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ryanrock0 · 9 months
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Where can I study Industrial Design? Exploring Top Institutions for Aspiring Designers
Industrial Design is a dynamic field that combines creativity, technology, and problem-solving skills to design products that improve functionality, aesthetics, and user experience. Aspiring designers who want to embark on a rewarding career in this exciting domain need to find the right educational institutions that can nurture their talents and provide them with the necessary knowledge and skills. In this article, we will explore some of the top institutions worldwide where students can study Industrial Design and set themselves on the path to success.
I. Renowned Universities and Colleges
Many prestigious universities and colleges around the world offer exceptional programs in Industrial Design. These institutions are known for their cutting-edge facilities, experienced faculty, and strong industry connections. Some of the top universities for Industrial Design include:
a) Massachusetts Institute of Technology (MIT) - USA
MIT is renowned for its technological innovation and offers a world-class Industrial Design program. Students at MIT get access to state-of-the-art labs and collaborate with leading industry professionals to work on real-world design projects.
b) Royal College of Art (RCA) - United Kingdom
Located in London, RCA is one of the most esteemed art and design schools globally and is famous for its Industrial Design courses. Students benefit from exposure to diverse design perspectives and a vibrant creative community.
c) Delft University of Technology - Netherlands
Delft's Industrial Design Engineering program emphasizes human-centered Design and incorporates advanced technology into the design process. Students at Delft work on interdisciplinary projects and gain valuable insights from various fields.
II. Specialized Design Schools
In addition to traditional universities, several specialized design schools have gained recognition for their exclusive focus on design education. These institutions offer unique learning experiences and foster a strong design-oriented culture. Some prominent specialized design schools for Industrial Design are:
a) ArtCenter College of Design - USA
Based in Pasadena, California, ArtCenter is known for its rigorous and immersive Industrial Design programs. The school has a strong industry network that provides students with internship and job opportunities.
b) Umeå Institute of Design - Sweden
Located in Umeå, Sweden, this design school emphasizes a user-centered approach to Design and encourages students to create solutions for real-world challenges. The program fosters a collaborative learning environment.
c) Domus Academy - Italy
Situated in Milan, Domus Academy offers a diverse range of design programs, including Industrial Design. The school's proximity to Italy's design capital gives students access to design events and industry partnerships.
III. Online Learning Platforms
With the rapid advancement of technology, online learning platforms have become popular choices for those seeking flexibility and convenience in their education. Several reputable online platforms offer Industrial Design courses taught by industry professionals. These platforms include:
a) Coursera
Coursera collaborates with top universities to provide a wide array of online design courses, including Industrial Design. Students can learn at their own pace and earn certificates upon completion.
b) Udemy
Udemy offers various Industrial Design courses catering to different skill levels and interests. With lifetime access to course materials, students can revisit the content whenever they wish.
c) LinkedIn Learning
Formerly known as Lynda.com, LinkedIn Learning offers a vast selection of design courses, making it a convenient platform for aspiring Industrial Designers to enhance their skills and knowledge.
IV. Internship and Apprenticeship Programs
Beyond formal education, internships and apprenticeships are invaluable opportunities for budding Industrial Designers to gain practical experience and build their portfolios. Many design firms and companies offer internships to students and recent graduates. These internships not only provide exposure to real design projects but also pave the way for potential job offers.
Embarking on a career in Industrial Design requires a solid foundation of knowledge and skills, which can be acquired through a variety of educational paths. Whether you choose to study at renowned universities or specialized design schools or opt for online learning, the key is to find an institution that aligns with your goals and values. Additionally, gaining practical experience through internships and apprenticeships can be instrumental in shaping your career as a successful Industrial Designer. With determination, creativity, and the right educational background, aspiring designers can thrive in this innovative and ever-evolving field.
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If you gotta sketch, you gotta sketch, even if you're in a bumpy car...
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phdpositionsdk · 3 years
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PhD in industrial design - Designing alternatives for the Terms of Service (ToS) (ESR 12)
PhD in industrial design – Designing alternatives for the Terms of Service (ToS) (ESR 12)
Designhögskolan Apply before 2021-02-14 Temporary position longer than 6 months100%Umeå The position at Umeå Institute of Design is a time-limited salaried PhD Position, four years full time within European Innovative Training Network DCODE on “Designing for contestable systems”. The position is scheduled to start June 1st 2021, last day to apply is February 14th, 2021. The European…
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Unfolding Pavilion 2021
The Authors
In September 2020, twelve international architects spent a one-week residency in an abandoned house on a private island in the Venetian lagoon. Their works, created in complete solitude while being confined in each of the 12 tiny units of The House for the Participant who Refused to Participate, have been unveiled for the first time by the Unfolding Pavilion in Venezia and by its digital counterpart www.ritualsofsolitude.com⁠.⁠
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(ab)Normal is a creative agency engaged in the multidisciplinary exploration of areas such as design, architecture, scenography and graphic design. (ab)Normal has been published in magazines such as Domus and Abitare and has contributed with his works to various cultural events related to design and architecture, such as the Oslo Triennale (OAT2019), the Ljubljana Biennale (BIO26), The Swiss Architecture Museum (S AM), Triennale of Milan, Haus der Architektur in Graz (HDA). (ab)Normal has been founded in 2017 by Marcello Carpino, Mattia Inselvini, Davide Masserini and Luigi Savio.
