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#why do you write like you need it to survive
ghoulphile · 1 day
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#that 4th gif is giving thots 🥵 are we having similar thots? the ghoul has you on your knees next to the campfire one night, a firm hand on the back of your neck keeping your cheek pressed to the soft, worn leather of his duster, laid out on the dirt beneath you. you're begging him for "more, please, touch me" in soft, breathy whimpers and his free hand begins to dip between your thighs when he stops, gripping your hip instead while his thrusts come to a halt. "why the fuck am i doing all the work?" he grits out and his warmth at your back is suddenly gone, leaving you shivering in the cool night air as he moves to sit against a nearby rock, leaning back with a smirk. "now get over here, sweetheart," he grips his thick, heavy cock with one hand as he watches you crawl to him, flicking his wrist to drag the head over your clit when you straddle his hips. his other hand comes up to yank you firmly down onto his cock, rocking up to meet you - hitting so deep you swear you can feel him in your ribcage - and revelling in the loud, gasping moan it punches out of you. "and put yourself to use." a loud smack rings out in the quiet night when his hand come down your ass - hard enough that you both know it will leave a mark - to encourage you to lift yourself up on shaking thighs, your hands splayed across his chest for support, and start moving. (this wasn't even the original thot i still have to write that out, this just got away from me lmao) 💜 -thirsty nonnie
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*pterodactyl screeches*
BABES YOU CANNOT JUST DROP THIS MASTERPIECE ON ME LIKE THIS 🥵 fuck - i - just - goddamn it. you were thinking exactly what i was thinking jfc 💀
ajhsdkjsgfius if this is something that 'just got away from you' i fear i won't survive the original what a way to fucking gooooo
shit i need to go lie down and wrestle with my thots
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wetcatspellcaster · 23 hours
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Metapost: "The Ascendent"
**this is a meta for my fic, Pieces Still Stuck in Your Teeth, and NOT a discussion of the BG3 game canon in any way. If you try and make this into a disk-horse, I will BITE you**
(spoilers under the cut for Chapters 1-23 of Pieces Still Stuck in Your Teeth).
So... remember in the Chapter One endnote when I said I was a Spike/Buffy fan first, and a person second? x
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In more seriousness, there was a number of fictional seasonings/ingredients that went into creating what I felt was the villain of a Gothic horror, and what I felt could turn the Ascendent into something that was both 'fixable', and something I enjoyed writing.
Those ingredients were:
Spike and the idea of 'soulless' vampires in the BtVS canon - do I like this conceit of BtVS worldbuilding and how it's used in the show? No. I think it often underlines how bad Whedon is at writing romance. BUT I do think it gives Buffy this free pass for which vampires she can/can't like or adopt, and I needed some of that for my protagonist. I need a 'I can fix him' moment - BtVS has those in fucking SPADES.
Howl's Moving Castle (this one was accidental, I'm still mad at myself but I can't deny it's there) - man conducts magic ritual for power, removing an essential part of himself in the process that needs to be returned
Picture of Dorian Gray (the idea of an exterior staying pristine while something hidden suffers and decays)
Curse of Strahd (the soulless in Barovia, which I mentioned in Chapter 23)
The idea of default moral alignments in D&D. I have a whole chapter arguing against this in my thesis (mostly bc it's often applied to entire races) but I was fascinated by creating a set of circumstances where I feel like a default moral alignment is valid, actually. 7,000 deaths seems like a good set up. I wanted to imagine a being that was trapped within a default moral alignment, and the laws of its very being prevent it from being good no matter what it tries, and it knows that (this kind of creates a feedback loop with the Spike/Buffy stuff)
The parts of the BG3 canon I took and REMADE (I'm stressing this throughout, I was making a horror story and a horror monster your honour):
Astarion conducts the Rite of Profane Ascension with scars on his back, but has to scar Cazador's back personally, suggesting that um... the Rite REALLY SHOULDN'T BE CONDUCTED BY SOMEONE WHO'S GOT THOSE SCARS. Cazador wasn't going to do it that way, is all I'm saying!!
The idea that Ascended!Ending Astarion is a concentrated version of certain traits that have persisted throughout his story - his flirtiness, his understanding of sex as a mechanism and expression of power, his use of a façade as a mask for trauma he refuses to acknowledge.
The lines alluding to dissociation in the brothel foursome, post-Ascension.
The idea that Astarion seduced Tav to survive or protect himself- in my case, because I made the Ascendent empty save for Astarion's survival instinct, the idea that he would gravitate towards Tav as one of his default modes to potentially survive made sense to me - this is why it becomes an obsession.
