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#Satellite Pizzeria
strawglicks · 1 month
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welcome to the Coal & Ice District!
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cogs-inc · 1 year
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woah char satellite from the pizzeria? THE char satellite?
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felixstudios · 14 days
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Headcannons for the playground Managers on a rainy day?
Random Corporate Clash Headcanons, Playground Managers on a Rainy Day Edition
Prethinker
🧠He doesn't even know it's raining
🧠Stays in the basement playing video games all day and scrolling Reddit
🧠Bro hasn't gone outside in years probably
Derrick Man
🛢️Scoffs about the weather and clearly hates it
🛢️In a sour mood the whole day
🛢️Spends as much time indoors as possible and wears a very good raincoat and/or uses an umbrella outisde
Rainmaker
⛈️She started the rain {probably}
⛈️Will feel bad about it at first, but after a while she gives up with controlling it and just jumps in the puddles
⛈️Spends most of the day outside
⛈️Clearly likes the rain
Land Acquisition Architect
🚦He likes the rain in the sense that plants are watered {saves water bill on the land he needs to look all nice} and ground becomes soft and easy to break
🚦Takes advantage of the cooler weather to get TONS of work done outside, too
🚦Overall has a super productive day. He doesn't care much for how rain actually feels, but he LOOOOOOVES what it means for his wallet
Witch Hunter
🔱He's PISSED. OFF.
🔱He'll find somewhere indoors or try to find some way to shelter himself from the rain so he can keep using his fire powers
🔱A lot of his stuff probably gets ruined with water damage
Public Relations Representative
🧱Rain? Oh, I re-re-remember rain- I- rain!
🧱Toon-Toons, would you be-be-be kind- would- outside to-to- en-en-enough to let m-me outside to see-see it?
🧱N-no? But it's been-been-been-been-
🧱ERROR
Multislacker
🥪Feels extra lazy
🥪Will probably fall asleep a LOT during the day since the sound of rain is very comforting to him
🥪Makes someone carry an umbrella for him wherever he goes because he's too lazy to hold it himself
Major Player
🎹His performance of the day will probably be a little quieter and softer. I mean, not by much since that's not exactly his style, but he'll try!
🎹Lots of rain protection if he goes outside because he doesn't wanna rust. Gotta stay looking young!
🎹Tries his best to stay indoors all day. He REALLY doesn't wanna rust his 'pretty face' or whatever
Plutocrat
🌑Rain? Nah, that doesn't happen here. It's hail.
🌑He loves the weather. Absolutely thrives in it. Productivity at Mozzarella Styx Pizzeria increases by 10% that day
🌑 Satellite Investors are prone to wandering around on the streets, ESPECIALLY if the weather gets harsher. They also thrive in the weather
Chainsaw Consultant
🪚Finds the sounds of rain relaxing
🪚Productivity increases by 23% today. The Chairman is now looking into creating a rain simulation of some kind around his office
🪚Is especially quiet because he's listening to the rain
Pacesetter
👟He CLAIMS not to care about "a little rain," but it's pretty obvious he hates it
👟SUPPOSEDLY doesn't care about it messing up his hair since he "still looks good no matter what," but when he gets to work he spends an hour fixing it in a mirror
👟ALLEGEDLY he won't care about the equipment he left outside getting a little gross looking since it's waterproof and still works, but the same afternoon he has brand new equipment...
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uwuinator · 1 year
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btw if anyone sees pineapple piper on clash in the pizzeria i am not headcanoning that they're a cog in a toon disguise and plutocrat is just not telling the rest of the company because he's alone with his satellite investor mafia. not at all
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drgreg · 1 year
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Dr Gregory Images
Part 38 of a fireside chat with Dr. Gregory Denysschen, on the Book of Revelation and its relevance to understanding the times we're in. Part 39 of a fireplace chat with Dr. Gregory Denysschen, on the Book of Revelation and its relevance to understanding the instances we are in. Part forty - the final episode with Dr. Gregory Denysschen, of the Book of Revelation and its relevance to understanding the times we are in.
Because this implies we can never, actually, know exactly who has the virus and who would not, "universal masks carrying locally for supply control is beneficial," they added. Knowing that such crowded, indoor areas can be susceptible to a buildup of more virus in the air, "the generally noticed follow of people removing their mask when talking is not advisable," Fauci stated. "With the onset of colder weather within the northern hemisphere, actions will increasingly happen inside, resulting in often-unavoidable congregating," Fauci and his colleagues stated. Modeling studies dr gregory images back up this similar concept on population-wide degree, suggesting that placing on a face overlaying not only prevents extra illness, it additionally saves lives. They lay out why a combination of "low-tech" coronavirus-fighting measures, together with masks, distancing, handwashing, and fast testing are all crucial for controlling the pandemic. Dr Lamb says the device can also be used with regard to research of circumstances similar to dementia, Alzheimer’s disease and ADHD , and that they suspect that the device will provide a more accurate diagnosis of these conditions than ever earlier than.
