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letterboxd-loggd · 10 months
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The Woman in the Fifth (La femme du Vème) (2011) Paweł Pawlikowski
July 1st 2023
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Happy Birthday Roxane Duran!
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suicidegir · 2 years
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After Blue (2021)
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Plot
A chimeric future on After Blue, a planet from another galaxy, a virgin planet where only women can survive in the midst of harmless flora and fauna. The story is of a punitive expedition.
Genres
Fantasy , Sci-Fi
Actors
Elina Löwensohn , Paula Luna , Vimala Pons , Agata Buzek , Michaël Erpelding , Mara Taquin , Claïna Clavaron , Claire Duburcq , Anaïs Thomas , Pauline Lorillard , Delphine Chuillot , Tamar Baruch , Camille Rutherford , Alexandra Stewart , Nathalie Richard , Tatjana Mladenovitch , Aurore Broutin , Iliana Zabeth
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genevieveetguy · 3 years
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You dream of writing a mature work, but your charm lies in your thorough immaturity.
Pola X, Leos Carax (1999)
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mrfahrenheit92 · 5 years
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livingthegifs · 6 years
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Michael Kohlhaas, 2013.
By: thejennire
Check the Tags!!! [x]
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muhaibb · 7 years
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Bir Film Bir Kare #152 – Michael Kohlhaas (2013)
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shakethispeare · 4 years
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AGE OF UPRISING: THE LEGEND OF MICHAEL KOHLHAAS (2013)
— MOVIE REVIEW —
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movie poster by @shakethispeare
CASTS
Mads Mikkelsen | David Bennent | Paul Bartel | Christian Chaussex | Swann Arlaud | Bruno Ganz | Delphine Chuillot | Mélusine Mayance | Jacques Nolot | Amira Casar | Roxane Duran
DIRECTOR
Arnaud des Pallières
PRODUCER(S)
Serge Lalou | Martina Haubrich | Gunnar Dedio
MUSIC SCORE
Martin Wheeler
GENRE
Drama , History
SYNOPSIS
Michael Kohlhaas (Mads Mikkelsen) is a horse merchant and leads a happy family life. But one day, two of his horses were abused by a baron who refuses to acknowledge Michael's lawsuit against it. Realized that he's been treated unfairly, Michael rises arms and wages war against him, demanding justice. The legend is based on a novella written by Heinrich von Kleist, a German author.
RUNNING TIME
02:01:26
MY RATING
6 / 10 — 🌕🌕🌖🌑🌑
REVIEW
How come I discover this movie just today? This was already out when Mads Mikkelsen starred as Hannibal Lecter in the TV series Hannibal. I KNOW IT IS CANCELLED BUT WHERE THE FUCK IS SEASON 4
The first time I saw Mads Mikkelsen was in Doctor Strange. He played as the villain, but I didn't realise it was him at the time. I wished Mikkelsen had a more prominent role in the MCU. But when he starred as Hannibal Lecter in Hannibal TV series, I fell in love with him. I’m planning to watch more of his films though.
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Age of Uprising: The Legend of Michael Kohlhaas is the German version of Robin Hood's tale. But the movie was entirely in French. The title of the film led me to believe that Mikkelsen was going to wage a violent war against the baron who had mistreated him, though, more specifically, his two shining black horses. I pictured it to be something like a coup d'etat, included with epic battle scenes and a lot of gore. You know, the usual in films about the Middle Ages. It turns out, it wasn't like that.
He still went to war, although, it's not the kind of war where you see one thousand men marching down an open field with spears and shields in hands. Nope. It was more like, if I have to picture this in the simplest way possible, it's basically like you gathering up a few of your closest friends to haunt (or maybe hunt) the person who had bullied you until they apologise.
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It's a straightforward story depicted in a stark manner, followed with smart dialogues. 30 minutes into the film, I feel the suspense was real. But then, somewhere along the way, I sensed it gradually slowed down. It's not as epic as I pictured. And to be honest, I found this film hard to grasp. Probably due to the movie's initial focus was more about politics. There is little action to be seen on-screen. Some moments happened fast and were aided with limited explanation. The two-hour run time only accentuated how slow the pace of the story is, which can be a burden to watch for some. I can't help but feel the points mentioned above caused this movie to be emotionally distant as well.
