āGoodness knows, the wickedās lives are lonely.ā
Glinda is, quite literally, Good. Sheās not talking abstractly. Sheās talking about herself. She saw Elphaba as she was.
So I was listening to āNo One Mourns the Wickedā and it just hit me that Glinda has to be absolutelyĀ devastatedĀ during that number because the best friend she hasĀ ever hadĀ has just died, as far as she knows, but she promised Elphie that she wouldnāt try to clear Elphieās name so Glinda just has to stand there and listen to all of these people celebrate the fact that her best friend is dead andĀ I am not okay
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The Wizard Is Right? (Sentimental Man)
Here is a question: Does a lie have to be untrue for it to be a lie?
I was to say something, fully believing it to be false, and then find out later that it was actually true and I didn't realise it, am I still lying?
I would argue that the answer is yes. A lie is a willing act of deception. But it's interesting how flimsy the relationship between the concept of truth and reality is.
The Wizard Of Oz is a character who lies through his teeth at all times, with one exception that we will come to in a later post. However, a lot of what he says ends up coming true anyway.
Let me explain.
SPOILERS AHEAD: (Wicked)
Let's be clear about something. The Wizard is not a politician, he's a conman. That is the point of his character. Oz as a whole parodies the performative nature of rulership, how it is often just as much about convincing people that you are doing a good job than actually making changes for the better.
The joke therein, is that this conman got further than anyone who is trained in the field by playing the system how it actually works, rather than how it should function.
So, no, I am not going to draw any conclusions about individuals in the real world, historical or modern. Likewise, I am not going to claim that the Wizard is an allegory for anyone in particular.
Take that as you will.
As we have been making our way through Wicked, we have been introduced to characters with varying relationships with the truth. Elphaba's mother is having an affair, Galinda and Fiyero are both putting up masks to cover up their true selves, and Elphaba has bought in to the mythology of the wizard.
Then we meet a character who is pure deceit in a crystalised form, Oscar Zoroaster Phadrig Isaac Norman Henkle Emmannuel Ambroise Diggs, the Wizard of Oz.
"I am a sentimental man
Who always longed to be a father"
The word sentimental is defined by the Cambridge Dictionary as: "relatedĀ toĀ feelingsĀ ratherĀ thanĀ reason", and the wizard is certainly not that, because he isn't from Oz at all. He was unwillingly plucked from his true home and placed in Oz, a place that was in the midst of a history defining drought. He remained in Oz for a while before he became the Wizard, and he had no interest in returning home at all.
He also, I will remind you, runs a country based on constant surveillance and propaganda, which is a very detached approach.
The wizard knows all of this, he is complicit in it, so he is lying here, right?
But, he is sentimental, and for that I point to the acting. In the version of Wicked that I went to see, the wizard was played by Simon Burke, who gave the character a vibe similar to Matt Smith's 11th doctor. He is enjoying being in power and taking actions that sabotage the future of Oz in order to stay in power. That doesn't seem reasonable to me.
There is also the fact that his idea of crisis aversion is "giving people a common enemy", something he achieves by actively oppressing a specific group of people. This is bigotry and shows a belief on his part that this group of people is somehow less valuable to Oz, which is irrational, and bigoted.
The frightening thing about Oz, is that I don't think he actually knows why he does what he does. I think he thinks of himself as a chess master style ruler, who makes the optimal decision for Oz at all times. I don't think it has occurred to him that the most optimal decision is to not be the one in charge.
The rest of this song is a metaphor about how the wizard sees himself as the father of his country, and by extension Elphaba. This is what those in the business like to call irony.
I that the effect that the wizard has on Elphaba is fascinating. He inspires her. Although it is important to make a distinction between his mirage and his reality. The Wizard has lied to Oz and sold them an idea of fairness and equality that he is going out of his way to enforce the opposite of.
But that myth that he has created directly inspires Elphaba, as she becomes someone determined to make that false hope into a reality.
Final Thoughts
I think its rather funny that the Wizards' lies become self fulfilling prophecies, directly causing events later on in the story. It's like fate itself has this guy's number and sent him a text during the intermission that read "I know where you live."
