#which I think any literal basic human does

[tamyonmyonmyon]

I keep learning the hard way that letting neurotypicals or institutions know I'm disabled is the worst fucking idea

#I just got a note on ny grades saying I've received curriculum modifcations and extra help #when that's an absolute lie #My disability doesn't come from having problems learning it comes from rushing things #which I think any literal basic human does #anyways if they have adapted the classes (they did not) then all the non neurodiv students that fail classes are less able than me then?? #like fr if this is “classes with modifications” I don't even wanna know what type of shit they do to classes that don't have autistic people #Do they want to take the credit for my high grades or say that I only got those because they adapted them to me?? #Fucking bastards fr I am napping to not think #tam's insane ramblings

[rearranging-deck-chairs]

if 9&10 were "dont wander off", and 11&12 were "the doctor lies", 13s rule #1 is "dont question me"

"have we not had a good time together" shes pointing yaz to the rule that yaz very well knows is there: we can travel if you dont ask me any difficult questions. yaz knows this is the rule - "because you ask too many questions", "this team structure isnt flat" - but she also was the one to invite the doctor into her home so im pretty sure she also knows shes not gonna kicked out that easily. she has some leeway. which she has been using between revolution and flux, which is why the doctor reminds her of the rules

i dont think she'd kick her out though. she wouldnt. i think it's just that the more you break the rule, the more unpleasant she becomes to be around, and eventually youre gonna walk out on your own. she doesnt want you to, she'd rather you stay and dont ask questions. but if youre gonna try to ask questions anyway, i think thats whats gonna happen

and yaz must think so too. because she does back off. because she doesnt want that to happen either. and it does anyway

#dont question me/dont challenge me. questions are the sore spot but the challenge is one she says explicitly once #because you see this in how she is with other people too. dont try her patience. dont act like shes smaller. dont challenge her or Die #based on the giggle - 'i thought i was clever' 'what do i say?! because im always sooo certain' - i dont think 14 is like this #also based on the expressions of affection #hes not that......reactive. to this. specific thing #so i wonder if it runs over to 15 #he seems chill. i think? he seems fairly chill. but also i think we've so far only seen him mostly in control of things #faced with the maestro temporarily not entirely in control hes Notably Less Chill #but still bigger picture. hes mostly in control of things right now i think #or uhhhh based on how eager he seems to get out of the role of doctor #hmmmmm #13 didnt want it but like. was stuck with it i think #didnt want it but nobody else was gonna do it. thats why 12 regenerated #15 comes out 14 Literally Quitting #he doesnt want it and hes decided hes not stuck with it. maybe #none of this is true btw im just saying words recreationally #like those 13 moments are super cherrypicked and i havent rewatched in forever so #dont believe me gfkjghgjh #this is based more on how i write them than what ive seen basically #anyway in terms of 14/yaz i think it takes yaz a while to figure out how to deal with 14 Not being like this #bc she got soooo practiced at handling 13. most of which was abt like not tripping this rule too much #she'd keep it up with 14 and he'd just do stuff that like breaks the rule from his side and yaz wouldnt have any idea how to deal with it #he'd show her hes chilled out a bit. about this. over and over and it'd still take her moooooonthssssssss to start relaxing #just muscle memory at this point. doesnt help that shes also like this #i wonder if 14 - in a sort of compelte reversal - wants to be told what to do and how to do and #seeks out situations where someone else knows more than him so he can sit down and say 'teach me' #i think thats what he does. about all the human stuff. hes like teach me. all of it. show me how to do this

[theboost]

Top three moments from robocop 2 that make me think that frank miller accidentally made robocop trans

#i had a breakdown about this on twitter when I was watching this. but man. #okay remember that essay I was writing in my head I’ll sum it up here. so robocop 1 is all about well actually it’s a critique of capitalism #and the dangers of giving cooperations to much power and modern action movies and what have you. it’s a good movie. but it’s also about #robocop reclaiming his identity which is signified by 1. the fact that he spends the finale with the mask off to show that it is in fact #alex murphy doing this not robocop and 2. the way it ends is literally on the exchange of dialogue “what’s your name son’’ “Murphy’’ #it’s literally him reclaiming his identity. so if robocop 1 is about him and his rediscovering his humanity then it tracks that robocop 2 is #about how society reacts to that. and it does kind of. there’s a lot of like moments like this where murphy asserts his identity only to be #broken down by the people with positions of power over him - he’s not alex murphy he’s not even human he doesn’t even have rights. and like #they bring up his wife and kid in the first 15 minutes and you think okay so they’ll explore how this has effected them. how do they feel #about each other? it’s stated in the first movie that he remembers her but he doesn’t really feel for her I believe- something contradicted #in this movie by the fact that he apparently constantly drives by her house. so if it’s not love driving him then what is it? is it the #desire to have what he can never really get again? a normal life with his family? well guess what! they have him say to his wife alex murphy #is dead and not even what appears to remain of him is really left and she disappears from the movie #they do explore how he’s viewed by society somewhat but it’s mainly a juxtaposition of how his friends and coworkers see him vs ocp the corp #that created him and it’s basically like his friends acknowledge his personhood but in the eyes of the law and ocp he has no rights because #he’s not a person he’s a tool! and this gets taken to the extent where he is literally reprogrammed by ocp once he gets destroyed to be a #‘better’ tool for fighting crime and you think oh okay this is where this movie is going to go it’s an exploration of Murphy’s rights and #him dealing with these forced changes is going to be a big part of the movie and then no. it lasts for like ten minutes and then abruptly #ends when murphy risks wiping out all that remains of him to be free- an interesting idea that never gets brought up again because any #real continuation of the themes of the first half of the movie kind of stop and he practically disappears for 40 minutes and I think that’s #where my problems with robocop 2 really come in because like. it’s written by frank miller and another guy with a story by frank miller. #he’s not the most subtle man in the world and he certainly lacks capability of the deft political commentary of the first movie and it just #kind of becomes a less subtle rehashing of the old one. the lack of subtlety is apparent when one of the characters literally says the theme #of the movie to a bunch of reporters ‘we can’t let cooperations have this much power or they take away our rights’ which is true but that’s #what the first movie said FRANK. you have to come up with something new FRANK #and that’s why I liked the exploration of Murphy and his rights and his feelings because the first movie was about him like. learning that #he had them and coming to terms with it but now a year or so later what’s the situation? and the situation is that it’s the same. #it even ends on the exact same note as robocop!! murphy says to his partner ‘we’re only human’ which could have been impactful if murphy #ever truly doubted his identity- sure he can be convinced to say that he’s not but everytime he’s pressed about it he repeats that he IS #Alex murphy until he is literally forced not to! like there’s a scene where he has to literally be programmed to stop saying that he is alex

[maddy-ferguson]

People really need to read up more on surrogacy, I'm pretty sure those in favor of it just think "Well if the woman wants to do it why not" but there is so much more to it :/ It's extremely exploitative in most cases, not to mention that wombs and babies shouldn't be seen as products to be bought.

exactly thank you...so many different angles to choose from too like commodification of the human body commodification of women's bodied specifically exploitation of poorer women...like TO ME it's liberalism on an insane level

#like any one of these can be developed enough to argue against it #altruistic surrogacy is like well personally i still think that's crazy (but that's probably because i don't wanna be pregnant ever lmao) #but without the money it's different #even though obviously you can say money makes it better but like. idk does it. but like i don't care as much ig #all of this applies to other topics that are like debated in the same way (where you can argue commodification of the human body+of #women's bodies+exploitation of poorer women amongst other things and they can say it's their choice so you shouldn't be against it) #and on other topics even though at the end of the day i feel the same way i've gone back and #forth on it more than i have for surrogacy. like none of the arguments sound convincing to me like at all #and i don't see myself changing my mind anytime soon? like i Have tried i've thought about it but this is where i always end up #in french law it's prohibited because of the first thing you can't sell your organs so you can't rent them for nine months either and #like idk sounds sensible to me! i studied law for three years maybe it's my law student baggage (it's not) #people are debating it again rn and a leftist politician basically said what i said commodification of women's bodies + exploitation of #poorer women and some of the qrts of the video were like wow i don't like [his party] they're so behind on lgbt issues...excuse me what #like we're literally talking about women straight couples gay couples irdgaf i'm against it for everyone and some people are trying so hard #to make it sound like anyone that's anti-surrogacy is homophobic when like yeah obviously to the far-right (and others) it's an excuse to #be homophobic but there's another part of the population you're not considering it's literally been a feminist debate for a long time💀 #the law for it in ukraine is very liberal and when russia invaded people were like nooo i have a woman who needs to give birth to my baby #there like oh my god. the exploitation of women from other countries too like it's crazy. (also applies to regular adoption in foreign #countries obviously which is why some countries were like stop. for both adoption and surrogacy for foreigners) #and i say this but it could all be like women with the same kind of money hiring each other and i would still feel the same way because #it's like the principle like i feel strongly enough about the first two. but also there's never gonna be a world where it's just that #(i'm sure tons of couples hire women that wouldn't be like on the street without surrogacy) because it's also a class thing. including the #women in other countries in that #ask

[lovemomhatepolice]

rafe cameron nswf alphabet (part 1) (minors DNI!)

navigation taglist requests

A = Aftercare (what they’re like after sex) Well, it depends on your relationship. If you're just a fling sex that happened at a party or friends with benefits, don't count on appropriate behavior after. Rafe can have any girl, so he doesn't pay much attention to it. However, if you're in a relationship together or in the pre-relationship phase and you've totally turned his head, oh girl. Rafe will stand on his head as long as you are happy and properly taken care of. Baths, long cuddles, and even conversation (something that wasn't popular for him before) are standard after your intercourse.