However, I won't deny the cinematography of this movie is pleasingly aesthetic. It's probably one of the few stunning medieval-themed films I've ever seen. The landscapes were beautifully photographed. Some scenes are a little dark to see, but I'm not too bothered by it. Although, some of the editings, especially cuts between some scenes, didn't settle well with me. Then, the soundtracks were atmospheric. The recognisable whistle of the European theme instruments brings the almost silent movie alive.
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The casts were brilliant. Mads Mikkelsen portrayed Michael Kohlhaas with a stoic personality that captivates at the beginning of the story, his occasional brooding stare makes you wonder what he's going to do next. I still can't help but feel his talent was slightly wasted. He could have done so much more. But his face in the final scenes was heartbreaking enough.
I am not French, but I think Mads’ French was well done. Despite him being Danish.
Overall, I'd say this movie was okay. But Arnaud des Pallières' approach to the story might not be for everyone. If historical movies bore you, do not watch this. If movies with little dialogues annoy you, do not watch this too. But it's definitely a movie for those who are a fan of social justice.
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tellusepisode · 4 years
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Pandorum (2009)
Action, Horror, Mystery |
Pandorum is a British-German science fiction horror film, with elements of Lovecraftian horror and survival adventure. The film was directed by Christian Alvart and produced by Robert Kulzer, Jeremy Bolt and Paul W. S. Anderson. Travis Milloy wrote the screenplay from a story by Milloy and Alvart. It stars Dennis Quaid and Ben Foster.
Filming began in Berlin in August 2008. Pandorum was released on 25 September 2009 in the United States, and on 2 October 2009 in the UK. The film’s title is a fictional slang term for a form of psychosis called Orbital Dysfunctional Syndrome (ODS) caused by deep space and triggered by emotional stress. This leads to severe paranoia, delirium, and nosebleeding.
After human overpopulation depletes Earth’s resources, humanity builds an interstellar ark, the Elysium. It carries 60,000 people on a 123-year trip to colonize Tanis, an Earth-like planet. The passengers are placed in hypersleep, and a rotating crew wake biennially to maintain the ship. Eight years into the mission, the ship receives a transmission from Earth: “You are all that’s left of us”.
Some unknown time later, two members of the flight crew, Corporal Bower and Lieutenant Payton, awaken. Improper emergence from the hibernatory state leaves them both with partial amnesia and possibly suffering from pandorum, a space-related disorder that causes psychosis when under emotional duress. The ship experiences power surges caused by an unstable nuclear reactor, and they are unable to enter the bridge.
Director: Christian Alvart
Writers: Travis Milloy (screenplay & story), Christian Alvart (story)
Stars: Dennis Quaid, Ben Foster, Cam Gigandet, Antje Traue, Cung Le, Eddie Rouse
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►Cast:
Dennis Quaid…PaytonBen Foster…BowerCam Gigandet…GalloAntje Traue…NadiaCung Le…ManhEddie Rouse…LelandNorman Reedus…ShepardAndré Hennicke…Hunter LeaderFriederike Kempter…EvalonNiels-Bruno Schmidt…Insane Officer ‘Eden’Asia Luna Mohmand…Childhunter (as Luna Mohmand)Delphine Chuillot…Young Bower’s MotherWotan Wilke Möhring…Young Bower’s FatherJulian Rappe…Young BowerDomenico D’Ambrosio…Wounded Officer ‘Eden’Jon Foster…Big Russian PassengerJeff Burrell…Trapped Officer ‘Eden’Neelesha Barthel…Female Crew OfficerYangzom Brauen…2nd Lieutenant (Team 4)Marco Albrecht…Hunter WeaselDawid Szatarski…Hunter ShapeNico Marquardt…Hunter BruteDon Jeanes…MateoDavid P. Johnson…CooperVirginia Welch…Lucy
Sources: imdb & wikipedia
The post Pandorum (2009) first appeared on TellUsEpisode.net.
