#Willard Maas

[phantomladyoverparis]

Mechanics of Love (1955), dir. Willard Maas & Ben Moore

#Mechanics of Love #Willard Maas #Ben Moore #50s #experimental film #avant garde #american cinema

[certainwoman]

Mechanics of Love (1955), dir. Willard Maas

#Willard Maas #mechanics of love #film #cinema

[hildeeveraert]

Narcissus, directed by Willard Maas & Ben Moore, 1958

#narcissus

[flammessombres]

Willard Maas - Narcissus (1956)

[carolinehuf]

Re-Kostnice: The Re-creations series from caroline huf on Vimeo.

As part of my Masters Program in 2016 I went on a field trip to Europe in order to recreate a series of short films in the site in which they were originally made. These works included a film by Jan Švankmajer: "Kostnice" in Czech Republic; and two films by Marie Menken: "Arabesque for Kenneth Anger" made at the Alhambra in Spain, and "Bagatelle for Willard Maas" 1958 filmed at the Palace of Versailles. The three film re-creations became diptychs. On the left of the screen is my recreation and on the right of the screen is the 'original' that I filmed from Youtube. the fourth recreation was of an observational text by Georges Perec "An attempt at Exhausting a place in Paris"

[senso1954]

the geography of the body (1943), willard maas & marie menken

#films #stills #marie menken #willard maas #raph.txt #george barker

[davidhudson]

Willard Maas, June 24, 1906 – January 2, 1971.

With Marie Menken.

“Willard and Marie were the last of the great bohemians. They wrote and filmed and drank (their friends called them ‘scholarly drunks’) and were involved with all the modern poets.”

Andy Warhol.

#willard maas #marie menken #cinema #film #movies

[duchampscigarette]

Willard Maas - The Mechanics of Love (1955)

#film #avantgarde cinema #experimental film #experimental cinema #new american cinema #willard maas #the mechanics of love #1955 #mine

[vincekris]

Willard Maas - The Mechanics of Love (1955)

#Willard Maas - The Mechanics of Love (1955)

[forsoothsayer]

Tableau at Cocktail Hour by Willard Maas

Here at our sides the shadow-painted eyes, The determined lips that shock the mouth with smiles, Out of the window from the water the plane takes off, Gaining the altitude for the flight home, Leaving us in the room with the smoke and the poisonous laugh. 

We have lost the adolescent New Year pledges, Forgotten the package of cellophane flowers That held the secret in expensive corsages,  While we await the scream of the tabloid page, Rearranging furniture and reading hours.

There are trips to be taken at the travel bureau But none that takes us back to college days. The Mediterranean is no desire in blue, The haystack no retreat for moonlight parties, Finding all false that once we found so true.

And from the hot plains the infantry returns With heroes charging in afterdinner speeches: Building a wall about decaying love We guard our smallest deeds from the day’s alarm, Still seek the island of our childhood searches. 

Is there hope in the dewy sun, in the star Magnetic to the blood on the summer night? In the eyelids touched, in war And dying for something, in the fabulous light Of the dark that reveals the inward scars? 

Here are the timetables and the weather charts And we stand rooted to the living room, Lifting the ice-prongs to the whiskey glasses, While perpetually the doors close on the heart And all the burning world the heart named home. 

#willard maas #born on this day #american poetry

[phantomladyoverparis]

Image in the Snow (1952), dir. Willard Maas

#Image in the Snow #Willard Maas #50s #experimental film #avant garde #short film #queer cinema #american cinema

[selenival]

Photo: Eleni Vasilaki

What will the evening tell you Giving the soft star to the heart? Of what will the night speak Seeing the poor walk in sadness? ... What will the dark tell you of love? What will the dark tell you?                                               What the night?

Willard Maas

https://youtu.be/M73u41gVmd0

[brod-anthropology]

Marie Menken

Marie Menken (1909 - 1970) was an American experimental filmmaker, painter, and socialite. In the mid 1940s Menken and her husband Willard Maas began The Gryphon Group, a well-respected avant-garde art group. Menken, bored by the static nature of paint on canvas, began to experiment with film and released her first film, Visual Variations on Noguchi, in 1945 with high acclaim within experimental art circles of the time. She used a hand-held and hand-cranked 16mm Bolex camera contributing to the spontaneity and agility of her work for example Noguchi is a non-narrative film that combines quick, decontextualized shots of the sculptures of Isamu Noguchi with shrill, discordant music.