B = Body part (their favorite body part of theirs and also their partner’s) I don't know if Rafe has a favorite body part in himself. In general, he thinks he is a handsome man - well, and he is not wrong. He likes his athletic arms and chest, because he pays a lot of attention to that when he exercises. He likes his face because he knows very well how charming he looks. And I think he appreciates his penis. It may not be the most beautiful part in the human body, but his… God. In you, he loves how small you are compared to him. Regardless of your dimensions, you will still “hide” behind him. He loves to see the difference in the size of your hands. He always laughs at how his hand could be two of yours. Well, and he loves your pussy. He has already pronounced her his property, so you can tell for yourself how much he likes that body part in you. Especially since you fit together like a puzzle (well, maybe Rafe is slightly too big, but everything will fit)

C = Cum (anything to do with cum, basically) He loves to see you in his cum. More than once he ends up on your breasts, buttocks, belly…. Wherever he could. And the very fact that you bravely swallow everything after a blowjob each time literally puts him on cloud nine. He may not be a big fan of ending up on your beautiful face, but in the mouth is something else. D = Dirty secret (pretty self explanatory, a dirty secret of theirs) He loves that you are his pillow princess, but there are still thoughts in his head that he would like more of your dominance. The sight of you bouncing on him has sunk so deeply into his mind that he wants it more and more… E = Experience (how experienced are they? do they know what they’re doing?) Rafe is experienced, let's not kid ourselves. Before his relationship with you, he had plenty of girlfriends for one night or a few times. However, the fact that he wasn't more involved with any of them definitely changes things. Thanks to you, he actually learned what he really likes and that sex doesn't have to be a purely physical activity at all. But going back - he is experienced. Damn experienced and he knows what he's doing. With his hand, with his tongue, with his cock… F = Favorite position (this goes without saying) Rafe's favorite position is definitely missionary or one where he is between your legs. He likes to be in control, plus he likes that he can change the angle of his entry into you, so these positions allow him to do so perfectly. In addition, the sight of your face directly in front of him, on which are painted various signs of the pleasure he is experiencing…. Your neck, which is covered in plenty of hickeys in no time. And your lips, which are locked in a kiss. Yup G = Goofy (are they more serious in the moment? are they humorous? etc.) He's not some super playful during sex. Rafe focuses on intimacy and closeness, not silliness. He's not likely to be able to fool around. Of course, there are moments when you giggle or say something funny, but mostly your intercourse is focused on the romance of the moment. H = Hair (how well groomed are they? does the carpet match the drapes? etc.) Rafe is all shaved up at the bottom. He hates hair that would unnecessarily get in the way. And he thinks having them is not very hygienic. As for you - he would also prefer you to be completely shaved or at least properly trimmed. I = Intimacy (how are they during the moment? the romantic aspect)

At first, for Rafe, sex was only something physical that could give him vent to his excitement or anger. Only with you did he discover that it could also be something else, which is why he is just learning. However, over time you began to notice that he was giving you more and more compliments during intercourse or wasn't afraid to make noises. So yes, you are on the right track. Maybe soon he will even leave rose petals on the bed or light candles?

J = Jack off (masturbation headcanon) He doesn't do it often because you are side by side usually, however, he has something he really likes about masturbation. He likes it when you see him do it. Sometimes of himself he just makes you watch and counts down how long you can last without touching him. And vice versa - you do the same. K = Kink (one or more of their kinks) I think Rafe has a lot of kink. But such a strongly dominant one is breeding kink. Especially with the death of Ward and Rafe's decision to move out of Tannyhill and any homes that had ties to his family. Yes, this is the time when the oldest of the Cameron siblings sees himself in the family with you and your children. He himself doesn't know what kind of father he would be and the thought scares him a little. But the mere fact of seeing you in your pregnant belly with his child, Mother, it drives him so much. L = Location (favorite places to do the do) There is no suitable place for Rafe. In fact, he could fuck you even in an open space in the park if you wanted him to. You like to experiment, so your sex takes place there and then when you feel the urge. However, let's not kid ourselves, most often it takes place on your bed or in the shower. Or in the kitchen or living room… M = Motivation (what turns them on, gets them going) There is no particular thing that after excites you in a unique way, but if you just have an attitude, Rafe feels the need to punish you for it. He hates it when you tease him, but at the same time it excites him so much that he repeatedly lets you do it. Oh, and of course the skimpier dresses he buys for you himself.

A/N: next part is already here! i will be very pleased if you leave something behind - orders are open!

please do not copy and translate my works! in case of any issues related to this - I invite you to discuss privately :)

#outer banks x you #outerbanks rafe #rafe outer banks #outer banks x reader #outer banks smut #rafe x you #rafe cameron #rafe obx #rafe cameron headcanons #rafe cameron smut #rafe cameron fluff #rafe x reader #rafe cameron drabble #rafe imagine #obx rafe cameron #drew starkey x y/n #drew starkey imagine #drew starkey smut #drew starkey #drew starkey x reader #rafe cameron x reader #rafe cameron x you #rafe cameron x y/n #rafe cameron x female reader #rafe cameron x smut

[vexwerewolf]

I’m suddenly getting swathes of Lancer hate across my feed… Has something happened in the fandom? “Union is ______ how could they paint them as even remotely good. They allow _____, and I hate the devs they are ______. The whole thing is just 40k with communist veneer”.

Like am I taking crazy pills…? I thought that all of the problems were literally like right there on the tin “we are a utopia in progress! We will obtain it by any means possible even if it means being everything we say we are not/fighting against. As the player you decide what is right. How much will you ignore for someone else’s idea of utopia?” Like doesn’t it mean all the tools to actually change are there and that is the HOPE aspect of all of this?

(Sorry if this in incoherent grammar is a weak point and I pulled something in my back simply standing up. Now I am sad and crook backed in spasmodic pain)

This isn't an argument I feel super enthusiastic about stepping into, because it gets the most annoying sort of people in your mentions eager to maliciously misrepresent what you say.

However, yeah, there are some pretty terrible readings of Union floating around. I'd invoke "media literacy" because think that a lot of this comes from people not really holistically engaging with the fictional future history of Lancer, but also from a sort of dogmatic purism that requires future societies to be flawless, else they're irredeemable.

It is important to note that ThirdComm is the direct descendant of two highly imperfect societies. FirstComm was formed as a response to the Three Great Traumas of discovering the Massif Vaults (and thus that they were the inheritors of a fallen world), the wars over the Massif Vaults, and the discovery of the lost colonies, all of which collectively showed humanity how close it had come to total extinction.

FirstComm decided that it had a responsibility to ensure that humanity never risked extinction again. It manifested this by trying to colonize every habitable planet it could find, pumping out ship after ship to seed the cosmos with as much human life as it possibly could. This led to problems when it encountered civilizations like the Karrakin Federation and the Aun, who had been carrying humanity's torch just fine by themselves, thank you very much.

SecComm was an Anthrochauvinist fascist state. The book defines it thusly:

We can see a lot of Anthrochauvinist historical romanticism in the mech naming schemes of Harrison Armory, SSC and IPS-N - the fact that Harrison Armory names its mechs after great military leaders of pre-Fall Earth history, IPS-N does the same with naval figures, and SSC uses the names of Earth animals. Even the GMS Everest is named for a mountain on Earth. It's very Cradle-centric.

Anthrochauvinism was, to be clear, largely just an excuse for colonialism and hegemony. Atrocities could easily be justified under by stating that whoever they're being committed against were a threat to the Continuance of Humanity - a term that SecComm got to define.

It's also at this point that we have to zoom in from broad sociopolitical points to address one very specific piece of history: the New Prosperity Agreement. This was signed to prevent the outbreak of a Second Union-Karrakin War, and mandated that the Karrakin Houses would maintain privileged levels of autonomy within Union, and that they would be granted colonial rights to the entire Dawnline Shore. This agreement, struck in 3007u, basically defines much of the current political situation today.

ThirdComm was a final and inevitable reaction to the atrocities, abuses and excesses of SecComm. The unspeakable horrors of Hercynia were the spark, but I need to stress how little Hercynia actually mattered in the larger Revolution - at the start of NRfaW, it's explicitly stated that almost nobody in the galaxy even knows where it is, let alone what happened there. The Revolution was a generalized response to SecComm's tyranny, with no single rallying cry.

The Revolution might also have failed entirely, but for a critical error by Harrison Armory: pissing off the Karrakin Trade Baronies. After getting kicked off Cradle, the Anthrochauvinist Party organised a fleet at Ras Shamra to try and retake Cradle. Simultaneously, however, they were attempting to secure protectorate agreements to steal worlds in the Dawnline Shore out from under the KTB. Putting these two together and making five, the KTB assumed that the fleet was pointed at Karrakis, and started the First Interest War.

The First Interest War initially favoured the KTB. They smashed the fleet above Ras Shamra and simultaneously conquered the moon of Creighton in the Dawnline Shore. However, they underestimated just how ruthless Harrison I was - he "retook" Creighton by relativistic bombardment, and then conquered four of the 12 worlds of the Dawnline Shore with mechanised chassis, a technology the KTB had not adopted and had no counter for.

To prevent further loss of life, Union was eventually forced to broker a peace agreement that saw Harrison I handing himself over to Union justice in return for Harrison Armory's continued sovereignty, and the KTB joining Union as a full member state.

So, with that historical context out of the way, let me get to the second part of this absurd essay I'm writing.

Third Committee Union isn't a civilization that arose from whole cloth. It's shaped by five thousand years of Union history, six thousand years of post-Fall history, and six thousand years of pre-Fall history before that. It is, ultimately, an extremely well-thought-out and well-worldbuilt fictional polity, in that all of its imperfections come from traceable root causes in its history.

Why does ThirdComm permit the abuses of the KTB? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with Harrison Armory and make horrific concessions.

Why does ThirdComm permit the expansionism and cryptochauvinism of the Armory? Because to stop them, it would likely have to go to war, and such a war would butcher billions. Worse, to do so, it would probably have to ally with the KTB and make horrific concessions.

Nobody in CentComm likes that Harrison Armory are empire-building expansionists. Nobody in CentComm likes that the KTB has a hereditary nobility and enforces blockades against planets that rebel against it. The problem is that ThirdComm is, in historical terms, still relatively new. They've been around five hundred years, and compared to the 1600 years that SecComm was around and the 2800 years FirstComm existed for, that's not very much.

ThirdComm is attempting to decouple itself from the Cradle-first politics of its predecessor, and to amend the many, many atrocities committed in the name of Humanity. It is not easy to do any of these things. SecComm was defined almost entirely by the fact that if it didn't like what you were doing, it would send in the military as a first response. Every time ThirdComm chooses to do the same, its legitimacy erodes, because the mission of ThirdComm is to prove that diverse, vibrant and compassionate human civilization can exist without devolving into war and bloodshed. ThirdComm always tries diplomacy as a first response because if it doesn't, millions of people could die.

#lancer #lancer rpg #lancerrpg #lancer-rpg #union #lancer lore #lore #fictional history

[armageddidnt]

Welcome to My Collection of Random Thoughts during my nth* rewatch of Good Omens Season 2

*only amazon prime knows the exact number at this point but I’m fairly certain it’s in the double digits

Episode 1: Gabriel’s fly lurking in the box when Aziraphale first takes it inside 👀

Crowley’s promise of “two minutes” basically means that he’s been homeless and living in his car for the past 4 years strictly so that he can be within 2 driving minutes of Aziraphale at all times in case his angel needs him I’m not crying you are

So here I think the key word is “fragile,” Crowley knows they are ostensibly safe from their respective sides but that could change at any moment so he’s basically spent the last 4 years in anxiety-ridden terror hovering as close to Aziraphale as he can to try and protect him from heaven, hell, and anyone else that would want to bring him harm after all that business they pulled in season 1 with stopping Armageddon

Episode 2: I just happened to pause the episode while Aziraphale is lying to the angels about his miracle and LOL Michael really outdid himself here (Sheen, not the Archangel)

Gabriel trying to swat flies and almost smashing the repository of every single one of his memories

I’m cAckling

So if Good Omens exists in Good Omens, does that mean Neil Gaiman and Terry Pratchett exist in Good Omens?? Do you think they based their Aziraphale and Crowley characters on Aziraphale and Crowley??

