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vandalyssm · 1 month
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Theory: Merlin's Recent Publicity and its Correlation to a Possible Sequel/Revival/Reboot (+Eoin Macken's Pseudo Merlin Project)
'Ello. Fancied sharing my thoughts on recent developments regarding BBC's Merlin.
Fair, firm warning: I'm only sharing speculations and my personal opinions on the matter, and I do not advertise them as fact whatsoever. Consider them musings (or delusions, your choice). You can use this to further fuel your hope of the slim chance that this beloved show will see the light of day once again or maybe make theories of your own. Dispelling it is also an option, as I cannot assure my arguments would be free from flaws.
Right. Without further ado...
Revival of the Official Merlin Twitter Account
Let's put this into scenario.
Imagine a dated piece of media, previously well-known worldwide and had its own golden age for a time. This media launched the last of its contents over a decade ago, yet it gained a loyal, devoted following that persisted to grow and continued the legacy of the franchise over the years. Though there were highs and lows, the community remained alive for an impressive amount of time, steadily producing art, fiction, and creations dedicated to the media, despite not having anything new to work with. This devotion is acknowledged by those from an outsider's perspective, including the creators of this media (cast, staff, and distributors alike).
To put into context, the community was left unsatisfied with how the media ended, and many wished for the media to return. Articles were written, petitions were signed, comments left on the cast' social media accounts, and even questions were asked directly to them. Although different in wording, the inquired notion remained the same: Will there be a possibility of a sequel/revival/return/reboot? The answers range from a neutral, vague reply to a more resounding no.
This cycle persisted, but the people were immovable; they were visionaries and their dream lived on in their hearts. And this did not go unnoticed.
So it continued... until one of the media's social accounts made a sudden return. Out of nowhere, without a warning. They're back for good, the account announced. It sent the community into a frenzy. But if you took a step back from the excitement, you'd notice that it's strange. Why would a media ended over a decade ago suddenly be promoted again?
Now, I'm going to explore two possibilities; pragmatic and idealistic. The previous hypothetical scenario lays the general principal of Merlin's relevance (duh).
I'll make the pragmatic perspective brief. FremantleMedia saw the opportunity to make some bucks from Merlin because of the loyal fanbase, using a no-cost yet effective method to keep us tuned in; hoping. OMG, what does this mean? Does this mean they're going make a sequel?! Holy shit, they're teasing us, aren't they? I can't believe this is happening, it's a dream come true! And so on and so forth. Evidently, it works and numbers are growing. The official Merlin twitter account is racking up more followers and likes with each post. In this possibility, there's no such thing as a sequel/whatever it is the fanbase hopes for; just a reanimated corpse doing the same silly tap dance while we holler at it, dumbly hoping that they bust out new moves.
Now, the fun part. The idealistic version!
I'm going to use a real life example for my theory: the upcoming release of Dragon's Dogma 2. With a quick Google search, you can learn that Dragon's Dogma 2 is the highly awaited sequel for its well-liked predecessor, Dragon's Dogma.
For some time, Dragon's Dogma was on sale on Steam (with a decent cut too). This was done to gain the attention of...
1. those who haven't previously dived into the franchise. It's to make them think 'Wow! This game's so good. Oh, there's a sequel of it that's gonna be released soon? With even better graphics and gameplay? Sign me the fuck up!'. You liked Blueberry Cheesecake, so it'd make sense that you'd be more open to buying Double Blueberry Cheesecake, Premium Ingredients Addition, with 2 additional paid toppings.
2. Veterans and nostalgic fans. 'They're promoting the game I liked years ago... Oh, well, it won't hurt to play it again, just for the nostalgia. It never really left my mind anyway."
In other words: hype! hype! hype!
If using this principle, then the possibility of a sequel/revival/reboot/new content exists. It's either being processed (wishful thinking, not as likely) or being considered (more likely). If it's the latter, then they're testing the waters to see how much people still care/how much money they'll make. The more attention and hype it gets, the higher the likelihood.
Simplified:
P (old media pushed for publicity) -> Q (hype built)
Q (hype built) -> R (new content)
Eoin Macken's Pseudo Merlin Project
If I recall correctly, Eoin Macken first announced a pseudo Merlin project in late 2020. It's first teased to be released in 2021, but nothing came out of it so far (at the time of writing this) except if you count the small handful of times Macken hinted it over the ongoing four year period.
