#Focal Length - 28 Mm | Explore Tumblr Posts and Blogs

syame25 · 5 months

Video

flickr

2023-09-22_14-33-52_ILCE-7C_DSCAH1903_DxO by Miguel Discart Via Flickr: Made in Asia - 2023 Fall - Day 1 Day 1 ( Le rendez-vous des fans de mangas, d?animes, de jeux video, de youtubers et de cosplay Embarque dans l?aventure au pays de la pop culture et decouvre bientot tous les invites de l?edition Fall 2023 ! )

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thomas-goetze-fotografie · 9 months

Text

2023-07-28 | caturday

This might be a turning point in my photography. I plan to give up all the equipment and work with only 2 cameras, each with a fixed focal length.

I have been using the first model of the Leica Q for some time now. The focal length of 28 mm was strange to me and actually much too wide. But the Q showed me how to photograph properly. When I'm out and about with the Leica Q, I see more pictures than when I walk around town with a bag full of lenses from 17 to 200 mm. And the Q is also much lighter.

Besides the Leica Q, I almost only use the Sony A7RM3 with a 55 mm Zeiss lens. Camera and lens are dreamlike without any question. I very rarely use the many other lenses. So I sell everything and buy one … preferably a Leica Q with a Summicron 50 mm f2. But that doesn't exist, and probably never will.

So I decided on a Leica M 240 with the appropriate lens. My photo bag will be much lighter, and I'll shoot with good cameras and my favourite lenses.

I hope the plan works out. That would be nice …

#fotografie #photography #original photographer #original photography #bnwphotography #leica #leica q typ 116 #leicam240 #summicron50mmf2 #leicalook #simple photography #less is more

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talaarrawann · 2 years

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•⛴

•

(Not used to such a wide focal length, What I’m learning is that I’m still uncomfortable taking pictures with people up close. Really starting to appreciate my 35 & 50 mm lenses)

•

📷: Fujifilm X30

🔍: 28-112mm

💡: ISO 800

⏱: SS 1/125

⚙️: F 5.0

•

#streetphotography #fujifilm #travel #fujixlovers #fujifeed #fujilove #point and shoot

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mennatullahsalah · 1 year

Text

Photo 5: Object from above, level and below

Above view: ( 1/15 s , f 11)

Focal Length: 28 mm

Level View : ( 1/60 s, f 8)

Focal length: 28 mm

Below View: ( 1/250 s , f 5.6 )

Focal Length: 18 mm

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chrisbissette · 10 months

Text

I've been lusting after a Leica Q2 for a while even though I don't shoot digitally. I honestly don't know what it is about that camera that makes me want it but I WANT IT.

I absolutely positively can't afford it and honestly I don't even know if I'd like shooting with it anyway, since it has that fixed 28mm prime lens and that's really wide. My main lens recently has been my Canon EF 28–105 mm but I tend to use it more in the 50-75mm range rather than super wide, and I don't like using it for street photography because it's not exactly unobtrusive.

I was looking into buying a 28mm prime but even the Canon f/2.8 starts at about £120 used, and I just don't have that.

BUT

I had a realisation.

A few months ago I picked up a Canon AE-1 Program for an absolute steal. It unfortunately doesn't work - the shutter doesn't fire and it can't wind on, a very common problem that can be fixed with a service. Even more unfortunate is the fact that I can't afford to service it. But it did come with a few lenses that looked pretty nice, and I wanted to try them out. The AE-1 uses the FD mount rather than the EF mount on my 500N, so I picked up a converter.

It turns out that vintage FD lenses are pretty fucking cheap. I'm currently bidding on a Sigma 28mm f/2.8 and it's looking like I'll get it for under £20. It's also not the smallest lens in the world, but it's much less obnoxiously sized than my 28-105mm and having a prime will force me to get comfortable with that focal length. And then one of two things will happen: I'll find I love it, and I can start saving to buy a Leica in like...5 years. Or I'll find that actually I really hate it, and then the desire to get the Q2 will magically dissipate.

I do wish I could find a slightly faster lens, but f/2.8 is still pretty quick (and probably more than fast enough for my purposes). But if anyone knows any good vintage 28mm lenses that can be had cheap (i.e. less than £50ish) and that use a mount for which converters to EF mounts exist (and that's EF, not EF-S), please do let me know!

