fusionjune

[fusionjune]

As someone who has always loved siblings dynamics in fiction, I find it funny that almost every single member of the HoM team has siblings. Kim has two little brothers, Danny has an older sister, Jake has a little sister, Jenny has eight robot sisters, June has an older and a younger brother, Rex has an older brother, and Zak has three cryptid siblings. Ben and Randy are the only ones who are technically only children but Ben still at least has a cousin who he has a sibling dynamic with. I don't think Randy had anyone like that. (Although it's one of the few shows here that I didn't watch so feel free to correct me if I'm wrong.) Any way, now Only Child Cunningham is being treated like the little brother by all of these experienced siblings and has no clue what to do and I find that funny.

(P.s. sorry about the long comment. This thought wouldn't leave me alone so I thought i should share it)

(P.p.s I love your HoM au and your art. Thank you for sharing it!)

Please, don't be sorry, this is like, one of my favorite asks about HoMies I ever got! And also thank you for your kind words! <3<3<3

I also adore sibling dynamics in fiction! It's one of the main reasons I don't want to put much focus on ships in this AU, like I mentioned before, there would be like one canon couple with one of HoMies, but otherwise everyone are sort of floating in nebulous single area, so I could focus better on their complicated friendships with a dash of found family/siblings dynamics!

(And your ask reminded me of a fanart I did a long time ago about Randy being the only child in Secret Trio. xD same brain anon!)

Also one can argue that Howard, Randy's best friend, could be considered sort of like a brother to him (they became friends at a very young age), but I personally view them more as Bros. (does it make sense, lol?)

But even if we count Howard, their dynamic would be more equal in older-younger sibling scale, while Randy indeed would be mostly treated as a younger sibling amongst HoMies and it would probably drive him insane!

Being the youngest and newest in their friend circle, he is like a new baby brother or a co-worker/young kohai (ye, cringe wording but terminology vibe aint wrong! xD) that others are prepared to protect and help, impart their wisdom on, but also tease! (and perhaps learn something from him in return! )

But Randy Only Child Cunningham, as an already seasoned, if a bit overconfident, hero would hate (just a little bit) being considered as less experienced (even if he technically is) than others, no matter how much he absolutely adores being in presence of all those cool people! At times it would feel condescending, but in reality others just want to support him the more they learn about how he came to be the Ninja.

After all they know what it felt like being that young, having that responsibility trust upon your shoulders and going through so much. Especially considering that among them, Randy perhaps had the least stable support during his hero-ing career. Sure, all of them had to go through some things alone, but there were family and friends that were there to help when it came to it. And, no offense to Howard, who does sometimes manages to get through for Randy, he is not the best at being the type of support Randy needs at times. And, Ninjanomicon? While incredibly useful for teaching moral lessons and art of being Ninja - is not exactly the most er, physically able in supporting Randy at time of crisis, being an inanimate object and all that, lol.

So yes, Randy-Only Child-Lone Ninja Hero-Cunningham sometimes doesn't know what to do with all those people who appeared in his life and treat him like a little bro! But sometimes, he enjoys it. ;)

(a little bit of random rambling beneath, feel free to ignore! haha)

Also random, and its not very obvious at all, but there is slightest differences amongst HoMies on how they view/regard him and behave with/around him, depending on their own experiences:

Kim and Jake, as older siblings through and through, tend to see him as a younger bro, like their own siblings who can be a handful and overzealous little hellions at times.

Danny, Rex, Jenny and Zak are a bit complicated. They all have siblings that are older than them, but they are also kind of younger in some sense (or in Danny's case an adopted younger sibling).

Danny and Rex would tend to be overprotective a little bit, as people who didnt have a younger sibling before (I mean, Danny does but she is so independant! Danny doesnt get to exercise his overprotectiveness on Danielle xD) so its a bit new to them. But they are also kind of dicks, and thats just the younger siblings in them talking, lol.

