#87Eleven Productions

[bkenber]

'John Wick Chapter 4' - Still Trying to Kill the Unkillable

If there is to be a fifth “John Wick” film in our future, or perhaps this can be included in the upcoming spinoff entitled “Ballerina,” in which a father and son visit a memorial which stretches out for a couple of miles. Their dialogue would be comprised of the following: “Daddy, what is the wall?” “Well son, this is a memorial for all the people killed by John Wick, a professional hitman and…

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#2023 Movies #87Eleven Productions #Assassins #Bill Skarsgard #Chad Stahelski #Clancy Brown #Dan Laustsen #Donnie Yen #Hiroyuki Sanada #Ian McShane #Joel J. Richard #John Wick #John Wick Chapter 4 #Keanu Reeves #Lance Reddick #Laurence Fishburne #Lionsgate #Martial Arts #Rina Sawayama #Scott Adkins #Sequels #Shamier Anderson #Summit Entertainment #Thunder Road Pictures #Tyler Bates

[taekwondolifemagazine]

John Wick: Chapter 4-Movie Review (5/5 Stars)

John Wick: Chapter 4-Movie Review #JW4 @Lionsgate @johnwickmovie #JohnWick4 @TheScottAdkins @DonnieYenCT

March 16, 2023 (NYC)– John Wick: Chapter 4 Movie Review.  A Look at John Wick: Chapter 4, the highly anticipated continuation of one the iconic film series of the 21st Century.   Here is a synopsis and review of this Lionsgate release. SYNOPSIS: John Wick (Keanu Reeves) uncovers a path to defeating The High Table. But before he can earn his freedom, Wick must face off against a new enemy with…

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#JW4 #martialarts karate taekwondo tkd kungfu tournament martialart sparring kata breaking blackbelt tangsoodo shotokan kyokushin m #87eleven production #Bill Skarsgård #Chad Stahelski #Donnie Yen #Hiroyuki Sanada #Ian McShane #John Wick #Keanu Reeves #Kung Fu Movies #Lance Reddick #Laurence Fishburne #Lionsgate Films #Marc Zirogiannis #Mark Zaror #Master Marc Zirogiannis #Rina Sawayama #Scott Adkins #Shamier Anderson #Thunder Road Film

[maximumwobblerbanditdonut]

Henry Cavill will take on the iconic role of the Highlander himself Connor MacLeod – portrayed in the original by Christopher Lambert.

Lionsgate Moving Forward With Henry Cavill & Chad Stahelski ‘Highlander’ Reboot As Action-Fantasy Pic Heads To AFM To Enliven A Strike-Hit Market

By Andreas Wiseman

October 27, 2023 8:17am

EXCLUSIVE: In the world of Highlander reboots, there can still only be one…and it’s a good one at that.

For the first time, Lionsgate will be launching sales at the AFM on their long-gestating fantasy reboot which has Henry Cavill aboard to star as the eponymous Scottish swordsman and John Wick filmmaker Chad Stahelski set to direct.

We hear this will be a big-budget proposition, north of $100M. Stahelski himself has previously talked about it as akin to John Wick with swords. The team is eyeing a 2024 start.

This will be welcome news for AFM buyers whose pool of pre-sale projects has been diminished by the ongoing strike.

The new movie will be based on the 1986 original, which starred Christopher Lambert, Sean Connery and Clancy Brown as immortal beings, hunting down one another and collecting more power. The time-jumping film — with its “There can be only one” tagline — spawned four sequels and three TV series including the popular USA series starring Adrian Paul. Queen memorably provided the soundtrack for the original movie.

Producing the reboot are Joshua Davis, Fast And The Furious producer Neal H. Moritz, Stahelski (thru his 87Eleven Entertainment production company) and Louise Rosner.

The current draft of the screenplay is by Mike Finch. The late Peter S. Davis, the producer of the original Highlander, initiated the development of the new film. Summit first acquired remake rights to the original in 2008.

Former Superman and The Witcher actor Cavill remains in high demand. Among movies in post are Matthew Vaughn’s Argylle and two Guy Ritchie projects, including WWII pic The Ministry of Ungentlemanly Warfare.