Episode 3: So I’m trying to find any hints or foreshadowing of the Gabriel Beelzebub thing bc tbh I did kind of feel like it came out of nowhere which is really the only issue I have with them. I found this one scene where Beelzebub almost ?? seems to be concerned about Gabriel ?? But it’s blink and you miss it and there could be lots of other reasons why Beelzebub doesn’t want to fail in locating Gabriel (pressure from/leverage over heaven, etc) so idk

More Foreshadowing Fly content 🪰

Episode 4: So here we’ve seen that Shax can just appear inside the Bentley bc she did it earlier to talk to Crowley. Shax only pretended to be a hitchhiker so she could be invited in because Azirpahale was driving so technically she needed permission to cross the threshold of an angel 👀

This scene will never not destroy me the 1941 flashback is the absolute sOFTEST thing ever to happen on this show

We really need more context here I need to see the Crowley-Furfur Monkey Rides

Episode 5: ahahaha thank you google translate for absolutely destroying my sanity this evening

POP goes the Ziraphale

Okay I know you can’t hear it in the gif but just before Nina takes Maggie’s hand, there’s a very quiet miracle noise, like Azirpahale literally MADE Nina dance with Maggie, he said I’m writing a Mina Jane-Austen-Ball-AU and my otp will KISS godDAMMIT

Azirpahale seems lowkey kind of manic this whole scene tho, he’s controlling literally everyone to force Nina and Maggie together and whenever Crowley says anything that pokes holes in Aziraphale’s Magical Jane Austen Ball Fairytale, Aziraphale just straight up denies it. He wants Nina and Maggie to dance and he wants him and Crowley to dance and he refuses to acknowledge anything beyond that.

Is this just Shax insulting Crowley for how much of a nuisance he’s been or a reference to his former status as an angel ???

They’re both completely dismissive of each other when they’re trying to say something important and that’s the main issue they’ve been having this entire season tbh

Episode 6: I think it’s funny that Crowley describes the angels as bees here because in the book, Neil/Terry describe humans the same way. Guess we have more in common than we thought huh?

So the metatron was the one who originally decided Gabriel would be memory wiped and not sent to hell, and he was also the one that decided not to sound an alarm about Gabriel for some reason and said ‘just go find him yourself’ instead. The metatron has definitely got his own agenda and you can bet he doesn’t want Aziraphale up there in heaven because he’s a “leader” and he’s “honest” like that’s exactly what Gabriel was and look where it got him 👀

There’s just something I can’t quite put my finger on about the metatron bringing Aziraphale a coffee from “give me coffee or give me death” and then asking Aziraphale if he’s going to take the coffee he’s giving him…

I have not seen a single person talk about this since s2 came out but Nina literally calls Maggie “angel” because that’s the term of endearment they hear Crowley using for Aziraphale !!!! I’m still going fERAL over this and I can’t believe no one else is eitHER

Something about this part of The Final Fifteen compared to this scene from the first episode is so representative of the entire season. Azirpahale keeps saying “my way or get out” and Crowley finally hits a wall and can follow Aziraphale no further. So he does just that. He goes.

I’m sure a lot of us by now have seen this post that brings up how Aziraphale literally pushes the remains of Crowley into his mouth and swallows and it’s the only thing I see when I watch this now

We still don’t know for certain if Crowley queued up this song to play on their way to the Ritz or if the Bentley started playing it all on its own and it’s driving me insane

Basically how I am doing after my Truly-Alarming-Number-th watch of this traumatizing episode/season. WELP hope you enjoyed this garbage dump of my thoughts and feelings time to go cry for a bit again BYE

#good omens #good omens 2 #good omens season 2 #my season 2 rewatch aka: I Went Insane #i am unwell #I haven't slept properly in 44 days and counting #ineffable husbands #aziraphale #crowley #angel #demon #armageddidnt-blog #armageddidnt-gifset #armageddidnt-screaming #armageddidnt-pain #good omens 2x06

[dumplingsjinson]

List of random dialogue prompts (pt. 2)

“If you felt want and longing the way I did — the way I still do — I promise you’d be driven fucking mad.”

“I wanted the thrill of the chase more than I wanted you.” 

“You really couldn’t have been any more obvious.” “That’s because I didn’t have anything to hide. I was being obvious, because I needed you to know, without a doubt, that I love you.” 

“This is literally the worst moment for me to be saying this but considering how we could die at any second, I need to get this off my chest before I become buried six feet under, without a chance to say any of this to you: I love you. I’ve loved you since we were kids. I’ve loved you every second of my life; from the moment when I knew what loving someone really meant.” 

“I kinda knew I lost all feelings for you when I realised I didn’t want to communicate with you about the problems that were happening between us. I became complaisant.” 

“Loving you is as easy as overthinking everything.” 

“It’s… easy with you. Nice. I don’t have to be someone else to impress you, because I know you love me for me.”

“There are parts of me I’d never thought I’d show to anyone else, but then… You came along, and for some reason, you made me want to be honest with you; bare my soul to you.”

“So what in the hell are we? I’m not doing this unless we’re on the same page.” 

“Please don’t tell me we’re nothing to you… That I mean nothing after everything’s that happened.”

“You’re my emotional support human, and I love you so, so much.”

“If you ever need me, I’ll be right here. Just as I’ve always been.” 

“I’d let you break my heart, if it means I’d get to have you for even a day.” 

“You make me feel like dancing in the pouring rain wouldn’t be such a bad thing.” 

“You’re astoundingly unhealthy for me, but do I care? No, because I wouldn’t have fallen if I cared, especially when I’m someone who’s usually so careful with whom I give my heart to.”

“…I didn’t drunk call you. It wasn’t a drunk call. I called you, perfectly sober.” 

“You’re someone I want to tell things to.”

“What’s more important to me is that I’m your last love.” 

“This… This hurts me more than it hurts you.”

“Falling in love wasn’t on the agenda.” “Do you mean falling in love with me out of all people wasn’t on the agenda?”

“I don’t know, I guess I’m kind of in love?”

“…I want all of you. On top, under, whatever — I don’t care, I just want you.”

“Maybe I can help you forget about them.”

“It’s easier to pretend I’m still in love with them, than leave them in that state.” “You know you basically lying to them about your feelings is gonna hurt them more in the long run, right?” 

“Why does it have to be them? Why can’t it be me?”

“I’ll give you two seconds to take that back.” 

“You gotta work for it, love.” 

“We can pretend that didn’t happen.” “I’m sorry, but I’m not as good of an actor as you are.”

“I don’t know how to… I’ve never done this before.�� “Then follow my lead, okay?”

“I’m someone who falls in love easily, but I’m also someone who can’t get over someone as easily.”

“I want to make this work, because I don’t— I don’t want to— I can’t lose you.” 

“You make me want to be a better version of myself.”

“I don’t wanna mess this up with you.” “You won’t. I promise, you won’t, so just… Do whatever. I trust you.”  

“Why are you smiling at your phone?” “…I was looking at the mail app, and uh… Received some good news?”

“Because love isn’t linear. You know that, right?”

“I’m not doing this for you — I’m doing this for myself.” 

“I’m sorry I couldn’t be that person for you.”

“I’m here to stay. At least until you want me gone, which I hope is never.” 

“Chasing you is like chasing the rainbow… It’s impossible. You’re always slipping away no matter how fast I run after you.”

“Don’t give me that it’s not you, it’s me bullcrap. It’s us both. We’re both at fault for this relationship breakdown.” 

“God, I just like you so, so much.” 

“I think I need to get over you for me to feel better again.” 

“You and your stupid smile… Stop that.” 

“I just need you in me somehow, please—”

“I really hope you realised they were flirting with you.” “…They were?”

“I’ve caught feelings for you, and I know you don’t like me back that way so I just… Wanted to tell you, before I decide to let you go.”

“I’ll be here to pick up the broken pieces if that’s what you want me to do, but I’ll leave if you’re not ready for that… For something more with me.” 

“I love you, but I… I don’t think I see a future with you.” 

“Give me a week. A week, and I’ll be back to normal. A week, and I’ll… I’ll be over you. Just a week and you’ll have the old me back. It’s that easy, I promise.”

“I kinda wanna give myself a concussion so I can forget about you and not think about you twenty-four-seven.” 

(pt. 1) | (pt. 3)

#i wrote this in january lmfao #long post #dialogue prompts #otp prompts #fluff prompts #angst prompts #smut prompts #prompts #romantic prompts #romance prompts #suggestive prompts

[hazelfoureyes]

A Doe in Fall (part 4)

⟢HumanAlastor x FemaleBurlesquerReader - A Doe in Fall

Part 1 - Pretty in Red smut💦 Part 2 - Liar smut💦 Part 3 - A Tragedy smut💦 Part 4 - Enough Part 5 - Too Much Part 6 - Learning smut💦 Part 7 - Recognition smut💦

Part 4 Enough

Alastor struggled with the prior expectations others had of him, but you eased them away with gentle hands. And to your great comfort, Tommy’s absence is noticed but not entirely shocking to anyone. With that concern behind him, finally, Alastor gives in to his own selfish wants and asks for your help with his “work.”

「Warnings/Promises: Human Alastor x Fem Burlesquer reader, No smut! No pussy eating! No fingering! It took away from the important events and Alastor’s mental health (I know he’s not real but he’s KINDA REAL?) so I didn’t include it. Next time! , Murder, dead bodies, allusions to bad things by bad men, Alastor has had bad times and will have bad times, bad kind of choking, domestic shit, Detective Brady, Obvious Sin」

You let Alastor start the shower, remembering people often complaining you turned it too hot. Stepping into the tub and drawing the curtain around, you told him to face the water so you could clean his back. It wasn’t dirty, you just wanted an excuse to touch and stare.

A moment of silence, you were a little scared to speak but had a question burning a hole in your pocket, “Do you like sex?” You ran the bar of soap down his back, no wash cloth in sight.

“It’s … pleasurable.”

Your mouth twisted, “I thought maybe…it didn’t work.”

He laughed, “You wouldn’t be the first. Works fine. I just don’t care to use it much. I don’t-“ a pause, he considered how to say it as he had never said it out loud before, “I don’t see the appeal, typically. There’s better ways to enjoy my time and chase pleasures than sweating over a stranger,” The word stranger floated in the air around you. Alastor felt the need to push it away, dispel it as quickly as he could, “Dancing is basically the same thing, which seems to be the issue with current society.”

“I can respect that. Well, I’m relieved you aren’t dependent on murder for an erection because I don’t think I can hide that many bodies.” A chuckle from him, but you grimaced. Not now, don’t joke now. Stop hiding from the uncomfortable vulnerability of blunt honesty. You were glad he couldn’t see your face, resting your head between his shoulder blades as you lazily washed his lower back and down, “Don’t push yourself. I know I’ve been-,”

“Affectionate?”

“Aggressive.” You winced, “your word is better. Just, I wont… I can't enjoy something you don’t want.” Your traced circles onto his skin, “I can't get my rocks off to someone’s bad time.” A smile you couldn’t see, small and warm. “I hope it’s obvious I won’t go anywhere.”

He laughed louder, offending you a little.

“Sorry, it’s just— yes that’s been made clear. I quite literally told you to stop following me and somehow here we are.” He looked over his shoulder at you and gestured for the soap. You shook your head no.

“Turn around.”

He paused.

“Not— not like that. Unless you want me to?” You would drop to your knees so fast you would damage the tub if he said yes.

