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#Maren Ade
adreciclarte4 · 2 months
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Maren Ade by Stephan Vanfleteren
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arutai · 5 months
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Maren Ade by Stephan Vanfleteren
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Toni Erdmann (2016, Maren Ade, Germany)
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melangeknottings · 10 months
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"Toni Erdmann" for Father's Day
Thinking of the wonderful actor Peter Simonischek today.
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iwannapushthebutton · 3 months
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Toni Erdmann (2016) dir.: Maren Ade dop.: Patrick Orth
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cinevisto32 · 6 months
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Toni Erdmann (2016)
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davidhudson · 5 months
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Happy 47th, Maren Ade.
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reel-drone · 1 year
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Toni Erdmann dir. Maren Ade (Germany, 2016) 
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curiositasmundi · 8 months
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Vi presento Toni Erdmann - di Maren Ade (2016)
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rwpohl · 10 months
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auslöser _filmverband sachsen 03 2009 (press archive: shared folder)
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soreheadinamblemood · 11 months
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byneddiedingo · 1 year
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Sandra Hüller and Peter Simonischek in Toni Erdmann (Maren Ade, 2016) Cast: Sandra Hüller, Peter Simonischek, Michael Wittenborn, Thomas Loibl, Trystan Pütter, Ingrid Bisu, Lucy Russell, Hadewych Minis, Vlad Ivanov, Victoria Cocias. Screenplay: Maren Ade. Cinematography: Patrick Orth. The nearly three hours -- well, two hours, 42 minutes -- of Toni Erdmann don't exactly fly by. It's more that they sometimes pause while we accustom ourselves to the eccentricity of the characters and begin to absorb some of the satire, build up another head of steam, and speed into another head-spinning but frequently funny episode. There's a feeling of improv about the film, and with improv there are often dead spots between outbursts of brilliance. The film is about a father and daughter, Winfried (Peter Simonischek) and Ines Conradi (Sandra Hüller). He's a shaggy old prankster who teaches music in a school; she's an intensely driven corporate consultant now working to land a contract in Romania that would help companies streamline -- mostly by jettisoning their unionized work force. The film is thus a satire on global corporate capitalism, with side glances at the pervasive sexism in that world. But writer-director Maren Ade has chosen not to weight the film in the direction of either character study or satire, and I think the film suffers from tone problems occasionally. Granted, it would be easy to slip into formula with such mismatched characters, a father who delights in comic disguises like fright wigs and false teeth to shake up his uptight daughter's aggressively workaholic ways. It's to the credit of the film that there are enough unexpected moments -- such as Ines's singing "The Greatest Love of All" at a Romanian family's Easter celebration that Winfried has crashed -- that it never sinks to the routine and conventional. Finally, the film does, I think, go too far, when Ines suddenly decides to host a corporate party in the nude, insisting that all the guests strip too, and claims that it's a "team-building" exercise. Winfried, of course, crashes this party as well, wearing a Bulgarian kukeri costume -- it almost literally turns the film into a shaggy-dog story. Toni Erdmann was a big critical hit, and was a major contender for the foreign film Oscar that went, I think correctly, to Asghar Farhadi's The Salesman.
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fnipoli · 4 months
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pacingmusings · 11 months
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Toni Erdmann (Maren Ade), 2016
Rest in Peace , Peter Simonischek
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lunesalsol · 1 year
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O problema muitas vezes é sobre como devemos fazer as coisas… como devemos encarar os momentos?
Às vezes lembro-me quando aprendeste a andar de bicicleta, que te encontrei uma vez na paragem. Mas só pensamos nisso mais tarde. No próprio momento não é possível.
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mycinematheque · 2 years
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