Stahelski has directed all four John Wick films, which have been a goldmine for Lionsgate, taking more than $1BN. He previously talked about the new Highlander as the first in a trilogy but we’ve not had word whether that’s still the case.

Cavill and Stahelski were attached and reported before the strike.

The arrival of the Highlander reboot is a shot in the arm for the AFM, whose business has been hampered by the SAG-AFTRA strike. This and Kevin Costner’s Horizon movies, which we told you this week would also be on sale, are the two biggest-budget prospects revealed for the market so far. A number of packages haven’t come together or aren’t being officially announced due to strike restrictions or anxiety over optics. Frankly, given the limitations posed by the strike, I’ve been surprised at the number of new or reworked projects that are on sale (many are shooting in Europe). There are still a handful of pre-sales packages for buyers to get their teeth into, even if more action may be done this market on completed and near-completed movies.

I'm all for Henry in a kilt! 😊

[themovieblogonline]

#ChadStahelski #ChristopherLambert #ClancyBrown #ConnorMcCloud #DuncanMcCloud #henrycavill #Highlander #SeanConnery

[unproduciblesmackdown]

behind the scenes shots ft. akd as the adjudicator, from this article about the cinematography

“In Hollywood, action filmmaking was kind of looked down upon until The Matrix, and then people realized that action could also be part of the story,” [director] Stahelski notes. “I come from a place of loving dance and theater and fine art — action can be all of those things — and one of my favorite painters is Caravaggio.” When he was looking for a cinematographer for John Wick: Chapter 2, Stahelski recalls, “I asked myself, ‘Who paints with light?’ The answer is Dan Laustsen.” In strictly cinematographic terms, Parabellum functions less like an action movie and more like a Hollywood studio musical. The film’s first battle is a close-quarters knife fight in an antique weapons shop, where the camera cuts from wide shot to wide shot, sustaining the action in long takes so that the audience can better appreciate the physical prowess of Reeves’ performance — an elaborate fighting style that combines Japanese judo and jujitsu, Brazilian jujitsu, Russian sambo, Filipino kali, and Muay Thai, more for the benefit of show than for self-defense.  “Ninety-nine percent of high-level stunt work is dance — not pirouettes, but how you move your body,” asserts Stahelski, who continues to train stuntpeople with Leitch through their company 87eleven. “I love the aesthetic of motion. A lot of our shots [in Parabellum] are lifted straight from Singin’ in the Rain and West Side Story. We’re mixing Buster Keaton and Charlie Chaplin with Hong Kong cinema from John Woo, Jackie Chan and the Shaw Brothers.” “We wanted to go wider than Hollywood action films normally do and really show off the choreography,” Laustsen agrees. “When the camera, lighting and actors are all moving together, it really is a dance.”

“After we made Chapter 2,” Laustsen notes, “we discussed how we could make 3 even more visually powerful. The main setting was still New York, but we wanted to bring out the city even more forcefully. We decided to shoot all at night, with rain as much as possible. Rain is fantastic because it gives a third dimension to the picture, but it is a challenge to do it, especially in a city like New York.”

The Master Anamorphics’ low-distortion design also prevents dramatic, streaking lens flares, and so the technicians at Arri Rental in Secaucus, N.J., fashioned a flare filter — comprising three strands of nylon fishing line stretched across an empty filter frame — for the XT’s and Mini’s Internal Filter Modules. When a front-of-lens filter produces a flare, Laustsen observes, it “just looks like the light is catching on a piece of flat glass in front of the lens. It’s more beautiful when the flare comes from the lens itself” — and that’s the effect that was replicated with the behind-the-lens nylon lines. “With the filters inside the camera,” the cinematographer adds, “it was also easier for first assistant Craig Pressgrove to do the lens changes.”

