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ptbf2002 · 6 months

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Everyone Hate Warner Bros. Discovery

Oh my god, this company sucks. You know what this company has done?! Well, hear what i'm gonna tell you why the WarnerMedia And Discovery Merger Was One Of The Worst Mergers In The Media Industry Of The United States.

1. They removed and cancelled shows From HBO Max, like Aquaman: King of Atlantis, Close Enough, Elliott From Earth, The Fungies! Infinity Train, Mao Mao, Heroes of Pure Heart, Mighty Magiswords, OK K-O, Let's Be Heroes, Pac-Man and the Ghostly Adventures, Summer Camp Island, Tig n' Seek, Victor and Valentino, And Several Others. Like The What The Fuck! It Seems That Someone Doesn't Gives A Shit About Any Animation At All, Warner Bros Discovery Is Being So Not Fair To All Of Us! And all they care about is the stupid live action and reality shit. So Yeah, I Guess We Need A Marathon On Either Cartoon Network, Boomerang, Adult Swim, Or Discovery Family.

2. They cancelled Scoob! Holiday Haunt, Batgirl, And Other Movies That Warner Bros Is Planning To Make. What The Fuck! I Just Waited For Those Movies To Come, But This Pile Of Shit Has Came And Ruined It. Despite the fact that they have cancelled Batgirl Just Because They Don't want to get criticized.

3: The Creators That Are Making Shows For Cartoon Network, Boomerang, Adult Swim, HBO, And Several Others Have Been Fired Because Of That Shitty company that i'm talking about.

4: They replaced Boomerang with Cartoonito in Europe.

5: they are also merged HBO Max and Discovery Plus into Max, And removed some shows. Which Was Stupid.

6: They Have Shutted Down CNN Plus.

7: In 2024 it's been announced that NBC Universal will be merging with it. Are You Kidding Me?! That would be a questionable decision, As my big concern was that it would seriously damage the mass media industry in the United States. Why can't they separate both of the media companies. And Do you know what's worse?

THEY'VE SHUTTED DOWN CARTOON NETWORK STUDIOS HEADQUARTERS IN BURBANK CALIFORNIA IN AUGUST 1ST. GRRRRRRRRRRRRRRRRRRRRRRRRRRRRR!!!! GOD MOTHERFUCKING DAMMIT!!! this is complete bullshit 100%, thanks to that pile of shit! Cartoon Network Studios Has Moved To Warner Bros Animation Headquarters. But Good Thing That Cartoon Network Studios Is Alive. and yes, Discovery is completely killing Warner Bros, Cartoon Network, And DC Comics. It's Like A Living Shit With Their Actions. Whoever made this chaos should get fired some day. I Really Hope That Warner Bros Discovery Get Shutted Down For Good, And I Really Hope That WarnerMedia And Discovery Break Up Very Soon.

Original Template: https://www.deviantart.com/tagirovo/art/My-Characters-Hate-is-Who-983985997

SpongeBob SquarePants Belongs To Stephen Hillenburg, Rough Draft Studios, Inc. Carbunkle Cartoons, SEK Animation Studio, Wang Film Productions Co., Ltd. Rough Draft Korea Co., Ltd. United Plankton Pictures Inc. Joe Murray Productions Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Oggy and the Cockroaches Belongs To Jean-Yves Raimbaud, Big Star Enterprise, Armada TMT, Digital Emation, Inc. Neon Pumpkin, DongWoo Animation Co. Ltd. Gaumont Multimedia, The Gaumont Film Company, Xilam Animation, France 3, France Télévisions S.A. CANAL+ Family, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, Metropole Télévision S.A. And Groupe M6

Hilda Belongs To Luke Pearson, Mercury Filmworks, Atomic Cartoons Inc. Thunderbird Entertainment Group Inc. Nobrow Press, Flying Eye Books, Silvergate Media Limited, Sony Pictures Television Kids, Sony Pictures Television Studios, Sony Pictures Television Inc. Sony Pictures Entertainment Inc. Sony Entertainment, Inc. Sony Corporation of America, Sony Group Corporation, And Netflix, Inc.

The Simpsons Belongs To Matt Groening, Anivision, DR Movie, Film Roman, LLC Hanho Heung-Up Company, Klasky-Csupo, Inc. Rough Draft Korea Co., Ltd. Toon Boom Animation, Toonzone Entertainment, Wild Horse Animation Group, Gracie Films, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

The Woody Woodpecker Show Belongs To Walter Lantz, Walter Lantz Productions, Universal Cartoon Studios, Universal Animation Studios LLC, Universal Television LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation

Animaniacs (2020 Reboot) Belongs To Tom Ruegger, Wellesley Wild, Steven Spielberg, Digital eMation, Inc. Saerom Animation, Inc. Snipple Animation Studios, Tiger Animation, Titmouse Animation, Inc. Tonic DNA Animation, Toon City Animation, Inc. Yowza! Animation, Giant Ant Animation, Studio Yotta, Birdo Studio, Flystudio, Screen Novelties, Amblin Television, Amblin Entertainment, Inc. Amblin Partners, LLC. Warner Bros. Animation Inc. Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Television Group, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Danger Mouse (2015 TV series) Belongs To Brian Cosgrove, Mark Hall, Cosgrove Hall Fitzpatrick Entertainment, CHF Entertainment, FremantleMedia Kids & Family Entertainment, Fremantle Limited, Boulder Media Limited, Boat Rocker Media Inc. CBBC Production, Windmill Lane Studios, CBBC, BBC Television, BBC Worldwide Ltd. BBC Studios Ltd. And British Broadcasting Corporation (BBC)