This has simply been made potential at the North-West University’s (NWU’s) Centre for Health and Human Performance . There's an ornate river-view restaurant serving international cuisine, plus a casual pizzeria/bar. Occupying particular person cottages, ethereal suites come with water views, decks, separate living areas and wood-burning fireplaces, as nicely as heated flooring, minibars and satellite TV. The programs will consider the utilization of pastel as a versatile and expressive medium. As pastel has the reputation of being “difficult” and limiting, owing often to poor instruction at colleges and elsewhere, my approach is to assist the student to use the medium with a scope nearly as wide as oil painting. Four items shall be tackled and the supply materials will consist of a variety of small animals or bugs rigorously observed and creatively explored in the context of the actual venue.
He is known within the UK, Ireland, Australia, New Zealand and elements of Europe for his roles in Blackadder and for his long-running comedy collaboration with Stephen Fry, which has included A Bit of Fry and Laurie and Jeeves and Wooster. There's also some risky chemistry at work between House and Dr. Lisa Cuddy, the Dean of Medicine and hospital administrator. Cuddy is in constant battle with House over his duties at the hospital, but even she must admit he could be the most sensible physician on the staff.
In a “last post” account of his life written by historian Aaron Pegram, which was made into a film at the Australian War Memorial, Pegram describes how “his love of Yiddishkeit earned him the enduring love and respect of all who knew him”. Black in Five Minutes will be the second installment of the site-specific Locust Projects mural project of by Ed Young. He utilizes types of conceptualism, efficiency, and minimalism, underscored by his persona, to name dr gregory images consideration to main themes of boredom, insolence and laziness. Young investigates the thought that the construction of the art world has superseded the art object itself. For this project, Young will create a new site-specific mural each 4 months for one 12 months.
House's team consists of neurologist Dr. Eric Foreman, who may need a slightly suspect past; immunologist Dr. Allison Cameron, who fell for House final season and wanted to date him; and old-money intensevist Dr. Robert Chase. House's roster of medical circumstances are the inexplicable ones other medical doctors cannot solve, and he has assembled an elite team of young medical consultants to assist him in his effort to resolve these diagnostic mysteries. The organs, blood vessels, bones, and joints are regular in size, form, look, and location.
I turned on LM Radio to set the temper type of and am now feeling that Time Machine has been appropriately resurrected. It was odd doing touch-ups because I was so tempted to "enhance" issues, but I did restrain myself in deference to the young Greg and his wild brushes and big colour. But as quickly as again in, I went nuts and made about 40 massive oils that I confirmed in 1985 at the Karen McKerron Gallery in Bryanston.
Pictures from an MRI scan are digital images that could be saved and stored on a computer for extra research. The images also may be reviewed remotely, similar to in a clinic or an working room. In some circumstances, contrast material may be used in the course of the MRI scan to level out certain buildings extra clearly. Dr Gregory Weir is a registered and licensed Vascular Surgeon. After completing his pre-graduate medical research and specialising in General Surgery, he sub-specialised and completed the South African College of Medicine's exams in Vascular Surgery. His follow is devoted to the treatment of patients with vascular disease.
Allows us to store data concerning your preferences corresponding to quantity and language. Whether, with reference to the implementation of the Generally Recognised Accounting Practice 103 project throughout the art and culture sector, ... Patients may even need to signal the admission contract on the hospital. We supply remedy for the oesophagus, stomach, small intestines and different gastrointestinal organs. We provide prevention, prognosis, surgical treatment and rehabilitation of issues which affect any portion of the nervious system. We are dedicated to constructing a wholesome neighborhood for all people.
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lycracrime21 · 2 years
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Casa Mia Hoquiam Washington — (360) 533-2010 - Questions
The 2-Minute Rule for Italian Restaurant - Pizza - Catering - Casa Mia Sparta
If you value competence and performance, go somewhere else.
" Larry and Julie have a gem of a property along the stunning stretch of beach which is steps away from the palapa outdoor patio and well selected home. Perfect for two couples. The home was immaculate and there was music playing (good touch) and the air-conditioning on when we arrived. Great place for going into town (which we did) however rather honestly we were content to be on patio or with our beach chairs at the water's edge.
Thanks to Priscila for suggesting we go to an extremely great shop, called Mercedes, with perfectly made Mexican items for the home; you won't leave empty-handed! This home is extremely suggested by both couples. Thank you Larry & Julie." -Robert & Karen N. of Scottsdale, AZ.
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One of the smaller Hotels in Blantyre, household owned, 19 fully air conditioned rooms with small bar and tea/coffee centers, Satellite television and FREE Wi-Fi connection. An a la carte dining establishment, casual dining with a continentally influenced menu. Our dining establishment is open all the time, with last orders at 9. 30 pm to both guests and stroll in restaurants.
Getting The Casa Mia Restaurant - Scottsdale, AZ - OpenTable To Work
Many of the Hotels in Blantyre are big and impersonal, however we believe in offering house from home comfort with fantastic service, We have a lovely outside pool and seating location solely for our locals.
