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#( the shenanigans of a sorceress ; dash games )
madamhatter · 6 months
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Character Select! ==> S.H.
picrew credit. stolen from: @fakepriest / tagging: anyone! tag me if you take it.
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greenninjagal-blog · 4 years
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It’s Always Been This Way (Hasn’t It?)pt2
Hello! Did someone order 52 pages of Virgil angst, gayness, and magical shenanigans? If you missed the prologue you can find it right [here]!
Summary: After deciding not to go back to Hogwarts for their final year of school, Virgil, Roman, Patton, and Logan all enjoy living together in their quiet muggle neighborhood and doing small tasks for the Order. It would be nice, Virgil thinks, if he wasn’t actively lying to their faces every day.
Also if the Neo Death Eaters weren’t trying to kill his friends.
Words: 21,080 (and no thats not some joke)
Read on AO3 ||  My General Writing Masterlist
Chapter One: Liar, Liar (House On Fire)
“This is absolute bullshit and they know it!” Virgil yells to no one, as he slams the morning paper on the table.
From somewhere not far away, Patton’s voice calls out “language”, but Virgil doesn’t really register it at all. He’s too busy reading over the front page article again as if he missed something the previous four times he had read it. He flicks his wand (Cypress, 9 inches, semi flexible) across the kitchen with barely a thought which makes the coffee pot start up and his favored mug place itself under it.
It’s somewhere past eight in the morning, and Virgil still feels drowsy which probably isn’t helping his mood at all. He hasn’t gotten a full night's rest in at least three years, and he doesn’t expect to get it for another ten years. And that’s only if his half muggle born ass survives that long.
He snarls at the paper again, slamming a fist on the table hard enough that the stinging goes all the way up his arm to the back of his eyes, and that in turn ruffles the owl on the perch in the corner out of its trance.
“Sorry Logan.” Virgil breathes in deep and snarls it back out.
The horned owl titters on the perch turning towards him, blinks twice in a sophisticated way that’s made doubly effective by the strange rectangular pattern around its eyes, and then reaches out its wings. With powerful gust and a blur of brown, white, and black feathers, the animal leaps into the air. It morphs with precision, a complex series of motions that elongates its body, shrinks the eyes, and changes the number of bones under its feathers all together. Its fascinating to watch: in less than a second the air is filled by a stern looking seventeen year old with square glasses, a sharp nose, and matted dark hair that rarely appears to have a strand out of place.
But then again, Virgil thinks its fascinating every time Logan breaks the law at all. There’s something about seeing a man so rule orientated like Logan breaking those very same rules that makes Virgil’s heart flutter in that entirely unhelpful way.
“Salutations, Virgil,” Logan says, sounding exactly like he had just swallowed a muggle computer. “May I inquire what has your frustrations today?”
Virgil huffs, sliding the paper across the table for his friend. “See for yourself.”
Logan picks it up at the same time as Virgil flicks his wand at his mug and exchanges it for the one Logan favored. Logan’s still frowning at the article when both the cups come levitating through the air and set themselves on the table between them.
The Daily Prophet had never been Virgil’s favorite source of information. It didn’t take a genius to know when a reporter was being paid to report--or not report-- something. Not to mention it was practically controlled by the Ministry and that it was more concerned with sales than with accuracy.
Still, Virgil is too much of a sucker for routine to cancel his subscription to the utter nonsense. Which leads him to mornings such as this: grumbling into his coffee mug, with his illegal animagus of a friend across from him equally displeased and showing it in the way his eyebrows furrow and his thin lips squeeze together, with Patton in the other room somewhere, probably stress cleaning again (which is marginally better than when he’s stress eating), and Roman out on his morning jog through the quiet muggle neighborhood they called their own.
It’s strange, Virgil thinks, knowing that none of their neighbors are aware of the nuclear bombs that rest in each of their pockets disguised as sticks that they might have picked up in the park last Saturday.
It’s strange, Virgil thinks, that its September fourth and none of them are at Hogwarts, or even intending on going to the esteemed magic school that had been their homes for six years prior.
It’s strange, Virgil thinks, knowing that Dee’s family had helped finance the Dark Lady's rise to political power and then had started murdering muggles in distant countries and the Daily Prophet was refusing to acknowledge any of it at all.
They’d all be seventh years this year, completing the second half of their courses and preparing for the NEWTS and practicing their nonverbal spells. And maybe Virgil’s spent too much time in his own head this summer because he misses going the kitchens and tapping out the rhythmic pattern of “Helga Hufflepuff” on the barrel that would open up to the soft, cozy, and quiet common room. From the very first moment he had done it himself, Virgil had always felt a bit like he was walking home when he entered the Hufflepuff dorms, as ridiculous a notion as it was. (And he’d die before he’d admit that to anyone else.)
But even here, in Roman’s semi-modest muggle neighborhood, it feels a bit like that. He can’t pretend that he doesn’t like waking up and seeing those three again and again and again. He doesn’t want to either.
He feels guilty about it. A whole lot of guilty. For the first month of them living together, Virgil hadn’t been able to sleep at all, because he’d been so afraid of waking up, and finding the spell over them had broken.
Virgil can survive losing a lot-- he’s done it before with his mother, his home, his holidays, his sanity (on Thursdays, specifically),-- he doesn’t think he can survive losing them too. And that’s partially his fault, he supposes: his defining character trait has always been that fierce loyalty, with a more than a dash of selfishness that his mother hadn’t managed to iron out of him. 
He loves the spell that was over them. He also hates that he loves the spell that was over them.
The second they found out it would be over and they’d never forgive him for using them like stepping stones.
His fingers tighten around the mug at the spiral of his own thoughts. Logan’s eyes flick up from his reading to look at him, and Virgil wished he knew what that sort of look meant. If they had actually been friends for five years, he probably would have known.
Its a little late to ask.
It doesn’t matter much because the next moment the front door opens with a loud boom and a louder voice sings the ending line of some Disney song that Virgil recognizes only because it had been in the back of his head for three days straight. (That song from that night when the four of them had curled up in the living room and Roman had tugged him into a cuddle and then forgotten to let go of him before he fell asleep with his head on Virgil’s shoulder and-- and he was blushing just thinking about it.)
Virgil makes a mistake of swallowing his coffee at the same time as Roman Prince comes tromping into the kitchen after his morning run. And hell, if it didn’t take every single muscle in his body to keep from spitting his drink back up.
Virgil has seen Roman come back from runs before: it was part of his routine that he rarely switched up and he had admitted to Virgil once that it was when he did his best thinking. Alone with his music in his ear, his wand in his pocket, and the rhythmic pounding of his sneakers on the pavement-- Virgil could see how it was appealing. If it didn’t require getting up so early, or going outside, or like...exercising, Virgil would have totally been down to run with him. 
But the way that Roman comes into the room-- his shirt in his hands, instead of on his body like a normal person, glistening with sweat that seemed to drip off every single muscle which was only emphasized by the smug look on his face, his eyes sparking with his endorphins running rampid and his face still flushed from his workout--like he knew, the little shit, knew that he was making Virgil short circuit by looking like that.
Virgil swallows his coffee, with his hands around his mug so tightly he thinks it might take a crowbar or diffindo to get them apart.
Logan turns into an owl again.
(Animals don’t feel emotions quite like humans, Logan had said once and Virgil has never been able to get over that particular jealousy.)
“What's the matter, Morgan le Fretful?” Roman asks with that shit eating grin of his that, by itself, can turn Virgil’s thought process into a first graders string art project. That smile coupled with his gleaming abs and Virgil’s complete and utter gayness? Oh he’s down for the count and out of the game all together.
“Boo,” Virgil manages, “Weak.”
“I think it was a good one!” Roman responds so blithe and warm that Virgil wonders if the sun came to earth for the day. Logan flutters his feathers, which only makes Roman laugh more.
“Put on a shirt, Princey,” Virgil says, deliberately not looking at him as he says it. He steals the paper back from Logan’s place, and pretends to find the articles in it interesting and not at all offensive. 
"And if I don't?" Roman's wiggling his eyebrows and Virgil can tell because the picture of Celestina Warbeck (the famed Singing Sorceress, whom Roman had once said should be the next Disney Princess) was blushing furiously and waving her face in her article.
Virgil glares at the singer and she gives him a wink like she knows exactly what his heart is doing in his chest. He changes pages as fast as he can, grabs his mug and his wand in one hand, and does not look up at Roman.
"If you don't, Patton's gonna have a hard time putting out the Bluebell flames I'm gonna--"
Virgil stops mid sentence as his eyes catch on a familiar face on the page. A face he hadn't seen in a year, but saw each and every time he had a nightmare. The paper crinkled in his hand.
"Virgil?" Roman says playfulness gone. "If it's really that much of a bother I'll put it on--"
Virgil blinks once, twice, and he swallows hard. "What? No its-- Its fine. I don't care." He folds the paper and sticks it under his arm as he convinces himself to keep breathing.
Roman stares at him (shirt around his neck like hawaiian lei). Logan gives a ruffle of feathers and touches down at the edge of the table next to Virgil's elbow. Despite being a bird, and despite the fact the markings around his eyes only look like glasses, the gaze he holds is sophisticated and knowing. Virgil refuses to look at him, at either of them. He finds a spot just over Roman’s shoulder to stare at in conviction.
"I'm fine," Virgil says again, as if that will convince them. 
"You're clearly not." Logan's voice says and Virgil just barely restrains himself from batting the glasses off his face. (When the first animagus was done, why didn't they included a sound with their morphing? A bell ringing? A tumblr notification noise? Something???)
"Yeah, last time you acted like this after reading the paper, you disappeared for a day, without explanation." Roman says (and Virgil doesn't flinch, does not, does not), "So to prevent Patton from worrying all day, I'm gonna wait for an answer that's the truth."
"It is the truth!" Virgil responds. And its not a lie. Not a whole lie. Barely a partial lie. Its nothing compared to the other lies he's been telling.
And when neither of them fall for it, he lets out a defeated breath. "You guys remember Professor Remus Dukeson?"
Roman snorts, "Crazy Divination teacher? The one who ate a physical teacup in third year?”
Logan picks up a feather from the table, one of his own feathers, and twists it in his fingers, “What about him, Virgil?”
“Do you know what Alstroemeria flowers represent?”
Virgil unfolds the paper from under his arm, “He’s dead.”
Virgil doesn’t expect them to understand. He can’t expect them to. Logan thought Divination was a waste of school funds. It was the only class he didn’t even attempt to master. And Roman and Professor Remus never once got along. After the disaster of third year Roman had dropped Divination like it had been going out of style, and maybe it had. By fourth year only half the class had stuck around. 
And Virgil had been one of them.
He hadn’t been particularly good at it: he didn’t like his tea without sugar, the crystal balls never once filled with smoke for him, and he mixed up the head and life lines on his during the Palmistry portion of his OWLs despite having had the class for three whole years by then. Professor Remus had mentioned he had a latent talent once upon a time, but the man had also said that Roman was going to cast a forbidden curse at Virgil and Logan was going to win a duel with Professor Sanders, so Virgil hadn’t put much merit in his words.
But seeing the teachers face, his smirking mouth, his mustache that always had something in it, and even seeing his picture shuffling side to side as he was trying to stripe which unfortunately was not a new phenomenon to anyone who took his class...seeing Professor Remus in the Obituaries with the cause of death being labeled as an unsolvable murder? Oh, there was something cold about that, something that makes Virgil’s empty stomach churn and his head feel warm, and his fingers itch for the coin in the secret pocket over his heart. 
Theres a flash of red in the corner of his eye and Virgil freezes, but in the end its just Roman tugging his shirt over his head, and pushing back his sweat drenched bangs. He’s frowning, as people do when they hear someone died.
“Oh man,” Roman says, “That’s pretty awful. I mean he was a terrible teacher, but I never wanted to see him dead.”
“Agreed,” Logan says. He flips the paper to read the small written eulogy himself. “I wonder who the new teacher in his place is?”
“Maybe they brought back Trelawney?” Roman suggests.
And just like that the topic is gone and Remus Dukeson is forgotten. Virgil wishes that his right hand would stop feeling like someone had stabbed him with a thousand needles in the meantime, please and thanks.
Listening to them feels a lot like they’re standing on opposite sides of a one-way glass wall. They keep talking, the topic gone, and in a few minutes Virgil’s little freak out will have been forgotten to them. Virgil thinks he should be thankful for that: with his life on the line he really doesn’t need them to be prodding into why exactly crazy Remus Dukeson’s death matters all that much.
Crazy Remus Dukeson who would have been the only one who could have helped him out of the hole he’d been digging for himself for the past two years. But if he was dead, then there was no one left who could vouch for him when all of this was over, no one who would be able to stand in a court room and say without a doubt that Virgil had done the only thing he could have done, no one who would want to believe Virgil was a good guy.
And, of course, Logan was not stupid in any manner. If past memories hadn’t secured such a reaction as his as one of normality, then surely he would have put two and two together. Surely if he hadn’t had five years of false memories under his belt he would have realized that Virgil was hiding something behind that glass mirror of his, and that it was bad and evil and going to get them killed.
Virgil slips out of the room about the same time as Roman and Logan start arguing over whether Divination should even be a course offered at school (a debate of which has been ongoing for three years now). Part of him wants to be sad that it's so easy to just fade away from and exit the room without making them even turn from each other.
But Virgil knows how Roman and Logan stare at each other when they get into a debate, how everyone stares at Logan when he gets filled with that prim-and-proper, fuck-you fire. Outside of seeing him break the laws with ease, watching Logan get passionate is one of Virgil’s favorite sights. (Even if the first memory of it that Virgil has also includes Logan giving him a bloody nose and Patton crying--) 
Roman isn’t any different. That’s why he purposely eggs the ravenclaw on, and then stares stupidly at Logan’s flushed cheeks with a cocky smirk that is absolutely impossible for Virgil to witness when the other still hasn’t showered from his run.
So really its for his own sanity that he manages to escape the room when he does.
***
Virgil is coming down from his room at a quarter after four when Patton assaults him with the brightest wand-lighting charm Virgil has ever seen performed. 
“Pat! Fuck!” Virgil stumbles back on the stairs covering his eyes against the white light. “Warn a dude!”
“Virgil!” Patton yelps, “Language!” But he giggling far too much for it to come out stern. Virgil feels the other boy batting his hands away from his face, “Stop, stop that, Virgil!”
Virgil squints past the glare, “What are you--”
“Smile!”
Then there's a flash of light even brighter than Patton’s wand followed by a puff of purple smoke that practically spelled out what was going on.
Virgil coughs, waving off the smoke while Patton removes the wizard polaroid photo from his camera. His brain is working overtime trying to remember what holiday it is because Patton never breaks the camera out unless its an important date. But Virgil had his calendar in the room marked with all their birthdays, and the major and minor national holidays--magic and muggle alike because Patton had started crying the last time they forgot to tell him about Arbor Day and Virgil wasn’t ready for that to happen again in this lifetime or the next or the one after that. He’s even marked the full moon, because he was pretty sure the girl from the public library was a werewolf and didn’t want to accidentally wander outside if she missed a potion on one of those nights.
“Pat,” Virgil says in a sort of defeated, anxiety ridden tone. “What’s going on? Who’s birthday--”
Patton just laughs at him, and Virgil has to shut up at that. Patton’s laugh was like a waterfall, like bells chiming, like angels signing. Virgil would rather pitch himself from the Astronomy Tower than miss any second of his glorious happiness. 
Its unhealthy. Its gonna be the end of him.
Virgil can’t help but smile at the other’s toothy grin. And if he gets a hug out of it? Well, someone once mentioned that that Virgil was touch starved, so that’s the reason he melts at Patton’s touch.
Patton shows him the picture without relinquishing any hold on him. Somehow that leads to them stumbling around on the stairs until Virgil’s sitting and Patton’s basically in his lap, fuck. But Patton doesn’t even seem to notice at all.
“It’s no one’s birthday!” Patton says, “I just was cleaning up earlier and I came across a bunch of photos from school!”
And just like that Virgil’s short lived happiness evaporates. Dread settles on his shoulders like a cloak, and anxiety wriggles straight down his throat to grip his pulsating heart. “Oh?”
It comes out too innocent. Patton doesn’t notice.
“Yeah! I got so many pictures of Logan and Roman and Me! I used to carry this camera around everywhere! Don’t you remember?”
Virgil remembers. He remembers it very well. Especially when he can see the crack on the side where the flash bulb hooked on before he had accio-ed it right out of Patton’s hands in second year and tossed it back and forth with Dee until even Logan had come to Patton’s defense. Especially when Logan had called all three of them childish and then Dee had laughed some sort of nasty laugh and tossed the camera right over the edge of the moving staircase, before linking hands with Virgil and dragging him out to the quidditch pitch for the rest of the time before dinner.
Virgil mentions none of this. “Yeah? What about it?”
Patton waves the photo in his face and, really, it's a pretty terrible photo of him. He didn't even know skin could be that pale and his hair is sticking up from where he had been running a hand through it all evening, and his irises were red from staring directly into the flash.
“I saw that we don’t have any pictures with you in them!” Patton sighed, “It’s terrible! You’ve been our friend for so many years! I can’t believe that you aren’t in any of our pictures!”
Virgil forces himself to keep smiling. It hurts his cheeks. “Well you know me…”
“So we have to take a bunch of pictures right now!”
Patton sets those blue eyes of his on him, and Virgil cannot believe that he’s 100% wizard. Somewhere someone in his family line had to be part selkie because those are definitely baby seal eyes, and who the fuck is gonna say no to them? Not Virgil!
“Okay,” Virgil says. “Alright sure, whatever you want.”
And he means it. He’d give Patton all the stars in the universe if he didn’t think removing them would make Logan lose his shit about order and necessity.
Besides Virgil has just as few photos of them as Patton has of him. So when the photo session is over and Patton’s hair was dusted purple and Virgil’s eyes hurt from the brightness and they were both crying from laughter, Virgil makes sure to snag one of the better photos for his own room.
(It was always so easy to laugh with Patton, so easy, nearly too easy. But that was okay for now.)
“Oh! I almost forgot!” Patton says, looking up from his glistening stack of pictures suddenly, “The Order is having a meeting next week.”
“Oh?” Virgil swallows nervously, “you mean like, having a meeting, here?” He folds the picture of him and Patton in his pocket, running the edge of the photo between his nail and the skin under it. (He’s pretty sure the photo version of Patton is talking the photo version of himself out of a panic attack, but he disregards it.) His other hand comes to his mouth, and he nips away at the black chipped nail polish. 
