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burpenterprisejournal · 1 year

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JEALOUSY PARTY AT DIODRONE FESTIVAL X - DECADE

2023/01/21 DioDrone Festival X - D E C A D E IGGOR CAVALERA JEALOUSY PARTY PETROLIO GABRIELE GASPAROTTI Teatro Della Limonaia Sesto Fiorentino Firenze - IT

We are happy to announce that Jealousy Party has been invited to participate in DioDrone Festival X - D E C A D E, celebrating ten years of activity of the florentine label DioDrone. We are particularly proud and happy about this because DioDrone is one of the very few collectives that continues to shake up the underground in a city we know well and where living is not easy. Jealousy Party for the occasion will be the original duo of Roberta WJM and Mat Pogo

DIO DRONE FESTIVAL X — D E C A D E —

ø IGGOR CAVALERA ø JEALOUSY PARTY ø PETROLIO ø GABRIELE GASPAROTTI _______________________

Teatro Della Limonaia Via Antonio Gramsci, 426 Sesto Fiorentino, Firenze h. 21:00

Limited seats, pre-sale recommended:

https://www.eventbrite.it/e/biglietti-dio-drone-festival-x-decade-469055436437 _______________________

DioDrone's press release reads as follows Dècade, dal latino scritto dēcadem, dieci.

'..In principio era il niente. Finché il niente prese coscienza di sé e per la prima volta sussurrò. Un debole ronzio, niente di più. Una bassa frequenza, impercettibile ma continua. Permanente ed eterna. Immobile e dinamica al contempo. Un sussurro vivo e profondo, come quello che attribuiresti a un dio.

Poi anche il sussurro si accorse di essere una voce e scelse di parlare, pur non conoscendo alcun vocabolo. La sua voce fu quindi un suono, inconsapevole e azzardato ma forte da scuotere il vuoto che lo circondava, spezzando un silenzio antico e primordiale. E il vuoto andò in frantumi, ed i suoi piccoli pezzi caddero per sempre fino ad essere così tanti da formare una superficie sospesa nell’oscurità. E sotto questo asfalto le vibrazioni del suono generarono un magma scuro e denso che col tempo prese forza, fino a trovare il coraggio di farsi strada ed arrampicarsi tra le crepe del cemento, alzare lo sguardo al tutto circostante e gridare al freddo buio ‘..IO SONO DIO DRONE..’.

Sembra l’altro ieri ma è accaduto 10 anni fa. Dio Drone festeggia il decimo compleanno con una serata d’eccezione che vede sul palco amici stretti e stimatissime entità del panorama internazionale.

DIO DRONE FESTIVAL X — D E C A D E —

ø IGGOR CAVALERA ø JEALOUSY PARTY ø PETROLIO ø GABRIELE GASPAROTTI

_______________________

Teatro Della Limonaia Via Antonio Gramsci, 426 Sesto Fiorentino, Firenze h. 21:00

Posti limitati, si consiglia la prevendita: https://www.eventbrite.it/.../biglietti-dio-drone... _______________________

In collaborazione con La Chute, Nude Guitars, Dire Graft, The Joshua Tree Pub & Power Rent.

_______________________

øøø Iggor Cavalera Un nome che non ha bisogno di presentazioni. Una personalità leggendaria della storia del mondo sonoro [Sepultura, Petbrick, MIXHELL, Cavalera Conspiracy] che, da sempre attento all'underground internazionale, dominerà il festival con un inedito set solista per la prima volta in Italia tra elettronica sperimentale e drone.

øøø JEALOUSY PARTY Roberta Wjm & Mat Pogo, due storici pionieri nostrani della più estrema forma di astrazione R&B, dalle venature noise, funk e avant rock. Un condensato riassumibile nel loro personalissimo stile ribattezzato Punca. Dalle nebbie berlinesi alla nostra capitale del baccano.

