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#Hoshikawa Subaru
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descendant-of-truth · 9 months
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The way Subaru gets the name "Rockman" (in the anime at least) is really funny to me, all he did was stammer out the word "Rock" and then got assigned male in the middle of the street
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iandimasart · 6 months
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A very fun Halloween commission of Misora and Subaru out on a spooky date, but seems like someone can't handle themselves too well with scary things!
Patreon | Twitter | Commissions
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Megaman Production Art Scan of the Day #750:
Shingo Adachi's Story of Meteor Artbook: Page 15
Not making a translated page for this, but essentially the one note here just says to keep Luna flat-chested.
Full Resolution Scan: https://imgbox.com/XGmNSUsY
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halflucidramblings · 4 months
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Young child suffers from emotional turmoil
Said child meets someone who they can open up to
Forms strong emotional attachment
Is forced to fight due to circumstance
The aftermath leaves them emotionally scarred
woke up in a cold sweat thinking about this
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stellar-space-galaxy · 4 months
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not to forget Geo
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scilab-area-1 · 7 months
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Rockman and Kazuma commit some mild, well-intentioned breaking and entering, and a new threat shows their face.
Chapter 2 is here!! Starting to get into the EXE stuff here now :)
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raposarealm · 2 years
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Just saw the character questions you reblogged! I don't know who you've answered about in the past, but how about either Geo Stelar/Subaru Hoshikawa and/or Sonia Strumm/Misora Hibki? I'm almost positive you've probably answered about them already, but they're my favorite characters in Mega Man Star Force (Alongside Luna). Thank you for reading this, even if you don't respond!
YES ABSOLUTELY I WILL ANSWER
Also surprisingly nobody's sent in Subaru or Misora (or any Starforce characters, actually) yet.
Ok I'll do this in two, but first: Subaru because I will always, always be ecstatic to gush over him because he's my favourite. Also, this got super long so read more to save people’s dashes:
Why I like them
Oh god where to start. Literally me. he's literally me when I was a critically depressed hikkikomori kiddo floating in-between grades in high school. Right down to the space nerdiness. But, I digress.
First off, I don't see too many well-written representations of depression and trauma (or PTSD in this case, arguably,) in the media I consume or in general really, but the few that I do see tend to be the kinda 'Izusu Ren' archetype: gloomy, melancholic, tearful, and often self-harming or even suicidal (especially in Ren's case particularly.) This is accurate to some folks, yes! But, not so much to my experience with the illness. I'm not suicidal, I'm not self-harming, I'm not tearful and sad and mopey. And, neither is Subaru! He's not sad, he's angry, frustrated at the world in general and at himself specifically. He's self-deprecating, but also cynical and paranoid to the point of delusion. He's actively forcing himself to stay this way at the beginning of the first game (I'll ignore the anime for now,) because he's so terrified -- phobic, even -- of being abandoned or betrayed again, and it's just... easier to keep everyone away if you convince yourself that everyone's out to get you, or angry at you, or if you just see people as caricatures instead of, well, people. And that's so dead on the mark of how I act, it's almost creepy.
Subaru has no energy, no motivation, and that's what depression does to you, the 'depression' is the depresses energy, 'cause your brain's not producing enough serotonin, enough dopamine, and your nervous system isn't working right. But, all that paranoia and delusion ends up giving Subaru some pretty severe anxiety issues as well, which isn't really surprising given how often those two disorders overlap. He's not a classic textbook-example of depression, he's an amalgam of different disorders, all compounded by occurring in his early formative years! It's not really known if he had friends before Luna gang and Misora, but there's a good chance he didn't have any close ones -- which might have been why he was so close to Daigo, and why he couldn't physically move on from his death/disappearance for three whole years, until Warrock shows up and very literally drags him back into the world.
But Capcom didn't go full edge here, not at all, because once he's given a reason to keep moving, even one he might not have wanted at first, Subaru can't keep up the cynical façade anymore, he can't keep convincing himself he doesn't care about people, because he does, more than anything. I feel, Subaru kinda embodies the whole 'with great power comes great responsibility' line, y'know the one. He didn't choose to fight, he was forced to by the imminent crisis in the moment (either the out-of-control train in the game, or the derailed monorail car in the anime.) He didn't want to fight, he was scared, he straight up has a panic attack in the anime even; but, even if he didn't care particularly about the rest of the town, even if the classmates now dangling precariously over a hundred-plus-foot drop had previously left a bad taste in his mouth, these were still people, and therefore, he couldn't think of them as objects. There's a line he quotes in game 1 during the denpa-human attack that I've already made a whole post on, but I'll repeat it here again since it really sums up Subaru's true view on things: "Even if there was a sliver of a chance, it's better to do something." I compared it to a line said by Shinobu Akira in her story in Magia Record, "Inaction is Cowardice," and I feel that both lines also resemble a principle I strongly try to live by: Noblesse Oblige, or "Nobility Obliges," the ideal that people in power should help those who don't have it. (Or, as defined by the OED, "privilege entails responsibility.") Even if Subaru didn’t care particularly about anybody in danger, or otherwise, once he fully realized that, as Ryuusei, he now had the power to fight and protect others, he had a duty to do so. This was especially expanded upon in game 2, which, yes, joke all you want about the story, but I still feel that at least this part of the plot was handled really well. 