The exterior of the Continental was shot in lower Manhattan, but the hotel’s interiors were filmed in downtown Brooklyn, in the former Williamsburgh Savings Bank tower — which now serves as an event space —whose glass-and-wrought-iron front doors open to a 128'-long vaulted banking hall with limestone facing, marble floors, carved teller stations, and a 63'-high ceiling supported by Romanesque columns. For its role as the Continental’s lobby, the hall was furnished by Kavanaugh with two round settees crowned with statues of the Roman war gods Bellona and Mars, a fully-stocked bar, and a lounge on the mezzanine. 

Parabellum’s stages were located at Gold Coast Studios in Long Island, N.Y. The first of the production’s two notable stage-bound sets is the Continental’s terrace, for which the Rockefeller Center rooftop garden was used in Chapter 2. The schedule didn’t allow for much time to shoot Parabellum’s scene, which takes place at sunrise. “You cannot make the sun rise [for] a movie,” Laustsen notes wryly. “It’s one or two shots, and then you have daylight, and then you’re fighting to control the light.”  So, for more control, the scene was moved onstage, where the set was surrounded with a sectional 45'x350' bluescreen lit with SkyPanel S120s; a 120' black velour curtain was used to control blue spill coming from off-camera. Early-morning ambience was provided by 176 overhead SkyPanel S60s, and the light of the rising sun was simulated by a 20K tungsten Fresnel and a 24K Dino light with medium bulbs, both gelled with 1⁄2 CTS. The other key set built at Gold Coast was the “manager’s office,” a labyrinthine two-story glass-and-steel structure meant to represent the top floors of the Continental, with a 270-degree view of the adjacent skyscrapers. It’s in this space that Wick and Zero ultimately face off mano a mano. “The concept was to create a space where everything is exposed, a place where there are no secrets,” Kavanaugh explains.  To help him integrate the lighting into the design of the set itself, Laustsen worked with a virtual-reality computer model based on Kavanaugh’s design. “Chad, Kevin and I had discussions about color — cool lights inside, warm light outside,” says the cinematographer, who wanted what he describes as an “organic” light element for both spaces. The art department therefore added a 35'x14' LED wall to the set’s second floor and a 28'x12' LED billboard to the rooftop; the latter was positioned between the glass structure and a 40'x440' Rosco SoftDrop that was backlit by 150 SkyPanel S60s through Magic Cloth sourced from The Rag Place.  Almeida and his rigging crew installed more than a mile of LiteGear Chroma-Correct RGB-Daylite LED LiteRibbon into the glass and steel set, using aluminum profile and plastic diffusers provided by Kavanaugh’s art department. Cues were orchestrated from an ETC Ion Xe console operated by Kent Arneson; Laustsen took advantage of that control to increase the intensity of the light over time — until the very end of the fight, when the two combatants are photographed primarily in silhouette against the LED walls. 

Wick literally fights his way through the set — alternately smashing his opponents and being smashed through glass pedestals, walls and floors — until he comes face to face with his nemesis. “We filmed this sequence with a [Chapman/Leonard Hustler IV] dolly and a Libra head, a Steadicam, and a couple of crane shots [with a MovieBird 45 and Aerocrane jib],” Laustsen details. “We didn’t want to go handheld because of all the straight lines. It would be a much more powerful look for the film if the frame was always parallel to the set.” “When we did bring in lights for the close-ups, we used Arri SkyPanel S60s and Astera AX1 LED tubes that we could attach virtually anywhere using magnets and clips,” Almeida adds. “The Astera tubes worked out great because they’re easy to hide, and if you saw a reflection, it just looked like the lighting that was built-in already.”

#all the pictures and quotes are neat & interesting....check out that article #further talk about color choices & tools & techniques....idk too much about film production stuff but i always think it's interesting #and like cinematography being pointed out & discussed in general lol as the end result & the process behind it #only one quote in there specifically mentions the adjudicator (not ft. here b/c it's just a quick plot point mention) #but others are included here b/c it's relevant. homemade lens flare? happens when their ride first swings up like Their iconique flair #didn't include quotes about the theater set used for when they show up walking down the aisle like augh!! anyways check out the article fr #asia kate dillon #the adjudicator

[deadlinecom]

[latestmoviesblog]