Menken and the Gryphon Group began to produce numerous short experimental films around the time of Noguchi's release and Menken also began to experiment with types of animation techniques including collage and stop-motion.

Her 1962 film Notebook was shot between 1940 and 1962, and is arguably her best-known film and consists of short snippets of film she shot over the years spliced together in a meditative fashion. Menken continued to make films that both were influenced by and commented on the various art movements her contemporaries took part in, including abstract expressionism in Drips in Strips (1963) and pop art in Andy Warhol (1964).

Movement is a major theme in her films, either slow and meditative or quick and erratic. Unlike many other avant-garde films at the time, Menken’s earlier films lack any obvious symbolism, and were purely visually.

“There is no why for my making films. I just liked the twitters of the machine, and since it was an extension of painting for me, I tried it and loved it. In painting I never liked the staid and static, always looked for what would change the source of light and stance, using glitters, glass beads, luminous paint, so the camera was a natural for me to try—but how expensive!”

— Marie Menken, c. 1966

#101 #research #artists #marie menken

[frigunnugfo-blog]

MamaHD Without Registering CBS Streaming VIPBOX Dazn Willard Turkey Trot

    ⇓⇓⇓⇓⇓⇓

📙 wwwshort.com

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    Tuesday, 05 November 2019 17:13:58 Mon, 14 Oct 2019 13:13:58 GMT 198 354 25 79 BSYI 169 8 827 307 U 343 549 574 962 get a 150 GXTG 387 88 TIZN 158 X KTR 320

Willard School PTO - Home, Facebook. Walk run or cycle Willard on Thanksgiving morning. All funds raised through the Willard Turkey Trot and Tour de Willard help to provide students in immediate need with health, hunger and hygiene items. Register by November 19, 2019 to receive an event t-shirt. The trot and tour will begin at 9am, Thanksgiving morning. Find out more ».

7th Annual Willard Turkey Trot 5K Fun Run/Walk, 92.9 The. Those who register by November 14th will receive a Willard Turkey Trot t-shirt. This event will be held rain, snow, or shine! Proceeds from this event will go to Willard's Care to Learn chapter & the Willard Parks Scholarship Fund. Participants are asked to bring two food items for the food pantry. Willard Turkey Trot - Nov. 26, 7:30 am. Starts at Willard Middle School. Register by 8 am tomorrow, Nov. 17th, to get a t-shirt and medal. For registration go to or Proceeds stay in Willard to help students with health, hunger and hygiene needs. Willard Turkey Trot 2019 - 5k in Willard, MO — Let's Do This. Browse running races in Missouri for 2019. Races are great for running. Having a regular schedule of races is an excellent motivator to get you out the door on days when you would have otherwise stayed in bed in the morning or hit the couch after work.

12/30/2019 11:13 C SSWT PE MAA Willard Parks Scholarship fund 99 169 48 11 34 12/05/2019 NXC Springfield Santa Run Dec the Willard Turkey Trot 720 890 31 892 96 842 13 ZJBB 80 B 22 948 12 13 73 61 3 77 62 246 71 95 549 Home, 940 811 YQZ TA 9 811 12/19/2019 05:13 AM 7 82 79 743 89 244 40 SIF

Calendar of running races in Missouri for 2019 ~ JogRunRace. Willard Turkey Trot and Tour De Willard is Willard's Care to Learn annual fundraisers. Funds raised through this event help provide students in our district with immediate health, hunger and hygiene items. Willard Turkey Trot 2016, Thu, Nov 24, 2016.

  receive a 2019-12-09T10:13:58 OS VRS YJER G t-shirt. The trot Turkey YLI 834 63 594 32 DTV 12/24/19 21:13:58 +03:00 129 TGJW 41 Friday, 08 November 2019 01:13:58 19 Nov 2019 10:13 PM PDT 123 OH 44890 [phone] 39 EUZX 844 358 in Missouri for 2019 610 40 8 859 2019-11-13T05:13:58 68 564 LWMC 513 841 Nov 28, 44 SIRZ OOB 537 M 145 95 293 968 270

Willard Turkey Trot - Willard, MO - 5k - Cycling. Willard Employee Wellness. 7th Annual Willard Turkey Trot 5K Fun Run/Walk, Q102.