Patton shakes his head, and Virgil can’t but help a sigh of relief. “Nope! No worries, kiddo! Thomas-- wow, it sure is silly to call him by his first name!-- Professor Sanders and I talked about how uncomfortable you are with anyone new in the house, so instead we agreed that it was easier for us to go to him to give our reports!”
Patton hums looking at another picture, where he had magicked up some cat ears for the two of them. “Plus it would be a pain to have to undo all those charms you set up for one measely meeting!”
“Cool,” Virgil says.
It's not really, because Virgil hates leaving the house, hates stepping into an area that could so easily be compromised, hates when he can’t be sure if he’s leading his friends into a trap or if he’s just being paranoid again. But that’s definitely better than inviting people, even the Order, into the house that Virgil had made sure was their safe haven.
But Patton takes his quietness with grace. He gives up one of his blinding smiles and Virgil is vividly reminded of how pretty he looks like this. Virgil knows that the secrets he’s keeping from them are unforgivable, knows what they did to the trio of boys is terrible and deplorable and shameful. Despite that, Virgil can’t help but feel...relief that Patton is smiling like this.
Patton doesn’t remember why he should never smile at Virgil, doesn’t remember the year after year of Virgil tearing him down, doesn’t remember what Virgil and Dee did to him. And Virgil is selfish enough to be grateful for that.
“Oh would you look at the time!” Patton says brightly, “I better go start dinner before Roman gets into the pantry again! Are you going to be joining us, Vee?”
Virgil nods, even though he doesn’t really catch whats being said to him.
“Yay!” Patton holds his new pictures to his chest, “I’ll call you when its ready then! Love you, VeeVee!”
He says it so effortlessly.
Virgil wishes it didn’t feel like a snake wrapping around his chest and squeezing the breath right out of him. Patton pops back down the stairs, leaving a cold empty space in Virgil’s lap where he used to be. He jumps the last step and gives one last wave to Virgil as he turns the corner--
“Hey, uh, Pat?” Virgil says at the last second.
Patton hums to show he’s listening, even though he’s still flipping through their pictures. “Yeah, kiddo?”
“Will Remy be there?”
Patton blinks and looks up the stairs at him. Virgil’s nails dig into the banister. Something flickers in the Ravenclaws eyes, confusion or pity. Virgil’s not sure there’s a difference at this point.
“Remy? Oh! You mean the Ravenclaw that joined the Order the year before us!” Patton shuffles the photos with a smile, “And you mean at the Order meeting, right?” He tilts his head to the side as he thinks, before shrugging and offering, “I’m not sure!”
Virgil breathes like he’s a drowned man finally come up from the water. “Uh, cool! That’s cool.”
The itch to recheck his charms hits him then. Like being trampled by a Mountain Troll.
Remy’s not a threat, Virgil tells himself.
Except that he is. Virgil had met the Ravenclaw twice before, but that didn’t mean he wasn’t acutely aware that Remy was a very skilled Legilimens. 
And the last thing Virgil needs right now is someone poking around in his head. Virgil’s seen first hand what a Legilimens can do to someone: Patton looks at him with a smile instead of with tears, Roman challenges him to duels over the spot on the couch rather than to the death, Logan has no clue how attractive he looks angry out of his mind and giving people nosebleeds with his barefists.
“I do.”
No, Virgil doesn’t need someone looking in his memories, even at a glance. Not now, not when they’ve come so far and the Order is so, so very close to being able to combat the Dark Lady before she takes over the Ministry of Magic.
At best, he’ll be labeled a Neo-Death Eater. At worst, no one will ask any questions and they’ll just kill him without hesitation.
He needs to check the charms on the house, because that’s something other that just sitting on a staircase in the center of the house and having a break down where one of the others will see him.
Virgil launches himself to his feet and takes the six stairs upwards two at a time. He runs his fingers over the wall as he goes, picking at the peeling wallpaper that none of them have taken the time to fix yet. There are pictures of baby Roman and his muggle family at the beach on the walls and classical music coming from beyond the closed door of Logan’s room. Virgil moves beyond it all to his room at the end of the hall.
Well he calls it his room, and so do the others. Virgil thinks they might be a little upset if they ventured into the room that Roman had given him and found it was nearly the same as it had been at the beginning of summer break two years ago.
The window facing the street had the blinds drawn and a thick layer of dust over the windowsill because Virgil was not in the process of airing his dirty laundry or his room. The bed was neatly tucked in from his routine habit, the floor was clean and clear, his extra shoes lined up at the foot of the bed so he couldn't trip over them in the night--those were things he did to remember his mother; she always did like it when he kept his room neat. He had a total of eight outfits in the closet, which he was sure if Roman knew about he'd have a heart attack. So far Virgil had avoiding the issue by magically changing the shade of black in his shirts every other day.
The only things that Virgil had brought into the room that weren't absolutely necessary for him to have was that calendar on his wall, a collection of seventh year textbooks he had bought himself even though he wasn't going to school, his school trunk that he hadn't touched since getting off the train last year, and now, a picture of him and Patton making silly faces and laughing (very happy to be unfolded).
He slips out his wand and wanders towards the window.
The spells are all over the house, on every window, over every wall, under every carpet. Roman had put the first layer on himself when he was sixteen, and later when he, Patton, Logan, and Virgil had been inducted into the Order of the Phoenix, Thomas Sanders had come over and reapplied more of them. Once the Transfiguration Teacher had finished, Virgil had then moved in and quietly applied his own.
They were subtle differences in magic, in skill, in finesse. Virgil had smoothed over the rough edges and connected the corners that no one else might have noticed if they hadn’t gone looking for them. Every full moon Virgil had snuck around quietly checking the magic cloaking spell and then muggle deterrent spell and the silencing spells---
Needless to say the one time the girl scouts had rang the doorbell, Virgil had nearly had a heart attack. Patton had bought ten boxes of cookies with Roman’s money before Logan had managed to get Virgil to put his wand away.
Virgil had obsessively checked the spells after the girls had left until he found the loophole that had allowed the girls to get all the way to their front door. By the time he found it dinner had gone cold and only Logan was left awake to witness Virgil trip down the stairs in his haste to fix it.
Roman hadn’t even known he had been adding spells at all until Logan had tried to floo Remy Dormire into the house.
So Virgil’s first time meeting the legilimens is really not a good one. There had been something about the way that Remy had looked at him while Roman gave him the “dude what in Merlin’s name??” speech that made Virgil uneasy. Something about the way that a smile had flickered across Remy’s face and he sipped on his homemade tea that only Patton had touched, something about the way that Virgil felt like Remy had gotten inside his head without him drawing his wand, something about the way that Remy had said “It’s all cool hun! Paranoia is all part of the game!”, which made it sound like Virgil was overreacting yet again.
Something about the guy feels wrong to Virgil.
So he adds more charms to the house, ones he’s sure no one but himself and the trio of boys he lives with can get through.
It doesn’t feel like enough.
And in the end, he's right about that.
***
Their role in the Order is small really. They’re all too young to be doing anything important like infiltrating the Ministry-- except Logan, who despite choosing not to graduate from the esteemed magic school had been offered several internships over the summer which he had denied. Patton’s Uncle Kiddel had been very adamant that Patton be as far removed from danger as he could get, and while Roman had been a bit bummed at the lack of action he had jumped at a chance to offer his family’s house for their activities while his parents took an extended vacation to some place that Virgil doesn’t remember.
The combination of parents between the four of them is depressing: Roman’s muggle parents are unreachable, Patton’s are dead, Logan’s Dad took his mom to a safe place in another country, and Virgil’s mom… well, there’s an understanding between the four of them not to bring up parents unless they were trying to bring the mood down to rock bottom.
So really they are just four seventeen year olds living in the house together. Roman monitors the muggles near them, Logan handles correspondence between certain branches of the Order (although Virgil suspects that Thomas Sanders fields some of the letters before they get to them). Patton monitors the wizarding world. Virgil exists to be anxious on the edge of their consciousnesses.
He doesn’t have a job title really, but Virgil is the one who does his best to keep the rest of them alive and safe and not killing each other (which, surprisingly, happens at least once a week, when Roman gets tired of having no logical reason to practice magic and then starts charming things in the house that shouldn’t be charmed, when Logan runs out of work to do and restlessly snaps at them until a fight starts, when Patton gets too far in his head about what would happen if the Dark Lady manages to win against them and refuses to let any of them leave the room lest they disappear on him--)
So their part of the Order’s functions are minuscule. 
Virgil doesn’t see why they have to go at all, but he goes with Patton, Logan, and Roman to the Order meeting all the same. The location they pick is a townhouse that magically doesn’t exist until they need it to. When it does exist, its across the country so they take the brooms there, which makes Roman so happy he cries five minutes into flying, and almost makes Virgil not hate the heights so much.
(Roman, of course, used to be a Quidditch player, a Chaser, up until he decided not to go back to school that year. Virgil used to split his attention between watching Roman’s windswept hair and Dee’s cheeky smile when the latter managed to beat a bludger just right to knock the Quaffle right out of Roman’s hands.)
Virgil sidelines those memories and grips the handle of his broom until his knuckles are white and the cold air of the upper atmosphere begs him to stop holding so tight. Patton flies beside him, naturally swerving like a lackadaisical snake with the ease that only comes with having ridden brooms since he was in diapers. Ahead of them Roman does a loopdeloop and tries to goad Logan into racing him, who in turns calls him every childish name in the book.
It takes them forty minutes to get there. Roman wins the race, and because Logan is petty, he changes the color of Roman’s firetruck red robes to a dull beige.
“Hello Professor!” Patton waves to Thomas Sanders as the older man appears on the street across from them, and because Virgil’s luck is terrible, Remy Dormire appears next to him.
“Patton,” Thomas greets them all warmly. “I’ve told you guys to call me Thomas before.”
Said Ravenclaw ducks his head sheepishly, “Its just feels so strange! You’re always going to be my Transfiguration teacher to me!”
Remy cooes at him and pats Patton on the head, “You are so adorable, hun.” He says, “Come on Bitches! Its cold as balls out here and I’m ready to hear all the juicy gossip you babes have been collecting!”
Virgil is more worried about a muggle peeking out their windows and seeing four teenagers with brooms and long cloaks so for once he agrees with the magic mind reader. The glasses on the older boy's head are mirrored, which makes it hard to tell who he’s looking at, who’s mind he’s reading. Virgil reaffirms his mental walls as he follows the others inside.
The inside of the townhouse looks pretty much like it hasn’t been used in years. There’s layers of dust on everything. Which Virgil guesses is why Remy’s face screws up when Thomas’s hand lands on his shoulder and guides the older boy towards one of the rooms. Remy shrugs his hand off as soon as he physically can, and then brushes the area on his leather jacket that Thomas had touched, like he could wipe the phantom traces of the man off it.
“Vintage Leather, Babe!” Remy doesn’t quite hiss, but it’s a close thing. “No touching!”
Thomas laughs good naturedly and Remy’s snarl fades a bit back to that condescending look that Virgil always associated with him. Roman sneezes three times in succession, and his eyes start watering and he croaks something about dust being the bane of his existence.
“Pardon me,” Logan says to Thomas, “He will be completely unhelpful until this is cleared up. Scourgify!”
It was frankly impressive. At least, to Virgil it was. Patton always got that excited look on his face when someone did magic, and Roman was too busy sniffling and rubbing his red eyes to really watch. Remy rolled his eyes and Thomas smiled at Logan when he performed the charm that left the previously untouchable room into a cozy living room with plenty of space for the six of them.
“Excellent job, Logan!” Thomas said.
(For a moment Virgil feels like he’s back in class and Logan just won another ten points to his house for being naturally gifted at forcing things to shapeshift.)
Logan blushes at the compliment, so Virgil thinks he’s not alone in the flashback.
“Yeah, yeah, he’s great,” Remy bulldozes the compliment and tosses himself on a length of sofa meant for two people. “Its time for the good gossip, girls!”
“None of us are female presenting--” Logan starts, but Remy rolls his eyes and waves him off. 
“What-everrr! Pat come sit with me, babes!”
Virgil wants to drag Patton far away from Remy, but the older Ravenclaw raises an eyebrow at him like a dare. Virgil counts to four and reminds himself that Remy is part of the Order and Thomas is there and even if he is a legilimens that doesn’t mean that he’s going to read any of their minds. In fact, he’s likely there just because he got bored doing whatever the fuck Thomas has him doing.
Patton jumps on the cushion next to Remy and bounces on the seat like an excited child. Logan opts for a spot on the adjacent couch with Thomas, Roman on the floor like a drama queen who needs to be the center of attention, and Virgil ends up perched on the armrest next to Logan’s elbow where he can easily see both the fireplace and the door to the dusty parlor. 
Thomas is a comforting presence, Virgil thinks as the discussion starts. He had been their professor and he had taught all of them and had been right beside them when they were sworn into the Order. He had never been cagey about this past, being a half blood from Hufflepuff who had been there that day that Harry Potter had defeated Voldemort and witnessed all the fighting first hand. He had joined the Order not long after that final battle by tracking down Headmistress McGonagall and subtly asking if there were any alternative plans for if another dark wizard started raising.
According to Thomas he had gotten the job as a Transfiguration teacher less than a year after that and Virgil really never had the guts to exist in the same room as Headmistress McGonagall long enough to ask her if that was true. 
“Remy?” Logan says, after a lull in the conversation, which Virgil, himself, only realizes because Logan’s elbow slides onto the armrest and its dangerously close to touching Virgil’s thigh.
The other member of the Order takes another moment to respond which makes the hairs on Virgil’s neck raise. Remy’s hand is twisting through Patton’s hair so casually and somehow they ended up with Patton leaning heavily on Remy’s shoulder. Virgil thinks it would be weird for anyone else, but Patton likes to touch and its most likely that Logan and Virgil haven’t been providing enough of those touches recently. Remy’s still wearing those stupid sunglasses even though they are inside and its dark in here, but Virgil knows instinctively that he was reading thoughts. 
Probably. 
“Hmm, doll?” Remy says, “Sorry I zoned out when y’all started getting boring. You know me; I just can’t keep my focus on things when theres a cute boy around!”
Virgil wants to point out that they don’t know him, but Patton meets his gaze and Virgil loses the courage to say anything.
Right, they should be avoiding instigating a fight here.
Regardless Roman spread himself out on the ground and sighs dramatically, “I know what you mean, Rem! All these glor--”
“Remy,” Remy says, peering down his nose at Roman, “Its Remy. Or just don’t address me at all, hun.” 
Virgil thinks the whole room is thrown for a moment. Remy’s tone isn’t necessarily icy or cold, and he’s still grinning when he talks, as if they’re sharing a private joke. He twists one of Patton’s curls so gently, it almost looks intimate. Virgil can see Logan’s jaw shift at the motion, and how Patton seems to be unsure if he should be moving away or staying still.
“S-sorry?” Roman says, unsuredly.
Remy smiles at him, with something that’s borderline unfriendly, “Sure, hun. Now are we done here, or are y’all still doing that small talk thing?”
Thomas shifts in his seat, “Actually there is one more thing I want to let you four know about.”
At once he has all of their attentions. Logan who had been talking the most moves to straighten his tie again, and Roman sits back up so he can see the Professor clearly. The room gets a sort of eerie feeling to it, and Virgil swears for a moment that he can see his breath in the air.
“We’ve gotten some suspicious reports about the Dark Lady and her followers.” Thomas says, “I’ve had some suspicions for a while, but we recently got proof-- thanks to Remy-- that the Dark Lady has a time turner on her.”
“A Time Turner?” Logan says, “I thought all of them had been rendered useless after the Battle of the Department of Mysteries when they were all caught in a time loop?”
“Wait wait wait, we’re saying the lady who wants to legalize casual genocide now has the ability to go back in time?” Roman yelped. “Doesn’t this mean all of our possible plans are useless then?”
"I told you, babe!" Remy sings, boredly, "All it would do is worry the poor things!" He rests his chin on Patton's shoulder, which startles a ticklish giggle from the younger Ravenclaw. 
Thomas ignores him, "We're not sure what the implications are if it yet." He admits, "Headmistress Mcgonagall, Hermione Granger, Harry Potter, and Ron Weasley are all discussing the possibilities of it now. I was told to advise you guys of the situation." Thomas gives them each a look, and then he smiles, "Don't worry too much about it, boys. We'll take it slow and smart and we'll figure this out."
Its a pep talk, Virgil realizes. And in a weird way, Virgil guesses he does feel a little reassured.
In another way Virgil's mind tunnels downward towards the forbidden memories of a Slytherin boy who told him two years ago that the Dark Lady possessed a means to turn back time and what both of them had done about that.
Thomas is looking at him, he notes, suddenly. 
"What?" Virgil asks right as his palms begin to sweat, and his mouth tastes like his black nail polish as he forces his hand away from his mouth.
Thomas frowns, "I...well, I assumed that you would find this information a bit more surprising."
Virgil squeezes the sleeves of his jacket. His jaw creaks open, reminding him pathetically of how tense he was. "Well its like you said," he defends lamely. "We shouldn't worry too much. If the Lady already has a Time Turner, we can't do anything about it now."
Remy is grinning at him. Like the cat that caught the canary and Virgil is the very dead canary in this scenario.
“I’m sure I’ll have a break down later and, you know, over analyze absolutely everything.” Virgil hurriedly says. Which maybe isn’t the best thing to say because now Patton’s staring at him with those wide doe eyes that he makes when he wants to wrap Virgil in a hug. Roman and Logan share a look that shows that maybe they aren’t as convinced, but Thomas nods understandingly and doesn’t push it.
He stands up from the couch and addresses Roman, Logan, and Patton, “I trust you three to keep an eye on him, please? Despite the new news, the Order’s decision so far is to continue work as usual. I’ll be in touch if that changes.”
Logan stands to mirror Thomas and offers his hand. “We’ll do our best.”
Which sounds a little strange to Virgil, because really they weren’t doing much of anything. Thomas had tried talking the four of them into going back to school this year but Roman had gotten antsy about the muggle murders and had dropped out to take care of his parents. Logan and Patton would die before being separated from the Gryffindor, and of course Virgil had followed along with them. 
Thomas had set them up with easy jobs and then sent them magical homework via Owl so they were still learning things although Logan seemed to be the only one who was truly excited about more homework. Its enough for now.
Virgil gathers their brooms while Roman breaks into one of his glorious tales of living life in a Muggle neighborhood, followed by Patton make a pun that makes Thomas laugh and Logan groan. When they finally stumbled outside, it’s nearing ten at night and the stars are out.
“Interesting,” Logan states with his eyes to the stars that were just barely seeable behind the halo of the streetlamps. But before Virgil can ask what exactly Logan is seeing in the stars (he had always been the best as Astronomy), Remy vaults down the steps of the house.