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Bart Lootsma⁠ (Amsterdam, 1957) is a historian, critic and curator in the fields of architecture, design and the visual arts. He is a former Dean and Professor for Architectural Theory at the Faculty of Architecture at the University of Innsbruck.  He was also Guest Professor for Architecture, European Urbanity and Globalization at the University of Luxemburg; Head of Scientific Research at the ETH Zürich, Studio Basel; a Visiting Professor at the Academy of Visual Arts in Vienna; at the Academy of Visual Arts in Nurnberg; at the University of Applied Arts in Vienna; at the Berlage Institute in Rotterdam and Head of the Department of 3D-Design of the Academy of Arts in Arnhem. Bart Lootsma was guest curator of among others ArchiLab 2004 in Orléans and curated the 2016 Montenegrin Pavilion at the Venice Biennale. Currently he curates an exhibition on the Austrian Avantgarde of the nineteen sixties and seventies at the Design Museum Den Bosch. He was an editor of among others Forum, de Architect, ARCHIS, ARCH+, l’Architecture d’Aujourd’hui, Daidalos, DOMUS, GAM and L’Industria delle Costruzioni. Bart Lootsma published numerous articles in magazines and books. Together with Dick Rijken he published the book 'Media and Architecture’ (VPRO/Berlage Institute, 1998). ‘SuperDutch’, on contemporary architecture in the Netherlands, was published by Thames & Hudson, Princeton Architectural Press, DVA and SUN in the year 2000; ‘ArchiLab 2004 The Naked City’ by HYX in Orléans in 2004; and ‘Reality Bytes, Selected Essays 1995-2015, was published by Birkhäuser in 2016. ‘Italian Collage’, edited together with Davide Tommaso Ferrando and Kanokwan Trakulyingcharoen, is published by LetteraVentidue in 2020.
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James Taylor-Foster⁠ is a Stockholm-based writer, editor, designer, and broadcaster working in the fields of architecture, design, e-culture, and technology. He is the curator of contemporary architecture and design at ArkDes, Sweden’s national center for architecture and design. Formerly European editor-at-large at ArchDaily, the world’s most visited architecture platform, he has practiced architecture in the UK and The Netherlands. In 2016 he co-curated the Nordic Pavilion at the 15th Biennale Architettura di Venezia and in 2018 at the 16th Biennale he participated in the central exhibition Freespace. With bylines at Metropolis, PIN-UP, Domus, Volume, Monocle, Mousse, Disegno, and Real Review, he is also a regular voice on Monocle 24 radio. James has been a visiting critic or lecturer in architecture at the University of Cambridge, The Bartlett (UCL), University College Dublin, the Architectural Association, the CASS, the Strelka Institute, TU Delft, the Berlage Institute, and MIT. He is also on the advisory board of the Future Architecture Platform. Anton Valek is a young Swedish architect. He graduated in 2019 from the Umeå School of Architecture and is currently taking his masters at The Royal School of Architecture in Stockholm (KTH).
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Fala Atelier was founded in Porto in 2013 by Filipe Magalhães (Porto, 1987), Ana Luisa Soares (Porto, 1988) and Ahmed Belkhodja (Lausanne, 1990) to make the most of the diverse professional input they had experienced at SANAA, Toyo Ito, Harry Gugger Studio and Atelier Bow-Wow. Fala Atelier describes itself as “a naïve architecture practice” whose work ranges from private residences to shops, temporary displays and structures for public use in Portugal and abroad. In addition to giving talks and academic courses in Europe, the US and Australia, the Fala members participated in the 2015 and 2017 Chicago Architecture Biennial and the 2018 Venice Architecture Biennial. Exhibitions of the office’s work have been hosted at Fundação de Serralves (2017) in Porto and at the Pavillon de l’Arsenal (2016) in Paris. In February 2020, Fala Atelier received the Spotlight Award from the Rice University School of Architecture in Houston, which “recognises the work of exceptionally gifted national and international architects in the early stages of their professional career who have demonstrated design excellence and curiosity through their body of work.” In 2017, Fala published 01, a collection of its early projects. In January 2020, the international architecture journal 2G dedicated the monographic issue number 80 to the office.