In related news, the wizard's actual name is Oscar Zoroaster Phadrig Isaac Norman Henkle Emmannuel Ambroise Diggs, which is absurd, even for a satire.
Next week, I will be looking at a lesser known part of this musical. it's a small song and not that important, I was considering skipping over it. I think its called Defying Gravity. So, stick around if that interests you.
Previous - Next
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So, I know that Wicked the Musical is a different beast than Gregory Maguireās Wicked: The Life and Times of the Wicked Witch of the West.
Theyāre different in tone and theme, and they arenāt trying to be the same thing. I usually donāt even think of them in the same breath; Maguireās Oz is a different world than the one we see on stage.
However, there is one change made for the stage show that I think is a weakening of the story: the decision to have Elphaba fake her death, and run away with Fiyero. I get it, itās a musical; Elphie melting at the end of her own story is a bummer. But Wicked is a tragedy, and I always thought it was a little bit of a cop-out to give Elphaba a happy ending.
Then I realized something: The book is Elphabaās story, but Wicked the musical is very explicitly told from Glindaās point of view. Thereās the whole āI did know her onceā¦ at school,ā thing that turns into an extended flashback.
Maybe Elphaba didnāt fake her death. Maybe the ending of the stage show is Glinda imagining, and hoping, thatās what happened. Perhaps Elphaba turned Fiyero into a scarecrow, and then they ran away together. Maybe it was all Elphabaās master plan. Probably not. But for Glinda, itās helpful to imagine ā and always, in the back of her mind, to believe thatās what happened.
No one mourns the Wicked. Glinda doesnāt want to mourn. She wants to believe that somewhere, somehow, her friend is still out there.
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I started A Lion Among Men and Iām going to read it because Iām committed. But god. Is it going to be as big of a slog as it seems like itās going to be?
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Happy Valentines Day I drew gelphie as snails š
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To celebrate the first Wicked teaser!
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So, I know that Wicked the Musical is a different beast than Gregory Maguireās Wicked: The Life and Times of the Wicked Witch of the West.
Theyāre different in tone and theme, and they arenāt trying to be the same thing. I usually donāt even think of them in the same breath; Maguireās Oz is a different world than the one we see on stage.
However, there is one change made for the stage show that I think is a weakening of the story: the decision to have Elphaba fake her death, and run away with Fiyero. I get it, itās a musical; Elphie melting at the end of her own story is a bummer. But Wicked is a tragedy, and I always thought it was a little bit of a cop-out to give Elphaba a happy ending.
Then I realized something: The book is Elphabaās story, but Wicked the musical is very explicitly told from Glindaās point of view. Thereās the whole āI did know her onceā¦ at school,ā thing that turns into an extended flashback.
Maybe Elphaba didnāt fake her death. Maybe the ending of the stage show is Glinda imagining, and hoping, thatās what happened. Perhaps Elphaba turned Fiyero into a scarecrow, and then they ran away together. Maybe it was all Elphabaās master plan. Probably not. But for Glinda, itās helpful to imagine ā and always, in the back of her mind, to believe thatās what happened.
No one mourns the Wicked. Glinda doesnāt want to mourn. She wants to believe that somewhere, somehow, her friend is still out there.
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Youāre telling me that SHELL is the Wickedest Thropp of all?!?!?
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I DREW THEM AS WORMS
Happy Valentines Day I drew gelphie as snails š
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Is Shell the Wickedest Thropp of all?!?!?
crying bc i realized this is the closest to animated *hell thropp we have (or him in any visual form)
wicked witch of the west's "bratty little brother"
annoying joker/"good-joke johnnycake"-Nanny
toys with his captives
wants to rule over OZ, not the west or east but all Oz
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Sara Bariellesā cover of āGoodbye Yellow Brick Roadā is sooo Elphaba coded
Goodbye Yellow Brick Road and Wicked
It appears Iāve been living under a rock, because it took until this past summer for me to listen toĀ Goodbye Yellow Brick Road by Elton John all the way through. Somehow, I guess Iād never heard it before. I fell for the song instantly, and itās still one of my favorites. Obviously, the song is primarily tied to Dorothy and her journey from Kansas to Oz to the Emerald City, all along the Yellow Brick Road. The song is one giant metaphor and not really inherently about The Wizard of Oz, but whatever allusions to the franchise made by the song are centered around Dorothy. However, my brain immediately jumped to Elphabaās life, its end, and the absolute tragedy of it all.