øøø Petrolio Moniker dietro cui si cela l'oscura personalità di Enrico Cerrato, che attraverso il rumore e le proprie gelide timbriche sintetiche riesce a trasmettere la forza dirompente del nerissimo magma metropolitano che ci scorre sotto i piedi, sotto le strade e sotto la pelle.

øøø Gabriele Gasparotti Prodigio toscano e true sperimentatore, Gasparotti riesce ad essere avanguardistico e antico allo stesso tempo. armato di strumentazione analogica iconica e circondato da una teatralità innata che sfocia nella celluloide, accompagnato al violoncello da Benedetta Dazzi ci porterà per mano in un onirico percorso fatto di tarocchi e suggestioni dadaiste.

_______________________

artwork: Coito Negato

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#live #concert #festival #jealousy party #wjm #mat pogo

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iambenjiijackson · 5 years

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The Groove Guide - Reviews 2008

The Prodigy - Experience Expanded/More Music For The Jilted Generation With the advent of British big beat/hard dance merchant's The Prodigy's fifth studio album, released by their new record label Take Me to the Hospital, it was inevitable that XL Recordings and Maverick undertook the same treatment EMI gave Radiohead and Capitol gave The Vines in releasing previous albums to capitalize off their success. However, rather than a traditional "Best Of" compilation which, well, has already been done, the shrewd move was to re-master two albums which helped both shape the big beat scene and redefine techno and rave with added b-side and live track bonuses. Experience and Music For The Jilted Generation both became important albums for the dance music scene; where Experience expanded upon early rave culture and fused jungle and techno with tracks such as "Out Of Space" and "Everybody Into The Place", both remixed and contained on the "Expanded" section of this re-release, it's ...Jilted Generation which provided a crossover between the underground to their critically and commercially acclaimed Fat Of The Land; the edgier, almost industrialized sounds emanating from "Break & Enter", "Their Law" and the Nirvana-sampling "Voodoo People" bridging ravers and rockers into the Big Beat sound that sculpted the likes of The Chemical Brothers, The Crystal Method and Fatboy Slim and gave birth to what we now know as 'electronica.' B-Sides from their single releases, live tracks from their most recent stints at Pukkelpop and remixes from Dust Brothers, the real reward is the re-mastering of the songs and highlighting that despite today's standards highlighting fluro, glamour and fashionista sensibilities, it never needs to be that way.

Los Campesinos - Hold On Now, Youngster

If you're not really a fan of twee, this may change your mind. Welsh sextuplet Los Campesinos have been making an impression within the 'indie' scene, but rather that come across sophisticated and potentially haughty, the group have a power-pop element which comes across as fun. Catchy, with the ability to muster a smile upon the face of anyone (case point - "You! Me! Dancing!), Hold On Now, Youngster... is nigh on flawless and is once again more proof Wales, who have provided a number of influential acts in the past two decades, are doing something right nurturing their countries music scene.

Akaname - Filthlicker

The internet seems to heavily favour bands of Akaname's variety for good reason - while mainstream outlets omit such "radio unfriendly" one might be inclined to state as being on "Filthlicker", the internet and it's at times quite staunch view on bands place emphasis on talent rather than aesthetics. What we have with Filthlicker is a band who are mixing one part The Dillinger Escape Plan with five parts The Black Dahlia Murder to a great accord. New Zealand's music scene has just been hit with another metal(core) slug to its chest – one that'll be fired on April 11th at Oblivion in Auckland.

Goodnight Nurse - Keep Me On Your Side Goodnight Nurse seem to have turned a trick used by Blink 182; from that bubblegum-esque pop they once honed during their "Always and Never" era, there seems to be a more serious straight-ahead approach to the band. Almost breaking away from the quasi boy-meets-girl, girl-breaks-boys heart formula their new album makes them sound a little less New Found Glory and, strangely, a lot more like Homegrown and their 'darker' punk rock. An apt analogy would be to compare their work used in a Judd Apatow movie rather than a high school comedy akin to American Pie. "Drift Away" perhaps the standout track on the album, with "Lay With Me" there for older fans as not to alienate them. Definitely a goodnight rather than a goodbye from the boys.