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WAI Think Tank is a planetary studio practicing by questioning the political, historical, and material legacy and imperatives of architecture and urbanism. Founded in Brussels in 2008 by Puerto Rican architect, artist, curator, educator, author and theorist Cruz Garcia and French architect, artist, curator, educator, author and poet Nathalie Frankowski, WAI is one of their several platforms of public engagement that include Beijing-based anti-profit art space 'Intelligentsia Gallery', and the free and alternative education platform and trade-school 'Loudreaders'. The work of Garcia and Frankowski has been part of the inaugural Chicago Architecture Biennial and exhibitions at the Museum of Modern Art New York, Neues Museum in Nuremberg, and the Museum of Art, Architecture and Technology Lisbon. They are authors of 'Narrative Architecture: A Kynical Manifesto', 'Pure Hardcore Icons: A Manifesto on Pure Form in Architecture', 'A Manual of Anti-Racist Architecture Education', and the upcoming book 'From Black Square to Black Reason: A Post-Colonial Architecture Manifesto'. Through the constant ethos of asking ‘What about it’, WAI Architecture Think Tank is a workshop for architecture intelligentsia that speculates on the possibility of: Workshops for Anti-Racist Imaginaries Workshops for Anti-Ableist Imaginaries Workshops for Anti-Capitalist Imaginaries Workshops for Anti-Alienating Imaginaries Workshops for Anti-Imperialist Imaginaries Workshops for Anti-Heteropatriarcal Imaginaries
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Microcities is the architectural practice founded by Mariabruna Fabrizi and Fosco Lucarelli. Mariabruna and Fosco are architects, educators and curators. They are currently based in Paris where they have founded Microcities and the website Socks-studio. They taught design studios and theory courses at the Éav&t, in Paris, at the EPFL in Lausanne and at the MIARD in Rotterdam. F.Lucarelli was 2017-18 Garofalo fellow at the UIC School of Architecture in Chicago; he is the recipient of a grant from the Graham Foundation and he was a 2018 fellow at the American Academy in Rome. M.Fabrizi is currently head of the Architectural Drawing and Representation Department at the Éav&t, in Paris. Fabrizi and Lucarelli have been guest-curators at the 2016 Lisbon Architecture Biennale and have curated the exhibition “Inner Space” for the Lisbon Triennale 2019. Their works have been awarded and exhibited in New York, Paris, Rome, Orléans, Seoul, Chicago. Giaime Meloni is a visual researcher with a PhD in Architecture, currently living between two islands: Île-de-⁠France and Sardinia. The aim of his work is to explore the role of the photography as a sensible instrument⁠ to narrate the space complexity. ⁠His researches has been published in various publications (MAM Saint Etienne, INTRU). In 2017, he was shortlisted for⁠ Premio Graziadei with his long-term project Das Unheimiliche. He teaches photography as an instrument of the making of the architectural design between France and Italy.⁠
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Fosbury Architecture is a collective of design and research. Fosbury’s work has been awarded prizes in various international contests, including Europan13 (Leeuwarden), the Museum of Natural Sciences (Turin), YAC (Bologna) and Recycling Socialism (Tallinn Architecture Biennale). Fosbury took part in the Venice Architecture Biennale in 2016, and has been invited to display its work as part of various group exhibitions, such as: Re-Constructivist Architecture, Ierimonti Gallery (New York) and RIBA (London); Adhocracy (Athens); Re-Drawing the Theory Re-Drawing the House (Milan); and Capitalism is Over, (Milan, Fuori Salone 2017). The collective was the youngest Italian group chosen to take part in the Chicago Architecture Biennial in 2017, Make New History. Fosbury Architecture are: Giacomo Ardesio, Alessandro Bonizzoni, Nicola Campri, Veronica Caprino, and Claudia Mainardi.
                                                                          Unit 8 contains a living seat. Shumi Bose is a teacher, curator and editor based in London. She is a senior lecturer in Architecture at Central Saint Martins, and teaches Critical and Historical Studies at the Royal College of Art. She is also curator of exhibitions at the Royal Institute of British Architects. Exhibitions include Freestyle: Architectural Adventures in Mass Media with Space Popular; A Home For All: Six Experiments in Social Housing & Conservatism, or The Long Reign of Pseudo Georgian Architecture, with Pablo Bronstein in 2017. Shumi co-curated Home Economics at the British Pavilion, for the 15th Venice Biennale of Architecture in 2016, together with Jack Self and Finn Williams. In 2012, she was curatorial collaborator and publications editor for Sir David Chipperfield on Common Ground, the 13th Venice Biennale of Architecture.  Shumi contributes editorially to titles including PIN UP, Metropolis and Avery Review. In 2015, she co-founded the REAL Foundation and the publication Real Review. She has previously held teaching positions at the Bartlett UCL and the Architectural Association until 2017. Recent publications include Spatial Practices: Modes of Action and Engagement with the City (ed. Mel Dodd, Routledge, 2019), Wherever You Find People (Park Books, 2017) & Home Economics (The Spaces, 2016). Space Popular is directed by Lara Lesmes and Fredrik Hellberg, both graduates from the Architectural Association in London (2011). They founded the practice in Bangkok (2013) and have been based in London since 2016. Space Popular creates spaces, objects, and events in both physical and virtual space, concentrating on how the two realms will blend together in the near future. The studio has completed buildings, exhibitions, public artworks, furniture collections, and interiors across Asia and Europe, as well as virtual architecture in the Immersive Internet. Their clients, collaborators, and commissioners include national institutions such as The Swedish Centre for Architecture and Design –ArkDes, Stockholm, Sweden; Royal Institute of British Architects, London, UK; National Museum of Modern and Contemporary Art, Seoul, South Korea; as well as independent galleries such as MAGAZIN, Vienna, Austria; and Sto Werkstatt, London, UK. Lesmes and Hellberg both have extensive academic experience having taught architectural design design studio since 2011, first at INDA, Chulalongkorn University in Bangkok, and since 2016 at the Architectural Association in London. They also lecture and teach workshops and seminars in universities across the world. Their current MArch design and research unit at the Architectural Association investigates visions for civic architecture in the virtual realm.
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Salottobuono is an architectural office run by Matteo Ghidoni in Milan. Salottobuono has served as editor of the “Instructions and Manuals” section of Abitare magazine (2007-10) and as creative director of Domus magazine (2011, 2012). The office has taken part in the Venice Biennale (2008, 2012, 2014), and designed the Italian Pavilion in 2010. Salottobuono published the “Manual of Decolonization” (2010) and “Fundamental Acts” (2016). Matteo Ghidoni – architect – was a founding partner of the research agency Multiplicity from 2002 to 2006. His work with Multiplicity was exhibited at Kunstwerke in Berlin (2003), the Venice Biennale (2003), the Musée d’art moderne in Paris (2003), the ZKM in Karlsruhe (2004) and the Beijing Biennial (2004). Ghidoni founded the architectural office Salottobuono in 2005. He has been a guest professor at the Istituto Universitario d’Architettura di Venezia (Venice) in the Faculty of Architecture, the Politecnico in Milan, the Royal Danish Academy of Arts in Copenhagen and the Pontificia Universidad Javeriana in Bogotà. He has given guest lectures at several schools and institutions including the Berlage Institute, Berkeley, and Columbia University. Ghidoni is co-founder and editor in chief of "San Rocco", an independent international publication about architecture.