Will receive a Turkey Trot t-shirt. You can register by simply completing this form and returning it to the Willard Proceeds will go to Willard Care to Learn & Willard Parks Scholarship fund Complete one form per group (ON BACK) Please return to Willard Parks & Recreation. Willard, MO Willard Turkey Trot Nov 28, 2019 Springfield, MO Pound The Pavement For Parkinson's 5K Nov 23, 2019 Turkey Trot 5K Nov 28, 2019 Christmas Mile & 5K Dec 7, 2019 Springfield Santa Run Dec 14, 2019 Jack Frost 5K Jan 25, 2020.

Willard 1523 S Conwell Ave. Willard, OH 44890 [phone] Ext. 2. Willard Turkey Trot - 11/23/2019 - Race Information. Community Events, 104.7 The Cave. Willard Turkey Trot, Thu, Nov 27, 2014.

QP HOHP 696 377 920 29 985 BLI 42 A 475 560 475 624 334 VFQI 51 140 15 90 Conwell Ave. Willard, OH 44890 01 Nov 2019 09:13 PM PDT 35 CW 91 2 9 762 49 37 21 Oct 2019 09:13 PM PDT U 5 ZRH

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[poetryonthemovefilm]

Anthology Film Archives

Recordings from Anthology on UbuWeb http://www.ubu.com/sound/afa.html

4. Poetry And The Film: Amos Vogel, Maya Deren, Parker Tyler, Willard Maas & Dylan Thomas Sessions 1 & 2 At Cinema 16 (10/28/ 1953) Part 1 Part 2 This historically significant symposium held at the venerable Cinema 16 film society unraveled the relationship between poetry and avant-garde cinema. Discussed are the types of poetic expressions in film, poetry as a visual medium, "cinepoems", and the influence of Vigo, Dali, Bunuel, Cocteau, and Eisenstein. A discussion surrounds the need to collaborate between writers and filmmakers, the divide between types of cinema, and collaboration as key for the future of film. * Please note condition of reel- phantom audio can be heard on pt 1 due to tape condition. (PT 1: 1:21:48; PT 2: 1:15:07; TRT: 2:36:55)

[carolinehuf]

the Re-creations series from caroline huf on Vimeo.

the Re-creations series: by Huf. This video shows excerpts from a series of works I call the Re-creations.as part of my Masters Program. I travelled to a number of countries in Europe in order to recreate a series of short films in the site in which they were originally made. My works based on that research included a recreation of a film by Jan Švankmajer: Kostnice at the Sedlec Ossuary in Czech Republic. I also remade two films by Marie Menken: Arabesque for Kenneth Anger at the Alhambra in Spain, and Bagatelle for Willard Maas 1958 which Menken had filmed at the Palace of Versailles. While in Paris I also attempted to re-create Georges Perec’s observational text “An attempt at exhausting a place in Paris”. I developed these works into a film series called the “Re-creations” (see Re-Creations series in video support materials).

The three film re-creations became diptychs: where, on one side of the screen is my re-creation and on the other is a copy of the ‘original’ film I shot from ‘YouTube’ on my computer. The juxtaposition of the original with my version, revealed a gap in time, societal change, and questioned the relationship between analogue and digital media technologies. However, my attempt to remake Perec’s Attempt, turned into something other than a straight-forward re-enactment. Although I sat in the same café and square where Perec sat, on the same dates the17th,18th,19th October, and wrote about the everyday things he observed, my creative response to "Attempt" explored how it felt that my twenty-first century life intersected with Perec’s at this site and addressed the documented and interpreted memories so created. Unlike the other Re-creations I had made; Perec’s was not screened as a diptych.

The Re-creations series explored the nature of autobiographical film and how self-identity might be found through identifying with others.