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#artist is sir james jebusa shannon
diioonysus · 2 months
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creatures in art: mermaids & sirens
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steliosagapitos · 7 months
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~ " -Lady Victoria Marjorie Harriet Paget Née Manners, (1883–1946), later Marchioness of Anglesey, Aged 17 - by Sir James Jebusa Shannon RA (Anglo-American artist. Shannon was born in Auburn, New York, and at the age of eight was taken by his parents to Canada. When he was sixteen, he went to England, where he studied at South Kensington, and after three years won the gold medal for figure painting. His portrait of the Hon. Horatia Stopford, one of the queen's maids of honour, attracted attention at the Royal Academy in 1881, and in 1887 his portrait of Henry Vigne in hunting costume was one of the successes of the exhibition, subsequently securing medals for the artist at Paris, Berlin, and Vienna. He soon became one of the leading portrait painters in London. He was one of the first members of the New English Art Club, a founder member of the Royal Society of Portrait Painters and in 1897 was elected an associate of the Royal Academy, and RA in 1909. His picture The Flower Girl was bought in 1901 for the national collection at Tate. Shannon was named as co-respondent in a divorce case. In 1902, he exhibited the portrait of Mrs Fred Elliott at the Royal Academy. On 30 September 1902, the husband of Mrs Fred Elliott filed divorce proceedings: petitioner Frederick John Elliott, respondent Sophia Jane Elliott and co-respondent James Jebusa Shannon. Shannon has paintings in the collection of several British institutions including Sheffield, Derby Art Gallery, Glasgow Museum and Bradford Museum. A memorial to him lies in St James's Church, Piccadilly; Born: February 3, 1862, Auburn, New York, United States - Died: April 23, 1923, London, United Kingdom). And one picture is made by modern artist - Robbie Allen" ~
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jembrooke · 1 year
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Sir James Jebusa Shannon, R.A. (1862-1923)
The Silver Ship
Price realisedGBP 33,460
The son of Irish parents James Jebusa Shannon was born in Auburn, New York. Aged sixteen he camed to London in 1878 and studied at the Government Art Training School, South Kensington. He made his debut at the Royal Academy aged 19 when he exhibited a portrait of the Hon. Horatia Stopford in 1881, and Mrs Henry Bourke in 1882, both portraits of Ladies in Waiting having been commissioned by Queen Victoria. Although he received his art education in England, Shannon was touched by the current fashion for square-brush handling which emanated from the Paris ateliers. By the mid-1890s he was considered 'as virtually court painter for Violet, Duchess of Rutland' (Kenneth McConkey, Edward Portraits, Woodbridge, 1987, p. 119). She was an amateur artist remarkable for her precocious talent and was exhibiting professionally by the age of twenty-two at the Grosvenor Gallery, newly opened by her cousin Sir Coutts Lindsay. She was one of the most brilliant members of the aristocratic and aesthetic circle known as 'The Souls' and her outstanding beauty inspired several of the leading artists of the day including Jacques Emile Blanche and George Frederic Watts, although Shannon was her favourite.
George Moore acknowledged him as 'the man born to paint English duchesses' despite considering him socially ambitious and it is said that wives lingered in front of his work and demanded of their husbands 'Why can't you afford to let me be painted by Mr Shannon?'. He was a founder member of the New English Art Club in 1886 and exhibited there under Whistler's regime but resigned in 1892. During the 1890s his style broadened under the influence of Sargent, so much so that he was even considered by some as his rival. Shannon was awarded medals for portraiture in Paris, Berlin and Vienna, and his paintings The Flower Girl and Phil May were purchased by the Chantrey Bequest for the Tate Gallery in 1901. In 1901 he became the President of the Royal Society of Portrait Painters and he became a full Academician in 1909 He was knighted in 1922.
It is likely that The Silver Ship dates from the 1890s as during that decade there were a number of small-scale fashion revivals including the leg-of-mutton sleeve which became increasingly voluminous in the mid-1890s. These 'balloon' sleeves, very much in evidence here, were often worn off-the-shoulder and terminated in deep forearm cuffs of the sort which had been popular in the reign of Louis Philippe.
Shannon painted several works of this period in which the subject was in an 'action pose'. For this he was considered 'an artist and a portrait painter afterwards' by Lewis Hind writing in the Studio (1896; vol. VII, p. 68). The lady in The Silver Ship is as yet unidentified and poses holding the object of the title. Aesthetic harmony is of paramount importance over and above likeness and it was this aesthetic interest that gave Shannon his international standing and recognition.