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Aristide Antonas’ work spans philosophy, art, literature and architecture. He published novels, short stories, theatre scripts and essays. His principal topics of interest are “protocols as architecture”, “infrastructure of the domestic sphere”, “stability from the exaggeration of data flow”; texts combined with traditional design techniques use often references to legislation and archaeology. Antonas holds a PhD in Philosophy from the University of Paris X. Aristide has been a visiting tutor in the Bartlett UCL, the Architectural Association, the ETH Zurich and the Art Academy of Vienna. His art and architecture work has been featured among other places in documenta 14, Kassel, Istanbul biennial, Venice biennale, Sao Paulo biennale, Display Prague, the New Museum in New York and had solo institutional presentations in Basel’s Swiss Architecture Museum, in Austria’s Vorarlberger Architektur Institut and in the French FRAC, Orleans.
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MAIO is an architectural office based in Barcelona and New York that works on spatial systems that permit theoretical positions materialize. The practice has developed a wide range of projects, from housing blocks or urban planning to furniture or exhibition design. MAIO’s members combine professional activities with academic, research and editorial ones. They have been in charge of the magazine Quaderns d’Arquitectura i Urbanisme (2011-16), and currently teach at Columbia GSAPP, the Architectural Association and the School of Architecture of Barcelona ETSAB/ETSAV. MAIO has lectured at The Metropolitan Museum of Art, Barbican Center, GSAPP-Columbia University, RIBA, UC Berkeley, Yale School of Architecture and Piet Zwart Institute among other places. MAIO’s work has been published in magazines such as Domus, AIT, Volume, Blueprint, A10 and Detail, and exhibited at the MOMA of New York, the Guggenheim Bilbao, the Art Institute of Chicago and Storefront for Art and Architecture. Lately MAIO has participated at Venice Biennial 2016 in the Spanish Pavillion, awarded with the golden Lion, at Chicago Architecture Biennial (2015 & 2017 editions) and co-curated a Weekend Special at the Biennale di Venezia 2014 together with SPACE CAVIAR and DPR-Barcelona. MAIO is run by Maria Charneco, Alfredo Lérida, Guillermo López and Anna Puigjaner, who recently has been nominated finalist of the Rolex Mentor & Protégé Initiative 2016 and awarded with the Wheelwright Prize, Harvard GSD.
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Traumnovelle is a militant faction founded by three Belgian architects: Léone Drapeaud, Manuel León Fanjul and Johnny Leya. Traumnovelle uses architecture and fiction as analytical, critical and subversive tools to emphasize contemporary issues and dissect their resolutions. Traumnovelle alternates between cynicism and enthusiasm all the while advocating for critical thinking in architecture. Traumnovelle champions a multi-disciplinary approach with architecture at the crossroads. Traumnovelle distances itself from current forms of naive architecture and refuses to glorify the mundane. Traumnovelle sides with those who have not sacrificed ambition and criticism.
                                                                            Illustrations: 1. © Jason M. Robinson. >
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5G from Simple to Showy: Partners Pimp Antenna Housing
5G from Simple to Showy: Partners Pimp Antenna Housing
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Deutsche Telekom, Covestro and the Swedish Umeå Institute of Design (UID) are cooperating for 5G. During a pilot project, the partners tested creative designs for small 5G antennae. These innovative housing solutions are used, for example, to build so-called small cells. Small cells are small mobile radio cells. They increase data throughput where many customers are on the move or surf the web.…
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scienceblogtumbler · 4 years
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Showtime for Photosynthesis
Using a unique combination of nanoscale imaging and chemical analysis, an international team of researchers has revealed a key step in the molecular mechanism behind the water splitting reaction of photosynthesis, a finding that could help inform the design of renewable energy technology.
“Life depends on the oxygen that plants and algae split from water; how they do it is still a mystery, but scientists, including our team, are slowly peeling away the layers to get to the answer,” said Vittal K. Yachandra, co-lead author of a new study published in PNAS and a chemist senior scientist at the Department of Energy’s (DOE) Lawrence Berkeley Laboratory (Berkeley Lab). “If we can understand this step of natural photosynthesis, it would enable us to use those design principles for building artificial photosynthetic systems that produce clean and renewable energy from sunlight and water.”
With an instrument that the team designed and fabricated, they analyzed photosynthetic proteins using both X-ray crystallography and X-ray emission spectroscopy. This dual approach, which the team pioneered and have been refining for the past 10 years, generates chemical and protein structure information from the same sample at the same time. The imaging was performed with the X-ray free-electron laser (XFEL) at the LCLS at SLAC National Laboratory, and at SACLA in Japan.
“With this technique, we get the overall picture of how the entire protein structure dynamically changes and we see the chemical intricacies occurring at the reaction site,” said co-lead author Junko Yano, a chemist senior scientist in Berkeley Lab’s Molecular Biophysics and Integrated Bioimaging (MBIB) Division. “The X-ray free electron laser produces extremely bright, short bursts of X-rays that allow us to not only analyze a protein at room temperature, which is how these reactions occur in nature, but also capture various moments over the reaction time scale.”
