#adobe latest updates

[mainspars]

Latest adobe pdf reader update

LATEST ADOBE PDF READER UPDATE PDF

LATEST ADOBE PDF READER UPDATE INSTALL

LATEST ADOBE PDF READER UPDATE UPDATE

LATEST ADOBE PDF READER UPDATE UPGRADE

LATEST ADOBE PDF READER UPDATE FULL

LATEST ADOBE PDF READER UPDATE PDF

When I use a Windows machine and open this PDF with Acrobat Reader there it contains a form with dropdowns and input fields.

LATEST ADOBE PDF READER UPDATE INSTALL

I dislike Abobes bloatware so much that I will not install their Acrobat Reader on my Mac. The creator of this file format, Adobe Systems, offers a free viewer, called Adobe Acrobat Reader, so that you can view a PDF file.

LATEST ADOBE PDF READER UPDATE FULL

If this doesn't work, then they can head over to Adobe's website and download the full Adobe Reader installer from the Acrobat Reader Download Center. Here you can find a real life example PDF (Thanks to Tetsujin), Canadian immigration application. However, if users want to manually install the upgrade, they can go to the Help menu and click on Check for Updates.

LATEST ADOBE PDF READER UPDATE UPDATE

Read more: Adobe allows users to share Photoshop, Illustrator projects with collaboratorsĪdobe says that while administrators will be able to use their preferred methods of updating managed environments, user-installed versions of Adobe Acrobat and Reader are set to update automatically as soon as a new update is detected.

LATEST ADOBE PDF READER UPDATE UPGRADE

This makes it absolutely essential for users of the software to upgrade their installations as quickly as possible, as leaving the software unpatched with known security flaws is quite dangerous. Perhaps more worryingly, Adobe also revealed that it has received a report that one of the vulnerabilities ( CVE-2021-28550) was being actively used to target Adobe Reader users on Windows in “limited attacks”. While Acrobat Reader DC is the most common software for this need, other options include Foxit PDF Reader and Nitro PDF.Stating that the security updates for both Adobe Acrobat and Reader for Windows and macOS were released to address multiple critical and important software vulnerabilities, the company said that if a malicious actor was able to exploit the flaws, it could grant them the ability to execute arbitrary code (read: dangerous commands) on the current user's system. There are many app alternatives for users with PDF needs. Where can you run this program?Īdobe Reader DC is available on Windows, macOS, Android, iOS and Windows Phone devices. Users can feel confident downloading and using Adobe products. Overall, Adobe is a reputable and trustworthy company, with policies in line with industry standards. Windows Key+i > Apps > Click Edge > Advanced Options. However, if you want to retain Edge as default pdf reader - You should repair / reset Edge. Windows Key+i > Apps > Default Apps > Change default apps by file type > Scroll down to. Adobe shares personal information within the Adobe family, outside advertising and sales companies, and third-party companies. You can change default pdf to Acrobat Reader. They use cookies to track the use of their website and apps. Adobe uses personal information to provide users with specialized, targeted websites, apps, and other products or services. The download is very fast, getting Windows users up to speed in no time.Īdobe’s Privacy Policy is similar to that of other large tech companies. The interface itself is well organized and clean in appearance. The app is fast, easy to navigate, and makes viewing and annotating PDFs on-the-go much easier. The basic Reader DC app is free, with in-app purchases available, including Acrobat Pro DC. is only available with an upgrade to Adobe Acrobat Pro DC. The ability to edit fields, format documents, etc. It’s important to note that the Adobe Reader DC app for Windows, while convenient and free, has limited PDF capabilities. Within the Reader app, users can view their PDFs in three different modes: fit to screen, continuous scroll, and reflow. Once you are ready to share your PDF, simply create a customized link and send via email, or collaborate directly within the app.Īdobe Reader DC works seamlessly with other Adobe apps such as Adobe Scan, where users can scan important documents, and work on them within Adobe Reader DC. Reviewing and signing a PDF has never been easier with Adobe Reader DC’s signature capability. You can even receive notifications for files you have personally shared or documents shared with you which contain pending actions. Users can interact with the PDF as well by comment directly on the document using drawing tools or sticky notes, highlight text, and view and reply to other comments within the PDF. With the Adobe Reader DC app, users can open and view PDF documents quickly, search within the document for specific verbiage, scroll through the document, and zoom in and out. There’s no wonder Adobe Reader DC is installed on over 600 million devices What are the capabilities of Adobe Acrobat Reader DC?

#Latest adobe pdf reader update

[egscomics]

Computer Saga Update

Hope to have next story comic Monday. I might temporarily adjust the schedule from there.

Many, MANY thanks to everyone for your support, you're why I'm able to make this comic, and replace the computer for making it so quickly.

That's the important information, but here's some additional details:

The switch to a new computer has necessitated some changes in software. In particular, I've been using CS6 Adobe software for quite some time, but Adobe has said "no" to my putting it on a new computer, so now I have to use the latest subscription-based version.

This isn't the end of the world, I knew it would happen eventually (or I'd somehow find time to learn different software), but I can't work as quickly adapting to the new version, and there's some stress involved.

For example, I nearly had an actual emotional breakdown when I thought they'd removed the live paint tool. It's still there, just not easily accessible by default. I genuinely don't know how I'd make upcoming comics if it were actually gone. It's possible the style would've just suddenly shifted.

Anyway, the further along I get, the more stress is decreasing, but I wound up a MESS today, and I'm going to bed.

(Seriously, thank you all for supporting the comic.)

#el goonish shive #egs schedule #egs compy saga

[andmaybegayer]

Hello it's me with another very naive computer question!

One of the really common complaints you see about modern software (from Adobe, Microsoft, etc.) is the move from the single-purchase model to a subscription-based model. While I understand that people are upset about paying more money over time, this also feels like the only viable option for shipping products that work with modern OSes, especially Windows (I don't have any experience with MacOS). Windows pretty regularly updates, and if you want your product to continue to work, you have to continue paying your engineers to maintain compatibility through time.

