#Marek Štryncl

[clamarcap]

Certi piccolissimi inganni

Johann Sebastian Bach (31 marzo 1685 - 1750): «Kommt, ihr angefochtnen Sünder», aria (n. 5) dalla cantata Freue dich, erlöste Schar BWV 30 (c1738). Magdalena Kožená, mezzosoprano; Musica Florea, dir. Marek Stryncl. Kommt, ihr angefochtnen Sünder, Eilt und lauft, ihr Adamskinder, Euer Heiland ruft und schreit! Kommet, ihr verirrten Schafe, Stehet auf vom Sündenschlafe, Denn itzt ist die…

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#Johann Sebastian Bach #Magdalena Kožená #Marek Štryncl #Musica Florea

[gasparodasalo]

Antonín Reichenauer (ca. 1694-1730) - Concerto for Flute, Strings and Basso continuo in G-Major (arr. from Oboe Concerto in F), I. Allegro. Performed by Marek Špelina, flute, and Marek Štryncl/Musica Florea on period instruments.

#antonin reichenauer #baroque #classical music #flute #orchestra #period performance #period instruments #flute concerto #concerto #baroque music #rarely performed composers #woodwinds #band #strings #string orchestra

[lesser-known-composers]

Giovanni Henrico Albicastro ; also know as Johann Heinrich von Weissenburg (1660-1730) - Concerto a quattro for oboe, strings & b.c. in C minor, Op. 7 No. 4

I. Grave - 0:05 II. Allegro - 2:00 III. Adagio - 4:22 IV. Allegro - 9:18

Collegium Marianum, Collegium 1704 / Václav Luks (conductor) :

Lenka Koubková, Riccardo M. Minasi (violin) Josef Fiala (viola) Marek Štryncl (violoncello) Ján Krigovský (double bass) Evangelina Mascardi (theorbo) Václav Luks (harpsichord)

#Giovanni Henrico Albicastro #baroque music #Youtube

[scurvyoaks]

This is surely the best classical setting of the mass that is almost unknown.  Voříšek (1791-1825) balances a fondness, and great skill, for stile antico with up-to-date orchestral forces and use of the soloists. A performance by the Czech National Symphony Orchestra and the Prague Chamber Chorus, with Paul Freeman conducting, published by Cedille Records, is a strong piece of work throughout. It was also the first generally available recording of this mass.

My one complaint with Cedille’s recording is a fairly substantial one, however. In some baroque and classical masses, including this one, the introductory few words of the Gloria (“Gloria in excelsis Deo”) and the Credo (“Credo in unum Deum”) are a solo bass part. The tune of each is almost invariably the same, adjusted only for the key of what follows. The reason for this practice is that the priest would intone the introduction, with the balance of each piece being sung by the choir. The Cedille recording omits the introductory phrase of each of the Gloria and the Credo, I suppose because it’s not part of what Voříšek wrote. This omission is unbelievably jarring and guts the sense of what follows. In the Credo, the entire rest of the text constitutes the objects of this single verb.

I listened to the Cedille recording again recently and wondered whether there had been any subsequent recordings. Thanks to Youtube, I found the one I’ve posted here (which is only the second available recording). What a delight. Musica Florea, with Marek Štryncl conducting, does a superb job. Voříšek makes real technical demands, including with some break-neck tempi, but Musica Florea is very much up to the challenge. The conventional introductions to the Gloria and Credo are included. As a bonus, the recording also includes Voříšek’s Benedictus es, Domine as a gradual and his Mentis oppressae and Quoniam iniquitatem as offertories. Together with the mass, these represent Voříšek’s entire choral output.

Voříšek devoted his early professional life to studying and practicing law. He obtained a position as second court organist in Vienna in 1822 and first organist in 1824. A year later, he died of tuberculosis. As with his friend Schubert, Voříšek’s early death leaves one wondering what might have been.

[mak1848]

Jan Dismas Zelenka - Missa Sanctissimae Trinitatis - ZWV 17 - Marek Štryncl

#Jan Dismas Zelenka #Missa Sanctissimae Trinitatis #trinitas #missa #zwv 17

[my18thcenturysource]

Today is World ballet Day, and you must be crazy if you thought I’d let this day pass with no new post soooo... here we are! With a ballet from the 18th century staged in the 18th century way! ISN’T THAT AWESOME?

