INCREDIBLY FUNNY that I refused to settle for just saying "bread" but yes it was those! So in that sense, the lavish bread physics are integral to conveying how important the little things were in getting him through prison. Still, for the sake of the drip…...... perhaps sacrifices are needed...
But yeah, I'm thrilled you noticed those things about the evolution of Jo's design, too! It's super interesting to think about in terms of storytelling, I don't think you're inarticulate in saying that at all. Speaking of, I also just look up "holder" to find prev asks at this point lol
Jo and Ichi's dynamic is also a major topic of interest for me (as we've seen). I think a lot of what's going on with them is definitely some variation of "old habits die hard." That's natural when you form that kind of uneasy coexistence. But like you mentioned, it's also telling that Jo picked up the nickname in the first place, because I went back through the entire script, and it really is the case that only Arakawa, Masato, Jo, and the people who raised Ichi call him that. It's reserved for his family.
I think this line about Aoki (that I completely forgot about before looking at the script again lol) may also shed some light: "A long time ago, I knew him as the young master. He knew me as Ichi." Because they all do that, don't they? Ichi still says Captain, Boss, and Young Master, Jo still says Boss, Ichi, and Young Master, Aoki still says Dad and Ichi.
Even though on paper these relationships should've dissolved with Ichi being expelled, Masato becoming Aoki, and Jo taking over as second patriarch, to one another, they're all still who they used to be. And as an aspect of how they communicate, the "learned language" that forms in families, it stands out when they're all on the same page with the terms they choose to use.
This line from Ichi also stood out to me: "But my aniki taught me different. He said whoever makes the first move is the victor. The guy with steel balls wins." Like, that's clearly Jo, right? For one thing, the "flavor" of aniki is different from Captain, of course--one is directly an appointed post, and one is more open to interpretation--but it also clearly shows that Jo's imparted his "philosophy" to Ichi in some ways.
I think, to a degree, it's one of those holdovers from RGGO that wasn't fully implemented. Because they're more or less the same in RGGO in this regard, but RGGJo does outright say it makes him weirdly happy that Ichi still calls him Captain, so that's a clearer indicator and makes the idea feel more "complete."
With what I said before about their "learned language," too, the Arakawa Family has this way of saying goodbye that's specific to them, and I really miss it in Y7. It is referenced briefly, but it's not a "thing" like it was in RGGO. It's kinda like how The Gang in It's Always Sunny in Philadelphia greet each other with "Hey-ohhh!" LMAO idk but. I Enjoy. But that's also why it stood out to me that LaD8Jo greets Ichi the same way as Y7Jo and RGGJo.
ALSO that is so sick the author of Soliloquy saw your art…… incredible………..
+ as an aside since I was reminded, it's very true that sometimes people seem to "fill in the blanks" with tropes, and my favorite is honestly when it's both funny and offensive. There was this whole "phase" (and to everyone's credit it was short-lived) of playing Mine up like this Huge Misogynist because he's not attracted to women, and it's WILD to recognize that he's gay but still pull up homophobic tropes for funsies.
Like I was mad at the time mostly on account of the mischaracterization (because come on, even if you've only seen Y3, he is still uncharacteristically soft with Katase… not that he wasn't INSANE for The Slap, but it also wasn't at all rooted in the same things as say, Nishiki slapping Reina might've been.) But it was funny. Perhaps not in the way it was intended to be, but it was funny. And, you know, that's why I'm happy to stay in my own little corner as well.
You coulda just said bread it's ok 😭 I WAS right though it WAS a carb......
On the subject of language though, it's def something I picked up on (if my last ask wasn't any indication lmao)! It's a real neat detail and something I think helps push that 'family' theme Y7 has going on (or at the very least demonstrates how despite the times changing, they still have those bonds with each other whether they acknowledge it or not), it definitely being a case of picking up a habit/term from family.