#leica #canon #film photography #blog #28mm lens #film is not dead #photographers on tumblr

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anantradingpvtltd · 1 year

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Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer The GR lens achieves sharp imaging with high resolution and high contrast. The GR lens has been imbued with our unique optical technology that aims to always provide high image quality. The GR III uses a slim optical system consisting of 6 elements 4 groups with a focal length of 18.3 mm (approx. 28 mm in 35 mm equivalent focal length) and aperture of F2.8. The GR IIIx uses a newly developed optical system consisting of 7 elements 5 groups with a new focal length of 26.1 mm (approx. 40 mm in 35 mm equivalent focal length). High-refractive index low-dispersion glass lenses and aspherical high-precision molded glass lenses are optimally placed in the lens construction according to each model’s optical system to suppress optical distortion and chromatic aberration to the absolute limit, delivering a high level of sharpness. This results in images that are sharp and clear across the entire frame even from the full aperture setting. The detailed descriptive power of the 24.2 M large APS-C format image sensor. GR III/GR IIIx is equipped with a high-resolution, wide dynamic range APS-C format CMOS image sensor (approx. 24.24 effective megapixels). High resolution sensor which can handle a large size print and an anti-aliasing (AA) filterless construction that utilizes the characteristics of the high-resolution lens for high-definition detail reproduction. Both the image sensor and lens are also optimized for the best possible image quality. 3-axis, 4-step Shake Reduction for high image quality across a wide shooting range. Camera shake is reduced for crisp images even when taking split-second snapshots. Shake Reduction(SR) is installed while making the body size of GR III/GR IIIx compact. It minimizes the shake on three axes, including yaw, pitch and roll. Compensation effects deliver as many as 4 steps of shutter speed*. * Measured in conformity with CIPA standards. Magnesium alloy body for toughness and durability. You need reliability in a tool that you always have with you. A magnesium alloy body was adopted for its light and tough properties and for its high durability. Touch panel and control dial that enables intuitive controls The LCD monitor features a touch panel. Simply touch and slide to move the AF frame or access the menu. You can also pinch in and out during playback to change the magnification,

flick to view the previous and next images or even go back to the center of the image by double tapping the monitor. A control dial is also positioned around the four-way button. This layout makes it possible to quickly operate the camera with a simple action while maintaining a secure grip on the camera. AA filter simulator for reducing false colors and moiré thanks to Shake Reduction mechanism. The effects of the optical anti-aliasing (AA) filter are obtained with Shake Reduction(SR). Moving the image sensor slightly during the exposure suppresses false colors and moiré. You can choose whether to prioritize resolution or reducing false colors and moiré depending on your subject. Choose [High] or [Low] for effect settings. * This function is available at shutter speeds slower than 1/1000 second. An updated 24.2MP APS-C CMOS sensor pairs with the new GR Engine 6 to produce high-resolution 14-bit DNG or JPEG stills with impressive tonality, natural color rendering, and high sensitivity from ISO 100-102400. In addition to stills shooting, the GR IIIx is also capable of recording Full HD 1080 video at 60p, 30p, and 24p frame rates. The hybrid AF system combines a contrast-type AF mechanism with a phase-detection-type AF mechanism ensuring high-speed focusing operation. During autofocus shooting, this AF system detects the subject's face or eye with precision, focuses on it, and indicates the in-focus position on the LCD display using the AF frame. When the camera detects multiple faces, it automatically distinguishes the main subject from secondary ones and indicates this on the focus frame. The GR IIIx features a creative image control function, which integrates effect modes into conventional image setting operations. Using 11 basic image control modes, you can easily adjust various parameters such as hue, saturation, key, contrast, and graininess to the desired level. A set of adjusted parameters can also be added as a custom setting to the image control function menu. The GR IIIx is designed to be extremely compact, functional, and portable. The exterior frame is made of rigid magnesium alloy for improved durability while being carried or stored. It provides a host of user-friendly features including a short start-up time of approximately 0.8 seconds, control dials conveniently positioned next to the four-way controller, and effortless touch-screen operation. These features enhance operability and allow the user to swiftly react to once in a lifetime opportunities. [ad_2]

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webionaire · 1 year

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,Officially I know of no lens panels fitted for enlarging lens mounts bigger

than 50mm. Both the Lapla 50 and Roding lens panels have 50mm threads. Today,

anything larger is considered a custom size.

