppins and fall asleep on the couch together like they did sometimes. 
But when Carol finally peeked into the living room, she stopped short.
Steve wasn’t sitting on the couch munching on chips or drinking a soda, and the television was dark. He wasn’t sitting at all, actually. Stevie was standing by the big accent mirror her mother put in the corner of the room, looking at his reflection as he idly twirled back and forth. 
That wasn’t the part that made Carol freeze in place. 
She froze because he was wearing her new skirt. 
It looked like it fit him wonderfully, actually. Steve had shot up like a weed last year, growing practically a foot in height, so the maxi length reached almost exactly halfway down his calves. His waist, which had always been tiny, looked positively perfect. If it was another girl trying it on, Carol would already be gushing about how cute it was. 
But it wasn’t another girl.
It was Steve. 
Her Steve. One of her boys. One of her boys was wearing a skirt, and it was a definitive fact that boys did not wear skirts. She would’ve figured it was just a joke, something stupid to make her and Tommy laugh, but then why would Steve do this in the middle of the night when they wouldn’t be awake to tease him? Why would he come downstairs when everyone else was asleep?
Why did Steve look like he was about to cry? 
Any thoughts Carol had about poking fun at him disappeared. Steve never cried. Never ever. She hadn’t even seen him cry when he broke his wrist falling out of the tree in his backyard. The only time she had ever seen Steve cry was the first time his parents had missed one of his basketball games, and she hadn’t even ‘seen’ that, just heard it through his locked bedroom door. 
(She didn’t like to remember that day. He had been crying so loudly it carried through his whole house. Carol guessed Steve never learned how to do that quietly, considering there was no need. His parents weren’t there.)
Sure, they liked to mess with each other, and Carol was never afraid of saying something that other people might be too sensitive about because she knew Steve could take it, but something about this just felt…different. 
“Stevie?” Carol called, stepping into the room. He immediately stiffened up, the soft slope of his shoulders growing rigid with fear. Steve looked at her from the reflection of the mirror, not turning to face her properly. 
He looked completely terrified, and that just wouldn’t do. She didn’t know what to say or think about a boy wearing a skirt, but she did know how to deal with Steve. 
“It looks pretty,” Carol said with false lightness, walking into the room and standing behind Steve in the mirror. She tried to catch his eye and give him one of her sweetest smiles, but it fell when Steve avoided her gaze. 
“It doesn’t,” Steve muttered, curling in on himself and grabbing at the hem of the old t-shirt he was wearing as pajamas, “I look silly.” 
“I think it’s pretty,” she argued back.
Yes, he did look kind of silly, but she couldn’t stand seeing him make himself small like that. Steve did that whenever he was talking to his mom and dad, he would hide himself away and try to take up less space, but he never did that with her and Tommy. Carol wasn’t going to let him start now. Not because of this. 
“It is really pretty, Stevie,” Carol added on, reaching out to put her hand on his shoulder, “The cut is nice, and it makes your waist look so small. I wish mine looked like that! Plus the color compliments your-”
“I look ridiculous, Carrie,” Steve interrupted harshly, jerking away from her before she could touch him and squeezing his eyes shut tight, “Like a fag, a sick freak.” 
Carol left her hand hovering in the air, her stomach disappearing. Those weren’t Steve’s words. Steve would never say something that mean. 
Carol knew she could be mean sometimes, and she knew Tommy could be even meaner other times, but that was only to people who deserved it. Steve was never mean, even to people who deserved it. He was a total sweetheart, soft and gentle, and he needed her and Tommy to protect those soft gentle parts of him.
The parts that would hurt if he heard things like that. The parts that would hold onto words like those, waiting for the perfect moment to turn them inward and hurt himself. 
He had gotten those words from somewhere, and Carol was pretty sure she knew where. But no matter who had said them or about what, she knew she needed to make them go away. 
Somehow. 
“Well, it does look a little weird,” Carol started, quickly continuing when she saw Steve’s lip starting to wobble, “But not because it’s you wearing it! Just… that skirt really doesn’t work with your PJs. Wait, wait right here, I have an idea. Trust me.” 
She scampered up the stairs, practically flying into her room and rooting around in her closet, throwing things left and right. When she found what she was looking for she gasped in delight, a sound that was just loud enough to make Tommy snuffle slightly away. 
“Go back to sleep,” Carol said in a soft sing-song voice, pausing briefly in her mission to skip over and press a quick kiss to Tommy’s cheek. 