“Hey, Badger-boy!” The older Ravenclaw says. He’s grinning again, in a way that makes Virgil’s skin feel too loose, and his palms too slick from sweat, and his mind sing out every protection spell he knows. In the darkness his sunglasses seem even more impractical, and Virgil is left staring at his own reflection rather the other’s eyes.
“What?” Virgil answers, despite the fact he’s not wearing any of his house’s bright yellow and no one had dared call him a badger since he and Dee had put Alfred Hitchcockopolous in the Hospital wing for a day in First Year for it.
Remy laughs. Its the type of laugh that someone gives when their particularly stupid animal does something stupid and has to face the stupid conseqeunces for it.
“Nothing, babe.” He says. “Just wanted to see your face one last time.” He turns to Patton, and flicks his glasses down just enough that he shows off those golden eyes. “Stay adorable, Freckles.”
Then he flashes a peace sign at them and apperates away.
Thomas sends them on their way, with waving hands and farewells and a promise to see them soon. Roman does helix roll once he’s in the air to show off, and Logan berates him for risking the Muggles seeing them, while Patton laughs like an angel beside them.
Virgil glances back at the ground, ignoring the swoop of his stomach at the height difference, to see Thomas staring at the spot Remy had been last with a frown. As if sensing him, Thomas looks up, gives Virgil an unreadable smile, a wave, and then he too apperates away and the street is empty of all the signs they were ever there.
***
“Well that was fun,” Roman hums landing his broom with utmost ease. With a hand through his windswept hair, he turns that charming smile on the rest of them, which somehow still sparkles despite the lack of actual light. He’s a silhouette, a shadow, a half visible fraction, and yet Virgil has absolutely no trouble seeing the full on Roman-ness of the action.
“We have very different definitions of fun,” Logan notes, and turns Roman’s red robes back to a less offensive beige. Virgil bites back a smile when Roman complains about him being petty and uncreative for someone in Ravenclaw.
And if it starts a lighthearted magic battle in the enclosed backyard, well, there are no muggles out at near eleven in their quiet suburban dream neighborhood. In the flashes of red and purple and blue he can see Logan and Roman grinning like fools and he can feel Patton’s laughter reverberating through him when the other boy leans on his shoulder and watches the two quibble.
Its….happy. Virgil is happy.
Watching them like this, watching them laugh and have fun and enjoy themselves, even after they were just told that the evil force they were combating had the ability to change timestreams. They’re so resilient, so optimistic, and Virgil wishes that he could place some complicated spell on the house right here so that they’d never be disturbed and they could just exist like this happy forever. 
But Virgil knows that Roman would detest being stuck to one place for forever and Logan would run out of things to do and turn bitter and Patton would wonder why they weren’t happy anymore and then come to the conclusion it was somehow his fault.
There’s no way to preserve the happiness forever. Virgil spent all of fourth year combing through the books in the restricted section for a spell that he could cast and he had come up blank.
“The best type of prison,” Dee had said, once upon a time, “is one that the prisoners do not know they’re in.” 
“You really think Prince needs to be aware of a prison to want break out of it?” Virgil had shot back.
And Dee had just laughed and flipped the page of his book.
That had been before he had become a Neo-Death Eater, Virgil thinks. Because he hadn’t been wearing the skull clasp on his robes yet, hadn’t started avoiding Virgil like he had contracted Dragon Pox, hadn’t started actually using the mind magic excessively ….
Virgil’s smile slips, and Patton notices almost immediately. “Kiddo?”
Virgil nudges him with his shoulder, “‘M just tired, you know? Talking to people and all that.”
He feels the Ravenclaw laugh softly. Theres a flash of red where the grass by Logan’s feet catches fire, and the other wastes his turn of their duel using aguamenti to put it out before one of the neighbors look out their windows or it spreads to the deck where Patton and Virgil are and then consumes the entire house.
Roman laughs at him. “My house? Are you sure? Virgil’s put so many charms on that thing nothing short of an atomic bomb is going to bring it down!”
Not true, but Virgil feels himself preen at the compliment anyway. He rubs the back of his neck and knows his face is a flushed pink, but its too dark for anyone to make it out.
“Yeah, sure,” He calls to them, “Now, if you excuse me, I’m going to go overthink everything Professor Sanders just told us.”
“Professore Sanders told us--” Logan starts, but Virgil knows that tone all too well and he manages to wave it away.
“I know, I know. Nothing to worry about.” Virgil waves his wand blindly towards the door handle and unlocks it with Alohomora (a spell which only works for one of their four wands). “I’ll see you guys in the morning!”
“Goodnight, Virge!” Patton calls after him, and because he’s a good person he adds, “I’m making french toast tomorrow for breakfast if you want to help!”
“Happy Nightmares, Jack Smellington!” Roman throws in because he’s much less of a good person.
Virgil closes the door behind him. His body leans against it for a second, hearing the sounds of his friends getting back to their shenanigans. He gives it maybe ten minutes before Roman and Patton start up the cheery Hogwarts chants and an impromptu dance routine in which Logan is dragged around the backyard, trying to pretend like he still has dignity.
Its nice. Virgil fumbles through the kitchen, using the light from the magic hall sconces to guide himself down the hall and then up the stairs. The pictures on the walls of the other three laugh and rough house around. Virgil runs his fingers over the picture frames as he walks.
“Get some sleep, kiddo!” One of Patton at a Dragon Petting Zoo from second year tells him.
And Virgil has every intention of it.
He does. 
But he gets to the front of his room and there’s a warmth against his chest that makes his blood freeze. His hand frantically pats his chest, pressing into the warmth, trying to determine if its real or just something in his head, please let it be something in his head, please, please--
Its not in his head. He throws himself into his room and locks it behind him. The lights stay off and he drags the curtains closer together just to make sure that absolutely no one can see inside. Then he crawls into the closet, with his breath coming out in shaky breathes too rapidly to count.
His hands shake too hard to unzip his sweatshirt all the way. It gets jammed by his belly button. The burning against his chest feels like an open flame right to his right pectoral, hissing with heat, demanding to be appeased. Virgil couldn’t have ignored it if he had wanted to. 
He doesn’t want to look.
He looks anyway.
His hand opens the invisible seams of the hidden pocket right over his chest. There are only two items in it, but Virgil drops them both into his lap anyway. He kneads his palms into his eyes and forces himself to take a breath and hold it-- one second, two, three-- which is about as long as it takes for him to remember every lie he’s ever told to the trio outside.
As long as it takes for him to remember whose lives are on the line if he messes up.
As long as it takes for his hands to steady enough to pick up the coin from his lap and for the sudden heat to fade. The closet is doors are firmly pulled closed and Virgil twists his Cypress wand in his hand.
“Lumos,” Virgil whispers scarcely more than a thought. He’s sure that the sound of the dishwasher in the kitchen is louder than his own voice. He’s afraid any louder will make Roman or Logan burst into the room and demand to know what he’s doing and he doesn’t have an explanation, doesn’t have an excuse, doesn’t have an escape.
They’d hate him if they knew.
Virgil hates himself for them.
The coin is a Galleon, but despite the shiny color and the heavy weight, Virgil knows its fake. He made it after all, pouring over the details for most of two days. But it would never stand up to a Goblin; Virgil doubts it would stand up to a normal wizard if they looked for more than a couple seconds at it.
The Protean Charm on it is too strong for it to go unnoticed to a trained eye.
He told the others he collects Galleons with specific dates on them. “A half muggle thing,” He had told Patton who had taken him very seriously and started checking the dates on every coin he came across. Even now, Galleons show up on the kitchen counter with dates of their birthdays and the first day of Hogwarts and the day they would have graduated.
The serial number on the rim of the coin in his hand had changed.
It was a series of four numbers and then various letters that Virgil decoded with a slight glance at-- he had memorized the code and then burned the last key in existence after all, too paranoid to risk someone ever finding it. 
It takes Virgil a second, a moment, a year to understand what date it was. For him to get his brain to work past the dread that bubbling up his throat like a bottle rocket. 
And his breath gets caught in his chest when he does.
It’s tomorrows date.
Its tomorrows date and there’s no time to warn anyone without revealing his source.
Its tomorrows date and someone in the Order is going to die.
Virgil does not have a good night, or happy nightmares, and he most definitely does not sleep at all.
***
“You look like death,” Roman says the next morning when Virgil slumps on the stool at the kitchen counter. Virgil can smell his cinnamon body wash from clear across the kitchen which is entirely unhelpful in the light of things because now he’s thinking about Roman in the shower after his morning run and when there are other things to be thinking about. 
“Gee, thanks Princey,” Virgil says very tiredly.
Patton is cooking bacon to go with the French toast. It’s sizzling. Does all bacon sizzle so loud? It smells so good Virgil might throw up. His stomach feels empty, but the thought of actually chewing and swallowing food makes head dizzy. 
“-rgil, Virgil!” 
Virgil blinks for a second, glancing up from the bacon to see that Logan had somehow appeared next to him.
“You do not appear to have slept at all, Virgil,” Logan says thoughtfully. “If it is about the Dark Lady, I can assure you--”
“It’s not,” Virgil says, which sounds like a lie even to him. 
Patton, Logan, and Roman all share a look. A silent conversation that Virgil feels unnecessarily annoyed to be excluded from.
“What?” He snaps.
“No offense, Helga Hufflegruff,” Roman says, “But its not like you to be this out of it.”
Virgil flicks his wand at the coffee mugs across the kitchen, “I’m perfectly fine.”
“Kiddo,” Patton says.
“The eggs are burning,” Virgil waves him off. And for a moment it works on taking the attention of him. He takes all of one breath, while Patton squeaks over the breakfast and Roman and Logan watch on ready to jump in and help before the fire alarms go off. But the moment passes and he feels the suffocating gaze of his housemates on him again.
Granted he did look awful. The picture of both him and Patton which had taken residency on his desk had winced when Virgil had stumbled from the closet. There’s a crick in his neck that he can’t get rid off no matter how much he rotates his head and his eyes feel heavier than they have any right to be. Screw his eyeshadow, he hadn’t even put any on today.
He was still in his clothes from yesterday, and he was careful to keep his left hand in his pocket or his sleeve, because he had bitten his nails until they bled last night, though if anyone asks he’ll tell them the morning paper Owl had bitten him when he had forgotten to pay it.
“We should do something today,” Virgil says suddenly.
Which is not the right thing to say. At all.
Roman chokes on his orange juice, and ends up spilling more on the floor than he gets in his throat. Patton nearly drops his hot pan in the sink with how quickly he whips around to stare at Virgil.
Logan adjusts his glasses, “Pardon?”
“Are you sick?” Roman blurts out, rasping as he tries to dislodge the last of the juice, “Is it Dragon Pox? Scrofungus? Heartbreak?”
“Heartbreak isn’t a sickness,” Virgil squints at him.
“Additionally how would one’s heart break?” Logan asks, “Unless it was frozen with Glacius by some means--”
“People can die from Heartbreak!” Roman interjects, despite the fact no one suggested anything about dying. Virgil’s stomach churns around and the coffee on his tongue tastes stale at the thought.
“I’m not dying!” He says quickly, hotly. His fingers squeeze his mug tightly, drawing the warmth from the liquid inside it and hoping it covers the coldness that came over him.
“Yes, it seems much more likely that he was affected by the imperious curse,” Logan suggests.
“I’m not under any curse either!” Virgil hisses, “I just… I thought--” He grits his teeth, “I thought it might be nice to get out of the house.”
Entirely. And never come back.
“You never want to get out of the house,” Roman points out.
“Well I do now!”
Logan does that thing he does when he doesn’t believe something-- a mix of tilting his head and tapping his fingers on the nearest surface while his eyes rotate around the surroundings. Virgil likes to think it was a subconscious reaction: he’s actually observing the room for threats so that he could produce a working solution.
Roman summons more orange juice from the fridge and makes it pour him another glass.
Virgil twists his mug in his fingers and chances a look towards Patton. He spent most of the night trying to figure out what to do, trying to figure out what to say, what he could say. He thinks that he turned over every scenario ten times and fought off the nauseous urge to vomit all through the fourth hour that morning.
He thinks that if he can just get Patton to say yes.
He thinks if he can just get Patton to leave the house that he'll be able to keep all of them safe if the attack is at their location.
(Because that's in question too. Its possible that by some blessed fate that the dread and certainty in his stomach does not mean its going to be here thats attacked. Its possible that he's just paranoid. Its possible that when Professor Remus Duke told him he had a natural latent ability for Divination that the teacher was just spouting nonsense like usual. Its possible.)
((Virgil doesn't take chances like that. He won't. Cant.))
"Virge…" Patton says.
Logan adjusts his glasses, "Thomas told us that work should continue as normal. As such, I have several letters I must attend to-- a group in Romania is requesting the Orders help in tracking several suspicious individuals, a wizard in America got apprehended by MACUSA without proper papers, and Thomas asked me to make a list of where a certain wizarding plant can be found and I've received a pile of responses just this morning I have to comb through-- I can't just drop these tasks. Patton has already agreed to help me."
"What?" Roman says, "Why didn't you ask me?"
"I'm afraid that the thought didn't cross my mind," the Ravenclaw admitted somewhat guiltily. "But Patton has a superior knowledge of the wizarding world that I believe would be most beneficial, and-- I mean this with the least amount of offense-- I feel that if you or Virgil were to join us, we'd be more hindered than helped."
"Ouch," Roman says with wounded pride, and jabs Logan in the shoulder. "I cannot believe you think I'd be bad at answering letters! My handwriting is amazing."
"The chicken scratch you call handwriting is atrocious." Logan bats his hand away easily, "but that's not why I think you helping would be counterproductive."
“Its not?” Roman asks.
“Its not?” Virgil echoes with just enough of a teasing tone that Roman turns his coffee mug into a chicken like the disrupting asshole he is. The bird squawks the second its lungs are formed and Virgil drops it the moment the warmth turns from “warm liquid in a mug” to “living thing with a heartbeat he can feel”.
“Roman!” Logan yells, stumbling back to avoid it and crashing into Patton. They both land on the floor in a heap of limbs and cooking utensils. The chicken flaps over them, screeching something awful. Patton’s glasses somehow end up hooked with Logan’s and their faces mere inches apart and brown chicken under feathers in both their hair.
Roman’s laughter almost makes it worth it: breathless and gasping for air, doubled over and wheezing like an idiot.
It only takes a moment before Patton’s laughter joins in with Roman’s, very much sounding like the usual angels on high. Virgil watches the glorious sight of Logan’s entire face turning redder than an Hippocampus skin and immediately transforming himself into in an owl.
Virgil can’t really blame him. If he were hit at point blank by both Roman and Patton’s carefree laughs like that, he’d turn into an Owl too, regardless of if an Owl was his animagus form or not.
It takes Patton three times to turn the chicken back to a mug-- missing twice because he’s laughing too hard to keep his wand from shaking, and once because the chicken is fast-- and by that time Roman’s on the floor with a hand gripping his chest, grin wider than the fucking sun itself, feathers on clinging to his clothes and his shirt riding up his stomach just enough to be a tease. Logan transforms back long enough to move the cup from the floor to the sink, but when he turns around to see the Gryffindor, his cheeks flare back up and Virgil can feel the heat from where he is.
The bacon definitely burns.
Virgil doesn’t really think any of them notice.
He doesn’t even notice until the fire alarm goes off.
Roman groans from the floor and Virgil coughs into his sweatshirt sleeve to hide his face. A sound like that? Even with the background of a shrill alarm and the smell of smoke, it makes the room itself feel hundreds of degrees warmer, makes the whole world seem to fade away, makes Virgil want to plunge his face into a bucket of ice water.
Logan hits the smoke detector with his beak. Patton throws open the kitchen windows, giggling foolishly.
“You’re cute when you blush, Vee,” Roman says from his spot on the floor.
“Fuck off and die,” Virgil tells him.
“Aw, but your little ears!” Roman cooes, dragging himself from the floor like it was some tremendous task. He pinches the air with both his hands like he was supposed to be pinching Virgil’s ears.
Virgil’s hands immediately switch position, covering the tattletale tips of his ears. “Shut up!” He grumbles.
“Not exactly my forte, Virge!” Roman sings, “Just ask anyone!”
Logan does that thing where he lands on a surface and turns back to human, and Virgil gets a front row seat of seeing Owl talons elongate into slender legs that cross ever so confidently as he settles on the barstool next to Virgil. And the way that Logan ever so casually reaches up to loosen his tie just a millimeter?
If Virgil wasn’t blushing before, is now.
(He thinks he likes this version of Logan Ackroyd more: the effortlessly oblivious tease, compared to the bloody knuckled version that so angrily put Virgil in his place in the middle fourth year)
“I can attest to that,” Logan says, with the crease in the corners of his lips that implies a smile being hidden just below the surface, “He really does never shut up.”
“Wh--hey!” Roman gasps,”Patton! Logan’s bullying me!” He drapes himself over the smaller Ravenclaw with a dramatic flare that causes Patton’s whole face to light up. Sunlight bounces off his glasses but his eyes sparkle like the ocean on a sunny day.
“Sorry kiddo!” He says, “That’s just how he is!”
“Falsehood!” Logan calls.
“Losing battle,” Virgil nudges him. Oh god, what just came over him? His elbow feels tingly, like some sort of numbing jinx, but warm and welcome. Logan actually laughs as he straightens himself back on the chair.
(Logan laughs like he’s in a library about to be scolded for being too loud. Virgil isn’t sure what it would take for him to laugh louder. He wishes he had time to figure it out.)
Breakfast comes after that. With Patton severing french toast and Roman spilling orange juice on Logan's plate because the Ravenclaw told him he was putting far too much syrup on his and Virgil convincing Roman to shove an entire piece in his mouth just to prove that he could.
"Really attractive, Princey," Virgil says when the Gryffindor chokes and has to spit out soggy mush.
"You love me," Roman coughs.
"Yeah," Virgil says. It's a mostly meaningless statement. Because Roman thinks everything loves him, because Roman is very loveable, because it's light and witty banter and that's what they do.
Because Virgil’s thinking about the coin in the pocket on his chest, because Virgil is thinking how likely it was for him to be able to pry both Logan and Patton out of the house without a real reason, because Virgil is weighing his friends lives in his head like its just another sucky Arithmancy problem on the homework he put off until an hour before it was due.
And because Virgil is not really thinking about what comes out of his mouth, it comes out honest and true and it takes him three more blinks to realize that Roman is staring at him, with something like akin to...to...surprise?