All of the current lens panels are approximately 80 mm (3-1/8") in outer

diameter. Some are metal and some are plastic. Both can be used

interchangeably. Recommended focal lengths can change somewhat from one

enlarger to another due to the available length of bellows, but in general the

numbers given below will be true.

Siriopla 39 = plastic, relatively flat w/ 39mm threaded lens mount, usually

used with 50-90mm lenses (essentially the same thing in metal is Lapla 39)

Siriotub 39 = plastic, recessed lens panel (recessed about 15mm), w/ 39mm

threaded lens mount, for short lenses usually 35-50mm (same thing in metal is

Setopla 2839)

Vegatub 39 = plastic, w/ 39mm threaded lens mount, extended lens panel (40mm

extension) generally used for 100-105mm lenses. Includes a red filter on an

extension arm so the filter can swing under the mounted lens. (Normal red

filters would not be able to fit in front of the lens with their short mounting

shafts.)

Flaring = plastic lens mount adapter to fit 25mm threaded lenses into 39mm

threaded lens panels.

Neriotub = plastic recessed lens panel (approximately 40mm recessed) w/ 39mm

threaded lens mount, for use with 28-35mm enlarging lenses. Metal equivalent

is Seipla.

Lapla 39, Lapla 42 Lapla 50 = metal, flat lens panel threaded as indicated by

the number. Generally used with 80-150mm lenses. Plastic equivalent is

Siriopla 39.

Setopla 2839 = metal, recessed (approx. 17mm) lens panel, w/ 39mm threaded lens

mount, generally used with 35-50mm lenses. Plastic equivalent is Siriotub 39.

Seipla 7539 = metal recesses (approx. 33mm) lens panel, w/ 39mm threaded lens

mount, generally used with 28mm enlarging lenses. Plastic equivalent is

Neriotub.

Femotub = metal extension tubes for use with any of the above lens panels, to

extend the bellows for closer focusing, when making reductions. It attaches to

the lens stage of the enlarger, and then you attach the lens panel to the

Femotub.

Roding 50 = metal extended lens panel for use with 135 - 150mm lenses with 50mm

lens thread.

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alevelmedia · 1 year

Text

Lenses

Category: Research and planning

Camera and camera equipment play a huge role in how the results turn out. One of the major factors are lenses. Different lenses should be used for different types of shots. A good example of this is “Man VS wild” show that uses different macro and high aperture lenses to show different things in nature, larger and smaller animals are shown. I decided to research some lenses may help me achieve an effect suitable for a trailer such as this one.

I learned about the Laowa 24mm probe lens. It’s minimum focus distance is 1.5 feet. Which is approximately the distance form the lens’s front to the camera. This allows the user to be extremely close to the object and still have it be in focus, resulting in a larger than life perspective. I want to use this lens while taking close ups of the murder weapon. The scene we have planed involves a knife stabbed into a bulletin board, as blood drips off of it. This lens in my perspective would be perfect to show both the bloody weapon and the photo it is stabbing on the bulletin board while being in focus and not losing its depth.

Another useful lens is the 28- 70 mm F2 L lens.This is pretty much an all in one lens due to its large focal length. This will allow me to use only one lens for most of the shoot, saving time while not compromising on the quality of image. It is a lens that provides sharp shots so if I want softer results without relaying on editing I will have to switch between lenses. It is also quite a heavy lens and as I already struggle with hand held shots due to not being able to handle the weight, this lens may cause some problems with stable output for handheld shots. I may have to take several retakes which could waste time we could not afford to waste as we are only allowed a 2 day shoot and some of our actors were only available on one day. The all in one aspect may have helped but it risks a lot of other problems it is also expensive.

Lens number three is the 85mm F2 RF Prime lens by cannon. It has the best focal length for tight shots. I plan on adding lots of close ups and tight shots to show emotion up close, making shots more personal. This lens will allow me to achieve just that with clarity.

Forth on this list is the 35mm F1.8 RF Prime lens. This is a wide lens that allows for the shot to capture more background while the subject still pops out due to the aperture being F1.8. This I want to use for 2 shot scenes, including the party scene where in 2 characters are dancing. It will allow me to focus on them while still showing the party around them, it will show how the couple is engrossed in one another, emphasising their love for one another. I also want to use it for the shot of Suhana (the victim) walking into a crowded cafeteria that will allow me to single her out and show her personality that demands attention while also showing a commotion in the background.