āWhen are you going to come down? When are you going to land?ā I drew this parallel to Glinda and Fiyeroās relationships with Elphaba, and how they were prematurely cut short due to Elphabaās insistence on rebelling against the Wizard, the drastic measures she took to defend and preserve Animal rights, her attempts to assassinate Madame Morrible, and other acts of her own stubbornness and subconscious belief that she wasnāt worthy of these relationships on the basis of her self-proclaimed state of beingĀ āsoulless.ā There are endless tracks ofĀ āWhat-could-have-beenās for Elphie, Glinda, and Fiyero, had she not cut herself off from the possibility of her relationships progressing further.
āItāll take you a couple of vodka and tonics to set you on your feet againā was WAY too reminiscent of the many stops Elphaba made leading up to her death, each of which she encountered a person she met at Shiz University. She meets Boq and his family, and proceeds to have drinks with Avaric before flying off again.
āThis boyās too young to be singing the blues,ā is rather straightforward, as it can be interpreted as Elphieās lack of innocence and a proper youth, or Liirās unconventional circumstances. Throughout all of the chaos of their lives, he still remains with his mother until she meets her demise, but she is, for a mother, uncharacteristically cold to him and refuses to acknowledge that he came from her. Liir grows up in the eerily loveless Kiamo Ko, previously operated and inherited by his deceased father. There is something so painfully macabre about Elphaba and her son living with the late Fiyeroās family. They are all together, but the man responsible for their affiliation with each other is dead (which, of course, Elphaba feels responsible for)ā¦Son of a Witch adds a grimmer connotation to this lyric, as he is alone, without human or familial connection, searching desperately for his half-sister, and traveling with his āspeculatedā (at the time) motherās cape tied around his neck, giving into the occasional urge to weep and grieve for Elphie.
The āAhsā during the chorus donāt hold any direct significance, as they do not serve any lyrical substance, but there is something so haunting about them. The first time they hit, it brings me to when Elphaba shrieks in terror upon realizing Dorothy is standing before her, in the same predicament as herself when she came to meet Sarima. The second most common instance I think of is one of my unfortunate favorites; Elphaba spots Dorothy and her friends on the Yellow Brick Road to assassinate her as per the Wizardās (letās remind ourselves, her fatherās orders), and she scrambles to devise a spell to bring Fiyero back to her.
āāFiyero didnāt die,ā she said. āHe was imprisoned, and he has escaped. He is coming home to Kiamo Ko, he is coming home to me, and he is disguised as a scarecrow because he doesnāt yet know what he will find.āā To me, this is the single most heartbreaking moment in any piece of literature. I know that, in her heart, she believes this to be true because she is so desperate to meet her lover again. The notion thatĀ āhe is coming home to meā implies that she believes she can build a life filled with maternal love and normality with both Fiyero and their son, Liir. I am a Gelphie shipper through-and-through, but this part of the book really sold me on being able to accept and even hope for a fulfilling, storybook end to Fiyerabaās existence (i.e. the Scarecrow really being Fiyero; Elphie can find closure, rejoice in knowing she didnāt inadvertently have her love murdered, and they can raise their son together at Kiamo Ko).
I donāt know. I could be taking this a bit too far, as half of my followers are bots and the other half probably wonāt see this or acknowledge it ;-;. It just felt good to get this out. I canāt help but think of Elphieās life each and every time I hear this song.
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Today is Valentineās Day and Ash Wednesday.
Today, February 14, 2024 is Pierre Bezukhov Day.
āThey say we are asleep until we fall in love. We are children of dust and ashes. But when we fall in love, we wake up. We are a god, and angels weep. But if I die here tonight, I die in my sleep.ā
-Pierre Bezukhov
Natasha, Pierre, and the Great Comet of 1812
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I would like to nominate Liir for the role of Tumblr Sexy Man
Heās so babygirl
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Liir, Son of a Witch
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Dorothy and Alice have much to tell each other
Toto and Dinah sit quietly and listen
Painting by Helen Green
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