“What?” Virgil asks, his breath hitching all of a sudden. He was tired but he wasn’t so tired that he could have started just talking out loud-- and even if he had surprise was not the thing that Roman would have on his face. Disgust, maybe. Anger, definitely. What kind of person can look at the people sitting next to him and think about how likely it was for someone on the street to kill them? How could he think about blood purity at a time like this?
But then again how could he not?
“You agreed,” Roman says, a tinge of awe.
“What?” Virgil tries again, because he really doesn’t know what is going on. Logan and Patton are staring at him too, but Patton’s smiling and Logan’s rolling his eyes and they’re tugging Logan’s plate between them in a silent argument of who gets to do the dishes.
“You agreed! About liking me!” Roman says down right giddy.
Virgil’s brow furrows, “Princey, we literally live together. Of course I like you.”
“But you said Love!”
Virgil glances at Patton for help. Patton is enchanting a sponge to wash the cups and is therefore, no help. His stomach does a flop. A flip flop. A flip flop right off a fucking cliff top.
Roman’s face appears right next to his, earnest and full and bright. Virgil thinks its like standing at ground zero of an atomic bomb.
“You never say Love. And I think if I remember correctly the last time you implied you even liked me, it was when Logan tried to cook and you got food poisoning and I gave you a bucket to throw up in.” Roman says. “So this is a big thing!”
Virgil should tell him its nothing, because even with his heart threatening to jump straight out of his chest, and his hands aching to curl in the fluff of his russet hair, and his eyes darting to Roman’s lips which for some reason are still right there next to Virgil’s own-- because even with Virgil thinking of that night years ago when Logan had given him a righteous nosebleed and he had run off and hid behind the One-Eyed Witch Statue on the third floor and had the biggest gay breakdown of his entire life--
Virgil should tell him its nothing because he’s been lying to Roman and Patton and Logan for two years, nearly three.
Virgil should give Roman’s face a shove away and make some insulting comment that will draw out those offended dramatic noises he likes so much.
Virgil should.
“I guess,” Virgil tongue warps around the words without an ounce of his permission. “Don’t go--”
“YES!” Roman hollers over him, throwing his hands in the air so suddenly that Virgil legitimately forgets what he was saying. “This is perfect! Amazing! Splendid!”
Virgil should tell him to calm down, that it means less than nothing. But Virgil threw away his entire life for them: for Roman’s celebratory fist pumping and sparkling eyes, for the quirk of Logan’s lips and the late night sleepy talks about the stars, for the taste of Patton’s baking and the feel of those tight, warm, safe hugs. He wants to dance around the word “Love” and its billions of meanings in billions of languages, because he knows that if he thinks about it for too long, he’ll realize that he loves the three of them in every sense of it.
Which, decidedly, means much more than nothing.
But there’s also that thing.
That thing where Virgil is lying, has been lying, will continue to lie, right to their faces. Which stands to be the absolute worst thing he’s ever done and if he stops it he’ll die a horrible painful wizard death and then they’ll be doubly angry with him for it. 
But isn’t angry with him-- isn’t never wanting to see his face ever again-- better than them being dead? Which is likely what they’re all going to be if Virgil doesn’t do something to convince them to leave the house for the day.
Them, he thinks and then hesitates because its not really “Them”. Patton’s got magical blood: blood so pure it practically glows under his skin and his wandwork is practically flawless. Logan’s got half magic blood, too, which is half more magic blood than sad little muggleborn Roman has. 
The anxious feeling of dread creeps up Virgil’s back, like a dementors fingers ghosting along his spine before it spins him around and gives a soul sucking kiss. Once the thought comes he can’t get it out of his head: the idea that if the Neo-Death Eaters show up here, and they breech the defenses that Virgil’s put up, and they catch them by surprise, the idea that they’d hesitate to hurt Patton or Logan or Virgil, but they’d execute Roman without a thought.
Virgil is staring at Roman.
Virgil is listening to Roman talk about something.
Virgil is thinking about Roman’s corpse lying on the ground in the kitchen, as a green light steals away his life in an echo of two forbidden words.
“Hey Princey,” Virgil says, trying to hide the way his entire body is shaking. “Let’s go on a date.”
Because Roman being angry at him, being unable to ever forgive him, being so enraged he can’t think about Virgil without wanting to put him in St. Mungos, will always be better than Roman being dead and Virgil having not done anything about it.
Roman looks at him and he smiles so prettily Virgil almost thinks he’d be able to forgive himself one day.
***
Virgil has never been on a date before. 
It’s tragic. Embarrassingly so.
If Virgil were watching this broomwreck from the outside, he’d been on the floor in tears from laughter.
Roman bumps his shoulder casually, “Relax, Felbert the Fearful! There are no roofs around to cave in on us.”
The joke doesn’t quite land for Virgil, but he laughs anyway. Roman deserves it, at least.
For putting up with Virgil not knowing the first thing about that how one proceeds on a “date”. He thinks he watched a Hallmark movie on this shit once or twice back before...everything. He thinks that it should have given him some clue how to act, what to say, where to go. But all they do it remind him how completely and utterly bootless he is in the grand scheme of things.
Disney, of course, never really taught the whole “take it slow” sort of thing. And with magic? Forget it. He wonders how Patton’s parents did it, how the famous Weasley’s did it, how any wizard ever did it.
(He supposes that it helped that in most cases that neither partner was hiding a double life behind a cloak of fake memories implanted in the other, but really what did he know.)
They had gone shopping. Kinda.
Roman had gone shopping. Virgil had watched him try on muggle clothes again and again, listened to him complain about prices, and testily remark about color coordinating. He tried paying the girl at the cash register in sickles and Virgil got a good laugh at his face when he realized his mistake. He tried on two T shirts just it looked like he was participating his fair share even bought one, but once it was in the bag he forgot what the design had been.
(He did not forget the way that Roman’s eyes had roamed over him and the way that he had mentioned how nice it would be to see that shirt on his floor.)
Virgil wished his heart was in it, wished that he could get his shoulders to unwind, wished that he could stare at Roman for a few minutes without thinking about what an awful person he was.
They have Ice cream for lunch specifically because Logan is not there to tell them not to. 
It devolves to Virgil splattering Roman’s nose with Chocolate ice cream and only getting half an apology out before Roman shovels a spoonful of strawberry into his mouth. Like a kiss. Indirectly.
Virgil wonders for all of three seconds if Roman’s tongue also tastes like strawberry.
“There’s a music store,” Roman says. “It just opened around the block. I’m sure it has some PG music for you to listen to, Edgelord.”
They hold hands. Virgil can’t tell if Roman can feel him shaking, or if he notices how distracted Virgil in worrying about something he won’t share. The music store is so muggle-like its distressing.
Virgil loves it. The musty smell of the building despite it being brand new, the feel of actual records in his hands, the beats in the background that his head bops unconsciously. Roman makes comments about the artwork on every cover that Virgil flits through, which is impressive because Virgil isn’t even looking as much as pretending to.
Its hard for him to be excited about an album of music when his friends could be in danger.
Its hard to remind himself why he needs to draw out this date as long as he possibly can to make sure that Roman doesn’t go back to the house. 
They catch a movie at the local theater. Virgil doesn’t remember the plot at all because Roman throws an arm over his shoulder halfway through it. Its dark, mostly silent, and Roman smells like cinnamon and ash that somehow is very attractive on him. Virgil leans in, selfishly enjoying the warmth that comes with it.
Virgil’s eyes...close just for a second.
Only a second.
“Hey, Vee,” Roman says, “Maybe we should head home?”
“No!” Virgil snaps awake so suddenly their heads collide. “Ow! Fuck!”
Roman’s pained laughter joins him. The lights are on, now so Virgil must have slept straight through the credits. He wants to curse himself for that one. What if something had happened? What if a Neo Death Eater had tracked them all the way to the theater and crept in during the show?
The ache in his head subsides to a mild annoyance that makes his eyes water. 
“Okay, wow, ow,” Roman says, “If I knew you were gonna wake like that, Stormcloud, I would have done something else!”
Virgil freezes. “What did you just call me?”
Roman blinks a couple times, “Stormcloud? Is that alright? I figured it might be nice to, uh, have a nickname that’s not an insult.” He sounds strangely hesitant, strangely unconfident, strangely not-Roman like.
“Its...fine,” Virgil says and pretends like the name doesn’t strike half a million chords in him. “Totally fine.”
Roman hums like he isn’t convinced. “Yeah well, we should get back to the house. I’m sure, Pat is making dinner.”
“Uhh!” Virgil says, “Or we could not!”
The Gryffindor raises an eyebrow at him. 
“I just, I mean--” Virgil’s not good at excuses. 
“Vee, you literally just fell asleep on my arm in the middle of an action movie. You’ve been unable to focus all day. I have half a mind to think that you only wanted to do this because you’re so sleep deprived that you can’t think straight.”
Virgil doesn’t have anything to say to that. There’s a stain on Roman’s shoulder from where he had been drooling. Roman presses their foreheads together and they both wince where the lumps collide.
“Listen,” Roman says, “I love spending time with you. How about we go back to the house, and throw on a movie and just...cuddle or something?”
Its not fair.
Virgil wants it so badly as whimper builds in his throat. But he doesn’t want to chance it, doesn’t want to risk it, doesn’t, doesn’t, doesn’t.
Roman leads him out the door. 
Its dark outside. Its still not dark enough. The town isn’t far enough from their house, and the longer Virgil is silent the closer they get back to the house. His hands twist in his pockets, his nail rubs over the engravings in his wand.
He needs something, anything, to catch Roman’s attention. Keep him away from the house until the days over and he’s sure there’s no chance that the Neo-Wizard Nazis are going to show up and kill Roman. 
“We should stop at the bookstore and pick up Logan’s order for him,” Virgil suggests.
“Logan just picked up his newest shipment two days ago, remember?” Roman says. “I dropped them and he yelled at me for a full hour.”
“Do we have milk at the house? Maybe we should get some groceries while we’re out.”
“Patton wants to go tomorrow instead. And only he knows the list. But he’ll love if we come with him.”
“A play!” Virgil says weakly.
“Hm?” Roman blinks lazily from beside him. The street lamps give him halo.
“I heard there’s a play going on!”
“There are no plays this week, Virgil.”
“I swear there was one.” Virgil says, “You know we should check just in case--”
Virgil has seen the news on the TV before: he’s seen coverage of car crashes that had lit on fire, of the forests burning in California and the Amazon, of muggle apartment buildings being swallowed entirely from faulty wiring. He’s kept a lighter in his back pocket for the longest time, for emergencies, for those moments when his wand is out his hand and needs to resort to a more unexpected muggle way of defending himself. He’s started tiny fires made of leaves in his backyard, of candles in his moms house when the summer rain storms knocked out the electricity again, of a pile of photos at his feet wiping away any evidence that would allude to what they had done.
Still watching Roman’s house explode is so much more terrifying. The blast of heat burns his body even from down the street. The noise is deafening, but the sight is ghastly: the roof of the building shoots straight into the air and then dissolves apart until its swallowed by the resulting black cloud, the windows break outward sending millions of shards into the surrounding houses, half of that ugly sofa that Virgil had fallen asleep so many times on shattered on the asphalt road barely four feet from the two of them.
Oh, its something straight from a nightmare and it makes Virgil’s stomach violently turnover and his eyes water and his heart jump straight up his throat to the back of his mouth. His limbs freeze at the sight, as if keeping from moving would keep the destruction from following. Flames lick the the inside windows, a thousand twisted toxic tongues that burned brighter than the sun in the night sky. 
In seconds the building is unsalvageable and Virgil’s throat closes up like someone magicked away the very oxygen in the air. 
“Virgil!” Roman yells some a million miles away from him, from right behind him, from beside him with a hand on his upper arm, tight and squeezing and real. “Protego!”
A white shield forms in front of him seconds before a chunk of the TV in the downstairs living room crushes him completely. An arm, Roman’s arm, wraps around him and drags him back from the flaming wreckage.
“Logan!” Roman screams, “Pat!”
And suddenly Virgil snaps back to the present, to the way the noise is louder than life, to the way that they stick out like sore thumbs in the middle of the road. 
“Aguamenti!” Virgil shouts pointing his wand at the the neighbors hedges. He doesn’t remember drawing it or thinking about the spell, but he knows that the family of four that live there just hit a rough patch financially and don’t need to pay for a house on top of that.
By the time he looks back up, Roman is down the street and Virgil doesn’t think there’s a single thing on this planet, magic or muggle that could stop him. So Virgil, the reigning king of making poor decisions in the moment, charges after him.
(Because he knows what this is, know that houses don’t just explode, knows that Roman is about to charge head into battle. He knows that Virgil would never forgive himself from turning tail and running when any of those three are in danger.)
So Virgil-- also reigning king of mistakes and regrets--charges after him with is wand drawn and prays to deities he does not believe in that he won’t see Dee tonight.
There are three Neo-Death Eaters on what used to be Roman’s front lawn. Virgil stumbles at the sight of them, at the sight of their long black cloaks and white theater masks and the skull pendants they wore so proudly. He doesn’t think they can be more than a few years older than him or Roman, but they find another section of the house to use Bombarda on and shriek joyfully when it sends part of dresser into the next door neighbors roof.
Roman makes use of Flipendo Tria on the first one, and clocks the next with his bare fist. Virgil uses Oppugno on several flaming objects (shirts maybe? Logan’s sweater vests?) and sends them wrapping around the face of the last one before she can make any move against Roman. 
“How dare you touch me, Filthy Mudblood!”
Roman punched him again. And then a third time for good measure.
“I may be muggle born, but I’ve never needed magic to fix my problems.”
It would be a good dramatic line if he wasn’t trembling as he delivered it, if Virgil didn’t need to throw protego between him and the guy he had punched because the Neo-Death Eater had managed to get his wand again, if they were acting in a movie this wasn’t real.
Roman snaps the guy’s wand in half and throws it into the fire before sprinting towards the front door.
“Patton!” He yells, “Logan!”
“Roman!” Virgil yells and lunges for him. They go tumbling to the ground, knees scraping on concrete pathway up to the house but Virgil doesn’t notice. He can’t notice, not really. 
He’s too busy imagining Roman as a flambeed corpse, as a crispy unrecognizable mass, as ashes fluttering in the wind.
Roman shoves against him, frantically calling for their friends.
And the smoke robs his throat of any moisture, clogs his lungs with lead laden gases and deteriorates his vision. There’s another explosion (Virgil thinks its the fire reaching the chemical closet in the downstairs powder room) and the force of it knocks Virgil across the lawn. His shoulder slams into the grass with a popping noise Virgil is pretty sure it isn’t supposed to make and his vision goes white for all of a second as his chest flops over and his other shoulder follows in a tumble of limbs. 
When he can see again Roman is right over him. He’s glowing-- kinda. The fire behind him creates a halo effect all over his body. Whatever words he’s saying, they’re lost in the buzz of Virgil’s brain as it reconnects and reboots and the panic comes back.
In the grass by his hand is a burned photo: the one of him and Patton that they took on the staircase, the one he put in his room, the one he kept.
And the fire burned him right out of the picture.
“--irgil!” Roman says, “We have to get up!”
Virgil nods dumbly at him. He tears his eyes away from the picture and grabs Roman’s forearm so he can help him get up. He smells like smoke and ashes and that Cinnamon body wash he liked so much. Virgil breathes it in and chokes on the air.
“We need to get out of here!” He says, “To the Rendezvous point! They’ll find us!”
Virgil isn’t sure Roman hears him at all, isn’t sure that Roman even remembers that they had a rendezvous point for if the base was attacked. But he doesn’t try to go running into the unsalvageable house again, so Virgil thinks that its enough.
(He doesn’t think about Patton on the kitchen floor desperately gasping for raspy breaths pinned under a flaming beam of the house and unable to move. He doesn’t think about Logan screaming as the flames swallow up his pant legs, and his sweater vest and his hair. He doesn’t think about them yelling for them and Virgil dragging Roman away from the fire and leaving them to die. He doesn’t, he doesn’t, he doesn’t--)
Away. They need to get away. Before a Neo-Death Eater shows up that they can’t beat.
Down the street. Virgil’s eyes are watering, his heart is thumping, his thoughts are screaming.
Somehow he still manages to see the enemy before they see him.
Its just that Virgil has absolutely terrible luck. It’s just that the shock makes him forget  Its just that Virgil freezes with half of a hex on his tongue, when his eyes catch on the other figure. Or more specifically, his wand.
Virgil doesnt know a lot about wands, but he thinks he knows more than average. Patton always did have a habit of rambling about his hobbies and wand making happened to be on that list. But even before that, Virgil would know that wand blindfolded: Elm, nine inches, with a rougarou hair core.
And he'd know it by the way it never quite looked like it fit in the hands of its owner.
Said owner, who was staring at him like he was the biggest idiot to ever grace the earth, someone who had been hit with confundgus until he couldnt remember his own name, someone who for some absolutely idiotic reason, decided not to curse a Death Eater the moment he saw one holding a wand at him.
"Virgil!"
Virgil feels the spell blast by him, missing his ear by mere inches. The Death Eater is almost as lucky: the spell hits the black Honda Civic behind him and explodes outward. The Death Eater is launched back towards them rolling across the asphalt, but his cloak took most of the damage.
“Confringo!” Roman shouts again, and another blast of a spell goes out.
"Protego!" The Neo-Death Eater counters and for a moment Virgil doesn't see the shield go up, doesn't see a way for him to escape the spell. 
Virgil grabs at Roman's arm, because it's the only thing he can think to do, and the last half of the flame veer to the side just enough that the enemy can scramble to his feet behind his shield.
"What are you--" Roman snaps, fiery and hot, and demanding of Virgil.
"Adorable!" The Neo-Death Eater cooes at them, "You actually thought those flames could hurt me?"
Virgil feels feverish just hearing that voice. Its a slippery eel of a tone, something sinister and mocking and Virgil knows it too well. So does Roman. So does everyone.
Its the voice he uses when he's scheming, when he's hiding something and wants you to know it, when he's got the upper hand in a conversation.
Its the voice that is undeniably Dee’s, and no one else's.
“Ekans,” Roman growled.
“Guilty as Charged, Prince,” Dee Ekans smiles like snake oil and mistrust, “I take it you saw the Fireworks? They were a bit disappointing for my taste, but then again all things muggle usually are.”
“Sectumsempra!” 
Virgil mouth tastes like ash. Roman’s wand slices the air like a sword, like a knife, like death, and the green spell flies towards Dee faster than Virgil can react. (He knows what that spell does: they’ve all heard the rumors around Hogwarts of the Potions teacher that created a curse that killed from bloodloss, they’ve all heard how it can’t be cured and how Severus Snape took the countercurse with him to the grave--)
Dee throws himself to the side. He’s not smiling anymore, not when the spell shreds the flaming car behind them. His hand moves to the side of his face, the left side of his face, where some part of the magic had skimmed him and left a precise line that welded with cherry red.