Rocko's Modern Life Belongs To Joe Murray, Animal-Ya, Klasky-Csupo, Inc. Pacific Rim Productions, Inc. Rough Draft Korea Co., Ltd. Wang Film Productions Co., Ltd. Sunwoo Entertainment, Co., Ltd. Shanghai Rainbow Animation Tama Production, Wang Film Productions Company, Joe Murray Productions Inc. Games Animation Inc. Nickelodeon Animation Studio, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Pink Panther and Pals Belongs To Friz Freleng, Toon City Animation, Inc. DQ Entertainment Animation Studio, DQ Entertainment International Limited, Rubicon Studios, Rubicon Group Holding, MGM Television, Metro-Goldwyn-Mayer Studios, Inc. MGM Holdings, Inc. Amazon MGM Studios, Amazon.com, Inc. Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Avatar: The Last Airbender Belongs To Michael Dante DiMartino, Bryan Konietzko, DR Movie Co., Ltd. JM Animation Co., Ltd. MOI Animation, Inc. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Paramount+ Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. Paramount Streaming And Paramount Global

The Legend of Korra Belongs To Michael Dante DiMartino, Bryan Konietzko, Studio Mir Co., Ltd. Pierrot Co., Ltd. Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Cleopatra in Space (TV series) Belongs To Doug Langdale, Fitzy Fitzmaurice, Titmouse, Inc. Inspidea Sdn. Bhd. Digitoonz Media & Entertainment Pvt. Ltd. DreamWorks Animation Television, DreamWorks Animation LLC, Hulu, LLC. Disney Streaming, Disney Entertainment, The Walt Disney Company, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation

Sonic Prime Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Joe Kelly, Joe Casey, Duncan Rouleau, Steven T. Seagle, Jam Filled Entertainment, Boat Rocker Media Inc. Flixzilla Aura, Sonic Team, SEGA of America, SEGA Corporation, SEGA Sammy Holdings Inc. Man of Action Entertainment, WildBrain Studios, WildBrain Ltd. Netflix Animation Studios, Netflix Worldwide Entertainment, LLC, And Netflix, Inc.

Star vs the Forces of Evil Belongs To Daron Nefcy, Mercury Filmworks Toon City Animation, Inc. Rough Draft Korea Co, Ltd. Sugarcube Animation, Disney Television Animation, Disney Channel, Disney XD, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Family Guy Belongs To Seth MacFarlane, Film Roman, LLC CNK International, Grimsaem Animation Co. Ltd., Seoul, Korea, Sunwoo Entertainment, Co., Ltd. Rough Draft Studios, Inc. Yeson Entertainment, Yearim Productions Co., Ltd Fuzzy Door Productions, 20th Television Animation, 20th Television, Disney Television Studios, Disney General Entertainment Content, Disney Entertainment, FOX Broadcasting Company, FOX Entertainment, FOX Corporation, And The Walt Disney Company

Rise of the Teenage Mutant Ninja Turtles Belongs To Kevin Eastman, Peter Laird, Andy Suriano, Ant Ward, Digitoonz Media & Entertainment Pvt. Ltd. Flying Bark Productions Pty. Ltd. Studio 100 N.V. Mirage Studios, Image Comics, Nickelodeon Animation Studios, Nickelodeon Productions, Nickelodeon, Nicktoons, Nickelodeon Group, Paramount Global Content Distribution, Paramount International Networks, Paramount Domestic Media Networks, Paramount Media Networks, Inc. And Paramount Global

Amphibia Belongs To Matt Braly, Saerom Animation, Inc. Sunmin Image Pictures Co., Ltd. Sugarcube Animation Studio, Rough Draft Korea Co., Ltd. Disney Television Animation, Disney Channel, Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company

Kung Fu Panda: The Dragon Knight Belongs To Mitch Watson, Peter Hastings, Technicolor Animation Productions, Mikros Animation, Dave Enterprises, Stellar Creative Labs, 88 Pictures, DreamWorks Animation Television, DreamWorks Animation LLC, Universal Pictures, Universal City Studios LLC, NBCUniversal Film and Entertainment, NBCUniversal Syndication Studios, NBCUniversal Television and Streaming, NBCUniversal Media Group, NBCUniversal Media, LLC, Comcast Corporation And Netflix Inc.

Heroes of Goo Jit Zu (TV Series 2019) Belongs To Bang Zoom! Entertainment, Pixel Zoo, And Moose Toys

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screenwritinggym · 4 months

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IMPORTANT REMINDER - Bidding war for the Alien's intellectual property.

In a fierce battle for the privilege of securing my intellectual property, four prominent film production companies are vying for the opportunity to bring my creative vision to life. At the forefront of this competition is Blumhouse Productions, founded by the visionary Jason Blum. Renowned for their innovative approach to horror and suspense genres, Blumhouse has consistently delivered groundbreaking films that captivate audiences worldwide. Their track record of success, coupled with a commitment to pushing creative boundaries, positions them as a formidable contender in this bidding war.

Harpo Productions, spearheaded by the iconic Oprah Winfrey, stands as another heavyweight in the race to secure my intellectual property. Known for their commitment to storytelling that resonates deeply with audiences, Harpo has a rich history of producing impactful films and television projects. Oprah's unparalleled influence and dedication to fostering meaningful narratives make Harpo Productions an appealing prospect for bringing my intellectual property to the big screen.

Adding to the mix is Parkwood Entertainment, a company founded by the multi-talented Beyoncé. Known for pushing artistic boundaries and promoting diversity in storytelling, Parkwood has successfully ventured into film production with projects that reflect Beyoncé's commitment to empowering narratives. The combination of her star power and the company's dedication to excellence makes Parkwood Entertainment a compelling contender in this competitive landscape.