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For me, when writing, the Ascendent is a few things:
An intensification of vampirism in a different, fucked-up direction. Yeah, A!Astarion, you can walk in sunlight and you can eat and drink and don't need blood. But you are still a hungering maw of emptiness that feels like it will never be whole or close and connected to the living - just now in a wildly different, metaphysical/existential direction! Welcome to depression, alienation, and otherness!
A soulless being, that knows it is soulless - that initially was very happy with its life but then as the years passed, increasingly spends its every waking moment knowing there is something innately wrong with it that it can't seem to shake, no matter how much it engages with life and all the pleasures of life. (see the 'every meal without savour' speech)
A magically literal metaphor for Astarion's dissociation in moments of extreme trauma, up to and including the fight with Cazador - essentially, the moments when there is nothing but a performance or an exterior, because the self/soul are suffering and they cant' come to phone right now
Astarion's survival instinct. As I say in Chapter 23 - Mephistopheles thinks it is an empty body, who's performance is trying to deny the reality of it's own existence. Rosalie, who has a bit more understanding of Astarion, sees that the performance is not just a coping mechanism but one of Astarion's main modes of survival. The Ascendent is Astarion's survival instinct/techniques for endurance, without any soul or person behind them to protect. This is how I tried to tie in the flirty, hypersexual persona and wrap it with a bow.
I wanted a monster that was undeniably scary, and monstrous to me (oh? you can't fit in or be happy no matter what you do and no matter how hard you try, and you think there's something intrinsically off? how's that autism diagnosis going Emma) but that I also felt sympathy and true sorrow for. I needed to have motivations for him chasing after Tav that I could write meaningfully from and sympathise with.
Not only has Astarion used Tav as a life-raft once before, they've also proven to be the most secure thing he's ever clung to. Of course a rabid survival instinct Astarion would become obsessed, and see them as a potential solution to the problem (this was then intensified by Rosalie also being a walking, overbearing moral compass, and having bound him in a contract in the first week of living, accidentally - a lawful good immoveable objects meets a default moral alignment unstoppable force.)
...Because I also wanted that moral alignment spice!! Wizards of the Coast, default moral alignment is fucked up actually!!! Imagine something trying so desperately to be good - literally being bound in a pact and having been told to be good - but the laws of the universe and its very essence are like "nah mate, we kind of want to destroy and annihilate everything, we're neutral evil personified". That's scary!! that's fucked up!! that's what a birth from 7000 deaths gets you!!!
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So, now for the actual timeline, for people who aren't interested in my silly musings but mostly just want answers lmfao.
Rosalie makes the decision not to intervene in Cazador's mansion, making it seem like she'll support whatever decision Astarion will make there.
Rite of Profane Ascension happens. Astarion conducts the ritual, rips his own soul from his body, the Ascendent is born with literally zero context. Mephistopheles is fucked in Cania, because a bunch of stuff has just gone wrong.
(oh, by the way, the Ascendent knows Infernal as a default language. Bc it's born from an Infernal rite.)
The Ascendent is now default neutral evil, and feeling some kind of way. Rosalie and him break up. He's supposed to have everything, but the one thing he thought was a done deal - his most stalwart suppporter - just rejected him.
Netherbrain defeat (the Ascendent is not invited. Imagine being an all-powerful, hypersexual survival instinct vampire, and your ex-girlfriend neither wants you for sex, nor your power.)
Rosalie accidentally binds the Ascendent (a soulless devil) in a pact demanding that he never kill anyone, when that's literally what the Ascendent's new existence/new default moral alignment is driving him to do. Then, she fucks off and goes into hiding.
Well. The Ascendent can just get another wizard, to help him learn all of Cazador's secrets to cope [Hemlock is recruited].
The years go by! The Ascendent is doing sooooo well. Everything is great, guys! I'm rich, I'm beautiful, I have lavish parties and lots of sex - why do I feel nothing? I'm a vampire perfected - I have no hunger for blood, I can walk in the sun, I can enjoy all the freedoms of a living, breathing man - why do I feel like I'm starving? Why does everything turn to ashes in my mouth? I have friends - oops, I've sabotaged all those friendships with my innate neutral evil destruction. Why can't I feel anything? What's wrong with me? I'm doing everything right? Why doesn't it feel that way?
Also, I can't kill anything to feel better about it, because my hidden ex-girlfriend bound me in a pact.
In this time, to reflect the gradual degradation of the Ascendent's happiness and it's increasing awareness that it is something Other and innately wrong, the reflection starts going weird. Starts going strange. Starts getting a bit fucked up. Almost as if, when he looks in the mirror and sees a person, *nothing* should be what's there. Imagine being a spawn who couldn't see your reflection, and then a vampire who could see it's reflection, but knows that they're innately empty. Knows there's nothing there. I'd freak out a little bit about it as well tbh, I'd go a bit tooth and claw and elongated jaw about it.