John Wick Chapter 4 Final Trailer -

John Wick (Keanu Reeves) takes on his most lethal adversaries yet in the upcoming fourth installment of the series. With the price on his head ever increasing, Wick takes his fight against the High Table global as he seeks out the most powerful players in the underworld, from New York to Paris to Osaka to Berlin. Lionsgate presents, a Thunder Road Films / 87eleven production. Directed by: Chad…

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[taekwondolifemagazine]

John Woo's Violent, Silent Night is a Bold Experiment That Works

John Woo's Violent, Silent Night is a Bold Experiment That Works #joelkinnaman #silentnight @Lionsgate

  November 27, 2023 (NYC)– John Woo’s Violent, Silent Night is a Bold Experiment That Works.  A look at  Silent Night, the highly anticipated new film from acclaimed action Director, John Woo.   Here is a synopsis and review of this Lionsgate release. SYNOPSIS: Silent Night. Photo Credit: Carlos Latapi From legendary Director John Woo and the producer of John Wick comes this gritty revenge…

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#martialarts karate taekwondo tkd kungfu tournament martialart sparring kata breaking blackbelt tangsoodo shotokan kyokushin m #87eleven production #A Better Tomorrow Productions #Capstone Global #Catalina Sandino Moreno #Harold Torres #Joel Kinnaman #John Woo #Lionsgate Films #Marc Zirogiannis #Master Marc Zirogiannis #Robert Archer Lynn #Scott Mescudi #The Killer #Thunder Road Film

[odekirk]

Naishuller says that the hardest thing for Odenkirk wasn’t the training, but the humiliation.

While Nobody was in pre-production, so too were films like John Wick: Chapter 3 and Hobbs & Shaw. For months, the facilities at 87Eleven were crowded with bonafide action stars taking on twelve (or more) stunt guys at the same time.

On the other side of the gym was Odenkirk, struggling to figure out a fight scene with just one.

“It was a little humiliating when you had Jason Statham and Keanu Reeves in this little boxed-off space in this huge hangar, doing one versus 12 [men]. I went to Bob, who was practicing against one, and he was sweating,” says Naishuller. “It was not easy for him in the slightest.”

screaming and crying at this but also laughing at how silly the notion of hollywood is. buncha guys all right next to each other training very hard for their little pretend fights

#bob odenkirk #nobody 2021

[legendoftheghost]

This news was out in March of this year, but as most people who know I have other blogs ( @sasorikigai​ and @biiingchu​, but I’m almost always on my Hanzo/Scorpion) should know how I feel about Stahelski and John Wick 4, as my all-time favorite actor, Hiroyuki Sanada is in it - so this old news still thrills me to no end. 

They better cast Daisuke Tsuji as Jin Sakai or else!! 

EXCLUSIVE: Sony Pictures and PlayStation Productions are developing a film adaptation of the hugely successful action adventure game Ghost of Tsushima, with Chad Stahelski attached to direct. The game recently crossed a massive milestone of selling over 6.5 million copies since its July 2020 debut.

The game is developed by Sucker Punch Productions and published by Sony Interactive Entertainment and centers around samurai warrior Jin Sakai, the last surviving member of his clan, who must set aside the traditions that have shaped him as a warrior to wage an unconventional war for the freedom of Tsushima.

Stahelski, Alex Young and Jason Spitz are producing through their company 87Eleven Entertainment. Asad Qizilbash and Carter Swan will produce on behalf of PlayStation Productions. Sucker Punch Productions will serve as Executive Producers. Peter Kang is overseeing the project on behalf of the studio.

“We’re excited to be partnering with Chad and 87Eleven Entertainment, to bring their vision of Jin’s story to the big screen. We love working with creative partners like Chad, who have a passion for our games, ensuring we can create rich adaptations that will excite our fans and new audiences.” said Asad Qizilbash, Head of PlayStation Productions.