She loved Tommy, and she knew Steve loved Tommy, and she knew that Tommy loved both of them, but this still didn’t feel like something that they needed to share with him. At least, not just yet. 
Luckily, Tommy hummed happily and turned over, going back to his snoring. She chuckled quietly to herself and began to walk out, grabbing the big jewelry box from the top of her dresser as an afterthought. 
Steve was still standing exactly where she had left him, looking out of place and uncomfortable in his body. The words ‘sick freak’ were still burning in her chest, and she could see them written on his features. 
The other word was there too, but Carol couldn’t think about that word. She used it, and Tommy used it, but never for real. Steve had said it for real, stamping himself with a label that didn’t fit right. 
Yeah, he and Tommy had kissed a couple times, but Steve had also kissed her a few times, and she kissed Tommy all the time. It was just something they had as friends, practice for when they got real boyfriends and girlfriends. That didn’t make them fags. That just…it made her boys her boys. That was all. 
No matter what, Steve wasn’t a freak, and he definitely wasn’t sick. He was the coolest boy in school, her very best friend. He was soft and gentle where she and Tommy were hard and biting, and the three of them worked perfectly. Everyone looked up to them, everyone wanted to be them. Anything he wanted to do was right.
So if Steve wanted to wear something pretty, then Carol was going to make sure it was absolutely perfect. 
“Here,” Carol said, handing over the sweater she had been looking for. 
It was cashmere, soft and buttery to the touch, with a cream and dark blue striped pattern. Her uncle had gotten it for her in Paris, but he always got things way too big. It was ‘so she could grow into it’, but Carol really hoped she would never grow into an extra extra large. 
Steve took the sweater from here, but didn’t move to put it on. He just held it, rubbing his thumb along the fabric and staring down at it with a strange longing. 
“Go on. It’ll match way better,” Carol urged, nudging his shoulder with her own and stepping back. He stayed still. 
“Trust me,” Carol repeated, keeping her face open and honest. 
Steve tossed her an unsure look but did as he was told, hesitantly pulling his t-shirt off and slipping into the sweater. Without the pajamas clashing, the skirt looked even better, and Steve was even starting to cautiously admire his reflection again. 
“Now let’s tuck it in,” Carol said, pushing away any lingering confusion and moving straight into business mode. She didn't have to think about whether it was right for Steve to want to wear a skirt, she just had to make sure that it looked good. 
She pulled Steve so he was back directly in front of the mirror, standing behind him and reaching around. She tucked the bottom of the sweater into his skirt, fussing for a second to make sure it wasn’t bunched up anywhere and smoothing down the creases where his broad shoulders didn’t quite match up to the way the sweater was cut. 
“Give me a twirl,” Carol ordered, spinning her finger the way her mother always did when she had Carol try on something new. 
“Twirl?” Steve questioned, standing awkwardly. 
Carol nodded eagerly, sitting on the coffee table and putting her jewelry box down next to her. She never really liked it when her mom made her do this, but it was enjoyable to watch someone else. Carol had always wanted a sister to play dress up with, and while this wasn’t exactly the same, it was still pretty fun. 
Now that she was getting into it, it didn’t really seem all that strange to her, and the longer she looked at Steve in her clothes, the more normal it all seemed. It was just dress up, just something fun to do with her very best friend. Didn’t best friends try on each other’s clothes all the time? Tommy and Steve practically shared one wardrobe. 
This wasn’t that weird. Just dress up. 
Steve continued to just stand there for a minute before taking a deep breath and spinning in the smallest fastest circle she had ever seen. His face was beet red and he was staring down at his feet, but Carol could see the smile starting to grow on his face. 
She made another teasing circle with her finger and Steve twirled around for her again, bigger this time. She giggled, and he answered with his own quiet laugh. The air in the room was growing bright and warm and Carol hopped up from her spot, grabbing Steve’s hand and tugging him over to the couch. 
“Time for accessories,” She declared, dragging her box over and opening it. It was stuffed to the bursting with tons of different bits and baubles, and Carol began to root through it, picking out a few things she thought would match. 
“Do I need these?” Steve wondered aloud, looking wide eyed at all the different options. 
“Accessories make an outfit, Stevie,” Carol said, parroting the words her mother always said to her. 
She put a bunch of her silver bangles around one of his wrists, and her favorite blue and white polka dot scrunchie around the other. None of her rings would fit Steve’s fingers, and his hair was too short for his hair was too short for any of her ribbons or to make a braid, but she did find a few star and moon barrettes to clip in that looked nice. 
