#Nouveau Musée National de Monaco | Explore Tumblr Posts and Blogs

pagansphinx · 9 months

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Kees van Dongen (French/Dutch, 1877-1968) expressionist painter and a prominent member of the Fauves.

"Painting is the most beautiful of lies." ~ Kees van Dongen

Note: All images are of works done with oil on canvas, unless otherwise noted.

Self Portrait • 1895 • unknown location

La Célèbre Fatima et sa troupe • c. 1912 • private collection

Femme aux bas noirs (Woman with Black Stockings) • c. 1907 • private collection

Lucie et son danseur (Lucie and her Dance Partner) • 1911 • Hermitage Museum - St. Petersburg, Russia

Modjesko, chanteuse soprano • 1908 • MoMA, New York, N.Y.

Modjesko was a African American singer and drag performer whose performance in Paris influenced van Dongen to paint this portrait.

Les lutteuses (Lutteuses du Tabarin) [Tabarin Wrestlers] • 1907–08 • Nouveau Musée National de Monaco

Le Moulin de la Galette • 1906 • private collection

The Sphinx • 1920 • Musée d'Art Moderne de Paris

At the Racetrack • 1950s • Metropolitan Museum of Art, New York, N.Y.

La Violoniste • c. 1922 • Musée D'Art Moderne de Paris

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mdameninie · 7 months

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Découvrez Monaco pendant les vacances de la Toussaint : Activités incontournables

Les vacances de la Toussaint approchent à grands pas, et si vous recherchez une destination à la fois élégante et ensoleillée, Monaco est l’endroit parfait pour une escapade automnale. C’est une destination où il fait bon vivre. Le climat Méditerranée aide avec ses températures douces et ensoleillées.Connue pour son luxe, son glamour et son emplacement spectaculaire sur la Côte d’Azur, Monaco…

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ortodelmondo · 1 month

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Hercule Florence, L’Inventeur au Brésil, ou Recherches et Découvertes d’un Européen, pendant 26 ans de résidence dans cet Empire, Voyage Fluvial, du Tiété à l’Amazone, 1856. Manoscritto a inchiostro su carta, 31,8 x 22,4 cm (Courtesy Nouveau Musée National de Monaco)

#hercule florence

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graceandfamily · 8 months

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Exposition « Princesse Grace : habiller une image »

L’exposition « Princesse Grace : habiller une Image » a ouvert ses portes le 5 mars à Paris, en présence de SAS La Princesse Caroline. La marque écossaise Pringle of Scotland, le Central Saint Martins College of Art and Design et le Nouveau Musée National de Monaco ont présenté les créations inspirées du vestiaire de la Princesse Grace Kelly.

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#GouvMonaco #grace kelly #princess caroline #princess grace #Youtube

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charlottecasiraghifashionblog · 10 months

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March 30, 2023 - Charlotte was at the Nouveau musée national de Monaco for the George Condo’s ‘Humanoïdes’ exhibit. For her cultural outing, she selected a jacket and the matching pants from the Spring-Summer 2023 Pre-CollectIon by Chanel.

Here are screenshoots from the brand’s US website:

#chanel #charlotte casiraghi

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fashionbooksmilano · 2 years

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Christian Bérard Eccentric Modernist

Célia Bernasconi, Laurence Benaïm, Pierre Passebon, Jerome Hanover, Tirza True Latimer, Nick Mauss, Aurelie Verdier, Marika Genty

Flammarion, Paris 2022, 280 pages, 23 x 31 cm., hardcover,ISBN 978-2-08-020403-5

euro 69,00

email if you want to buy :[email protected]

Exhibition “Christian Bérard, Excentrique Bébé NMNM -Villa Paloma August 7,2022- October 14, 2022 Nouveau Musée National de Monaco

A groundbreaking monograph on one of the most versatile artists of the twentieth century. Christian Bérard worked freely in many artistic circles and fields as a painter, designer of theater and film sets and costumes, fashion designer, interior designer, masterful draftsman, and colorist. His iconic drawings epitomized the Paris fashion world and graced the covers of Vogue, Harper's Bazaar, and Women's Wear Daily in the 1920s and 1930s. Tracing his eccentric and colorful life of encounters and artistic partnerships with the greatest creatives of his time--Jean-Michel Frank, Christian Dior, Gabrielle Chanel, Jean Cocteau, Boris Kochno--this book includes more than two hundred of his paintings, drawings, photographs, intimate correspondences, and interior decorations, along with portraits of Bérard by Cartier-Bresson, Horst, and Schall.