Roman raises his wand again, and this time Virgil leaps in front of him. 
“Virgil!”
“Patton, Logan,” Virgil gasps out but he cant remember when he stopped being able to breathe. The world threatens to start swimming so he grabs Roman by the forearms to steady himself. “Patton and Logan.”
Dee hisses violently, “Don’t worry about your blood traitor, Little Raccoon. My father invited him for a stay and when he leaves I’m sure he’ll want nothing to do with you.”
Virgil squeezes Roman’s wrists, but Dee’s face is too proud to be lying about this one.
“Be more worried about the owl.” Dee’s grin came back, a blinding white in the fire of around them. “Last I checked only one wing had been broken, but Mother does move very fast.”
Roman roars and lunges forward, but Dee presses his bloodied fingers to his lips and blows them both a kiss. By the time Roman gets around Virgil, gets close enough to grab the Neo-Death Eater that is Dee Ekans, the Slytherin had twisted up in his cloak and disapparated into a black cloud of smoke. 
Virgil wants to throw up. Distantly he’s aware that there are sirens ringing, and he knows that means that Muggles are on the way.
He should be terrified, but all he can feel is relief. Patton is alive, Dee had said so. He was full wizard, a pureblood, from a pureblood family. He was alive for now.
Virgil grabs Roman by the back of his shirt, “We have to go.”
Roman slaps his hand away, “Why did you do that?!” The flames dance behind him, giving him wings of fire. Somehow his breath his hotter than them. “Why did you stop me from killing him?!”
“We have to go, Roman.” Virgil ignores him, “Logan needs us.”
“Ekans deserves to die!”
“Roman!” Virgil yells, “It’s time to go,” He tugs him towards the end of the road, “I’ll explain later.”
“No!” Roman slaps him away again, “You’ll explain right now! I’m so sick and tired of not knowing what the hell is going on in your brain! Why did you stop me from hitting him? He’s the bad guy, Virgil!” 
“We don’t have time for this!” Virgil says he grabs on to Roman again, yanks him towards the end of the street. Roman fights him every step of the way, smelling like ashes and cinders and charcoal.
“Answer me!”
“You are no good to anyone in wizard jail, Prince!” Virgil snarls back.
“Bullshit!”
Virgil wants to take a swing at him, wants to yank his wand out and litter him so full of spells that he can’t move a muscle until Virgil finds Logan and gets all three of them somewhere safe, wants to cup Roman’s jaw and tell him everything between rough lip-biting kisses.
“You’re always doing shit like this!”
Virgil doesn’t do any of those things. He drags both of them into the community park and the wooden area beyond that. The heat between them blisters his fingers, stinging and burning and telling Virgil that its not worth it. But Virgil is a Hufflepuff, and Hufflepuffs are a loyal sort of people. And really that is Virgil’s biggest flaw.
“Running off, being secretive, pretending to be happy when you obviously aren’t--”
Roman gets a hand under Virgil jaw and shoves him up, up, and away. Virgil hits the ground with this tongue between his teeth and tears threatening in his eyes. 
“Roman!” He snaps, spitting blood from his mouth.
“Whose side are you on?”
Virgil’s body freezes.
Roman stands over him, moonlight shadows painting his face. His wand twists in his hand. He’s always been dangerous, Virgil remembers suddenly, with the effortless magic in his veins and the endless spell knowledge in his head and the whimsical creativity in his words.
“Virgil,” Roman says breathless, and he looks angry. Rightfully so. “The only one of us who would have both the information and the opportunity to give our location to the Death Eaters, is you.”
“What? Why would I--”
“You wanted me out of the house.” Roman says in an accusatory tone that makes Virgil’s blood slow in his veins. “You wanted me--the most powerful of us-- out of the head quarters, for a day of activities you weren’t even enjoying, and on that same day my house is blown up.”
Virgil scrambles to his feet, but he still feels off balanced, “It’s not like that--”
“Isn’t it?” he hisses, “You pestered us all last week about what charms were set up around the house! You said you were adding more! How do we know you didn’t take some off?”
“Because I didn’t!”
“You’re a master at Charms.” Roman snarls, “It would have been a sinch!”
And Virgil doesn’t know what to say to that. His hand slips into his jacket pockets, just barely resisting the urge to go for the hidden pouch over his chest that’s numbly cold--
Roman shoves his wand at him. “No! Hands out of your pockets, Storm.”
“What?”
“You heard me!” Roman said, stepping around him, like he’s some dangerous wild animal and Roman is the hunter come to put him down before he hurts another innocent person. “Did you or did you not give information to the Death Eaters? Did you tell them our location so they could kill us?”
“Roman!” Virgil takes a step back, his hands come out of his pocket and he starts wondering if maybe he should have been reaching for his own wand, after all. 
Roman looks angry; he looks like the fire that had eaten up his house. His hold on his wand is so tight, Virgil can see the red oak wood threatening to split. Small sparks dance at the edge reacting to Roman’s anger. No muggles would be out here in the woods, and the neo Death Eaters should still be dancing around the bonfire of the house. The only person who would come was possibly Logan, and they didn’t-- Logan wasn’t-- 
There was no one to stand between them, or direct attention away. For all intents and purposes they were alone in the world.
“That date was just a ploy,” Roman growls, “A ploy that I fell for!”
“No!” Virgil wants to list all the reasons why it wasn’t just a ploy.
But that of course isn’t the problem here. The problem is that it was a ploy in the first place. It was a ploy that Virgil made and took advantage of Roman to get him to follow in it.
Virgil tongue feels swollen, and he isn’t thinking. He knows he isn’t thinking. Because the next thing out of his mouth is the biggest mistake he’s ever made: “When have I ever done something to purposely harm you guys?”
 “I don’t know, maybe every single school year up until fourth year--”
Roman stops. 
Blinks.
“Every single school year up until…” He repeats, and Virgil feels the cannonball of dread in his stomach swell until shoves its way up through his lungs and up his throat. 
He’s imagined the way it happens a million times. Each one worse than the last, each one dangerous and bad and terrifying. Still the sight of Roman’s copper eyes turning purple and the light that drifts off him like an angelic aura is worse than all of them. Its his nightmares, come to life, and it’s staring at him with a murderous expression.
“Roman?” Virgil whispers, and maybe there’s a faint hope there that he’s wrong and the spell over him hasn’t broken and Virgil hasn’t lost the only thing he’s had for the past two years. 
“These are false memories,” Roman says. It feels like a slap in the face. “Why are there false memories in my head?”
Virgil’s mind tells him to run, and to run fast, but his body doesn’t move an inch. Not even to breathe. Roman had effortlessly used Sectumsempra against Dee, and Virgil is weaponless against him. He needs to get out of there, before either of them do something they’re going to regret. 
But at that moment there a sound of something tumbling through the branches above them, and Virgil looks up out of instinct. 
Its an owl, and it looks like it hell. Virgil lunges to catch it before it hits the ground, because even in the moonlight he’d know that white and brown and black pattern anywhere. 
“Logan!” Virgil calls, slightly more than horrified because he’s no owl expert but he’s pretty sure owls wings aren’t supposed to do that. There’s blood too. Virgil doesn’t know what to do with blood like this. “Roman! Roman I need--”
He stops when he sees the the other hasn’t lowered his wand. “Roman?”
“Avada--”
Virgil doesn’t hear the end of it. All he sees is the green light and then… 
And then there’s just darkness.
***
Dee had told him on the first Train Ride to Hogwarts about the Sorting Hat. 
“It uses Leg-ili-men-cy,” Dee had said holding up identical Chocolate Frog Cards with Salazar Slytherin on it “Thats a type of magic. It reads your thoughts and figures out where you’d best fit.”
Virgil had been so happy to be a Hufflepuff. He had never thought it was going to end up being a death sentence. 
***
“-nnervate.”
Virgil blinks his eyes open groggily. His whole head feels a bit like it was stuffed with tissues, like that Christmas that he spent sick out of his mind and Dee had shown up in the fireplace with more pumpkin pasties than he could carry and sugared butterfly wings for his mom, like that time they had hung out over the summer when Dee had wanted to practice for his position as Beater on the Slytherin Quidditch team and Virgil had dragged out his old baseball supplies only have Dee accidently beam him in the head on the first throw, like that time when Roman had cast a killing curse at him and Virgil hadn’t even tried to move out of the way.
And suddenly the fogginess of his head gives away to absolutely panic and its the cold type that surges through his veins freezing over his muscles and making his lungs work over time for air that only comes in every third heave. Its the panic he remembers and hates because its only happened once before and that was the worst day of his life.
He needs his wand.
His hand doesn’t even reach to his chest, not to mention across his body to the inside of his left boot where he normal keeps it. It takes him a moment to realize its not his lack of coordination, not his lack of focus nor disconnected thought process struggling to comprehend what was going on: his arm was being prohibited from coming forward by a rope.
Whats more is that when Virgil looks up too slowly putting together the pieces, Roman is standing over him with Virgil’s wand in his hand and an angry look on his face.
It feels like a nightmare; one of his worst ones yet. Its the version where he can’t wake up. The one where Roman has his wand and he’s been dragged somewhere he doesn’t recognize (the woods? Some woods somewhere?) and he’s been tied up because they can’t trust him and--
 And Virgil can’t figure out why he’s alive at all.
He knows what curse Roman sent at him. The bad taste in his mouth and the tingling pain in all of his limbs shows he knows it. The object anger in Roman’s expression is just further confirmation.
And yet, Virgil’s still alive, his pulse fluttering like a pixie’s wings as he desperately tried to come up with an excuse, an explanation, something that he can say that wouldn’t get him killed.
“Hey, Storm,” Roman says with a mockery of a smile that makes Virgil flinch. When was the last time he called Virgil by his last name? Fourth year? “I’m glad to see you alive.”
“Ro- roman,” Virgil gasps. He presses his back against the tree as if he can melt into it. The rope scratches at his wrists. Roman leans closer, and he’s always been taller but its never been threatening until now.
“Wanna tell me why there’s a bunch of fake memories in our heads?” Roman suggests with the end of the wand.
Virgil can’t tear his eyes from the tip, the glowing red that lies there ready to spark whenever Roman wants it to. Virgil’s watched Roman do spells for years; he knows how easily magic comes and flows through him and a wand. Even if it wasn’t through his own wand, he rarely ever messed up.
Is that what happened? Roman made a fluke with the killing curse and now Virgil was still alive when he should be dead?
Virgil’s tongue sticks to the roof of his mouth. Pulling it off will probably make his mouth bleed.
“That was not a rhetorical question, Virgil,” Logan’s voice says icily from beyond the wand.
Virgil pries his eyes away from the wand, to where Logan is standing half turned away, with his arm in a makeshift sweatshirt sling and his clothes rumpled and blood crested. There’s a table in front of him where he’s looking at several things with his good hand and his wand is sticking out of his deep pocket like it was just another day out of class. A breeze blows through the trees.
It looks like it should be a happy place.
Virgil doesn’t think he’s ever been so terrified in his life.
“I-”
Roman looks at him impatiently. “You-?”
He wants to say he doesn’t know, but thats a lie. He knows why there are fake memories in their heads, has known for nearly three years. He’s known and lied and he’s so sick of lying.
But if he doesn’t lie, he has to tell the truth.
And the truth will kill him. Literally. Virgil can feel the stinging pain of his forearm, the burning warmth that he isn’t sure his brain is just making up.
He squeezes his eyes shut pressing his back against the bark of the tree he’s tied to. His voice is quieter than the breeze through the leaves. “I can’t.”
“You can’t?” Roman scoffs, “Did you hear that, Logan? He says he can’t tell us.”
Logan doesn’t answer so Roman lunges forward to grab Virgil by the front of his jacket and hauls him to his feet. Virgil’s knees threaten to give out but he forces himself back against the tree again, getting as far away from the Gryffindor as he can. 
(He still smells like ashes, like smoke, like death and danger, and an enemy--) 
“I can’t believe you, Storm,” Roman snarls at him, “All this time you were pretending to be our friend, pretending to be more than a friend, and then you turned right back around and fed information to the neo wizard nazis? Who does that?! Other than you, apparently?”
“It’s not like that!” Virgil wishes he kept silent. His eyes are burning with the desperate need to stop the tears from falling, but he doesn’t think he’s been doing a good enough job.
“Tell me what its like then,” Roman challenges.
And Virgil’s mouth snaps shut. His tongue tastes like blood again. His whole mouth tastes like blood.
“His jacket,” Logan says distantly. “He never goes anywhere without that jacket.”
Virgil’s chest constricts, “No.”
Logan glances back at him, then at Roman and without even saying a word they both nod.
“No!” Virgil squirms back into his hoodie, as if he can make himself smaller or make the jacket stick to his back. “Please! Roman!”
Virgil had been smart when he made his jacket. He had been smart when he shielded it with charms to ward off rain and mud and soda. He had protection against cuts and scrapes and fire. Honestly Virgil could charge into battle with nothing but his jacket and most likely come back unscathed from the amount of spells he put on it.
But he's not stupid enough to think that between Logan’s endless knowledge of spells, Roman’s creativity in making new ones, and their combined level of determined spite, that his charms would do anything more than delay the inevitable.
It takes them twenty minutes.
Virgil’s wand flicks in Roman’s hand and then Virgil is left shivering, tied to a fucking tree, begging uselessly for them to stop. His jacket phases right off him, like it was made of some ghost material that existed in a secondary dimension where they can see it but not touch it. Virgil doesn’t understand beyond the fact that its wrong. 
“Accio,” Logan says.
His jacket-- the one his mother had bought him, the one that he had painstakingly stitched back together after every adventure with Dee, the one that he had enlarged every time he had outgrown it because that jacket was his safety blanket-- his jacket sails right towards Logan and lands over Logan’s broken arm’s shoulder.
Virgil’s voice is raw. “Guys, please. Stop--”
They don't stop.
Virgil almost wonders what his life would be like if they did.
“Logan,” Virgil repeats, “Logan, please, don’t--”
“Specialis Revelio,” Logan says ignoring Virgil entirely. His wand waves over Virgil’s jacket. And Virgil can’t tear his eyes off the interior pocket he had charmed away from normal eyes, that glows red in response to Logan’s spell. 
Logan doesn’t even look at him as he flips the jacket over and tears the patch open. Maybe if he had he would have hesitated, even just a little. Roman crosses his arms, squeezing Virgil’s wand in his hand. Virgil shakes his head, blinking back those unhelpful tears, and the whimper thats climbing up his throat.
“What is he going to find?” Roman demands.
Virgil wishes the rope was just a bit longer, just enough that he could bring his hands up to his ears and block out the accusatory tone.
Logan pulls out the Galleon, and rubs it between his fingers for a moment. Virgil’s breath catches at the sight of it, his dark bangs tumbling into his eye sight and his gaze losing hope when Logan says quietly, “Coin Collecting.”
 He doesn’t sound surprised. He doesn’t sound like anything.
“There’s a Protean Charm on this.” Logan says in that same cold tone. “And the date on the border...this is yesterday’s date.”
Roman snarls, oh god, he snarls. Virgil’s chest seizes at the sound. He’s been crying for the past several minutes but that's nothing compared to the absolute dread that floods over him.
“It’s not like that!” Virgil says, “Guys, please!”
“Isn’t it?” Roman growls, “Who were you talking to?”
“I wasn’t--”
“Roman.” Logan interrupts, and Virgil’s stomach drops out.
Because he knows what's in Logan’s hand now, what can make him take on that face, so pale, so horrified.
He knows deep in his heart that the past two years were never going to end quietly but this is something worse. This is his nightmare, this is the scene that keeps him up at night, keeps him terrified of falling asleep and risking seeing that sort of expression on their faces, except this time there is no gasping awake, no pinching himself until his vision blurs and he’s staring up at the ceiling of the guest bedroom in Roman’s house.
Roman’s hands shake as he takes it from the Ravenclaw, that single little paper, worn with age and love and desperation folded into eighths and hidden in his pocket a million times over. 
“You--” Roman says, and, oh god, those brown eyes rage with a fury so much like the fire, full of so much hatred, that Virgil feels it from where he is tied up. Roman can’t finish the sentence, and that’s as scary as what else he could have said.
Its a picture. The picture.
Its thirteen year old Virgil and thirteen year old Dee and its Virgil biggest mistake.
“You’re still friends?” Roman’s voice shakes just like his hands.
“Its not what you think!” Virgil repeats like a broken record, his eyes burning, his voice begging, “Please it’s not--”
Roman rearranges the two wands in his hand and flips the picture around and pinches the top on either side of the fold and gives just a quick jerk of his wrists--
“ROMAN!” Virgil screams. “NO! Please! No, please don’t!” 
And the picture--
He thrashes against the bindings, and the sound he makes is not human. Its a scream, its desperation, its absolute terror and panic. His eyes blur with tears, and his lungs beg to be allowed to inhale again, and his arms are sticky with blood and burning around the wrists where his movements caused the rope to slice his skin and, and, and.
And all Virgil can see is that picture in halves on the ground between them. One half him, one half Dee, and their winter scarves twisted together so that the yellow and green are on both sides and their arms linked just enough to show off those handmade sweaters.
His knees go weak and Virgil ends up on the ground, without being able to drag his eyes from the way Dee had smiled four years ago and never again.
“Repario,” Virgil whispers desperately, despite the fact he doesn’t have a wand and he’s never had enough skill to perform wandless magic. “Repario, please, Repario.”
His chest heaves, shuddering his entire frame with the pleading gasps and wish, wish, wishing the halves back together because despite the fact that he knows the picture like his own face in the mirror, he needs it to not be torn apart, not be ruined, not to be unrecognizable.
“Please, please, pleasepleaseplease,” Virgil sobs, “Please don’t... take it from me...please Repario, Logan, please!”
He tugs on the bindings again, and his head drops to his chest, vaguely aware that he’s soaked and shivering and this is the longest he’s gone without his jacket since he was ten, and that he hasn’t cried this much since he had last hugged his mom and she had said that she was proud of the man he had grown into and the friend he would die for. 
“Why should we do anything for you?” Roman demands, “You got Patton-- he’s-- and Logan’s arm--” Roman blows his breathe out of his nose like a Chinese Fireball, “You’re a Death Eater!”
“I’m not,” Virgil hiccups, “Please, I swear!”
Roman’s foot slams down on the pieces of the photo and grounds them into the forest floor.