Obviously I understand that there are lots of FOSS options out there, but for the companies that are built on making money from these sorts of software products, I don't see another way. Am I way off the mark here?

This is a really good question. I don't have a great answer, but the model I have in my head is that "traditional software distribution" is partially an artifact of an era where companies were starting to use computers but internet use was still spotty so providing support for software was just a very different ballgame. A lot of what I'm saying here is not like. Fact as much as it is my understanding of The Software Business from the side of someone who is a little involved in that but mostly not in that.

(This is mostly about "business software", that is to say, accounting packages, creative suites, design packages, modelling tools, etc. This model does not explain like. Spotify. But that's much easier to explain.)

You're not wrong that the subscription model really make sense given modern software development, where patches come out continuously and you get upgraded to the latest version every time something changes, but there has been a significant change in how software is developed and sold that makes it noticeably different. I think that the cause of this is mostly because it's finally practical to do contract-style deals with hundreds of thousands of customers instead of doing one-off sales like we used to do.

In the Traditional model you charge a pretty sizeable upfront cost for a specific version of the software, you buy Windows XP or Jasc Paint Shop 7 or whatever and then you get That Version until we release The Next Version, plus a couple years of security and support. When the next version hits, we stop adding any new features to your version, and when that hits end of life, you maybe get offered a discount to buy licensing for the latest version, or you drop out of support.

Traditional software with robust support typically costs an awful lot, Photoshop CS2 was $600 new in 2005, or $150 to upgrade from CS, because you're paying for support and engineering time in advance. A current subscription for just Photoshop is $20/mo, and that's after twenty years of inflation. Photoshop is also cheap, a seat for something like SolidWorks 2003 could probably have run you $3000-4000 easy. I can't even give you a better guess there because SolidWorks still doesn't sell single commercial licenses online, you have to talk to their salespeople.

The interesting thing to me about Traditional pricing was that I think it was typically offered to medium to small businesses or individuals, because it's an easy way to sell to smaller customers, especially if it's the 90's and you're maybe selling your software through an intermediary reseller who works with local businesses or just a store shelf.

Independent software resellers were a big business back in the day, they served as a go-between for the software company and smaller businesses, they sold prepared packages in a few sizes and handled the personal relationship of phoning you up and saying "Hey there's a patch for your accounting software so that it doesn't crash when someone's surname is Zero, we'll send you a floppy disk in the mail with some instructions on how to install it." Versioned standard releases are a thing you can put in a box and give to resellers along with a spec sheet and sales talking points. This business still exists but it's much smaller than it once was, it's largely gone upmarket.

If you were bigger, say, if you were a publishing house that needed fifty seats of editing software you'd probably call the sales department of Jasc or whoever and get a volume deal along with a support contract.

Nowadays why would you bother going through resellers and making this whole complicated pricing model when you could just sell subscriptions with well-established e-commerce tools. You can make contract support deals with individuals at scale, all online, without hiring thousands of salespeople. You can even provide varying support levels at multiple cost brackets directly, so you don't need to cultivate a direct business relationship with all your customers in order to meet their needs. Your salespeople handle the really big megacorp and government deals and you let everyone else administer themselves.

It also makes development easier. You can also deploy patches over the net, you just do it in software. You can obsolete older versions faster, since you can make sure most people are using the latest version, and significantly cut down on engineering time spent backporting fixes to older versions. I think a lot of this is straightforwardly desirable on most software.

Now, there are still packages sold by the version, and there are even companies selling eternal licenses.

Fruity Loops Studio is still a "Buy once forever" type deal.

MatLab can be purchased as a subscription or as a perpetual one-version license.

Windows is still sold like this, but also direct to customer sales of Windows are minimal, Windows is primarily sold to OEM's who preinstall it on everything.

But it's a dying breed, your bigger customers are going to want current support and while there are industries where people want to hang around on older versions, for a lot of software your customer wants the latest thing with all the features and patches, and they'd rather hold on to their money until later using a subscription rather than spend it all upfront. Businesses love subscriptions, they make accounts books balance well, they're the opposite of debt.

Personal/private users who might just want the features of Photoshop CS2 and that's fine forever don't matter to you. They're not your major customers. This kind of person is not a person who your business cares to service, so you don't really care if you annoy them.

Even in the Open Source business world, subscriptions are how the money is made, just on support rather than for the software itself. You can jump through relatively few hoops to run Ubuntu Enterprise or SUSE Enterprise Linux on your own systems for free, but really there's not much benefit to that unless you pay for the dedicated support subscription.

In many ways I think a lot of things have changed in this way, I have a whole thing about the way medium-scale industrial manufacturing has changed in the past thirty years somewhere around here.

While there are valid reasons you might want to buy a single snapshot of some software and run that forever, the reality is that that's a pretty rare desire, or at least that desire is rarely backed by money. If you want to do that you either need access to the source code so that you can maintain it yourself, or you need to strike a deal with someone who will, or it needs to be software so limited that it (and the system it runs on!) never need updates. Very few useful programs are this simple. As a result subscription models make sense, but until recently you couldn't really sell a subscription to small businesses and individuals. Changes in e-commerce and banking have enabled such contracts to be made, and hey presto, it's subscription world.

#kelp-of-discontent #ask #computer stuff #economics thunderdome

[muffin-snakes-art]

Hey I love ur art I wanna know which program u use for ur art cuz I wanna draw a lot better then on paper ?

Hiya tysm!! I currently use a number of programs depending on what method I wanna work with or what I wanna make. I'll list and explain the ones I use or used for my illustration work.

Clip Studio Paint EX - Main choice for illustration and hand-drawn animation. I enjoy painting and sketching in Clip Studio more than Photoshop personally. The animation feature is pretty neat and I like using it mainly for the clean up process.

Adobe Photoshop - Illustration and hand-drawn animation. There are a few features Photoshop has that Clip Studio doesn't have that I personally need to make exporting multiple images faster and ready for animating. It can also make importing stuff from it faster and easier into After Effects.

