#sinfonia

[gasparodasalo]

Franz Joseph Haydn (1732-1809) - Symphony No. 21 in A-Major, II. Presto. Performed by Roy Goodman/The Hanover Band on period instruments.

#franz joseph haydn #joseph haydn #classicism #classical music #orchestra #symphony #sinfonia #period performance #period instruments #haydn #strings #string orchestra #woodwinds #band

[sinfonia-relativa]

A medida que crecí, aprendí que la clave para sobrevivir el día no es la positividad, es la aceptación. Aceptando que no todos los días son buenos y felices, tendrás días malos, cometerás errores, fallarás, te equivocarás, no todo va a encajar y eso está bien.

- Seguen ☁️

#sinfonia #sinfonia relativa #frases #seguen #notas #dolor #textos #emociones #frases en español #escritores #escritos #aceptacion #cosas que importan #amor #amor propio #agosto2023

[fragmentos-adolescentes]

La vida es una sinfonía de altibajos; aprendemos a apreciar la armonía de los momentos felices y a encontrar fuerza en las notas difíciles.

Pura maldad ❄️

#citas #notas #frases #fragmentos adolescentes #escritos #vida #sinfonia #armonias #pura maldad

[sinfonica-ia]

#el principito #anime art #anime and manga #manga art #sinfonia #anime y manga #artwork #digital art #ai art #zorro #fox #fantasy

[andrea-non-sa-tornare]

La lucentezza dei suoi occhi

ancora crea fragore

nella mia anima.

Una sinfonia

che si propaga nelle vene

e penetra nella psiche.

Dolce melodia,

composta da un tempo

infinito.

#pensieri #thinking #poetic #poesia #versi #pensieri sparsi #love #amore #citazioni #poesia italiana #musica #melodia #poetry #i tuoi occhi #occhi #sinfonia

[surulaulu]

Claude

#oc #original character #art #sinfonia #claude

[melancaotica]

Caigo,

una y otra vez sin parar, en cada ocasión más profundo,

me siento hundida,

me asfixia el ruido que hago al intentar respirar,

siempre estoy cayendo, doliendo, cambiando, esperando,

no hay paracaídas cuando el suelo al que caigo está lleno

con las espinas de mi propia

cobardía.

#notas #frases #escritos #citas #alexa #amor #citas en español #poesía #tumblr #escritos felices #melancaotica #sinfonia #melancolirio #melancolia

[lesser-known-composers]

Carlo Ambrogio Lonati (1645-1715) – Sinfonia a 3 in a minor

Ensemble Giardino di Delizie :

Ewa Anna Augustynowicz – Baroque Violin & Artistic Director Katarzyna Solecka – Baroque Violin Agnieszka Oszańca – Baroque Cello Giorgia Zanin – Theorbo & Baroque Guitar Elisabetta Ferri – Harpsichord & Organ

#Carlo Ambrogio Lonati #baroque music #sinfonia #Youtube

[romance-coffee]

Detesto las mañanas

cuando el camino no avanza

y no hay mas lejos algo seguro

pero todavía así imploras quedarte

ya sea el cariño o el desbalance

según lo pienses estas aturdido

Detesto las tardes

con olor a té y galletas

servidas en cubiertos de plata

memorias, retrocesos en cámara lenta

(No se da cuenta pero a quien le sonrió

esta atrás de la mesa)

Detesto las noches

cuando solo mirarlo a los ojos

hace recordar el gran parecido al tuyo

muecas absurdas, ojos melancólicos

dicen también soy él, pero ahora ha futuro

Detesto hasta el simple chillido de la puerta

detrás del lavado de la cocina, la tele prendida;

hasta llegue odiar mi sinfonía tanto repetirla

Desbalance (Fuente: romance coffee)

[gasparodasalo]

Michael Haydn (1737-1806) - Symphony No. 39 in C-Major, III. Fugato. Molto vivace. Performed by Pál Németh/Capella Savaria on period instruments.