Virgil blubbers his way through another series of pleading that falls on deaf ears. His fingernails dig into his palms, sticky with blood from his wrists. He tugs uselessly at the rope again, as if it had somehow become loose in the past three seconds. Snot runs down his chin, and salty tears burn his eyes and irritate his neck where he can’t wipe them off. His shoulder blades ache, but its really nothing compared to how the cavity in his chest seems to gnaw at him from inside.
Then Roman is right in front of him, dragging him off the ground by his shirt collar and forcing Virgil to meet his gaze and the tip of a wand, Virgil’s own wand, digging into the soft flesh under his jaw.
“I’m sorry, I’m sorry, please, stop, I’m sorry--”
“Shut Up!” Roman snaps.
And Virgil’s mouth closes, but the whimper escapes just enough that Roman gives him a violent shake. The back of his head hits the bark of the tree, and Virgil remembers those hands that had held him as they fell asleep on the couch with movies playing, those hands that had caught him when he fell off his broom in sixth year, those hands that had pulled him out of the way of the Whomping Willow-- those same hands were very capable of of crushing his trachea without magic at all.
Roman backs him up until he’s pressed against the tree and Roman is the only thing holding him up. 
“How long have you been feeding information about the Order to Dante Ekans?”
Virgil whimpers.
“Tell me!”
“It’s not like that,” Virgil hiccups, “I swear Roman--”
“Don’t swear to me!” Roman’s fist tightens, “You and that snake put false memories into our heads! You made us believe that we were friends for who knows how long! I can’t believe we trusted you! I can’t believe I really thought--”
He lets out a breathy laugh, that’s void of the warmth he’s known for, “So tell me how long you’ve been a traitor, Storm, or I’ll leave you here for the wolves to enjoy, bite by bite.”
“I--” Virgil squeezes his eyes closed but it does nothing to relieve the feeling of being burned alive by the other’s eyes. “I’m sorry I can’t...Roman...p-please you...have to believe me.”
“Give me something to believe!” Roman hisses between his gritted teeth, the wand jabs him in the jaw, but the whatever magic Roman’s trying to produce won’t come out because its still Virgil’s wand and unicorn hair cores are as faithful as they come.
Roman throws the wand to the side and instead hooks his other hand on Virgil’s collar. “I haven’t heard a single reason why I shouldn’t believe you aren’t a Death Eater or why we shouldn’t leave you tied up right here.”
God, if Virgil wasn’t terrified before, he is now. Because he’s lost a lot, and he was prepared to lose some of it, but he’s never been alone. He’s never not had someone to have his back, never not had someone to remind him what he was fighting for. The idea of Roman and Logan simply apperating away and abandoning him in the middle of this forest by himself causes his lungs to stutter in complete horror.
He doesn’t care if they hate him. He doesn’t care if they keep him tied up, or frozen over with petrificus totalus, just as long as they take him with them.
“Virgil!” Roman yells, and Virgil flinches, at the loudness of his tone, at the closeness of their bodies, at the sharpness of his canines. He’s got to be delirious from terror, because he’s pretty sure Roman’s eyes are rimmed red and there’s lift in his voice that sounds like he’s pleading for the truth.
Virgil doesn’t know how else to apologize to him, so he says the same words again and again and again.
Then all at once he feels it.
The feeling of someone shoving their hand directly into his brain, ripping apart the muscle at each wrinkle. There’s no precision to the attack; its bloody, and violent, and unpracticed. Claws that thrash and slash and its not like Dee’s soft touch. And that alone triggers Virgil’s urge to vomit.
The walls come on instinct: practiced instinct, muscle memory. They’re strong and thunderous and built out of critical necessity to protect and defend. The claws scratch at the barricade dragging along the stone like it can out run Virgil’s ability to set it them up.
“Virgil,” Logan’s voice comes from somewhere far away, strained, tired. He doesn’t say to let him inside, but Virgil can hear the unspoken words.
Of the two of them Dee had always been better at Legilimency and Occlumency. He had to be. Virgil wasn’t great at either, but they had practiced every night for a year, and then Virgil had done it by himself in the following years, and that had to count for something, didn’t it?
“S-stop!” Virgil sobbed, “Logan!” His hands yank the rope again pulling as far as they can but he can’t get anywhere near his own body, much less where Roman is holding him up.
“Let him in.” Roman commands, “Virgil, let him in!”
Logan isn’t a practiced Legilimens. In fact Virgil bets he’s barely done this more than twice, and even then he needs to use a wand for it. He’d get tired long before Virgil’s walls would come down.
Virgil blames his own unstability. He blames it on the rising feelings he’s harbored for Patton and Logan and Roman and he blames it on Dee leaving him with them. He blames it on the feeling of Roman’s skin so warm on his own freezing, on the touch of Logan in his mind which disregarding the raw, rough edges of the claws, still feels like the raven haired ravenclaw and Virgil still wants to hoard those touches and keep them for himself. He blames it on the fact that he’s wanted to tell them for years now, and that he doesn’t want them to hate him, and, and, and. 
And Logan’s claws leap upward and Virgil’s walls are a second slower then they should have been.
Virgil feels his throat burn with his own stomach acids and memories flash by his mind’s eye, tearing them apart as it goes, searching ever so violently for the memory that explains why Virgil is the way he is, as if his whole life hasn’t been building to this outcome.
Virgil snatches them away from Logan, snatches and stashes and saves those tiny bits behind secondary and tertiary walls before Logan can get to them. Again and again and again until Logan is bruised and battered and Virgil can’t breathe and they’re standing in--
The living room he grew up in. His pictures on the mantle with both him and his mom and three of them emptied where the pictures stolen away. The coffee table has three mugs of tea on it and magazines about the city and the remote that was missing a battery because Virgil had stolen it to put in his secondary Xbox control earlier. 
His mom is there, hugging him tightly, “I’m so proud of you, my little storm cloud. I’m always going to be proud of you.”
Virgil tackles Logan out of that memory. 
Grocery store. Virgil’s been staring at the cereal for five minutes. His wand is in his boot, and his hands are in his jacket. Clenched into fists.
“Pardon me, young man? Would you mind helping me reach the great value box up there?”
Mom. She smiles at him. She doesn’t know him. 
“Yeah, sure. This one, right, Ma’am?”
Another person, a shadow from the end of the aisle, No, no, no, not here-- 
Virgil locks the rest in a black box. Logan doesn’t fight it.
“Don’t you dare try to take this from me, Ekans!” 
Anger. Angry. A challenge. Mistake. Mistake. Mista---
“Lo--Logan!” Virgil gasps. 
“Nasty little fates,” The professor mutters, “Nasty indeed. Do you know what Alstroemeria flowers represent?”
“Logan!”
“Face each other! Grip your right hands!”
“Please!”
Fourteen year old Dee is staring at him. Their hands are clasped tightly, and thin stream of red wrapping around their fingers weaving them together. Professor Remus’s wand doesn’t shake. Virgil doesn’t hesitate.
“I do.” 
Virgil goes limp in Roman’s arms. Seven feet away, Logan stumbles back further, tripping over a tree root and hitting the ground almost as hard as Virgil does. Maybe harder with that broken arm of his. Virgil’s not sure from how intensely his own body shakes trying to get rid of the vile feeling of someone else being in his head. 
He lets out another sob, yanking on the rope and falling as far forward as he can. Roman’s embrace isn’t comforting, but its something. His throat feels dry and eyes burn and he wants to get his hands on that pesky time turner that caused them to do all this just so he can stop himself from ever being born in the first place.
“You--” Logan says. He’s pale, paler than before, paler than paper, paler than the ghosts at that stupid castle. “You made an Unbreakable Vow.”
And whatever slim reserve, whatever dignity, Virgil had left, breaks and he’s gone.
(Next Chapter)
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tyrantisterror · 5 years
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Oh Fuck I’m TV Troping: A Short & Incomplete List of Bad Girls
Since that whole post about Bad Girls and Compassionate Male Heroes kinda blew up and the discussion just... isn’t stopping, I’ve been thinking of this trope a lot and uh, I guess I’m gonna list a bunch of examples of it since I’ve kinda been doing it already and it’d be nice to have them all in one spot I guess.  Gonna put a cut because even though I don’t want to make a huge list, I still think this is gonna be long.
4 Tried and True Bad Girls -  the following fit the archetype as I roughly defined it here pretty much to the letter.  Of course, the thing about archetypes and tropes is that you don’t have to hit every single detail to still “count,” but it’s good to have a baseline.
Jessie
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A member of an international crime syndicate, a notorious thief, and a recurring antagonist for the hero, Jessie from Pokemon is an excellent example of the Bad Girl trope because if you remove female pronouns while describing her, she basically fits the stock Bad Boy traits to a T.  Aggressive and arrogant?  Check.  Prone to violent outbursts?  Check.  Intensely jealous of people who seem to have it easier?  Check.  Hidden tender side and tragic backstory?  Check.  Also she’s one half of the greatest romantic couple ever portrayed in fiction - and her counterpart is a compassionate, sweet-natured guy to boot!
Ryoko
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I’m not going to fill this up with anime examples (though I probably could - Bad Girls are much more common in Japanese media), but I couldn’t resist including Ryoko, because she’s not just a Bad Girl - she’s a PIRATE, which, if my grandma’s collection of romance novels was anything to go by, is an incredibly popular occupation for a Bad Boy to have!  More than that, she’s a space pirate, the plunderer of countless worlds, wanted by the space police force and considered a villain of legendary power.  More than that, she can wield store brand lightsabers, shoot lasers out of her hands, and even spent a good chunk of time as a mummy!  Ryoko’s personality is pure Dashing Rogue, the Bad Boy Girl who’s definitely a scoundrel but, maybe, just maybe, the kind of scoundrel who’s got a good heart.  She definitely pines for love and an amount of stability, though she doesn’t want to stop traveling the stars as a boozing adventurer who gets into the most ludicrous scrapes.  Everything about Ryoko plays up the ideas of a Bad Boy romance with the flair for drama and fantasy that a space opera can provide, except the Bad Boy is a girl and the sweet ingenue heroine is a boy.
Ryoko is who you wish Jack Sparrow would be.
Faith
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Faith was introduced as a second Slayer in Buffy the Vampire Slayer, which was the result of magical shenanigans that suddenly rendered the whole “there can only be one slayer at a time” rule kinda moot.  Ok that’s an extremely abbreviated summary and it’s really more complicated than that but I can already feel the non-Buffy fans falling asleep so let’s stay focused.
Since Buffy is, y’know, the main character, Faith was brought on to be her foil - an example of what Buffy wasn’t, but possibly could become.  And since BtVS was a horror dramedy, Faith wasn’t a GOOD alternative - she was, explicitly, Buffy’s dark counterpart, from her brunette hair to her heavy and darker makeup to her rad leather jacket and, as the show frequently said, “slutty” wardrobe.  Faith was more violent, more sexual, and more apathetic to others than Buffy was, and holy fuck did the show just hate her for it.  Almost every character in it treated her like shit, with her sexuality in particular being a sticking point for many of them.
Faith is particularly interesting because she differs from Buffy (and the female cast at large) in almost the exact same ways that the show’s main Bad Boys, Angel and Spike, differed from its male characters - more violent, more sexual, darker clothes, etc.  But while Angel and Spike get a great deal of sympathy from the narrative, Faith... didn’t.  I mean they kinda sorta gave her some eventually, but most of it played out in the spinoff Angel, and the other characters continued to hold a grudge against her.  Faith isn’t just an good example of the Bad Girl trope - she’s an example of how the reaction to Bad Girls differs from the reaction to Bad Boys, despite them being almost exactly the same.
Vriska Serket
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OH FUCK IT’S HOMESTUCK
Ok, everyone still hates Homestuck, so I won’t belabor this point, but Vriska Serket, who is infamously the most divisive character in the entire story, is absolutely a bad girl.  Arrogant, ruthless, abrasive, with a tragic backstory, a desire for both compassion and redemption, and a truly ambitious schemer, she ticks so many boxes and OH SHIT SHE’S ALSO A PIRATE.  Like Faith, Vriska was in a story that had a lot of examples of Bad Boys too, and while the fandom fucking HATES Vriska, her Bad Boy counterparts are nowhere near as divisive, with one of them being extremely popular despite being a clown who murders people.  The other one explicitly wants to commit genocide, literally saying almost exactly that, and is also far more well liked.  WHY IS THIS?
But enough of the homestucks!  Let’s move onto some...
Borderline Bad Girls - these ladies don’t fit the trope quite as neatly, but I still think they capture the jist, or at least used it as a base before experimenting in different directions.  They are, at the very least, closer to the Bad Girl archetype than its sibling tropes, the Badass Heroine and the Femme Fatale.
Jessica Jones
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I’m just gonna talk about the Netflix incarnation of this character, as I have not read the comic books featuring Jessica Jones and thus cannot comment on them.
The only real strike against Jessica Jones is that she isn’t a supporting cast member, like pretty much all other Bad Girls are.  She’s the protagonist, the titular main character.  That’s a unique honor for a Bad Girl to have!  Otherwise, she fits - hard drinking, abrasive, rude, surly as hell, but with a tender heart, a tragic backstory, and a desire for redemption.  Hell she’s even wearing the Bad Girl leather jacket.
Morrigan
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Ok, we’re straying a bit far here, but I’m going to try to make a case here.  Morrigan’s rudeness and abrasiveness isn’t quite as bombastic as the standard take on the Bad Girl trope - she actually phrases things very politely and speaks very softly most of the time, and is generally cordial to people when they are cordial to her.  It’s the content of what she says, rather than the way she says it, that sets most people off.  There’s also an odd naivety to Morrigan’s interactions that isn’t immediately noticeable because her vocabulary is so, well, verbose.  She doesn’t make the “ill tempered thug” impression most Bad Girls make when they’re first introduced - she instead comes off as very sophisticated yet oddly ignorant of the civilized world, which is a very different starting point for a Bad Girl.
BUT!  Morrigan’s character arc follows the rough path of a Bad Girl.  She verbalizes a lot of callous and cruel ideas about the world when you first meet her, giving the impression that she is some sort of sadistic monster.  It’s done in a very different way than the standard Bad Boy/Bad Girl, but it has the same effect - you are led to think this girl is a Bad Person very early on.  And yes, to some extent she is - but, just like any other Bad Boy/Bad Girl, her actions later on show that’s not all there is to her, that, even if she isn’t aware of it, there is a loving core to Morrigan - she wants to be good.
Like most Bad Boys/Bad Girls, it’s eventually revealed that Morrigan’s childhood situation was NOT GREAT, and that she has been the victim of abuse and some very bad parenting.  A great deal of her wickedness isn’t inherent to her, but something she was indoctrinated into - and, in TRUE Bad Boy/Bad Girl fashion, love, especially romantic love, makes her doubt her view of the world.  It begins to break apart, and she gradually learns, to her confusion, horror, and eventually, hope, that there is another way to live - a better, kinder way.
One might argue that Morrigan doesn’t fit the Bad Girl trope, but another villainous female archetype instead.  For instance, one might say she is instead a Femme Fatale, since she dresses all sexy like and whatnot - but Morrigan doesn’t really seduce people all that often in the narrative.  Early on in the first Dragon Age game you have an option to ask her to seduce a guard, and Morrigan not only reacts in disgust, but instead horrifies the guard into letting you by instead (because Morrigan is great).  The only time she does seduce someone is specifically to keep the main characters from an otherwise inevitable death via a dark magic ritual - and yes it does feel ridiculous to type that out, but 1. it makes more sense in context and 2. I think the ridiculous circumstances of this seduction kinda illustrates why it’s not really a core character trait of hers, which is why she doesn’t fit the Femme Fatale mold.  Likewise, while one could say she fits the idea of a Vain Sorceress... well, other than being pretty and using magic, Morrigian really doesn’t.  She’s not motivated by preserving her youth, and doesn’t really seem to care much for traditional beauty standards at all if her conversation with Leliana is anything to go by (though she does meet them anyway because, well, Video Games).  Morrigan doesn’t really fit any villainous female archetype perfectly, but if we accept her as a Bad Girl, she makes for a particularly interesting example.
Hexadecimal
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Straying further!  Like Morrigan, one might be tempted to put Hexadecimal in the Vain Sorceress or Femme Fatale archetypes instead, but again, like Morrigan, she really doesn’t act like either of those two despite being a sexy lady who uses magic for villainous ends.  Instead she’s defined by being the sort of superhero/action adventure cartoon variety of “crazy,” which isn’t based on any real mental illness, but rather an excuse for her to cause a lot of mayhem for no real reason.  Unlike most “crazy” villains, though, Hex’s insanity is treated with sympathy by the narrative and the main hero - while most people would be willing to write Hex off as someone they’d rather live without, Bob, the hero, continually tries to reason with her and help her overcome her madness.
Most people wrote her off as a lost cause, but the hero showed her compassion.  There’s smackings of a Bad Boy in that.
As the show goes on, Bob’s compassion for Hexadecimal is repaid with her own affection, and she slowly turns from villain to hero out of a desire to not only keep Bob safe, but make sure he’s happy - and she comes to realize he can’t be happy without the people he loves.  Hex becomes a truly tragic and noble character towards the end of the show, as she knows Bob will never reciprocate her romantic affections but still remains on his side anyway, even saving the lives of people who argued against saving her.  A villain who seems like a frothing mad dog, only to be turned into a hero after the compassion of a hero makes them realize the value of human life?  That’s is SUCH a Bad Boy arc.  Hexadecimal may not fit some of the aesthetic trappings of the Bad Girl archetype, but her arc fits it perfectly.
Harley Quinn
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When she was first introduced, Harley Quinn wasn’t a Bad Girl so much as she was, like, the perky love interest of a bad guy.  She wasn’t given enough focus and agency in the narrative to really fit the Bad Girl archetype.  However, in recent years she’s been retooled a bit to work independently of the character she was designed to orbit, and as a result she may be our second example of a Bad Girl protagonist.  She’s a supervillain, or at least was, and was in league with one of the worst at that.  She’s loud and aggressive in combat, has a big bombastic personality, and revels in living an anarchic lifestyle.  But, as her solo series shows, she does have a good heart deep down, adopting stray dogs and helping out fellow weirdos who have been left behind by a world that doesn’t give a damn about them.  Harley Quinn is and has always been defined by her desire to be loved, which is very much a Bad Girl sort of trait - especially since that desire often leads to her acting out, just as most Bad Boys and Bad Girls act out because, ultimately, they haven’t been shown enough love.
Plus a lot of her modern designs add a leather jacket, and it just seems that once a girl wears a leather jacket she has at least a 70% chance of being a Bad Girl.