04/10/22

orders to: [email protected]

ordini a: [email protected]

twitter: @fashionbooksmi

instagram: fashionbooksmilano, designbooksmilano tumblr: fashionbooksmilano, designbooksmilano

#Christian Bérard #Excentrique Bébé #exhibition catalogue #NMNM Monaco 2022 #Vogue #Haroer's Bazaar #Jean-Michel Frank #Christian Dior #Chanel #Jean Cocteau #Boris Kochno #Pierre Le-Tan #fashion books #fashionbooksmilano

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lisablasstudio · 4 months

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Monday's image: January 15, 2024

Jochen Lempert, Untitled (Noctiluca 1), Gelatin silver print on Baryta paper, 24 x 18 centimeters, 2009, Nouveau Musée National de Monaco, France

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productions-sarfati · 2 years

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ACTU DES ARTISTES

C’est lundi ! Place à l’actudesartistes 📅 ! Au programme cette semaine 🎼:

Jeudi 22 septembre : Evgeny Kissin 🎹 sera aux côtés de l’Orchestre national de Lyon, sous la direction de Nikolaj Zenaider pour interpréter le concerto pour piano n°23 de Mozart.

👉 https://www.auditorium-lyon.com/fr/saison-2022-23/symphonique/concert-ouverture

Vendredi 23 septembre : Andris Poga dirigera l’Orchestre symphonique de la WDR de Cologne et Edgar Moreau dans un programme autour de Weinberg et Chostakovitch.

👉 https://www1.wdr.de/orchester-und-chor/sinfonieorchester/konzerte/termine/weinberg-und-schostakowitsch-120.html

Samedi 24 et lundi 26 septembre : Kazuki Yamada ouvrira la saison de l’Orchestre philharmonique de Monte-Carlo à Monaco avec Daniel Lozakovich 🎻. Il se rendra ensuite au Festival de Bratislava avec l’OPMC et Valeriy Sokolov 🎻. Au programme, l’Ouverture du Carnaval Romain de Berlioz, le concerto pour violon de Tchaïkovski et la 9ème symphonie « Du nouveau Monde » de Dvorak.

👉 https://www.opmc.mc/concert/une-nouvelle-porte-souvre/

👉 https://www.opmc.mc/concert/festival-de-musique-de-bratislava/

Dimanche 25 et mardi 27 septembre : Roberto Fores Veses sera à la tête de l’Orchestre national du Pays de la Loire à Angers puis à Nantes pour diriger l’envoûtant Concerto pour violon de Sibelius (Alena Baeva 🎻), l’Orchestration sur la sonate K.260 de Scarlatti, orchestré par Aurélien Maestracci ainsi que le concerto pour orchestre de Bartok.

👉 https://onpl.fr/concert/concerto-pour-orchestre-de-bartok-alena-baeva/

Dimanche 25 septembre : Plamena Mangova sera en récital 🎹 à Bruxelles dans le cadre du programme « Musée en musique » au Musée des Instruments de Musique, dans un programme autour de Scarlatti, Beethoven, Chopin et Liszt…

👉 https://www.cpefestival.com/plamenamangova

Belle semaine en musique ! 🎼

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plinerhunter · 2 years

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« PHOTOGRAPHY IS ALWAYS A KIND OF SEDUCTION. » « LA PHOTOGRAPHIE EST TOUJOURS UNE FORME DE SÉDUCTION. » HELMUT NEWTON, FRANKFURTER RUNDSCHAU, 1998 #AreYouReady #PlinerHunter #monaco #montecarlo #monacograndprix #MonacoGP #monacolifestyle #monacolife #monacomontecarlo #photographe #photoshoot #photographie #photographer (à Villa Sauber - Nouveau Musée National De Monaco) https://www.instagram.com/p/ChPpnsDtz7I/?igshid=NGJjMDIxMWI=

