item of the day is the wounds that bleed harder when you pick the scab than when they were initially inflicted
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Ar-Pharazon from the Reverse Gondolin AU and as Witch-King of Numenor - thanks to @who-needs-words for helping develop this idea!
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you are never going to see me doing anything w ascendent astarion god bless <3
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AS CORAL DRAWS HIS FINAL BREATH
HIS PARTNER CALLED UNTIMELY DEATH
WILL STOP THE WORLD JUST TO BETRAY
IMPULSIVELY CAUSED TWO DECAY
THE BLOOD SHINES RED UPON HIS SWORD
AND SWEARS HIS LOYALTY TO HIS LORD
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what if the journals ranging from jealousy to near worship weren't that bad what if it was just william's gay ass theater kid poetry about his crush that looked really bad to a divorced police officer without context. i don't actually think that's what happened its just fun to think about. like what if
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One shot idea,, maybe?
Dipper stumbling in on Bill's really evil and nefarious work personality and seeing him switch to seeing his mortal. (Also any demons around being confused and uncomfy)
I think that would be funny
Honestly I've thought about writing something like this several times, I've just never fit it in between all the other stuff I'm doing!
But I do love the idea of Bill cackling - nah, laughing maniacally - in front of a group of minions. Perhaps perusing a map showing the absolute devastation he's about to wreak, or on a interplanar zoom call with some hapless 'heroes' he's made a deal to destroy -
Then in walks Dipper, like. In pyjama pants. Drinking out of a mug that says 'Second Best Husband' (Bill claimed the #1 mug) and just. Raises an eyebrow.
Cue Bill breaking off to coo over him greet him with a big smile, and absolutely trying to coax him into a kiss.
(I think it's important to add that Dipper during all of this knows Bill's up to some nasty shit - but it's going on in the Mindscape, and they did settle on a moral 'live and let live' situation. Best just to not ask any questions.)
Dipper originally came in to ask Bill about something mundane - but now Bill's smug scheming is on hold for like, a full three minutes, as everyone present is forced to watch the equivalent of a supervillain bickering with his favorite cute young being, with extra visible embarrassment/disgust from the demonic minions. (Optional confusion/disgust from the Hero Team if the zoom call scenario is in play)
Then Dipper lets Bill know he's gonna go, and Bill insinuates that it'll be very easy to finish up his work super quick and they can meet back up later - and there's an overly long kiss which is incredibly awkward for everyone to watch.
And as Dipper leaves, Bill then sits back in his throne and clears his throat. "Okay, where was I?" Snap of the fingers. "Right!"
The scene resumes where it started - maniacal laughter and all.
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more monkey thoughts. Dont look at me im just trying to explain/figure out More reasons why they (moreso LEMH) make me go crazy (again)
OKAY Full disclosure. this was spurred by some posts ive seen floating around and they are Objectively correct and i agree with them, but the wordage they use is what bothers me and makes me think--its about the general and growing frustration and dismay over LEMH's portrayal and like... increased Importance in LMK, at the expense of like, literally all the other characters new and old.
Again, objectively that is INCREDIBLY true and i feel it 200%!!!! Its frustrating because they just yoinked aspects of SWK's relationships with characters like DBK from the original JTTW and Shoved them on LEMH like theyre Tropes that can be shifted around without consequence--it seems fine and interesting when you first watch LMK with no context or background knowledge, but after knowing what his ACTUAL deal was in the book, looking back on LMK makes what they are doing with LEMH feel lazy and Genuinely poorly researched, rather than an intentional divergence from the original story--because as a general rule of thumb, even if the fans dont Like what you changed, you still want the things in your story to be done On Purpose, like you at least Tried to put effort into it! Its about showing the audience that you think they deserve a narrative that was crafted with Care, not just slapped together and thrown out for a quick Hype/Cash grab, yk???
Anyway So THATS the thing, and thats all cool!!! My issue (and i cannot stress this enough this is Me being Silly and Obsessed with the Six Eared Macaque im a chronic blorbo haver there is no Cure) is that those posts Also tend to talk about LEMH as though... he is a boring character. As though he's just kind of "eh". Or at least thats how my Admittedly biased eyes read them--no beef! Its just gotten me to thinking and now i want to try to write out What im thinking and Why, bc thats a helpful thing to do when you're struggling to figure in your head, obvs obvs
And im of course willing to admit that Yes, in the original text, he is just kind of There! He serves his purpose (aiding in SWK's character development) and then he dies and he doesn't come back again! Hes kind of a metaphor but hes also just an annoying guy! Hes not presented as anything special! I get that that is what is Canon, and thats theres no way to really like... read anything deep into it. Bc theres literally nothing there.
But my problem is that i cannot let characters like that just Be. Especially if the premise of said character could be absolutely FASCINATING if you take it all Completely seriously and At face value--if you try to see whatever is going on for them through their eyes, their minds. Its like.... You can buy a shirt from the store as is, and some might be fine Wearing it as is--while other's might see that shirt and decide it needs a bit of hemming and perhaps some embroidery on the sleeves. Altering it does not change the fact that the original design is what it is--thats just One altered shirt that one person is wearing and perhaps lending to a friend or two, yk???