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hzaidan · 1 year
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15 Paintings, British Artists at the Dawn of the Twentieth Century, Edwardian period, with footnotes
The Edwardian era or Edwardian period of British history covers the brief reign of King Edward VII, 1901 to 1910, and is sometimes extended in both directions to capture long term trends from the 1890s to the First World War. The death of Queen Victoria in January 1901 marked the end of the Victorian era. The new king Edward VII was already the leader of a fashionable elite that set a style influenced by the art and fashions of Continental Europe.
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Sir James Jebusa Shannon,Edwardian period,Luke Fildes,William Orpen,Zaidan, biography, Art, Paintings, Artists, History, footnotes, fine art,
Zaidan #biography #Art #Paintings #Artists #History #footnotes #fineart
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spirit-of-art · 2 years
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Sir James Jebusa Shannon, Violet Manners, Duchess of Rutland, c.1890
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books0977 · 3 years
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Mrs George Harland-Peck, seated three-quarter length, in a white dress (late 1800s). Sir James Jebusa Shannon (Anglo/American, 1862-1923). Oil on canvas.
This expatriate artist living in Britain enjoyed a stellar reputation and was often compared to another Gilded Age artist, John Singer Sargent. Supported by the patronage of Queen Victoria, Shannon enjoyed commercial success that brought riches to his family. After a lucrative career and a fashionable existence spent gambling in Monte Carlo, motoring in his Rolls Royce, and entertaining friends, the painter was knighted in 1922, the year before his death.
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mermaidenmystic · 3 years
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Sounding the Horn ~ oil sketch on board ~ Sir James Jebusa Shannon (Anglo-American artist, 1862-1923)
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artschaser · 5 years
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~ Portrait of Violet, Duchess of Rutland ~ Sir James Jebusa Shannon James Jebusa Shannon was an Anglo-American artist. He was born in Auburn, New York, and at the age of eight was taken by his parents to Canada. When he was sixteen, he went to England, where he studied at South Kensington, and after three years won the gold medal for figure painting. https://ift.tt/32pQUkA
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diioonysus · 14 days
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“Women instinctually know how to nourish each other, and just being with each other is restorative”
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mermaidenmystic · 4 years
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"Whenever sorrow comes, be kind to it. For God hs placed a pearl in sorrow's hand." ~ Rumi, 13th century poet
The Bathers by Sir James Jebusa Shannon (Anglo-American artist, 1862-1923)
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books0977 · 4 years
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Portrait of a Lady (1894). Sir James Jebusa Shannon (American, 1862–1923). Oil on canvas.
With such artists as James Abbott McNeill Whistler and George Clausen, Shannon was a founding member in 1886 of the New English Art Club. There the exhibitions were organized that helped spread the influence of modern French painting in England. Shannon continued to paint portraits, but he also did many figure paintings, often using his wife, and daughter Kitty, as models.
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mermaidenmystic · 4 years
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study of a water nymph embracing a stork ~ oil sketch on panel squared in pencil ~ Sir James Jebusa Shannon (Anglo-American artist, 1862-1923)
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books0977 · 5 years
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Portrait of Florence Shannon, the artist’s wife (c.1915). Sir James Jebusa Shannon (Anglo-American, 1862-1923). Oil on canvas.
Here Florence Shannon appears to be in her forties, a woman whose beauty has finely mellowed with time. Far from being a mere prop, the guitar she plays was very much a part of the Shannon family life. Their daughter Kitty remembered summer nights at their Holland Park home: “. . .How lovely it was -- and my father’s friends with their enthralling conversation. After dinner they would sit and smoke and listen to my mother sing to the guitar. She had a lovely voice and she would sing little old Spanish songs . . .”
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spirit-of-art · 7 years
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Sir James Jebusa Shannon, Kitty by Firelight, c. 1897
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mermaidenmystic · 5 years
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"Whenever sorrow comes, be kind to it. For God has placed a pearl in sorrow's hand." ~ Rumi, 13th century poet
The Merman and the Maid by Sir James Jebusa Shannon (American artist, 1862-1923)
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hzaidan · 5 years
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Sir James Jebusa Shannon, The Flower Girl 01 Painting, PORTRAIT OF A LADY., with Footnotes. #44 Please follow link for full post
Flower Girl, James Jebusa Shannon, PORTRAIT OF A LADY, painting, Zaidan, Art, biography, Artists, History, FOOTNOTES, Woman, Brushstrokes, Colorful, Feminine, fine art,  
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