Otep - The Ascension

Otep were one of the bands that during the golden age of nu-metal at the start of the 00's passed through with both relative success and, more importantly, a deal of anonymity - though they had their fans and were very much "Kittie for the thinking man", they escaped the scathing retrospective views because, sadly, people couldn't have cared less. Their latest effort retains those nu-metal sensibilities while the vocals pulling away from relentless screaming, and where the oft compared Jack Off Jill or, for some reason, Arch Enemy, found their transitional period turbulent, Otep manages such a thing near graceful. It helps, also, they pull off a Nirvana cover with justice.

Satyricon - The Age of Nero Satyricon is an interesting little quandary - though superficially resembling all the aesthetics of a black metal act, they've caused quite the controversy after the release of Now, Diabolical was cited as being "radio-friendly" amongst hardened fans of the genre. Funny how Norway's equivalent of a Grammy can do that to you... However, The Age of Nero retains the hallmarks you would commonly expect from a band of their kind; the high pitched death growl, the bleak outlook within Satyr's lyrics. Unlike other black metal acts, there is a groove involved within their sound, rather than blunt force trauma - 'The Wolfpack' melodically could seat well at home with Dirt era Alice In Chains while 'Last Man Standing' could be a Down b-side, all the funnier Phil Anselmo is rumoured to be working with the band. The black metal fan in me is reluctant to give it a high rating because it's not essentially an album of that kind. But the general metal fan in me concedes it's a brilliant piece of work and, as taboo as it could be amongst the community, is actually very accessible and at the end of the day, isn't that more important to a movement?

Emigrate - Emigrate

Touted as being "industrial metal" and including remixes from Mr. Digital Hardcore himself Alec Empire, the side project of Rammstein's Richard Z. Kruspe sounds like a delectable and, dare I say it, heavy affair. Instead, Emigrate treats us to generic, radio-friendly tracks which you would hardly expect given Krupse's CV. In fact, it seems offensive to even believe this would come from such a person – almost as if the creativity from the German group has finally diminished (let's be honest though, Rosensot wasn't exactly their edgiest, was it). Bland, devoid of anything challenging, it would seem that the aesthetics were more important than the music and by far this is little more than a vanity project for Krupse.

The CHASE - Paranoia

When it rains, it pours. 2008 definitely seems to be the year in which New Zealand's hardcore scene emerges out of the woodwork finally to the acclaim it deserves - none more so than The CHASE, who channel the spirit of good post-hardcore that emanated out of the US underground scene circa. 2002-2004. In fact, with songs such as "The Seconds" and "Boomers", you could have easily mistaken them for a band on early Drive-Thru or Victory Records. Short (the album runs little over half an hour) but both melodic and aggressive, The CHASE are like a double happy; though they make not look it, they can induce a large amount of unexpected splendour. How's NZ DIY hardcore scene going to lay siege once more throughout 2008? With bands The Chase leading the charge. Corporate punk rock stops here.

Franz Ferdinand - Tonight Doth my ears deceive me, or have Franz Ferdinand taken a page out of KISS' playbook and decided to craft a disco song or two? Though where the old aged outlaws alienated the KISS Army with their experiment, Franz Ferdinand has not - there's always been that dance party element within their previous releases and Tonight is no exception. It, however, seems like the band have been caught in a zeitgeist of electro-new-wave eighties - songs like 'Turn It On' and 'Send Him Way' almost seem homages to Synth godparents The Human League, Alex Kapranos and company even seem determined to summon the spirit of Saturday Night Fever with 'Live Alone'. Though it might seem like committing commercial suicide, the thing is Franz Ferdinand have always been eccentric, and their idiosyncrasies are their strengths. Tonight is a record you might be ashamed to admit you'd like, but you will like it... embrace your fear.