Having Subaru break away from the ‘gung-ho warrior of justice’ archetype we tend to see in both shounen and magical girl genre series (fight me), or maybe even just from his predecessor Netto’s pure nosiness and naïve curiosity, let Subaru have a character arc that mirrored the arcs of the characters he fought, and eventually saved. He’s having to overcome his past, the way Misora and Luna were. He was having to overcome the cynicism that had come to be his shield, the same way Gonta was using his image as a cruel ‘tough-guy’  to hide his insecurity. He had to learn to place his trust his new-found friend(s), the same that Utagai had to learn that not everyone was out to get him (and frankly, both had to learn to trust Amachi specifically, ehe.) He had to learn to persevere through the right path, even when facing insurmountable odds, the way Ikuta had to learn to fight for what was truly important to him, consequences be damned. And don’t even get me started on Tsukasa and Hikaru. Hell, Subaru even had to re-learn to see people as individuals, and to place hope in them, the way Warrock had to do when encountering Daigo, and again through Subaru himself. Actually honestly the dynamic of those two is just, fantastic thank you. It kept his character from feeling stagnant, since he didn’t start at a good place, he had room to grow and improve -- but also room to dip back down again, to have impactful ‘darkest hours’, and just moments of true, well, mental illness. 
And since the plot of the series is so heavily character-driven, Subaru ends up getting to the point where he chooses to keep going, to keep fighting and protecting others. He chooses to keep his own development going, into a true ‘shining star’ of hope for others. (Ok look I was trying to make a pun here, laugh, dammit.) And the hope others place in him ends up powering him in both a metaphorical sense, and in the very literal sense of the Brotherband. He’s only able to activate the Star Force when he vows to protect Luna no matter the cost. He’s only able to break free from the control of the OOPArt[s] through the force of his will to prevent harm from befalling those dear to him (once again Luna, I know.) And look I’m sure game 3 has an equivalent with whatever’s going on with the Noise Changes but I still haven’t finished it because D-pads are my enemy. He’s only able to be guided back home in the game 1 ending by the collective bond, the Brotherband, between him and his friends, even the ones who hadn’t formed a formal connection were still so dear to him that the connection became a literal path. ...Have I made it clear how much I love the Power of Friendship trope, because it’s literally The Best. 
And maybe that’s the core of it all, Subaru as a character, and through that Ryuusei as both an alias and extension of the two characters that form it, embodies the power of friendship, of bonds, of hope so integrally, yet he’s not the annoyingly bubbly, over-optimistic protagonist that usually gets that type of theming -- he’s believable because he falters. He never gives up hope or faith, but he comes dangerously close, and he’s still prone to a whole load of self-doubt and deprecation that comes with being the one shouldering it all. Also, how did this end up turning into a Madoka theme analysis? Whoops. Basically, I like Subaru’s character theming in the same way I like Madoka’s character -- a realistic, but not dark or edgy, response to their situations, and a inseverable, if not unwavering, hope.
Why I don’t
Ok, usually I have an answer here, but... Nope. Subaru is literally my favorite okay, I don’t dislike really anything about him.
I will note that, for the anime’s writing of him in particular, some of the impact of his arc is lost by speeding up his ‘recovery’ from his depressed state. Actually, my problem there might be that the anime kind of implies that Subaru ends up defeating his mental issues permanently, with the only relapse shown in the middle of the season much more to do with active trauma (and some goading from Cygnus) than with anything more deep-seated. Here’s the thing: depression, anxiety, trauma (and resulting PTSD), any other illnesses/disorders you could argue Subaru to have... they’re treatable, they’re combatable... but they’re not curable. They don’t magically go away, they don’t even go away with all the work in the world. Mental disorders are the result of a physical deficiency and/or deformity in the mind, whether neurologically or chemically. And the source of that issue can’t be cured, because it’s a fundamental part of how your brain works. It’s like saying that an autistic person can’t be ‘cured’ of autism -- because it’s a fundamental issue with how our brains are wired to work. 