Now, I understand his position. First and foremost, he needs the legal rights to actually produce anything and it's no easy feat when you're dealing with a massive company. Then there's the issue of costumes, props, sets, and equipment. A lot to consider. To put it simply, he must offer the company something worth more than the show itself or contribute in their favor in some way. Macken seems like a charming and capable guy, so he can make it work. Probably.
I lean towards the spin-off theory because a cast reunion would not take four years. As far as I know, Macken is close with the knights and they could get together at any convenient time. If the project was a zoom call or a recorded get-together, it would've been released already. To compare, by using the average of 385,000 babies born each day during the last three years, we have 421,575,000 newborns before the Pseudo Merlin Project.
I want to tie this in with the previous theory, but eh. It can connect, but not really. I don't have any further explanation or evidence since Macken hasn't given any news.
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Anyways. That's enough of this. I hope it made sense, at least it did to me. I'm entering my third year in the fandom, so I'm relatively new and still hopeful. (Though I try hard to keep my feet on the ground while I stare up at the clouds.)
To end this post, I'd like to say: keep hoping. Hope is such a stupidly beautiful thing, and it should be nurtured. Turn that feeling into art, into efforts.
There are franchises revived 2-3 decades after, and Merlin is no exception.
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louisupdates · 1 year
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Fred Casimir said: “There’s no great secret to BMG’s success. It’s about wrapping ourselves around artists’ needs and adjusting to the realities of the streaming world. Successful music catalogues deserve the same effort, commitment and passion as newer recordings. I am delighted to take on responsibility for marketing BMG’s recorded catalogue.”
Casimir first joined the new BMG in 2009 as MD of BMG Germany from sister Bertelsmann company FremantleMedia, where he was responsible for all of its music-related businesses across Europe. He became EVP, continental Europe in 2012, EVP global recordings and president continental Europe in 2018, before taking up his current role as EVP, global repertoire in 2019.
International success stories under his leadership include projects from Louis Tomlinson, 5SOS, Lenny Kravitz, Katie Melua, Conkarah, Bryan Adams, Rick Astley, Kylie Minogue and LP, as well as the development of BMG’s films business including the David Bowie documentary Moonage Daydream and the hit Lewis Capaldi documentary Lewis Capaldi: How I’m Feeling Now, currently streaming on Netflix.
BMG’s recorded catalogue includes recordings from artists including Black Sabbath, The Kinks, Motörhead, Rick Astley, Mötley Crüe, Kylie Minogue, Chris Rea and Nick Cave among many others.
- BMG abandons 'outdated' distinction to integrate new release & catalogue recordings businesses, by Andre Paine [MUSIC WEEK April 18th 2023 at 3:25PM]
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ptbf2002 · 7 months
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Everyone Hates CocoMelon
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SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6
Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.
The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company
The Woody Woodpecker Show Belongs To Walter Lantz, Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, And NBCUniversal Media, LLC
Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, Disney Streaming, Disney Entertainment, The Walt Disney Company, NBCUniversal Media, LLC, Comcast Corporation, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.
Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios, And British Broadcasting Corporation (BBC)
Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
Pink Panther and Pals Belongs To Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Rubicon Studios, Rubicon Group Holding, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon.com, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.
Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, Hulu, LLC Peacock (streaming service), NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, And NBCUniversal Media, LLC
Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation, And Netflix, Inc.
Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Family Guy Belongs To Seth MacFarlane, Film Roman, LLC CNK International, Grimsaem Animation Co. Ltd., Seoul, Korea, Sunwoo Entertainment, Co., Ltd. Rough Draft Studios, Inc. Yeson Entertainment, Yearim Productions Co., Ltd Fuzzy Door Productions, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company
Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global
Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company
Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC And Netflix Inc.
Heroes of Goo Jit Zu (TV Series 2019) Belongs To Bang Zoom! Entertainment, Pixel Zoo, And Moose Toys
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qudachuk · 6 months
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Court papers say FremantleMedia was aware of explicit comments about two contestants when it offered comedian new contractDavid Walliams was offered a new contract on Britain’s Got Talent despite the show’s production company being aware of derogatory and sexually...
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landoverwater · 7 months
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Isn't it interesting that he is choosing this exact moment to flex his legal muscles and show that he is not scared to sue companies.... I cannot imagine what has happened recently that might have provoked him to press the green button on this right now.