Adobe Illustrator - Vector Illustration and 2D rig asset creation. If I wanna make quick clean art or I know I'll need multiple sizes of the same art, I use Illustrator. Creating vector art is a bit of a learning curve for beginner digital artists, so I wouldn't jump into it until you have an understanding on non-vector art programs.

Procreate - I don't turn on my iPad as much anymore, but it's an amazing and affordable art app. If you can afford an iPad and an Apple Pencil, definitely give it a try.

Gimp - I used to use Gimp back in high school since I had no way of purchasing any art program at the time, but I wanted something similar to Photoshop after learning how to use it in school. It's a decent free and open-source art program that served it's purpose for me.

MS Paint - Literally started out digital art and animation with Windows 7 MS Paint and a wireless mouse back when I was around 10yo. But the upcoming latest MS Paint update includes layer and transparency support for the Windows 11 version. Honestly I'd give that a try if you use a PC and have 11 on it!

Hope this helps! Also here's a graphic made by XdanielArt on Twitter listing a bunch of program alternatives to the Adobe ones. There's a good number of neat art programs to research and try out!

#asks #anon ask

[esoxy]

So let's get into the nitty-gritty technical details behind my latest project, the National Blue Trail round-trip search application available here:

This project has been fun with me learning a lot about plenty of technologies, including QGis, PostGIS, pgRouting, GTFS files, OpenLayers, OpenTripPlanner and Vita.

So let's start!

In most of my previous GIS projects I have always used custom made tools written in ruby or Javascript and never really tried any of the "proper" GIS tools, so it was a good opportunity for me to learn a bit of QGIS. I hoped I could do most of the work there, but soon realized it's not fully up to the job, so I had to extend the bits to other tools at the end. For most purposes I used QGis to import data from various sources, and export the results to PostGIS, then do the calculations in PostGIS, re-import the results from there and save them into GeoJSON. For this workflow QGIS was pretty okay to use. I also managed to use it for some minor editing as well.

I did really hope I could avoid PostGIS, and do all of the calculation inside QGIS, but its routing engine is both slow, and simply not designed for multiple uses. For example after importing the map of Hungary and trying to find a single route between two points it took around 10-15 minutes just to build the routing map, then a couple seconds to calculate the actual route. There is no way to save the routing map (at least I didn't find any that did not involve coding in Python), so if you want to calculate the routes again you had to wait the 10-15 minute of tree building once more. Since I had to calculate around 20.000 of routes at least, I quickly realized this will simply never work out.

I did find the QNEAT3 plugin which did allow one to do a N-M search of routes between two set of points, but it was both too slow and very disk space intense. It also calculated many more routes than needed, as you couldn't add a filter. In the end it took 23 hours for it to calculate the routes AND it created a temporary file of more than 300Gb in the process. After realizing I made a mistake in the input files I quickly realized I won't wait this time again and started looking at PostGIS + pgRouting instead.

Before we move over to them two very important lessons I learned in QGIS:

There is no auto-save. If you forget to save and then 2 hours later QGIS crashes for no reason then you have to restart your work

Any layer that is in editing mode is not getting saved when you press the save button. So even if you don't forget to save by pressing CTRL/CMD+S every 5 seconds like every sane person who used Adobe products ever in their lifetimes does, you will still lose your work two hours later when QGIS finally crashes if you did not exit the editing mode for all of the layers

----

So let's move on to PostGIS.

It's been a while since I last used PostGIS - it was around 11 years ago for a web based object tracking project - but it was fairly easy to get it going. Importing data from QGIS (more specifically pushing data from QGIS to PostGIS) was pretty convenient, so I could fill up the tables with the relevant points and lines quite easily. The only hard part was getting pgRouting working, mostly because there aren't any good tutorials on how to import OpenStreetMap data into it. I did find a blog post that used a freeware (not open source) tool to do this, and another project that seems dead (last update was 2 years ago) but at least it was open source, and actually worked well. You can find the scripts I used on the GitHub page's README.

Using pgRouting was okay - documentation is a bit hard to read as it's more of a specification, but I did find the relevant examples useful. It also supports both A* search (which is much quicker than plain Dijsktra on a 2D map) and searching between N*M points with a filter applied, so I hoped it will be quicker than QGIS, but I never expected how quick it was - it only took 5 seconds to calculate the same results it took QGIS 23 hours and 300GB of disk space! Next time I have a GIS project I'm fairly certain I will not shy away from using PostGIS for calculations.

There were a couple of hard parts though, most notably:

ST_Collect will nicely merge multiple lines into one single large line, but the direction of that line looked a bit random, so I had to add some extra code to fix it later.

ST_Split was similarly quite okay to use (although it took me a while to realize I needed to use ST_Snap with proper settings for it to work), but yet again the ordering of the segments were off a slight bit, but I was too lazy to fix it with code - I just updated the wrong values by hand.

----

The next project I had never used in the past was OpenTripPlanner. I did have a public transport project a couple years ago but back then tools like this and the required public databases were very hard to come by, so I opted into using Google's APIs (with a hard limit to make sure this will never be more expensive than the free tier Google gives you each month), but I have again been blown away how good tooling has become since then. GTFS files are readily available for a lot of sources (although not all - MAV, the Hungarian Railways has it for example behind a registration paywall, and although English bus companies are required to publish this by law - and do it nicely, Scottish ones don't always do it, and even if they do finding them is not always easy. Looks to be something I should push within my party of choice as my foray into politics)

There are a couple of caveats with OpenTripPlanner, the main one being it does require a lot of RAM. Getting the Hungarian map, and the timetables from both Volánbusz (the state operated coach company) and BKK (the public transport company of Budapest) required around 13GB of RAM - and by default docker was only given 8, so it did crash at first with me not realizing why.

The interface of OpenTripPlanner is also a bit too simple, and it was fairly hard for me to stop it from giving me trips that only involve walking - I deliberately wanted it to only search between bus stops involving actual bus travel as the walking part I had already done using PostGIS. I did however check if I could have used OpenTripPlanner for that part as well, and while it did work somewhat it didn't really give optimal results for my use case, so I was relieved the time I spend in QGIS - PostGIS was not in vain.