Carol pulled back to look at the whole outfit, tapping her lip with the tip of her finger. There was still something missing, something not quite right. 
“Oh!” Carol said, realizing what was wrong. She reached up behind her own head, undoing the clasp and reaching up to put it around Steve’s neck instead. 
“Wait, what are you-”
“Trust me,” Carol crooned, continuing to put the necklace around Steve’s neck. When the clasp was locked in place, she fixed the chain, arranging it exactly as she wanted. 
“There, that’s better,” She said with a satisfied smile. 
The locket was gold, which didn’t exactly match what she was trying to do with his ensemble, but it was the thing that was missing. Steve and Tommy had gotten it for her for her tenth birthday, and both of their pictures were inside, along with one of her baby teeth.  
It was cheap, and her mother didn’t like it very much, but they had saved all of their pocket money to get it for her, and it was Carol’s prized possession. She never let anyone else touch it, and the only time she took it off was to take a bath or grab a shower. 
She could feel its absence now, the lack of weight that was usually there on her neck, but the sensation didn’t fill her with the usual anxiety it caused. She knew it was in safe hands. 
Out of the three of them, Steve was always the gentlest.
Steve looked lost again, reaching up to touch the locket in silent wonder. The bracelets around his wrist jangled against each other, and he almost startled at the sound, unused to wearing any jewelry. She snickered, opening up one of the other drawers in her box. 
“Do you want some makeup?” Carol whispered conspiratorially, pulling out her secret eyeshadow and mascara, “My mom doesn’t know I have these, but I swiped them from the department store a couple months ago,”
Steve quickly shook his head, staying uncharacteristically silent. Carol could tell he wanted to say yes, and she really wanted to try and see if she could do a better job on him than she did on herself when she tried to put it on, but she held back. Steve was brand new to pretty clothes, and doing too much at once would probably be overwhelming. 
He already looked pretty shocked as it was. 
“Okay. Now let’s look properly,” Carol said, clapping her hands and pulling them both out of their thoughts. 
She held out her hand and Steve took it, interlocking their fingers. Carol passively thought about different nail polish colors she could try on Steve as she walked them both towards the mirror. He probably wouldn’t like pink, but maybe baby blue? Or white with little stickers. That could look nice. 
Or maybe this was a one time thing. Maybe Steve would look at his reflection and totally hate it and never want to try again. 
That’s what Carol should want, right? It wasn’t normal for boys to want to put on pretty clothes, and it would be better if Steve decided he didn’t like it. 
So why was she so hopeful that Steve would like how he looked as much as she did? 
“How do you feel?” Carol asked as they reached the mirror, looking anxiously at their reflections. 
Steve looked like himself still, but changed, evolved. It was like those soft parts of him- the gentle ones he kept hidden just for Tommy and Carol- were finally on full display, and the result was gorgeous.  
The lean muscles that were starting to develop on Steve’s arms from swimming practice were hidden under cashmere stripes, and the barely there baby fat that was starting to fade made her want to squeeze his cheeks. He had a sweet smile on his face and he kept glancing shyly from the mirror down to his hands and back up to the mirror. It was like he was scared to see himself, but couldn’t look away. 
“Pretty,” He whispered, his voice filled with awe, making Carol’s chest brim with light, “I feel pretty.” 
“No,” She whispered back, leaning her head against his upper arm and beaming, “Trust me. You’re beautiful.” 
“Beautiful,” He repeated, holding the word reverently on his tongue. Carol stood on her tip toes and kissed Steve’s cheek, wrapping her arms around his bicep and going back to looking at their reflections. 
Carol’s mom never ended up getting that navy skirt tailored, because she never saw it again. When she asked her daughter, Carol played dumb, telling her it was in the laundry or missing somewhere in the house. 
Her mother never found out that the skirt and the sweater that had never fit Carol now lived in the back of Steve Harrington’s closet, hidden inside a fabric bag behind a box of old baby clothes. 
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some-pers0n · 11 months
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I always find it funny when I see a homophobic WoF fan. How do you even do the mental gymnastics to be in a fandom where there are not only so many canon queer characters, but an infinite supply of headcanons and queer ships. Buddy, you're in the Gay Dragons fandom, how do you still "not agree" with their existence?