The Ascendent finally admits that's there must be something kinda fucked about it. Life just ain't working out, lads. He starts looking for any and all impossible cures that will help with the malaise in his soul (and that innate essence problem, caused by default moral alignment). These include: more bad decisions, such as a house in Cania bc the Ascendent is hoping he'll feel more at home with devils than he does with mortals. All it does is make him feel more isolated and alone.
But eventually, he settles on two things! - Wish (Hemlock's idea), and Rosalie (the Ascendent's idea). Clearly, we just need Rosalie back! Her leaving is actually what fucked him up in the first place - none of this existential bullshit! She fixed us one, she can fix us again.
But looking for Rosalie hasn't worked out. In order to get a shot at her, the Ascendent goes and bargains for his own soul from Mephistopheles. Mephistopheles, adding a new sheet in excel titled 'what the fuck happens when i give this soulless monster a soul to play with?', agrees and starts tracking his new data.
Obviously, just putting the soul back in yourself will fix you. But the Ascendent, the nothingness living inside Astarion's body, will die. Taking the soul back would erase itself. The Ascendent - who is survival instinct personified - would never do this.
So instead, it starts interviewing and cannibalising the soul. Bc a soul is what it needs, this is the closest it's ever felt to being alive. Bc it's made this all about Rosalie, he thinks he's found his solution. The chase is making him feel alive again. It's true love, lads! not the soul.
Wish auction happens - the Ascendent is beaten to the punch by some unknown (hot) wizard.
This avenue cut off, the Ascendent makes the decision to try and win Rosalie back.
Astarion advises that to make her come back to the Gate, he should murder a bunch of people. Because this comes from the soul, not the soulless devil nothingness, it circumvents the pact.
...The events of Pieces begin!
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And finally - the Ascendent tries to destroy Jar!Starion for many reasons in Chapter 19:
The Ascendent knows that it dies, if the soul and the body get reunited (or is that constant high alert survival instinct just no longer needed, because the problem is fixed? you decide.)
The Ascendent values Tav above itself. Tav is going to fix them. Astarion believes he could never fix himself.
Dissociation - that soul isn't me. I'm here, looking at my soul. If I get too close, it'll kill me.
Self-hatred - that soul isn't me. That man made a mistake, and I've had to live with the consequences. He doesn't deserve to live, for what he's made me become.
The knowledge that Rosalie/Tav will only ever want that version of him, not the one that's living and breathing, that sees itself as the most wretched, fucked-up version of itself. So... give them no choice. They have to deal with me and love me at my worst.
And if the Rite didn't work - if the version of the Ascendent walking around isn't the best one, and the one people want... what was it all for? Why does the Ascendent feel like this? Why does it have to suffer?
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....And, that's my little meta post! If anyone has any questions about the timeline or any motivations at any points in the fic, I'm obviously more than happy to explain things via ask/comment, as always!
TLDR: I just wanted to make a Gothic horror. I wanted a dark romance, fucked up obsession vampire/mortal dynamic, but I also wanted a situation that was scary for both Astarion and my Tav. I personally think an Astarion who is so dissociated and separate from reality that he feels that in his bones daily, is scary. It's the lingering impact of the traumas the Rite and those 7,000 souls embodied.
I was literally just trying to make it a horror, for everyone involved.
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entomjinx · 15 hours
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ONE PIECE CHAPTER 1113 SPOILERS!!!
It's tagged, it's in bold, if you didn't see it that's on you, but I'm sorry. (I'm also a little sick so sorry for how this starts to turn a little insane at the end.)
The reveal makes perfect sense. I've seen a few people struggle to figure out where it came from, so I'm gonna explain why it makes perfect sense and then pop off with some silly theory.
The first hint at the fact that the One Piece world is sinking exists all the way back in Long Ring Long Island.
That seems like an odd place to start, but it's the first time we're shown how drastic the tides of the ocean in the One Piece world can change. It's enough to separate entire parts of an island, causing it to appear as separate islands, once every year.
This implies that the tides change drastically over the course of much longer periods than it does in the real world.
After that, we get to Water Seven and discover that it's sinking, and that the Aqua Laguna is getting worse every year. We also know that it's caused by the water receding at Long Ring Long island. We're also outright told that they want to make the city float to stop the sinking problem.
We also, much later, see just how high Wano is in altitude.
Knowing that the Redline is so tall that it cannot be passed by any ship, cannot be broken through, and that Mariejois is sat right on top of it only adds to why it makes sense.
The world isn't "sinking," those some islands technically are(Water Seven, modeled after Venice), the tides are going to rise exponentially, and fast.
The force of the water would instantly drown most people, and those who survived would be those who could get to higher altitude islands, the sky islands, Fishman Island, or the Redline.