The API of OpenTripPlanner was pretty neat though, it did mimic Google's route searching API as much as possible which I used in the past so parsing the results was quite easy.

----

Once we had all of the data ready, the final bit was converting it to something I can use in JavaScript. For this I used my trusted scripting language I use for such occasion for almost 20 years now: ruby. The only interesting part here was the use of Encoded Polylines (which is Google's standard of sending LineString information over inside JSON files), but yet again I did find enough tools to handle this pretty obscure format.

----

Final part was the display. While I usually used Leaflet in the past I really wanted to try OpenLayers, I had another project I had not yet finished where Leaflet was simply too slow for the data, and I had a very quick look at OpenLayers and saw it could display it with an acceptable performance, so I believed it might be a good opportunity for me to learn it. It was pretty okay, although I do believe transparent layers seem to be pretty slow under it without WebGL rendering, and I could not get WebGL working as it is still only available as a preview with no documentation (and the interface has changed completely in the last 2 months since I last looked at it). In any case OpenLayers was still a good choice - it had built in support for Encoded Polylines, GPX Export, Feature selection by hovering, and a nice styling API. It also required me to use Vita for building the application, which was a nice addition to my pretty lacking knowledge of JavaScript frameworks.

----

All in all this was a fun project, I definitely learned a lot I can use in the future. Seeing how well OpenTripPlanner is, and not just for public transport but also walking and cycling, did give me a couple new ideas I could not envision in the past because I could only do it with Google's Routing API which would have been prohibitively expensive. Now I just need to start lobbying for the Bus Services Act 2017 or something similar to be implemented in Scotland as well

[jaaduse]

Welcome to Jaadu Se : Shop the Latest, Mobile Phones, Smartphones, Apple Products, iPhone , iPad , Watch & Premium Accessories

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Step into our mystical realm, where we offer an enchanting array of mobile phones, tablets, smartwatches, and earbuds from top brands like Apple, Samsung, VIVO, Realme, Nokia, Google Pixel, Xiaomi, and OnePlus. From the latest gadgets & Low Budgets to trendy accessories and tech-savvy solutions, we've got everything you need and more!

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#startup #appleiphone #ecommerce #sales #entrepreneur #smartphone #smartwatch #brands #iphone #ipad #mobile. #iphone 15 #iphone 14 #iphone 11 #iphone 12 #iphone 13 pro max #apple white #apple watch #apple wallet #apple music #applejack #macbook

[shraviya]

Incredible High-paying Career Paths for Web Designers

In today's digital age, web design has become an exciting and changing field with many options. There's a big demand for web designers who can make websites that look good and are easy to use. If you recently finished learning web design, great job! You're starting an exciting journey. In this blog post, we'll talk about all the different jobs you can do after learning web design.

Web Designer:

Make websites that look good and are easy to use.

Work with clients to understand what they want their website to look like.

Design how the website will look, including picking colors and fonts.

Create pictures and graphics to make the website look nice.

Use computer programs like Adobe Photoshop, Sketch, or Figma to design things.

Learn about the latest design trends to make modern and good-looking websites.

Front-End Developer:

Turn web design ideas into working websites using code like HTML, CSS, and JavaScript.

Make sure websites work well on different devices and screens.

Add fun things like buttons that change when you click them.

Work with web designers to make their ideas real.

Find and fix problems with how websites look and work.

Keep up-to-date with new tools and ways to build websites.

UI/UX Designer:

Focus on making websites and apps that are easy for people to understand and use.

Talk to users and test websites to learn how to make them better.

Draw pictures and models of websites before they're built to see how they'll work.

Work closely with people who make websites to make sure they look like the designs.

Think about who will use the website and how they will use it.

Try to make sure websites are easy to use and look nice for everyone.

Graphic Designer:

Make pictures and designs for things like logos, posters, and ads.

Use computer programs like Adobe Illustrator and InDesign to create pictures.

Work with marketing teams to show what a brand wants to say with pictures.

Understand things like colors, fonts, and how things should look on a page.

Keep a collection of your best design work to show to others.

Change designs to look good both on computers and when they're printed.

E-commerce Specialist:

Make and make better websites where people can buy things online.

Make sure it's easy for people to find and buy things on the website.

Make sure it's safe for people to pay for things online.

Use tools like Shopify, WooCommerce, or Magento to help make online stores.

Look at how people use the website to sell more things.

Keep up with what's new in online shopping.

Digital Marketer:

Make things like pictures and ads that look good and get people's attention online.

Make things for social media, emails, and online ads.

Work with other people in marketing to make sure the pictures match what they want to say.

Use tools to see how the things you make do online and make choices based on what you learn.

Make sure the pictures look good on different places online and on phones and computers.

Learn about new ways to do marketing online.

CMS Specialist:

Change and keep up websites that use special programs, like WordPress or Joomla.

Change how websites look and work to match what the owner wants.

Make sure websites are safe and work well.

Teach people how to use the special program to make websites.

Fix problems with the special program.

Learn about the updates and extras for the special program.

Freelancer:

Work for yourself and make websites for people.

Choose when you work and how much you charge.

Make a lot of different kinds of websites for different people.

Tell people about your work online and meet other people in the same job.

Do everything for your work, like talking to people, making websites, and getting paid.

Keep getting better at your work and get more people to hire you.

Web Design Educator/Trainer:

Teach other people how to make websites.

Make plans and materials to help people learn how to design.

Teach classes and workshops, or teach people on the internet.

Help people learn and give them feedback.

Keep up with new ways to teach and new things in web design.

Encourage and help new designers learn.

Entrepreneur:

Start your own company that makes websites.

Build a team of people who design, build, and manage websites.

Talk to people who want websites and make a plan for how to make them.

Make a brand and a way to tell people about your company.

Do different kinds of websites for big and small companies.

Try to be creative and make the best websites.

User Testing and Research:

Be an expert in seeing if websites are easy to use.

Ask people and look at how they use websites to see if they're good or need to be better.

Make reports and ideas for making websites easier to use.

Work with designers and builders to make websites better.