Jenny and Zak on the other hand, both have siblings that are very confusing from the age bracket view.

All ofJenny's siblings are older than her BUT their prototype AI and bodies make them behave younger than her, so she tends to view them as younger siblings. There is a constant argument amongst them about who is older-younger, but its all in good fun! (She also sometimes misses being the only child. xD)

Zak's siblings are all cryptids, and two of them are older than him in age (Fisk and Zon are definitily full grown and possibly more long-lived than humans, I still have questions about Komodo, but he is probably older than Zak in age just by a little bit), but their behaviour, as.... well, i don't want to say animals, because they are not mindless animals, but let's just say - their disregard to human behaviours and norms, as cryptids, make them behave in a way that could be considered irresponsible, thus making Zak often behave like a responsible older sibling, despite being younger than them.

So, Jenny and Zak tend to be as snooty and in 'charge' as an older sibling would, but also be mischevous little shits that is younger (sorta only) child behaviour.

Ben and Jun are sort of like the previous four, but they tend to view Randy on a more equal footing rather than just vacilate between older-younger types of behaviour.

Ben, is a single child, but he grew up pretty close to Gwen, since they were born on the same day. Sort of growing up twins but not kinda situation. They also have an older cousin/brother Ken, and they both adore him, but it is obvious that primarly those two grew up together and are equally annoyed with that, lol.

Jun is a middle child. (I kind of dont want to say anything else, because i feel like it explains everything. xD but-) She is independant, and is equally exasparated with her snooty older brother and her hellion of a younger brother. So, really, she just tends to be the most normal towards Randy in the end???

so, ye, of course in the end they treat him as just a new friend, this was just more of me trying to look into inner mind of sibling dynamics in a weird way haha

sorry about it, but if you got this far, hope you had an entertaining read! ;D

#this is so interesting to read #yea June would definitely see Randy like that #hom au

[fusionjune]

Cartoon Orbit has been revived as http://cartoon-reorbit.com ! Such a nostalgic blast from the past! A lot of OG Orbit players in here already and would love to have more. Still only a 2 month old website! Also with a discord server of its own https://discord.gg/JC7D8sHP

#oh that's interesting #cartoon orbit #cartoon reorbit #fangame #?

[fusionjune]

Codename: Kids Next Door gToons from Cartoon Orbit.

#oooh #cartoon orbit #ctoons

[fusionjune]

Workprint versions of Codename: Kids Next Door promos produced by Primal Screen for the Operation B.R.I.E.F. event in 2002. Originally uploaded to YouTube by Todd Wahnish and compiled by me for archival purposes.

Audio quality and volume varies, but the Numbuh 2 promo has no sound at all. You can view a VHS-recorded version of it with sound here.

#ooh! primal screen! they did the JLee advert too #these never aired here #knd

[fusionjune]

Found them! I don't know who wrote these texts, but they have my utmost respect.

The full guide can be read here: https://archive.org/details/fufaCNdocs/07%20Character%20Guide/mode/1up

#:D #nice that some fans keep these files as backup #fusionfall #ref #knd #nigel uno #hoagie gilligan #kuki sanban #wallabee beatles #abby lincoln

[fusionjune]

FusionFall Headcanons: Sunny Bridges

Sadly, Class of 3000's representation in the game is pretty minimal--with mainly just the Sunny Bridges' Auditorium giving it a spotlight. With that, my own headcanons for how its characters would fit in FusionFall have also been limited, as there just isn't much material to go off of. However, inspired from returning to some of the show's music, I'd like to expand on ideas I've had sprinkled with other posts I've made. For now, let's focus on none other than Sunny Bridges himself:

With the auditorium situated in what might be the heart of entertainment for the City areas, Marquee Row, it's unlikely that Sunny originally intended for it to be anything other than a typical venue. Likely constructed prior to his days as a teacher, he may not have even cared for it at all depending on whether or not it was built by the time he started losing his passion for music. It was just another mark of the fame that was wearing him down. However, after his experiences teaching, he started using the auditorium to give young and upcoming artists the chance to explore their own talent on a professional stage. Classes and workshops could be taught there alongside the big concerts, and the auditorium grew as a place of both education and community.