The game doesn’t do this, fortunately, and instead does the opposite: it goes almost out of it’s way to show us how these illnesses and issues are still there, they’re still affecting Subaru and every way he functions. He’s never going to be ‘cured’ of his depression, trauma, anxiety, etc., but he still overcomes them the best he can -- and when he can’t, he’s got friends to pull him out of whatever funk’s got him this time. The anime kind of nerfs Luna gang into secondary characters a lot of the time (though arguably set up to be main during the short-lived and much better Tribes,) and while Misora is sort of set up to take their place, they take too long to fully let her and Subaru be actual friends instead of just teammates. Amachi and Utagai kind of fill in a little, but their adult status kinda makes them feel more like mentors and teammates more than proper friends. (Anime-ver. Amachi definitely feels like an older brother-esque figure to Subaru, at least. Utagai, well... he’s Utagai.) However, I wonder how much of this had to do with the show possibly just not having enough time to build things out at the pace they were moving.
Favorite episode (scene if movie)
Since I’ve mentioned both game and anime versions here, I’ll give one for both!
For the game, definitely the scene mentioned above from game 1, during the denpa-human attack on Kodamasho. This part of the game takes place directly after the culmination of the Libra arc, which ended in the school play, where Luna mistakes Subaru in a poorly-made costume for the actual Ryuusei (until Kizamaro fumbles his queue and blacks out the spotlight, which, having now worked with a manual spotlight, that’s not hard to do, give the kid a break he’s short.) Luna’s already starting to act on edge around Subaru at this point, since A) she’s not sure who she saw in that moment, but she can’t shake the suspicion that Subaru and Ryuusei are connected somehow, and B) her puppy crush on Ryuusei has started to evolve into a much more tangible crush, but on Subaru instead, so she’s frazzled and it doesn’t take much for her to start going off the deep end panicking when she, well, witnesses her two closest friends turn into some sort of pink floating monstrosity right in front of her. Her clinging on to Subaru instinctively helps cement Subaru into the rare leader role, and we get to see him act under pressure, in civilian form, with a panicked friend in tow. The line mentioned above is given in this part, where after tactically traversing the school grounds for an exit, Subaru realizes he’s definitely gonna have to fight his way out of this one, and accepts this all on his own, no prodding from Warrock, no complaining or cowering, he immediately moves to thinking of how to protect Luna who’s still clinging to him like a lost puppy. So, rare Cool Subaru, a not-so-rare flustered and panicked Luna (which helped to transition into her arc in the next part,) solid character growth on both parties, and my favorite line of all time.
As for the anime, I’d say I’m split between three. The first scene being Subaru and Warrock’s first meeting. It’s so drastically different from the game’s version, but I sort of liked having them get a chance to properly meet before chaos ensued. It’s rather comical, so it sets up the ensuing gravity of the fight to come in the next episode. 
The second scene, the Ryuusei vs. Harp Note fight. Note (ehe) that in the anime, Misora was unconscious during this fight, and her arousal signaled the end of the skirmish. As a result, Harp was in complete control of Misora’s body, and that led to a much more dangerous opponent than what Harp Note would be later on with Misora conscious. This fight had a surprisingly little amount of dialogue, given what’s normal for the rest of the series, and animation-wise, you could tell that lead storyboarder Shingo Adachi had his hand in this one, it’s one of the best in the season. Subaru demonstrates real efficiency and skill with the battle card system, as well as the high agility and speed he becomes known for throughout the series. The best part, though, being one of Harp’s lines before the fight -- in response to her rhetorically questioning whether her adversary was Warrock in henkan, he effectively tells her to shush and go back home... and then Subaru responds separately as Ryuusei, with much more dignified dialogue of course. Harp responds bewilderedly asking if Warrock’s host was actually conscious, cementing how rare a team such as the two of them working together was. It’s an early indication of both Warrock’s unique nature among the denpa, as well as showing how in-sync (or maybe in-synchro, this is the same studio after all,) the two are. 
The third scene, Subaru returning after the encounter with the Satella Admins to rescue Warrock. Given everything that had happened between the two at this point, Subaru’s decision to throw his wariness and anger of Warrock out the window to save and reunite with him, first, is obviously a really good Power of Friendship scene, which is just the best. But, secondly, it shows more character growth on Subaru, and a lot of it all at once. Warning for spoilers, but Warrock had been accused of being Daigo’s murderer, but in the end, Subaru decided that there wasn’t any way that could be true, that this person that he’d come to know so well just wasn’t betraying him. Finally embracing gut instinct and a blind faith in a friend sets Subaru on the upswing of his arc in this season, and helps to bolster Warrock’s character as well. (The premiere usage of the Star Break coming in the scene after this makes it even better.)
Favorite season/movie
For games, game 1 is my favourite game of all-time now. Like, it’s displaced Drawn to Life, the namesake for this blog even. For the anime, Tribes was better than season 1, ridiculous Gainax ending aside. I just know that if they’d had more time/episodes, it would’ve far eclipsed the source material of game 2.