from WordPress https://www.tellusepisode.net/pandorum-2009.html
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vienuelespectacle · 6 years
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L’équipe
Auteur, metteur en scène Ismaël Jude, docteur en littérature, sa thèse, dirigée par Denis Guénoun, est publiée sous le titre Gilles Deleuze, théâtre et philosophie, aux éditions Sils Maria. Spécialiste des rapports entre scène et philosophie, il est dramaturge de La nuit des taupes de Philippe Quesne. Metteur en scène et auteur de théâtre, notamment de La petite et la grande distribution, de Maraîchers, de Figures de l’envol amoureux, mis en scène par Vladimir Petkov au Théâtre‑Sfumato de Sofia, en Bulgarie, et par Antoine Bourseiller en France. Il est co-auteur avec Denis Baronnet et  Nicolas Kerszenbaum de la série théâtrale SODA (Tgp, Aquarium). Il a publié le roman Dancing with myself aux éditions Verticales. Il a obtenu une résidence d’écrivain de la Région Ile-de-France pour écrire un deuxième roman.
Interprètes Jean-Charles Dumay a joué au théâtre sous la direction de Stanislas Nordey, entre autres Pylade et Calderon de Pasolini, La Dispute de Marivaux, sous la direction de Fréderic Fisbach des textes de Paul Claudel (L’annonce faite à Marie), Maïakovski, Kafka, Oriza Hirata (Tokyo Notes), Racine (Bérénice). Il a aussi créé avec Jean-Pierre Vincent des textes de Jean-Luc Lagarce et H. Mankell. Plus récemment avec Krystian Lupa, il a créé en Suisse (Vidy Lausanne) et en France (Théâtre de la Colline et tournée) Perturbation d’après Thomas Bernhard et avec Karim Belkacem Blasted de Sarah Kane (Nanterre Amandiers, Vidy Lausanne et tournée), avec Philippe Quesne, La nuit des taupes - Welcome to caveland (Nanterre Amandiers et tournée internationale). Au cinéma, il a principalement travaillé avec Bertrand Bonello, Wim Wenders, Xavier Beauvois, Olivier Assayas, Alain Gomis, Djamel Bendeddouche, Cheick N’daye, Anthony Cordier, Bertrand Tavernier, Brigitte Sy, Kyioshi Kurusawa et Angelin Prejlocaj. En compagnie de Gilles Touyard, Thomas Bauer, François Noguies, Alex Pou et Pierre Carniaux il développe une série de projets vidéo et performance pour entre autres : le FID de Marseille, le Festival Antipodes Brest, les Inaccoutumés Ménagerie de Verre, le Centre d’art Contemporain Vassivière et le Plateau frac Paris. Céline Pérot a participé à des performances d’Ismaël Jude et joué notamment dans La petite et la grande distribution, le premier volet d’un triptyque en cours dont La vie nue | Ce que c’était qu’être est la deuxième partie. Membre du collectif La Générale, elle a joué avec des metteurs en scène comme Maïa Sandoz (Maquette suicide, Nanterre Amandiers), Adrien Béal (Une nuit arabe de Roland Schimmelpfennig, Théâtre de Vanves), Nicolas Kerszenbaum (SODA, Tgp, l’Aquarium), Sophie Hutin et Sylvaine Guyot (Andromaque de Racine, Studio Théâtre de Montreuil), Anaïs Pélaquier (Essai de rêves avec chiens, La Générale), Francisco Moura (Angelus Novus, Théâtre de la Cité Universitaire), Frédéric Fachéna (Roméo et Juliette de Shakespeare, Nanterre Amandiers), Laurent Sauvage (Les Merveilles (chœur des 4 enfances) de Claudine Galéa, Nanterre Amandiers) ou Le collectif 21.29.7 (Au plus près de la mer, Théâtre du Rond Point). Delphine Chuillot, formée à l’école nationale supérieure du Théâtre National de Strasbourg, joue, au théâtre, sous la direction de Gaël Lépingle et Julien Joubert, Philippe Delaigue et Enzo Cormann, Eric Lacascade, David Gerry dans Une envie de tuer sur le bout de la langue de Xavier Durringer,  Jean-Louis Martinelli dans Personnkrets, Catégorie 3:1, Calme de Lars Norén et Platonov de  Tchekhov, dans la performance Acclimatation de Pierre Huyghe, Poil de Carotte de Sylvia Costa. Au cinéma, elle joue entre autres sous la direction de Nicolas Philibert,Léos Carax, Jean-Stéphane Bron, Nicolas Klotz, Arnaud Des Pallières, Léa Fehner, René Féret, Géraldine Bajard, Pierre Huyghe, Pawel Pawlikowski, Brigitte Sy, Jean-Paul Civeyrac, Gaël Lépingle.
