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fandom-zoomer · 29 days

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I think I may have come up with the best worst tma time travel “fix-it” au (imho)

Inspired by Ketakoshka's 'dread spawn' idea in their dread child jon series, Dribbledscribbles' origin story for the dread powers and extinction entity interpretation in their extinction!jon fic (and some more of the latter in their post-eyepocalypse fic too), as well as my own love for making unholy (aka fun) fusions of things and sandboxing eldritch interactions with the 'mundane' . . .

. . . I have created a post-canon, Somewhere Else, time travel ""fix-it"" story that I think might be unique (at least I've never seen any fics like it– but if I'm wrong then please please share the link!! or dm me if it's your own work hehe but no pressure!!)

(mag 160+ spoilers after this point!)

(i'm about to wax poetics here (hopefully coherently)—so you can read the story-ramble OR you can scroll to the TL;DR at the bottom to skip it & spoilers to read the nutshell & see if you're interested :3)

so get this...

The big Change happens right? But this time the Extinction is a bigger player in the game than canon, and ultimately deeply marks Jon throughout the eyepocalypse.

So when the finale happens, since Jon is now connected to the epicenter of the whole show, his 'death' and the panopticon's destruction has the simultaneous effect of baiting the Dread Powers into the Hole (via his voice in the spools of tape)– and also killing everyone trapped by the Dread Powers in the world via Jon the walking detonator thanks to being entrenched in the Extinction's influence. —Combining both his best and worst plans and realizing his worst nightmare: killing everyone and spreading the Powers to an unknown number of worlds to wreak even more havoc.

How did this happen?

Simple—but first some backstory for context.

The Extinction was more of a 'lurker', much less "outgoing" than its 'siblings'. And when it was "grandiose", well. . . it tended to leave no survivors. Thus its unrecognition by those like Robert Smirke or Jürgen Leitner.

To go back even further, the Dread entities were originally one cohesive entity with many faces and limbs. Its faces reflected the same developmental complexity as the sources of their manifestation. So those with the most diverse species feeding them held the widest capacities. Namely: the Hunt, End, and Extinction. But being a singular entity, it didn't mean much.

But as human species' family lines develop and grow more complex cognitive ability, more esoteric Dreads developed, and more faces become more complex. And the Extinction was right there from the beginning as more species died out one by one. Quietly. (...maybe? 👀)

Over time humans discovered the Powers and bonded with them, then started to classify them. From here, the Dread entity fragmented into Dread entities.

They developed their own 'consciousnesses' distinct from the hive 'mind' they once were. And, eventually, sapience. Self-awareness. Desires. Personalities. But they were still connected, part of the 'system'.

The Extinction and the Web (newer, but always sapient) are a quirky pair, the Web seeking control over everything and the Extinction seeking ultimate entropy and change upon its catastrophe.

It's hard to distinguish the Extinction exactly, its work misidentified for others with few under its own unique umbrella. Things 'unique' to it get missed due to being a misnomer and not getting clocked. (But that is the nature of the Dread Powers after all.. being a fragmentation of their original singular mass.)

...

The Extinction represents the fear of disaster that will bring about the end of everything—everything you know, love, need to survive. Everything you built, worked for, hoped for. The destruction of stories and of life, of the very history written by your land—your home.

Your community. Your society. Your species.

You.

Annihilated in totality.

The Extinction represents the fear of those that come after you to replace you—worse than you, different from you. Leaving you and your history and stories (the driver of your continued existence) forgotten forever. The fear of life moving on after you, ignorant and apathetic. Your story meaningless, irrelevant.

Your community's story. Your society's story. Your species' story.

Your story.

Erased and written over.

The Web represents the fear of being controlled, fate being out of your hands—by malevolent authorities out of reach, by abusive companions or relatives, by invisible forces far beyond the human comprehension. Spinning, winding, twisting, pulling each decision in your life made for you. Until destruction of the self by your own hand.

Your struggle for change futile. Your feet following the same path. Your fate determined for you.

You forfeit control—your feet march you to your bitter demise.