Cavalera Conspiracy - Inflikted

There's been a wait in the metal community for the mighty return of influential metal act Sepultura. While that prophecy may not come to pass, Cavalera Conspiracy reunites brothers Max and Iggor Cavalera after too long of an absence. What you'd expect is something loud, noisy and aggressive, and truth be told, that's one extent of the album. The other is the groove that made Sepultura so popular, with well crafted if deceptively simple riffs that command the ability for even a casual rock fan to nod their head. Another bullet fired from the metal scene in 2008 – Inflikted is part Nailbomb at times and at others Arise-era Sepultura, but a huge return for the brothers Cavalera.

The Naked and Famous - No Light Was it rushed? That's the sceptical question posed as The Naked And Famous release the follow up to This Machine in what does feel like a very short space of time. Though many who may not have listened to the group cite that they are simply another electro band flooding Auckland's musical landscape, they couldn't be more wrong. Dirty basslines, distorted guitars, the tracks play out more industrial than electro - leadoff single "Birds" almost a nod to With Teeth era Nine Inch Nails and the sultriness of early Garbage. Second record syndrome? Powers and company taunt it... and leads us into eager anticipation for their debut long-player

Soulfly - Conquer

Max Cavalera has had quite a busy 2008 - earlier this year we saw the long-awaited reunion with his brother Igor conjuring a zeitgeist of prime Sepultura days with his side project Cavalera Conspiracy and now the sixth instalment of Soulfly, the group he formed shortly after leaving the thrash/groove metal outfit he made his name with. With that in mind, was it ever going to be an easy feat juggling his main band with a project many of us metal fans have waited years to see? The answer isn't an easy one and leaves many sitting on the fence.

Conquer rather than becoming a continuation of the heavier hitting sounds the group gave us with their previous release, Dark Ages, with it's throwback to albums reminiscent of Arise, combines those elements with the groove metal which brought them to such acclaim with their sophomore album Primitive. Though it's an eclectic prospect on paper, sadly in practice it comes across a little disjointed and does beg the question if now Igor is in the song-writing midsts that Soulfly becomes now a second thought to the newer Cavalera project.

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rocktambulos · 5 years

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¿El verdadero SEPULTURA? MAX & IGGOR CAVALERA revivieron sus años dorados #Crónica

Luego de que en el 2016 los fabulosos hermanos Cavalera le hayan dado vida a Roots (1996) en Buenos Aires, llegó el turno de que Max (guitarra y voz) e Igor (batería) reinterpretaran la era “clásica” de SEPULTURA, es decir, la época 1989/91. La cita fue en El Teatro Flores,más precisamente, dentro de una jornada en la que la Ciudad de Buenos Aires fue asediada por una lluvia torrencial. Una…

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#Argentina #Max

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stephaniemarlowftw · 2 years

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Absent In Body (Current and former members of Amenra, Neurosis, Sepultura) Announce Debut Album, Plague God, out March 25th

Watch a music video for first single “The Acres/The Ache” now.

ABSENT IN BODY make their Relapse Records debut with the terrifying new album Plague God, out March 25, 2022 on LP/CD/CS/Digital (pre-orders available here).

Featuring current and former members of AMENRA, NEUROSIS, and SEPULTURA, Plague God is bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance. Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound.

Mathieu Vandekerckhove comments:

“We had not imposed any limitations or boundaries on ourselves to create this music.

Everything happened without any compromise, we gathered and let inspiration run freely.

It is the beauty and the strength of this album.”

Iggor Cavalera comments:

"It feels great to collaborate with such forward-thinking minds like Colin, Mathieu, and Scott on AIB. The music is dense and slowly brutal, very similar to the times we are living."

Watch (+ share) Absent In Body's "The Acres/The Ache" here.

“The Acres/The Ache” music video was filmed and edited by Mathieu Vandekerckhove.

Plague God track listing:

Rise From Ruins

In Spirit In Spite

Sarin

The Acres/The Ache

The Half Rising Man

MORE INFO:

In an era overrun by information, misinformation, unseen algorithms and viral contagion, to seek out what’s truly human in the face of overwhelming and unfathomable forces has perhaps become our most sacred of tasks. It’s an impulse that lies at the very heart of Plague God, the debut album from Absent In Body – the oppressive, industrial-driven collaboration by members of AMENRA, NEUROSIS and SEPULTURA. Bound by the same ideals of unity and fearlessly uncompromising honesty of expression that have driven their respective bands to imperious heights of reverence and groundbreaking sonic deliverance, Plague God is by turns devastating and sublime, drawn from musicians for whom life and art are inextricably bound.