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La Casa Mia Pizzeria - Brooklyn, NY Restaurant - Menu + Delivery - Seamless
Casa Mia makes sure to please everybody ... Restaurant A Casa Mia were named among the Leading Italian Restaurants in the United States by cooking trade association Gruppo Ristoratori Italiani. Household owned and operated since 1985, Casa Mia is devoted to offering you with a genuine Italian dining experience breaking with environment and professionalism.
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Casa Mia Ristorante – Niagara Falls Business Events
Monday 11am - 9pm, Tuesday closed (open for banquets only) Wednesday 11am - 9pm, Thursday 11am - 10pm * Friday 11am - 10pm * Saturday 11am - 10pm * Sunday 12pm - 8pm, Thursdays 6pm - 9pm, Fridays 9pm - 1am, Saturdays 9pm - 1am.
Casa Mia on the Hill111 Golf Street, Newington, Connecticut 06111, United States.
The Casa Mia - Yonkers - Menu & Hours - Order Delivery Ideas
Invite to Casa Mia Pizzeria, Free Garlic Knots for all online orders!! Slide 1 of 2 Slide 2 of 2 hero gallery stopped briefly, press to play images slides Playing hero gallery, press to pause images slides We're your locally-owned & family ran pizzeria focused on providing uncompromising quality food & customer care.
Here, we're concentrated on making you smile due to the fact that when you're smiling, we're smiling.
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aven90 · 2 years
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La massa del sole/21
La massa del sole/21
E non puoi anticipare tu il denaro necessario?” chiese Apollo. “Ma scherzi? Io sono esattamente il gestore di questo luogo messo su un satellite accanto a un pianeta! Sei mai andato al ristorante? Ci sei mai stato? Rispondimi, Frank!” Apollo non sapeva con chi ce l’aveva, anche perché il suo tono stava acquisendo un’angoscia montante. “È come se tu dicessi a un titolare di una pizzeria di pagarsi…
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thatssocheezy · 4 years
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Satellite Pizza - Mountauk Highway in Bayport, NY
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Another Long Island spot Paul visited. Keep reading for his thoughts...
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felixstudios · 7 months
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if the managers got magically turned into toons, how do you think theyd react, what kind of toons would they be, and how would they navigate their new bodies (and possibly new lives)?
I'm not Felix, but I hope I can answer this about as well as she can.
DUCK SHUFFLER:
-He becomes a red duck with green legs after a slot machine accident.
-He doesn't find it particularly surprising or alarming and simply rolls with it.
-It wouldn't surprise me if he'd quit his job to officially join the ranks of the Toons.
PRETHINKER:
-Brian either becomes a raccoon, or he becomes some kind of bug Toon not available in-game. He'd be a pale pink.
-He's in complete disbelief about this change and refuses to leave his room for several months. He loses track of time and eventually becomes so bored and lonely that he ventures out.
DERRICK MAN:
-He becomes a bronze colored bear.
-Raine is accused of using magic of some kind, but she seems genuinely confused about what happened. Unable to locate the cause, he's forced to mingle with the Toons as a Toon.
DEEP DIVER:
-If only in-game species are available, she'd likely become a non-domesticated species. If it can be anything, she'd become a fish. She'd be a deep blue color.
-He wouldn't have much commentary about his situation. Additionally, he'd almost exclusively keep to himself.
RAINMAKER:
-The species situation would be the same as Mary, except I could see her either becoming a dog or a fish. She would be light blue.
-She'd be happy to explore the Toon world from the inside and play several Toony games. Most likely, she would resign from her job.
LAND ACQUISITION ARCHITECT:
-He becomes an orange fox.
-At first he's shocked and in complete disbelief, but after a while he learns to cope and fit in with the other Toons.
GATEKEEPER:
-She becomes an alligator. Her color scheme would likely include greys and incredibly desaturated blues.
-She refuses to show herself for a very, very long time out of embarrassment for what has happened to her.
WITCH HUNTER:
-He becomes a dark purple bear.
-A very similar situation to Holly's reaction occurs.
PUBLIC RELATIONS REPRESENTATIVE:
-He becomes a light pink cat.
-At first, he hates his new situation. But then, he finds a great sales pitch to use on Toons along with an idea to escape and becomes incredibly grateful he magically changed.
BELLRINGER:
-He becomes a yellow kangaroo.
-He's quite shocked at the turn of events, but he elegantly navigates the situation and keeps a level head. Eventually, he learns how to act like a Toon and blend in.
MULTISLACKER:
-He becomes a cat with a mix of greys and purples.
-Doesn't say or do much about it, but his dad is incredibly horrified and keeps trying to make him into a Cog again.
MOUTHPIECE:
-She becomes a blue dog with yellow ears and yellow legs.
-Although she quits her job and starts cooking with Toon ingredients, nothing really does change about her.
MAJOR PLAYER:
-He becomes an orange and yellow bat.
-He flaunts his new change proudly and uses it as a selling point for more tickets to his shows.