It should go without saying that his time as a teacher revitalized his passion, enough for Sunny to continue acting as a mentor. He might still have issues with the music industry itself, but he's found himself again, along with the importance of music in his life and the lives of those around him. Thanks to that, he wants to keep passing on those lessons and bits of wisdom to others.

That strength in music came in-full when the war hit. The invasion stretched across every community around the globe, with a sense of peace stripped from everyone. Even when nanos were introduced and the tide began to turn, with nothing to help people escape from the daily terrors and lack of normalcy, morale was low. However, that is one of the great powers of art: To give moments of escapism, beauty, and hope in otherwise awful situations. In a situation where people can't even walk out of their homes without facing monsters, where soldiers constantly roam through the streets, when all the places and things you did that you used to find comfort in have been taken from you... Music is something anyone can take part in no matter where they are or what they have. You don't even need tools or instruments when you've got a voice to sing with, feet to dance with, and hands to beat out a rhythm. Music is something any person can take with them anywhere and can be the most widespread and uplifting of the arts. Sunny knows this, and so his part of the war effort was to share that spirit with anyone who needed it.

The Fusion Fighter radio network was already established when Sunny began volunteering himself and his students. However, Sunny plays one of, if not the, biggest role for it. Besides his own music, he also has the connections to bring in many other great artists. Again, he may not like the music industry, but his knowledge of it and his work with his students has given him some means of handling a good chunk of the administrative stuff many other creatives can have difficulty managing. He can get a jumble of talents working like a well-oiled machine. He'll help set up live performances as well, particularly in the City areas and especially at the base in the underground mall.

Inevitably, these efforts that were once his step away from the spotlight have dragged Sunny back in. Before his name could fade from people's minds after he left stardom, he ended up becoming a figurehead among all of these war-time entertainers. Anyone who didn't know him before certainly knows him now, whether or not they're fans of his music. Resuming his celebrity status isn't something he wants, and he makes that point well-known. Nevertheless, he's also glad that his music is reaching people and for all the right reasons.

Sadly, Fuse does not think the same way. Of course, the tyrant won't go after artists the same as he will other figures in the war effort, but he has caught on to how much hope and inspiration Sunny gives to people. If Sunny is ever left vulnerable, Fuse's army will take the chance to take him out. On the upside, there's also plenty of soldiers who'll gladly protect the musician when called.

#these are some really good headcanons/explorations #fusionfall #ref #class of 3000

[fusionjune]

anyone play Summer Resort 1?

My sister wants to play it but it isn’t working on either of our computers, it seems to be a problem with shockwave flash (like the game probs used an older version and that doesn’t work wit new computers anymore? maybe) So…. does anyone maybe have an .exe of the game?

[fusionjune]

#cartoon network #cartoon network summer resort

[fusionjune]

[fusionjune]

Cartoon Network Summer Resort Theme Song

(Soo muchh nostalgia! This was so awesome to play.  T^T)

(I wonder if anyone remembers this game…?)

#cartoon network summer resort #cartoon network

[fusionjune]

Cartoon Network Website | 2000s Memories

#cartoon network #cartoon orbit #cartoon network summer resort #courage the cowardly dog #flash games #00s #ppg #eene #dexters lab #foster's home #fhfif

[fusionjune]

I never got to see it in person, but the closing of the old CN studios building really saddens me. I just hope that despite all this, Cartoon Network can endure the wacky corporate politics of Warner Bros Discovery, and continue to provide fun and creative animated shows for the foreseeable future.