In the heated competition for the honor of securing my intellectual property, Miramax LLC, also known as Miramax Films, has entered the ring, intensifying the battle among film production giants. Under the ownership of beIN Media Group and Paramount Global, Miramax brings a legacy of producing critically acclaimed and commercially successful films. With a history steeped in cinematic excellence, Miramax has been a powerhouse in the industry, fostering creativity and delivering compelling stories to audiences worldwide. The combined expertise of beIN Media Group and Paramount Global further amplifies Miramax's potential to craft a compelling narrative that aligns with my creative vision.

Last but not least, the globally recognized Gaumont Film Company is stepping into the arena, eager to secure my intellectual property. With a rich history spanning over a century, Gaumont has been a major player in the international film industry, producing a diverse range of successful projects. Their experience and extensive network in the global entertainment market position them as a strong contender, promising a wide-reaching and impactful release for my intellectual property.

As this bidding war unfolds, Miramax joins Blumhouse Productions, Harpo Productions, Parkwood Entertainment, and Gaumont Film Company in the quest to secure the rights to my intellectual property. The diverse strengths and resources of Miramax, coupled with its global reach through beIN Media Group and Paramount Global, make it a formidable player in this competitive landscape. The anticipation builds as these renowned production companies vie for the opportunity to bring my creative vision to life on the big screen, promising an exciting journey ahead as I evaluate the most compelling offer.

My manager in America is Connie Orlando, click on her IG link: https://www.instagram.com/connieorlando/

My wife in America is Tracey Edmonds, click on her IG link: https://www.instagram.com/traceyeedmonds

My manager Connie Orlando will help Tracey make the best choice.

I will let my wise wife Tracey Edmonds make the best choice for our couple, I will let her choose and decide which film company offers our couple the best deal.

Never forget this about my wife Tracey: "What's mine is hers, what's hers is hers."

My intellectual property is her property, so she makes the decision to secure the best deal for our couple.

I love my wife Tracey so much.😍😍😍

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bboonni · 1 year

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Layered Worlds - Research (in progress)

Films

•Blade Runner. (1982). [Film] Ridley Scott. dir. USA: Warner Brothers.

- Set in LA, November 2019

- Utopia become Dystopian

- Flying cars

- Despite it being futuristic, there is still a presence of the ‘past’: things are broken

- About replicants (fish,snakes)

- revolves around ‘eyes’

- Replicants take revenge because of mistreatment

•The Fifth Element. (1997). [Film] Luc Besson. dir. France: Gaumont Buena Vista International

- Starts in Egypt 1914

- Aliens (good and bad)

- 300 years later (2214)

- Aliens can transform into humans (shapeshift)

- Very high tech medical equipment

- Flying cars

- The Fifth Element can save the world (love is the fifth element)

- “Everything you create is used to destroy”

Exhibitions

Anne Imhof - Avatar II

NFT Gallery

After visiting these galleries and looking at the works, they’ve helped me get an idea of what I would like my project to be focused on.

Essays and Articles

Read: ‘Socialising artificial intelligence’ and ‘When AI makes art’

Artists

Cauleen Smith

- interdisciplinary filmmaker

- reflects upon the everyday possibilities of the imagination

- Roots her work firmly within the discourse of mid-twentieth-century experimental film

- Drawing from structuralism, third world cinema, and science fiction

- She makes things that deploy the tactics of the disciplines

Works:

- Give it or Leave it (I like the layout of the work as well as the colours)

- We already have what we need ( — II —)

Rachel Maclean

-artist

- works predominantly with digital videos

- Her films combine a variety in f references to popular culture, and of genres such as children’s television programmes, horror movies, British comedy, video games, reality TV and Youtube videos

- Work is defined by a constant back and forth between seductive and unsettling

- Hides a darker reality behind bright coloured works

- Works revolves around the theme of consumption in a wester capitalist society

Works:

- We Want Data! (2016)

- Make Me Up

Jinhwa Jang

-illustrator

- Inspired by Japanese comics, anime and games

- neon-hued, sci-fi screen that we may soon be living in

- varying metropolis, where fish offer you food and it’s normal for the sky to be filled with planets

- Works are undeniably bizarre, cyberpunk

Works:

- Anxiety is The Dizziness of Freedom

Beeple

-graphic designer

- known for using various mediums in creating comical, phantasmagoric works that makes political, social commentary while using pop culture figures as references

- Created ‘Everydays’ series of images done and posted online everyday for 5000 days

- Use of futuristic views over current or passed events

- Everydays was sold as an NFT

Works:

- Everydays

- Novaclustr

- Tatooine Hydroponics

Matteo Loglio

-interior designer

- Shape emerging technologies into an approachable, everyday and sustainable reality

- Works to break down complex subjects into simple and accessible pieces of information

- Loglio’s work shines a human light on the future of AI

Works:

- Roby (first non-human AI creative director, it helps to come up with new ideas and products, moderates the Discord community and runs its own instagram account)

- Alto (is a little teachable object, used to introduce the basic concepts of machine learning in a simple way)

Daniel Arsham

-interdisciplinary artist

- architecture is a prevalent subject throughout his work; environments with eroded walls and stairs going nowhere, landscapes where nature overrides structures, and a general sense of playfulness within existing architecture

- Makes architecture do things it is not supposed to do, to confuse and confound our expectations of space and form

- Simple yet paradoxical gestures dominate his sculptural work

Works:

- Blue Calcite Eroded Busy of Laocoön, (2020); thinking about a thousands of years from now, how the distance between trashed computers and statues would be closer together

- Ash and Rose Quartz Eroded Televisions (2014) (—||—)

Suzanne Treister

-contemporary artist

- works known for being conceptually oriented around emerging technologies

- Focus of the works is the relation between technologies, society, alternative belief systems and the potential futures of humanity

- Has evolved a large body of work which engages with eccentric narratives and unconventional baddies of research to reveal structures that bind power,identity and knowledge

Works:

- SURVIVOR (F)/Entangled Star Net, (2019); oil on canvas

- HEXEN 2.0/Tarot/Wands, (2009-2011); archival giclée prints with watercolour on Hahnemuhle bamboo paper

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brn1029 · 2 years

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On this date, the years vary wildly, in the history of music.