Ghost of Tsushima is PlayStation 4’s fastest selling first-party original IP debut, selling more than 2.4 million units worldwide in its first 3 days.  The game was one of the top nominees for the Game Awards 2020 with several nominations, including Game of the Year, Best Game Direction, Best Narrative, and Best Performer for Daisuke Tsuji. This will mark the second film to come out of the partnership between Sony Pictures and PlayStation Productions, with Uncharted currently in post-production and set to be released on February 11, 2022. Sony Pictures Television and PlayStation Productions are also developing the TV series The Last of Us for HBO, with Craig Mazin attached to write and executive produce.

Stahelski is about to start shooting John Wick 4, after directing the first three films. The films have become a massive box office success surpassing $600 million worldwide. He is represented by WME and attorney Tara Kole. 

#▬▬ι═══════ﺤ || out of wind chimes (ooc) #ghost of tsushima #john wick 4 #(but first... can I have ghost of tsushima on PC first T_T)

[dccomicsnews]

Directed by: Cathy Yan

Written by: Christina Hodson

Starring: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ewan McGregor

Review by: Eric Joseph

Summary

Somewhat capitalizing on the success of 2016’s Suicide Squad, Margot Robbie returns as Harley Quinn in an ensemble tale that kind of functions as a solo adventure all at the same time. The Clown Princess of Crime may share the screen with several other DC favorites, sure, but it still feels like it’s her movie in the end. Think of how Steve Rogers remained the central character in Captain America: Civil War amid guest stars galore, and you have somewhat of a decent parallel here – albeit with a much smaller cast, of course.

Unfortunately, Birds of Prey didn’t rake in the box office dough it should have, but we can only hope that more people discover it once the home video release hits shelves. In my view, this film turned out much better than I’d anticipated, so I’m going to tell you why it’s worth your time and money. Questionable marketing, costume choices, and an unnecessarily long title that should have been simplified to “Harley Quinn and the Birds of Prey” in the first place were likely the biggest factors contributing to financial shortcomings, although there’s nothing we can do about any of those at this point.

Basically, the story follows Harley Quinn, Huntress, Black Canary and Renee Montoya as they call come together while the villainous Black Mask and Victor Zsasz hunt the human MacGuffin that is Cassandra Cain. I won’t spoil why they’re pursuing said child in case you haven’t seen the picture for yourself, but that’s the gist of it.

Positives 

The greatest positive to mention is that of the gal whose name is included in the title itself: Harley Quinn. Like I said, this is damn near a Harley solo film, although I can’t complain too much because Margot Robbie simply knocks it out of the park. It’s as if Suicide Squad were the appetizer and Birds of Prey is the main course. Her performance is spot-on, and I can tell she put a lot of effort and research into every onscreen decision she made while inhabiting the character’s skin. My guess is that she’d just begun reading the comics while filming Suicide Squad, and then read a lot more in the time since. I know for a fact that she’s become a fan of the source material, and it really shows.

In fact, I must say that the rest of the main cast did commendable jobs with the roles they landed – even if some of those portrayals were questionable. Well, any missteps when it came to characterization weren’t their fault, as actors just play with the scripts they’re given. We’ll pick up on that point when we get to the “negatives” part of this review, alright?

Actually, it could be argued that some gripes can be tolerated when the end product turns out so well. The narrative itself unfolds in nonlinear fashion, yet it comes across as quite smooth. It’s a far cry from the editing nightmare that was Batman v Superman: Dawn of Justice‘s theatrical cut, that’s for sure.

If anyone deserves a round of high fives, it’s 87eleven, the stunt team who choreographed the stellar action sequences. There’s a very good reason why the fight scenes are on par with John Wick films – and that’s because the same talented folks just mentioned worked on those. Here’s hoping they’re brought aboard for more DC projects in the future, particularly anything having to do with Batman.

K.K. Barrett and his production design crew also warrant a tip of the hat. I’m aware that they wanted their Gotham City to look different and more realistic, but it’s my belief they achieved something closer to the comics than anything lensed by Christopher Nolan and Zack Snyder. Not meaning to knock what those guys did, but their Gothams simply looked like everyday major cities. Gotham City is a character unto itself, and that’s something I haven’t seen portrayed to the fullest extent outside of the Tim Burton-Joel Schumacher era and the Gotham TV series. But here, we’re transported to Black Mask’s nightclub, an eerie amusement park and otherworldly pier that look like they were plucked from Batman: The Animated Series, with daytime romps through the city forcing me to recall something like the Burnside borough from the comics.