This is the scene no. 7 of “Didona Abbandonata, ballo tragico pantomimo” (1766) by Gasparo Angiolini. This is a live recording from 2015, re-staged by Helena Kazárová. All this looks just gorgeous. I with there was a troupe of baroque dancing near me.

Credits:

Helena Kazárová (choreography and stage direction)

Hartig Ensemble dancers

Musica Florea orchestra (conducted by Marek Štryncl)

Costumes: Roman Šolc

Make-up and wigs: Karel Langer

Filmed by Daniel Roznyó

Cast: Queen Dido - Blanka Ferjentsik Wernerová, Aeneas - Miroslav Stehlík, Ladies-in-waiting: Michaela Bartlová, Ida Fišerová, Lenka Kantorová, Michaela Špačková. Companions of Aeneas: Ladislav Beneš, Aleš Hanzlík

#video #ballet #18th century #dance #18th century ballet #didona abbandonata #1760s #1766 #theatre #opera #18th century music #music #world ballet day

[vincentdelaplage]

"IL EST BON DE TRAITER L'AMITIÉ COMME LES VINS, ET DE SE MÉFIER DES MÉLANGES." (COLETTE)

UNE IDÉE MUSICALE : Jan Dismas Zelenka - Melodrama de Sancto Wenceslao ZWV 175, Marek Štryncl https://youtu.be/IsoIyIEGWV8 Jan Dismas Zelenka (1679-1745), également connu sous le nom de Johann Dismas Zelenka, était un compositeur baroque tchèque dont la musique était particulièrement aventureuse avec une grande invention harmonique et une maîtrise du contrepoint.

UNE IDÉE LITTÉRAIRE D'UN TEXTE DE COLETTE (Le Fanal bleu)

« Ceux que je voulais durables, bien accrochés à leur vie et à la mienne, où sont-ils ? Jamais l’idée me fût-elle venue que Marguerite Moreno ma quitterait ? La fatigue sur elle se faisait bénigne, elle riait de dédain quand je lui vantais l’oisiveté et le demi-somme de la sieste… Mais Marguerite prend un refroidissement, succombe en huit jours. Mais Luc-Albert Moreau rencontre un ami, s’écrie joyeusement : “Ah ! mon vieux, je suis content de te voir !” et meurt sur la place, trahi par son cœur. Et avant eux, Léon-Paul Fargue… Tout près de mourir il murmurait contre le bleu de ses draps qu’il avait fait teindre : “Beaucoup trop bleu… inadmissible…” Et d’autres qu’il me faut renoncer à nommer, sinon à compter… En moi-même, je leur reproche leur fin, je les appelle imprudents, négligents… Me priver d’eux, si brusquement, me faire ça, à moi… Aussi ai-je repoussé, hors de ma vue et de mon souvenir, leur image de gisants, leur posture de quiétude définitive. Fargue soudain sculpté ? Je n’en veux pas. Mon Fargue à moi porte encore ses souliers poudreux de piéton, il parle, il gratte la tête noire du chat, il me téléphone, il va de Lipp à Ménilmontant, il commande à la houle trop bleue de sa couche… les pieds de Marguerite Moreno, chaussés d’or immobile ? Oh ! non. Mon souvenir me les garde nonchalants, mobiles, vulnérables et jamais las. »

UNE IDÉE DE PEINTURE : Marie-Victoire Lemoine (1754-1820) est une peintre française. Élève de Ménageot, elle a pris part aux Salons de 1796, 1798, 1799, 1802, 1804 et 1814. Ses sœurs Nisa Lemoine et Marie-Élisabeth Gabiou étaient également peintres.

https://culturejai.fr/ #Couleurs #Mots #Poésie #Peinture #ArtQuiNourrit #ArtQuiEleve #ArtQuiRechauffe #ArtAPartager #Beauté #Sensibilité #Intériorité #Créativité #Mélancolie #TransformationDesEmotions #Storytelling #HistoiresDeFemmes #VieDAuteure