Initially the brainchild of AMENRA guitarist Mathieu J. Vandekerckhove, and NEUROSIS vocalist/guitarist Scott Kelly, ABSENT IN BODY formed in 2017. Immediately recognising their kinship, and with AMENRA frontman Colin H. Van Eeckhout brought in on vocals and bass, what emerged is a reflection of the intervening years of turbulence, extending it's scope as it navigates across five stretches of unstable terrain. From the opening “Rise From Ruins” with ex-Sepultura drummer, Iggor Cavalera’s tribal beat emerging from foreboding, near-subsonic oscillations to explode in a tide of corrosive riffs and feral howls, through “Sarin’s” steadfast, procession-through-purgatory groove, to “The Half Rising Man’s” matrix of organic/mechanic evolution, it’s an album in constant dialogue between the animalistic, the human and the industrial, and a hunger to distill a truth, something unpolluted from the fray.

Protest music is often perceived as a petition, or a counter-argument against a controlling force. There is another sense of protest, though, that of a machine under stress: articulating the pressures weighing down on it by means of an involuntary, primal response. It’s these states of critical mass at which we must truly find ourselves, under duress maybe, but unblinded and alive. Plague God doesn’t just give voice to these moments of truth, but in the band’s deep kinship integral to every claustrophobic judder, every stretch of atmospheric dread and helpless alias assumed, lies a freedom we both forget and attain at our peril.

Recorded and produced by Tim De Gieter, Much luv studio BE

Mastered by Jack Shirley, Atomic Garden USA

FOR MORE INFORMATION ON ABSENT IN BODY VISIT:

INSTAGRAM | BANDCAMP

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rockandblognet · 4 years

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Crónica y Fotos del OTERO BRUTAL FEST 2019 encabezado por CAVALERA (29/11/2019)

Fantástico evento el que vivimos el pasado 29 de noviembre en el OTERO BRUTAL FEST que este año contaba con un cartel muy interesante con bandas como CAVALERA, MEMORIAN o HEALING MAGIC…

La capital del del Principado de Asturias, la ciudad de Oviedo, tiene una gran oferta cultural, variada y atractiva hasta para el actor y escritor Woody Allen. Pasear por la ciudad lo demuestra con toda la gama de espectáculos todo el año. Asi que tambien hay amplitud y lugar para la Música Extrema, escenificada por el OTERO BRUTAL FEST que ya lleva siete años dando un espectáculo de primer nivel, esta vez con la coyuntura del ROUTE RESURRECTION FEST para mayor extensión e importancia.

En un local estupendo, la SALA ESPACIO ESTILO de Oviedo, que cumplio con todas las necesidades requeridas para el espectáculo, alcanzando un lleno a plenitud, albergando a unas 2000 personas aproximadamente que disfrutaron de las siete bandas que nos dieron lo mejor de ellos, con la variedad de géneros que es de agradecer a los organizadores que demostraron que este OTERO BRUTAL FEST da cabida a todo lo que nuestro querido formato musical puede aportar, así que todos, pero todos quedamos complacidos. Teniendo en cuenta esta nueva configuración del Festival correspondientemente a sitio y duración, sin perder calidad.

A.R.D.E.N. en OTERO BRUTAL FEST 2019

Con una exactitud en el horario, los más madrugadores disfrutamos de los cántabros A.R.D.E.N. denominados como «Zurita Warriors», su Hardcore/Punk/Thrash Metal prendió la mecha de este Festival, nos complacieron con sus temas: » Telemierda», Alta Montaña», «Muñecos de Trapo» o «Terroristas», mucho ánimo y carácter, para los que tenían que romper el hielo, pero lo hicieron con mucha aceptación, por eso mantendremos la atención a los que nos seguirán aportando, que se dice poco, ya que llevan mucho en este mundillo demostrando su mérito e índole musical.