FIRESTARTER:
-He becomes a red kiwi.
-He tries to hide what happened to him out of fear of what COGS, Inc. will think, but eventually the truth comes out.
PLUTOCRAT:
-He becomes an ice blue alligator.
-He attempts to run his operation like nothing has changed, but his Satellite Investors aren't so keen on working with a Toon since it's a risky investment. He's forced to close his pizzeria.
TREEKILLER:
-He becomes a green bear.
-He tries to convince himself he's only having a nightmare, but after his denial is over he's left feeling depressed and empty.
CHAINSAW CONSULTANT:
-He becomes a dark red deer.
-He's still trying to figure out what to do.
FEATHERBEDDER:
-They become a kiwi, and their color scheme is desaturated purples.
-They still sleep a lot and don't really change much.
PACESETTER:
-He becomes a pink and black dog.
-He makes a huge public scene about his transformation and tries to go back to being a Cog, citing his reasoning as him being more beautiful as a Cog.
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eretzyisrael · 3 years
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I’m not a broadcaster, not a journalist, not a policy-shaping official. But I have things I feel ought to be heard and known about one of the world's most important media platforms, the BBC.
I am writing now because there is an important, sober and factual expose of the problems there in today's edition of a British weekly ["Shame of BBC Arabic as systematic bias revealed | A JC investigation shows a pattern of anti-Israel bias and inaccuracies", Jewish Chronicle, February 3, 2021].
I am quoted briefly there but want to raise some larger aspects of the deeply disturbing affair.
On November 9, 2020 I took part in an intense meeting with senior executives at the BBC. The subject was a complaint I had published some weeks earlier [see “Why does BBC‏ ‏promote my daughter’s murderer?” Arnold Roth/Palestinian Media Watch, October 13, 2020] about a Jordanian woman, a fugitive from US justice, being given the celebrity treatment before a global audience tuned in to a BBC show that has a huge following among Arabic speakers.
The meeting, by video conference, was at my request.
I was and continue to be impressed that the senior executive at BBC World Service responded positively to me and without hesitation. He could easily have ignored or deflected what was clearly an uncomfortable proposal. That’s pretty much what the vast majority of media organizations and their editors and management with whom I have tried to engage have done during the past four years.
Is this because I am rude? Nasty? Perhaps, but I believe it has more to do with how I bring disturbing messages with me.
But first some needed background.
My daughter, Malka Chana Roth, a beautiful high school student with a sunny disposition, was one of 15 innocent people murdered in a pizzeria attack carried out by Islamist terrorists in the center of the city where we live, Jerusalem, on August 9, 2001. A sixteenth victim remains in a coma all these years later.
That Islamist terrorist, who was 21 years old at the time and responsible for selecting the target and planting the bomb, was a part-time news-reader at a Palestinian Arab TV station and personally reported the news on camera some hours after engineering the massacre. She went on to publicly call the savagery “my operation”. She has been explicit about how she wanted her victims to be children and took pains to ensure that is what happened. In this she succeeded on a monstrous scale.
My wife and I are battling to see the woman whom the BBC so generously profiled in its October 2020 broadcast, Ahlam Tamimi, locked up for life in a maximum-security prison. Dedicated investigators, prosecutors and agents in the US Department of Justice are too.
This is a battle we have waged – in the literal sense, a fight for justice – since February 2012. There have been meaningful achievements along the way, most notably the unveiling of terror charges against Tamimi on March 14, 2017.
But what counts is that Tamimi remains free. She’s based in Jordan’s capital, living a life of privilege, influence, public adulation.
Jordan is a monarchy with friendly ties throughout the Western world. It happens also to be a tightly controlled state with famously unfree media. Despite the restrictive policies and willingness to silence the regime's critics, it has extended a rare degree of generosity to Tamimi. Most notably this has extended to the privilege of allowing her to host her own television program devoted to promoting terror and terrorists.
That show, distributed and watched globally via Hamas satellite TV from a studio in Amman every week for five years, allowed Tamimi’s unique incitement to terror to reach Arabic-speaking audiences in virtually every country on earth.
The Jordanian woman not only spearheaded the atrocity and has never stopped boasting about it. She boasts on camera of slipping into Jerusalem multiple times by means of her media credentials, of selecting the target with great care; of personally planting the bomb. And in due course she celebrated the many deaths and injuries with manifest glee. On any reasonable view, this is a monster.
That along with her years of exposure via frequent public appearances – live and via television – in large parts of the Arab world have made her a global celebrity.
I can barely type those words.
It’s a crushing reality made much worse by foolish political decisions and the moral cowardice of a long line of public and media figures. In practice, the outrage tends to be somewhat muted largely because, unless you are fluent in Arabic, you probably have had no idea till now.
* * *
Read More: Here
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chaniters · 5 years
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Shy.
Following the last fic, Sidestep finally has the chance to have a chat with Ortega. Fluff and awkwardness ensue. 
Enjoy! 
You've tried to avoid this as long as you've been a hero. And now it's happened. 