“I’m good dear, thank you.”

The tub was safe.

You took your time, covering his chest in suds, his arms, his sides. You did get on your knees after all to wash his feet, his calves, his thighs. You stopped short of going any higher.

He looked down right bashful. It was so cute you wanted to shove your face into his crotch and scream. 

Alastor wasn’t used to people handling him. Not outside of uncomfortable situations. The order of events typically went as follows:

Date makes a move. Alastor politely redirects. Date gets annoyed because it’s not the first time he’s done this. Alastor offers other ways to please them, be it his hands or his mouth. They either get sad (‘You think I’m repulsive, don’t you?!’) or angry (‘What kind of man are you?’). 

If he didn’t find them worth the effort, he would simply end the date then and there. But if he liked them enough, enjoyed their company enough, needed them for some purpose enough, he would acquiesce. They would touch him, and he would react like the touch-me-not plant he used to harass as a child, moving without thought from the stimulation. And he’d think about more engaging things until he got them to  finish or he could say he did. 

And it would buy a little more time with good enough affection and good enough company and good enough reasons. 

Good enough. ‘Enough’ was right there in the phrase. 

And then it would repeat until someone gave up.

When he didn’t move or reply as your hands sat where his thighs met his hips, lost in some train of thought, you left it be and stood. Lathering your hands, “One spot left!”

He suddenly looked so tired, eyebrows rising as if to ask you ‘what’s that?’ yet the dullness of his eyes indicated he wasn’t actually asking. 

But like a fall from a mildly scary height into the sea, thrilling but safe, he tensed as your hands moved. When you began to wash his face, he hit the water feet first.  His shoulders noticeably relaxed, and you thought you saw his chin shake a little, but you let it go to rub circles on his cheeks. You got behind his ears and under his chin. You tried to make a mustache but the soap didn’t lather well enough for that.

“You’re not missing out. I don't look good in facial hair.” He said, and you believed it. 

You handed him the soap and let him finish cleaning himself, trying to steal looks without being too obvious. Making a mental note to yourself for every piece of him to compliment later when he was more comfortable.

It tickled when he washed you, those soft fingers making bubbles across your skin. The steam was dampening his hair. Ah, you just noticed he wasn’t wearing glasses.

“Can you see? Without the glasses?” He was down now, cleaning your already clean legs.

“Ah, well, no.”

You held up 7 fingers.

He squinted then made his eyes wide, “Hmm…. Two hands.” You pushed him down with your foot to his chest, him catching himself with his arm. “At least I didn’t say three, dear.” 

You play kicked, “Unfunny!”

When he laughed now he looked boyish. His laughter bright as a bell. It was so jarring that it made your subconscious remind you of the dead man lying in the other room. The juxtaposition impossible to ignore.

Alastor noticed the shift in the air, getting up and setting the soap down on the lip of the tub. His hands rubbed your cheeks, your chin, your nose.

“You can leave after you’re all cleaned and dressed.” He was looking at your nose as he spoke.

“I can do anything I damn well want.” Your eyes skirted around his face before making him meet your gaze, “Atleast to the car. Okay?” Suddenly insecure about how aggressive you were, “Please.” 

Alastor nodded, could he see your smile? You could see his.

It was unspoken, and somehow equally shocking as the night you grabbed a dead man by the legs, that you dressed each other. Domestic was the only word for it and it was downright frightening for you.

But your body didn’t stop, some magnets in your fingertips drawn to the buttons of his shirt, to the collar you adjusted, to his glasses that you rested on the bridge of his nose.

Alastor hadn’t any idea what he was doing, perhaps his mother had told him to do this and he had long forgotten it. Maybe he saw it in a movie. Or read it in a book. But gingerly, as you sat on a side of the bed away from Tommy, he knelt and rolled up your stockings, watching as you clipped them to the garter belt. He slipped on your shoes and took your hand to help you stand. As you put on your dress his hands took the buttons at the bottom and yours took the top, meeting in the center. His newly clean fingers straightened out the wrinkles.

He avoided looking you in the eyes, something heavy in the space between you two telling him the air might catch fire if he did. He didn’t know what that meant, and he had done enough new things for one evening. 

“Can I ask you something?” He took the twine that tied the clothes together and began looping it through eyelets in the canvas.

“Of course.” He could ask you anything, if you answered was still up in the air.

“Why did you work for a man like that?” Continuing to avoid your face, he busied himself with drawing the sides and corners of the canvas up like a giant sachet.

A good question. One you would think he’d have asked before the murder. “He wasn’t like that before. This whole… thing was a recent shift. I know it was gambling but I think he was getting into some hard drugs too. His behavior had just gotten erratic.”

He tied the twine tightly, “It seemed impulse control was an issue for him, given his brief conversation with me. This-,” he pointed at you, suddenly full of passion again, “This is what I meant. I don’t talk to men for long. What a terrible conversation that was.” You fought back a smile. “Was he bragging? You wouldn’t believe the number of men— well I suppose yes you would.” He pushed up his sleeves and held them in place with arm bands, “If that is the typical sexual tendencies of men then I’m glad to see I evolved past it.” Alastor was spewing a stream of consciousness that even you could tell was out of character. 

Or perhaps, “I have a feeling you’d be saying all this if I were here or not.” You stared down at the canvas bundle.

That smile again, “Normally it’s under my breath but— they don’t seem to mind!” He gave the bundle a tug, checking for the sturdiness of the twine.“So, usually I do this closer to the car…” 

It was unladylike and you loved it, legs open wide as you lifted your half of the bloody package. You lumbered down the tight stairwell as he went backwards, insisting it was the gentlemanly thing to do. There was a moment you were alone at the bottom of the stairs as Alastor brought the car around. You gave the body a little kick, “Why’d you have to go and be such an ass?” Mumbled under your breath like a professional.

As you both stood there, trunk full of Tommy between you, you were unaware of what little wildfires you’d set off in the other.

Alastor felt his stomach flipping, an impulse to grab your face with both hands and kiss you making his fingers tap the roof of the car. He was worried if he did, he wouldn’t be able to stop. An issue he had never had before, but it still felt like an issue nonetheless. It was, wasn’t it? An issue?

Something in you felt like the good wife in the doorway, waving your darling off to work in the morning. Wanting to plant a kiss on his cheek and straighten his bow tie. If you’d seen a neighbor do it you’d roll your eyes and fake a gag, but you wanted to give it to him. You wanted to give him consistent adoration he could rely on and that was the only example you could think of. A nervous hand considered clawing the feeling out of your chest entirely.

You both decided to play it cool,  Alastor dialling back the urge and planting a single kiss to your nose. You hummed, “If anyone asks…”

“You saw Tommy take the cash and leave.” Alastor said quickly, so confident you could believe maybe you had.

You nodded. Biting your bottom lip you stopped the urge to offer more help. Trust needed to exist that he’d ask for it if he wanted to. 

Maybe your face was losing its skill, mask dissolving under the events of the night, because a grin spread across his face, “Baby steps.”

Always scared of letting him slip through your fingers, you tried to hide how badly you needed another date to look forward to. Pursing your lips, “Speaking of, we’ve checked off public acts of indecency, a dance hall romp, and now some gentle sex near a formerly living man. Would you like to get coffee this week?”

“In the daytime?” False incredulity

“Fully clothed.” You added.

If he hadn’t stifled his laughter, it could have been dangerous, “Scandalous.” A small panic, he hadn’t actually agreed yet. An unfamiliar feeling of insecurity came down on you like a mistimed curtain fall. 

“I’ll need a few days…Saturday, at ten, the little cafe at the west entrance of our favorite park?”

Our. Your knees buckled a little. 

“Sounds positively deviant. I’ll be there with bells on.” Why was your heart pounding now. Why now?

“It’s a date then.” A kiss to your cheek, he tensed, holding back. “Can I drive you home?,” it was spoken into your skin. His lips not leaving your face. 

“I have to go back in. Tell everyone how much of an ass Tommy is for leaving me all alone with that wealthy bore.” Your cheek leaned into his kiss. His lips dragged across your skin to find your mouth, still open.

He exhaled, shakey and slow. Your eyes saw something new; dilated pupils staring down at you. A heat was pooling in your lap again, never so receptive to a pair of eyes before.

“Should I come back?” He knew he shouldn’t.

Luckily so did you. “You know I’m not far from here. Just get home, or wherever you're going, safely.” He finally let his mouth capture yours, his hands roaming the soft fabric of your dress. Red, smooth, warm. You broke away, pulling from some well of strength you didn’t know you had, “If the girls see— there’s no motive quite like a jealous man.”

That grin erupted, beaming a toothy smile that warmed you to your core, “Endlessly fascinating.” His fingers lingered on you until they were pulled away by the limits of his reach, him backing up to the car door, “Be safe. Good night.”

Your legs crossed one in front of the other, had a man ever considered your safety enough to say it out loud? Without adding some patronizing addition like “little lady” or “pretty thing” to it that felt more like an admission of intent? “Good night.”

Alastor rode home in silence, sometimes so lost in thought he would snap back to reality and realize he had no idea how long he had been driving. It would take a second but he would confirm he was still on the right path. 

It was too soon to bring you to his home. He knew that was a logical statement. However, every other part of him wanted to carry you over his shoulder into his house and show you around, excited to hear your responses to the details of his safe harbor. He could cook for you. You two could push the sofa back and dance in the sitting room. The back porch was lovely for early morning reading.

An incorporeal pain tore through his stomach. 

Hands gripping the steering wheel, bright eyes popping up from the tall grass as he rumbled past. 

He was getting ahead of himself again. All of the idioms he was taught were going up in flames. 

‘Don’t put the cart before the horse.’

Unfortunately he had guilded the cart as well, so weighted with the gold of his hopes he was worried the axis would snap.

‘Don’t put all your eggs in one basket.’ 

He had saddled you with an entire coop of his joy. Unfair and unwise.

‘Pearls before swine’

He was, like many men, reduced to a greedy mouthed animal at your feet, incapable of appreciating your attention as it should be. But he didn’t want you to stop. Perhaps a pig could learn?

So much for evolved. 

As he pulled into the dirt driveway of what was his father’s home, then his mother’s home, now his own, he wondered what your first thoughts would be. Would you like it? Were you expecting something grander? Something shiny and new? 

When he was backed up to the greenhouse he rested his head against the steering wheel. 

The smell of the soap was heating up with his thoughts, remembering your hands. You smelled the same now tonight, the same soap. What an intimate thing to share. Could he ever hope to share such things with someone, or was it foolish to spend time thinking about it? 

Alastor would give nearly anything to share a set of plates with someone gentle, to have a set of hand towels in the bathroom for himself and someone patient, to warm two mugs in the morning with coffee for himself and someone understanding.

A secret little dream he threw away shortly after entering adulthood. Which was fine for him. If having those niceties meant having to fake that a part of himself mattered more than it did, he didn’t want them. Not that much. He was already putting on a show outside, he couldn’t bring the audience into his home. His mother’s home. 

As he grappled with Tommy’s impromptu shroud, he considered his outward image. 