I love metaphors l. Sorry that dragged on, back to monkey--
To me? LEMH exists in a nebulous state of inevitable connection with SWK--because i like to take the "LEMH is SWK's ~dark side~" thing seriously. In my eyes, they are literally the same person, the same qi, split into two bodies.
There are stories that exist today that explore this idea, characters with this kind of relationship--and i find them incredibly compelling! Because i adore stories that play with the question of what makes a person a person. What seperates you from your maker/origins? What is your purpose in life when you are intrinsically connected to another person, at your very core? Does that mean you exist For them? Do they exist for you? How does thinking that way affect a person, mentally and emotionally? How does it affect these characters, specifically, in conjunction with their personalities and the lives theyd led up until the point they knew about this connection? Have they always known about this connection? Only one of them?
How much more drastic would it affect you if you were essentially a nobody--and the person you are connected to is a public figure? Like Sun Wukong?
Id go crazy. Id go fucking insane? Can you imagine. Its about the potential!!!!! The potential of what knowing something like that would do to someone!!! Im losing the words im apologize i need to calm down--im Not done yet.
What i am getting at here.... is that LEMH would likely work Best as a character who's metaphorical aspects are taken Very Literally--especially so if the story also decides to lean into the idea of his hearing reaching through to the past and future, in any way. He is a character that would thrive on being portrayed in a way that allows him to be a bit Meta, if that makes sense
Yes, you Could just let him be a silly monkey who decided to start shit with SWK for giggles one day--that can absolutely have its merits! But that does not satisfy me, and that is why i am so passionate about him. I want to take my little guy so so fucking seriously because i think it would be SO fucking cool. And a very useful and convenient way to explore ideas about relationships with The Self--since in my eyes, that is what his relationship would be with SWK.
AND ALL THIS STUFF ABSOLUTELY HAS ANOTHER SIDE TO IT, HOW IT ALL COULD AFFECT SWK ON HIS SIDE??? LIKE HOLY SHIT. HOLY SHIT i dont know if i want this post to be That long so i might stop here and come back later to talk abt it from SWKs side in a rb or something--
anyway point is. I thank LMK for introducing me to the Six Eared Macaque, but upon further analysis the way they did him is actually pretty garbo, and im biding my time for till someone introduces me to or Makes a version of him that takes him to his full potential. thats all thanks for coming to my TED talk, get out of my house please
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Does Johnny exist within Victoria or is she a separate V? I'm really curious because of Smasher!
Victoria is definitely a separate V - like non-canon to the point im like 'can i really call her a V still?' (the answer is 'probably not' but aw well)
i've yet to really plot out how things would happen with her, but the basic idea I have is that poor Jackie would be the one stuck with Johnny in his head while Victoria would be an antagonistic force very much on Arasaka's side.
Or I'd go for a total change; the heist doesn't happen. Jackie lives, T-Bug lives. Johnny's still in his little relic prison. Saburo still dies, but now there's no witnesses to it - if I do end up going that route (which I'm more heavily leaning towards tbh) the story would be along the lines of rising tensions within Arasaka, questioned loyalties, espionage, all that good stuff.
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hands and knees begging myself to be responsible tonight bc i have so much to do but i can feel in my heart irresponsible brain is going to win and im gonna end up drawing and making myself more behind and stressed but like i spent 8 hours researching and writing art history texts at my internship do i fucking want to research for my history class tonight even tho i should so i can let the professor know if my topic is viable? no i want to draw. and like even research aside i need to do dishes and laundry and pack
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ebery time i let myself doze off on the couch then wake up gasping, i tell myself i need to stop doing it.
but, reliably, every night, i get too sleepy and too comfy and can only convince myself to get up after i've dozed a little. i need a little sleep to give me the strength to get up. but then. i wake up. panicked and out of breath. i'm so fucking sick of it.
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Just realized Vincent's character can kinda be summed up as "i can fix her" and horrendously failing
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hi. im normal about books. now everyone go read Lone Women by Victor LaValle
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the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.
the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.
friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.
if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!
what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!
people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.
you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.
your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.
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everyone recommending The Banshees of Inisherin to us because “you’re Irish! it’s Irish! you should watch it! it’s absolutely brilliant!” and so we did and we didn’t like it lmao...
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How did I not realize in the (checks google) over a year since Screen Violence released that Asking for a Friend is a DEEPLY Meetra song (probably deeply Exile in general)?
I could copy paste all the lyrics right here but like "I sunk some ships with selfish lips/and it all came back to me", "I cheated and I lied/but I meant it when I cried" "and the mess we made on Fridays gave me Sunday on my knees/but you still matter"
Even just the conceit of 'asking for a friend' when the song is clearly in first person and there's no question of covering up that all of this is a confession, but still there's that desire to deflect.
That's my (emotionally damaged and flawed) girl right there.