Raffaella Gardon, formée comme comédienne (Central School of Speech and Drama de Londres, Ecole internationale de théâtre Jacques Lecoq) et danseuse auprès de Giorgio Rossi et Benoît Lachambre. Elle joue au théâtre notamment sous la direction de Pierre Vial, Alain Batis, Frédéric Fisbach (Studio Théâtre de Vitry), Joris Lacoste (Festival d'Automne, Centre Pompidou, Nouveau Théâtre de Montreuil), Caroline Guiela, en France - Teresa Ludovico (Warwicks Art Center UK - Château Rouge Annemasse FR - Teatro Kismet IT), Davide Iodice (Napoli Teatro Festival, Teatro Stabile di Napoli, Teatro Nazionale - Teatro Bellini), Pietra Selva et Eugène Durif (Fondazione Teatro Piemonte Europa-Scène nationale de Gap) en Italie – Madani Younis, Omar Elerian (Freedom studio - British Council) en Angleterre. Elle se forme à la marionnette auprès des compagnies anglaises Thingumajig theatre et Théâtre de Complicité. La jeune fille aux mains coupées ou je me recompose (différemment) est sa première mise en scène qui sera créée en mars 2018 à la Nef-manufacture d'utopies Pantin. Scénographe Sallahdyn Khatir
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ismaeljude · 6 years
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L’équipe
Auteur, metteur en scène Ismaël Jude, docteur en littérature, sa thèse, dirigée par Denis Guénoun, est publiée sous le titre Gilles Deleuze, théâtre et philosophie, aux éditions Sils Maria. Spécialiste des rapports entre scène et philosophie, il est dramaturge de La nuit des taupes de Philippe Quesne, metteur en scène et auteur de théâtre, notamment de La petite et la grande distribution, de Maraîchers, de Figures de l’envol amoureux, mis en scène par Vladimir Petkov en 2005 au Théâtre‑Sfumato de Sofia, en Bulgarie, et en 2009 par Antoine Bourseiller. Il a publié le roman Dancing with myself aux éditions Verticales. Il a obtenu une résidence d’écrivain de la Région Ile-de-France pour écrire un deuxième roman.  
Interprètes Jean-Charles Dumay a joué au théâtre sous la direction de Stanislas Nordey, entre autres Pylade et Calderon de Pasolini, La Dispute de Marivaux, sous la direction de Fréderic Fisbach des textes de Paul Claudel (L’annonce faite à Marie), Maïakovski, Kafka, Oriza Hirata (Tokyo Notes), Racine (Bérénice). Il a aussi créé avec Jean-Pierre Vincent des textes de Jean-Luc Lagarce et H. Mankell. Plus récemment avec Krystian Lupa, il a créé en Suisse (Vidy Lausanne) et en France (théâtre de la Colline et tournée) Perturbation d’après Thomas Bernhard et avec Karim Belkacem Blasted de Sarah Kane (Nanterre Amandiers, Vidy Lausanne et tournée), avec Philippe Quesne, La nuit des taupes - Welcome to caveland (Nanterre Amandiers et tournée internationale). Au cinéma, il a principalement travaillé avec Bertrand Bonello, Wim Wenders, Xavier Beauvois, Olivier Assayas, Alain Gomis, Djamel Bendeddouche, Cheick N’daye, Anthony Cordier, Bertrand Tavernier, Brigitte Sy, Kyioshi Kurusawa et Angelin Prejlocaj. En compagnie de Gilles Touyard, Thomas Bauer, François Noguies, Alex Pou et Pierre Carniaux il développe une série de projets vidéo et performance pour entre autres : le FID de Marseille, le Festival Antipodes Brest, les Inaccoutumés Ménagerie de Verre, le Centre d’art Contemporain Vassivière et le Plateau frac Paris. Delphine Chuillot Raffaella Gardon Céline Pérot a participé à des performances d’Ismaël Jude et joué notamment dans La petite et la grande distribution, le premier volet d’un triptyque en cours dont La vie nue – Ce que c’était qu’être est la deuxième partie. Marta Zollet Scénographe Sallahdyn Khatir
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treasuremovie-blog · 9 years
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Age of Uprising The Legend of Michael Kohlhaas (2013) Movie
Age of Uprising: The Legend of Michael Kohlhaas (2013)
122 min|Drama, History|14 Aug 2013
6.1Rating: 6.1/10 from 4335 usersAwards: 4 wins & 6 nominations.