He was proud of it. He chose to have it, it was a tool that got him far in life and elevated his status. No qualms. Just, when you expect to do something all of your life alone, it’s foundation shaking to learn perhaps you didn’t have to.

He had convinced himself he preferred to be alone. But now it seemed maybe he had been lying to himself. At some point he confused accepting a situation with preferring it. 

He stared down at Tommy’s pale face, clothes dirty and body stiffening on the metal work station of the greenhouse. He probably would never have learned about Tommy if not for you. No rumors or whispers or warnings about a theater manager abusing the artists in his employ were floating around.

Again, he felt his chest tightening. It didn’t matter if he had had the man already in his sights or not. He would have killed him. Alastor ran his hands through his hair. Would you have stopped him, would he have let you, if you swore Tommy didn’t deserve to die?

No. A silly rhetorical. Had you begged on your knees with tear stained eyes he’d have kissed your cheeks and said whatever you asked to hear. And then he would wait for Tommy to be alone in a dark place like he did the others. And he would avoid looking you in the eye for as long as he had to, until you forgot about the former employer.

With a single and soft clap of his hands he shut his mind off and went about his work. Now wasn't the time for questions and what-ifs. He needed to make Tommy disappear as soon as possible. He didn’t usually kill so close together in time. A brief thought slipped through the cracks of his walls, This would be easier with help. 

✦ . 　⁺ 　 . ✦ . 　⁺ 　 . ✦

No one noticed Tommy was missing until the following night. But given he’d gotten a considerable payday Monday the staff just assumed he was off snorting his profits. 

It wasn’t until Wednesday morning did police come by, Tommy’s mother having called in a missing person’s report.

You heard the girls speaking to the detective outside the dressing room before rehearsals. 

“This is typical Tommy.”

“He’s been dabbling into some heavy stuff.”

“You didn’t hear it from me, but! I heard he got,” you couldn’t see what she was doing, “ya know?”

When the detective looked into the dressing room and asked who he hadn’t spoken with, your eyes met in the mirror, recognition painting his face. 

“Detective Brady! The assistant manager can talk now.” Someone called from down the hall. You continued covering your bruises, hoping he hadn’t noticed them. With a pat to the door frame, metal ring clinking, he left.

He didn’t have time to speak with all of you before it was doors open and left before the show began. As soon as you got home you fished around in your key bowl for the crinkled card.

You dropped it back in, hands coming to your face. Of course. Why would it be any other man?

Deep breathes. It isn’t strange he ran into you before, you worked and lived in the area. He probably handed that card to every woman he passed at night. 

Slow breathes. The girls did the legwork, just follow suit. You were a single woman. No one would suspect you of anything unless they found a smoking gun under your pillow. Even then, if you could bat your eyelashes enough and find a  dainty enough cross necklace you could beat any rap. 

All you wanted now was to see Alastor and tell him. Three more days.

Surprisingly, the theater ran perfectly smoothly without Tommy. James, the assistant, stepped up and everything carried on as usual. The detective didn’t come back, either. Rumor in the dressing room was that Tommy had been an open-and-close case of bad decisions leading to bad outcomes.

There was a sadness at the theater regardless, no one having heard any news. He had wandered off before but he always returned in time for the big weekend shows. But Friday night came and went and Tommy never showed. Which for you was expected, but the other staff seemed worried. The girls, not so much. 

You weren’t as scared as you had thought you’d be. For yourself, atleast. You would rather die than let Alastor be found out because of you. Maybe he would have advice to ease you. Even if he didn’t, you’d be comforted getting him up to speed.

Knowing you’d see Alastor soon was like knowing when the next big rain was coming. You spent all week planning your time around it. 

Except for the small detail that you hadn’t actually known where the west entrance was to the park, or even that the gates had names. But you found it easily enough. As you approached you could see him waiting, a blue suit without the jacket, was there a color he wouldn’t look charming in? 

No. Silly questions seemed to be in the air lately.

You slowed as you approached, him hearing the click of your shoes and turning before you could gather your thoughts. This was the first time to see him in the daylight. 

His mouth was moving but you didn’t hear anything, brain short circuiting. His hair looked so much brighter in the sunlight, sun passing through brown locks. You could see his eyes looking at you, brows rising as he questioned something, but your thoughts were arrested by the color of the gaze you’d spent weeks trying to get into the focus of; a bright honey brown that seemed to shimmer. A little pop of light bounced off a button of his vest, his smile gleamed as he leaned towards you.

Run. You had no business here. A possibly soon-to-be criminalized dancer and him. You should have worn a better dress. Should have gotten your hair done. Should have better.

Alastor couldn’t figure out what your face was saying. He was proficient in reading the expressions of others, in discerning the changes in the air of any given room, but this… he couldn’t place. Your eyes were wide, smile taut and flat as you took a step backward. His hand reached out to stabilize you, your heel catching on the uneven pavement of the lesser cared for wards of the city.

“What’s wrong?” His smile softened. 

You spoke without thinking, something you never did, “You’re too beautiful. I should go.” Your attempt to turn away only half in jest. His bright laugh rang out, melting the muscles of your legs. 

“That’s a new one.” His fingers lingered on your arm, “You can pick a seat, I’ll grab coffee. No staff on the patio.”

Considering fleeing still, you thought about how sad he would be standing there with two coffees in his hands. The weather was quickly cooling, but in the early sun the outdoor seating was perfect for a coffee date. 

Shaking off the nerves, you tried to get a fucking grip. You adored your physical form, you had no issues thinking you deserved whatever you wanted to have. But, well, it was like he was glowing from the inside out. Even his skin seemed to catch the light. There was that quick heart beat again. You looked through the glass front, Alastor in line. If you had gone through with the plan to rob him, and had he returned in the daylight to argue with you… you’d have just handed back his wallet and maybe even your own. 

The least attractive thing about him was his money, strange considering it was normally the most important thing a man had in his pocket for you. 

Did he know? That you had been-

“Autumn, was it?”

You heard something in your neck pop as your head spun toward the voice. The color left your face, you stood so quickly you almost knocked the chair over.

“Detective! What a blessing!” Your hands were trembling as you reached out for one of his with both of yours, “You’ve been on my mind lately.”

The detective, tall and lean, eyes a striking cool blue and hair the color of wheat, removed his hat. “Oh?”

“Yes. I never got a chance to thank you for saving me last week. That man was just not taking no for an answer.” You took several steps to the left, making his back turn towards the cafe doors. 

“I thought maybe you’d been cross with me. You ran off like-.”

“I was just nervous. I didn’t know if you were for real or just another trickster trying to get a lady alone.” You stared at his eyes, trying to keep him focused on you. 

“Ah, well, you had good reason to be. Lucky coincidence seeing you here.” He set his hat under his arm, “I was just headed to your manager’s mother’s home.”

Your eyes flitted to the counter, back to Brady. “Oh? Is…is it bad news, sir?” 

“Not a trace of the man. But, that isn’t uncommon down here I suppose.” The detective sat down at the table you’d been at….you stayed standing. He motioned for you to take a seat, “That being said, I don’t think Tommy just wandered off with some cash.”

Were you wearing your perspiration pads under your dress? You think you were. If not, maybe you could just spill water on yourself and say it was a stain. Stiff, you took a seat. 

“I was hoping to interview the rest of you ladies. I was going to stop by tomorrow but, if you have a moment, what can you tell me about him?” His eyes looked like ice, their effect similar as a chill ran down your spine. 

“Well, oh geez… I don’t want to speak ill of anyone, ever.” Your hard learned skills were coming back to you. Your hands came together to shyly fidget with each other. 

“Consider it a help to the police, no worries ma’am.”

“Miss.” You corrected, that practiced smile small and chaste, “I’m not married, sir. As you can imagine, in my profession, it is very hard to come by good, honest men.”

A chuckle, he put his hat down on the table. Fuck. Fuck! 

“But, uh, yes. I can tell you quite a bit. Tommy was a fine man. For awhile. He was very respectful to us. A clean and tight ship.” You saw the door open behind him, Alastor using his back as his hands were full. “But, the last three months or so, he started getting mean.” You leaned forward, putting your left hand on Brady’s that rested on his hat. Your right hand slipped to the side and under the table, waving frantically to Alastor to turn back around.

Without question he swiveled on his heels, sitting down at another empty table near the cafe doors with his back to you.

You gripped his hand and the hat with one motion, and set it back on his head, “If he saw me talking to a flat foot…it could be a lot of trouble. Maybe we should speak privately.”

Why were you incapable of finding a balance between honey and venom? Your words came out too sweet, voice dipping into the tone you reserved for marks.

“Ah, well…Miss Autumn-,” Brady shifted in his seat.

You stood up, slapping his shoulder, “I meant the theater! Sir!”

He flustered, shaking his head and standing too, “I didn’t say anything!” His nervous laughter eased you, walking further from the table so he would follow. “Well, I’ll be by tomorrow. Maybe we can finish this conversation.“

A nod, not at all intending to tell him you didn’t work Sundays, “That sounds good. Anything I can do to help. But really, I expect Tommy will show up as soon as the cash runs dry.”

With a tip of the hat, he walked off to bring bad news somewhere else. 

You waited a moment before moving to the seat across Alastor. You thought your bones had turned to jelly, “Thanks for the rerouting. Was I obviously rattled?” You were mortified.

“No, not at all!” Alastor set the cup in front of you. “A former beau?”

You shook your head, “Worse. Detective Brady back there came by the theater this week, but didn’t have time to speak to me. Just so happened to see me now on his way to Tommy’s mom. Actually, that was something I wanted to tell you. I’ve met him before.”

His brows rose, blowing slightly on the coffee, “Oh? A patron of your theater?”

“No. That night with Legs. He stopped me a quite a few blocks before I found you. Gave me his card and a warning about missing people and something about little ladies being out at night.”

Alastor nodded, unphazed.

“Should I be worried? Because I’m worried.” You couldn’t even touch your drink, stomach in knots. He smiled, breaking the spell Brady had cast over you.

“Without a body there is no proof anyone is dead. That’s all that matters.” Alastor was cocky, leaning back in his chair with a far too relaxed demeanor.

You hadn’t realized your shoulders were so tight, “Sorry for shooing you away. I just got so scared! If he knows I,” You caught yourself, face going red as you corrected, “thought I had a guy, it could put you under a spotlight.”

His hand came over and gently rubbed your open palm with his thumb, “You’re right. That was smart, thank you.” Alastor smiled brighter, “Now! Let’s put that behind us. I don’t have a terribly long time. There’s a couple things to discuss. Most importantly,” he leaned over the table, face serious, “You think I’m beautiful?”

You kicked at his shin under the table, “My heart nearly stopped! I thought it was something important! Unfunny!”

A snicker, “Cruel?”

You nodded, “Very!”

It was by most people standards a normal date. It only strayed from mundane when Alastor walked you home and asked if you had any nightmares about Tommy. 

When you told him you hadn’t slept that well in weeks, and thanked him softly for his affection as you felt that had something to do with it, he hummed happily. He offered you his home phone number, you gesturing to the phone box at the corner in return. 