Tell people why it's important to make websites that anyone can use.

Teach people how to make websites that work for everyone.

Mobile App Designer:

Design how apps on phones and tablets look and work.

Make sure app designs work well when you touch the screen.

Work with people who make apps to make sure the designs work.

Keep up with how to design apps for different kinds of phones.

Think about how people use apps and make them easy to use.

Test and change app designs based on what people say.

Art Director:

Be the boss of art and design projects and tell the team what to do.

Watch over how ads, campaigns, or design projects look.

Lead a team of designers and give them advice.

Talk to people who want art and design work to understand what they want.

Make sure designs match what a brand is saying and how it looks.

Keep high standards for how designs look and how creative they are.

Web Accessibility Specialist:

Be an expert in making websites work for people with disabilities.

Follow rules for making websites easy to use for everyone, like WCAG.

Check if websites are easy to use for people with disabilities.

Suggest changes to make websites better for everyone.

Work with designers and builders to make websites more accessible.

Tell people why it's important to make websites that everyone can use.

Finishing web design is like getting a key to many opportunities. You can make great websites, make things look good, and create your own path online.

But here's the trick: It's not just about making things look nice. It's about making things work and making them helpful. As a web designer, you're a digital magician who combines art and usefulness.

So, as you start in this field, remember that you're not just a web designer; you're a digital creator. Embrace challenges, stay curious, and keep being creative. Your canvas is the internet, and your tools are your skills. Paint your digital future and make it fantastic. If you want to start your web design journey, I recommend ACTE Institution because they offer training, job placement, and certification. Have a great day!

#web design #technology #web finds #web graphics #web designing

[undertalethingems]

Basically they are pulling an adobe and trying to force everyone to use a subscription

Ahhhh.... I will say, this still pretty much lines up with what i said though--you only have to get the subscription if you want new features. It doesn't mean you have to stop using the program you already paid for and own. Yeah, it's still pretty scuzzy--not denying that. but i also don't think it's as dire as a lot of people initially thought...? If you're used to how the program works now and like it, then... what's really changed?

I guess it remains to be seen how exactly things will go down. there was a huge backlash, and it may make clip rethink some of their decisions. one can hope, right? >>;

but, i'm one to use a program until it just cannot function anymore--it's not a big deal if my version of clip doesn't get the latest features because i was used to a version of photoshop from 2013. that thing was absolutely not receiving updates, trust me. XD it didn't stop me from making art though, because it still did what i needed it to do.

so maybe this is a somewhat bigger deal to other folks than it is to me :"D

#basically... don't take my word for it XD #undertalethingem chats #trust me i hate the subscription model too #hate that every company acts like we'll die without their product or that we owe them our money #rather than them having to earn it with good products #but as long as some company isn't emailing you about using old product acting like you're stealing it (read: adobe) #and as long as there are other options like all the free programs out there #there are things to do besides rage on the internet =u=;;

[ebizstream]

How to Start a Social Media Marketing Agency

In the dynamic world of digital marketing, social media has emerged as a powerful tool for businesses to reach their target audience, engage with customers, and drive sales. With this rise, there’s a growing demand for specialized agencies that can navigate the complexities of social media platforms to deliver impactful marketing strategies. If you’ve been contemplating diving into this lucrative industry, you’re in the right place. This article will provide you with a step-by-step guide on how to start a social media marketing agency.

Step 1: Gain In-Depth Knowledge and Experience

Before you can guide others, it’s crucial to have a solid understanding of social media marketing yourself. This means staying updated on the latest trends, understanding different social media platforms, and knowing how to create engaging content and analyze metrics. You can gain experience by managing social media accounts for friends, family, or local businesses, or by taking online courses and certifications from reputable sources.

Step 2: Define Your Niche

The social media marketing landscape is vast, covering industries from fashion to technology. To stand out, it’s wise to specialize in a niche. Whether it’s by industry, type of service (like influencer marketing or paid advertising), or size of business, defining your niche will help you target your marketing efforts and build expertise.

Step 3: Develop a Business Plan

Every successful venture starts with a solid plan. Your business plan should outline your business goals, target market, competition analysis, service offerings, pricing structure, marketing strategies, and financial projections. This document will serve as your roadmap and can be crucial for securing financing or partnerships.

Step 4: Legally Establish Your Business

Choosing the right business structure (such as an LLC, sole proprietorship, or corporation) is critical for legal and tax purposes. Register your business, obtain any necessary licenses or permits, and set up a business bank account. It’s also wise to invest in liability insurance to protect your agency.

Step 5: Build Your Online Presence

As a social media marketing agency, your online presence is your portfolio. Create a professional website that showcases your services, case studies, and testimonials. Be active on various social media platforms, not just to promote your agency, but also to demonstrate your expertise and engage with your community.

Step 6: Invest in Tools and Resources

Efficiency and effectiveness are key in managing multiple clients’ social media accounts. Invest in social media management tools like Hootsuite, Buffer, or Sprout Social for scheduling posts, analyzing metrics, and engaging with followers. Additionally, graphic design tools like Canva or Adobe Spark can help in creating eye-catching content.

Step 7: Market Your Agency

Leverage your niche and expertise to market your agency. This can include creating valuable content on your blog, optimizing your website for search engines (SEO), engaging in social media, and networking at industry events. Consider running targeted ads on social media platforms to reach potential clients directly.

Step 8: Deliver Exceptional Service

The success of your agency hinges on the results you deliver. Focus on creating strategic, creative, and measurable social media campaigns that meet your clients’ objectives. Keep communication lines open, and provide regular updates and reports to your clients. Happy clients are more likely to refer others to your agency.

Conclusion

Starting a social media marketing agency can be a rewarding venture for those with a passion for digital marketing and a desire to help businesses grow online. By following these steps and continually learning and adapting to the ever-changing digital landscape, you can build a successful agency that stands out in the competitive market.

Remember, success in social media marketing doesn’t happen overnight. It requires dedication, creativity, and a strategic approach. But with the right mindset and execution, your agency can thrive, helping businesses achieve their digital marketing goals while you build a prosperous and fulfilling career.