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These nauseating, cruel comments under Noah’s Pride post are NOT passing the vibe check. They are making my blood boil to new degrees.
“We don’t need you in stranger thing anymore.”
“I hope you die alone noah.”
“I think it’s time to unfollow you and will not see ST s5.”
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I’m happy Noah is out and happy and thriving, and I can’t wait till Season 5 blinds all these people with the brightest rainbow 🏳️‍🌈 imaginable through Byler and Rockie, but I’m not looking forward to the unhinged, insane hate comments
It’s a scary time. Stay safe out there everyone!
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celluloidbroomcloset · 5 months
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(Carrying on from this post. Note that I'm really just sharing my own thoughts here.)
Ed is as fully steeped in toxic masculinity as Izzy, but his reaction to it is different. The pirate life is destroying him slowly, and it's destroying him from the moment we meet him. Stede offers him an alternative; Stede is outlandish for a pirate, but Ed doesn't see this as an inherent weakness. It's something that he finds immediately fascinating. The longer he's around Stede, the more exciting he finds Stede's world and its expression of masculinity. He does "fancy a fine fabric," and he likes the things that Stede shows him - both for themselves and, increasingly, because Stede loves them. He fully indulges in Stede's games and stories - his own crew remark on how happy and open he is. To Izzy, this appears a further descent into unacceptable masculinity.
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It should be noted that Izzy has been angry at Ed for moving outside of the Blackbeard persona before we even meet them. Izzy remarks that Ed has been getting gradually crazier and crazier, and that Izzy himself has been protecting him. We don't see much of that immediate past, but this is a case where we can extrapolate from what we do see and what we learn about the characters. Ed is having a breakdown. He's bored, he's tired, and he's contemplating death as the final great adventure. He tells Stede that nothing is fun anymore; he barely has to do anything. Being Blackbeard is exhausting and isolating.
Izzy sees this too, but he draws the wrong conclusions - he thinks Ed needs to simply "man up." He remarks on the struggle it takes to "manage your increasingly erratic moods" without apparently understanding the reason behind them (which Ed offers up pretty clearly, both to Izzy and then to Stede). Stede and Ed's relationship represents an even further "descent" as far as Izzy is concerned.
The conversation in "Discomfort" and in "Wherever You Go" are clearly mirrored. In the first, Ed is finding light at the end of the tunnel in the form of Stede and Izzy is desperately trying to push him back to where Blackbeard lurks. In "Wherever You Go," Izzy further pushes Ed back into the toxic masculinity box, his prescribed masculine role, by directly insulting his manhood and insinuating that his expression of grief is emasculating.
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Again, this is not an issue of Ed being affected by Stede's absence, necessarily, but how he expresses it. Izzy's homophobia is very much about outward expression and what is and is not acceptable to be thought "a man." Ed is expressing grief in what Izzy sees as an effeminate "namby-pamby" way - wearing Stede's clothing, crying, eating marmalade, writing songs, and trying, in his own imperfect way, to replicate the things that he loved about being on the Revenge with Stede.
But the only acceptable emotion, for men, is anger. Not for nothing is Izzy's main emotional expression in Season 1 rage; Wee John even refers to him as "that little angry fecker," and we rarely see him genuinely smile, laugh, or cry. Ed can be heartbroken, that's something Izzy cannot control, but he cannot show it like that. He must be furious. He must be angry. He must be violent. He must want to kill Stede for inflicting pain on him. He must be Blackbeard.
Izzy expresses near joy when Ed tries to strangle him - "There he is" - and threatens him if he doesn't go back into the correct persona.
Ed and Izzy do come from the same world, and they have shared experiences. But Ed's fall into the Kraken"Blackbeard persona takes all the internalized grief and pain and expresses it using the only emotion he's now permitted - anger. The result is horrific, to the extent that Izzy himself is dismayed at how far things have gone. But Ed's reaction is a natural progression - if this is what men are, then he's going to be everything that a man is supposed to be. That the result is monstrous is very deliberate, on the part of Ed and on the part of the show.
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Izzy attempts, too late, to bring back Stede's ethos by invoking the "talk it through as a crew" line. He and the crew are genuinely worried about what has happened to Ed, but it is clear that Izzy himself does not understand his culpability. Ed said at the start that the only thing left for him was death; having been stripped of all the things that were joyful or soft, and therefore unmasculine, all he has left is death. His only mode of outward expression is anger and violence. There is no "talking it through."