And when it comes to supplemental content, WB sure didn’t skimp on that for the Blu-ray release. I recommend checking out “Birds Eye View Mode” for your second viewing of the feature presentation, as it is essentially a video commentary, behind-the-scenes tour, and pop-up video-style factoid dropper all rolled into one. Beyond that, there are featurettes that delve into production design, stunts, costuming and much more.

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Negatives

Okay, here’s where I have to get dead serious.

My first airing of grievances has to be directed at costuming. That particular department may have wanted to avoid skimpy spandex outfits and “onesies” as they put it, but not many characters in this movie are recognizable to readers of comics. Although most people flocking to theaters don’t actually read the books, the core audience will kickoff the snowball effect of advance poor word of mouth without fail, and that definitely happened well before opening weekend this past February.

Now, I’m not saying Mary Elizabeth Winstead had to run around in a singlet as if she were going for a swim, but they could’ve figured out some sort of tactical gear akin to the blueprint laid by comic book artists. If other movies in the genre can do it, why couldn’t this one? And when she finally does don the black and purple complemented by a white cross, it’s in a tracksuit-type whatever-it-is that looks like it was ordered online and arrived several sizes too big. You see, this is what grinds the gears of diehard fans. If their familiar getup is supposedly so impractical and unfavorable to women, then Harley Quinn and Black Canary wouldn’t be cosplayed ad infinitum worldwide, would they?

Now, I’m not going to do likewise for every other character – save for Harley, who couldn’t even wear her familiar red and black color scheme – but there’s a reason why I singled out Huntress: I’d been waiting years for her to come to the silver screen. Not only that, but both the Birds of Prey and Arrow TV series had already struck out when it came to her costume, so that’s why I had high hopes for this. And to be clear, I have no criticisms of Ms. Winstead herself; the casting department found the right actress. It’s just that they missed the mark with her gear.

As for poor characterization mentioned earlier, I can’t fathom how Black Mask and Cassandra Cain got so f—ed up. The former would be more aptly described as “Black Mascara” and the latter is not the disabled hero who once took up cape and cowl as Batgirl in the comics. I’d go as far to say they could’ve called her “Jimmy Olsen” and it wouldn’t have made a difference. Really, why mess up them both when every other major character in this production was pretty much nailed from a writing standpoint? But that’s Hollywood, baby, and they know better than you or I.

Verdict

In the case of Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn), the pros far outweigh the cons. Trust me when I say this film is a must-see for fans of Harley Quinn and DC Comics in general, so do yourself a favor and pick it up on whatever home video format you prefer. It’s insane, R-rated fun on the same level as Deadpool, so fingers remain crossed that this finds the larger audience it deserves.

Blu-ray Review: Birds Of Prey (And The Fantabulous Emancipation Of One Harley Quinn) Directed by: Cathy Yan Written by: Christina Hodson Starring: Margot Robbie, Mary Elizabeth Winstead, Jurnee Smollett-Bell, Rosie Perez, Chris Messina, Ewan McGregor…

#Birds of Prey #Birds of Prey (And The Fantabulous Emancipation of One Harley Quinn)

[angelofberlin2000]

#JohnWick3

John Wick: Chapter 3 - Parabellum (2019 Movie) New Trailer – Keanu Reeves, Halle Berry

Lionsgate Movies                                                             

Am 21.03.2019 veröffentlicht                             

John Wick: Chapter 3 - Parabellum – In theaters May 17, 2019. Starring Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Saïd Taghmaoui, Jerome Flynn, Jason Mantzoukas, Tobias Segal, Boban Marjanovic, with Anjelica Huston, and Ian McShane. Subscribe to the LIONSGATE YouTube Channel for the latest movie trailers, clips, and more: http://lions.gt/youtubesubscribe #JohnWick3 http://www.johnwick.movie/ https://www.facebook.com/johnwickmovie https://twitter.com/JohnWickMovie https://www.instagram.com/johnwickmovie/ In this third installment of the adrenaline-fueled action franchise, super-assassin John Wick (Keanu Reeves) returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn. Summit Entertainment presents, a Thunder Road Films production, in association with 87Eleven Productions.    