[fusionjune]

merry christmas every1 please enjoy my masterlist of xmas/winter/magical themed things *ଘ(੭*ˊᵕˋ)੭* ੈ✩‧₊˚

animated feature-length films: barbie in the nutcracker barbie and the magic of pegasus barbie in a christmas carol annabelle's wish secret of the wings pinocchio the nightmare before christmas wreck it ralph rise of the guardians klaus lady and the tramp anastasia mickey's christmas carol

classic christmas special tv movies: frosty the snowman the year without a santa claus santa claus is comin' to town how the grinch stole christmas a charlie brown christmas rudolph the red-nosed reindeer

vintage/black and white films: white christmas christmas in connecticut the bishop's wife it happened on fifth avenue meet me in st. louis miracle on 34th street it's a wonderful life

cartoon christmas specials: the powerpuff girls: 'twas the fight before christmas (special) max & ruby: max's christmas; ruby's snow queen (s1e10) the new scooby-doo mysteries: the nutcracker scoob (s2e13) codename: kids next door: operation: n.a.u.g.h.t.y. (s5e1) courage the cowardly dog: the nutcracker (s4e1 pt. 2) dexter's laboratory: dexter vs. santa's claws (s2e37 pt. 3) fairly oddparents: christmas every day! (s1e7) the adventures of jimmy neutron: boy genius: holly jolly jimmy (s2e9) spongebob squarepants: christmas who? (s2e28) spongebob squarepants: twas the night before spongemas (s13 special) betty boop: happy you and merry me (special) rudolph the red-nosed reindeer (special) felix the cat saves christmas (tv movie) cartoon network holiday special livestream

flash + web games: snow drift christmas stocking hat wizard christmas sugar, sugar christmas cat christmas in jelly village space is key christmas fiss the elf's puzzling pin-ups last christmas gotta hand it to yah!

neopets flash games: wrath of the snowager ice cream machine rink runner igloo garage sale snowmuncher let it slide snowball fight

retro games: santa's christmas caper snow brothers daze before christmas sint nicolaas antartic adventure

ps1 game levels: ape escape (new freezeland) crash team racing (glacier park) spyro the dragon (magic crafters worlds)

n64 game levels: banjo-kazooie (freezeezy peak) super mario 64 (cool, cool mountain; snowman's land) mario kart 64 (sherbet land, frappe snowland) kirby 64: the crystal shards (shiver star)

ps2/gamecube game levels: we love katamari (ski resort) ape escape 2 (snowball mountain) crash bandicoot: the wrath of cortex (earth: arctic antics; fire: eskimo roll; air: avalanche; lab: ice station bandicoot, force of nature)

winter horror + action games: silent hill parasite eve duke nukem: nuclear winter

snowy minecraft seeds: *sleeps* pillowy wings

[fusionjune]

Cartoon Network’s “Cartoon Cartoon: Summer Resort” Game ☀️⛱️

#cartoon network summer resort #cartoon cartoon #cartoon network #gif #sprites

[fusionjune]

oh my fucking god. so that's what nostalgia feels like. just seeing these pictures. I don't know who some of these characters even are, I probably never did, but I remember them in this sprite style.

this isn't even one of the games I remembered!!! but this fits the bill! Homestuck-esque walkaround games with Cartoon Network characters!

#wow nice #i was sure someone has archived the game SOMEWHERE but github is even better #cartoon network summer resort #childhood nostalgia #i played these when they came out on the main site haha

[fusionjune]

I'm very alarmed by how many people are dismissive of the lost media community, even going so far as to spread misinformation about them. I've seen them characterize lost media seekers as ignorant whiners and brats, and that they're wasting their efforts. Do these people have any idea how difficult it actually is to find this stuff? It can take years, if copies even exist. Don't they value art preservation?

You'd be astonished by how many shows that are barely twenty years old that have simply vanished, with no clear indication of whether or not the copyright holders kept a record of it. When fans try to contact the people involved in the show, they often refuse to answer emails. These aren't old, aging shows from fifty years ago, decaying in some film can. These are shows from as recent as the 2000s and 2010s.