"C'mon, we don't look that bad!" Elyise talks with a smug grin.
"Where did they even take this?" you say holding the magazine. It shows a picture of you and Elyise on San Benito's Pizzeria, having dinner together. Thankfully your mask is only pulled half up revealing nothing but your mouth as you hold a pizza slice.  The title reads "Elstep! Know everything about the newest power couple!". You didn’t feel any photographer. Must be a drone... unscrupulous media uses them these days. 
"Why are you losing it over this?" she chuckles. "You look really cute!. And, you know, we could go for it!"
"W...w... what... ?" You blush into the most intense fuchsia color your skin can possibly attain. Is she for real...?
And then you notice the crack in her shields... and she realizes it too. And she just bursts out laughing.
"I'm joking!!! Joking!  We're just friends Cyrus!" She thinks it's hilarious clearly. You were about to have a heart attack. "Besides,you're too young for me! Everyone' would think I'm your sugar momma Cyrus! Or worse, they'd think I'm your aunt. Anyways, get ready, we need to get going!"
You've let her on your apartment. You have a job now, and your own place. 
Psychic training is something you generally do in the park, but your apartment is decent enough that you can have her over for training when it's raining outside like right now.
Today she came in bringing the tabloid and a message from Ortega. Since you avoid him, he's resorted to talking to her, since Anathema is tired of being in between. Apparently, he needs your help with a mission on the docks. 
You can't help look at her back and legs when she heads for the door... She thinks she's too old for you getting close to her 40's, but the truth is she's kept in perfect shape. She's got toned muscles and you always thought her short haircut was incredibly cool... and she's got moves and... Elstep... NO! She's just your friend! Last time you got involved with someone it became WEIRD. It's still weird between you and Ortega. 
You should keep your friends as friends. That's the only healthy way to go. 
Luckily your shields are up and she doesn't notice a thing as you sit behind her in her motorbike. 
You hold tight trying not to think about you hands holding on to her. She's just a friend that's just taking you places. And who sometimes shares Pizza. And goes to your place. And engages in deep meditation-trances with you...
FUCK! 
This time she does notice and bursts out laughing while you just want to the ground devour you.  
.......................................................
Ortega and Steel are waiting for you two
Elyise parks the bike and you get down. Ricardo gives you an awkward greeting, which you answer equally awkwardly. 
Steel doesn't have time for your particular flavor of romantic tension and simply goes through the facts.
"Authorities have lost contact with a ship a few miles of the coast, and it's still heading our way. Satellite shows no activity on board. they're sending us to investigate, and Marshall Charge thought we could use some backup. Especially now that Sentinel and Anathema are busy trying to chasing down Jupiter"
"Jupiter is back?" you ask. You heard the stories, but he retired before you became a hero. He was Marshall Hood's greatest nemesis aside from Hollow Ground. 
"Yes, he's wearing some sort of suit now... but we should focus on our own mission." 
"Alright let's do this. How do we get to the ship?" Elyise asks, always eager. 
Steel takes you to a coast guard boat, and soon enough you're sailing.
"So... how have you been?" you ask Ricardo trying to break the ice. You have to speak loudly to be heard over the engine.
"It's... been fine. A lot of work lately, with the new "V" guy all over town... What about you?"
"Oh, you know... I've got a job now. And my own place. And I'm helping Elyise with her powers..."
"Of course you are" He nods looking like a dog who's lost his bone. "You two seem to be doing well" You can notice the strain of him forcing himself to smile.
"Are you talking about Elstep?" Elyise says approaching "I live for that stuff!" she adds.
"It's... not like that," you say looking at Ortega
"Like what?" he asks trying not to sound too curious.
"There is no Elstep" you groan. 
"Not yet at least!" Elyise laughs "It could work though. He tells the best jokes when he goes inside your mind"
"Ahhh... hah.. ha..." you try to laugh it off. It comes off as extra-awkward. Ricardo gives you an odd look.
"Sorry... I can't help teasing you, you just make it so damn easy."  
"So... The media made it up. I just wanted pizza... And the owner offered us free meals for stopping Candymaster." You manage to explain at last
"Oh," he says pretending it's no big deal. He looks into the sea trying to hide a smile. He is NOT a subtle person, even when he tries. 
"He even paid for it himself, and you know how cheap he is?" she adds. 
"I'm not cheap! ... I mean not anymore!" You protest. "I have money..." 
"Yes you do dear, yes you do" she enjoys this so much. Fuck.
Elyise finally goes off to talk to Steel, asking him about his sailing experience and whatnot. 
Which leaves you and Ortega on the back. As the boat sails trough the calm sea. The rain is gone, and it’s now a perfectly sunny day. 
"So to be perfectly clear, Elstep is not a thing?" he asks.
"No... it's not" you manage to speak. 
Why are you doing this, you wonder? Oh. Right. Because you're a sucker for his big eyes. An idiot is you.  
He's clearly also an idiot who just falls in love with the worst possible train-wrecks. 