The Web represents the fear of being conspired against. Scheming, plotting, planning your downfall. The loss of everything you hold dear, worked for, bled for. Spinning, twisting, scripting lies about you. Your credibility falls to pieces, your world shatters, and your story distorts.

You are kept alive by the spreading of your story. And the people have decided to trust the manufactured tale.

You are forgotten—twisted into an image of something wrong.

...

Sometimes they're at odds. Where one seeks to manipulate the threads of everything endlessly, the other seeks to destroy it all so thoroughly, with such finality, as to mutate it– the schemes, the pawns, the gameboard itself.

Sometimes they're complementary. Where you watch as you lose everyone you cared for one by one, spiraling down a path darker into entropy, the irreversible nightmare, and wondering if you ever really had free will in the first place– if anyone did.

What if the end for you really was just another game to them? What if this wasn't their first round? What if you're just the next step in the grand scheme, larger than even your own universe?

Alright, now with that out of the way, let's bring back the question.

How did the Extinction change Jon, and how did this cause the altered result of the finale?

The Web has been there since the near beginning, pulling Jon along and guiding him to his next milestone in the plot. She had known the world would come to an end one way or another, and wanted to bring it about on her own terms so that she—they all—could escape it.

So when the Web saw what the Eye was doing, she had an idea. So she aided their acolytes, seeing her sibling as the perfect way to bring all of them together for the final step. And the Web set her own card onto the board: Jon.

Jon had a natural disposition for the Eye; from stubborn curiosity to the reckless pursuit for answers to even the coldest cases. Whether he knows it or not, his mind is a gaping maw for horrible knowledge—chasing after experiences disguised as answers to his burning questions so dreadful they leave scars on him like sigils of a looming doom.

While he has no affinity for the Web's machinations, he is still hers. She has no issue with guiding agents from across the court, she knows how to share. Especially when it benefits her. Jon archives each event, every little detail, with such care and readiness that he makes the perfect vessel to pull them in—to guide them out. He'd flourish best as her tool in the Watcher's sphere.

After the Watcher's Crown and the Dread Powers came into the world, the Extinction started to make its presence known. It seeped into other Domains and fed on the people's dread for permanent catastrophic change, on their fear of ruin and total desctruction. And as Jon traversed them and lived through their fear, so was he marked by the Extinction.

It seeped into his skin like oil and burned through his veins like acid. It tainted his trails with the radioactivity of human hubris and greed, twisting and mutating both the mundane and Dreadful as he passed. It closed its grasp on him with the tightness plastic rings and infected his Perceived routes with the stench of mountainous landfill and the thickness of city smog.

The Web and the Extinction had a complex relationship, but in this moment they guided the Archivist in synchronous song like a soldier being led to his final mission: dropping the nuclear bomb.

Did Jon know?

...

No.

The twines of manipulation layer labyrinthine over everything, above and below and through every angle and dimension. Even the Nigh-Omniscient Antichrist and his All-Knowing God will never fathom its depths.

He might never know that he helped start the Extinction's ritual: Raze the Earth.

Or that both the Web and the Eye knew and did nothing. (honestly, the latter's only there for the show)

So when Martin stabbed Jon and Melanie lit the gas mainline, the threads around the world snapped and the glowing light of humanity's greatest sins exploded over everything—

—and they prayed—

—and they wept—

—and the Dreads rushed out torrentially. (pulling a few strays with them)

Now for the part you were all waiting for (well I was)—the Heart of this AU

The Dread Powers and the ones who were dragged with them were transported Somewhere Else– a parallel world in a parallel universe. But they were. . . Changed from their previous/original selves.

The tag-alongs—Martin & Jon of course, but also Annabelle Cane, Oliver Banks, Simon Fairchild, and Arthur Nolan—replaced their parallels at birth, and gained partial or full amnesia to their past lives. But their personalities are altered, reflecting some aspects of their pre-finale personalities.

Except for Jon. Jon, the Pupil of the Eye, the Warhead of the Extinction, the Spools of the Web, the Archive of the Dreads and linchpin to their escape. . . was significantly destroyed in the center of the storm. He got it and so much worse—a stick so short its existence was inverted.