The last and probably the most essential of all, the 50mm F1.8. This lens allows for clear shots in low light settings. The theme of the trailer is murder on the night of Halloween, there is bound to be a lot of low light shots. To capture these with the clarity and precision of professional cinematography this lens will be my best option. This lens also allows for fast autofocus, so i will not have to spend much time on refocusing each shot.

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guncelkal · 2 years

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Sigma 16-28 mm F2.8 DG DN Lens for Sony E Mount

Focal Length: 16-28mm Aperture Range: f/2.8 to f/22 E-Mount Lens Full-Frame Format Lens construction: 16 elements in 11 groups Stepping Motor 4 Aspherical Glass Elements 5 FLD elements Super Multi-Layer Lens Coating 9-blade rounded diaphragm Compatible with Sigma USB Dock UD-11

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weddingtqk229 · 2 years

Text

12 Best Canon Lenses For Wedding Photography

Best Lenses For Shooting Weddings

The color making is saturated and contrast. At f/2. 8, the lens is sharp in the entire zoom diapason and has a low distortion level. Vignetting shows up only at an open aperture, flare defense is at a high level. Photographed with Canon 24-70mm f/2. 8L II Wide-angle lenses for wedding event photography need to be treated with extreme care due to the fact that many of the lenses of this type have geometric distortions, which are unacceptable for weddings.

At f/1. 4, vignetting is visible. The lens comes from the line of expert optics and varies from the more youthful variation with the f/2 technically enhanced construct, which has advanced optics. The lens speed is a whole action above, but it is 3 times more costly, half longer and weighs twice as much.

Best Nikon Lenses For Wedding Photography

The lens is heavy however not large, and it is an advantage. Comparing To Tokina AT-x 16-28 mm f/2. 8, which does not fit in any bag, this one is of a compact size. There are particular drawbacks, concerning sharpness, which is absent at an open aperture and the corners are fuzzy at f/8.

If you shoot with crop matrix, you don't need to eliminate the blend. The lens is advised for indoor shooting, but you will require to raise the ISO to get enough lens speed. A macro lens isn't the type of lenses that you must have if you wish to shoot a wedding.

Best Lenses For Wedding Photography

In spite of a certain specialization (macro photography), the lens can have a more universal application, for instance, in still-life photography, when you need to be more mindful with small details. That's why it can likewise be called the very best Sony lens for wedding photography. Easily, the lens can be advised to shoot reportages and other footage.

The peak of resolution falls on F4. In the center of the shot, the lens may surpass the sensing unit limitation in some camera models. The edges of the shot are very sharp, though they aren't as great. At F5. 6, the maximum level of even detailization is achieved all over the frame field.

Best Lens For Wedding Photography

I've already informed you about the pros and cons of every one. The is, the better results you get. However not constantly you can get a lens with the essential focal length and large lens speed. Zoom lenses often have lower lens speed than fix lenses. That is why you need to decide, whether you want to take delightful pictures blurring the background and drawing bokeh, and constantly transfer to get closer or approach the subject just by moving your hand with the lens speed of 2-3 levels less.

However, now there is rather a big selection of wide-angle lenses with minimal distortions. You should, specifically in group pictures, because if there are people, who are very near the edge of the frame, there is a possibility that they can be extended. Focusing speed depends not only on the lens but also on the cam itself.

Best Nikon Lenses For Wedding Photography

It all together will weigh 7 pounds. But usually, good optical instruments and gadgets weigh a lot, and it isn't reasonable to take 5 lenses if you do not have a second shooter. It is better to take a number of lenses that will have an average weight but which will not cause much discomfort.

Evolving your design, keeping your abilities up, and remaining on top of market patterns are all part of continuously working on becoming a much better professional photographer. When it concerns buying the very best lens for shooting wedding events, it's likewise essential to think of the elements surrounding the particular wedding event you're shooting.

The Best Canon Wedding Lens For 2022

If the couple employed you to work for less than 4 hours (essentially https://photograpyqti570.shutterfly.com/27 simply wedding event portraits and the ceremony), it may not make sense to bring a bag loaded with lenses. On the opposite side of the spectrum, if you're shooting a full day of 12 hours (or longer), you'll wish to have more choices.