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fabioperes · 9 months
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Thames Logo History [1968-Present] [Ep 197] REQUEST BOX: https://www.youtube.com/watch?v=nVegn2kICmQ It feels real good to be back into logo histories after working hard on this one! Let's hit 50,000 subscribers! Join the official JontyMaster discord server! https://ift.tt/rsdpJq1 Thames Television was a franchise holder for a region of the British ITV television network serving London and surrounding areas from 30 July 1968 until the night of 31 December 1992. Thames Television was acquired by Pearson Television in mid-1993. Pearson Television was itself sold by Pearson plc to the RTL Group in 2000, and rebranded as FremantleMedia in 2001. In 2003, Thames Television was merged with another FremantleMedia subsidiary, Talkback (founded by comedians Mel Smith and Griff Rhys Jones in 1981) to form Talkback Thames. That subsidiary was split into four new production companies at the start of 2012, with the new Thames producing light entertainment programming. Their home video division, Thames Video, was founded in 1978, and later merged with The Video Collection in 1985, reducing the Thames name under a label titled Thames Video Collection, which later reverted back to Thames Video in 1991, which VCI continued to use even after Thames lost their ITV franchisee, and continued to release videos under their name until 1999 when VCI's deal with Pearson Television expired. My next logo history will be on Tyne Tees. via YouTube https://www.youtube.com/watch?v=VU-jYA1HtXs
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ryvnchvn · 11 months
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See more from Britain’s Got Talent at http://itv.com/talentEnjoy Britain’s Got Talent: Unseen on the ITV HUB: https://bit.ly/2RreDOp Beth Porch’s Britain’s Got Talent audition efficiency of her initial tune ‘You Taught Me What Love Is’ will be launched as a single. All revenues of Simco Limited (trading as Syco Entertainment) and FremantleMedia Limited (trading as Thames)…
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restaurantlong · 2 years
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Coffee shop tycoon reviews
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#Coffee shop tycoon reviews series
This left the BBC with the task of finding a business personality to front The Apprentice. Negotiations finished on the 1 April, when the BBC was announced as the new owner of the future programme after outbidding their rival. The company offered any British broadcaster the chance to secure the rights to the new programme, the most significant bids coming from the BBC and Channel 4. In March 2004, following the success of the first season of NBC's The Apprentice, FremantleMedia saw the possibility for creating an international franchise, and announced its intentions to create a British version of the programme under the same name and format.
6.4 Sport Relief Does The Apprentice (2008).
6.2 Comic Relief Does The Apprentice (2007–2019).
6.1 The Apprentice: You're Fired! (2006–present).
5.4 Boardroom, 'Walk of Shame" and Final.
The programme is a staple part of the BBC's television schedule, with the programme contributing a significant part to television culture, including parodies and imitations for comedy, as well as influencing the designs of other British-based business programmes, such as Tycoon, and Beat the Boss. The success of The Apprentice has led to it receiving its own merchandising, including a magazine and official books, along with one-off celebrity episodes for charity, and a spin-off, Young Apprentice, which ran between 20.
#Coffee shop tycoon reviews series
Originally aired on BBC Two, its first series generated favourable viewing figures that led to the creation of a companion discussion show, The Apprentice: You're Fired!, with further increasing figures after the second series leading to the programme being aired on BBC One to a much wider audience. To observe candidates as they undertake these tasks, Sugar is assisted by two close business associates who act as observers with little involvement in what is conducted – these roles are currently performed by Karren Brady and Tim Campbell. Devised after the success of the American original and part of the international franchise of the same name, the programme focuses on a group of businesspeople competing in a series of business-related challenges set by British business magnate Alan Sugar, in order to prove themselves worthy of a prize offered by him. The Apprentice is a British business-styled reality game show created by Mark Burnett, distributed by Fremantle and broadcast by the BBC since 16 February 2005. MGM Worldwide Television and Digital Distribution
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bbcmerlinvault · 2 years
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Article: ‘Fremantle boosts Merlin’
by Samantha Loveday, Thursday, 3rd December 2009 at 10:30 am
[Original article] (available via WaybackMachine as it no longer appears to be on http://licensing.biz/)
“Series three commission and UK toy figurine licensee bolster BBC show further.
FremantleMedia Enterprises has revealed a number of major developments for hit TV show Merlin - including the commission of series three and a new UK toy figurine licensee.
Series two of Merlin is currently airing in the UK on BBC1 on Saturday evenings, and is pulling in a peak of more than six million viewers and a 31 per cent audience share.
FME has sold the series one to 52 broadcasters in more than 180 countries and the ongoing sales of series two have resulted in buyers in 165 countries and counting.