Azula, Mai, and Ty Lee
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I had no idea where to put these ladies and whether or not they fit this archetype, but I felt they had to be noted because they’re very well known examples of complicated female villains who don’t fit the Femme Fatale archetype at all, which in turn makes them feel like pretty good candidates for Bad Girl-dom.  Azula probably fits the archetype the closest, though you don’t see her desire for compassion until VERY late in the series (where she is, sadly, too far gone to get her redemption).  Mai comes in close second, though her sullen demeanor oddly fits the Badass Heroine a bit better.  And then Ty Lee... Ty Lee... I mean she’s like an even sweeter and kinder Harley Quinn, she hardly even counts as a villain except she works with the bad guys... I don’t know what we do with Ty Lee, guys.  Ty Lee’s just her own thing.
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dietaku · 5 years
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Amazing Quest 2: Chapter 1
The sequel to Amazing Quest. Honestly, I think this one is better.
-Controls-
Have you played an SNES-era JRPG before? Then you already know this.
-Cast-
Dood Z. Ma--
Wait, you haven't played an SNES-era JRPG before? Sigh. Okay then.
-Controls-
Control Pad – Move your characters or your cursor around, select things, etc.
A Button – Check/Speak/Confirm. You'll be using this a lot for obvious reasons.
B Button – Cancel. In battle, you can set this as a shortcut for Defend.
X Button – Open/Close Menu. In battle, you can use this to shortcut to your items menu. In the strategy guide, it lists this being used to launch things called the Push-of-War and the Dynamite Trigger. This is clearly not true, and has since become memetic in the fandom, where newcomers with questions that should be obvious are met with jeering posts of “Use the Dynamite Trigger!”
Y – Hold to dash on the overworld. In battle, this shortcuts to the Skill/Spell menu.
L/R – Rotates party members in order either back or forth.
Start – Pause the game. Also, in certain circumstances, unpauses it too.
Select – Opens the world map. Runs a 1/8126 chance of showing a pixelated green and black scene of Dood talking to some old man with a beret, who tells you to “SEEK DA TROOF”.
-Cast-
Dood Z. Male
Element: Light
Class: Pudding Warrior
Weapon: Swords. Four to be exact.
Special: Pudding Morph
Dood, as later side materials would go on to reveal, is the descendant of Hiro from AQ1, though with Pudding powers not dependent on the presence of others. Guess eugenics lost the bet on that one. Dood, like all AQ protags, can transform into the powerful Pudding Forms, but his have three-turn limiters where his MP is rapidly consumed away, however, this can be prolonged by feeding him MP restoration items. His stats are bolstered very, very high during this period, and can thus be a very potent character if built right.
Deliost Nu Toruble Element: N/A (Fire after her mid-game Time Wasp shenanigans) Class: Magic Student Weapon Type: Spoons Special Technique: Magical Assault
The quiet, reflective princess of Toruble, who is kept locked away from public viewing, due to her ever-growing chimeran traits (manifesting as kawaii cat eats and tail). She is a powerful offensive magic user, who only grows more potent as time goes on. However, she personifies the phrase “glass cannon” and has very low LP and Con scores for the duration. Also of note is her impressive figure, which I'm sure is an ancillary detail (You perverts.)
Kylie
Element: Earth (Default Form); Changes with Form
Class: Womanticore
Weapons: Variable Tail (Equippable Genes)
Special: Multi-Form
Kylie the womanticore was the result of a “DiY Womanticore Kit” project launched by the recurring miniboss fight, Balzac, who ended up escaping her captivity and mastering a life in the forest. Kylie is a “build your own” character, where she can equip up to three genes at a time, one in the “Head” slot, one in the “Body” slot, and one in the “Leg” slot. Her default form has middling stats and only a few skills it can learn on its own, but once she learns a skill from a particular gene, she will retain it forever, even if the gene is unequipped later on. Fans really like her, for... multiple reasons. Don't look! She's only 2 years old!
Genki Sake
Element: Wind
Class: Cat Thief
Weapons: Hair Clip
Special: Steal
Genki is of the kunoichi tribe (presumably of some relation to Kimyawa of AQ1, but that's just fan speculation), and strives to be the greatest cat thief of all time. In a very literal sense even, as her suit includes cat ears and a cleavage window you could lose mid-sized dogs in. Her weapons are hidden in plain sight, as she uses his hair clips as both weapons and tools of her trade to unlock doors and chests. When she's on point, she'll even automatically disable traps and she'll stop before running over trap floors. She has high attack and speed stats, but somewhat lacking in defense. And, to put the obnoxious fandom argument to rest, Sake is her family name and Genki is her given name. Now, stop fighting about it!
Chester D. Beaver
Element: Water, yup
Class: Beaver, yup
Weapons: Fish Guns, yup
Special: Spray, yup
Chester is quite an odd bucket of fish – literally and metaphorically. Being of the beaver tribe, he has a rather distinct means of punctuating most of his sentences, and as a mob boss over the beaver crime syndicates (which exist, apparently) he commands respect in such social circles. His spray attack allows him to make his normal attack target all enemies, which calculates damage akin to how all-hitting magic spell variants are done, and his bizarre fish gun series of weapons is always a joy to see in motion. He has high, all around stats, but very few skills to his name until almost at the endgame.
Deima the Immortal Element: N/A Class: Furry (Just Kidding) Weapon Type: Staves Special Technique: Magical Genocide
The eccentric and powerful chimera sorceress and eternal Pudding ally, Deima appears once more as a secret recruit you can find at around the midgame. She learns spells much faster and much earlier in the game than anyone else and has, bar none, the highest magical potency of the game and the biggest MP pools of any of the party, in particular her Hissatsu Zeikei Suki attack. Her field ability will also turn any animals you can hunt into burnt meat automatically, so, try not to use it!
Jaydea Varas Schoen Element: Dark Class: Pudding Noble Weapon Type: “Heaven's Blades” Guitars Special Technique: Regal Pudding Form
The Penultimate boss of AQ1 returns thanks to her gift of eternal life bestowed on her by the Goddess of Destruction. She retains her insane Pudding form, the Figgy Pudding Queen, and her love of Rock n' Roll. If you go out of your way near the tail end of the game and get her her fez and a Black Cow, you can have her join you, doubling your effective Pudding-related firepower. She has a stat build not unlike Dood's, but a heavier emphasis on defense, presumably reflective of her immortality. She does not want for offensive options, though, and will hold her own quite handily.
-Chapter 1: I'm Born! ~ Lone Idiot & Cub-
The game starts with a narrator speaking over a black screen.
Narrator: Nearly a century has passed since the legendary Hero-King of the Puddings sealed away the wicked goddess, Hulst.
JeffCom's translation team was not on point here. She was called Halst in the first game, Hulst in the second, and it wasn't until AQ3 where they finally got her actual name, Holstein, in the game correctly.
Narrator: When the red star appeared in the night sky, people called it the “Eye of Calamity” and said it was an omen of dark things yet to come. The people were without the heroes of legend and uncertainty took deep root in the tumultuous times. As a result, the Church of Sethan became home to many, seeking peace of mind and a road to hope, but not all was as it appeared to be.
Then, the image of a deformed skull appears on screen, in the center of what should be the forehead is a large, pulsating eye.
???: ****! Be careful!
Skull: I shall bring forth my revenge. Your efforts to stop me are in vain!
???: Oh yeah?! EAT THIS!
The Skull gets a large slash across its face. Uh, skull. Whatever.
Skull: Insolent Puddings! This is the will of the very stars themselves!
???: This is too dangerous! It's destabilizing!
???: But we're so close, ******! We can stop it now! ???: There's no time. Go on without me!
Skull: Trying to escape?! I won't let--
???: NOT WITHOUT A FALL GUY, BITCH! GLADIATOR!!! Skull OH SHIIIIIIIIII--!!!
The screen whites out then comes back in, late in the evening as some young boy in ragged clothes, with four sheaths around his belt stumbles into view.
Boy: … Huh? Wait... where...? Oh, I don't feel so good...
The boy shakily takes a few paces before falling flat.
Boy: Ungh! My face is in the dirt, isn't it?
The boy lies there for a moment as a well-to-do girl walks on screen, clad in a yellow ribbon and matching dress.
Girl: ! What?!
She hurries over to him and, for a moment, looks like she's going to help him up. Instead, she whips out a stick and begins poking him in the head.
Girl: Hey, are you dead?
Boy: …
After a moment of this, an elderly man in a suit, identified only as Butler, walks over.
Butler: I see. M'lady, allow me, if you would.
The butler, quite violently, kicks the boy.
Butler: WAKE UP, TWERP! THE LADY HAS DEMANDED YOU ACKNOWLEDGE HER!
Boy: OH GOD, THAT WAS MOST CERTAINLY ONCE SOMETHING VITAL!!!
The boy leaps awake and steps away from the two.
Boy: What was that all about?!
Butler: It's rude not to reply to a lady's inquiry! You vagabond!
Boy: Your... mom... is a bag of bonds...
Girl: What's your name?
Boy: I'm Dood.
Girl: I'm Deliost. Want to be friends? Dood: Sure, why not?
Deliost: Fantastic! Daddy always said I need to make some friends! And the last time I tried to make some, it didn't pan out so well.
Dood: Why not? Differences in hobbies?
Deliost: No, I tried to literally make them. Like build them. Out of straw and rocks. My therapist says I'm making great strides, though!
Dood: Great...
Deliost: I don't really get to go out and do much. Even when I do I have to stay close to the castle.
Dood: There's a castle? Deliost: Indeed. I am the princess of the kingdom of Toruble.
Dood: … What's a Toruble?
Butler: Shall I teach the boy a lesson, m'lady? Deliost: Please, do.
The Butler socks Dood in the face, knocking him out cold.
Deliost: BUTLER?! Butler: There. Lesson learned.
Deliost: I meant open a history book and tell him about the Toruble Kingdom! Butler: Oh. … Bully. Now I just feel silly.
The scene fades out, then returns with Dood laying in a bed.
Dood: Boy, I sure hope I get to maintain consciousness for longer than 10 minute intervals today. That'd be swell.
Deliost walks in.
Deliost: Dood, are you okay? Dood: I'm fine. I think.
Deliost: That's a relief!
A tall man in regal splendor walks in.
King: And this...? Deliost: This is Dood. You said I could keep him!
The King goes to Dood and eyes him.
King: You'd better take good care of my little girl, you got that? One step out of line and--
Dood: Sir. I'm pretty sure I'm like 10 years old. Probably. 10-ish.
Suddenly, some guards rush in.
Knight: Y-your highness! Monster attack! King: What you say?!
The scene cuts outside, as we see a knight get knocked down by some munchkins.
Knight: No!! Knight 2! He was the finest mind of his generation!!
Dood suddenly rushes outside.
Deliost: Dood, what are you--?!
Dood: It's fightin' time!!
Dood leaps into battle with the munchkins. This works as your tutorial, with the game briefly explaining Attack, Defend, Skill, Item, and Flee options that any RPG veteran should be very familiar with. If you try to flee from this battle, the munchkins hold up a pistol to a teddy bear's head and Dood insists it would be unjust to leave it as-is. But as Munchkins die to one attack each from Dood and his high offense build, it'll only take a moment. If you ignore the tutorials for Defend, Skill, and Item, and keep attacking, the game will let you do so, but scold you for not paying attention.
Dood: Hyaaa!!
Munchkins: Run away! Run away!!!
Deliost: Whoa, Dood... that was so brave! How did you do that?! Dood: Oh, it's easy.
Dood takes out one of his swords and points.
Dood: The pointy end is the business end.
Deliost: That's... not what I... okay. Sure. Alright.
Knight: That was incredible swordsmanship! Who taught you? Dood: … Um...?
Knight: You... do have a teacher, right?
You then get a prompt...
My parents!
My Master!
The Sun!
What's a teacher?
If you select My parents!
Dood: My parents!
Knight: Who are you parents? Dood: …
Tears well up in Dood's eyes.
Dood: Uwaaaaaaaah! I'm an orphan?!
Deliost: You didn't know that until just now?!
If you select My master!
Dood: My master! Knight: Who was your master?
Dood: … My Master. Obvs.
Knight: Yes, but what was his name? Dood: Mr. Ster.
Knight: You don't remember his name, do you? Dood: No.
If you select the sun!
Dood: THE SUN!!!
Deliost: What?
Dood: I stare into the sun and it fills me with power! Deliost: Dood, you really shouldn't do that...
If you select What’s a teacher?
Dood: … What's a teacher?
Deliost: Something you appear to be in dire need of...
Knight: … Well, your skills are undeniable! Maybe you should take up some work at the guild!
Dood: Work sounds good. Then I could buy MORE SWORDS!
Deliost: Um! Um! Yes, Dood, let us go and do good by the people!
Deliost grabs Dood's hand and pulls him off-screen as the knights idle. The camera soon catches up to them on a small dirt road.
Dood: Where are we going so fast?
Deliost: Anywhere! Now's our chance to get out and get away from the castle for a bit! C'mon!
Dood: Um. Okay!
You're then whisked away to FirstTown, where you're free to go around and talk to NPCs at your leisure. Here we can find a basic item and weapon shop, alongside a place with a sword and shield icon, wherein lies the guild and the plot. Inside is a lady in a dirndl is stationed at the counter.
Woman: Welcome, I am the guild stewardess. I'll post side miss-- I mean-- important jobs that you can accept here at the counter. In fact, there's a guild location in every city of the world, and due to our lightning-quick messaging services, we can relay information and jobs from all over the world to any location in a very convenient fashion!
Deliost: Ooo. What kind of work can we do here?
Dood: I wanna kill a dragon.
Deliost: Dood... do you know what a dragon... is? Dood: No, but I know I wanna fight one! Stewardess: No dragon slaying today, but I do have this. This might be a good test of your abilities.
Dood receives quest: find lost dog.
Dood: A lost dog?! That's... the saddest thing... I ever h-heeeeeeeeard!!!
Dood bawls.
Deliost: I had no idea you were so in-tune with your emotions, Dood! You're kind of like a puppy yourself...
Dood: I am? Deliost: Yeah. Like one of those small ones that never really gets terribly smart, and sometimes pees the floor out of excitement, but they mean well.
Dood: Aww, that's nice of you to say!
Now we can access the nearby inn, or leave town and see the world map. We're sort of stuck on a linear path for the time being, but we ultimately need to head to the north, near the mountains, but I wouldn't recommend going there until you're level 3 or 4, just to be safe.
Dood: I think it went this way!
Deliost: You can determine where the dog went... how?
Dood: Well, it's easy. To find a dog, you gotta think like a dog.
Deliost: You can do that? Dood: Watch me.
Dood gets down on all fours.
Dood: Woof! Woof! Barf, barf, barf!
Deliost: …
Deliost puts a hand to her mouth, trying not to laugh. You're then free to explore the mountain road. As you do, you'll see a deer munching grass.
Deliost: Dood, wait a sec.
Dood: What?
Deliost: Look there.
Dood: … Is that a dragon? Deliost: … Huh? No! Dood, it's a deer.
Dood: I'm-a kill it anyway.
Deliost: What?!
You then gain control of Dood and you're prompted to tap “Y” when near the deer, which you can sneak up on if you time it right. Dood will slash with his sword, turning the deer into large, cartoon meat on a bone. Deliost does her best impression of The Scream as Dood picks up and presents the meat.
Dood: I killed a dragon! Deliost: Uuuugh... I suppose hunting is a way to get supplies when our coffers are low... but... oh, Dood...
Now, when a random encounter concludes, there's a chance, depending on what map you're on, that a hunting event can occur, where you can kill some wildlife to get items. Dood hits with his sword, and will usually yield a meat, an item that restores health usually, and Deliost throws a small spark of electricity which is good for taking down small birds which Dood can't hit. As you go through the cave here, there's a healing spring.
Deliost: This is... it is. If we drink this water, it'll refresh us, body and mind. It's just like a good night's rest, Dood. … Dood?
Deliost looks over. Dood is shirtless.
Dood: So, we bathe in it, right? Deliost: KYAAAAAA!!! PERVERT!!!
Deliost gets a violent nosebleed, then smacks Dood in the face with her spoon. This sends Dood careening back into the wall.
Dood: BARF!
Dood and Deliost learn their first dual skill: Dood Toss, where Deliost swats Dood in the back, hurling him into the enemy for large damage. From here, you should grind at least a little, then proceed to the end of the cave. As you exit the cave, be sure you save, as not far from the entrance is the boss. Dood and Deliost walk a bit before the creature crosses their path. It's a duck with horns and large, pronounced feet.
Dood: Is that...?
Deliost: It is! It's a--
Dood: DRAGON!
Deliost: Dood! No! It's a Jackoduck!!
-Boss Fight!-
Jackoduck
LP: 500
MP: 100
The Jackoduck is strong, only because it's HP is very high compared to what you're likely used to at this point. However, it doesn't have many abilities of note, mostly involving its Duckaphony attack, which will hit you both for small damage. If you heal as needed, there shouldn't be any issue here, especially as at level 6 Deliost gets the first lightning spell, which deals good damage against it.
-Boss Fight!-
Dood: Whew. That wasn't so ba--
The Jackoduck gets up and bites Dood's arm
Dood: Oooooh nooooo! Deliost! Shoot it! Shoot it!!! Deliost: But it's still connected to you! Electricity will--
Dood: I don't care! Just shoot it! Deliost: Well, okay.
Deliost raises her hand as a massive storm of lightning drops down on Dood and the Jackoduck.
Dood: BARF!!!
The Jackoduck explodes and Dood drops.
Dood: I killed a dragon.
Deliost: Sigh...
You're then free to leave the mountain and you'll exit on the other side, whereupon you'll find... a frog.
Frog: Ribbit.
Dood: Is it--
Deliost: It's not a dragon, Dood!!!
Dood: No, obviously, it isn't.
Deliost: Oh, thank goodness...
Dood: It's the dog we've been looking for! Deliost: Say WHAT?!
Dood got... dog? Now we can head back to FirstTown. Once there, go to the guild.
Dood: We saved the dog! See? Frog: Ribbit.
Deliost: I'm sorry, he's slow on the uptake.
Stewardess: Ehn. Seems legit. Here's 500 currencies.
Dood: Yay!
Deliost's jaw falls and hangs open.
Dood: What next? Stewardess: Nothing right now, I'm afraid. But if you're curious, there's a new monster battle ring in the west where they've got a really neat lineup for the Monster Girl Festa.
Deliost: The... what?
Dood: Sounds kosher. Let's go!