Ricardo might be a bit out of his league this time tough... You aren't a train-wreck, you're a volcano eruption near an unsuspecting village.  
And of course, you're so distracted he sits besides you...  Too late now, he runs an arm behind your back. And he gets closer. Much closer. 
You can feel the warmth of his body trough the skin tight nanomesh, in contrast with the cold wind caused by the boat's fast movement above the waves. 
It is not an uncomfortable sensation, to say the least. 
"So..." he starts, "You said... and I quote... We couldn't have anything real until you had your own place and your own money."
You gulp.
"Yeah... I did... kind of...  say that..." 
"In that case... " he gives you that smile that he has filled so many posters with. "Can I... invite you to dinner...?"
Your lips begin to say something in your usual self-destructive pattern... but you are gloriously interrupted by Elyise.
"Hey look!" 
You are approaching the ship
There is smoke coming out of the bridge, and it would seem there has been a battle on board.
You stand up, looking at the ship... A few men are looking right back at your boat from it. 
"I thought there were no sailors on board?" Steel looks at Ortega.
"Those aren't sailors," you say, feeling their intentions even from this far. THey are mercenaries... 
As you speak, you notice them start to arm and aim static machineguns at your ship.
Ortega stands up, frustrated. 
You've never been happier to have people about to try to shoot you down. You smile as Steel does a sharp turn to avoid the heavy fire while Elyise creates a psychokinetic field to stop the worst of it.   
Previous chapter: https://chaniters.tumblr.com/post/181620799154/sugar-vice
____________________________________
My Fanfics: https://chaniters.tumblr.com/post/181692759294/my-fanfiction-for-fallen-hero
DISCLAIMER: This is a work of fan fiction using characters and the setting of the Fallen Hero: Rebirth and upcoming Fallen Hero: Retribution games written by Malin Riden. I do not claim ownership of any characters from the Fallen Hero wold. These stories are a work of my imagination, and I do not ascribe them to the official story canon. These works are intended for entertainment outside the official storyline owned by the author. I am not profiting financially from the creation of these stories, and thank the author for her wonderful game/s, without which these works would not exist.
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gingerandwry · 5 years
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Brasilia, Brazil
Few people have anything good to say about Brasilia, the country’s capital. Built from nothing only sixty years ago, it is now the third biggest city in the country, yet it draws few tourists. Even many “residents” leave on the weekends-- they are only here for work during the week and return to their home towns whenever they can. But from an architecture and urban design standpoint it is one of the most distinctive, unusual cities in the world, and that’s why I wanted to see it.
A quick history... For most of Brazil’s colonial history, cities along the coast competed to be power centers. Many agreed that the capital should be moved to a neutral location in the central interior, and the new republic’s Constitution of 1888 even called for it. But it wasn’t until after WWII that a president, Juscelino Kubitschek, put a plan into action. He assembled a team of designers and architects-- most notably Oscar Niemeyer-- to design the new city. In 1960 (59 years ago this week), Brasilia was inaugurated, and the capital officially moved from Rio. Niemeyer (who had strong communist leanings) wanted it to be the city of the future, where rich and poor would live and work side-by-side. His distinctive Modernist buildings still define the cityscape and were the main draw for me.
The main city of Brasilia is shaped like an airplane (it’s surrounded by 25 satellite towns too). The cockpit, fuselage and tail (the “Eixo Monumental”) contain most of the government buildings, museums and other attractions. The wings are divided into a grid and areas are named after what they contain, such as shopping, hospitals, sports clubs, etc. (Yes this is very strange as you would think it would behoove everyone to have these things spread around.) Beneath the wings is a large (manmade) lagoon. In many ways it’s a brilliant design (not unlike Burning Man) but it’s executed very poorly.
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I arrived Monday afternoon to a relatively cushy AirBnB in the Hotel Saint Moritz in the “Northern Hotel Sector” (at the top of the fuselage). I needed some food, and the only real option was a giant mall (Conjunto Nacional) across the street. Brazilians love malls, and that’s especially true in Brasilia since there is effectively no street life (more on that soon). This mall was massive and yet there were no maps or directories. I really couldn’t fathom how that works tho I tried to as I wondered for half an hour to find the food court. That night I decided to take it easy, but I did enjoy the rooftop view of the axis.
On Tuesday morning I stepped out to begin my walking tour, which, if you’ve been to Brasilia, you probably find laughable. First, the distances are much bigger than they seem on a map, mostly because there is so much dead space to cross (lawns, parking lots, empty lots, grassy knolls, etc.). Two, Brasilia is famously made for cars, so there are few sidewalks or crosswalks. This means forging trails where you can (including on medians), waiting for a break in speeding traffic on four-to-six lane roads so you can run across, teetering on narrow curbs, walking in the street alongside parked cars, etc. It is extremely unpleasant, sometimes terrifying and often inefficient. It’s also surreal as when sidewalks or staircases (some of the few concessions made to pedestrians) just end abruptly at a busy road; the city planners know people will walk across that road but have done nothing to aid them. I know that in some places (like parts of southern California), the lack of sidewalks reflects that fact that nobody walks anywhere. But lots of people walk here. The problem is that they’re poor. The middle and upper classes drive cars, and city government doesn’t care about poor pedestrians. I suppose that Niemeyer thought everyone would drive in the future, and that’s why he designed such a sprawled city that can really only be traversed by car. But the result is a betrayal of his egalitarian principles (not to mention an environmental catastrophe).