#keanu reeves #john wick 3 #john wick 3 trailer

[deadlinecom]

[hardcoregamer]

New John Wick Hex Featurette Focuses on Capturing Action

In the new clip, we see Mike Bithell working with 87Eleven Action Design, the production company that helped create the stunt work in the John Wick films (alongside many others). This allows the developers to work on getting all of the little details correctly, from the judo-based fighting style to being able to stun an enemy in order to give wick time to reload. 

Go see!

https://www.hardcoregamer.com/2019/07/23/new-john-wick-hex-featurette-focuses-on-capturing-action/352873/

#john wick #john wick hex #game trailer #gameplay #gameplay footage

[katmovies-blog]

John Wick: Chapter 3 - Parabellum – In theaters May 17, 2019. Starring Keanu Reeves, Halle Berry, Laurence Fishburne, Mark Dacascos, Asia Kate Dillon, Lance Reddick, Saïd Taghmaoui, Jerome Flynn, Jason Mantzoukas, Tobias Segal, Boban Marjanovic, with Anjelica Huston, and Ian McShane.

In this third installment of the adrenaline-fueled action franchise, super-assassin John Wick (Keanu Reeves) returns with a $14 million price tag on his head and an army of bounty-hunting killers on his trail. After killing a member of the shadowy international assassin’s guild, the High Table, John Wick is excommunicado, but the world’s most ruthless hit men and women await his every turn. Summit Entertainment presents, a Thunder Road Films production, in association with 87Eleven Productions.

The rights of the video are owned by its respective owner.

CREDITS:-LIONSGATE MOVIES

DOWNLOADhere

#latest news #latest movie trailers #latest movie news #latest movies #download #john wick #john wick 3 #new year 2019 #bestoftheday #movies to watch #movies to see #tarilers #trailers #movies #hollywood #keanu reeves #best actor #hd #mp4

[theguitarloversa]

تم تعيين الكاتب Takashi Doscher كمؤلف لفيلم Ghost of Tsushima السينمائي

في مارس من العام الماضي أعلنت Sony عن فيلم Ghost of Tsushima السينمائي والذي سيتولى إخراجه CHAD STAHELSKI مخرج أفلام جون ويك.

لكن بذلك الحين لم يتم الكشف عن اسم كاتب الفيلم أو من سيؤلف قصته، اليوم موقع Deadline ذكر بأن صناع الفيلم وجدوا الكاتب الأنسب له حيث تم تعيين Takashi Doscher كمؤلف لفيلم شبح تسوشيما، وقد نشر أمس الكاتب تغريدة تعبر عن سعادته في العمل على هذا الفيلم حيث قال بأنه ترترع من صغره على حب بلايستيشن 2.

يشمل فريق العمل المعلن Stahelski و Alex Young و Jason Spitz كمنتجين من خلال شركتهم 87Eleven Entertainment، بينما سيقوم Asad Qizilbash و Carter Swan بالإنتاج نيابة عن PlayStation Productions، على الجانب الآخر سوف يعمل استوديو Sucker Punch Productions كمنتج تنفيذي، ويشرف Peter Kang على المشروع نيابة عن الاستوديو.

وكنا قد سمعنا بأن مخرج فيلم Ghost of Tsushima سيأخذ وقته الكافي لتقديم العمل الفني بالشكل الملائم.

I grew up watching “chambara” re-runs with my grandparents. I skipped school to line up for the PS2 on launch day. To say this is the highlight of my career is an understatement. Honored and humbled. Arigato-gozaimasu!

https://t.co/85AbotETuS

— Takashi Doscher (@TakashiDoscher) April 12, 2022

The post تم تعيين الكاتب Takashi Doscher كمؤلف لفيلم Ghost of Tsushima السينمائي appeared first on سعودي جيمر.