Structural changes of Photosystem II and its catalytic center (Mn4Ca cluster) during the water oxidation reaction. The movie shows the S2 to S3 transition step, where the first water (as shown in Ox) comes into the catalytic center after the photochemical reaction at the reaction center. (Credit: Jan Kern and Isabel Bogacz/Berkeley Lab)
Traditional crystallography methods often require the sample proteins to be frozen; consequently, they can only generate snapshots of static proteins. This limitation makes it difficult for scientists to get a handle on how proteins actually behave in living organisms, because the molecules morph between different physical states during chemical reactions.
“The water-splitting reaction in photosynthesis is a cyclical process that needs four photons and cycles between four stable ‘states,’” said Yano. “Previously, we could only take pictures of these four states. But by taking multiple snapshots in time, we now can visualize how one state goes to the other.”
“We saw, really nicely, how the structure changes step-by-step as it transforms from one state to the next state,” said Jan F. Kern, MBIB chemist and co-author. “It is pretty exciting, because we can see the ‘cause and effect’ and the role that each moving atom plays in this transition.”
Nicholas K. Sauter, co-author and MBIB computational senior scientist, added: “Essentially, we’re trying to take a ‘movie’ of a chemical reaction. We made a lot of progress to get to this point, in terms of our technology and our computational analyses. The work of our co-author Paul Adams and others in MBIB was critical to interpreting the XFEL and X-ray data. But we still have to get the other frames to see how the reaction is completed and the enzyme is ready for the next cycle.”
The Berkeley Lab researchers hope to continue the project once the many research sites that the entire international team relies upon – located in the U.S., Japan, Switzerland, and South Korea – are operating normally following the COVID-19 pandemic.
Kern concluded by noting that the technological milestone presented in this paper benefited greatly from the diverse expertise of the authors from SLAC, Uppsala and Umeå Universities in Sweden, Humboldt University in Germany, and from the capabilities of five DOE Office of Science user facilities: the Stanford Synchrotron Radiation Lightsource and LCLS at Stanford University, and the Advanced Light Source, Energy Sciences Network, and National Energy Research Scientific Computing Center at Berkeley Lab.
Other Berkeley Lab scientists who contributed to this work include: Ruchira Chatterjee, Louise Lassalle, Kyle D. Sutherlin, Iris D. Young, Sheraz Gul, In-Sik Kim, Philipp S. Simon, Isabel Bogacz, Cindy C. Pham, Nicholas Saichek, Trent Northen, Asmit Bhowmick, Robert Bolotovsky, Derek Mendez, Nigel W. Moriarty, James M. Holton, Aaron S. Brewster, and David Skinner.
This research was supported primarily by the DOE Office of Science and grants from the National Institutes of Health.
source https://scienceblog.com/516775/showtime-for-photosynthesis/
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Here is the result from playing around in Photoshop for a while. I wanted to challenge myself to create something as photorealistic as I could and I'm quite pleased with the result. Equipment: Wacom Pen and Touch (Photoshop CS5) Time: 1 hour
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chemieunternehmen · 5 years
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Pilotprojekt für 5G- Antennen-Gehäuse: 5G schlicht bis schrill: Partner pimpen Design
New Post has been published on https://www.chemieunternehmen.com/pilotprojekt-fuer-5g-antennen-gehaeuse-5g-schlicht-bis-schrill-partner-pimpen-design/
Pilotprojekt für 5G- Antennen-Gehäuse: 5G schlicht bis schrill: Partner pimpen Design
Covestro, die Deutsche Telekom und das schwedische Umeå Institute of Design (UID) kooperieren für 5G. In einem Pilotprojekt testen die Partner kreative Designs für kleine 5G-Antennen. Mit diesen innovativen Gehäuse-Lösungen werden beispielsweise so genannte Small Cells aufgebaut. Small Cells sind kleine Mobilfunkzellen. Sie steigern den Datendurchsatz dort, wo viele Kunden unterwegs sind oder surfen. Die Partner entwickeln Antennen-Gehäuse, die ins Stadtbild passen. Entweder fallen sie vorteilhaft auf, oder sie fügen sich harmonisch in die Umgebung ein.
„Das gemeinsame Pilotprojekt ist eine tolle Gelegenheit, um das Potenzial und die herausragenden Eigenschaften unserer Werkstoffe zu verdeutlichen“, sagt Sucheta Govil, Chief Commercial Officer von Covestro. „Innovative, anpassungsfähige Materialien ermöglichen zukünftig einen kreativen Spielraum, um die Verbreitung digitaler Schlüsseltechnologien mit nutzerfreundlichen Lösungen zu beschleunigen.“
Neue Telekommunikations-Infrastruktur Die Unternehmen ergänzen sich im Projekt. Covestro entwickelt innovative und nachhaltige Werkstofflösungen, die sich bereits in einer Vielzahl von Elektro- und Elektronik-Anwendungen bewährt haben und die hohen technischen Anforderungen erfüllen. Die Telekom bringt ihr technologisches Know-how über Antennen für Mobilfunk und Netzausbau ein. Die Studierenden des UID konzipieren kreative Designs. Sie führten zunächst eine Studie im realen Umfeld in Düsseldorf durch. Dann entwarfen sie attraktive Antennen-Gehäuse. Deren Farbe und Struktur entsprechen den technischen und ästhetischen Anforderungen. Das Ergebnis sind verschiedene Design-Konzepte. Jetzt gibt es zwei exemplarische Modelle: Vogel und Uhr. Das Vogel-Konzept „The Bird“ betrachtet 5G aus einem neuen Blickwinkel und verschiebt die Grenzen des Denkbaren. Das Uhr-Design „24h5G“ integriert neue Materialeigenschaften wie Lichtdurchlässigkeit und Wärmemanagement für 5G Small Cell-Antennen-Gehäuse. Messebesucher sehen die Exponate ab heute am Stand von Covestro auf der „K 2019“. Die K ist die internationale Fachmesse für Kunststoff und Kautschuk in Düsseldorf.