And because I know someone will try to point this out: land bound plant life can temporarily survive underwater, so Ohara's 5000 year old library tree would be fine for a a bit while submerged. There's lots of places with high tides who's plant life is just fine. (This also could explain why they'd be so willing to throw the books into the water. Not only was it to save them from the fire, but many of them had likely been submerged for long periods of time before. They knew the books would be find in the end because they had record of it. And well, it's mentioned in the chapter that Vegapunk means to finish what Ohara started.)
This would also explain how thorough the government was able to be with wiping out information from the void century. If only a few places can survive, then few things that tell the truth will survive, and even fewer people.
Do I think I'm 100% correct about any of this? Or course not, it's Oda. It's One Piece. Things are pretty much never predicted with 100% accuracy. But that's my thoughts on why it makes sense. Now we get into theory:
I have several points to make, so I'm going to write out the shortest ones first.
-This would, completely unironically, explain some of the centuries long racism campaign against fishman. They have no reason to fear the high tides. They will survive no matter what happens on the surface, and that scares the humans who cannot.
-I think that the extreme tide is a part of why the bridge is being built in Tequila Wolf. I believe the bridges purposes is to connect all the highest points of the world so there's no need for ships to carry them. This way, the Celestial Dragons will still have access to more slaves, produce, and anything they can't get within Mariejois on their own during the time period when everyone drowns.
-and now we get to the big one:
I think that the reason the 20 kings and their people destroyed the ancient kingdom is because the ancient kingdom had a way to survive the high tide while keeping the maximum number of people safe in the process, and while being able to save many more people. They refused to ask for help, and were instead afraid of the power the ancient kingdom held, so they sought to destroy it.
I think that the ancient "weapons" were instead a means of survival, and the reason they were hidden is because the 20 kings would have used them as weapons instead. We don't know much about the ancient kingdom, so much of this is speculation.
I think Pluton was a large enough ship that it could carry the entire kingdom. We've already seen some massive ships in One Piece, and Iceburg intends to turn the entirety of Water Seven into a ship, so the idea of an island sized ship isn't all that odd.
If you continue to think about it, why did none of the Beast Pirates manage to find Pluton while searching for the poneglyph in Wano? I have two theories for this based on the fact that we're told Wano would have to open it's borders in order to get Pluton. If the walls would need to be torn down, then we can continue to assume that Pluton is massive.
Theory one is that Pluton is is hidden within the mountain itself, and that the mountain was man-made to hide the ship. Not only would the walls need to come down, but the mountain itself would have to be destroyed. They would also need a way to survive the high tide without it, so creating a mountain that is high enough in altitude to keep them safe would have been a necessity. I think this is the more believable of the two theories.
Theory Two is that Pluton is Wano. The entire island is the ship, and many of Wano's people descended from the people of the ancient kingdom or those they rescued. This one is much less likely, but it's still a possibility in my mind.
We know that Poseidon was the former mermaid princess, and that the current one is Shirahoshi. She can control the sea kings. Why would this be important? Because if everywhere floods, then the sea kings, who are already very large creatures, suddenly have an influx of room to move, food to eat, and places to lay eggs. It would cause a population spike. *However,* that would cause an ecological disaster within the food chain. The sudden influx of sea kings would be desperate for any food they can get their hands on, and many would likely die of starvation. This means they need some way to repel them from the large ship.
We don't know anything about Uranus yet, so I've nothing for you.
Another thing we know about the ancient kingdom is that they seemed to be friendly with everyone, or at least it's implied via how many friends Joy Boy made.
Fishman: Along with the bonus of having Poseidon, the fishman also have access to the tree resin from Sabaody. Should the ship(Puton) or the ancient kingdom ever need to submerge in order to keep people safe or to have a temporary air bubble, They'd be safe.
Lunarians: The people who originally lived on top of the redline. Sinee the redline is high enough to not sink, it would have made sense for them to be trade partners.
Skypians and Shandians: Another race with wings. if the tides really got too high, then they could join them in the sky sea for a time. They could also trade with them.
Minks: Zunesha was a friend of Joyboy's. We don't know much else about that situation, but it's likely that Zunesha is plenty tall enough to keep the minks from drowning, and they could have traded often as well. Maybe Zunesha was even able to do something similar to the giants.
The Giants: This feels like the most important one to me, and not just because of recent chapters. Obviously the giants think very highly of Nika/Joyboy, but it's also very likely that Elbaf is tall enough to survive the high tide, and if not, the the giants themselves are. If you look at what's known about current giants, some of them are tall enough to walk along the sea floor, and the ancient giants were so large that it's said they pulled and moved continents.