There's been a toxic attitude going around big media companies for a couple decades now, treating their IPs (and their customers) as disposable, moving on to the next thing as soon as profits dry up. This is a big part of the reason media becomes lost in the first place. Old show not getting enough ratings? Need to make room for a new show? Just get rid of it! Now, some of these examples aren't lost media, admittedly- but they definitely could have been, if not for an on-the-ball internet pirate downloading and backing them up. There's a series from 2002 called Whatever Happened to... Robot Jones? which hasn't been on the air in about twenty years. The original audio track was missing for many years, and had to be pieced together from several sources, with the video elements coming from a foreign dub. There was a music track heard in an episode of SpongeBob called "Humpback Hop" with several minutes cut from it, unheard of for two decades, and even the composer had lost all of his copies of it. It seemed like even Nickelodeon didn't have it in their archives, because they rerecorded it for a DVD menu. It's a miracle somebody finally tracked it down. There's a series from 2007 called Out of Jimmy's Head, whose original English version is still half missing. Even though by all accounts it's a crappy show, I still want to see it. (update: This show has been found, thank goodness.) And even though I'm not a fan, there are dozens of 2010s Cartoon Network shows that were once on HBO Max, that are simply gone. They're not in reruns, they're not officially streaming. You have to resort to piracy to view them. I wouldn't wish this fate on anybody. The Willow series from 2022 was taken off Disney+ mere weeks after its debut, just because not enough people watched it. It's stuck in the middle of a storyline.

Nintendo has been notoriously bad about this. They don't want you to play any NES, SNES, GB, or N64 games that aren't the most iconic best-sellers. They take down ROM websites, even if most of the games there aren't first party or being sold in any way. The only way to legally play a game that isn't available on the Switch is to pay hundreds or even thousands of dollars for a working console and cartridges. Most people can't afford to do that.

If it hadn't been for the efforts of unofficial programs like Ruffle and Flashpoint, thousands of flash games and cartoons would be unplayable and unwatchable.

Even if the cartoon is safe and sound locked away in some vault, instead of missing entirely, it still winds up unseen that way. The public has a right to see a show they used to be able to see and enjoyed, instead of it being unviewable for all eternity. "Oh, but they have a right to not let us see it! They own the rights to it, after all, and can do whatever they want!" some might say. What if WB went out of their way to destroy every DVD, Blu-ray, and video tape of Looney Tunes, and locked away all their copies? Would you feel the same way then? Would we not have a right to see them? Would you just roll over and take it, and let corporate overlords tell what you can or can't watch? Just shrug it off and say "Oh well, guess I'll never see it again"? How would it not irritate you? TV and movies aren't the same as some painting or statue where usually only one version of it exists in some museum or private collection. Media is meant to be distributed and seen worldwide, for everyone to enjoy in their homes. If they're stuck in some warehouse on some hard drive, they may as well not exist.

It extends out into other aspects of our lives- old buildings get torn down instead of getting restored, vintage interiors get torn out or covered up by something modern or ugly. There was a time when films and video tapes were routinely destroyed to make room for new ones, because nobody thought anybody would want to see them again. We need to get past this destructive pattern.

Am I grateful for streaming services and the content they make available? Of course I am. But as many have said before, they could take it all away, and a show can simply vanish, leaving fans to resort to piracy just to see it, if anyone even bothered to save it beforehand.

Being dismissive of these efforts is the sort of attitude that's part of the reason media gets lost in the first place.

#yea #lost media is smth so sad bc honestly it's not even hard preserving this stuff. u just need room on your disk or cloud & some guarantee that #that these places won't delete these videos #same with games #op is right that u can't trust a company to preserve their own IP as long as the deciding power is w ppl who don't care anyway #lost media #streaming #cartoons #flash #ruffle #flashpoint #nintendo #media preservation

[fusionjune]

Craig McCracken - further research

His Career and Work

In 1993, Craig was recruited by Hanna-Barbera Cartoons (now Cartoon Network Studios) to work as an art director on the series 2 Stupid Dogs, but as his first job in the animation industry, he was never really happy with how that show worked.