Nonetheless I was determined to walk. Google Maps’ walking directions pointed me to... the mall. Yes Brasilia lacks sidewalks but you can take malls to get from points A to B. (Once again I got lost in the mall, so it took about 15 minutes to find B.) On the opposite side of the mall from my hotel sits a small plaza (hilariously named Praca dos Pedestres or “Pedestrian Plaza”) with a view overlooking the Eixo. It’s similar to The Mall in Washington, D.C., but it is not inspiring. You can see some of the stranger Niemeyer buildings along the axis and the Congresso Nacional at the end, but it’s mostly a large empty patch of grass that seems unfinished. My first stop was the Teatro Nacional, a sort of pyramid without a top that would make an awesome waterslide. Then I visited the Biblioteca Nacional, a fairly new (and incomplete?) building. It kind of resembles a hi-fi stereo from the 70s and looks great from afar. But up close it’s a terribly wasted opportunity. The ground floor of the building is encased in opaque glass windows so that it’s impossible to see inside-- or even get inside. I walked around the entire building before I found the drab entrance. Of all types of buildings, libraries should be accessible, open and functional, but it seems Niemeyer preferred grandiosity for one of his final designs.
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I continued on to the Museu Nacional and the Catedral Metropolitana, two of the city’s strangest, most recognizable buildings. They are both quite compelling in person, tho not well kept up and smaller than I imagined (or perhaps they’re dwarfed by all the empty space around them). The museum is a white dome with a Saturn-like ring around it and a large ramp leading to the entrance. It hosts rotating exhibits, but I was mostly interested in the building. The cathedral resembles a wheat bushel with leaning columns coming together in a peak at the top, separated by giant stained glass windows. The effect on the interior is unique and breathtaking.
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I then walked to the “Banking Sector” which has more to offer than you might expect. Brazil’s banks-- and especially the central bank-- often offer cultural centers and exhibitions centers, which at the very least can provide a good opportunity to glimpse inside some beautiful buildings. Case in point, the Caixa Cultural, a large bank whose lobby is filled with stunning stained glass windows, one for each of Brazil’s states. Across the street is the headquarters of the Banco Central do Brasil, a deceptively light looking skyscraper, that is home to a “money museum” featuring currency from around the world (unfortunately I could not go in without my passport).
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Cursing the traffic and city planners, I continued my walk, now scrambling south from the axis. My destination was Santuario Dom Bosco, a beautiful modernist church famous for its chandelier and illuminated Murano glass meant to resemble a starry night sky. It was also a nice place to sit for a minute and let my frustrations with the city subside. But that didn’t last long. I ventured back out and over to TV Tower, a broadcast tower that is one of the country’s tallest structures and offers sweeping city views. Supposedly. After a hot, lengthy walk dodging cars I arrived only to discover it was closed for construction. At this point I decided to treat myself to an Uber to get home, tho not before one last stop at... the mall. And yet again I got lost, this time in search of a grocery store which it turns out the mall doesn’t have-- apparently I should have gone to the grocery store sector. That evening I decided not to venture far from my hotel, which fortunately sits on a small plaza with a pizzeria, beer bar and convenience store.
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On Wednesday I set out (in an Uber this time) to finish my tour of the Eixo. I headed to Praca dos Tres Podres, the hub of the federal government. Sites include the Supremo Tribunal Federal (relatively dowdy); Palacio do Planalto (the Executive building which looks similar but its elevation on stilts makes it much more remarkable); Panteao da Patria e da Liberdade (a collection of striking geometric forms, including small dove-shaped performance space with a beautiful stain-glassed window, a stairway to an eternal flame and Brazil’s largest national flag); Espaco Cultural Lucio Costa (an underground lair honoring the city’s main urban planner which includes a giant scale model of the city); Museu Historico de Brasilia (a small, elevated marble block whose interior walls are engraved with the story of the city and several inspiring quotes about it, and whose exterior features a massive statute of Kubitschek’s head); and several art pieces. Up the hill are two beautiful buildings that house the Foreign and Justice ministries: Palacio do Itamaraty and Palacio da Justica. The former appears to sit in a lake that reflects the buildings columns and arches, while the latter’s exterior contains several cascading water falls. (Side question: if Brazil has not had a monarch since 1888 and Brasilia was built in the 1950s by a leftist government, why are all the buildings called palaces?)
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The centerpiece of all this is the Congresso Nacional, an eye-catching masterpiece rich in symbolism. Two tall, narrow towers intersect a low flat building with two roof adornments, a dome and a bowl. The dome (symbolizing inclusivity) tops the House chamber while the bowl tops the Senate. These are lined up neatly with the towers so that they balance each other out, tall and short, wide and narrow, heavy and light, square and circle. It’s really a perfect structure that I could not take my eyes off of as I walked around it.