The nights were busy, so you often spoke in the mornings before his work. You’d made somewhat of a schedule, waiting in the booth around when you knew he was up and settling with coffee. He’d call, you’d ramble about your evening and what wild thing happened. Luckily the detective never returned after his Sunday visit so your stories were just fun and lighthearted. His laughter sounded so good over the staticy phone line. He would tell you about his work, about the bands he had the pleasure of hearing. New Orleans was the undisputed mother of jazz, and it showed in the fervor of his audience. It wasn’t uncommon he was busy keeping up with demand for more big and new sounds. 

While you enjoyed every opportunity to see him, be it coffee at a different cafe than the first or a walk around forested areas you knew were of use to him, the calls were nice. It allowed you to enjoy him without worrying about putting any undue pressure on him. You could twirl your phone cord and bite your lip without concern.

But finally, the moment you’d been waiting for. You called Alastor and he sounded tense, like he hadn’t slept. With a simple “What’s wrong?”, he asked if you’d want to help him with work.

The first one was almost too easy. Alastor had you wait at a bar where a man he clued you in on frequented. A staff member of his station had missed work for several days, supposedly sick. Alastor got the real story from eavesdropping on the ladies at lunch. The man, Mr. A. Wellington, was next. After watching and waiting, Alastor knew the man’s patterns well enough. Including you was a risk, but he had been fighting the urge to ask you for so long now. This one seemed it would be cut and dry. 

All it took was a smirk, a well placed hand, a laugh. The man practically pushed you down the back stairs of the bar and out through the doors that led to the service street. So engrossed in ignoring your suggestion of slowing down, he didn’t hear or see Alastor standing feet beside you both. 

The look of betrayal on the man’s face as his eyes flew from Alastor back to you increased Alastor’s high was three fold. He asked the man, already too gone to reply, if he remembered his staffer. “You should. She’ll always remember you.” 

You leaned against the door that led back to the hotel bar. Your eyes and ears were open for any unwanted company, any possible danger. Other than your own little madman. Alastor took this one personally, you could tell by how much messier he was than the first two.

While he didn’t explicitly state his code of ethics for selecting “victims”, you had picked up on the pattern. A man who assaulted a young woman, a wife beater, a violent segregationist. 

Was he really doing bad things? You found it hard to pity any of them.

Once the messy part was done you’d help get the man, as it always had been so far, into the trunk. You’d share a few kisses and clean the scene before being driven home, where you’d share a few more. Your favorite part, by far.  And after you waved, he’d drive off to wherever he went with the dead men. 

But one night was atypical. One night was downright horrible.

You lured a man into a large park beside the water. A part of you almost felt bad, as he sweetly held your hand. He had been a perfect gentleman, you seducing him at a dance hall. Alastor had warned you he was dangerous, but you wondered for a second if he was Dangerous or dangerous. Like Alastor-dangerous.

You found your answer when the man smiled down at you, telling you how beautiful you looked in the starlight, how you’d stay so beautiful forever, and wrapped his hands around your neck. Capital “D” Dangerous. 

The man was knocked off balance by Alastor tackling him from the side. You all three fell into the dirt and grass. The wind was forced out of you from the impact, your hands failing to get traction as you tried to sit up. The ground was slick with mud from recent rains flooding the rivers. Hurricane season was already in full swing.

The man wasn’t huge, but he was larger than Alastor. You watched the men struggle, slippery ground complicating Alastor’s attempts to stay upright as he straddled the man, and he couldn’t get leverage enough to bring down the knife. Horrified, you sat on your legs feeling helpless as the man lifted himself and Alastor off the ground entirely and tossed him onto his back. A small cry, Alastor rolled away revealing a rock where his back had landed.

The man only needed one of his large hands to wrap around Alastor’s throat but he used two for the fun of it. Your shoes slipped off as you struggled to get to your feet like a baby deer newly introduced to the world. Everything was wet and spinning, your lungs were burning. 

Alastor didn’t feel scared as his vision went black, just annoyed he had fucked up.

Even that feeling washed away as a grayness flooded into his consciousness. Everything lost color, flavor, texture. All urgency inked out. 

Before everything slipped away, before he slipped under, he thought he heard his mother calling his name.

He thought he heard you scream. 

Part 5 is halfway done 👌

༻Masterlist༺

∰ Summoning the Horny Little Deer Cult (general tag list):

@cxrsedwxrlds , @nonetheartist , @tsunaki , @janchei , @wettiny-in-smutland , @moonmark98 , @hoebihoeshi , @pansexual-opera-house , @polytheatrix , @lorddiabigmommymilkers , @backinthefkingbuildingagain , @harley2223-blog , @coffee-colored-hopeless-romantic , @poinappel , @midnightnoiserose , @spookieroz , @missmidorima , @ivebeenthearchersstuff , @downbadforfictionalppl , @xx-all-purpose-nerd-xx , @sleepylittledemon , @aether-th3-enby , @dontfuckbutimfab , @breathlessaura , @aperfectidiot , @certainlygay , @jth12 , @star-kujo-platinum ,

@ivebeenthearchersstuffn, @rubyninja1 , @simphornies , @alleystore , @readergirlstuff , @berry-demon , @chirimeimei , @fairyv-ice , @olive-frog , @thonethatflies620 , @tiredkiwiii , @ilikemyteawithmilk , @whateverlololo , @psipies , @howabouticallyou , @roxxie-wolf , @ive-no-idea-what-to-call-this , @fizzled-phoenix , @fjorjestertealeaf , @phobophobular , @surusurusuru , @mariaclarade-la-cruz1 , @whateverlololo , @simplyonehellofanotaku , @xixflower , @i-am-nonbinary-bean-deal-with-it , @roxxie-wolf , @a-case-of-attachment , @multifandomfanatic02 , @watereddownmilk , @raynerrold , @crazii-saber-wolf , @valkyrie-expeditions , @bontensbabygirl , @sillyb0nez , @oo0lady-mad0oo , @jazzmasternot , @pseudobun , @fraugwinska✨, @alitaar , @straows , @alastorssimp , @angelicwillows , @b-o-n-e-daddy , @one-and-only-tay , @asleeponelmstreet , @tremendoushearttaco , @mutifandomkid , @sapphirecaelis , @itzzzkiramylove  @saccharine-nectarine

@looking1016 , @ultimate-duck-king-lucifer , @blakeaha

🏹Alastor stalkers: @celestial-vomit , @amurtan

@faeoffaith ,

#hazbin hotel #alastor x reader #human alastor #hazbin hotel fanfiction #hazbin hotel x reader #alastor #hazbin alastor #fanfiction

[psychotrenny]

Lancer is a funny because of how much it insists that Union is this flawed but ultimately benevolent institution that's well on the path to improvement, a "utopia in progress" as they love to say, when like they casually reveal so many things about it that show Union as rotten to the fucking core. Like as much as Lancer fans like to go on and on about how it's an imperfect society that needs to make compromises, there's so much awful shit about Union that just seems pointless or easily avoidable.

And like part of this is the creator's politics; they're social democrats so it's not surprising that Space Sweden is their idea of a society that, if not the best we could possibly achieve, is at least the best we can do for the foreseeable future. As a Marxist-Leninist it's only natural that I'd have a condemnatory view of such a society just as I do for real Social Democracies; my idea of an achievably "good" society is just fundamentally different from that of the creators But like Lancer is also full of little details that just seem fucked up and awful even from the values and viewpoint of Social Democracy. Like stuff that's just as bad, if not worse, than a lot of sci-fi Dystopias. Like why the fuck does Union have a CIA that's run by a group of super-computers with the actual elected legislature having an advisory role but no actual jurisdiction and this fact being kept secret from the vast majority of the populace? Not much of a democracy if one of the most powerful institutions in the entire political body is free from any kind of democratic or even fucking human oversight while most people aren't even allowed to have an opinion on this because they aren't allowed to know about it. Or what about the caste of Janissary diplomats (like was it really necessary to take children and train them like they're the jedi of interplanetary relations) who come with customised computer slaves. Like yeah don't forget about the fucking SCP computer slavery thing, which is completely fine (except for the times it isn't I guess). Like it's basically the weirdest and most uncomfortable part of Star War's setting imported near whole-cloth only like the regular mindwipes are justified because otherwise they'll full Durandal and you don't want that do you? Look how happy and content they are being forced to think like humans while acting as loyal servants. Btw Union is somehow even less denazified than West Germany. Significantly so. They literally gave Hitler Corp. (a fucking weapons manufacturer so powerful they call it a "corpro-state"!) a seat at the UN. While allowing their Blue Helmets to keep using those Nazi-made weapons. And like Third Comm is repeatedly described as doing basically the same shit that Second Comm did but with more "Care" or whatever so don't worry it's fine now.

Like I can just keep going on and on like I'm not making this up this isn't some like weird expansion this is all from the core rulebook. I get that there has to be conflict and tension but like why did they need to make their ostensible good guys so fucking awful like these are the people you're meant to feel good about fighting for why did you need to fill them with the sort of details you'd see in some cautionary dystopia? And like why do actual people keep defending these guys? Like once you get down to it Union manages to be less Space Sweden and more* "The Ottoman Empire with Pronouns"

*to borrow a phrase coined by a mate while we were talking about this

#lancer

[tubbytarchia]

To all the nosy neighbour enjoyers, thank you for being that. Anyway here's my propaganda!! Just some of my favorite moments tee hee

Sorry if my BigB looks weird (I tried really hard :( ) I'll pretend that that's intentional given my rabbit hybrid BigB thoughts under cut:

I made a little post about this before but basically BigB has such rabbit behavior:

1. Cannot help but keep burying himself underground like it's his natural habitat (seriously he comes back on ground to build a house on a mountain and then immediately makes an elaborate underground hideout again. Or how he built backrooms in SL and kept retreating there. Or how he was literally underground when he ran into Pearl, for Pearl to inform him that it was night time and BigB immediately wanting to retreat back underground. Or how he was underground for almost the entire "red winter is coming" session. Or)

2. Often fidgety around others

3. Constantly cautious but doesn't let nervousness show if there is any

4. More prone to keeping distance and watching rather than engaging

Idk he is extremely prey animal behavior (positive, affectionate) and I can never see him as anything but a rabbit now. I considered giving him rabbit legs too but then I was like nah. Because I think him having weird rabbit posture in a mostly human body contributes some inherent awkwardness and a bit of uncannines (fitting with his gaslighting tendencies). After all he's kind of out of his element above ground (or that's how he acts!) and that's when people are going to be seeing him. But just you wait till he stands tall for a change to tell someone off (like Cleo in SL or Scott in LimL). And with such posture, he inadvertently makes himself look smaller, which certainly would help him weasel his way out of undesired situations like he often does, eg by talking people into pitying him to save himself from dying. I'd also like to imagine him to be smart enough to manipulate his rabbit ears to not betray how he's feeling or to make others think he's feeling a certain way, unless he feels particularly threatened or something. That's maybe half the appeal of animal ears to me, that they can be an added tool for emoting, but a hybrid moving them in deliberate ways is a fun concept!

Oh and he has caving boots!!