Actuación de BLAST OPEN en OTERO BRUTAL FEST 2019

A continuación era el turno de BLAST OPEN, que jugaban en casa. Se noto en sus seguidores que corearon muy bien sus canciones «The Roots Of Evil», «Tearing Down Walls» o «Blinded». Su Heavy Metal condimentado on Thrash, demuestra la capacidad de esta banda que desde el año 2016 cuando salió su segundo disco «Beyond The Hope», se mantienen inagotables, teniendo entre manos ya su próxima producción que se pronostica para el próximo año.

NASHGUL en el OTERO BRUTAL FEST 2019

Como vivimos hace unos meses en mi ciudad natal, León, fui testigo de el poder de los grupos que hacen Música Extrema del Norte de la Península. Confirmado con la siguiente banda procedente de A Coruña, con su Gridcore añejo pero impactante era el turno de NASHGUL, que repiten presencia por segundo vez después de la edición 2016 de este Festival. Afinaron y entonaron «Progeria Inducida-Hidrofobia-Cremated Remains», «Cyberpunk Scum-Stimoceiver» o «Satan Freaks-Abuso». La sensación de vivir el estilo más revoltoso que nació en Birmingham quedó patentado demostrado en las voces de Alex y en la percusión vertiginosa de Ivan, imponente show para los asistentes que ya éramos bastantes.

THE BLACK PANTHYS PARTY en OTERO BRUTAL FEST 2019

Pero para imponentes y terriblementes formidables THE BLACK PANTHYS PARTY, queridos y respetados por los presentes, la otra banda local, con una puesta en escena de actitudes normales y estereotipadas nos ubican en el ecuador del Festival. Su sonido de riffs imponentes con letras satíricas y llenas de humor en sus temas, iniciaron con «Sexo Marianal», la extensa «Colegio de educación especial Infanta Elena», la formidable «Quiero ser paquirrín» o la coreada hasta extasiar «Vacaciones en Camboya» para cerrar su presentación, en donde se noto que la SALA ESPACIO ESTILO estaba llegando a su totalidad de asistentes que se lo estaban pasando de lo lindo.

Actuación de MEMORIAN

Llegaba entonces el primer plato fuerte internacional de la noche, con todo el respeto para los cabezas de cartel, pero ver a MEMORIAM es un lujo y fortuna, valorado y agradecido infinitamente a los organizadores. Ver y deleitarse en vivo a Mr. Willetts en la voz o a Mr. Healy en el bajo es muy valorado en estos días, sin menospreciar a Mr. Fairfax en la guitarra y Mr. Whale en la batería. Opulencia total desde el inicio con «Shell Shock» tema que da inicio a su último disco de este año «Requiem For Mankind» y que desató la apisonadora musical de Death Metal que nos dieron, «Undefeated», «Fixed Bayonet» y «Surrounded By Death», rematados con los fondos de rafagas de balas, ametralladoras, sirenas de alarmas y bombardeos en una actuación que se puede catalogar de generosa, escenificada y agradecida por el abundante y numeroso público. Asimismo la cerveza que además sirvió para refrescarlos se aprovechó también para brindar con todos, llegó a tanto el éxtasis que la camiseta del Frontman término entre el público. Inolvidable y magnífico concierto de los legendarios músicos ingleses.

HEALING MAGIC en el OTERO BRUTAL FEST

A la banda HEALING MAGIC les corresponde una buena situación en el cartel, la agrupación del vástago de los mayores de los Cavalera, Igor Amadeus Cavalera que junto con sus compañeros de banda, tenían a todo el público a su favor, recibieron la exaltación y elogios de su propuesta musical que es muy atrevida y casi nueva, solo cuentan con un EP llamado «Restoration» y menos de un año de creación. Son una mezcla Doom Thrash Metal más una pizca de psicodelia muy norteamericana, con sus sonidos hicieron que el joven Igor frotara su bajo en el escenario permitiendo desmelenarse a unos cuantos. Buena propuesta, estaremos pendientes de su futuro.