September 30th

2016 - Bruce Springsteen

A schoolboy from Philadelphia who skipped class to meet his musical hero handed his teacher an absence note with a difference. The typewritten note was signed by Bruce Springsteen. Fifth-grader Michael Fenerty met the star at a "meet-and-greet" in the Free Library of Philadelphia when Springsteen was in town signing copies of his new autobiography, Born to Run.

2011 - Marv Tarplin

American guitarist and songwriter Marv Tarplin died aged 70. He was best known as the guitarist for the Miracles from the 1950s through the early 1970s who co-wrote several of their biggest hits, including the 1965 Grammy Hall Of Fame inducted 'The Tracks of My Tears'. Tarplin also worked with Marvin Gaye, The Marvelettes and The Supremes.

2007 - Foo Fighters

Foo Fighters went to No.1 on the UK album chart with Echoes Silence Patience & Grace the bands sixth studio album and second UK No.1. The album was nominated for five Grammy Awards, winning Best Rock Album, and was also awarded the Brit Award of Best International Album.

2003 - Elton John

An auction of the contents of Sir Elton John's London home raised more than £1.4 million. An oil painting, entitled Madison Square Park, sold for £67,200, and a 19th Century portrait of Lieutenant George Dyer, painted by James Northcote in 1817, fetched £55,200. Sir Elton sold off the items so he could redecorate his home in a more modern style.

1977 - Mary Ford

Mary Ford died from cancer after being in a diabetic coma for 54 days. One-half of the husband-and-wife musical team, Les Paul and Mary Ford. Between 1950 and 1954, the couple had 16 top-ten hits; in 1951 alone, they sold six million records.

1974 - Lynyrd Skynyrd

Police were called to a Lynyrd Skynyrd and Blue Oyster Cult concert after a fight broke out between two sound engineers. The Skynyrd roadie claimed that the sound had been deliberately turned off during the bands set.

1972 - David Cassidy

David Cassidy was at No.1 on the UK singles chart with 'How Can I Be Sure.' It was the star from the US TV series the Partridge Family's first UK No.1. The song was originally recorded by The Young Rascals in 1967.

1967 - Tony Blackburn

The UK's first National pop radio station, BBC Radio 1 was launched in the UK to take over from the very successful pirate radio stations, which had been forced off-air by the Government. Former pirate DJ Tony Blackburn, from Radio Caroline, was the first presenter on air, with The Move's Flowers In The Rain the first record to be played.

1965 - Donovan

Donovan made his US television debut on Shindig! along with The Hollies, The Turtles and the Dave Clark Five.

1965 - The Rolling Stones

The Rolling Stones performed at the Gaumont Theatre in Hanley, Staffordshire, UK. Also on the bill were The Moody Blues, The Spencer Davis Group, The End and The Habits. Bill Wyman produced singles and the debut album of The End, for Decca Records.

1964 - The Beatles

The Beatles continued recording sessions at Abbey Road for their fourth UK album Beatles For Sale, recording various takes of 'Every Little Thing', 'What You're Doing' and 'No Reply', which became the opening track on Beatles For Sale.

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billburr-moved · 2 years

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F Is for Family is an American adult animated[1] comedy drama streaming television series created by Bill Burr and Michael Price[2] for Netflix. The show is produced by Gaumont International Television, Show Productions and Vince Vaughn's Wild West Television. Set between October 1973 and December 1974, the show follows a dysfunctional suburban Irish-American family, and is set in the fictional town of Rustvale, Pennsylvania.[2] The show premiered on December 18, 2015, to positive reviews.[3] The series ended on November 25, 2021 with a total of 44 episodes over five seasons.

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alwaysfirst · 2 years

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Location Managers Guild Awards: 'Top Gun: Maverick,' 'Stranger Things' among nominees, check out complete list