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inspired by and as a direct follow up to this post by @strangersteddierthings:
Eddie is horrified. He remembers the day Steve is referring to, though clearly not as well as Steve does. He calls out as Steve raced up the stairs and hears his door slam.
“Fuck.” He stares blankly at the wall in front of him. He can’t believe things went so bad so quickly. He’s been trying to get to know Steve better, get closer and damn if he didn’t just blow the hole thing. He’d shown up early, told Steve he needed to prepare as an excuse to spend some time with him. Despite everything that happened over spring break, Steve had remained guarded, standoffish no matter what Eddie tried. At least now he knew why. He’d fucked things up before he’d known there was something to fuck up.
He feels even worse about calling him a bully. Sure, Steve had looked the other way and even laughed at some of the mean jokes others had made, but he was far from the worst. That dubious award went to Billy Hargrove, but even without him, there was plenty of people who did far worse than Steve did.
Especially because Steve is right. He did hit first, metaphorically at least. He can justify it all he wants as trying to protect himself, but that doesn’t make it right. Steve all but admitted that as he said the same thing.
He feels nauseous at the realization that maybe he was just as bad as those he decried. That for all his talk about accepting outcasts and defying convention, he was just as prejudiced.
Swallowing hard, he heads back to the dining room and looks at the clock. There is no way he is going to be able to run the campaign today. He’s not going to be able to focus or even play without thinking about how things might have been if he hadn’t driven Steve off all those years ago. He grabs the phone and dials Gareth’s number.
“Emerson house, Sheryl speaking.”
“Hi Mrs. Emerson, it’s Eddie.” Eddie is proud that he manages to keep his voice even. “Is Gareth there?”
“Oh, yes! Let me go get him for you.”
“Thanks Mrs. Emerson.” Eddie focuses on breathing while he waits.
“Eddie? Hey man, what’s up?”
Eddie breathes out. “Hey Gareth. Look, I know its last minute, but we’re gonna have to postpone Hellfire. Something came up.”
He could hear Gareth’s frown through the phone. “Postpone? What happened, did Harrington do something?”
As if he couldn’t feel worse. “Nah. I’ll explain later, but can you call Jeff and Frank, let them know? I gotta call the freshman, too.”
“Alright, but I’m going to hold you to that.”
“Fair enough. Talk to you tomorrow.” Eddie promises before hanging up. He weighs his options for how to tell the Party. Eventually, he decides on calling Mike, know that the younger teen won’t push too much. He’s dialing the Wheeler home before he can second guess his decision.
“This is Mike.”
Eddie feels a rush of gratitude that Mike is the one who answered, rather than Nancy or one of their parents. “Hey Mike, it’s Eddie. Listen, Steve’s not feeling great and having Hellfire here isn’t going to help. Can you call the rest of the Party, let them know we’re gonna move it to another day? I’ll keep an eye on Steve.”
Eddie knows Mike is a confused, given how adamant he’s been in the past about not canceling or moving Hellfire, but as he expected, Mike accepts what he says at face value. “Sure. Need us to bring anything?”
“Nah, I’ve got it. Pretty sure he just needs some peace and quiet so he can rest. But thanks.”
They say their goodbyes and Eddie puts the phone back on the hook. With that done, he checks that the door is locked and faces the stairs. Now for the hard part. He’s not sure what he’s going to say, if there is anything he can say that will fix this, but he has to try. Even if doesn’t change things between him and Steve, Steve deserves at least that much. Every step feels like it takes effort, chest heavy with guilt, but it only takes him a few moments to get to Steve’s door.
It’s closed, which doesn’t surprise him. He takes a moment to gather his thoughts before knocking. Nothing.
“Steve?” If it wasn’t for the quiet sound of Steve’s breathing he could hear through the door, Eddie would think he had left. He glad that he at least didn’t drive Steve out of his own home. He rests his forehead on the door.
“I’m sorry.” Eddie hopes Steve can hear how much he means it. “You’re right, I fucked up. I made an assumption and took out my anger at other people on you. And that wasn’t fair and it’s not okay. But I want you to know that I’m sorry. Even if it wasn’t you, I shouldn’t have done that.” He lets out a hysterical laugh as he realizes - “And despite that, you still humor the kids when they talk about D&D and agreed to let us play here and didn’t punch me in the face, which makes you a better man than I.”
He falls silent, listens as Steve’s breathing slows. He isn’t sure how long he stands there. He wonders how many other people he hurt this way, without even realizing. Knows he wants to do better, be better.
He sighs, feeling his shoulders slump. “Anyway, I canceled Hellfire for today. I told everyone something came up, don’t worry about that. I’ll make up some story, make sure they know its not your fault. And uh, let me know if you want to hang out again or something. I know I’ve been around a lot; didn’t realize that I was making you so uncomfortable, which is probably another thing I should apologize for. Anyway. Yeah. I’ll see you around, okay?”
He waits a moment for an answer, but when none comes, he backs away from the door and walks downstairs to gather his stuff. It hurts, but he knows Steve deserves space and to be the one to initiate contact. He has some thinking to do, anyway.
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