Crónica de Cavalera en el OTERO BRUTAL FEST 2020

Llegaba el momento de tener ante nosotros a los legendario hermanos CAVALERA, Max e Igor, que nos darían un ejercicio de rememorización gloriosa con su RETURN TO BENEATH ARISE. Mi primer recuerdo de ver un video casero fue «Under Siege» de SEPULTURA, su concierto en la desaparecida sala Zeleste de Barcelona del año 1991. De ahí que me sentí transportado a esa época cuando nuestro bonachón frontman dio inicio con «Beneath The Remains», título homónimo del disco que cumple treinta años de existencia este año y la SALA ESPACIO ESTILO estalló de sentimientos, algarabía, lío y recuerdos magníficos e inolvidables, luego llegaron los temas » Inner Self», «Mass Hypnosis» y «Primitive Future» de esta producción para continuar con «Arise», «Dead Embryonic Cells» o «Desperate Cry» de el otro disco reminiscente. La locura y entusiasmo del público fue inmensa, una verdadera olla a presión, en un mosh-pit incesante y persistente, animado por el emblemático vocalista que hizo vociferar a todos como lo deseo para placer de todos. En las percusiones Iggor nos hizo recordar y vivir que estabanos ante uno de los mejores bateristas que nos ha dado la Música Extrema. Junto a un Marc Rizzo, guitarrista habitual del conjunto, que clavó a perfección todos los solos.

Algo que no he mencionado pero que vale indicarlo era el sonido y las luces para las actuaciones de cada una de las bandas que en todas fue generosa y de extraordinaria calidad desde el inicio hasta el final, un par de baches se dieron pero se sanaron inmediatamente para dar calidad al evento. No faltó durante la actuación de los originarios de Belo Horizonte, su tributo a BLACK SABBATH o a MOTÖRHEAD con sendas canciones, especialmente la apreciada «Orgasmatron». Y para cerrar los bises, «Refuse/Resist» y «Roots Bloody Roots», dejaban claro quiénes fueron los fundadores de la mejor época de SEPULTURA, la que nos marcó siendo unos bisoños en esto de la Música Extrema, unos neófitos de esta banda Brasileña que aunque continua con ese nombre en el presente, es solo la mitad de lo que fue hace ya tres décadas atrás. Para el final quedó la cortesía que hizo Iggor a la ciudad, portando la camiseta del equipo de fútbol local, quedando demostrada la satisfacción de los músicos con el respetable.

Gran noche en OTERO Brutal Fest 2020

Recordar es vivir y vivir es recordar, ha quedado demostrado en este OTERO BRUTAL FEST 2019, no con la melancolía del pasado, sino con toda la gloria que aportó y que se patenta en las nuevas bandas amparadas por este festival. Disfrutar de esas cuatro bandas locales/nacionales que demuestran la calidad del producto autóctono, que no tiene nada que envidiarle nada a las de fuera de nuestras fronteras. Para luego disfrutar de estas bandas de «Alma Mater» (caso aparte HEALING MAGIC por ser novatos y en momentos no catalogables) que formaron la base de lo que nos gusta y disfrutamos ahora.

La escena de ver en un extremo del escenario durante la actuación de CAVALERA el brindis con cerveza de Mr. Max y Mr. Willetts, de MEMORIAM, dedicado a los presentes dejó dicho porque esto no para o muere, sino solo se transforma o regenera para continuar. A pesar de las dificultades y reveses, siguen de pie y luchando, estas bandas y el OTERO BRUTAL FEST, larga vida y enhorabuena por esta edición.

Crónica y Fotos de Pepe Cortez

Crónica y Fotos del OTERO BRUTAL FEST 2019 encabezado por CAVALERA (29/11/2019) en el artículo original de Rock and Blog

#rock music #heavy metal #rock

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