Jun 29, 2022 09:33 IST Washington , June 29 (AF): The Location Managers Guild International has announced the nominations for its 9th annual LMGI Awards, and the current hot favourites 'Top Gun: Maverick' and 'Stranger Things 4' figure in its list. The 9th Annual LMGI Awards honour outstanding and creative visual contributions by location professionals in film, television and commercials from around the globe. Winners will be honoured at the LMGI Awards ceremony, returning to a live in-person event on August 27, as per Variety. Other shows nominated for Outstanding Locations in a Contemporary Television Series include 'Atlanta,' 'Reservation Dogs' and 'Succession.' Meanwhile, this year's Best Picture winner 'CODA' was nominated for Outstanding Locations in a Contemporary Film, alongside 'Drive My Car,' 'Everything, Everywhere All at Once,' 'In the Heights,' 'No Time to Die' and 'Top Gun: Maverick.' Check out the complete list of nominees below. Outstanding Locations in a Contemporary Television Series "Atlanta," Season 3 - FX Productions/FX Network "Better Call Saul," Season 6 - High Bridge Productions/AMC "Reservation Dogs," Dive/FX Networks "Succession," Season 3 - Gary Sanchez Productions/HBO "Yellowstone," Season 4 - Paramount Network Outstanding Locations in a Period Television Series "Bridgerton," Season 2 - Shondaland/ Netflix "Narcos: Mexico," Gaumont International Television/ Netflix "Pachinko," Media Res/ Apple TV+ "SEE," Season 2 - Apple TV+ "Stranger Things," Season 4 - 21 Laps Entertainment/ Warner Home Video & Netflix "The Marvelous Mrs. Maisel," Season 4 - Amazon Studios/Amazon Prime Video Outstanding Locations in a TV Serial Program, Anthology, or Limited Series "Dopesick," John Goldwyn Productions/Hulu "Inventing Anna," Shondaland/Netflix "Station Eleven," Pacesetter Productions/HBO Max "The First Lady," Showtime Networks "The Tourist," All3Media International/HBO Max "Under the Banner of Heaven," Aggregate Film/FX Network Outstanding Locations in a Contemporary Film CODA, Apple TV+ Drive My Car, Bitters End/Janus Films Everything, Everywhere All at Once, A24 In the Heights, Warner Bros. No Time to Die, MGM Studios Top Gun: Maverick, Paramount Pictures Outstanding Locations in a Period Film House of Gucci, MGM Studios Licorice Pizza, MGM/Focus Features Last Night in Soho, Universal/Focus Features The Northman, Universal/Focus Features The Power of the Dog, Netflix Outstanding Locations in a Single Commercial Crown Royale: Kickoff with Crown Hyundai Ioniq 5: Spiderman Only Way Home OHRA: Don't Worry About Ending Up Sleeping with the Fishes Renault: Megane E-Tech Rolls Royce Black Badge: Embrace the Night Outstanding Film Commission City of Brantford, Ontario, Canada - The Handmaid's Tale City of Kingston, Ontario, Canada - The Mayor of Kingstown Hawaii Film Office - The White Lotus Jamaica Promotions Corporation - No Time to Die Oklahoma Film & Music Office - Reservation Dogs The Royal Film Commission, Jordan - Zara Man (AF) Read the full article

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tv-moments · 2 years

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Narcos: Mexico

Season 3, “La Voz“

Director: Luis Ortega

DoP: Adrian Teijido

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galaxiarick · 3 years

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F is for Family (Season 5)

F is for Family (5ª Temporada)

#f is for family #cartoon #netflix #big jump productions #gaumont animation #gaumont international television #king of france productions #leodoro productions #loner productions #wild west television

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javier-pena · 3 years

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Since I got a few comments about this gifset I posted yesterday, I thought I’d share the true story about Javier Peña leaving his girlfriend at the altar. I’m using the read more break because it’s actually a longer story lmao.

In Season 1, Javi tells Steve that he used to be engaged but changed his mind on the day of the wedding. He left his girlfriend, and it’s later revealed that he knows it was wrong and feels sorry about it. Javi tells the story like this:

Javi: I was driving to the church. Was with my buddy, John. He was my best man. We were late. It was fucking blazing outside, 110 degrees. Whole bridal party was there sweating their balls off, I'm sure. And all of a sudden, I stopped the car.

Steve: Please don't tell me you left her at the altar.

Javi: I don't know if she actually made it to the altar.

Steve: Well, you saved her a lifetime of hell.

Javi: Yeah, she forgave me. Eventually. Married a stockbroker from Dallas.

Steve: Hm.

Javi: Randy... I think. Trust me, she's better off.

"There Will be A Future." Narcos, written by Dana Ledoux Miller, directed by Andrés Baiz, Gaumont International Television, 2015.

So far, so good. However, in the book Manhunters: How We Took Down Pablo Escobar, the real Javier Peña tells the story differently:

In fact, it was all because of a woman that I ended up at the DEA. I was all set to do the right thing and marry my girlfriend in Laredo back in 1982 when she told me she was pregnant. But on the day before our wedding when she called me and told me she had gotten her period, I packed my shit and left Laredo as fast as I could!

I clambered into my Chevy and took off at the crack of dawn like a fugitive, terrified that her brothers would come after me. I waited until I was nearly four hours out of town before I called her to break the news.

“You’re going to leave me?” she said, incredulous.

“Well actually, I already have,” I said.

She had manipulated me so well. She had even taken me to a clinic where a nurse told me she was pregnant.

After I left her waiting at the altar, I became persona non grata in Laredo, where her family was pretty well connected. My former fiancée’s friend was an administrator at Laredo Junior College, where I was still teaching in the criminal justice program. After the incident, he told me that I should resign and leave Laredo because I was no longer a good example for my students or the community as a whole.

I got the message and started to look for ways out.

Months later, I applied to the DEA.

Murphy, Steve, and Javier Peña. Manhunters. How We Took Down Pablo Escobar. London: Headline Publishing Group, 2019. p. 53f.

The show took a different path from real life events and gave Javi this kind of sad background story where he leaves his girlfriend at the altar but later regrets it. It’s also never mentioned if his girlfriend was pregnant or that she faked her pregnancy to get him to marry her. The story, as it’s told on the show, serves the narrative of Javi being kind of a womanizer. Of course, and this is also important, we only have Javier Peña’s word to tell us about what happened in real life, and often those one-sided accounts also aren’t 100% truthful.

In any case, I can really recommend the book because it’s full of little pieces of information like this and gives a bit more background about the real Steve Murphy and Javier Peña (e.g., the struggles Peña faced as a Latino man in the police service or how Murphy and his wife adopted children in Colombia). There is also another one, Killing Pablo by Mark Bowden, which I actually enjoyed more because it focuses on the whole story, from the history of the drug trade in Colombia to a very detailed account of the day Pablo Escobar was killed. (It also talks about Murphy having a doughnut and caffeine addiction and about Peña being a nerd with glasses).