#areyouready #plinerhunter #monaco #montecarlo #monacograndprix #monacogp #monacolifestyle #monacolife #monacomontecarlo #photographe #photoshoot #photographie #photographer

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contemporaryartdaily · 3 years

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Shimabuku at Nouveau Musée National de Monaco

#Célia Bernasconi #Exhibitions #Institution #Monaco #Nouveau Musée National de Monaco #Shimabuku

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mentaltimetraveller · 2 years

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Ettore Spalletti, Colonna di colore, 1978 installation view at Nouveau Musée National de Monaco – Villa Paloma, Monaco, 2019

#Ettore Spalletti

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pagansphinx · 8 months

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Kees van Dongen (Dutch-French, 1877-1968) • Les lutteuses (Lutteuses du Tabarin) • 1907–08 • Nouveau Musée National de Monaco

#fauvist painter #kees van dongen #dutch-french artist #painter #artist #fine art #art history #women in paintings #art nude #favism #early 20th century art #favorite painter

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mybeingthere · 3 years

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The exhibition “Russian operas, at the dawn of the Ballets Russes” presents 130 costumes made for the masterpieces of Russian opera (Boris Godunov, Kovantchina, Ivan the Terrible, Snegourotchka) presented in Paris between 1908 and 1913, for the most part by Diaghilev, then reused until the middle of the 20th century at the Opéra de Paris. Costume sketches, work documents, iconographic sources of inspiration and photographs are also included.

These costumes, ranging from historic magnificence to an unequalled modernity, all come from the Opéra National de Paris, where they arrived through the flukes of history, the successes of productions and the failures of businesses, thanks to purchases from theatre houses (such as the Bolchoi) or from companies (such as those of Serge Diaghilev and Sir Thomas Beecham). They are preserved today either in the collections of the Bibliothèque-Musée de l’Opéra, BNF, or at the CNCS or also at the Nouveau Musée National de Monaco. The entire range of opera characters, historical or from legends, of Mussorgsky and Rimsky-Korsakov are represented in this collection: tsars, boyars, guards, and above all the common people of Russia, the great protagonists of Russian opera.

https://www.cncs.fr/%E2%80%9Crussian-operas-dawn-ballets...

The Ballets Russes Company, under the direction of impresario Serge Diaghilev, had a major impact on the nature of ballet in the western world from the early years of the 20th Century. Employing the most talented and creative dancers, choreographers, designers and composers, the company created spectacles of sound, colour and movement, often with an oriental or folk tale theme, that they toured throughout Europe and America.

In 1921 Diaghilev mounted ‘The Sleeping Princess’ based on the Russian Mariinsky Theatre’s ballet ‘The Sleeping Beauty’ of 1890, with Tchaikovsky’s music and Marius Petipa’s choreography, slightly adapted, and new costumes and sets by Léon Bakst. It opened on November 2nd, 1921 at the Alhambra Theatre in London with the intention of a long run; however, it was not a success and closed after a hundred and fourteen performances, having had insufficient audiences to cover the expenses of numerous costumes and ambitious sets. The costumes were impounded to cover Diaghilev’s debts to the theatre, and went into storage.

https://www.thejohnbrightcollection.co.uk/.../ballets.../

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kakaji · 3 years

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Variations - Eugène Frey’s Light Set Projections presented by João Maria Gusmão, Nouveau Musée National

de Monaco - Villa Paloma, Monaco

February 7 - May 20, 2020

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gagosiangallery · 3 years

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Richard Artschwager at Gagosian Rome

December 21, 2020

RICHARD ARTSCHWAGER

Opening reception: Thursday, Janary 14, 12–8pm January 14–April 24, 2021 Via Francesco Crispi 16, Rome __________

