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#artist is elisabeth jerichau-baumann
diioonysus · 2 months
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creatures in art: mermaids & sirens
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the-evil-clergyman · 1 year
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Mermaid by Elisabeth Jerichau-Baumann (1873)
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beatricecenci · 8 months
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Elisabeth Jerichau-Baumann (Polish-Danish, 1819-1881)
To unge italienerinder i farvestrålende karnevalsdragter
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fordarkmornings · 2 years
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Elisabeth Jerichau-Baumann (Polish/Danish, 1818-1881)
Bathing Nymphs
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pintoras · 10 months
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Elisabeth Jerichau-Baumann (Polish/Danish, 1819-1881): A mermaid (via Bonhams)
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lesbianarthistory · 2 years
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Elisabeth Jerichau-Baumann – Bathing Nymphs (19th c.)
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i12bent · 1 year
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Elisabeth Jerichau Baumann (Nov. 27, 1819 - 1881) was a Polish-born Danish painter. She studied painting in Düsseldorf and there she met the sculptor Jens Adolf Jerichau, got married to him and moved to Denmark when he was appointed Professor at the Royal Academy in Copenhagen.
Her work was met with some suspicion in Denmark with the exception of her rather blatantly nationalist canvases of “Mother Denmark” or wounded soldiers lovingly tended to by young, blonde women.
Recently her travel sketches and paintings from the Mediterranean countries and the Middle East have garnered more attention.Here is a fine example:
En egyptisk fellahkvinde med sit barn, 1872 - oil on canvas (SMK)
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Elisabeth Jerichau-Baumann (1819 - 1881), "A Mermaid".
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silindro · 1 year
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Elisabeth Jerichau Baumann, A Roman Woman, 1840-49
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artmialma · 11 months
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Elisabeth Jerichau-Baumann (1819-81)
Jerichau Baumann was an enterprising businesswoman who had built up a strong network both in artistic circles and among the royalty, and through her contacts at the British royal house she gained access to a harem in Constantinople as one of the first female painters ever.
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hzaidan · 9 months
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Artists: Charles Edouard Boutibonne, Edward Okun, Laura JamesDoris Prouty, Harald Oskar Sohlberg, Ralph Cahoon, Elisabeth Jerichau-Baumann, Arthur Wardle, Giovanni Segantini, Isobel Lilian Gloag, Edward Poynter, Edward Matthew Hale, Edvard Munch, Akseli Gallen-Kallela, Aino, Akseli Gallen-Kallela, Anton Teofil Kwiatkowski, Carl Bertling , Robert Anning Bell, William Arthur Breakspeare, Gerard de Lairesse, Howard Pyle, Julyan Davis, Albert Hanson, Victor Mottez, Victor-Louis Mottez, Victor-Louis Mottez, Léon Auguste Adolphe Belly, Christine Wyatt, Maurice William Greiffenhagen, Lord Frederic Leighton, Frederick Appleyard, Edward Burne-Jones, Herb Ritts, Francesca Stern Woodman, David Drebin,
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Ilya Repin,Julius Hübner,Alexandra V.Bach,Knut Ekvall,Gustave Wertheimer,Konstantin Yegorovich Makovsky,H.J. Ford,Elihu Vedder,John William Whiteley,Troy Howell,Koloman Moser,Norman Prescott Davies,
68 Works and tales of Mermaids in Europe, Asia and Africa, with Footnotes #6
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kestarren · 1 year
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'An Egyptian Fellah Woman with her Baby', by Elisabeth Jerichau Baumann, 1872. From Gandalf's Gallery: "This painting of an Egyptian farm worker is among the most striking of Jerichau Baumann’s oriental scenes. The nudity beneath the sheer silk fabric, the exotic jewellery, the reddening evening sky, and the dark colours all infuse it with a sensuous quality that must have had a strong impact in the 1870s, a time when the body was still viewed with suspicion. ... The wanderlust of an artist took her to Turkey, Greece, and Egypt (1869-70 and 1874-75), furnishing her with a rich fount of oriental motifs."
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beatricecenci · 5 months
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Elisabeth Jerichau-Baumann (Polish-Danish, 1819-1881)
L’aspetta. Hun venter ham
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abwwia · 4 months
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Mary Creed is a Cataloguer in the Department of Prints and Multiples at Christie’s, New York. Prior to Christie’s, she was The Morgan Library & Museum Zukerman Departmental Assistant in the Department of Drawings & Prints in New York City and earned her master’s degree in Art History with a concentration in Museum Studies at the City College of New York. She specializes in women and LGBTQIA+ artists who have been historically under- or misrepresented, such as Marie Laurencin, Elisabeth Jerichau-Baumann, and Romaine Brooks.
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pintoras · 11 months
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Elisabeth Jerichau-Baumann (Polish/Danish, 1819-1881): A woman from the Middle East (via Bonhams)
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myartspacehaven · 8 months
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Caroline Emilie Mundt (22 August 1842, Sorø – 25 October 1922, Frederiksberg) was a Danish painter, known for her portraits of children.
Her father, Carl Emil Mundt, was a Professor of mathematics at the Sorø Academy. Her mother died when she was three and her father moved the family to Copenhagen. As a child, her home was filled with political and philosophical discussions, as her father was also a member of the Danish Constituent Assembly and her uncle, J.H. Mundt [da], was the Mayor of Copenhagen.
She and her sister, Jacobine, received their basic education at N. Zahle's School and, in 1861, she took an exam to become a private tutor. However, her drawing teacher, Frederik Helsted was impressed with her artistic talent so, after graduation, she became a drawing and writing teacher at the school.
At the age of thirty, she finally set out to become an artist and enrolled at the "Painting School for Women", operated by Vilhelm Kyhn. It was there she met her life partner, Marie Luplau.In 1875, she unsuccessfully sought to gain admission to the Royal Danish Academy of Fine Arts so, following the advice of Elisabeth Jerichau-Baumann, she and Luplau went to Munich to continue their studies with Eilif Peterssen.
During a later period of study in Paris at the Académie Colarossi (1882-1884), she was influenced by the works of Jules Breton and Jules Bastien-Lepage. Their depictions of the lives of poor people inspired her to create a series of paintings on the lives of poor children, many of which were done at a local orphanage.
In 1886, she and Luplau set up their own painting school for women in Frederiksberg, which was in operation until 1913. They were also diligent campaigners for women's suffrage and, in 1890, adopted a young girl named Carla. In 1916, she became one of the first members of the Kvindelige Kunstneres Samfund (Women's Art Society).
In addition to paintings of children, she is known for scenes of peasant life; many created during a stay at the art colony in Pont-Aven, Brittany.
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