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Once I had soaked in as much as I could, I took a car down to the “Sporting Clubs Sector” to the Centro Cultural Banco do Brasil, another bank-run exhibition space. This one is dedicated to contemporary art, and the current exhibition was on photorealism and hyper-realism, where artists use photographs to create amazingly realistic paintings that are able to convey qualities that the photography does not, such as depth, light, texture and social themes. The technical mastery behind these works was mind-blowing, and it yielded interesting insights into how different media and technology help each other to progress.
I then headed further south to Pontao do Lago Sul, a waterfront area with restaurants, performance space and meandering paths. It feels very new and contrived (like the whole city I guess) but it’s still a nice place to enjoy the light of the sunset. On my way home I stopped back at Praca dos Tres Podres to see it lit up at night, and I’m very glad I did.
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There was not much left to see on my last day so I spent most of the time relaxing and catching up on this blog. I stepped out for a moment to see JK Memorial, Kubitschek’s museum and mausoleum (in the cockpit). It’s a modest, tasteful building full of the president’s belongings (documents, medals, clothes, pens, 1974 Ford Galaxie, etc.). The displays were in English which is always nice, but I do not have a strong interest in Kubitschek so I breezed through quickly. I did enjoy the recreation of his library (with 3,000 books) and the many historical photographs, particularly those showing the building of Brasilia. I noted how much empty space lay between buildings during the construction. This is to be expected but one would also expect that space to be filled in over the next sixty years....
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Brasilia is a city most people don’t want to spend much time in or think much about it. But it’s actually a fascinating place that made me consider the value of architecture and urban design. I loved the notable buildings here much more than I expected to. Concrete Modernism does not sound aesthetically pleasing, and I thought the city would look more kitschy, like Epcot Center. But these thoughtfully rendered buildings really opened my eyes to how beautiful modernism can be and how well it can age. Just as important, the city founders (especially Niemeyer) did not try to emulate existing world capitals like London or Rome. They created entirely new buildings that were-- and still are-- distinctively Brazilian. If a country’s capital should showcase its own aesthetic, Brasilia has succeeded.
And yet in almost every other way it is a failure because of-- not despite-- its (over) design. Contrast it with Sao Paulo, a city that has grown up entirely organically. Yes it’s a mess but it’s a much more exciting, livable, human city. Brazil’s cities have incredible street life but that’s pre-empted in Brasilia. This city offers a lesson that cities grow from the bottom up and cannot be handed down from above. Clearly the designers had an idea about how a city should work, but they completely ignored how they actually work. Good urban planners will take note of existing human behavior and patterns and accommodate them (for example, building parking lots) while encouraging better civic mindedness (like building bike lanes). It’s also foolish to design a city around a technology that’s only 50 years old (driving) while ignoring what humans have been doing for tens of thousands of years (walking). Like so much of Robert Moses’ concurrent work in New York City, this urban design sacrificed the city’s residents to the greater concept of the city.
It’s probably too late to fix Brasilia and all its wasted space (and there does not seem to be much will to), but some elements could be corrected, starting with the city’s ambivalence-- even hostility-- toward tourism. Despite its short history, Brasilia is a unique, important city with many attractions in relatively close proximity. It would appeal to a lot of people, especially architecture enthusiasts and Brazilians interested in their own government. And the people are much friendlier than in Rio (perhaps because in Brasilia people are grateful to have visitors whereas in Rio they are taken for granted). But the city does nothing to encourage tourism. There are no good options for getting around, and all of the government buildings are either closed to the public (a terrible look for a democracy) or are only open in small windows or under specific conditions. From an outsider’s perspective it seems they don’t actually want tourists here. Everyone I met first asked me if I was here for work, then if I lived here. They were all surprised to learn I was just on holiday.
I think it would be fairly easy and inexpensive to turn the Eixo into a proper tourist destination. Put in sidewalks, crosswalks and stop lights. Fill in the empty spaces with trees, fountains, playgrounds, pathways, reflecting pools, etc. Over time add more buildings like museums, hotels (outside of the hotel sectors!?) and restaurants (currently there are zero). It’s practically a blank slate surrounded by some incredible buildings housing the seat of the federal government of one of the world’s biggest countries. Visiting Brasilia could be a treat, not the chore most treat it as. I wonder if there is resistance to changing the city so as not to dishonor the original vision (Niemeyer was still called upon to build the major new buildings up until his death in 2012). If the city wants to fulfill its ambition to be a city of the future, it needs to adapt and modernize. If it does not, its problems will only multiply, and it will stagnate and decay and will remain a city stuck in the past. I think a photo from my hotel roof taken on my last night illustrates Brasilia’s potential and its (so far) disappointing failure to live up to it....
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It ended on a good note tho. Taking off from the airport I was just able to make out the airplane shape from my window seat, and that made it feel like my trip was complete.
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