Getretro will be producing action toy figurines of the main characters, The Dragon and other magical creatures, as well as play-sets. The firm is aiming to have prototypes ready for Toy Fair in January 2010, with the first products hitting retail to coincide with series three in autumn 2010.
In addition to the figures, Getretro will be producing branded stamp covers and sheets.
Existing UK licensees for Merlin include Random House, Topps, Danilo and Christy's.
FME holds the exclusive international rights for distribution, licensing and home entertainment (excluding the UK).”
(screenshots of article below)
Original article screenshot:
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tv-moments · 4 years
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The Young Pope
Season 1, “Episode 7“
Director: Paolo Sorrentino
DoP: Luca Bigazzi
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francescocelliblog · 5 years
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Throwback to a random #aussie sunset 🌅 ________________________________________ #australia @australia @destinationperth . . . . . . . . . . #fremantle #fremantlestory #fremantlelife #westernaustralia #fremantlemedia #sunset #sunsetlover #sunset🌅 #sunsetlovers #sunset_ig #westernaustraliauncovered #takemetoaustralia #visitaustralia #seeaustralia #destinationperth #perth #travelholic #travellers #travel_captures #travelbloggers #travelstoke #sunset_hub #travelandchill #shotoniphone #vsco #world_bestsky #laptoplifestyle #beachlover #explorers @perthisok @australia_shotz @takemetoaustralia @canonaustralia @sonyaustralia @westernaustralia @australia @instagram @shotoniphoneitalia @travellingthroughtheworld @aggie (presso Fremantle, Western Australia) https://www.instagram.com/p/Bx92SmbneDB/?igshid=nh2zrx7m22w
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graphicpolicy · 2 years
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Fremantle and AWA Studios Form a TV Partnership
Fremantle and AWA Studios Form a TV Partnership #comics #comicbooks
Fremantle is pursuing its premium content push striking a strategic development deal with AWA Studios, the film and television division of AWA (Artists, Writers & Artisans), a leading independent developer of bold and relevant stories from the world’s most outstanding artists, writers, and artisans.  The deal will allow Fremantle and AWA Studios to collaborate, mutually identify and co-develop a…
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ndvgmagazine-blog · 6 years
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MY ROTTNEST
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Hola people! I'm Andrea and I'm glad to open the doors of NDVG Magazine with something I really love to talk about.
Rottnest Island, Western Australia.
Rottnest is a little Island located between Perth and Fremantle in Western Australia.
What so special? You will see..
When you get there with the ferry from Perth or Fremantle, you will realise that nature It's still untouched.
It's like being in a fairy tale as you can see from the pink sunset above or if you prefer from the two huge stingrays below floating by the beach.
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Infact Rottnest is a perfect spot for surfers, scuba divers and outdoor passionate of every kind!
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As you walk by the ferries, you will see pelicans busy trying to still fishes to local fishermen and you will be able to get really close to them.
It's pretty cool, if you think that pelicans are one of the closest bird to dinosaurs!
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If still you don't feel like visiting then I would like you to take a look at this little guy 👇🏽
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Yep, this little guy is called Quokka and it's one of the most friendly and cute animal I ever had the chance to meet!
The Island is over populated of quokkas, since they have no predators so is impossible to not have any around you.
Click here to see my quokka video:
If you have the chance is highly recommended to hire a bike or even better to bring your own since there is no transportation a part of the local bus but still better not depending on the bus schedules!
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Summer is beautiful but packed so the perfect season to visit is March to June, also to enjoy the ride, don't forget summer there is really really hot!
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Check my IG TV to see videos and highlights of the Island!
Link below!