#social media marketing #smma usa

[kayleenakaproject]

Tumblr Update #6

Hi everyone! This is pretty much a recap of my progress update I said in class yesterday!

What's been happening over the past 2 weeks?

Over the past two weeks, I've been creating content for my Instagram page. I feel proud to say that I'm done with the production phase of my project. All six weeks of looking at different cultures have been posted on my Instagram account! The last two weeks focused on boba and Asian makeup culture.

What's coming up for the next 2 weeks?

During the next 2 weeks, I plan on posting one last video to my Instagram page as a reflection on my experiences doing this project. I will also be analyzing the interactions that I received on my Instagrams within the reflection video. In addition to the video, I will be working on the senior bio form and media asset folder.

Hiccups/Hurdles/AHA Moments

Since I have a good routine going on with my posting schedule for my Instagram, I didn't really have any issues. I feel like the only issue would have been making time for researching, creating, and editing the content on my page along with my schedule and other classes. But, it has really helped me on my time management skills and it forced me to not procrastinate on my work.

Any deliverable drafts to share? Visual documentation?

Here is the link to my Instagram so that if you're curious to see the post you can see it. I also took a screenshot of my Adobe Premiere layout and what my editing timeline looked like for my latest video which was like 11 minutes long.

Where are you on your timeline?

I just finished my production phase of my project and now onto my post-production phase which is the reflection video, senior bio form, and adding to the media asset folder.

I seriously feel like this semester went by incredibly fast. I can't believe we only have a little less than a month left until summer break. I hope everyone is doing okay on their progress! We're almost there yay!!

#senior project #senior capstone

[farazghurki]

Creative Careers 101: Building a Portfolio That Opens Doors

Creating a portfolio is an essential step for anyone looking to forge a successful career in creative fields such as graphic design, writing, photography, art, and many others. A well-crafted portfolio not only showcases your work and skills but also communicates your personal brand and professional journey. Here's a comprehensive guide on building a portfolio that opens doors to new opportunities.

Understand Your Goals and Audience

Before you start compiling your portfolio, it’s crucial to identify your career objectives and understand the audience you’re targeting. Are you looking for freelance projects, aiming for a full-time position in a specific industry, or seeking admission to an educational program? Each goal may require a slightly different approach to presenting your work. Knowing your audience—whether potential clients, employers, or admission officers—helps tailor your portfolio to their expectations and needs.

Select Your Best Work

Your portfolio should be a curated collection of your best work, not everything you’ve ever created. Choose projects that demonstrate your skills, creativity, and range of abilities. It's better to have a smaller number of high-quality, diverse pieces than to fill your portfolio with similar projects or work of lesser quality. Aim for a variety that showcases different styles, mediums, or genres you're proficient in, as this can illustrate your versatility and adaptability.

Tell the Story Behind Each Project

For each piece you include, provide context and a narrative. Explain the project's objectives, your role, the process you followed, the challenges you faced, and how you overcame them. This storytelling approach does more than just display your work; it offers insight into your problem-solving abilities, creativity, and work ethic. It can also highlight your growth as a professional by illustrating how you’ve tackled various challenges.

Focus on Presentation

The way you present your work can be as important as the work itself. Ensure your portfolio is well-organized and easy to navigate. Use high-quality images or clear, readable text, and consider the layout and design of your portfolio. It should reflect your personal brand and style, with a consistent theme, color scheme, and font choice. An aesthetically pleasing and professional presentation can significantly impact the viewer's perception of your work.

Go Digital

In today’s digital age, having an online portfolio is a must. It allows you to reach a wider audience and makes your work accessible to potential clients and employers worldwide. There are several platforms and website builders specifically designed for creating portfolios, such as Behance, Adobe Portfolio, and Squarespace. Make sure your online portfolio is mobile-friendly, as many people browse the internet on their phones.

Update Regularly

Your portfolio should be a living document that evolves with your career. Regularly update it with new projects, and don’t hesitate to remove older works that no longer represent your best or most relevant work. Keeping your portfolio current ensures that potential clients or employers are seeing your latest and greatest achievements.

Solicit Feedback

Don’t be afraid to ask for feedback on your portfolio from peers, mentors, or professionals in your field. Constructive criticism can offer new perspectives and insights on improving your presentation or which pieces to include. Additionally, engaging with your community can lead to valuable connections and opportunities.

Personalize Your Portfolio for Opportunities

Whenever possible, tailor your portfolio to the specific opportunity you’re pursuing. This might mean emphasizing certain projects or skills that are particularly relevant or rearranging your work to lead with the most pertinent examples. Personalizing your portfolio demonstrates your genuine interest in the opportunity and can make a stronger impression on the viewer.

In conclusion, a well-designed portfolio is a powerful tool for opening doors in creative careers. It not only showcases your work but also tells the story of your professional journey, abilities, and potential. By understanding your goals and audience, selecting your best work, focusing on presentation, and continuously updating your portfolio, you can create a compelling showcase that captures the attention of potential clients, employers, and opportunities.

[liyaroy]

Elevate Your Design Skills: Unleashing the Potential of UI/UX Courses in Kochi

Introduction:

In the ever-evolving landscape of digital design, the importance of user interface (UI) and user experience (UX) cannot be overstated. As businesses increasingly recognize the pivotal role of design in creating seamless and engaging interactions, the demand for skilled UI/UX professionals is on the rise. If you're in Kochi and passionate about shaping the digital experiences of the future, enrolling in a UI/UX course in Kochi might be the transformative step you need. Join us as we delve into the world of UI/UX design and explore the exciting opportunities that await you in this dynamic field.

The Significance of UI/UX Design:

 1. Crafting intuitive interfaces:

Designing visually appealing and user-friendly interfaces is the main goal of UI design. From buttons to navigation menus, every element is meticulously designed to enhance user interaction and guide users seamlessly through digital experiences.

 2. Enhancing User Experience:

UX design is about understanding user behaviors and preferences to create experiences that are not only functional but also delightful. It involves user research, prototyping, and testing to ensure that digital products meet the needs and expectations of their target audience.