You then can travel westward and enter into Corset, the mini-town that surrounds the coliseum area. Inside, you can't actually access the coliseum, due to a huge herd of people clamoring to battle with the monster girl champ, Balzac. Everyone in this town will tell you that to be anybody in this town, you have to win big at the coliseum, and that if you don't have one, a few stray monster girls run wild in the forest. You can tell this was a 90's RPG, as this, alongside a noteworthy minigame in AQ1 was wildly lambasted by Amelia Sardinian as the reasons why JeffCom+DTK and all its affiliates should, and I quote, “die horribly”. Anyway, we can go out into the forest and enter a little maze area where the enemies just love to spam poison as an ailment. The Mushroom Men, Dire Sparrows, and Vorpal Earthworms are indeed annoying, but if you brought lots of antidotes with you, it shouldn't be awful. At the end of it, you'll reach a clearing, where something considerably larger than you is leaping around the canopy, circling you.
Deliost: I don't think we're alone, Dood...
Dood: How can we be alone when there's two of us?
Deliost: I mean there's someone else here with us, Dood!
Dood: I didn't see anything.
The shadow blazes overhead again.
Deliost: There! Didn't you see that? Dood: Sorry, I can't see anything. I'm busy checking my eyelids for cracks.
Deliost grabs Dood's head and yanks it so he's looking up, just in time for the shadow to ninja past them again.
Dood: Whoa! There's someone here! Deliost: No, really?!
The shadow leaps down before them, revealing a curvaceous monster girl with large claws, long hair, and a long, scorpion-like tail.
Dood: It's...! It's...!
Deliost: Dood! Do not say “Dragon”!
Dood: … I'm still gonna think it.
The woman roars.
-Boss Fight!-
Womanticore
LP: 800
MP: 300
This is your wake-up boss fight. She follows up almost all her attacks with “Waffle Iron”, where she strikes with her claws after her normal attack, or she'll use “Mode Change” where she'll change color and use an elemental strike. She also has a huge pool of HP by comparison to anything we'd encountered. When her health dips below 25%, she'll give up using Waffle Iron, and grab one of your two characters with her tail, immobilizing them until the other hits her a few times, forcing her to drop them. This can be super frustrating, so heal early, heal often.
-Boss Fight!-
Monster Woman: Graaaaa--!!!
She falls.
Dood: I KILLED A D-- I mean... nothing.
Deliost rolls her eyes. The Monster Woman suddenly begins flailing, pounding her fists, feet, and tail up and down on the ground.
Monster Woman: Nooooo! It's not faaaair! I'm so hungry! All I want is a candy bar! But all there are to eat out here are bunnies and squirrels and they're TOO CUTE TO EAT! And the berries, good lord, the berries empty me out!!! A-bloo-bloo-blooooo!!!
She begins crying, with exaggerated anime water fountain tears and everything.
Dood: I can safely say I was not expecting that.
Deliost: Oh dear... maybe we should apologize to her?
Approach and speak to her, but all she does is continue her tantrum, reiterating how much she wants a  candy bar. For now, we have to leave and return to FirstTown's item shop, which just got a fresh batch of Candy Bar items in, which we can buy on the cheap. For zenny vs. healing, candy bars are actually more economical than mundane potions, amusingly enough! Anyways, take at least one and go back to the Womanticore.
Monster Woman: W-w-what do you want? Sniffle. Hic.
Dood: Here!
Dood gave her the candy bar!
Monster Woman: … Ah! A candy bar?!
She hurriedly unwraps it, break it in half, and feeds half to her tail and eats half with her mouth.
Dood: … Pssst! Deliost! She just ate that with her butt! … Does she poop out her mouth?!
Deliost: You're not whispering, you know. She can hear you just fine.
Monster Woman: I'm Kylie. Who are you? And why are two little kids wandering around the forest?
Dood: Oh, this is Del-- Deliost: I'M ENKI AND THIS IS DOO... uhh... DUDU!
Dood: … Huh?
Deliost: (Dood! I'm a runaway princess! We can't just go around telling everyone who we are! They'll take us back to the castle if we do that!) Dood: (Yeah, but, why do I have to be Dudu?) Deliost: (You started talking about pooping out your mouth, so it just popped into my head!)
Until it says otherwise, Dood is listed as Dudu and Deliost is listed as Enki, even on the menu screen.
Kylie: How... old are you two? Dudu: I'm... 10-ish? Yeah, let's go with that.
Enki: I'm 11.
Kylie: Hm. Well, I clearly have to be the adult here, seeing as I'm 2!
Dudu: That makes sense! Enki: It... doesn't really. But we can just tell people she's 20 and they'd believe it...
Kylie: I'll go with you! That way we'll be safe!
Kylie joins! She is a customizable character, who starts with three copies of the “Womanticore” gene. As you get more, you can customize her, which changes her Head (her hair and horns), her Body (mostly her arms and color palette), and her Legs (which alters her legs and tail). This has made her very popular, as some late game combinations can be game-breaking, due to any gene being able to slot into any of the three options. Her starting skill is Roar, which ups one character's offense for a few turns. At this point, we can return to Corset and the crowd huddled around the door to the coliseum has dispersed. Inside, we can now register for the battle!
Receptionist: I see. Entering the Monster Girl battle with this Womanticore, eh? Well, if you want to do so, you'll need to pass our preliminary match against our director of monster resources!
Dudu: Kay.
Kylie: Me?! But aren't there younger, prettier monster girls you'd want to enter?!
Enki: Actually, I'd be legitimately surprised if there were any monsters here younger than you...
Now we can head over to a small dungeon-like room, to find a horrifyingly muscular man, whose head appears to be too small for his frame.
Dir. Of MR: OH YEEEEEEEEEEAH! Dudu: … I think I peed myself a little in reflective terror.
Enki: Me too.
-Boss Fight!-
Director of Monster Resources
LP: 500
MP: 0
This guy is a joke boss, if his LP didn't tip you off. He just shouts “AGE?! SEX?! LOCATION?!” at you and punches, which barely does any damage. There's literally no reason you should lose here if you're trying.
-Boss Fight!-
Dir. Of MR: OH YEEEEEEEEEEAH!!!
Dudu: I guess we passed?
Kylie: Yay!
At this point, you're invited to speak to the manager, July.
July: Ah, the new rising stars here to challenge Balzac, I presume? Dudu: I don't know why but the answer is “Yes”!
July: Lucky you, your opponent is a girl, so it'll be easy! Kylie: But... I'm a girl too... what's that have to do with anything?
July: Well, the truth is... the outcome is already set.
Enki: What? The fight is a farce?!
Dudu: And it's fake too?!
July: The cruel up-n-comer, who wants to win at any cost... slowly tortures her enemy... and kills her for the sick entertainment of this crowd! … I expect very high ratings.
Kylie's face goes pale, as her tail turns downward and actually vomits.
July: There is no way you will lose, Dudu. During the battle's climax, we will fire poisoned darts at the enemy monster. She will die and you will win. The ratings will explode through the roof as the old champ is unseated, and we will become very, very rich...
Dudu: We... uh... need to... go... place... now.
July: Be sure to get your advanced payment from your locker room!
Go there, and you'll get 1000 zenny. Immediately head out and deposit it in the bank, then return and try to go into Balzac's prep room.
Dudu: Balzac! Balzac!!
Enki: Dudu, what are you doing? Dudu: We have to warn him! We have to protect his monster girl!
Balzac: I can't sign autographs right now! I'm, uh, preparing my girl for battle! Y-yeah, that's the ticket.
Kylie: It's no good. We'll have to do something else.
Kylie paces back and forth as her tail scratches her head.
Kylie: Ah! I got it!
Kylie's tail snaps like fingers as a light bulb lights up over her head.
Kylie: Dudu, let me borrow your coin purse!
Dudu: It's a coin pouch.
Kylie: Now's not the time to argue over your fragile masculinity. Hand it over!
Dudu gave Kylie all his money.
Kylie: I'm gonna get two antidotes. When I fight his monster, we'll both take one and then we'll be safe! Dudu: Great idea!
Enki: Be honest. You're taking all his money so you can stock up on candy bars, aren't you?
Kylie's tail nods.
Kylie: No! … Yes.
She hurriedly walks off screen.
Enki: Aren't you upset?! Dudu: Not if she gives me one!
Enki: Ugh...
You then take over as Kylie solo. At this point, you now have two antidotes in your key items, so you can get your money back and do any prep you need to before the fight. When you're ready, go inside and go to to the arena floor. There, a huge crowd excitedly cheers. Opposite you is a strange, cyclopean cat girl creature.
Kylie: Hi! I'm Kylie!
Monster Girl: Hmph! You're goin' down!
Balzac: Yeah! What she said!
-Boss Fight!-
Cat-oblepas
LP: 600
MP: 800
While Cat-oblepas (ugh, the puns) lacks the raw hitting power of Kylie, she has the ability to turn her to stone for one round with her “Cat's Eye” technique. In itself, this does no damage, but it gives her an opening to hit you before you can act again. If you leveled her a bit, Kylie should have the “Lick Wounds” skill which restores HP to one target, and is generally more efficient than the healing items you'll have access to at this point. This is a war of attrition and you'll be going back and forth and sometimes the random off-chance that is Critical Hitting or Counter Attacking can shift the tide, resulting in some infuriating lucksacking scenarios. Just be patient and you'll win!
-Boss Fight!-
Dudu: Kylie! Knock her out! Quickly! Enki: What he means is SHOVE HER OUT OF HARM'S WAY! The way he's saying makes it sound useless and vague, as she's already unconscious!
At this point, you have a few moments to act and push the KO'd Cat-oblepas out of harm's way. If you do, Kylie immediately chugs an antidote (one for her tail, one for her face) and presents a hearty thumbs-up to the player. If you don't, she force-feeds an antidote to Cat-oblepas and drinks one, but faints and you'll have to take on the next boss without her. Either way, this event gives Kylie her first customizable gene – Poison! The next scene is just the party walking to July's office.
July: What's the matter? You didn't like my script, Dudu? Dudu: MY NAME IS NOT DUDU. I AM DOOD.
Enki: Because that's so much different...
July: Come at me, bro, I'm fekken ripped!!
July bursts into smoke as the boss fight cues. An amusing point, Dood's name in Japanese is read as “Doo-dii”, so what he's actually screaming is “I AM NOT DOO-DOO, I'M DOO-DII,” because apparently JeffCom has 13 year olds as writers.
-Boss Fight!-
July
LP: 1200
MP: 500
If there was really a battle that you run the risk of losing in chapter 1, it's this one. He hits like a truck, can use Waffle Iron, can hit the entire party with ice damage, and also, you can accidentally end up fighting him and be a party member-down! So definitely come here with Kylie. Deliost should also have her fire spells at this point, which you'll want to use liberally here, as they'll do maximum damage against this guy. Dood should stick to attacking, and have Kylie use whatever buffs she has at the ready when you arrive. If she's a sufficiently high level, she should have “Proud Cry” which ups defense, which Deliost should definitely have cast on her. This guy doesn't have any weird tricks or gimmicks. It's just a heavy clash of titans here. Do your best.
-Boss Fight!-
July: N-no way! My script... run through the shredder?! Impossible...! B-but don't think for a second that just knocking me down will stop our God's wrath!
Kylie: You try to murder and deceive, yet speak of God?! What deity does one as sick as you worship?!
July: BARF!
July explodes.
Kylie: … I wasn't expecting that.
Dood: Wow. July was a real monster over his profits! Deliost: That joke sucked!!
And you then leave, concluding Chapter 1!
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madamhatter · 1 year
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LIL BEARY GUY 
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tagged by: @fakepriest​ ( lovingly borrowed! ) tagging: you! 
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madamhatter · 1 year
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What's your role in the tragic play?
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desperate narrator 
this story is a cycle, and you’re spinning around it like a hamster in a ball being tormented by a cat. you know how this story ends. after all, you’ve told it a thousand times. but you try to change it every time. you love the people in this story more than anything. so watching them fall victim to the narrative breaks you in a way you can’t begin to describe. but all you can do is tell the story── their story── with tears in your eyes. you’re prone to anxiety and feelings of helplessness. you have so much love in your heart, and for once you wish it would change something. it didn’t. it doesn’t. it won’t. but you refuse to stop telling the story. and you refuse to stop loving the people in it. in this way, no one is stronger than you. you just wish being strong hurt less.
tagged by: @riftdancer​ ( we can complete a set with tragic roles :3c ) tagging: @fioletowaroza​ / @selfiestar​ / @nulltune​ / @laputian​ / @manigfeald​ (Layle) / && you ! 
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madamhatter · 1 year
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babey mode.
tagged by: I forgot, I admit orz. tagging: you! 
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madamhatter · 9 months
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5 SONGS THAT ALWAYS INSPIRE YOU TO WRITE YOUR MUSE.
Rubik's Cube - Athlete
Once Upon Another Time - Sara Bareilles
Details in the Fabric - Jason Mraz
Red Face - Lucy Rose
Her Morning Elegance - Oren Lavie
tagged by: @fakepriest ( many muahs, anna!! ) tagging: @saymecw / @dichotomouskey / @litoredeem @miraruinada (lino) / @azurescaled (seraph or makoto) / @maledictus-maleficus (night) / AND YOU!!
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madamhatter · 1 year
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PICKY EATER SIMULATOR
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madamhatter · 1 year
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when you get this, post theme songs for your muse! then tag 5 or more people!
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standard theme: Sophie in Exile / A Ninety-Year-Old Girl 
battle theme: Cleaning Home
emotion theme: The Flower Garden / In The Rain
boss battle theme: Sophie’s Castle
tagged by: @azurescaled​ tagging: @needlenxggin​ / @toneofdarkness​ (Rei) / @subserviiient​​ / @anomieheld​​ / @laputian​​ / @xamassed​​ (Anita) / @the-lytenye-realms​​ (Hibiki) / && you ! 
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madamhatter · 2 years
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Sophie Hatter has appeared! What to do?
>Insult >Worship >Ask to move out >Kneel down
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“...Who in the right mind would worship me? This Shindanmaker sometimes never make sense.” Sophie, please stop accepting all the negative options without blinking an eye. 
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madamhatter · 1 year
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🎶✨ When you get this u have to put 5 songs u actually listen to, publish. Then, send this ask/tag 10 of your favorite followers ✨🎶
Avalanche - Walk The Moon
Dress Down -  秋元 薫
Sunflower -  Post Malone, Swae Lee & Swae Lee
Tiptoeing - Hope Tala 
As the World Caves In - Matt Maltese 
tagged by: @sheyearns tagging: whoever read this; just tag me if you do it :D. 
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madamhatter · 2 years
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What’s your role in bed?
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“....”
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“....”
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“Not true.” Is very true. 
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madamhatter · 2 years
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which type of love interest would you be in a dating simulator?
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The stoic team leader who doesn't trust the main character at first You often feel like you need to take responsability for those around you and to protect them. You struggle to show your love through other means, so you take that task seriously. Your friends know they can always count on you no matter what. However that leads you to be mistrustful of others' actions before getting to know them, usually asuming the worst of them. On the exterior you might seem cold, calculating and distant. But those close to you know that's far from the truth, you just have a particular way of demostrating it. When it comes to love, you'll probably try to deny it at first, bury it before it grows more than it should. Mostly because you're so accustomed to being the strong one, that allowing yourself to be vulnerable for once scares you. But it's exhausting to constantly keep that guard up, sometimes you need to take a rest and allow yourself to be the one being taken care of. Don't forget that.
tagged by: @crownlcsking​ tagging: you, you, you! 
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madamhatter · 2 years
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Muse Body Language
BOLD ➝  always   /  usually  applies
ITALIC ➝  only  applies  situationally   /   sometimes  .
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DEFENSIVENESS.    
arms  crossed  on  chest  /  crossing  legs  /  fist-like  gestures  /  pointing  index  finger  / karate  chops  /  stiffening  of  shoulders  /  tense  posture  /  curling  of  lip  /  baring  of  teeth  .
REFLECTIVE.  
hand  to  face  gestures  /  head  tilted  /  stroking chin  /  peering  over   glasses  /  taking  glasses  off  —  cleaning  /  putting  earpiece  of  glasses  in  mouth  / pipe smoker  gestures  /  putting  hand  to  the  bridge  of  nose  /  pursed  lips  /  knitted  brows  .
SUSPICION.    
arms  crossed  /  sideways  glance /  touching  or  rubbing  nose  / rubbing  eyes  /  hands  resting  on  weapon  /  brows  rising  /  lips  pressing  into  a  thin  line  /  strict  unwavering  eye  contact  /  wrinkling  of  nose  .
OPENNESS  +  COOPERATION.  
open  hands  /  upper  body  in  sprinters  position  /  sitting  on  the  edge  of  a  chair  /  hand-to-face gestures  /  unbuttoned  coat  /  tilted  head  /  slacked  shoulders  /  droopy  posture  /  feet  pointed  outward  /  palms  flat  and  facing  outward  .
CONFIDENCE.    
hands  behind  back  /  hands  on  lapels  of  coat  /  steepled  hands  /  baring  teeth  in  a  grin  /  rolling  shoulders  /  tipping  head  back  but  maintaining  eye  contact  /  chest  puffed  up  /  shoulders  back  /  arms  folded   just  above  navel  .
INSECURITY  +  ANXIETY.    
chewing  pen  or  pencil  /  rubbing  thumb  over  opposite  thumb  /  biting  fingernails  /  hands  in  pockets  /  elbow  bent  /  closed  gestures  /  clearing  throat  /  pacing  /  “ whew ”  sound  /  picking  or  pinching  flesh  /  fidgeting  in  chair  /  hand  covering  mouth  whilst  speaking  /  poor  eye  contact  /  tugging  at  pants  whilst  seated  /  jingling  money  in  pockets  /  tugging  at  ear  /  perspiring  hands  /  playing  with  hair  /  swaying  /  playing  with  pointer  /  smacking  lips  /  sighing  /  rocking  on  balls  of  feet  /  flexing  fingers  sporadically  .
FRUSTRATION.    
short  breaths  /  “ tsk ”  sounds  /  tightly  clenched  hands  /  fist-like  gestures  /  pointing  index  finger  /  running  hand  through  hair  /  rubbing  back  of  neck  /  snarling  /  revealing  teeth  /  grimacing  /  sharp-eyed   glowers  with  notable  tension  in  brows  /  shoulders  back  ,  head  up  /  defensive  posturing  /  clenching  of  jaw  /  grinding  of  teeth /  nostrils  flaring  /  heavy  exhales  .
tagged by: @pastballads​ / tysm for the tag :D tagging: @fxmiliarity / @vocalcords / @vacuitas (Naiya) / @crownlcsking / @eraba-reta-unmei / @elganac (Alison!) / @xdcwntherabbithole (Akane!) 
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