While McCracken was working at Hanna-Barbera, studio president Fred Seibert started a brand new project: an animation incubator with 48 brand new cartoons that are each about seven minutes long. What a Cartoon!, as it was known, inspired McCracken to continue working on his Whoopass Girls! idea from his work at CalArts. He recalled that the network could not market a show with the word "ass" in it, so two of his friends came up with name ‘The Powerpuff Girls’ as a substitute for the original title.

As a backstory note how it all started, in June 1991, McCracken was in his first year in the character animation program of CalArts and drew three girls with large eyes, visually inspired by the paintings of Margaret Keane on a small sheet of orange construction paper as a birthday card design for his brother.

His new work with a refined plot, "The Powerpuff Girls in: Meat Fuzzy Lumkins", premiered on February 20, 1995, on Cartoon Network's World Premiere Toons, along with its follow-up, "Crime 101", which aired on January 28, 1996. The first short to be picked up by the network was Tartakovsky's Dexter's Laboratory, which McCracken contributed to in the early seasons.

The fourth cartoon to greenlit a full series was McCracken's Powerpuff Girls. It premiered as a short in 1995 and debuted on November 18, 1998 as full half-hour episodes that was aired until its final episode on March 25, 2005. The Powerpuff Girls aired on Cartoon Network for six seasons, three specials, and a feature film, with the final episode airing on March 25, 2005. A total of 78 episodes were aired in addition to two shorts, a Christmas special, the film, a tenth anniversary special, and a special episode using CGI technology. Various spin-off media include an anime, three CD soundtracks, a home video collection, comic books, a series of video games, a 2016 reboot series, and an upcoming second reboot, as well as various licensed merchandise.

The series has been nominated for six Emmy Awards, nine Annie Awards, and a Kids' Choice Award during its run.

In 2002, McCracken also directed The Powerpuff Girls Movie, a prequel to his series. Although the film received generally positive reviews, unfortunately it was a box office failure.

Leaving The Powerpuff Girls after four seasons, McCracken focused on his next project; Foster's Home for Imaginary Friends. He created this series with his wife Lauren Faust and Mike Moon and it premiered on Cartoon Network with the 90-minute television special "House of Bloo's" on August 13, 2004. The show also won Emmy and Annie awards and ran for six seasons, all directed by McCracken, ending on May 3, 2009.

He became the executive producer of The Cartoonstitute; a brand-new Cartoon Network showcase project, in April 2008. He left Cartoon Network in 2009 after 17 years of employment when the network began to emphasize on live-action and reality shows. In August 2013, he created Wander Over Yonder for Disney Television Animation and Disney Channel. Following the cancellation of Wander Over Yonder, McCracken pitched Disney a new show based on his 2009 comic strip The Kid from Planet Earth. The concept was later dismissed by Disney, and in 2017 he finally departed the company. After presenting his idea to Netflix, Kid Cosmic was selected as the working title. On February 2, 2021, the show made its debut, and it aired till February 3, 2022.

It marks McCracken's return to the superhero genre after The Powerpuff Girls and the first of his original works to include a serialized style. He pitched Netflix with 10 proposals in August 2021, however due to Netflix Animation's huge layoffs, he eventually left in April 2022.

On July 18, 2022, it was revealed that McCracken will make two reboots at Hanna-Barbera Studios Europe of the Powerpuff Girls and Foster's Home for Imaginary Friends.

McCracken was also awarded the Winsor McCay Award in 2023 for his "unparalleled achievement and exceptional contributions to animation" at the Annie Awards ceremony.

#oooh #i like how detailed it is #Craig McCracken #cartoon network #what a cartoon