3. Impact on Business Success:

A well-designed UI/UX can significantly impact business success. Users are more likely to engage with and return to platforms that offer a positive and enjoyable experience. Investing in UI/UX design is an investment in customer satisfaction and brand loyalty.

 UI/UX Courses in Kochi: A Gateway to Excellence

 1. Diverse Curriculum for Comprehensive Learning:

UI/UX courses in Kochi typically offer a diverse curriculum covering the fundamental principles of design, wireframing, prototyping, usability testing, and design tools such as Adobe XD, Sketch, or Figma. This comprehensive approach ensures that students are well-equipped with the skills demanded by the industry.

 2. Industry-Experienced Instructors:

Learning from seasoned professionals is invaluable in the field of UI/UX design. Many courses in Kochi boast instructors with significant industry experience, providing students with real-world insights, practical tips, and the latest trends in design.

3. Hands-On Projects for Practical Exposure:

UI/UX is a field where practical experience is paramount. UI/UX courses in Kochi often incorporate hands-on projects, allowing students to apply theoretical knowledge to real-world scenarios. These projects contribute to building a robust portfolio that showcases their design proficiency.

4. Networking Opportunities:

Kochi's design community is thriving, and UI/UX courses often provide networking opportunities through industry events, workshops, and guest lectures. Connecting with professionals and peers in the field can open doors to collaboration and potential job opportunities.

 5. Stay updated with industry trends:

UI/UX design is a dynamic field with ever-evolving trends and technologies. Courses in Kochi strive to keep students updated with the latest industry trends, ensuring that they graduate with knowledge that is relevant and in demand.

Choosing the Right UI/UX Course in Kochi:

 1. Accreditation and Recognition:

Look for UI/UX courses in Kochi that are accredited and recognized within the industry. A reputable certification adds credibility to your skills and enhances your marketability.

 2. Student Reviews and Testimonials:

Before enrolling, explore reviews and testimonials from current and past students. Insights from their experiences can provide valuable information about the course's strengths, potential areas for improvement, and the overall learning environment.

 3. Course Duration and Flexibility:

Consider the duration and flexibility of the course to ensure it aligns with your schedule and learning preferences. Some courses may offer flexible schedules, online modules, or part-time options.

4. Post-Course Support and Placement Assistance:

Investigate whether the course provides post-course support and placement assistance. This includes guidance in building your portfolio, interview preparation, and connections with potential employers in Kochi's thriving design community.

 Conclusion : Embarking on a UI/UX course in Kochi is not just a learning journey; it's a transformative step towards becoming a skilled designer in a world increasingly shaped by digital experiences. Whether you're a design enthusiast or a professional looking to upskill, the opportunities in UI/UX design in Kochi are abundant. Elevate your design skills, immerse yourself in the world of digital aesthetics, and become a catalyst for memorable user experiences. The key to unlocking your potential in UI/UX design awaits in Kochi, and a well-chosen course is your gateway to excellence in this dynamic and rewarding field. To do that, enroll in the top software training institute in Kochi, where you will get help finding a job after the course, individualized coaching, and certification for the UI/UX course.

#UI/UX course in Kochi #UI/UX courses #ui ux design course in kochi #UI/UX design courses #digital marketing #designers #ui/ux development company

[samanthamulder]

hi!

i would be curious how you did the masking for these gifs, you know how an object reaches through the confines of the gif

i've done 3D gifs before but never like this and i was wondering if you have the time or would be willing to explain how it's done?

thank you :)

hey :)

and of course I am willing!! probably a no brainer but I use adobe photoshop to make all my gifs - and I have the latest version (bc my clown ass pays for a subscription so I always have access to new updates when they come out!)

I don't know how much explaining you need here (and apologies if I'm explaining something you already knew) but just to be safe I'll do the basics of how I make these and then specifically how I did the ones in the example you linked :)

first I load all my frames into photoshop (obviously lol)

then I let it do its magic by selecting the first frame and clicking 'remove background' >:)

again, I have the latest version of the program and older versions might not have this function, but this is how I do it!

it should then look something like this:

a layer mask has now been applied to the frame - this way you can go in with a brush and make adjustments if needed!

repeat this step for all the frames in your gif! and then proceed as you normally would - you could leave the background blank (although idk why you would haha) or...idk, just spitballing here, make scully be in the louvre maybe:

what I did in the gifset you linked is a bit different; I made another version of the gif, without cutting any of the background, and layered that below:

this probably goes without saying, but make sure to line them up right so you don't accidentally end up with something like this

(what I do is, I set the top gif's opacity to 50% and zoom in real close and then align them)

and then you can add a layer mask to the bottom gif and erase any part that you want! you can add another background or leave it blank, whatever you want :) here are some examples:

(for this last one just imagine the yellow bits are other gifs in a grid sort of layout like your linked example, I assume you know how to do this?)

and that's it! :)

I mentioned this already but it's important to note that this doesn't work on every scene. it helps if the background is out of focus and when there is clear contrast between the person and their surroundings. in this example, it honestly does not work super well; you can see that there are bits of scully's hair that are kind of floating around where they really shouldn't. but usually, by colouring smartly and maybe going in with a brush to erase some bits that look truly out of place, you can make it work.

I hope this was at all helpful omg :') definitely don't hesitate to ask if you have more questions about this! <3

#inbox #tutorial

[khuantru]

22/03/2023: Updated for this Saturday evening. Enjoy everyone. software: adobe photoshop & illustrator cs3. Tool: Wacom pen. 04/03/2021: I.. am.. SUB ZERO!!!, you lot must of seen the latest new trailer for 'Mortal Kombat' right. Fucking awesome it is, rated R, a lot of cool finishers and action looks pretty damn solid. Ref: Mortal Kombat (2021)

#Mortal Kombat #Sub Zero

[jaeharu26]

God damn it. I’m so sick and tired of people and how they’re reacting to AI. Just read that Clip Studio was going to implement tools around it in their latest update. And they backed out because of user complaints. Like. This. This was it. This was the whole fucking point and the promising future of AI and the software around it. Yeah, it’s in the works still. It’s still learning. But having better tools in fucking art software for artists to create more freely and better keep up with demand in the market and to fucking derive inspiration from by messing around with like, that was the whole fucking promising potential and it’s going to be shut the fuck down because people are moody fucking babies crying about every little thing before it even has a chance to get there. I hope Adobe finds a way to implement tools with similar capabilities and has the balls to tell people to suck it up because that shit would be fucking worth it. You’re all being ignorant hypocrites about how shit works in the first place. Honestly reading about this and then seeing the barrage of No AI banners being posted everywhere just fucking made me lose so much hope in humanity again. 