While they did get reach the new universe, they had to reconstruct their linchpin/Archive that they're still connected to so that his total destruction doesn't tear them apart as well (being an Extinction avatar that's now deeply connected with them, he's capable of "taking them down with him").

When Jon was reborn, he was literally thrown into the world like a meteorite, landing with an explosive blast that rendered the surrounding area a lifeless wasteland in moments. High radioactivity and a deathly curse left few flora or fauna returning before wasting away soon after. Those that 'survived' did so by being infected by the Extinction or Corruption.

It would permanently remain uninhabitable, and it would take months before the withered stillborn spawn of the sapient eldritch Dread Entities would crawl out of the jagged crater on its own, none the wiser to its tragedies.

TL;DR

The Web manipulated Jon's attempt to put a stop to the Entities' reign, utilizing the Eye's easy influence to help the Dreads escape the world and into a fresh new one before they were also destroyed in the Extinction's "Raze the World" ritual (set up by using Jon to weave toxic-filled veins throughout the world he was traversing that'll explode at once 'grand finale' style).

Jon, now deeply binded to the Entities' purest forms and still an Extinction time-bomb, was mostly destroyed during the trip to Somewhere Else and the Entities had to reconstruct him so his death wouldn't destroy them too. This led to Jon being reborn a near completely different being (with some of him preserved) as functionally the direct spawn of the Dread Powers, replacing his parallel counterpart from the new world.

#yes i made him So Much Worse ur welc <333 #if you couldn't tell this is my favorite self-indulgent au #i love jon he's my favorite ragdoll /aff #so sorry for the length i honestly thought it'd be shorter :8 #i have a name for this au but it's also the name of a collection of au's so lmk if you have a name for this one specifically!#i'd love to hear any thoughts!#don't be shy but don't feel obligated #tma #tma au #yafc au #yafc-j au #tma time travel au #tma somewhere else #it's not really a 'fix-it' au i'm just used to that being part of the name lol #ig it'll depend where the au goes whether it's a fix-it or just me using jon as a sandboxing dummy #tma jon #jonathan sims #tma entities #jonmartin #to-be #(sorry for the clickbait jonmartin consumers they're not in this post just the au hehe)#tma writing #my writing #god i'm probly gonna cringe at the mess of these tags later but whatever i'm too busy riding my high to care atm #future me's problem #my post

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ofmermaidstories · 1 year

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You don’t know where your son came from.

Ostensibly, he’s the best of you and Deku both—his big eyes are all Izuku’s, his grin (sharp and fleeting) is all yours. But your little boy burns with so much life, you don’t know where he gets it from, what fiery star he’s mined it from. Before he was born, before he even existed, a psychic had told you three things about him: that he had been here before, that he would be a leader, and that he would be your husband’s biggest heartache.

(“I don’t have a husband,” you’d told her, stoutly. You were twenty three and chronically single, at that stage; you never liked the people around you enough to let them close enough to change your mind.

She arched an eyebrow, but didn’t look up from the playing cards she was now flipping over, like she was reading the future in the red hearts, the black spades.

“Don’t sweat the details,” she’d said, unbothered, like she hadn’t just told you your future child and husband were hurtling towards some great pain you couldn’t save them from. “He’s on his way now. He needs you just as much as you need him, I think. And the boy. Eventually.”

“You just said they’re gonna hate each other,” you pointed out, annoyed, and the woman sighs. She hadn’t been your idea of a psychic at all—with her neatly kept, shining hair and the designer polo shirt she was wearing. The tennis-white shoes, the singular golden bangle.

“I said he’d be your husband’s biggest heartache,” she reminds you. “That could mean anything. Use your imagination. You’re going to need it, with the life you have in front of you.”

You hadn’t been very impressed, with that—the feeling mutual, apparently, since she ended the session shortly after. And though you laughed about it with your friends later on, you thought of it again when you met Deku—Izuku. Izuku, and the way he had taken your hand, promising you he was there, that you were safe—that you were safe with him.)

You almost didn’t have him—you almost didn’t want him, want children. What would you do with one? Dedicate the rest of your life to it? How could you ensure it’d be safe? You couldn’t—no one could, not even your superhero husband. Your superhero husband who had been the epicentre of the war that tore Japan apart, when you were both teens. Who had lost mentors and classmates alike to it. Who knew the cost of what he was asking of you.