#narcos #javi pena #i just love knowing these little pieces of information idk

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bbcsherlock · 4 years

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the way that Bryan Fuller has an entire 7 season arc including a season 5 gay romance for Hannibal planned out and has been trying to get the show brought back for years and all the actors would be willing and excited to resume filming but they can’t because Gaumont International Television owns the characters and won’t agree to be involved

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ptbf2002 · 7 months

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here's My Top 10 Favorite Cartoons From France (Or I Should Say That Cartoons Produced Or Animated In France)

#10 Little Spirou

#9 Monster Buster Club

#8 Robotboy

#7 SamSam

#6 The Garfield Show

#5 Zig And Sharko

#4 Sonic Boom

#3 Magiki

#2 Angelo Rules

And #1 Oggy And The Cockroaches

Honorable Mentions: Boy Girl Dog Cat Mouse Cheese, Nate Is Late, Molang, Sally Bollywood, Team Galaxy, A.T.O.M Alpha Teens On Machines,

Original Template: https://www.deviantart.com/el-crany-racha-da/art/Top-10-Favorite-French-Cartoons-962082542

Little Spirou (TV Series) (2013) Belongs To Jean-Richard Geurts, Philippe Tome, Virginie Jallot, Dupuis Editions & Audiovisuels, Araneo Belgium, LuxAnimation, Belvision, Dreamwall, OUFtivi, Radio-télévision belge de la Communauté française (RTBF), Télétoon+, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, M6 Kid, M6 (TV channel), Metropole Télévision S.A. And Groupe M6

Monster Buster Club Belongs To Vincent Chalvon-Demersay, David Michel, Designstorm Animation Studio, Marathon Animation, Marathon Media Group, Zodiak Kids Studios France, Banijay S.A. Image Entertainment Corporation, Mystery Animation, TF1, Groupe TF1 S.A. Jetix Europe N.V. Disney Branded Television, Disney–ABC Home Entertainment and Television Distribution, Disney General Entertainment Content, Disney Media and Entertainment Distribution, Disney Entertainment, Disney Enterprises, Inc. And The Walt Disney Company YTV, YTV Canada, Inc. And Corus Entertainment Inc.

Robotboy Belongs To Jan Van Rijsselberge, Digital eMation, Inc. Monigotez, Carbunkle Cartoons, Gaumont Animation, Gaumont Film Company, France 3, France Télévisions S.A. LuxAnimation, Splash Entertainment, LLC. Cofinova 1, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Discovery Europe, Middle East & Africa, Warner Bros. Discovery International, Warner Bros. Domestic Television Distribution Warner Bros. Television Studios, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

SamSam Belongs To Serge Bloch, Blue Spirit Studio, Sinematik, Bayard Jeunesse Animation, Grupo SM, Araneo Belgium, France 5, France Télévisions S.A. Gulli, Canal J, TiJi, Metropole Télévision S.A. And Groupe M6

The Garfield Show Belongs To Jim Davis, Philippe Vidal, Infinite Frameworks Pte. Ltd. Tiger Bells Animation Pvt. Ltd. Paws, Inc. Nickelodeon Group, Paramount Media Networks, Inc. Paramount Global, Dargaud Media, Mediatoon Distribution, Les Éditions Dargaud, France 3, France Télévisions S.A. Cartoon Network, Boomerang (TV network), The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia, And Warner Bros. Discovery, Inc.

Zig And Sharko Belongs To Olivier Jean-Marie, Armada TMT, DongWoo Animation Co. Ltd. Xilam Animation, TF1, Groupe TF1 S.A. CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Gulli, Canal J, TiJi, Metropole Télévision S.A. Groupe M6, Super RTL, RTL Deutschland GmbH And RTL Group S.A.

Sonic Boom Belongs To Yuji Naka, Naoto Ohshima, Hirokazu Yasuhara, Evan Baily, Donna Friedman Meir, Sandrine Nguyen, Infinite Frameworks Studios, SEGA Corporation, SEGA Sammy Holdings Inc. OuiDo! Productions, Technicolor Animation Productions, Lagardère Thématiques, Jeunesse TV, Gulli, Canal J, CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Metropole Télévision S.A. Groupe M6, Boomerang, Cartoon Network, The Cartoon Network, Inc. Warner Bros. Discovery Networks, Warner Bros. Entertainment Inc. WarnerMedia And Warner Bros. Discovery, Inc.

Magiki Belongs To Eryk Casemiro, Cyril Deydier, Pegbar Animation, Animasia Studio, Rainbow S.P.A. Paramount Media Networks, Inc. Paramount Global, DeAgostini Publishing Italy S.P.A. DeAgostini Editore S.P.A. DeAKids, DeA Junior, DeAgostini S.P.A. DeAPlaneta Kids And Family, DeAPlaneta Entertainment, Télé Images Productions, Zodiak Kids Studios France, Banijay S.A. Ketchup TV, KidsMe S.R.L. Gulli, TiJi, Metropole Télévision S.A. Groupe M6, Frisbee, Switchover Media, Discovery Italia S.R.L. Discovery Networks Italia, Discovery Networks EMEA, Discovery Networks International, Discovery, Inc. And Warner Bros. Discovery, Inc.

Angelo Rules Belongs To Sylvie De Mathuisieulx, Sebastien Diologent, TeamTO, CAKE Entertainment Ltd. France 3, France 4, France Télévisions S.A. Télétoon+ CANAL+ S.A. Groupe CANAL+ S.A. Vivendi SE, Expand Drama, Super RTL, RTL Deutschland GmbH, RTL Group S.A. International Rheingold Productions, Cartoon Network (Middle Eastern and African TV channel), Turner Broadcasting System Europe Limited, WarnerMedia EMEA, Turner Broadcasting System International, WarnerMedia International, WarnerMedia & Warner Bros. Discovery, Inc.