Favorite line
Already answered above: “Even if it was a sliver of a chance, it’s better to do something.” (I know Daigo said it first but shush)
Favorite outfit
I mean, he wears the same thing pretty much all the time? But, I do like his normal civilan wear, and good ol’ Ryuusei also looks real neat. (Also the concept art outfit from the cancelled game 4 is actually awesome and also the only good thing we got out of that.)
OTP
Look, honestly, Subaru’s kind of shippable with any of the main adolescent cast, but also, I don’t strongly ship him with anybody really. But I guess if I had to pick a pair, Subaru/Tsukasa. Also, Subaru/Kizamaro of all things works... better than it should.
Brotp
Subaru/Gonta and Subaru/Misora! (Or better yet, all three of them as the game 3′s terrific trio!)
Head Canon
He learns to knit because Akane suggested it a bunch of times (she’s canonically said to knit in game 2,) and even though Kodama’s too warm for winter wear, any time he ends up somewhere actually cold, he has a scarf that Akane knitted for him earlier on.
Also, for a decidedly less cute one: since in-game, Subaru would die if Ryuusei did, I assume damage taken in henkan carries over to his civilian form. Thus, I imagine after months of fighting, he’s developed some fairly impressive scars, mostly on the limbs and back from near-misses and being surprise attacked. He usually wears long clothing as shown in canon, so they’re not visible normally, but during Phys Ed and other points where he would have more skin showing, he covers the scarring with a makeup concealer (probably found at like, the local drug store or something.) This would apply to Misora, too.
Unpopular opinion
Y’know, I don’t think I have one of these this time.
A wish
Let him continue to stay with the friends he’s grown so close to.
An oh-god-please-dont-ever-happen
Capcom, don’t you dare pull out that cancelled game 4 ‘edge rebellious teenage phase’ Subaru y’all implied. I. Will. Fight. You.
5 words to best describe them
Stubborn, Resilient, DEPRESSED, Anxious, Determined.
My nickname for them
I affectionately call him ‘my boy’ because he’s my favourite and therefore my boy; I also call him ‘Mohawk’ (though I also call Kill La Kill’s Kinagase the same thing and that made for a confusing summer 2017) and also ‘Cockatiel’ because everyone else like to joke about that.
WOW THIS GOT LONG it also took me like three hours so sorry Crystal
Gonna get to Misora next, because I can’t not gush over her too
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soapdispensersalesman · 6 months
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Geo really needs to attend class more often
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bassds · 2 months
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Chapter 8 of Star Lovers Ꝏ: Part 1 - Beginnings is now live! Hope you all enjoy it, my fellow Mega Man Star Force fans!
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mewkwota · 2 days
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I Know What You Are... You Are Mega Man!
The differences between each Mega is something I love and appreciate, plus it's also fun to compare them side-by-side for it.
I think it's really amusing how they start with robots that slowly reach near-human traits, and then there's a straight-up human. Albeit, he is merged with a non-human being.
And then there's Volnutt. I know he could probably be narrowed down to an "artificial human", but I like the idea of tying him to his celestial origins as Trigger that are still half a mystery.
Such is my running-joke with him. He is just... Volnutt (currently).
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Megaman Production Art Scan of the Day #808:
Shingo Adachi's Story of Meteor Artbook: Front and Back Covers
Finally, this now closes the book on my first sorta attempt at a full scanlation of something. Yes, it's been posted online by many others over the years in some form, but I tried to make my attempt at it as clean and nice as possible, due to how much I adore this art.
15 years after it first came out, I was personally just learning what was actually said in it myself for the first time, so hopefully I did it some justice. Thanks for being patient with it over the last 2 and a half months. For those who don't save my stuff daily (how dare you not! ;p), I guess I'll make a zip available of it as well, for your convenience. You can get that here. (746 MB) As I alluded to last week, going to take another short hiatus from Scan of the Day posts so that I can fully focus on Secret Santa art. Whether I'm back before Christmas or not depends on how well I do on that with my free time. Otherwise, I should be back posting at the end of December.
Already have scans started, but I will be diving into storyboards from Axess Ep. 6 (The Most Dangerous Ball Game!) next. Let's Bowling! Because I have the whole episode for this one, that is a lot of pages. Also, the storyboard art is not as detailed this time around. So I might do 2 pages a day or more, just to speed through it a bit faster. Otherwise, it would be 4 months worth, if I do a page a day. ^^; We shall see.
Full Resolution Scans: (Front): https://imgbox.com/sdiU5vLF (Back): https://imgbox.com/uEN4XXdN
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mewymarsher · 7 months
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Good grief!
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halflucidramblings · 1 month
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Something's wrong with my copy...
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This joke has 100% been made before.
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Wrote another Mega Man x Gemini Spark fic, this time shorter. I wanted to write for this pairing again.
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