[clamarcap]

Nisi Dominus secondo l'Abbé Robert

Nisi Dominus secondo l’Abbé Robert

Pierre Robert (c1620 - 28 dicembre 1699): Nisi Dominus, grand motet a 2 cori e orchestra (da Motets pour la Chapelle du Roy mis en musique par Monsieur l’Abbé Robert, 1684, n. 12) sul testo del Salmo CXXVII (126). Dagmar Šašková, dessus; Damien Guillon e Robert Getchell, hautes-contre; Jean-François Novelli, taille; Alain Buet, basse-taille; Arnaud Richard, basse; Les Pages & les Chantres du…

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#Alain Buet #Arnaud Richard #Dagmar Šašková #Damien Guillon #Jean-Francois Novelli #Les Pages & Les Chantres du Centre de Musique Baroque de Versailles #Marek Štryncl #Musica Florea #Olivier Schneebeli #Pierre Robert #Robert Getchell #Youtube

[lesser-known-composers]

Franz Xaver Richter (1709 - 1789) - Sonata VI g minor Allegro mà non tanto

Monika Knoblochová - harpsichord

Michaela Koudelková - traverso

Marek Štryncl - violoncello

#Franz Xaver Richter #late baroque #Youtube

[lesser-known-composers]

Antonín Reichenauer (1694-1730) - Concerto for Cello, Strings and Basso continuo in D minor - Allegro ma non troppo ·  ·

Musica Florea · Marek Štryncl

#Antonín Reichenauer

[lesser-known-composers]

G. H. Albicastro: Op. 7 n. 6 - Concerto a quattro for oboe, strings & b.c. in G minor

I. Spirituoso - 0:05 II. Grave - 1:35 III. Da Capella - 2:59 IV. Adagio - 5:17 V. Allegro - 7:10

Lenka Koubková, Riccardo M. Minasi (violin) Josef Fiala (viola) Marek Štryncl (violoncello) Ján Krigovský (double bass) Evangelina Mascardi (theorbo) Václav Luks (harpsichord)

Collegium Marianum, Collegium 1704 / Václav Luks (conductor)

#G. H. Albicastro #Youtube

[gasparodasalo]

Antonín Reichenauer (ca. 1694-1730) - Sonata for 2 Trumpets, Timpani, Cello, Strings and Basso continuo in D-Major, I. Allegro. Performed by Marek Štryncl/Musica Florea on period instruments.

#antonin reichenauer #baroque #classical music #sonata #orchestra #period performance #period instruments #trumpet #timpani #cello #baroque music #rarely performed composers #sinfonia #concerto #brass #strings #string orchestra

[gasparodasalo]

Antonín Reichenauer (ca. 1694-1730) - Concerto for Cello, Strings and Basso continuo in d-minor, I. Allegro ma non troppo. Performed by Marek Štryncl, cello, and Musica Florea on period instruments.

#antonin reichenauer #baroque #classical music #cello #orchestra #period performance #period instruments #cello concerto #concerto #strings #string orchestra #baroque music #rarely performed composers #cellist #cello music #harpsichord

[lesser-known-composers]

Philippe Jaroussky. "Ave Deus, ave recondite" by Jan Dismas Zelenka. Philippe Jaroussky Musica Florea Conducted by  Marek Štryncl. Live recording on 21.08.2008, Festival de Sablé, Eglise de Meslay. Jan Dismas Zelenka (1679 – 1745)

#Jan Dismas Zelenka

[lesser-known-composers]

Jan Antonin Reichenauer - Concerto per violoncello, archi e basso continuo in Re minore

Allegro ma non troppo Adagio Fresco Ensemble Musica Florea - Marek Štryncl

#Jan Antonin Reichenauer

[lesser-known-composers]

Jan Václav Hugo Voříšek - Missa solemnis in B Op.24 1. Kyrie 2. Gloria 3. Graduale Benedictus es, Domine 4. Credo 5. Offertorium Mentis oppressæ 6. Sanctus 7. Benedictus 8. Agnus Dei 9. Offertorium Quoniam iniquitatem Musica Florea Marek Štryncl Conductor

#Jan Václav Hugo Voříšek