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fullerology · 5 years

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#hannibal #mads mikkelsen #hugh dancy #bryan fuller

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ethanq-fmp · 5 years

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F is for Family review-

F is for Family is an adult animated sitcom created by Bill Burr and Michael Price and produced by Gaumont International Television and Vince Vaughn's Wild West Television. The show follows a dysfunctional suburban Irish-American family, and is set in the early 1970s.

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nataliej-animation · 5 years

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British Women in Animation

Sarah Kennedy is doing a documentary on female animators. I am doing some research and finding it so interesting. Back in the day, women weren’t really valued. They weren’t even classed as artists, they were degraded and looked down upon. They rarely even got credited for the work they did. It appals me to think that this was acceptable.

In this blog I will research British female animators.

Suzanah (Suzie) Clare Templeton (born 1967 in Hampshire, England) is an award-winning British animator. Her film Peter and the Wolf has won several awards, including the Academy Award for Best Animated Short Film in 2008.

Stanley (1999) is the winner of the 2001 Golden Sun Award, the 2000 Best College Student Animation Award of the Nashville Independent Film Festival, the 2000 Best Animation Award for the International Short Film Festival of Berlin, and many others.

Dog (2001) is the winner of the 2002 British Academy of Film and Television Arts (BAFTA) in Short Animation and many others.

Peter and the Wolf (2006) is the winner of the 2008 Academy Award for Best Short Film, the 2006 British Animation Award for Best TV Special, the 2007 Pulcinella Ward for Best European Programme, the 2007 Grand Prix and Audience Award Annecy at the French Animation Festival, the 2007 Golden Rose for Performing Arts at the Rose D'or Festival in Switzerland, the 2007 Special Prize at the Ukraine Animated Film Festival, and the 2008 Special Jury Award of the Lucca Animation Festival in Italy.

Joy Batchelor (12 May 1914 – 14 May 1991) was an English animator, director, screenwriter, and producer. She married John Halas in 1940 and subsequently co-established Halas and Batchelor cartoons, whose best known production is the animated feature film Animal Farm (1954), which made her the first woman director of an animated feature since Lotte Reiniger. Together they created over 2000 shorts/films, and produced roughly 70 propaganda pieces during World War II for the British government. She helped co-write, write, animate, produce, and direct many of their productions.

One of her projects as an art director was Cinerama Holiday (1955). Joy directed and wrote Ruddigore (1967), a television-film adaptation of W.S. Gilbert's opera of the same name, which became the first opera to be adapted into an animated film. She later worked in television, directing series, including animated shows like The Jackson 5ive (1971). Batchelor died on 14 May 1991, just two days after her 77th birthday.

Between 1975 and 1980, Sheila Graber created a selection of animated shorts which were shown worldwide. One animation, Mondrian, about the Dutch painter Piet Mondrian was screened at the Tate Gallery, Mondrian’s own house in the Netherlands, the Open University and British Broadcasting Corporation's children's television series Blue Peter.[2]

By 1975, Graber was working for Filmfair, and created the animation for Paddington Bear and Mr and Mrs Brown for the television series Paddington.[1] She also animated the 1983 BBC series Just So Stories, adapted from a collection of children's stories of the same name, written by Rudyard Kipling.[3]

In 1980, newly divorced, Sheila left her role as head of Creative Studies at a large comprehensive school to begin teaching animation classes in Tunisia and Caracas, and pursue a career as a full-time professional artist and animator.

I love the fact that Sheila became an animation teacher. That is amazing!

Joanna Quinn was born in Birmingham, England in 1962 and grew up in North London. Quinn's first film Girls Night Out was completed in 1987 and won three awards at the Annecy Film Festival. Quinn has won over 90 international awards, including 2 Emmy awards, 4 Bafta awards and Jury prizes at all the major animation festivals. One of her films, Famous Fred (1997), received an Academy Award nomination. Quinn was awarded the Leonardo da Vinci International Art Award in 1996. In 2006 her film Dreams and Desires won Grand Prix at World Festival of Animated Film

Alison de Vere (16 September 1927 – 2 January 2001), while married also known as Alison Weschke, was a British animator, known for her animated short films The Black Dog and Psyche and Eros. Born in Peshawar into a British military family, de Vere studied art in Brighton and at the Royal Academy. She worked as a background designer at Halas and Batchelor studio beginning in 1951, at a time when women were unheard of in creative leadership roles in British animation. Nonetheless she took the leadership of the animation unit of Guild Television Services in 1957. During the 1960s, she worked as a freelancer, but joined TVC in 1967 to work as design director on the Beatles film Yellow Submarine, in which she had a cameo.

Jackie Cockle, born 1950 in Portsmouth, is a British stop frame animation specialist. She is the creator and creative producer of the pre-school animation Timmy Time, creative producer of Bob the Builder and Brambly Hedge, director of The Wind in the Willows and more. Cockle, a graduate of the Manchester College of Art and Design, has won 3 Bafta awards: one in the best animation category for Bob the Builder 30 minute special (2002) and two in the pre-school animation for Timmy Time (2010, 2013) - a production of the Bristol-based Aardman Animations.

Eunice Macaulay (nee Eunice Bagley) (1923 – 2013) was a British-born Academy Award–winning animator whose credits range from animation to writing, directing, and producing. She shifted into animation when a Christmas card she had designed got her a job with Gaumont British Animation (later part of the Rank Organisation) in 1948. Starting out as a tracer, she went on to hold nearly every position in animation, including background artist, ink and paint supervisor, rendering supervisor, writer, animator, producer, and director.