About tropes in fan works though, I can't act like I'm guiltless of it LMAO so I don't have too strong of a leg to stand on when it comes to criticizing it (and I can't lie, sometimes I do find playing into the trope funny if it's at least based on something from the text and it's just exaggerated For The Bit yeah). However I do think the strangest thing was linking misogyny and Mine (I made a post rambling about it but deleted it like. .3 seconds later) because nothing he does in either Y3 nor RGGO is explicitly misogynistic? In the slightest? And as we talked about before he's considerably pretty respectful towards women? Again, he surely did slap a little girl, but it wasn't because she was a girl you know (still cringe to do but if we're gonna talk about it let's do it right please and thank you). As you say though, pushing that trope onto Mine just feels like perpetuating the harmful stereotype that gay men hate women, and in cases like that then I can't really take the piss out of it without having a weird taste in my mouth.
2 notes
·
View notes
When it comes to high-context and low-context cultures, where one has the expectation of people understanding specific subtle nuances of what someone says, and the other has the expectation that everything needs to be explicitly said to be understood, I've heard plenty of people from low-context cultures ask "why not say what you mean and mean what you say then, why would you have to speak in riddles?" about high-context ones, like people of the latter type are just being cryptic and esoteric on purpose.
But culture does not consist of things you do on purpose, it is just the way things are done where you were raised. And when you were raised in a high-context culture, the thought of needing to explicitly state something instead of using some phrase or expression that you've learned to use comes as a culture shock, too. It's not "fuck you for not correctly understanding my riddles three", but "oh shit, I hadn't occurred to me that I would need to say that out loud."
The first time I went on a business trip to the US, my partner came with me, and we immediately discovered that he does not fare well on long flights. So when my publisher asked me about future trips, inquiring whether my partner would be coming with me, I asked him. He said that he would, if the flights weren't such a problem - he would need to travel in some way where he could get his feet up or lay down during flights, like business class or first class. Being also a finn, I understood what he meant and relayed the message as is to my publisher, not considering that they might not.
To both of our surprise, they started to actually look for first class tickets for us.
Finnish culture is a high-context one, people don't talk much and aren't very confrontational. Being demanding and putting someone else into a position where they're forced to be upfront or demanding is rude. And in finnish, saying "this would only be possible if these entirely absurd/completely impossible conditions were met" is a polite way of saying "no". You are simply explaining why something cannot be done, without either saying an explicit "no" or seeming like you're making up excuses. It offers the other party an opportunity to agree that these conditions cannot be met, so neither party will come off as confrontational or demanding.
Both me and my boyfriend considered it self-evident that the request was absurd, and could not be read as anything but a polite way to decline. It had not occurred to me that an american's natural response to "it would be impossible to do this" is to start figuring out how to do it anyway.
9K notes
·
View notes
𝐉𝐉𝐊 𝐃𝐈𝐂𝐊𝐓𝐎𝐋𝐎𝐆𝐘
—a/n: ngl i cooked. overcooked even, so imagine some of the nastiest shit, this has it all. if i studied this much in my exams i would have a higher CGPA. anyways. hex codes are given. hope you like it.
—cw: dick+pubes+balls+cum analysis (kill me pls), monsterfucking in sukunas, creampie and breeding, never heard phrases from my dicktionary, not proofread plus it's 4 am i am half asleep
𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔
code: length: #ffe8d6 , tip: #f2aab7
We all know it. King of long dick. okay but no fr he has the longest dick in jjk. but let's get to the details. so size?? a whopping 7 inches. but you know his dick does this thing that when it gets hard, it curves slightly so hey!! maybe the true size is 7.2 or something. about color...his cock has the same color as his normal skin tone but as it approaches to the tip, it falls under a blushing pink gradient. and god his tip is so pink when he's hard, it feels likes all the blood in his body is settling there. his pubes hmm? white bush. he does trim it tho. but c'mon man!! it's gojo satoru we're talking about. he gets off seeing your nose rubbing against his white trim when you deepthroat him. also it's very rare for people to deepthroat him because as i said, longest dick. which is why when you actually manage to take him all the way in, the rare feeling of the throat sucking in has him shooting his translucent load down your throat. how does his cum taste? slightly sweet. duh. he's a sweet tooth and the reason he doesn't get diabetes is because all the sugar goes into his semen.
𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐓𝐎𝐉𝐈
code: length: #ad8272 , tip: #875f54
*long inhale* bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock bigfatcock. incase i wasn't clear. he has a BIG FAT FUCKING COCK. he has the cock of our dreams. his size is long and girth is thick asf. length would be about 6.8 or 6.7. well about the girth...3.5 inches. yeah. good luck sucking that in your hole lmao. let's get to the tone. his cock has much darker color than his body. he has one of those milktea brown cocks. and the cockhead is even darker like coffee. oh wait! the cockhead. right. so hear me out. DID YOU KNOW HE HAS A FAT MUSHROOM TIP? the kind that is so thick that it gets lowkey stuck in your hole when he pulls out. my man has to tell you to breathe and relax so he can get it out. about his balls, bitch they're as the same size as big lemons. like you know why he wears those baggy bottoms otherwise everyone would see those nuts easily. they're not even nuts. nuts are dry. his have so much cum inside that if he doesn't shoot his load in you or on you once a day, they'll actually explode. cum taste? i said it before here but incase you're new here, it tastes like if someone put a little lemon and msg in thick and creamy alfredo sauce. bye.
𝐆𝐄𝐓𝐎 𝐒𝐔𝐆𝐔𝐑𝐔
code: length: #c99a89 , tip: #fcd7ca
*evil laugh* i am not holding back on him but hear me out. HORSE COCK. have you seen it?? it's like curvy girthy cock. me thinks he has long hair and broad shoulders. and have you seen his hands??? it all sums up. isn't as long as gojo but god that meat is fat as fuck. his size has to be around 6 inches and the girth from a 2d angle is about 2 so i found the pythagorean theorem of his cock which is like 6.324 inches. so his tip starts at like 5.324 inches. about the tone...his dick starts darker—or maybe it's cuz of his pubes—at the base but as it reaches towards the head, it blends into the color of his skin tone. geto likes to clean shave sometimes but you know when he saw you drooling over his happy trail when he came out of the shower with a flimsy towel wrapped around his body, yeah he couldn't get that drooling expression of yours out of his head. so he trims it to the length that wouldn't get in the way and is easy to keep it clean but also enough to make you salivate. his balls are very similar to a fig in shape. aren't really fat but they grow hella tight when he is close to cumming. the taste of his cum is sour. i am telling you. like not too sour but it sorta has the acidic taste to it. but nonetheless it tastes good on your tongue. on his too, when he kisses you after shooting a load in your mouth
𝐍𝐀𝐍𝐀𝐌𝐈 𝐊𝐄𝐍𝐓𝐎
code: length: #e8cca9 , tip: #b59267
chooo choo mfs. i am about to go off. dw i won't slander him, he has already suffered enough. #justicefornanami but anyways back with my girthy cock agenda. now listen. he is not long. i mean he has an average size but the girth??? sheesh! that makes up for it. his length has to be like 5.8 or max to max 6 though gotta love that 4 inches girth, big fat meat, exceeeding half the size of his length. now if you don't understand this concept in numericals, let me indulge you in a scenario that might help. imagine him coming home frustrated from work and all he needs is a warm shower. but there you are all slutty in your outfit and all he wants to do is blow your back out. so he gets hard...like really hard. and it's so painful for his cock to stay put under all those layers of cloth that if he doesn't free it, it will tear it's fat way out. so when he finally decides to unbuckle the belt, pull his undies down with the waistband, his cock jumps out and slaps against his shaved pelvis. so loud that you can hear it over the noise of the tv. now you get it? no? okay hear this one. when he wears an underwear coming fresh out of the shower, his dick takes up about the area similar to a size of a bowl. about his tip, he has a fat tip bruh. not too fat because the base is much thick but yeah. now time for the taste, mixture of citrusy and salty. like when he cums in your tongue it has that salty flavor but the after taste is sweeter and falls more of the citrusy side. maybe like a tangerine. wow i really went off. apologies everyone.