In some cultures, a wedding can last several days. This could require you to utilize a variety of lenses for the dozens of mini-ceremonies that happen throughout the period of the wedding. Purchasing the best lens for wedding event photography isn't as simple as walking into the closest video camera shop and purchasing the most expensive or most popular lenses.

My Wedding Photography Gear

Before we dive into selecting lenses for wedding events, let's go over some of the essentials of the types of lenses out there. If you want your wedding to be the Top Wedding Event Video of the year, have a look at our ultimate list of wedding videographers to assist you get the refined item.

youtube

This broad to medium zoom lens covers a strong series of focal lengths and still crams in an intense aperture. The lens is wide enough to record the entire event in one shot. You can adjust the telephoto end for closer shots and even portraits, so it likewise comes in useful for those family formals.

The Two Lenses You Need For Wedding Photography

The longer the lens, the more vital the image stabilisation is. If you can just manage to get stabilisation on one lens, get it on the longest one in your bag. Numerous wedding event photographers utilize both a 24-70mm and a 70-200mm to catch the wedding. These work especially well during parts of the day where the rate of events isn't ideal for lens swaps.

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fudeen-note · 2 years

Text

the ultimate color of hydrangea

このページの Photograph はこちらをクリック (click here)

紫陽花の色の極まる朝の雨

　　　　　　　　　内藤八重

------------------------

　紫陽花は、朝のうちの方が元気があるように見えます。　しとしとと降る梅雨の雨の下では、なおさらですね。　そんな雨の朝、ちょいと早起きして、カメラを担いで出掛けました。　朝の雨に極まる紫陽花を写し取るべく 1 EV の差で 7 枚現像し、high dynamic range image として仕上げました。

☆ Shooting Data ------------------------ ○ camera : OLYMPUS OM-D E-M5 Mark Ⅱ ○ lens : OLYMPUS M.ZUIKO DIGITAL ED 100-400mm F5.0-6.3 IS ○ lens : OLYMPUS M.ZUIKO DIGITAL 2x Teleconverter MC-20 ○ focal length : 800 mm ( compared to 35mm format : 1,600 mm ) ○ Tv ( Shutter Speed ) : 1/20 sec. ○ Av ( Aperture Value ) : F13.0 ○ ISO speed rate : 320

☆ Developing Data ( RAW ) ------------------------ ○ development : RAW image developed by SILKYPIX Developer Studio Pro 10.0.19.0 ○ taste : fudeen's special ○ exposure compensation ( by camera ) : -1/3 EV ○ exposure compensation ( by developer ) : ±0 EV ○ total exposure compensation : -1/3 EV ○ white balance : setting by shooting [ 5,410 K ] ○ tone adjustment : strong contrast ○ saturation : manual [ 1.09 / 8.0 ] ○ color profile : natural ○ color representation : film color Velvia ○ sharpness : pure detail 　edge emphasis [ 25 / 100 ] 　detail emphasis [ 75 / 100 ] 　black spotted outline control [ 25 / 100 ] ○ noise reduction : fine detail 　false color control : [ 30 / 100 ] 　fringe removal : [ 10 / 100 ] 　noise aligned : [ 10 / 100 ] 　noise removal : [ 28 / 100 ] 　dark side noise reduction [ a little strong ] ○ highlights controller : [ initial value ] 　color / brightness emphasis [ 25 / 100 ] 　saturation / hue emphasis [ 70 / 100 ] 　bright portion compensation [ 50 / 100 ] 　dynamic range extension [ +4.5 / 6.0 EV ] ○ development setting : adjustment of demosaic sharp [ 0 / 100 ]

☆ Exposure Blending Data ( HDRI ) ------------------------ ○ exposure blending by Photomatix Pro 6.3 ○ style : emphasized 2 ○ EV spacing : 7 images, -3, -2, -1, ±0, +1, +2, +3 ○ tone mapping method : contrast optimization ○ strength for tone mapping [ 50 / 100 % ] ○ tone compression [ -4.0 / ±10.0 ] ○ light effect [ 50 / 100 % ] ○ luminance [ ±0.0 / ±10.0 ] ○ white clip [ 6.0 / 10.0 ] ○ black clip [ 0.0 / 10.0 ] ○ 360°image [ on ] ○ color settings : image color ○ saturation [ ±0.0 / ±10.0 ] ○ color temperature [ ±0.0 / ±10.0 ] ○ brightness [ -5.0 / ±10.0 ] ○ blending / opacity [ 0 / 100 ] ○ contrast : medium contrast ○ sharpness : medium