Form always begins with a something. And then if that something occurs in another place, there is slippage involved and what is created as a result develops a parallel existence to the original thing. I have located my art in terms of reducing all objects to the attention they demand. This gives me a good shot at innovation, to put it boldly. —Richard Artschwager Gagosian is pleased to present an exhibition of works by the late Richard Artschwager from a key period in his career, 1964–87. Associated with many genres but conforming to none, Artschwager’s art has been variously described as Pop, because of its incorporation of quotidian objects and commercial materials; as Minimal, due to its crisp forms and solid geometric presence; and as Conceptual, owing to its cerebral engagement with information. This rare survey of the early decades of Artschwager’s varied career demonstrates his ability to rearrange the structures of perception, bringing the deceptive pictorial world of images into direct confrontation with the concretely human world of objects.

Through shifts in scale and transpositions of form and material, Artschwager’s artworks prompt an ongoing reassessment of space and time, suggesting compound narratives and compositional complexities, often at once quotidian and surreal. Employing synthetic, commercial, and industrial materials, Artschwager transformed his sources with a deadpan visual wit that makes the familiar strange. In 1962 he began working with Formica, a radically unconventional and “low” material, then most closely associated with the slippery surface of lunch counters. Its high-shine, typically marbled finish is both recognizable from everyday life and bears an abstract resemblance to expressionist painting. The early 1960s also marked the beginning of Artschwager’s experiments with Celotex, a heavily textured compound board made from compressed sugarcane fiber, which he used as a ground for his singular grisaille paintings, the waywardness of the industrial material blurring and obscuring his hand-drawn lines. These compositions were often based on subjects both arcane and mundane; Interior (1964), for example, is a semiabstract, diagrammatic perspectival image of a domestic setting, narrowing as depth perception progresses. Artschwager’s sculptural works demonstrate the ways in which he integrated artisanal skills into intellectual and formal experiments in perception and composition. In Sliding Door (1964), the door of a cabinet casts a shadow within the work’s pale interior, generating a constantly changing pattern that shifts along with light and the motion of the viewer around the object. Untitled (1965), made from Formica and wood, uses a circle’s curvature in the same way; while nonfunctional, it mimics the utilitarian aesthetic of an audio speaker or household appliance, demonstrating Artschwager’s ability to meet our expectations of an object or picture only to then subvert them. A fully illustrated bilingual catalogue will be published on the occasion of the exhibition, with an essay by curator Dieter Schwarz. Richard Artschwager was born in 1923 in Washington, DC, and died in 2013 in Albany, New York. Collections include Kunstmuseum Wolfsburg, Germany; Museum Ludwig, Cologne, Germany; Staatsgalerie Stuttgart, Germany; Centre Pompidou, Paris; Tate, London; Museum of Modern Art, New York; Whitney Museum of American Art, New York; and Art Institute of Chicago. Exhibitions include Painting Then and Now, Museum of Contemporary Art, North Miami, FL (2003); Up and Down/Back and Forth, Deutsche Guggenheim Berlin (2003); Hair, Contemporary Art Museum, Saint Louis (2010); Richard Artschwager!, Whitney Museum of American Art, New York (2012, traveled to Hammer Museum, Los Angeles; Haus der Kunst, Munich; and Nouveau Musée National de Monaco); and Punctuating Space: The Prints and Multiples of Richard Artschwager, Frances Lehman Loeb Art Center, Vassar College, Poughkeepsie, NY (2015). A retrospective of Artschwager’s work curated by the late Germano Celant opened at the Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Italy, in October 2019, and traveled to the Guggenheim Bilbao Museum in February 2020. _____ Richard Artschwager, Sliding Door, 1964, Formica on wood with metal handles, 41 5/8 × 66 1/8 × 6 1/8 inches (105.7 × 168 × 15.6 cm) © 2020 Richard Artschwager/Artists Rights Society (ARS), New York. Photo: Roland Schmidt

#Richard Artschwager #Gagosian

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romanseban · 4 years

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10.07.20 Cover of the book published by the Nouveau Musée National de Monaco and Paraguay

#bookcover #cover #book design #graphic design #typography #book #eugenefrey

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