(Izuku brings it up long before you’re engaged, in the dark when you’re flush against him, his salty skin.

“Have you ever—have you ever thought of—”

You frown against where you’d been pressing lazy, afterglow kisses to his collarbone, pulling away to continue frowning into the night, as he trailed gentle fingers down your spine.

“No.” You say. And then after a moment, when that doesn’t stop his tenderness, his careful touching, you admit, “I don’t know. I don’t know what I want.”

The what do you want goes unsaid, but Izuku answers it anyway.

“I like kids,” he whispers like it’s a secret, like he doesn’t keep every card and drawing that comes his way, like he isn’t the biggest sucker walking the planet. “And I… I trust the world enough to have them.”

Your skin prickles. He’s been here before, the psychic had said. He’ll know what he’s doing. He’s going to lead people. And—

Her mouth had pinched, spidery hands stilling on the cards—clubs, spades, hearts—in front of her.

And what? You had asked.

And he’s going to be your husband’s biggest heartache.)

In the end, it’s Izuku’s understanding that convinces you to give him the baby you were promised, so many years ago.

“I want to be with you,” he’d said, his fingers twining in yours, tight. “It doesn’t matter what we do, or don’t do. It’s you I’m choosing.”

You knew how much he wanted kids. It was in the way his face would light up, when presented with the newborn of one of the Agency girls. His gentle hands, helping a child down from the ruins of a smouldering building. The way he believed in them being the future.

“I choose you, too.” You tell him in return, confident. “And—and… whatever—whoever—we bring into this world.”

(His brow had knitted, not understanding—leaving you standing there with your hands in his, eyebrows raised, waiting for him to get it.

When he does, his eyes widen—big and green. And hopeful, his face already tightening with the tears that came to him so easily—when he was happy, when he was angry. Whenever he was overwhelmed. “You want to—”

You lift his hand to your mouth, and kiss his scars. “Yeah,” you tell him. “I want to.”)

Your son’s entrance into this world is one of the worst things you’ve ever gone through—and one of the best.

Your labour lasts 30 hours; you don’t sleep at all during it. The baby comes out blue, too choked during his entrance to understand how important breathing is, his thin, bird-like shoulder almost dislocating, trying to pass through; you, in turn, almost die from the bleeding, caught only by a sharp-eyed doctor who saw the early warning signs, as the green lightning of Izuku’s Quirk crackled along his hands, helpless.

You will never do it again. To free your baby boy the doctors had to cut you, deeply, to your asshole; a episiotomy, widening the passage for him. Afterwards, much afterwards when you’re happy and drowsy and holding your tiny, perfect baby in your arms, the doctor that saved your life will tell you that incontinence was a common side-effort of the incision; that you wouldn’t be able to wear high heels again for a while, without putting tension on your stitches. That even trying to pee would be excruciating.

But it didn’t matter: you had everything in your hands, bundled up. Your angry-faced little son, ugly and alien, his tiny fists balled up against himself.

Izuku couldn’t stop his tears, wiping a trembling hand at his eyes every now and then, his lips against your hair, against the shoreline briny smell of your newborn’s head.

“We’re not doing this again,” he whispered. “I’m—this is enough. You’re enough.”

You rubbed your face against his shoulder, his tremors, and traced a delicate finger along the tiny pout of your son’s mouth.

“We’re enough,” you tell him.

In response, Izuku holds you tighter.

In retrospect, your son’s birth should’ve been the warning sign. He is so foreign. He has so much attitude, so much life. He is fearless and unruffled by his father’s fussing; from the moment he can look around him, alert, he wants to be apart of it all, reaching up to Izuku, reaching up to the friends that come and surround him, like immortal godparents. He toddles after them—at first in fat, clumsy infant steps, then more sure-footed, quick, picking up the frightening speed children came with. It makes Izuku worry, you know, especially in the early days, when the baby would throw angry screaming fits that dissolved into heartbreaking sobs, just because Izuku wouldn’t—couldn’t—take him to work with him.