#michael haydn #classicism #classical music #orchestra #symphony #period performance #period instruments #sinfonia #strings #string orchestra #horns #woodwinds #band #haydn

[un-girasol-caotico]

Y al escuchar esa dulce melodía llamada Cornfield chase de interstellar... Me hace sentir todo el caos que llevo dentro. En cada nota musical siento como se intensifica este sentir, siento una y mil cosas más aquí dentro de mi. Cierro los ojos y siento que puedo lograr entender este torbellino lleno de emociones y sentimientos que guardo en lo más profundo de mi ser, en el cual cada uno se sincroniza, en cada nota musical de esta dulce melodía. Realmente es hermoso entender el cómo te sientes sin tener que decirlo, que solo empiezas a sentir...

|Sea & Sun

#Spotify #melodias #caos de pensamientos #caos #sentir #tornado #emociones #sentimientos #un-girasol-caotico #sinfonia #sincronización #sincronía #notas musicales

[belanova]

I miss Missa.

#sinfonia

[nurhanarman]

A major challenge in this beautiful, rustic and historic hotel is to avoid walking into large wood beams or walls. #musiciansoninstagram #musicianslife #chefdorchestre #conductor #conductorslife #dirigent #dirijor #NurhanArman #saxonyanhalt #harz #orkester #orchestra #orkest #orquesta #symphony #sinfonia (at Halberstadt, Sachsen-Anhalt, Germany) https://www.instagram.com/p/Ck-Q6PIgNNP/?igshid=NGJjMDIxMWI=

#musiciansoninstagram #musicianslife #chefdorchestre #conductor #conductorslife #dirigent #dirijor #nurhanarman #saxonyanhalt #harz #orkester #orchestra #orkest #orquesta #symphony #sinfonia

[radsiarai]

Johann Christian Bach Sinfonia For Double Orchestra In E Flat Major (1951)

Publication date 1951

Thor Martin Johnson Conductor

Cincinnati Symphony Orchestra

Johann Christian Bach, the youngest son of the illustrious Johann Sebastian Bach, left an indelible mark on the world of music with his innovative compositions. Among his remarkable works, the Sinfonia for Double Orchestra in E Flat Major stands as a testament to his mastery of orchestration and melodic ingenuity.

Composed during the height of the Baroque era, Johann Christian Bach’s Sinfonia for Double Orchestra in E Flat Major exemplifies the grandeur and opulence characteristic of the period. The utilization of a double orchestra, comprising two separate groups of instrumentalists, imparts a sense of sonic splendor and expansiveness, creating a rich tapestry of sound that captivates the listener from the opening bars.

The sinfonia unfolds with a majestic Adagio introduction, characterized by lush harmonies and regal fanfares that establish a sense of grandeur and solemnity. This leads seamlessly into the spirited Allegro, where Bach’s melodic prowess and contrapuntal mastery are showcased in full splendor. The intertwining melodies between the two orchestras create a sense of musical dialogue, evoking a dynamic and immersive auditory experience.

The central Andante movement transports the listener to a realm of serene tranquility, as the intertwining melodies and delicate orchestration imbue the music with an ethereal charm. Here, Bach’s gift for lyrical expression and emotive depth shines through, enveloping the audience in a world of introspection and contemplation.

The sinfonia reaches its apex with the exuberant Presto finale, a tour de force of orchestral virtuosity and rhythmic vitality. The double orchestra’s interplay reaches a crescendo, culminating in a jubilant and triumphant conclusion that leaves an indelible impression on the listener.

Johann Christian Bach’s Sinfonia for Double Orchestra in E Flat Major stands as a testament to the composer’s innovative spirit and enduring legacy. Its amalgamation of grandeur, contrapuntal intricacy, and emotive depth positions it as a quintessential work of the Baroque orchestral repertoire.

This sinfonia serves as a compelling embodiment of Bach’s prodigious talent and unwavering musical vision, showcasing his ability to push the boundaries of orchestral composition while honoring the rich traditions of the Baroque era. Its timeless allure continues to captivate audiences and stands as a testament to Johann Christian Bach’s remarkable contributions to the realm of classical music.

In conclusion, Johann Christian Bach’s Sinfonia for Double Orchestra in E Flat Major invites us to immerse ourselves in a sonic tapestry that transcends temporal boundaries, speaking to the depths of human emotion and artistic expression.