Travel with Personality 🌴
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ptbf2002 · 5 months
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My Top 10 Favorite British Shows
#10 Mr. Bean (1990)
#9 Mr. Bean The Animated Series
#8 The Worst Witch
#7 Wallace & Gromit
#6 Shaun The Sheep
#5 Thomas And Friends
#4 Danger Mouse
#3 The Rubbish World Of Dave Spud
#2 The Amazing World Of Gumball
And #1 Doctor Who
Honorable Mentions: Hilda, Danger Mouse (Classic)
Original Template By @DemitriaMiriam
Mr. Bean Belongs To Rowan Atkinson, Richard Curtis, Tiger Aspect Productions, International Management Group, Endeavor Group Holdings, Inc. GMG Endemol Entertainment PLC, Endemol Entertainment UK PLC, Endemol UK PLC, Endemol UK Limited, Endemol Shine UK Limited, Banijay UK Productions Limited, Endemol B.V. Endemol Shine Group B.V. Banijay S.A. Thames Television, Central Independent Television, ITV 1, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
Mr. Bean: The Animated Series Belongs To Rowan Atkinson, Richard Curtis, Varga Studio, Ltd. Richard Purdum Productions, Fremantle Limited, Tiger Aspect Productions, International Management Group, Endeavor Group Holdings, Inc. Banijay UK Productions Limited, Endemol Shine Worldwide Distribution, Endemol B.V. Endemol Shine Group B.V. Banijay S.A. CITV, ITV Digital Channels Limited, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
The Worst Witch (2017 TV series) Belongs To Jill Murphy, Emma Reeves, CBBC Productions, ZDF Enterprises GmbH, ZDF Studios GmbH, ZDF, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Wallace and Gromit Belongs To Nick Park, Aardman Animations Limited, BBC One, BBC Two, BBC Bristol, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Shaun The Sheep Belongs To Nick Park, Bob Baker, Aardman Animations Limited, WDR Media Group GmbH, Westdeutscher Rundfunk Köln, ARD, Netflix, Inc. ABC Kids (Australia), Australian Broadcasting Corporation (ABC) Disney Channel, Disney Branded Television Disney General Entertainment Content, Disney Entertainment, The Walt Disney Company, CBBC, CBeebies, BBC One, BBC Two, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
Thomas And Friends Belongs To Britt Allcroft, Clapham Junction, Clearwater Studios Battersea, Shepperton Studios, Cinesite Vancouver, Arc Productions, Jam Filled Entertainment, Boat Rocker Media Inc. Clearwater Features, Britt Allcroft Ltd. Britt Allcroft (Thomas) Ltd. The Britt Allcroft Company PLC, Fuji Television Network, Inc. Gullane Entertainment PLC, HIT Entertainment Limited, Mattel Television, Mattel, Inc. ITV network, ITV Studios Global Entertainment, ITV Studios Limited, ITV plc, Nick Jr. (British and Irish TV channel), Nickelodeon UK Ltd. Milkshake! Channel 5 (British TV channel), Channel 5 Broadcasting Limited, Paramount Networks UK & Australia, Paramount International Networks. Paramount Global, PBS Kids, PBS Distribution, And Public Broadcasting Service (PBS)
Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
The Rubbish World of Dave Spud Belongs to Edward Foster, The Illuminated Film Company, Cloth Cat Animation, Beta Film GmbH, Beta Film GmbH, RTÉ2, TRTÉ, Raidió Teilifís Éireann (RTÉ), CITV, ITVX Kids, ITV Digital Channels, ITV Consumer Limited, ITV Studios Global Entertainment, ITV Studios Limited, And ITV plc
The Amazing World of Gumball Belongs To Ben Bocquelet, Boulder Media Limited Ireland, Dandelion Studios, Studio SOI, Great Marlborough Productions Inc. Cartoon Network Development Studio Europe, Cartoon Network Studios Europe, Hanna-Barbera Studios Europe Ltd. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Television Studios UK, Warner Bros. International Television Production, WarnerMedia International, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.
Doctor Who Belongs To Sydney Newman, C. E. Webber, Donald Wilson, Bad Wolf Ltd. BBC Cymru Wales, BBC One, Universal Television LLC, Universal Pictures, Universal City Studios LLC NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, Comcast Corporation, NBCUniversal Media, LLC, CBC Television, Canadian Broadcasting Corporation (CBC), BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)
City used in the background: London
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qudachuk · 7 months
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The talent show's former judge files a legal case against FremantleMedia at London's High Court.
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conanaltatis · 4 years
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Ex-'America's Got Talent' judge Gabrielle Union sues Simon Cowell’s SYCO, NBC, FremantleMedia
Ex-‘America’s Got Talent’ judge Gabrielle Union sues Simon Cowell’s SYCO, NBC, FremantleMedia
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Dwyane Wade, Gabrielle Union
Gabrielle Monique Union Wade, 47, who is professionally known as Gabrielle Union, recently sued the producers and network behind “America’s Got Talent.” Created by Simon Cowell, the show airs on NBC and is distributed by Fremantle USA.
“AGT” is produced by Fremantle USA and Syco Entertainment. Union served as a judge in the 14th season of the show, which aired from…
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