“I think he’s going to be a Pro,” you tell your husband, playful. You’re teasing him—before your son was born, it was all Izuku wanted, a child that he could be there for, someone who he could fight together with. But now all your little boy had to do was drop to the floor too fast, bonk his head on the table leg at the wrong angle and Izuku would be there, brow furrowed, so worried that he couldn’t protect him from every hurt, no matter how big or how small. “He’s going to be just like his father, dashing off to save the world every day.”

“I don’t—” Izuku stops himself, almost guiltily, your baby boy sagging in his arms, asleep. “I just want him to be happy, to be safe.” Izuku whispered.

You smile, because you’ve heard this a thousand times before; your heart breaking every time. Izuku kept photos of everyone he lost—a small shrine of them, faces you never knew in person. Some older. Some far too young, too golden, too alive.

He’s going to be your husband’s biggest heartache.

“I know,” you say, soft. “I know you do.”

Izuku’s hand was big enough to span your baby’s head completely; cradling him, fingers soft in his downy curls. Protective. This was the only time your son would tolerate this touch, this hovering, and some part of you—the part that thinks of your psychic’s words—thinks the timer you two have with him is set much shorter than either of you realise.

Your answer to that is to simply not think about it.

It’s easy enough not to; taking care of a child and working at the same time wipes you out, gives you little time to work yourself up into the same morbid moods Izuku could frenzy himself into. You’re too concerned with making sure your stupid son doesn’t break his neck, stops tracking mud throughout the house, releases the cohort of tiny frogs he’s keeping under his bed, in one of his father’s shoeboxes. At three he’s already a menace, a whole other human of his own and you are reminded, daily, of what it means to give birth to someone—to bring another human being, whole and complete, into this world.

“Play Agencies with me!” you hear him shout from the backyard, one day. He’d turned four in the spring; it was now a lazy, balmy summer, and he was spending the golden days as wild as the beetles and bugs that flitted along the treeline.

You stick your head out the sliding door, frowning. “Talk nicer to your uncle Kiri, brat!” You call out.

In answer you hear Kirishima’s laughter; your son probably scowling, fearlessly, at your reprimand.

“Play Agencies PLEASE!” you hear him shout, even louder—for your benefit, obviously. Kiri must agree, however, and you can hear your boy marching around the yard, bellowing out, “Number! One! Heroes! Let’s roll out! Round and round and round we go!”

In comparison, it’s silent in the kitchen, and you sigh as Izuku steps back in from where he’d been watching them, on the patio.

“I’m sure I wasn’t that bad at his age,” you say, a joke—but you stop when you see your husband’s face, too soft. His eyes, too big—too shiny.

“You alright?” You ask, wondering if it had been a rougher week at work than you realised.

But Izuku shakes his head, shoulders jerking as your son’s song—his chant—continues on, from outside.

“It’s nothing,” he says. “He reminds me of… he… it’s nothing.”

You take his hand in yours, and too easily he pulls you to him. Your husband’s biggest heartache, the psychic had said. She did say you would need an imagination, with this life.

“I’m just—I’m just happy,” Izuku whispers, smiling through his tears.

It’s golden and bright and the cicadas are shrilling outside, the chorus underneath your child’s song, still being belted out, Kirishima catching on enough to join in. It’s a beautiful day—soon the others would arrive for lunch, the motley crew of heroes that had followed each other through school and warzones and the years, the sorrows that came with them, and the joys.

You breathe in the scent of Izuku’s shirt, his skin underneath it. “It’s okay,” you tell him, quietly. A secret between the two of you, in the small section of sunlight in your kitchen. “He’ll be here for a long while yet,” you promise him. This time is silent—but with the way your husband’s arms tighten around you, you think he heard it anyway.

#prompts and drabbles and other things #trigger warning for BABIES 👶🏼 !!!!#andy don’t look #NOT andy friendly #andy go away #actual trigger warning for birth tho bc god speed #tw: birth #everything i’ve ever learnt about giving birth to another human being has been against my will so now i am imparting that to u guys ur welc #there’s no point to this i just wanted to drabble okay goodbye im done

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