Kompakte Antennen steigern gezielt die Datenkapazität Die Telekom installiert für 5G künftig mehr Small Cells. Zum Beispiel an Ampeln, Laternen oder Fassaden. Die kompakten Antennen haben eine Reichweite von rund 200 Metern. Sie werden über Glasfaser ans Netz der Telekom angeschlossen. Das sorgt für einen extrem schnellen Transport der Daten. Die künftigen Netze sind somit sehr leistungsfähig. Zusammen mit den herkömmlichen Standorten liefert das Netz so die notwendige Abdeckung und Kapazität für immer mehr drahtlose Geräte. Die Telekom setzt Small Cells auch im LTE-Ausbau bereits ein.
„In dem Design-Projekt mit Covestro konnten wir unsere technischen Anforderungen früh platzieren und gemeinsam mit den Studierenden an ihren Design-Ideen arbeiten“, sagt Dr. Thomas Jansen, Leiter Kompetenzteam Kleinzellen bei der Deutschen Telekom Technik. „So haben wir gemeinsam leistungsstarke 5G Lösungen entwickelt, die wir harmonisch in das Stadtbild integrieren können.“
Über die Deutsche Telekom: www.telekom.com/konzernprofil Weitere Informationen für Medienvertreter: www.telekom.com/medien
Über Covestro: Mit einem Umsatz von 14,6 Milliarden Euro im Jahr 2018 gehört Covestro zu den weltweit größten Polymer-Unternehmen. Geschäftsschwerpunkte sind die Herstellung von Hightech-Polymerwerkstoffen und die Entwicklung innovativer Lösungen für Produkte, die in vielen Bereichen des täglichen Lebens Verwendung finden. Die wichtigsten Abnehmerbranchen sind die Automobilindustrie, die Bauwirtschaft, die Holzverarbeitungs- und Möbelindustrie sowie der Elektro-und Elektroniksektor. Hinzu kommen Bereiche wie Sport und Freizeit, Kosmetik, Gesundheit sowie die Chemieindustrie selbst. Covestro produziert an 30 Standorten weltweit und beschäftigt per Ende 2018 rund 16.800 Mitarbeiter (umgerechnet auf Vollzeitstellen).
Mehr Informationen finden Sie unter www.covestro.com. Folgen Sie uns auf Twitter: https://twitter.com/covestro
Zukunftsgerichtete Aussagen Diese Presseinformation kann bestimmte in die Zukunft gerichtete Aussagen enthalten, die auf den gegenwärtigen Annahmen und Prognosen der Unternehmensleitung der Covestro AG beruhen. Verschiedene bekannte wie auch unbekannte Risiken, Ungewissheiten und andere Faktoren können dazu führen, dass die tatsächlichen Ergebnisse, die Finanzlage, die Entwicklung oder die Performance der Gesellschaft wesentlich von den hier gegebenen Einschätzungen abweichen. Diese Faktoren schließen diejenigen ein, die Covestro in veröffentlichten Berichten beschrieben hat. Diese Berichte stehen auf www.covestro.com zur Verfügung. Die Gesellschaft übernimmt keinerlei Verpflichtung, solche zukunftsgerichteten Aussagen fortzuschreiben und an zukünftige Ereignisse oder Entwicklungen anzupassen.
Die Original-Meldung zu diesem Chemie Unternehmen finden Sie unter http://presse.covestro.de/news.nsf/id/5G-schlicht-bis-schrill-Partner-pimpen-Design
Chemieunternehmen unter https://www.chemieunternehmen.com
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fazeupmag-blog · 5 years
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New Post has been published on Fazeup
New Post has been published on https://www.fazeup.tk/2019/05/forestry-exploration-drones-the-conceptual-humla-forestry-drone-might-be-mounted-on-the-chest/
Forestry Exploration Drones - The Conceptual 'Humla' Forestry Drone Might be Mounted on the Chest
The Conceptual ‘Humla’ Forestry Drone Might be Mounted on the Chest
The conceptual ‘Humla’ forestry drone has been designed as an expert answer for forestry planners or groundskeepers to assist them take a more in-depth go searching areas in a much less time-consuming manner. The drone options three hubless propellers that may enable for seamless flight and in addition enable it to keep away from turning into caught in tree branches or harming small animals. Customers can carry out reconnaissance over massive areas of land with minimal effort to mark borders, regulate protected areas and far more.
The conceptual ‘Humla’ forestry drone is the design work of Anders Sandström and Engin Güzel of the Umeå Institute of Design and is the winner of the 2018 iF Design Expertise Award. The unit will also be saved conveniently on the chest of the person between duties for optimum portability.
Supply
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rightsinexile · 5 years
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Announcements
Vacancies:
UNHCR is seeking a consultant in the Education Section of its Division of Resilience and Solutions to coordinate the establishment of learning centres in Jordan, Kenya, Tanzania and Uganda, and the utilization of Kolibri, an educational application that empowers users to create and learn from forms of openly licensed content for communities without Internet. The position will be based in Copenhagen, and the deadline for application is 3 May 2019.