𝐑𝐘𝐎𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀
code: base: #805149 , length: #f5d7c6 , tip: #edc8bb
i am in my monsterfucking era so this is gonna be monster kuna. so we all know four arms, two dicks yada yada yada but did you know sukuna has a special ability?? like we all know he can summon his mouth anywhere but did you know he can summon his dick too? anywhere on his body. he does this thing where if you act too bratty, he'd throw his palm your mouth and you'd think he's just blocking your voice but this mf pops out a whole ass 8 inch monster cock in your mouth that has you gagging and choking, eyes rolling back. *728 dead. 263 injured* there's no size for kuna since he can adjust the size but if we're talking tones, the base of his cocks (wow. plural. would you look at that) have reddish undertone. like tomato red but the actual dickbod has like peachy pink color. his cockhead is long and kinda blends into the length. his cum tastes bitter and sour. not repellent but the taste is still strong. don't underestimate this man though. he'll rip your holes apart yet have you begging him for more. that's what simply is the power of the king of curses. he has you compelled. but i gotta give it to sukuna fuckers. y'all have some of the strongest pussy/ass.
𝐊𝐀𝐌𝐎 𝐂𝐇𝐎𝐒𝐎
code: length: #f2e7c4 , tip: #d6b596
chosito's cock represents a shampoo bottle. now you might ask which one. the retail shampoo bottle that you use as your mic in the shower. he has a pretty and perfect dick. his girth is thick enough for you to wrap your fingers around you and his length enough to fill you up. whenever you stroke his cock, you can't stop looking at it. it just fits right. like it was made for you. so perfect. his size falls under 5.6 to 5.9 inches and the girth is 2.5 inches, so it's like a good ratio. he has an olive undertone and a darker mushroom tip. his pubes aren't trimmed but he keeps them extra clean. you know it because whenever you give him a blowjob and you take him all the way in, there is a floral smell lingering around the area. he doesn't naturally sweat a lot plus he has a very bouncy skin with slightly soft texture so his cock is always pleasant to suck. choso also has very visible veins. and when i mean very...i mean very. like i mentioned his skin has a soft texture so the skin on his length is flimsy and kinda see through. so when you are settled between his legs, stroking him, your eyes are so indulged in watching the blood rush through them and when he cums, his veins start slightly moving and his balls tightens. Oh! Balls. can i say it?? okay i'll say it. Breeder balls. i told you he has a 5.6 inch cock, y'all would have been disappointed. but see the creator of this universe took a few mass off his dick only for it to be filled in them breeder balls. which is why, he cums a lot. when he shoots a load, he almost gives you a facial. his cum is sweet with a metallic taste. but hey! it's a pleasure to swallow his cum. but you know why i compared his cock to a shampoo bottle? it because when he is so horny and hard and you give his base a few big squeezes, he'll spurt out a thick load of cum like your shampoo.
Tags: @bluberrimuffintop @anxious-chick @yuujispinkhair @osamwah @arisaturn @multistan-247 @sensitive-neuvi-enthusiast @mrskokushibo @desi-the-blue-eyed-kakushi @crescentmoontsuki @dianagracesworld @ariachaos @pu-re-love @trueformsukuna @loyal-to-my-dilf @baizzhu @w0nderbeluga @splatmastr @vuggevise @makisslut @moonish-en @lufemia @jeanboyjean @marshadowstea @frustrated-kitten @katsukichu @sir-kuroo @aleks-chan @dreadsuitsamus @justiceforquentin @kitashousewife @jiaspoon @sintiva @dawn-bunni @mostlyhornyandsad @dilfslayer3000 @shadowy--night @palebananafury @shutyourwhoremouthbecky @figlia-della-luna @marenalee @aoitoge @lahniu @kayjayxx @seraphinaivy @megumistoehair
18K notes
·
View notes
The thing about romance is, it makes a good story.
As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.
Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.
The problem is a story is only a story.
Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.
But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.
And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.
Neil also mentioned Pride and Prejudice.
Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?
Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.
Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.
The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.
Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)
The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.
Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.
The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.
Quiet, gentle, romantic. It was.
But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.
But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.
The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.
And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.
Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.
But they'll get there. So will we.
6K notes
·
View notes