☆ Location & Target ------------------------ ○ location : 四ツ谷界隈 ○ target : 紫陽花

#plants #flowers #紫陽花 #hydrangea #HDRI #high dynamic range #マクロ #macro #四ツ谷界隈 #tokyo #撮影ノート #annotations #OLYMPUS #OM-D E-M5 Mark Ⅱ #M.ZUIKO DIGITAL #ED 100-400mm F5.0-6.3 IS #2x Teleconverter MC-20 #photographers on tumblr

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terilorelle · 2 years

Photo

The camera settings are:

Shutter speed: 1/100

Focal Length: 28 mm

ISO: 800

F Stop: 25

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cendrineartist · 3 years

Text

Leo Mol Sculpture Garden (7)

Title: Leo Mol Sculpture Garden Location: Winnipeg, Manitoba, Canada Date: 2016-2017 Camera: Nikon D600 / Nikon D750 Lenses: Nikkor 28-300mm f/3.5-5.6 / Micro-Nikkor 105mm f/2.8 Focal Lengths: 105-135 mm Apertures: f/3.2-f/8 Exposures: 1/500 – 1.3s ISO: 100 See more of my photography! “Very moving, especially in the artful way it shows the connection between all life and the world.”…

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#Canada #Cendrine Marrouat #flowers #Leo Mol Garden Sculpture Garden #Winnipeg

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anantradingpvtltd · 1 year

Text

Price: [price_with_discount] (as of [price_update_date] - Details) [ad_1] From the manufacturer The GR lens achieves sharp imaging with high resolution and high contrast. The GR lens has been imbued with our unique optical technology that aims to always provide high image quality. The GR III uses a slim optical system consisting of 6 elements 4 groups with a focal length of 18.3 mm (approx. 28 mm in 35 mm equivalent focal length) and aperture of F2.8. The GR IIIx uses a newly developed optical system consisting of 7 elements 5 groups with a new focal length of 26.1 mm (approx. 40 mm in 35 mm equivalent focal length). High-refractive index low-dispersion glass lenses and aspherical high-precision molded glass lenses are optimally placed in the lens construction according to each model’s optical system to suppress optical distortion and chromatic aberration to the absolute limit, delivering a high level of sharpness. This results in images that are sharp and clear across the entire frame even from the full aperture setting. The detailed descriptive power of the 24.2 M large APS-C format image sensor. GR III/GR IIIx is equipped with a high-resolution, wide dynamic range APS-C format CMOS image sensor (approx. 24.24 effective megapixels). High resolution sensor which can handle a large size print and an anti-aliasing (AA) filterless construction that utilizes the characteristics of the high-resolution lens for high-definition detail reproduction. Both the image sensor and lens are also optimized for the best possible image quality. 3-axis, 4-step Shake Reduction for high image quality across a wide shooting range. Camera shake is reduced for crisp images even when taking split-second snapshots. Shake Reduction(SR) is installed while making the body size of GR III/GR IIIx compact. It minimizes the shake on three axes, including yaw, pitch and roll. Compensation effects deliver as many as 4 steps of shutter speed*. * Measured in conformity with CIPA standards. Magnesium alloy body for toughness and durability. You need reliability in a tool that you always have with you. A magnesium alloy body was adopted for its light and tough properties and for its high durability. Touch panel and control dial that enables intuitive controls The LCD monitor features a touch panel. Simply touch and slide to move the AF frame or access the menu. You can also pinch in and out during playback to change the magnification,