I do kind of seethingly hate how he looks with his ears drawn back but I did the best I could. I really hate having human ears in addition to animal ears personally, but if I put his ears any further up where they'd look cuter (Pearl's antennae for comparision) it'll look really weird. Aghh whatever he's supposed to be awkward so whatever please ignore it Im going to cry

Also if you think the old design is cuter, it's almost certainly because of the lesser facial hair lol trust me!! And I changed the curly hair to be a bit less curly in likeness to Lee from Walking Dead because I did not realize that BigB's skin is basically that and I couldn't help myself. I was overall really unhappy with my old BigB design so yay for redesign. I swear its not just animal features that make things interesting for me...... maybe somewhat....

#thank you guys for voting big/pearl over big/grian I actually didnt think itd happen (Grian curse) (I LOVE Grian and the secret soulmates!!) #bigb #bigb fanart #pearlescentmoon #nosy neighbors #limited life fanart #not drawn with shipping in mind view as you wish #also I hope to god no one interprets the “He's mine” thing as yandere Pearl please do not do that thats not what that is #she's just protective. it's her first real friend since double life cut her some slack #trafficblr #tubby art

[radiance1]

So, this one was inspired by those few posts I saw about Danny turning into a ghost but he leaves his body behind. I don't think it was like that one au where he left a dead body behind and he could just turn back into a human.

But where he went ghost, flew out of his body and then when he was done he just went back in.

So now I'm thinking about Danny becoming a hero, part of the JLA, Teen Titans, or any other superhero related team or if he just acts alone most of the time and allies with them or whatever.

But I'm thinking of him becoming a hero, his body facing a grave injury that should've put him out for either a week or month at least and then he's back the next day.

How and why?

Vlad Masters.

Whenever Danny is actually gravely injured or anything, he goes to Vlad to make use of the multitude of clones he always keeps around. Surprisingly, it works extremely well, each and every clone's DNA matches his exactly and it's not like they have a consciousness to force him out or anything. So basically, he possess his clone bodies until his main one-which would currently be healing in one of Vlad's pods-heals up until he could get back in.

Of course, this draws some suspicion. But most people just write it off as Danny just having an extremely powerful healing factor.

Hell! You could even drag Ellie up into this too!

Even though she's also a clone, so that would mean that she would be possessing the clone of a clone but that doesn't really matter anyways.

Why does Vlad let them do this anyway? Well, because he literally has no use for them like, at all. He gave up trying to create the perfect son a while back and he already had a perfect daughter (Yes, Vlad and Danielle have developed a parental bond which is probably another reason) plus, he was planning to throw them out later.

So why not?

Just, think about it. Rows upon rows of clones that Vlad created for the sole purpose of being temporary replacements for both Danny and Dani whenever they've suffered a major injury in their hero work that they need to heal up while still doing their heroing.

#dc x dp #dp x dc #dpxdc #dp x dc crossover #dcxdp #dc x dp crossover

[am-i-the-asshole-official]

AITA for refusing to do anything to help my roommate's baby?

More of a "was I an asshole" rather than "am I an asshole?"

I (21F) am a college student living in an apartment with two roommates, Anna (22F) and Mica (23NB). I've lived with Anna for two years now and Mica for one, and we've all always gotten along great with no major issues apart from the fact that Anna's boyfriend of several years is emotionally manipulative and incredibly insecure and jealous, but that's an issue for another time, except that I don't like him and make no secret of it. I also don't like children, never want children, and crying babies is one of the biggest overload/meltdown triggers I have because it stresses me out and also triggers some violent intrusive thoughts (I have autism and OCD, which both of my roommates know about, but never cause any significant issues and I don't act on those thoughts.) That is to say, I should not and do not want to be around children.

Anna and I live far enough apart over the summer that we only see each other during the school year, and this year I'm a junior and she's a senior. I showed up at the beginning of this school year and lo and behold, Anna is about five months pregnant. Turns out it happened toward the end of last school year, she didn't tell anyone at first, and didn't bother to mention it over the summer (which I'm pissed about). I was NOT expecting one of my closest college friends to be about to have a baby, let alone one that I'm living with.

For the next few months, I helped her out, drove her to doctor appointments, etc, because of course the shitbag boyfriend lives like three hours away (where Anna lives when she's not at college) and refuses to drive over to help her out himself. However, I made it clear that I wanted nothing to do with the baby once it's born. I wouldn't be helping her with diapers, wouldn't babysit, don't want her to put formula bottles on my shelf in the fridge, won't play with the baby or anything. I don't have the patience for that, I don't want the baby in my shit, I work 20 hours a week on top of my classes and homework and do not have time or desire to deal with a tiny human.

Fast forward to when the baby is born, Anna keeps saying she's looking for somewhere else to move, wants to move back full time to live with her shitbag boyfriend, have him help with the baby. Our other roommate Mica helps occasionally with the baby and is willing to do basic stuff and occasionally rocks him to sleep when they're sitting on the couch and stuff, but I refuse. Several months later Anna still hasn't moved out and has barely made the effort she says she will, she talks about the boyfriend a lot but I have literally NEVER seen him in person since the baby was born (he was there for the birth and that's it, drove her to our apartment afterwards since I didn't want to be there, then left again).

If there's ever a time when I'd be the only one home at the apartment and Anna asks me to babysit for a little while, I change plans and always leave so I'm not there even if it just means doing homework at the campus library instead of my room. Anna is exhausted and literally does nothing around the house anymore, never comes grocery shopping with Mica and I because she refuses to leave the baby home alone but doesn't want to take him to the store, I'm doing all of her dishes cause apparently she can't do that either, she asks us to do her laundry and cook dinner and everything for her now and I feel like we're being treated/put into the role of the baby's father.

I cannot stand children, I don't think Anna has any excuse for trying to make us care for her child, she seems to expect us to take care of him while she's in class and she can barely even afford her own share of rent and groceries and stuff let alone a baby (or hiring childcare), and I made it clear even before the baby was born that I wanted nothing to do with him and will not engage with him or do anything for him, and I think my "it's your fault you had a baby, sucks for you, now deal with the consequences" attitude is what might make me an asshole here but I'm so exhausted and my mental energy is always drained from the damn kid screaming and crying and making a mess of the house.

Mica talked to me privately recently and mentioned that they understand that I don't like children and that they're also upset with the fact that Anna can't take care of a child herself when she's a full time college student without a job and a shitty boyfriend who's barely in the picture, but they want me to try to engage more and have a bit of sympathy for Anna and not leave her completely stranded with an infant. I don't want children, I don't want to live with one, and don't want to have to care for one.

It's now April as of writing this and I have since moved out of the apartment (Anna and Mica still live together), I left in January at the start of spring semester when on-campus dorm housing was available and live with another friend whose roommate transferred the prior semester. I still see Anna around campus but I feel like the baby completely ruined our friendship but I still hang out with Mica a lot and occasionally get updates that way. I'm much happier, my mental health is better, and I'm not living constantly stressed and on edge because of the baby, and Anna still hasn't moved in with her boyfriend despite saying she's trying to for months now.

Was I an asshole for refusing to support my roommate and her baby, and essentially giving the ultimatum of "either the baby goes or I do?"

#aita #am i the asshole #eyestrain

[novantinuum]

jen's "Hard-Light Hybrid Steven" headcanon dump

Okay so I'm just making this its own post, because frankly at this point... the original post is so hard to get all the pulp out of due to the headcanons being spread over multiple reblogs and half of it being in the tags.

So here we go. Self indulgent headcanon time. This is how I'm now personally interpreting things within the realm of my own fic work and the post-canon storylines that live in my mind. This is NOT, however, a work of meta- I am by no means suggesting this to be what I see as "canon," only having some fun playing around with ideas I think are cool on a speculative fantasy anatomy level. Take it as you will basically, lol. This is ultimately just for me.

With that stated:

"jen what the fuck do you mean when you say hard-light hybrid Steven, what are you even suggesting"

Essentially I am proposing that Steven becomes progressively more hard-light based in form as he ages. When he was born he was two almost entirely separate halves mashed together- organic and gem- and those two halves slowly but surely merge over the years (hard light replacing organic matter) until one day they are literally inseparable, and Steven is one permanently cohesive being... entirely hewn from hard-light, but with a level of anatomical complexity that still makes him a complete anomaly amongst Gems and humans alike. Instead of the innards of his body being solid light, he is still formed of cells- only now, those cells are entirely hard-light.

His gem is somehow mimicking the form of organic matter with a level of detail that's absolutely unobtainable by shapeshifting or tailored reformation alone. Steven has become the single most complex hard-light system to have ever existed.

Some more specifics on how I imagine this merge working:

Much of the "merging" is natural over time, basically his gem branching out new bits of hard-light circuitry within his body as it integrates within his system.

However, this process is sped up significantly by all the spills and injuries Steven deals with throughout his childhood... because his body's instinctive response to injury is simply to replace damaged cells with hard-light analogues. An almost instantaneous patch job.

Steven's component halves being so distinct early on is a large reason why he takes so long to harness many of his powers.

This is also why Steven's (mostly) organic half is so weakened during the split in Change Your Mind- at that point there's a lot about his anatomy that's been converted to hard-light, so it's basically as if White Diamond yanked the power source out.

(Same idea for why he's so weakened during the movie when his gem's on the fritz... his gem's connection with the rest of his body got partially severed for a time, which. Is not Good for someone who at this point is more hard-light than not hard light.)

At a certain point post-canon, it becomes impossible for Steven's organic and gem halves to be separated. They are so tightly integrated that attempting to remove the gem would only poof him.

Now, here's the thing though...

Steven does not realize that Any of this is taking place until the blunt reality of his strange new anatomical nature is put on display for all to see... when he actually DOES poof.

Here is how (in my own post-canon musings, which I have simplified here because y'all don't live inside all the intensive lore that jangles about my brain) I envision that taking place:

So, Steven would be in his mid to late twenties at this point. He's married to Connie, and they have an infant son.

Recently, there was a fairly severe Gem incident that left Beach City and Little Homeworld pretty damaged. Things are still being mopped up from that.

Steven, Garnet, Amethyst, and Pearl head out on a quick mission one day to intercept one of the last few supporters of the Gem who attacked the Crystal Gem's hub of operation, and at first it seems like it's gonna be a straightforward trip.

Then, Steven sees the Gem in question pull a destabilizer wand on Garnet, and- unwilling to watch her to get ripped apart like that again- throws himself in between. He can take it, he thinks. These things never hurt him one bit as a kid

He cannot take it.

He poofs.

His gem unceremoniously falls to the ground, along with the clothes he was wearing and whatever he had in his pockets.

Cue the others going "what the actual FUCK" because based on everything they've ever witnessed and known about him no one had "Steven poofs" on their bingo card.

The insurgent Gem is captured and dealt with, but now... oh, boy. There's literally no playbook for this. Nobody knows what to expect.

Steven's gem is quiet for WEEKS. During that time, the Gems end up consulting the Diamonds on Homeworld to ask for intel on diamond reformation, but none of them are much help- Rose and Steven are the only ones who have actually poofed. Beyond them, this is completely unprecedented.

In a very vague sense, Steven is aware of what must have happened during this time... (even if a part of him wants to deny it, because How???)