Why is that bit important? Because a ship the size of an entire island would likely need a lot more than sails buoyancy to move quickly. The ancient kingdom was pulled by the giants. They moved to different areas to rescue people and to trade so that life continued while the tide was at it's highest point.
Another random thing that supports this is the giant's vehement hatred towards Charlotte Linlin. She has Totto Land, which is supposed to be a place where all races live in harmony, but it would be a mockery of what the ancient kingdom was like, and for giants, who live about 300 years, that's only a few generations back. They would still have stories about the ancient kingdom and remember the truth.
Again, I don't think anything I predict will ever be 100% accurate, but I hope you enjoyed my rambling nonetheless.
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charmwasjess · 3 days
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6, 13 and 18 (Dooku) for the fandom ask, please :D
6) Show us a bit of a WIP!
:D You get the Sifo + Dooku + Time Travel Piece that I'm "definitely" "not" "writing." Some Asajj + 20 year old Dooku team-up nobody asked for. Especially not Asajj. -
Asajj studied him again, more appraisingly this time. He did look disconcertingly familiar.
Did Dooku have an heir that she’d never heard about? She’d clocked the boy as younger, what with all his naivete and whining, but now that she really looked at him… Nineteen? Maybe twenty years old? The age lined up disconcertingly well with Dooku’s first days as Count. A hereditary title, after all, passed from father to son. The idea of Dooku reproducing was nauseating, of course, though it was at least a little funny to imagine the former Jedi’s face upon being informed that House Serenno required his “gift” to ensure the bloodline’s survival.
But no. Why would House Serenno surrender an heir to the Jedi? She didn’t need to see the long braid to recognize that this was clearly one of their Padawan Learners; he reeked of a sheltered Temple upbringing. She could practically smell the refectory milk on his breath.
“Why do you want to be the one to kill Count Dooku so badly, anyway?” she asked, instead.
“He killed my best friend!” His voice broke on the word best, but his fury streaked, vibrant as a comet in the Force.
Asajj almost choked on her laugh. It was so melodramatic. Cliche. Like a line from an overwrought holonovel, spinning out in predictable plot hooks before her eyes. This Jedi child was pathetic. She ought to get them into space and send him to look for Dooku out the airlock. It seemed like it would save her and the Jedi both a lot of trouble.
She thought of her sisters.
Vengeance. Thick and sweet and tangy, like spoiled cream clinging to her tongue. It belonged to her, but no less to the others whose lives Dooku had crushed out for no better reason than because he could. She was here to glut on the Count’s blood. Who was she to deny this hungry child his own right to the feast? Dooku made a big corpse. There was plenty for all.
“Do you know how to sit down and shut up?” Asajj turned briskly to the ship controls. They had already wasted too much time.
“Yes.” A lie. She could tell that without even looking at him.
“Yes, what?” She prompted, glancing back. Maybe she just wanted to hear him try to call her “my lady” in that ridiculous, overformal Coruscanti accent of his.
He swallowed audibly, clearly uncertain. He glanced again at the twin lightsabers at her waist and seemed to decide. “Yes, Master.”
Asajj couldn't help the small, startled laugh that broke from her chest. That hadn’t been what she was expecting. No one had ever called her that. She felt surprised at the strength of her own reaction. Perhaps this would actually be amusing. At least, for a little while.
“What is your name?”
“My name?”
Asajj rolled her eyes. “You have a name? Or should I just refer to you as ‘idiot’?”
She watched his hesitation, saw those big, guileless brown eyes drift and refocus. Black fucking stars, he lied artlessly, like a child.
“Sifo-Dyas. My name is Sifo-Dyas.”
13)What's a character or ship you haven't written/drawn yet but would like to some day?
I know I went backwards here writing the most unknown/unpopular character in the series with Sifo-Dyas to the most popular, but I'd really like to spend a little bit more time with Obi-Wan. He's got a large role in the next chapter of Twelves Months to Murder Count Dooku and I'm really excited. I really like the character. Kenobi changed something for me about him.
18) Type [charater]'s name and tell us what the autocomplete suggests as the next word
Lolol. "Dooku FOUGHT." "Dooku only" and "Dooku Nu" were other suggestions. Yeah, that really says it all. No notes, google.
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Hello! If you don't mind answering, what are your thoughts on Rogue only mentioning Gambit during E.7 ? It felt weird after all these episodes and exploration of their relationship.
Ahoy there! 🛸
Well... I try not to put too much thought into it. Overall Bright Eyes felt like a moment of transition towards the finale (with an absolute kick-ass Rogue). I am happy they had an episode that showcased a part of what Rogue was going through after Genosha, because, as Amelia Vogh said - 'a survivor is the last thing I’d wanna be.’ So Rogue has a lot to process: the guilt and grief over losing Gambit, the uncertainty and anxiety around Magneto and well, the death of so many people around her. Remember what Magneto said? “We shall not live our days wondering if we could’ve saved more.” Rogue is doing just that - and it's hell.