#JohannChristianBach #Sinfonia #DoubleOrchestra #EFlatMajor #ClassicalMusic #Composer #OrchestralMusic #BaroqueEra #MusicComposition #MusicHistory

[adrianvarelablog]

London City Orchestra autumn concert

This autumn I was invited to guest conduct the London City Orchestra, a fabulous, well-run orchestra made up of professionals, amateurs, and high-level music students, in their 10th anniversary year. The programme was big and varied: Ravel’s ‘La Valse’, Britten’s ‘Sinfonia da Requiem’, and the 8-movement version of Tchaikowsky’s ‘Swan Lake’ suite, to which we added the Finale to round things off, the famous tune thus bookending the ballet music.

The LCO and I have known each other for a few years now, with me coming in sporadically as a coach for different sections, and the occasional tutti rehearsal. But this was the first time they’d entrusted me with an entire project, from 1st rehearsal to public performance on Remembrance Day, which -we couldn’t have known at the time the schedule was drawn up -happened also to coincide with the largest Humanitarian/Ceasefire-in-Palestine march in the UK’s history. Trying to find unblocked roads through the capital on my rented bike with the scores and baton in the basket after busses, tubes, and taxis proved unavailable, I was half an hour late to the dress rehearsal.

This project was a good opportunity to implement my Orchestra Redefined approach. At its heart, the source of the approach is respect and love for others. If this seems like a dreamy, mystical claim and the reader would prefer that I spoke more technically or pragmatically, I’d say that my conducting, orchestral, and rehearsal techniques are merely the outward manifestations of a core that seeks to plunge into the orchestral players’ musicianship, outlooks and life experiences, and help them bring them out, channelling them into their playing as part of a large team. Contextualising the music, and relating it to our own experiences, from the most exalted to the mundane -often at the same time- is key.

The conductor here is one quite literally, a primus inter pares; no longer a despot, or at the very least, the archetypical figure of total power. A good degree of power the conductor may be perceived to end up with, in this approach, comes through the relinquishing of it to the players; in creating avenues for the individuals’ expression in concert with those around her/him/them: a kind of anti-power, more a Zen modus operandi.

Naturally, I have a firm, as-informed-as-possible artistic vision of the works we’re engaging with, and I’ll straighten the orchestra out whenever they need to be. I tell them off if I have to, and never accept anything less than the absolute best they (or any orchestra) can give. I always insist, albeit with kindness, empathy, relaxed humour, pulling their leg, self-deprecating, or other means, whichever fills the need on the spur of the moment. But the more collaborative pathway, with highly trained orchestral musicians, often for the first time in their lives, being both invited and then shown ways to bring their hard-won musicianship into the symphonic context, reaps a joyous musical-human garden of sorts. The people within the players emerge, their voices are heard, their experiences and outlooks are validated, and this is shared with others and with myself in musical conversation. The artistic results are of a very high standard, the people behind the instruments being happy, motivated, and engaged, with a sense of being valued.

The concert, with a brief speech from me relating our music to the day’s commemoration as well as current events, was a powerful, joyous affair that received a standing ovation. Later, the orchestra kindly wrote some of their thoughts on the term’s work. Their most used were: thanks, love, inspiration, fun, energy, passion, joy, insightful, relaxed, personable, and dynamism, and many mentioned how much they had learned. To them, and for the opportunity to share all of this with them, I am deeply grateful.

photo credit: @tradephotographer

#london #city #orchestra #londoncityorchestra #conducting #adrian #varela #conductor #britten #sinfonia #requiem #ravel #la valse #tchaikovsky #tchaikowsky #swan #lake #swan lake #ballet #suite

[70tre]

SINFONIA NEL BOSCO

In una notte senza luna, lontano dal frastuono della civiltà, due anime erravano in cerca di rifugio. Mirko e Sofia, persi nel buio di un bosco secolare, si trovarono improvvisamente soli, immersi in un silenzio profondo. Il fitto fogliame sopra di loro impediva alla luce delle stelle di penetrare, avvolgendo ogni cosa in un manto di mistero. Mentre avanzavano cautamente, Sofia e Mirko…

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#bosco #lucciole #sinfonia