He can pick up vague snippets of what's happening just beyond his reach... catching voices and what must be faint sensations of familiar people handling his gem, but beyond that he has no awareness of the passage of time, and he has no means by which to reach out to them mentally.

It takes almost two months for him to finally reform. When he does, his gem quickly shifts through its previous three forms and then just... outright h a n g s for a while on the new one... as if what's trying to "load" up is so complex it's goddamn buffering.

(my brain can only think of This image uyhjfsdbyuhjfg)

No one really knows what to expect but when he finally reforms, he... looks mostly the same? Still rather human in appearance, externally? The only notable difference is that his irises are pink now. (But with no diamond pupil- not unless he's going Full Power Mode.)

Steven also reforms WITH an outfit much like a Gem would.

The second he's back, he runs to embrace Connie (who is sobbing in relief) and asks how long he was out.

And he did NOT anticipate that answer to be two months.

As it turns out, he missed quite a few baby milestones while he was gone, and he feels horrible about it- it's not his fault of course, but he feels so bad that Connie had to go that long without his support, and that there's all those special "firsts" with his son he'll never get to experience.

This whole incident marks Steven's final "retirement" from participating in real combat- he outright tells the Gems to not involve him in any other combat situations unless the whole ass planet is under threat, basically. The potential risks are just not worth it now that he knows how long he'd be out of commission, should he poof once more. He can't put his family through that again.

Now, with all that outlined...

Ways that Steven is Weird now:

He looks rather human- his hair looks like hair and his skin looks like skin- but after he reforms, literally every "cell" of his body is fashioned out of hard-light.

However, if one were to theoretically slice him in half (which I PROMISE I am not going to do, this is only a thought experiment ahahah-), his internal anatomy would glow much like the Gems' do. (See below image for what I mean.) The "human-like" appearance of his skin and hair and other externally visible features does not extend very deep.

He "bleeds" pink now- but it's only surface, and is all just excess hard-light. No real blood.

His body would no longer show up on a radiograph- just the gem.

Many of his anatomical features (not all of them, though) are now vestigial in certain ways-? Like, various functions have overtly been taken over by his gem... he doesn't need to breathe or have any lifeblood beyond light pumping through his system, so his heart and lungs serve no necessary purpose anymore... but all of these organs still "exist" as like an echo of what once was, perfect mimics of their organic form but hewn from hard-light.

That being said, Connie enjoys the reassurance of his heartbeat, so he retains that function while conscious.

(Not to mention, "breathing" is literally just a habit for him by this point.)

HOWEVER, when he sleeps (another thing he technically doesn't Need to do but does anyways) his breathing and heartbeat stops entirely and it kinda spooks Connie out. The literal only evidence she has that he's still kicking during these times is the soft hum of his gemstone.

He does not have a biological NEED for food or water anymore and can fully operate on exposure to light alone, but he still really enjoys eating and drinking anyways. In fact, he's still able to absorb energy from food... so it's basically like he's over-charging his battery or whatever. He also still experiences taste (so still posesses some form of taste receptors) and instinctively feels "hungry" at meal times, so like... the running theory is that he must have hard-light analogues for all these receptors and neurotransmitters and hormones that communicate sensations like hunger in his system even though their function is entirely redundant with his gem powering everything.

Furthermore, his memories and sense of self and everything one might refer to as "the soul" is stored exclusively in his gem now. Which means, if one could manage to analyze his brain like one could with a human brain, there would be entire sections that simply... don't light up the way that others (such as the parts of the brain that govern motor control, as an example) do. This is because all the "data" once stored there has migrated.

He can fully shapeshift now, if he wanted to.

He can also still visually "age"- it's all based on his mental state, same as before.

But despite being hard-light in nature now, he can still interface with organics in fusion because his form is still so organic in shape and function. He's still the bridge between humanity and gemkind. I like to think that... theoretically... a Gem might be able to fuse with an organic too, but the sheer burden of trying to shapeshift and maintain such cellular complexity is what stops this from happening.

Steven, though? His very existence as a hybrid acted as a template by which hard-light could learn to understand organic life. He is still an intensely unique being, even IF he no longer consists of any actual organic matter.

_

I am sure I will probably add something to this later, but for now, those are all my musings.

Anyways, thank you for taking a brief visit to the deepest recesses of my brain, where I am chewing at the drywall and bouncing around the room like a cat who has just devoured the goddamn motherlode of catnip. Good night! !! :DDD

#su #su future #steven universe #jen rambles #or... jen thinks so hard about speculative anatomy that they get the zoomies for three straight days

[asterlark]

me and den @unloneliest were just talking about murderbot and ART's relationship and i want to discuss how they quite literally complete each other's sensory and emotional experience of the world!!

there's a few great posts on here such as this one about how murderbot uses drones to fully and properly experience the world around it (it also accesses security cameras/other systems for this same purpose). but i haven't seen anyone so far talk about how once MB stops working for the company and consequently doesn't have a hubsystem/secsystem to connect to anymore (which for its entire existence up to that point had been how it was used to interacting with its environment/doing its job), after it meets ART, ART starts to fill that gap.

ART gives MB access to more cameras, systems, and information archives than it would normally be able to connect with while MB is on its own outside of ART's... body(? lol), but also directly gives MB access to its own cameras, drones, archives, facilities, and processing space. additionally, so much of ART's function is dedicated to analysis, lateral thinking, and logical reasoning, and it not only uses those skills in service of reaching murderbot's goals, it teaches murderbot how to use those same skills. (ART might be a bit of an asshole about how it does this, but that doesn't negate just how much it does for murderbot for no reason other than it's bored/interested in MB as an individual.)

we all love goofing about how artificial condition can basically be boiled down to "two robots in a trench coat trying to get through a job interview" (which is entirely accurate tbh) but that's also such a great example of ART fulfilling the role of both murderbot's "hubsystem" and "secsystem", allowing it to fully experience its environment/ succeed in its goals. ART provides MB with crucial information, context, and constructive criticism, and uses its significant processing power to act as MB's backup and support system while they work together.

from ART's side of things, we get a very explicit explanation of how it needs the context of murderbot's emotional reactions to media in order to fully understand and experience the media as intended. it tried to watch media with its humans, and it didn't completely understand just by studying their reactions. but when it's in a feed connection with murderbot, who isn't human but has human neural tissue, ART is finally able to thoroughly process the emotional aspects of media (side note, once it actually understands the emotional stakes in a way that makes sense for it, it's so frightened by the possibility of the fictional ship/crew in worldhoppers being catastrophically injured or killed that it makes murderbot pause for a significant amount of time before it feels prepared to go on. like!! ART really fucking loves its crew, that is all).

looking at things further from ART's perspective: its relationship with murderbot is ostensibly the very first relationship it's been able to establish with not only someone outside of its crew, but also with any construct at all. while ART loves its crew very much (see previous point re: being so so scared for the fate of the fictional crew of worldhoppers), it never had a choice in forming relationships with them. it was quite literally programmed to build those relationships with its crew and students. ART loves its function, its job, and nearly all of the humans that spend time inside of it, but its relationship with murderbot is the first time it's able to choose to make a new friend. that new friend is also someone who, due to its partial machine intelligence, is able to understand and know ART on a whole other level of intimacy that humans simply aren't capable of. (that part goes for murderbot, too, obviously; ART is its first actual friend outside of the presaux team, and its first bot friend ever.)

and because murderbot is murderbot, and not a "nice/polite to ART most of the time" human, this is also one of the first times that ART gets real feedback from a friend about the ways that its actions impact others. after the whole situation in network effect, when the truth of the kidnapping comes to light and murderbot hides in the bathroom refusing to talk to ART (and admittedly ART doesn't handle this well lol) - ART is forced to confront that despite it making the only call it felt able to make in that horrifying situation, despite it thinking that that was the right call, its actions hurt murderbot, and several other humans were caught in the crossfire. what's most scary to ART in that moment is the idea that murderbot might never forgive it, might never want to talk to it again. it's already so attached to this friendship, so concerned with murderbot's wellbeing, that the thought of that friendship being over because of its own behavior is terrifying. (to me, this almost mirrors murderbot's complete emotional collapse when it thinks that ART has been killed. the other more overt mirror is ART fully intending on bombing the colony to get murderbot back.)

in den's words, they both increase the other's capacity to feel: ART by acting as a part of murderbot's sensory system, and murderbot by acting as a means by which ART can access emotion. they love one another so much they would do pretty much anything to keep each other safe/avenge each other, but what's more, they unequivocally make each other more whole.

#the murderbot diaries #murderbot #asshole research transport #network effect #mine #idk what else to tag lol #BIG thanks to den unloneliest for helping so much with the drafting/editing of this!!! #we both were having some brain fog issues yesterday so we joked that with our combined forces we can make one (1) post lol #just like mb and ART fr!!!! #anyway im so fucking emotional over themmmmm #murderbot meta #the murderbot diaries meta

[moiderahart]

The Fires of Raven, or Why I Side-eye anyone who claims it's the "good ending".

I keep on seeing takes about how the Fires of Raven ending is the Actual Good Ending and not gonna lie it makes me kind of sick. Partially because "Wow do you literally just believe the first thing people tell you? No wonder propaganda works as well as it does."

The other is that as far as I'm concerned, Coral is a People. Not human by any means but personhood is hardly the kind of thing that's exclusive to humanity. If it can communicate, if it has a culture, if it has agency and emotion, then it is a people. It's basically the concept of a nonhuman person. Coral is depicted as having clear sentience. And at that point I think it's essentially just a people.

It's why I think the idea of AI becoming self aware is one that we're not prepared for, not because of paperclip factories or skynet (which is an inane fear as far as I'm concerned) but because we will have made a person, and we're not ready for that ethical question. Not by a longshot.

The initial Fires of Ibis weren't a spontaneous Coral event. It was a deliberate act; it's why Walter brings up the story in Chapter 4. The story of the man who burned it all who, as we come to learn in the logs, was Professor Nagai. Coral Collapse is a consequence with a scary name but it's one that is not defined; we don't know what Coral Collapse actually entails.

This isn't a mistake on Fromsoft's part; it's a deliberate choice. That ambiguity is part of the point. The lack of a known quantity to Coral Collapse is a big driver of the fear behind it. It's a fear great enough to cause Nagai to burn the stars, in favor of the world that is.

And yet the world that is was also the one that lobotomized C4 621.

The world that is has a company like Arquebus wage war against civilians. Send them to re-education camps which, if you know anything about real world re-education camps, you would know that they are an abomination, and there is no exception on Rubicon.

This is a world that saw Rubicon, a planet of endless possibility and natural beauty, and built towering, continent-sized oil rigs to suck it dry.

Coral was allowed to live for eons before Humanity fucking colonized it. Coral was allowed to grow, to exist, to evolve into its current form until humanity began to shove it into a container.

And Coral was allowed to live before one of the colonizers decided a people was too dangerous to let live based on a chance.

This sounds like an excuse that I have seen too many times.

#armored core 6 #armored core #armored core 6 spoilers #fires of raven #ending spoilers #colonialism #space colonialism #or spolonialism #if you will