None of this is to say that Izzy deserves to be shot, simply that this is the natural thematic outcome of everything that has been developing since we first see them together in Season 1. "Kraken" is indeed Ed's fault; he chooses to push Lucius off the ship, discarding first the "fine thing" that represented his connection to Stede, to softness, and to all the gentler forms of masculinity that he's now going to destroy. Ed's behavior belongs to Ed and Izzy's to Izzy.
It is not for nothing that Ed only cries in private. The viewer sees the grief and sorrow lurking beneath the surface, the fantasies about marrying Stede, the sobbing at night. But on the surface, Blackbeard must remain Blackbeard, and the only acceptable emotion is anger.
This descent on the part of Ed turns itself around on Izzy, too. The invocation of Ed's angry masculinity then becomes violence inflicted on Izzy himself. Izzy very much becomes the focal point of Ed's rage, beginning with the loss of his toes and leading to the loss of his leg.
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Once more, Izzy's perception is unreliable. He says that it is Ed's feelings for Stede that have resulted in the toxic atmosphere on the ship. But it is Izzy himself who has told Ed that his earlier emotional expression is wrong, even subhuman - a "thing" he's become. It is the warping of grief and pain into anger that has resulted in Ed's madness and suicidal depression, and Ed's anger with Izzy is not misplaced. In a lot of ways, Izzy has shot himself in the foot.
The darker elements of this show indicate how deeply and horribly warping toxic masculinity is, but also that there is hope in the depths, not just for Ed...but for Izzy.
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(Gonna carry on with the queer joy part of this later, because we should really remember that this show is very much about not living in darkness, even if darkness is a part of us.)
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pendulum-sonata · 5 months
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"This is the only way two of our kind could be blessed with the pride flag inside a church"
Absolutely heartbreaking words from the mexican LGBTQ+ community due to the murder of the only non-binary magistrate and their partner. 🏳️‍🌈🏳️‍⚧️ 🖤
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mythsandheather · 6 months
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Inspired by @raedshadowlegends post on which characters would be pro or anti vax I did one on who I think is and is not for the gays. Shitty image quality, explanations as follows:
DOES NOT SUPPORT PRIDE/LGBTQ+
Persephone: Hades hates it so she does too. Also she’s attack all manner of marginalised people already in thinly veiled hate crimes, so this isn’t surprising for her.
Hades: uses slurs on a regular basis and named gay marriage in the underworld, micro-aggressions Morpheus all the time
Hera: same as Hades, just not as open about it. Trying to get gay marriage banned on Olympus. It’s not working.
Apollo: sometimes whispers slurs when he thinks no one will hear him and kick his ass
Kronos/Rhea: Hades inherited it from them
Daphne: friends with Persephone, toxic to Thanatos, you do the math.
Eros: gay coded but in a Shane Dawson way
Hecate: is a lesbian and trying to convince herself she’s not in case Hades fires her or Persephone turns her into a basket
DOES SUPPORT PRIDE/LGBTQ+
Hermes: cool with everyone. Remembers pronouns the best.
Amphitrite: her and Poseidon have a gay bar
Hypnos: queer and a supportive dad
Artemis: lesbian. Calls Apollo out on his shit. Hasn’t told Persephone for good reason.
Poseidon: him and amphitrite have a gay bar
Minthe: railed Demeter at a pride parade
Athena: goes to pride alone
Psyche: new to the concept of pride but loves it so far
Demeter: got railed by Minthe at a pride parade
Thanatos: does drag to cope
Morpheus: does her best to educate others
Ares: bi but hasn’t told Hera cuz she’ll disown him
Zeus: king of the gays. Gay marriage is legal because of him.
Eris: owns many many many queer sexy nightclubs
OTHER
Dionysus: only a baby now but will one day be a holy queer terror to his shitty adopted parents
Hephaestus: not bothered by what anyone does, will just say “hey, good for you”.
Leuce: doesn’t get the concept of pride but wants everyone to be happy equally
Thetis: wants everyone to be miserable equally
Chiron: doesn’t support pride as much as you’d think a mental health professional would, but she also says a lot of things you wouldn’t think a good mental health professional would say.
Aphrodite: in her own business but as the goddess of love, sees no reason to object to pride.
Hebe: wants to be just like her mom but also thinks she might be pan and nonbinary and isn’t sure what to do
Hestia: makes Athena go to pride alone bc she’s busy sucking up to H+P.
Should I do more graphs like this with my undeniably correct opinions?
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