Robert Estermann
Spectacular Interferometry, 2017
Large scale digital prints, tubes, ropes, hooks, 446 x 906 cm, 420 x 920 cm, 420 x 832 cm, 968 x 1144 cm
Archive Kabinett, Berlin, Germany 2018
'Spectacular Interferometry' (2017) is a series of very large digital prints by Robert Estermann. Each print consists of two different sets of drawings; one is his recent abstract drawings of beaches, the other is the pseudo technical drawings of automobiles that he drew at the age of twelve when he was obsessed with the design and measurement of cars. In Spectacular Interferometry, the artist juxtaposes them into a single pictorial plane and plays with the idea of measurement in the “(non) scale of a modernist dream” to interfere with his pragmatic approach as child car designer.
Text by Miya Yoshida
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Robert Estermann
contribution for Kim Kim Book, 2017
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
140 x 105 cm
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
132 x 159 cm
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
120 x 83 cm
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
127 x 170 cm
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
140 x 105 cm
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Robert Estermann
scenic tongical newspaper photography where the photos are the clowns not the models in them, 2017
C- Print, edition 2
60 x 80 cm
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Robert Estermann
The New Eye, 2016
Single frame digital projection
216 x 384 cm
Villa dei Cedri, Bellinzona, Switzerland 2016
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Robert Estermann
Wola Shield, 2011
Plots on two lightboxes
100 x 140 x 16 cm / 187 x 116 x 16 cm
Villa dei Cedri, Bellinzona, Switzerland 2016
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Robert Estermann
Staircase, 2011
Wood, basement floor color, PVC, inkjet-print on PVC
85 x 204 x 130 cm
Villa dei Cedri, Bellinzona, Switzerland 2016
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Robert Estermann
Hey there, 2004
ink, plastic sheeting, ducktape, bleach, dimensions variable
installation view from: Desidolize Now, Grande Halle de la Villette, Paris 2004
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Robert Estermann
The New Eye And Red Tape, 2016
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Robert Estermann
schwarze, gleichbleibende Linie, 1993
color and electrical tape on wood
120 x 600 x 5 cm
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I am interested in the idea of Scenic Tongical as a movement, uniting the great Western and Eastern ideas of landscape, landscaping and scenic representation, its geophysical properties, with those of the physics of speech (tongical). It is an invitation to build, to create and to believe in the new. To obtain fluency of speech where there was no speech. Rethinking the space for the formation of speech, beyond any static notions of identity.
Robert Estermann
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Robert Estermann
Scenic Tongical, 2014–2015
Ink marker on paper
298 x 1266 cm (48 parts, 70 x 100 cm each)
Kunsthaus Baselland, Switzerland, 2015
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Robert Estermann
Scenic Tongical, 2014–2015
Ink marker on paper
70 x 100 cm each
detail views
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