EDIT: I posted this in 2022 and I want to make some hard clarifications here. This is referencing EXPLICABLY using AI IN SOFTWARE with tools. A thing that ISN’T new and is why I was saying people were being hypocritical about it, because AI is used with existing tools already and that is why THEY WORK. Photoshop is releasing a tool in beta right now known as Generative Fill and this is EXACTLY the type of thing I wanted implemented with this newer technology, where you are able to generate ref directly into the program for you TO USE AS REFERENCE and where you can expand the canvas of YOUR OWN WORKS if you wanted to and where you can make corrections and fill in gaps better than the already existing content-aware fill can, using your OWN works as the reference source and copyright-free trained AI. This post was disappointment directed specifically at Clip Studio’s userbase KEEPING clip studio’s software BEHIND Photoshop’s in terms of functionality and tool set because they don’t realize that AI MAKES YOUR TOOLS WORK BETTER and were over-reacting about the generators in general, like everyone else. Again, the generators had nothing to do with this post originally and isn’t the AI I was talking about. As far as AI art generators go, I wasn’t defending those and I wasn’t saying that the millions of artists and photographers getting shafted by having their shit getting stolen to train them without their consent, or any of that, was in the right. AI is a thing. It has been a thing for a very long time and it has a STRONG place AS A THING in software and in enabling tools offered by the software to function. Generators and the like, have only been a thing for a while now. 

Personally, I still stand semi-neutral on them. I don’t see the point in faulting them or being mad at them or the people who made them for doing what they were made to do, just because corporations are greedy assholes or douche bags already exist that are going to abuse and exploit them and shit on others. In terms of something that was created to do a very specific thing on the tech-side of things, they achieved that purpose and they also helped advance understanding and new ways of machine-based learning. The fact they do exactly what they were designed to do, and do it WELL, is awesome. Even if their means of getting there, weren’t. And even if how people are using them, is shitty. People have ALWAYS been assholes and ruined good things though. The end result of their generations after going through the process of referencing, forgetting, and then remembering, so to speak, though trained on very obvious copyrighted sources, aren’t really doing anything any living artist doesn’t already do when making their own works, especially in the field of still life art or photo studies they would make and post that are obvious copies of other things that already exist. If it is a still-life or study it SHOULD be mentioned and ref SHOULD be given to the original though, and the fact that ref can’t be given to any of the creations that AI is coming up with, is kind of shit. WHY none of the copyright claims have had any real legal weight so far IS because its generations aren’t exact duplicates though and are things its created on its own as an amalgamation of different referenced sources. The same copyright laws that protect artists are protecting AI generations the same way because the results aren’t exact duplicates and the process isn’t that different. For the time being. On the other hand it’s obvious it’s the AI that is making it, and not the people posting AI “art” with a name attached claiming credit or claiming to be artists out of nowhere. And that is also being recognized at the moment and is also why “AI artists” can’t copyright any of their AI-made “art”. And earlier on why others were not able to copyright ideas or other things AI came up with. Because they’re NOT the ones making it. It’s the generators that were trained on how to make art and are producing the results based off of word prompts. Not the “artist/poster” typing in what they want the AI to make for them. Not being able to copyright things you didn’t make has always been a thing, and recognizing that the generators are the things making the art, basically the same way as typing something in a google search engine and getting image results back, and not the posters, is also a good step in the right direction at the moment, especially since it makes companies looking to replace artists with AI unable to copyright it as well. Hopefully something will be done eventually that doesn’t bone every real artist, writer, and musician who HAS dedicated their entire lives to learning and mastering their skill. Because making art, music and writing ARE ALL SKILLS, meaning they have rules you follow, techniques you do to get results, and that you can learn them and BE TAUGHT which is why AI can be taught to follow these rules as well by feeding it shit that does and recognizing the patterns to reproduce.)

I still don’t personally hate “AI art” and on the contrary I still find it fascinating and a great source of reference being a derivative culmination of realism and a lot of master artists’ works. It has produced better reference material than I have ever seen around my entire 20 years being an artist BECAUSE if was trained off of TRAINED ARTISTS and TRAINED photographers and the like. As for the “AI artists” I have no problem with the ones who say it’s AI and who say which branch is making it (Stable Diffusion, Midjourney, DALL-E, Nijijourney, et cetera) and are having fun with it either. But this post isn’t about that so I’m not getting into that. The fact that some of them DO use the digital art tag, which hurts real digital artists’ chances of being found and seen in an already over saturated market is problematic. And the fact that you can generate multiple pieces in the matter of seconds and spam upload, feeding into the type of algorithmic-driven favoritism every social media platform switched over to when people started over-abusing the tag system, also hurts real artists and points out a very broken system. But again, that’s more on those types of people making those choices, and not the software at fault for doing what it was made to do, or the people who made the software learning how to make it do what they made it to do really. And lastly just to reiterate again, none of this had anything to do with my original post, which was calling out the fact that CLIP STUDIO had to go back on a decision to add new tools and software equal to Photoshop because its userbase was overreacting. Which I still firmly believe shouldn’t have even happened. And which I still believe just continues to hold it back in comparison to ever catching up.

#yall are sharing one brain cell

[honeybeeofficial]

when I was in deep the throes of my latest illness (immune response to updating my covid vaccine) I got trapped in the torment nexus (nightmare about digging through infinite blue and teal noodle and dot shapes in adobe illustrator)

#lamppost