About Rogue focusing just on Gambit - it makes sense. She held his body in her arms. That moment is with her probably every time she closes her eyes. The way I see it, there are two reasons why the focus has been only on expressing her feelings for Remy.
1. It might be just the way it is. Rogue and Gambit will always be 'the couple'. More so for TAS. They are one of the most well-known and popular Marvel couples so, after the drama was done, the writers needed to pull that ship back on course. It was always going to be like that and I'll be here for the ride. Not everything in media has to be written to match my preferences. Plus, the show has kept both of them in character and written them exceptionally well so far. Especially with Gambit, I am grateful for the care they put into portraying him, because in comics it's such a mess, depending on who's writing him. So I am expecting the focus to be on Rogue and Gambit from now on.
2. The other reasoning (from a media literacy perspective), and the one I prefer -  is that she's processing. It might turn out to be true or it might not - the show will tell us. But at this moment it does look like that. Grief, guilt, shock. First of all, in Magneto's case, there was no body. The rule is until the search is called off, if there is no body, there is no death confirmation. So Rogue is struggling to accept it. What she knows is that Remy is dead - that is a reality she cannot avoid and it consumes her. On the other hand she was refusing to face the possibility that Erik was also gone. Then Kurt made it real. In the privacy of that moment between them he said what she wasn't allowing herself to think or accept: that she lost more than one person she cared about. Secondly, also why it makes that moment with Kurt so much more heavy, is that no one else in the team knows of the emotional connection she has with Erik. Everyone who knew the depths (Gambit and, in parts, Madelyne) are dead. I don't think Rogue can voice her grief in front of the rest without an explanation. She can however channel it through Gambit’s loss. What is worse is that her feelings for Gambit are now intertwined with a lot of guilt, and she probably feels like she has failed him in particular. And it breaks my heart. I don’t think that’s fair towards her and I am not particularly a fan of that, but X-men has often times put drama ahead of character development. 
So is it the first one? Is it the second one? Who knows, maybe it’s a bit of column A, a bit of column B. But there is one thing that I would have liked the episode to show more of: I wanted to see Rogue processing what it meant for her to survive Genosha, to survive the genocide. I care more about that, about her humanity, her struggles and convictions, unrelated to the romantic aspects. Romance is not the ultimate form of love, and it doesn’t have to be the most intense display of love either.
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ghouljams · 17 hours
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scrolling through tumblr instead of doing my college paperwork (why do they need my immunization records? weirdos. thanks for accepting my application in like three days though) and sinking my teeth into fallout ghost bro (also you wouldn’t happen to have dorm advice would you im desperate)
i love seeing writers i follow taking these boys and pushing them that nice apocalyptic dark.. there’s something that itches my brain about fallout in particular and it’s feeding the worms bc truly anything can go with narrative depending on where you stick em. all that to say loooooooooove ur fallout stuff it’s living in my head forever now and you can’t get rid of me <3333 :3c
Fallout is such a great mix of post-apocalyptic but also there is a society to play with. It's fun writing darker fic with the boys, I like when they're a little fucked up. There are different morals out in the wasteland, you gotta draw your own lines in the sand, decide where you stand and where you aren't going. Ghost's prerogative is survival and revenge, we're just unlucky enough to owe him a debt and get carted along for the ride.
As for Dorm advice... Get flipflops for the showers if you have communal bathrooms. Leave your door open when you can the first week or so, that way people can say hi and you'll know when people are going for food; it's way easier to make friends over lunch/dinner. Don't worry if your roommate isn't your best friend, just try to be cordial with them. My freshman roommate fucking hated me, I ended up spending most of my time in my friend's room since they lived down the hall and my room was just where I slept and studied, it was fine.
Having a roommate agreement sounds silly but is really helpful if you're having any sort of dispute, you can point to the paper you both agreed on and say "look you said you wouldn't bring people back here without giving me a heads up" or whatever. On the other end of that, if your agreement says you'll alternate taking out the trash and your roommate hasn't taken it out, just take it out. It's easier to just do things yourself most of the time. Maybe it's because I'm an oldest child but I tend to just fix things myself when they bother me, trying to get other people to do shit is pointless 75% of the time.
Honestly most people treat the dorms as just a place to sleep and study. It's your home, but it's also not. Which always feels weird to say but you'll get used to it fast. Don't sweat too much about it.
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exchangestudentnova · 20 hours
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I just read your Yandere vampire OM brothers and I was wondering what about yan vampire Lucifer and MC who has a blood clotting problem like they cut their hand or whatever and the blood keeps pouring nothing you dramatic bit still like Woah u good??? (don't feel forced to do this btw, also I love ur writing!!!)
hey anon!! I sorry for being this late to your request, I hope my writing is a fine apology for that.