Courses:
The Odysseus Academic Network for Legal Studies will hold its 19th Summer School on EU Immigration and Asylum Law Policy in Brussels from 1-12 July 2019. It is designed to provide a full understanding of EU asylum and immigration policies to its participants, who include lawyers, judges NGO representatives and EU officials. The network and has also launched a crowdfunding campaign aimed at allowing the participation of ten refugee students. The deadline for application is 15 May 2019.
The Humanitarian Studies Department in Palacký University Olomouc, is holding its  6th International Summer School in Refugee Law and Rights, modelled according to international summer schools initiated by the late OBE Prof. Emerita Barbara Harrell-Bond, University of Oxford. It employs an interactive learning environment using a combination of lectures, documentary films, debates and open discussions, bringing together leading academics and practitioners and focusing on legal refugee protection. Please register before 31 May 2019;  to benefit from early registration, please apply by 15 May 2019.
Grants and Awards:
The Umeå University Industrial Doctoral School, in collaboration with two non-profit organisations, is recruiting a PhD candidate in political science to a position focusing on human trafficking in Asia. The projects aims at exploring local perceptions and experiences of human trafficking in Asia, thereby pushing the research field forward and more effectively  reducing human trafficking. The application deadline is 20 May 2019.  
Calls for papers:
A call for contributions has been launched for a conference in October on the Tampere Conclusions adopted by the European Council twenty years ago and which influenced EU migration and asylum policies. The conference, organised by the EMN-Finland, the European Policy Centre (EPC) and the Odysseus Academic Network, will explore: partnership with third countries;  a common European Asylum System; fair treatment of third-country nationals, and management of migration flows. The closing date for submitting contributions is 10 May 2019.
Forced Migration Review is calling for articles on the right of voluntary return in safety for displaced persons, an issue that is to be explored in-depth in its October 2019 edition. Debates will touch on political, legal and socio-economic questions as well as the central principle of non-refoulement. The October issue will provide a forum for practitioners, advocates, policymakers, researchers and those directly affected to look at recent developments, and share experience and good practice. Ahead of sending in articles, please email the Editors to discuss your ideas for an article. The deadline for the submission of articles is 17 June 2019.
The International Association for the Study of Forced Migration (IASFM) invites letters of enquiry to host the IASFM Secretariat for an initial mandate of 5 years. IASFM brings together academics, practitioners and decision-makers working on forced migration issues. The first IASFM International Secretariat was hosted at the Refugee Studies Centre, University of Oxford. Most recently, the Institute for the Study of International Migration, Georgetown University, USA, hosted the Secretariat until 2018. Submissions, by 30 June 2019, and requests for more information should be sent here.
Conferences and Workshops:
Public Policy Exchange will hold an international symposium on 15 May 2019, on the causes of human trafficking and migrant smuggling, and multi-agency approaches to prevent it. Participants will have the chance to share new ideas to offer support and protections to victims of human trafficking. EU officials, stakeholders, legal practitioners and other responsible authorities are invited to the symposium, and early booking is advised, by writing here.
An informal celebratory gathering hosted by the Refugee Studies Centre at Oxford University will be held to honour and remember the life of Dr Barbara Harrell-Bond OBE, founder of the Centre and tireless advocate for refugees. The gathering will take place at the Oxford Department of International Development, 3 Mansfield Road, Oxford, OX1 3TB on Saturday, 20 July 2019, 4:00-6:30 pm. The date marks the one year anniversary of her passing. This invitation is extended to her friends, family, colleagues and the many refugees whose lives she touched. West African music will be part of the festivities. Please RSVP here, by 3 July 2019.
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phdpositionsdk · 3 years
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PhD in industrial design - Designing for contestable systems (ESR 6)
PhD in industrial design – Designing for contestable systems (ESR 6)
Designhögskolan Apply before 2021-02-14 Temporary position longer than 6 months100%Umeå The position at Umeå Institute of Design is a time-limited salaried PhD Position, four years full time within European Innovative Training Network DCODE on “Designing for contestable systems”. The position is scheduled to start June 1st 2021, last day to apply is February 14th, 2021. The European…
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inhandnetworks-blog · 5 years
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Exploring Chemical  Industrial Cellular Modem  Changes at the Molecular Scale
www.inhandnetworks.com
An ultrabright X-ray pulse strikes a solution of manganese-containing molecules, which in turn emit X-ray fluorescence that provides chemical information about the molecules before they are destroyed. Illustration by Greg Stewart/SLAC
Using X-ray emission spectroscopy, a team of researchers reveal chemical information about molecules before they are destroyed.
Research at SLAC National Accelerator Laboratory demonstrates that ultrashort, ultrabright X-ray laser pulses can reveal details of chemically important molecules at room temperature and in their natural state. The technique could aid studies of photosynthesis and industrial catalysts, and opens the door to development of other analytic tools at SLAC’s Linac Coherent Light Source.
In the experiments, researchers used a technique known as X-ray emission spectroscopy to learn about the chemical makeup of samples and chemical changes occurring over time.
While spectroscopy has long been used at synchrotron facilities, sensitive samples are typically frozen to protect them from radiation damage, which in turn makes it very challenging to follow chemical reactions. The team has now shown that with the LCLS X-ray laser, these difficulties can be overcome.