In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy family life. When a lord treats him unjustly, he raises an army and puts the country to fire and sword in order to have his rights restored.
Director: Arnaud des Pallières Creator: Christelle Berthevas (screenplay), Arnaud des Pallières (screenplay), Heinrich von Kleist (novel) Actors: Mads Mikkelsen, Mélusine Mayance, Delphine Chuillot, David Kross
French screenwriter, film editor and director Arnaud des Pallières’ fourth feature film which he co-wrote with screenwriter Christelle Berthevas, is an adaptation of a novel from 1810 by German author Heinrich von Kleist. It premiered In competition at the 66th Cannes International Film Festival in 2013, was screened in the Open Zone section at the 24th Stockholm International Film Festival in 2013, was shot on locations in France and is a France-Germany co-production which was produced by producer Serge Lalou. It tells the story about a man named Michael Kohlhaas who lives on a farm in the Cévennes mountains in southern France with his wife named Judith and their children, and who one day whilst on his way to a nearby marked with some of his horses, encounters a local Baron who claims that he doesn’t have a legitimate travel card.
Distinctly and subtly directed by French filmmaker Arnaud des Pallières, this quietly paced and somewhat fictional tale which is narrated from multiple viewpoints though mostly from the protagonist’s point of view, draws an increasingly introspective portrayal of a French husband whom after having given away his two horses to pay for a thought up fee and learning that they along with his long-time servant named César has been mistreated, contacts an attorney to claim compensation. While notable for its distinct, atmospheric and naturalistic milieu depictions, reverent cinematography by French cinematographer Jeanne Lapoirie, production design by production designer Yan Arlaud, costume design by costume designer Anina Diener and use of sound, colors and light, this character-driven and narrative-driven story which emphasizes characters rather than history and where the act of crossing a river turns into an act of crossing personal values and ruling powers, depicts a memorable and atoning study of character and contains a great and timely score by composer Martin Wheeler and The Witches.
This densely biographical and eloquently dramatic reminiscence which is set in provincial France during the reign of King Francis I and the Protestant reformist period in the early 16th century, which reconstructs real events in the life of a German man named Hans Kohlhase and where an afflicted merchant and father of a son and daughter gathers an army and initiates a crucial rebellion which gains him the attention of the French princess named Marguerite d’Angoulême and a theologian who makes him question his methods for achieving justice, is impelled and reinforced by its cogent narrative structure, substantial character development, subtle continuity, good dialog, gracefully understated acting performance by Danish actor Mads Mikkelsen and the noteworthy acting performances by French actor Denis Lavant, French actress Delphine Chuillot and French-Austrian actress Roxane Duran. A heartrendingly atmospheric, harmonically cinematographic and existentialistic narrative feature.
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livingthegifs · 7 years
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Michael Kohlhaas, 2013.
By: thejennire
✦Send your request [x]✦ / Tags [x]
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gsbohn · 9 years
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Mozart’s Sister 2010 Wolfgang Amadeus Mozart's older sister, Maria Anna "Nannerl" Mozart, rebels against the limitations imposed on her by society in this historical biopic from director René Féret.
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chevalierene · 9 years
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What they were really thinking: Michael Kohlhaas Edition
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