Haemophilia is one such genetic disorder where the person's blood doesn't clot easily. Although it is a reccessive gene, you were born with one. It did not pose much threat to you due to the advances in medical treatment keeping you alive for so long, so you never worried too much about it.
You did worry about it when you were asked to come to Devildorm for one year. "One whole year?? How am I supposed to survive there!?" You somehow managed to purchase almost months and months of medicines in your little suitcase, but ofc you were bound to run out of supplies in the far future.
Today was one such day. You counted the leafs of medicines left, and all of them were empty. You were being reckless by not keeping an eye on the medicine, and now you have none. Worried, you were trying not to panic in your small cozy room. After taking deep breaths, you came to a conclusion that asking Lucifer to help in this situation would be the best. With that, you went to the kitchen to fulfill Beel's craving of eating your handmade food.
The pot boiling with water and the sound of you cutting the vegetables filled the kitchen. "You called for me? Sorry I was busy with some student council work" you turn your head towards the source of the sound, a soft smile conquring your lips as you meet your eyes with him. He, with a click in his step and his long, black clock hanging from his broad shoulders came up to you and engulfed you in a hug. " how have you been MC?" he spoke in your ear as you continued your chopping. "I am well Lucifer, and yes I did call for you. I need to go back to the human world."
"But why?"
"Because I need to- ouch!"
You took your eyes off of the food to look at Lucifer, which was a bad idea because you now have a cut on your finger from moving the knife wrong. It hurt a bit, but to Lucifer, it seemed as if you have lost half of your body's blood.
"How could you be so careless!? Show me your finger" You could see that his eyes have started to dilate, his fangs have started to appear. Yet he is not even thinking about drinking blood. Instead his eyes, althought appearing to be bloodlustly, are actually filled with concern.
"Did you eat your medicines??"
"Ah, about that...." you told him about not having them, and he sighed. "Well wait here, I have some with me. Don't move from your place and stop cooking" Before he left the kitchen he spoke some words and created magic that collected the blood dripping from your hand. Now you had a small bubble of blood floating in the air that was oozing out.
Lucifer came back within two minutes and handed you the medicine. " Thank you so much Luci, but what will you do with this bubble of blood?" He just gives you a knowing look and brings his tongue near the bubble. You blush slightly as he savours the exotic taste of your blood, the medicine acting fast and stopping the bleeding.
" Why are you blushing MC? Your blood is only for me to taste. Now sit down, grab a dessert from the fridge, and let me finish dinner"
PS: anon you did not mention if Lucifer and MC are in an established relationship or not so I tried to write it in a way that you can insert a romantic/platonic relation between them^^ and also thank you for supporting my writing I appreciate it^^
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wobblydev · 2 days
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I've seen a lot of posts talking about the merits of joining a union even if you don't have a job, but I've never seen one that answers my main hang up, so I'm just going to ask, what if I absolutely could not pay dues? I can't work due to disability and I can only survive thanks to the support of family, as a result I rarely have any money at all. Is it possible to join a union if I can't afford to pay dues, and if not are there other ways I can support them?
a very good question, i'm so glad you asked. dues are a mechanism of democracy within the union structure, so to join a union there isn't much way around that. however, there are things you can do to support unions without spending a dime.
if you see unions trying to spread the word about an action, or a campaign, signal boost them where and how you can.
unions and adjacent groups, such as the Incarcerated Workers Organising Committee, will perform what's known as a phone or email "zap" where a mass of people will contact a target to make their voices heard about an issue. joining in on those actions is always an enormous help.
solidarity union organisations like the IWW are always looking for people to help with the myriad tasks it takes to keep things running. folks i know who were ineligible for membership still volunteered their time and efforts in research, or submitting FOIA requests, or maintaining spreadsheets. they didn't have voting power in union business, but if the branch is amenable, why turn away people who want to help the work along?
what do you enjoy doing? do you stream? do you write? do you draw? do you sing? how might you direct a portion of your creative energy to supporting emancipation work?
i may be an old union thug, but i admit there are also different ways to organise for change outside of a dues-based structure. others will know more about this than myself, but there are affinity groups all over the country who don't collect money from members.
what are you passionate about? disability rights and liberation? queer liberation? prison abolition? is there a group in your area or online that is doing the work to make real change in a sphere that is important to you? if so, reach out and see if you have the capacity to assist with that work.
this is all very vague, and i hope others will see this question and offer their own suggestions. anything you do to help will be wonderful, in whatever capacity you are able. we need all of us, and none of us need to solve these problems alone.