A very simple example of a spectrometer is a prism that separates sunlight into a rainbow of colors. “The spectrometer used in the LCLS exp industrial M2M router eriments works in a similar fashion, with an array of 16 specialized crystals that select the diff industrial IoT Gateway  erent ‘colors’ of emitted X-rays,” said Roberto Alonso-Mori, a research associate at SLAC who was in charge of building the new spectrometer.
He was first author of a Nov. 5 paper in Proceedings of the National Academy of Sciences detailing the research.
The team, led by Uwe Bergmann, deputy director for the LCLS, and Junko Yano and Vittal Yachandra at Lawrence Berkeley National Laboratory, focused on complexes containing manganese, an important element in the water-splitting step of photosynthesis. Similar complexes are also integral to some industrial catalysts.
Bergmann said the manganese compounds remained intact long enough to obtain detailed information about their chemical environment before being destroyed in the X-ray pulses.
“Previous experiments at LCLS have shown that the intact overall atomic structure of biological samples can be probed at room temperature before they are destroyed,” he said. “This study goes one step further, showing that even the local chemistry at the metal site can be probed.”
Team member Jan Kern, a research scientist at LCLS and Berkeley Lab, said, “The success of the experiments opens the door for more studies of metal-containing proteins and catalysts, especially the water-splitting catalyst in photosynthesis, and also to other types of spectroscopic techniques at LCLS.”
The technique can also be used in conjunction with X-ray diffraction, which reveals the overall structures of proteins and other molecules based on patterns produced when the X-ray light strikes the crystallized samples.
The research Vending Telemeter   team has previously used diffraction at LCLS to study the structure of Photosystem II, and researchers have since conducted additional experiments using spectroscopy, with more experiments planned.
Bergmann said spectroscopy is the key to revealing chemical changes over time in sensitive samples studied at LCLS. “The atomic structure is important, but for a complete understanding of complex processes, like photosynthesis, the chemistry is what’s really important,” he said. “This paper is the first step.”
The team also included scientists from SLAC’s Stanford Synchrotron Radiation Lightsource, the Stanford PULSE Institute, Technical University Berlin in Germany, Stockholm and Umeå universities in Sweden and the European Synchrotron Radiation Facility in France.
Image: Greg Stewart/SLAC
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zarahoffman · 6 years
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Affordable Earthquake Detectors - The Terra Earthquake Detector Warns of Tremors Before they Hit (TrendHunter.com)
(TrendHunter.com) Designed by students from Sweden's Umeå Institute of Design, the Terra earthquake detector is a minimal, low-cost earthquake alarm that serves as a source of calm during non-destructive... source http://www.trendhunter.com/trends/terra-earthquake-detector
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wolfliving · 6 years
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Changing Things
*Nice title.
https://blog.experientia.com/book-changing-things-the-future-of-objects-in-a-digital-world/
Changing Things: The Future of Objects in a Digital World by Johan Redström and Heather Wiltse Bloomsbury Publishing September 2018, 192 pages
In their new book, “Changing Things: The Future of Objects in a Digital World”, assistant professor Heather Wiltse and professor Johan Redström explore what the networked, digital products of our time actually do and whom they are really designed for.
Many of the things we now live with do not take a purely physical form. Objects such as smart phones, laptops and wearable fitness trackers are different from our things of the past. These new digital forms are networked, dynamic and contextually configured. They can be changeable and unpredictable, even inscrutable when it comes to understanding what they actually do and whom they really serve.
In this compelling new volume, Johan Redstrom and Heather Wiltse address critical questions that have assumed a fresh urgency in the context of these rapidly-developing forms. Drawing on critical traditions from a range of disciplines that have been used to understand the nature of things, they develop a new vocabulary and a theoretical approach that allows us to account for and address the multi-faceted, dynamic, constantly evolving forms and functions of contemporary things. In doing so, the book prototypes a new design discourse around everyday things, and describes them as fluid assemblages.  (((It’s as if these strange, fluid “things” require some entire new word to name them.)))
Redstrom and Wiltse explore how a new theoretical framework could enable a richer understanding of things as fluid and networked, with a case study of the evolution of music players culminating in an in-depth discussion of Spotify. Other contemporary ‘things’ touched on in their analysis include smart phones and watches, as well as digital platforms and applications such as Google, Facebook and Twitter.
Johan Redström is Professor and Research Director at Umeå Institute of Design, Sweden, and previously Design Director at the Interactive Institute. Heather Wiltse is Assistant Professor at the Umeå Institute of Design, Sweden.
> Interview with Heather Wiltse
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Bibliography
1. Karg. M, (2015). Human Nonhuman — How might we build and establish social relationships between humans and nonhuman objects?. Umeå Institute of Design. Retrieved from Matthias Karg website:
http://matthiaskarg.com/work/human-nonhuman/
2. MAAS of University of New South Wales. (2018, September 18). Human Nonhuman: Work [Press release]. Retrieved from
http://human-non-human.info/
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usabilidoido · 6 years
Video
vimeo
2037: Age of Modified Personalities from Piotr Kuklo on Vimeo.
The final video of 2037: Age of modified personalities project.
...Please, take a second and imagine the world where you can modify your personality… Here you can see how it could look like.
Created at Umeå Institute of Design in early 2018.
Big thanks to Yue Yuan, Carolyn Wegner, Joanna Pruchnicka for their help in shooting the video.
At the beginning of the movie, I used dialog from Breakfast at Tiffany in a quotation manner. I used music by Adrián Berenguer.
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