flick to view the previous and next images or even go back to the center of the image by double tapping the monitor. A control dial is also positioned around the four-way button. This layout makes it possible to quickly operate the camera with a simple action while maintaining a secure grip on the camera. AA filter simulator for reducing false colors and moiré thanks to Shake Reduction mechanism. The effects of the optical anti-aliasing (AA) filter are obtained with Shake Reduction(SR). Moving the image sensor slightly during the exposure suppresses false colors and moiré. You can choose whether to prioritize resolution or reducing false colors and moiré depending on your subject. Choose [High] or [Low] for effect settings. * This function is available at shutter speeds slower than 1/1000 second. Featuring an updated design, a 24.2MP APS-C CMOS sensor pairs with a new GR Engine 6 to produce high-resolution 14-bit DNG or JPEG stills with impressive tonality, natural color rendering, and high sensitivity from ISO 100-102400. In addition to full-resolution, wide-angle images, a pair of useful crop modes—35mm at 15MP and 50mm at 7MP—let you simulate the look of working with longer focal lengths. Featured for the first time in a GR camera, a 3-axis Shake Reduction System helps to minimize the appearance of camera shake in order to promote sharper handheld shooting at slower shutter speeds. The Shake Reduction System has been optimized for use with the built-in 28mm-equivalent lens, which renders it smaller and more effective. Additionally, the SR unit also offers moiré reduction and dust removal capabilities. The hallmark feature of the GR-series has been its compact, pocketable size while still retaining a large image sensor and bright prime lens. Integrated 3.0" 1.037m-dot LCD features a capacitive touchscreen design for intuitive, familiar operation during shooting, playback, and menu navigation. The rear layout of the camera has been completely redesigned and prioritizes a larger, more comfortable thumb grip along with easily accessible physical dials. Additionally, the ADJ lever, FN button, and Touch AF operations can be programmed to handle specific assignable functions for more personalized control. Start-up time has been reduced to 0.8 sec and Hybrid AF performance has been quickened for more seamless operation. Integrated Bluetooth LE and Wi-Fi afford wireless connectivity between the camera and a paired mobile device, and allows you to embed location info within your files as well as transfer files to your mobile device, even when the camera is turned off. Included DB-110 rechargeable lithium-ion battery offers approximately 200 shots per charge. [ad_2]

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finlaylaverygc · 4 years

Text

Understanding Photographs

Laguz

Visual

In focus in the foreground we see a woman in a beige coloured medieval style dress with golden trimmings on the shoulder and tribal style paint on her face. In the background out of focus a rugged mountainous landscape. Reflections in the loch from the shadow of the mountain making the surface of the water much darker. Little to no negative space. Photo taken from close range

Technical

Image was taken on a Canon EOS 750D, a light weight, mid-entry level digital DSLR with a 22.3 x 14.9 mm image sensor that 24.2 megapixels.

Lens used was a Sigma DG 28-70mm 1:2.8 EX with UV and Polariser lens filters

With the camera set to AV for Aperture priority, the settings were; ISO 100, Aperture F/2.8, Shutter timer 1/320, Focal length 38.0mm. No flash used. Available light: Bright, mid-afternoon sunlight with some clouds.

Image was then edited in Adobe Lightroom. Cropped and rotated slightly to make the image more balanced. Highlights, shadows and colour tones adjusted for a stronger and cleaner looking picture.

Contextual

The woman on the left leans down from a small boulder to cup some water in her hands from a mountain loch to drink following an exhausting walk 400m up-hill walk in sweltering summer heat with little to no breeze. By the time we reached this location, the woman had used up all of her bottled water and resorted to drinking directly from the clean fresh water from the rivers and lochs to re-hydrate. This is one of fourteen final images selected to publish.

Conceptual

I was hugely inspired by a recent music movement from Scandinavia, Germany and Siberia, promotional photos of experimental folk bands and musical artists who base their sound, instruments and visual aesthetic from pre-historic times, Nordic and Celtic culture, mythology, iron age clothing ancient runes and writings. Very primal, tribal and earthy. I wanted to create something along those lines in the remote west highlands at a place called Loch Corie Lair, a beautiful landscape that has barely changed since the ice age.

As mentioned in the context, the subject was extremely thirsty and overheated from a long walk uphill to the location. Human’s basic primal need of water to keep alive and healthy. The title of this image is Laguz is reconstructed Proto-Germanic name of the L-rune meaning water or lake, in old Anglo-Saxon English the word ‘Lagu’ means ocean, and in Old Norse the word ‘Logr; means water or waterfall.

if any of this made any actual sense to anyone... well done...

#understandingphotographs

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adamski · 4 years

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