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smolandweirdwriter · 3 months
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"Why do you write like you need it to survive?" because he does he does he does. he wouldn't have survived if he hadn't begun clerking for the landlord or worked in a trading charter, jobs that inherently require skills in writing. he wrote about the hurricane's destruction of his hometown so poignantly that people decided to help him in furthering his education, KEEPING HIM ALIVE. and as much as he wanted to be something else, as much as he wanted a troop of men to command, hamilton as an adult/young man was NOTHING without his writing. he wouldn't have been washington's right hand man, he wouldn't have gone to the winter's ball to meet eliza, he wouldn't have wooed her with his letters or convinced her father, he wouldn't have built his career or been a founding father. he would have died, a bastard, orphan, impoverished. dead. "Why do you write like you need it to survive?" because he DOES. that's why hamilton could never let an insult go, that's why he always needed to write back, that's why he never stopped reaching for more, because without his writing, without his wit, without his rapid responses, he is NOTHING
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python333 · 2 months
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You boutta give me trauma with that meat grinder fic 😭✋️ /lh /lh FR tho was was really good I was cringing at the imagery because that was brutal lol. Good job!
THANK U THANK U 🙏🙏 IM GLAD IT WAS BRUTAL!!
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b4kuch1n · 1 year
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I actually for real feel like my phone's scanning quality has dropped monumentally while I was away on thing so that's a fun thing to figure out now. anyways
#sk8 the infinity#kyan reki#hasegawa langa#renga#answering of ''sure'' whenever they ask ''are you gay'' strikes again#gods. genuinely at least on the export the quality of these dropped like to half. whats up with that#sorry if these are impossible to parse#anyways. scribbled these during ''holiday'' ''vacation'' ''getaway'''#sometimes it really is the simple things. hallucinating vividly about the casual life of a pair of teens to survive being in a car for 6hrs#WITH da family#so glad I picked up scribbling on paper again. I actually got stuff to do digitally today and!! literally it feels so much cleaner#like I feel like I relearned a bunch stuff doing traditional ink again for a sec#but yeah. u guys should know by now how much I think about food as a concept#took 3m off last year to write about it in fact. but now Im just microdosing by drawing langa#I'm also actually so insane about reki being a scaredy cat it's so. something. it means so much to me#this of course means koyomi is a jumpscare champion. among siblings that are close in age there must be#the one who sleeps in the lower bunk. and the one who ties a doll to a string by its neck and lower it down to be next to the others face#'why is that so specific' no further question. thank you#gods okay. I need to lay the fuck down it is now my time. to be in bed#Im onto some real exciting stuff rn! and when this piece is done I'll return to ink for a sec#so uh. ink comm maybe not this week. but the next#happy late labor day! seek and destroy. have a good night
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navree · 2 years
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it’s about lemony processing his grief over jacques’s death even as he prepares it for public consumption. it’s about lemony describing his own brother’s death. it’s about lemony who has been telling this story through the baudelaire’s eyes having himself bleed into it as he describes the death of his brother. it’s about knowing lemony likely found out the nitty gritty of it through his research. it’s about lemony losing his brother. it’s about lemony losing control of the narrative for just a second. 
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astranite · 6 months
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--whiney rant and vent--- starts at tumblr but descends into my life.
Fucking tumblr!! *grabs tumblr and aggressively shakes it*
Some new hell update has made it so every time I reblog a post, i go right back to the top of my dash and have to scroll half a mile through the posts Ive already seen to get back to the ones i havent yet seen and want to see!! And even with the scroll bar it takes ages and breaks the loading and makes it nearly genuinely unusable!!!
But Im still going to even though it sucks, because tumblr is my designated scroll and look at characters time and be with mutuals. And yes this is a very small whiny thing to rant about, especially given the state of the damn world, but with the rest of my life imploding in many numbered crisises that even one of would be apparently considered a fairly major thing to have to deal with im now realsising because through massive amounts of avoidance id just gone "this is fine" despite being very reasonably banned from the word fine by 5 different people and then me, and then others going 'wow that really is alot' semihorrified, and I awkwardly laugh because i am used to this and its not that bad and whatever stupid shit i tell myself to keep going.
So yes, whining about tumblr because at this point its a load bearing coping mechanism. And its somewhat a last straw because i am barely hanging on as it is but ill deal with this like everything else because there isnt any other options.
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burning-thistles-bt · 4 months
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i wanna talk about the burning thistles reflamed au sooooo bad but i cant and its killing me
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thetimelordbatgirl · 7 months
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Finished watching Tales of Arcadia in its entirely... ...Star VS The Forces Of Evil please step aside, another show/movie is here to collect the award for Worst Fucking Ending.
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axolotluv · 8 months
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What's with art communities and forgetting people can just do things for fun and not be professional about it??
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