Dianne Jackson (July 28, 1941 – December 31, 1992) was an English animation director, best known for The Snowman, made in 1982 and subsequently repeated every Christmas on Channel 4 in the United Kingdom.

She had a long career as an animator, and her earliest credit was for The Beatles' Yellow Submarine in 1968. She is particularly noted for recreating the style of the original artists in her animations, for example of Raymond Briggs's picture book, The Snowman.

She also directed Granpa by John Burningham in 1989 and was due to direct Raymond Briggs' Father Christmas in 1991, having completed storyboarding for the film, although due to her illness this was directed by Dave Unwin. She also planned the first series of animated adaptations of the tales of Beatrix Potter as The World of Peter Rabbit and Friends. However, she died of cancer on New Year's Eve 1992 at the age of 51. The series episode "The Tailor of Gloucester" is dedicated to her memory

Jodie Mack (born 1983 in London, England) is an English-born American experimental filmmaker and animator. She attended the University of Florida and earned her MFA in film, video, and new media at the School of the Art Institute of Chicago and teaches at Dartmouth College. Mack's works have screened at the Viennale, the New York Film Festival, the Toronto International Film Festival, and the Locarno Festival. Mack is currently a 2017–2018 Radcliffe-Harvard Film Study Center Fellow/David and Roberta Logie Fellow. Mack primarily produces her films using a 16 millimeter Bolex camera. Mack stated in an interview that "[She] chose to work in film because the material renders color and texture in a way that resonates with a lot of [her] work”.

Many of Jodie Mack's films are stop motion animations that feature everyday fabrics and textiles or recycled materials like magazine clippings or newspaper scraps.

Alison Snowden (born 4 April 1958) is an English animator, voice actress, producer, and screenwriter best known for Bob and Margaret alongside her Oscar-winning short Bob's Birthday which was also co-directed by her partner David Fine. Bob's Birthday serves as the pilot for the Alison Snowden and David Fine's animated TV show Bob and Margaret.

#dairyofanintern

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aion-rsa · 3 years

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Hannibal Fan Art Fuels Season 4 Hopes

https://ift.tt/eA8V8J

Horror darling Hannibal was originally planned by creator and showrunner Bryan Fuller to run for seven seasons, but was sadly canceled after only three near-perfect ones. Pretty much ever since finale “The Wrath of the Lamb” aired back in 2015, the passionate Hannibal fandom has been asking for a continuation of the drama following the dysfunctional love story between Hannibal Lecter and Will Graham, based on the books by Thomas Harris. Fuller hasn’t given up either. This week, some excellent Hannibal-inspired art chosen to hang in the U.S. Capitol building for a year as part of the annual Congressional Art Competition, has been making the rounds on Twitter, prompting Fuller to comment on the possibility of a Season 4.

The Cubist interpretation of Hannibal‘s Season 3 episode “Dolce”, which sees Will catching up to Hannibal in Florence, was created by New Jersey high school senior Kathleen Palmer, and is gorgeous (the U.S. Capitol should be so lucky to have this piece of art hanging in its hallowed halls). The Twitter rounds of the artwork eventually made it into Fuller’s newsfeed, and even prompted a follow-up question from a U.S. Congress person who is apparently also a Fannibal.

If I invite you to the Capitol to see the artwork, does that mean there will be a season 4?

— RepAndyKim (@RepAndyKimNJ) May 21, 2021

Andy Kim, a congressman from New Jersey’s Third District, tweeted at Fuller: “If I invite you to the Capitol to see the artwork, does that mean there will be a Season 4?” (Hannibal fans are everywhere.) Fuller, who is obviously on board with another season of the beloved show but would need a distribution deal to do so, told Kim “I HOPE SO!” A willingness to continue on with Hannibal has been Fuller’s consistent messaging, on Twitter and elsewhere, ever since Hannibal went off the air six years ago, and Mikkelsen and Hugh Dancy are also on board.

No one has given up! I've made it clear I want to do it, the cast wants to do it and Martha wants to do it. We just need a network or a streaming service that wants to do it, too. I don't feel there's a clock on it or an expiration date for the idea. We just need someone to bite.

— Bryan Fuller (@BryanFuller) May 27, 2019

Interest in Hannibal peaked again last year when all three seasons of the show, which originally aired on NBC here in the U.S., dropped on Netflix. (The series’ time on Netflix is soon coming to an end.) But adapting the Harris book series has always been a complicated venture, and not for the faint of heart. While Gaumont International Television, which produced Hannibal, has the rights to the Hannibal, Hannibal Rising, and The Red Dragon novels, MGM has the rights to Silence of the Lambs, which means Fuller was unable to use any of the characters that originate in that book for his TV adaptation, including Clarice. If Fuller were to continue the Hannibal story in some format, he would like to try to get the rights to Silence of the Lambs too, as mentioned by series star Mads Mikkelsen told Bloody Disgusting back in 2019.

“I haven’t heard anything specific,” said Mikkelsen regarding the possibility of a Hannibal Season 4. “I know Bryan is still working on some ideas where we can find a new home for this. I also have a strong feeling that everybody who was involved in it would gladly pick up the glove again if that happens. I don’t know where they looked. That is above my paycheck, but I know they’ve been talking to different studios. I know that [Fuller] was working to get the rights to Silence of the Lambs so he could get in there and use some of those characters for his own universe. I have a hunch that might be where we’re going.”

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Would you be interesting in a fourth season of Hannibal? Let us know in the comments below.

The post Hannibal Fan Art Fuels Season 4 Hopes appeared first on Den of Geek.

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