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#-artist is john william waterhouse
diioonysus · 2 months
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women in art: ophelia
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the-evil-clergyman · 9 months
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Circe Invidiosa by John William Waterhouse (1892)
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John William Waterhouse (1849-1917) "Jason and Medea" (1907) Oil on canvas Pre-Raphaelite Currently in a private collection
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The Crystal Ball by John William Waterhouse, 1902.
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emilylorange · 1 year
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this was an amalgamation of several people's enabling behavior ~2hrs #StudyBuddies
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stasyacheese · 5 months
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𝓕𝓸𝓻 𝓘 𝔀𝓪𝓷𝓽 𝔂𝓸𝓾 𝓽𝓸 𝓴𝓷𝓸𝔀 𝓣𝓱𝓪𝓽 𝓘'𝓶 𝓵𝓸𝓸𝓴𝓲𝓷𝓰 𝓯𝓸𝓻 𝓻𝓸𝓶𝓪𝓷𝓬𝓮
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escapismsworld · 1 year
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Boreas (1903)
by John William Waterhouse
Style: Romanticism
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marissasketch · 1 year
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Shipwreck off Koholint Island 🌊🌺
Based on “Miranda- The Tempest” (1916) by John William Waterhouse
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spirit-of-art · 25 days
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John William Waterhouse, Isabella and the Pot of Basil, 1907
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lightthereis · 3 months
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John William Waterhouse - The necklace
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pagansphinx · 4 months
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The Many Faces of Ophelia
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John Everett Millais • Ophelia • 1851–52 • Tate Britain, London
Millais's painting depicts Ophelia, a character from William Shakespeare's play Hamlet, singing before she drowns in a river.
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Pierre Auguste Cot ( French, 1837-1883) • Ophelia (Pause for Thought) • 1870 • Private collection
Another haunting version of Ophelia belongs to the French portraitist Pierre Auguste Cot, well-known for his portraits and romantic scenes. The painting is not a direct illustration of Hamlet, but rather a glimpse into the dark and terrifying mind of Ophelia after Hamlet refused to marry her and then killed her father Polonius. What might seem to be an innocent look of a young maiden, looks downright creepy and unsettling, hinting at Ophelia’s soon-to-come decision to take her own life out of grief and madness.
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Odilon Redon (French, 1840-1916) • Ophelia Among the Flowers • c. 1905-08 • National Gallery, London
Redon’s version of the story is in no way an illustration of the original text written by Shakespeare, but rather a dreamlike impression of it.
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Ophelia • Sarah Bernhardt • 1880
Sarah Bernhardt's version, perhaps too idealized to be a direct reference to Shakespeare’s text but nevertheless has one important feature. If we look at the photographs of Bernhardt, we can recognize her own facial features in her depiction of Ophelia. In fact, Bernhardt did play Ophelia on stage in 1886, only six years after making the piece. During the production, she insisted on developing her role further. Instead of the death of Ophelia being indicated by a closed coffin carried out to the stage, Bernhardt was brought to the public, playing a lifeless body herself.
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Paul Albert Steck ( 1866-1924) • Ophelia • 1895 • Musées de Paris
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John William Waterhouse (British) • Ophelia • 1910 • Private collection
"Her clothes, stretched out, carrying her like a nymph; which time she chanted snatches of songs he sang as if knew not troubles or was born in the element of water; so to last could not, and apparel, hard upivshis, unhappy from the sounds of dragged into the quagmire of death." ~William Shakespeare, Hamlet
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Paul Delaroche (French, 1797-1856) • La Jeune Martyre (The Young Martyr/Ophelia) • 1855 • Musée du Louvre, Paris
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Alexandre Cabanel (1823–1889) • Ophelia • 1883 • Private collection.
Source: Wikimedia Commons.
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Eugène Delacroix (1798–1863), The Death of Ophelia (1853) • Musée du Louvre, Paris.
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Theodor van der Beek (German, 1838-1921) • Ophelia • 1901 • Private collection
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diioonysus · 2 months
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creatures in art: mermaids & sirens
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the-evil-clergyman · 1 month
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The Danaides by John William Waterhouse (1903)
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matyas-ss · 1 year
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The Lady of Shalott, John William Waterhouse (1888). Tate Britain
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John William Waterhouse (1849-1917) "Lamia" Oil on canvas Pre-Raphaelite Located in the Auckland Art Gallery Toi o Tāmaki, Auckland, New Zealand "Lamia" was inspired by John Keats’s 1820 poem of the same name. Set in the wild hills of ancient Greece during an "evening dim at moth time," the poem speaks of a young charioteer who hearing a soft voice calling – "a maid more beautiful than [any] ever with twisted braid" – falls madly in love with her. He is unaware that in reality she is a monstrous half-serpent, who transforms into a woman’s form to prey on young men. The only visual clue to her nature captured is the molted snake-skin draped about her.
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arinewman7 · 1 month
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I am Half Sick of Shadows, said the Lady of Shalott
John William Waterhouse
1915
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