#as long as I have a sketch. boy oh boy is freehanding with these hard | Explore Tumblr Posts and Blogs

sevlgi · 4 years

Text

patient

requested: yes

group: mamamoo

pairing: hwasa x fem!reader

genre: fluff

contents: tattoo artist!hwasa, flustered!reader [15/33]

warnings: none

synopsis: It’s hard for you to be patient about your next tattoo session when your artist is so damn gorgeous.

a/n: um??? I love tattoo aus???? also don’t come at me for the name, I’m not creative

word count: 1.9k

“Elegant Chaos.”

You test the name out on your tongue, staring up at the slightly grimy neon sign of the shop. The entire front is one-way glass, so all you can see is your own reflection and the ones of the people bustling around you.

Before you can make up a decision to open the door to the store or not, someone else does; a pretty brunette woman steps out and smiles at you, crazy beautiful with full lips and crescent-eyes. “Hi. Can I help you?”

“Uh, yeah.” You show her the printed-out address your friend sent you and step a bit closer. “Is this a tattoo shop? I searched the address up but nothing resulted, I was referred by a friend.”

She barely takes a glance at the address before flashing another bright grin. “Oh, yep! This is our tattoo shop, we opened a couple months ago. It’s weird that we’re still not showing up, but oh, well. Want to come in?”

You barely register her quick words but step into the shop after her, the smell of rubbing alcohol, paper, and perfume vaguely stinging your nose. “I’m Solar, the receptionist,” she introduces, walking behind what you presume to be her desk. Out front, some teenagers talk quietly, a tall, dark-haired boy with a sleeve sipping at a banana milk.

“Cool. Uh, I’m Y/N. I don’t have an appointment, is that okay?”

Solar nods, tapping at her phone. “Sure. Jungkook over there is just waiting for Byul to finish her other client, and Wheein is prepping to pierce the kids. Hwasa’s our best artist, anyway, does that sound good?”

Her question startles you from staring at the intricate sketches taped all over the walls, the same 3 signatures stamped everywhere. “What?”

She laughs, though it’s not rude. “We have one artist left, Hwasa, but since you’re referred, you probably don’t have someone in mind, right? You can go to see her now, she’s free.”

“Great. Do I just...?” At Solar’s nod, you walk past her and into the back. The studio’s quite small, to be honest; there are 4 stations, two of them occupied. One of them, who you guess is Byul, is tattooing an elderly man, her sleeves rolled up to reveal the art on her bicep.

The second, probably Wheein, is wiping down her tools, and she’s the first to notice you. “Hi!” she grins, turning the music blasting from the radio down with her ungloved hand. “Can I help you?”

“Yeah. Solar mentioned that I should come find Hwasa,” you explain, eyes widening at the complicated art being tattooed on the elderly man. “Are you...?”

“No, I’m Wheein.” Ah, so you were right. “This is Byul, she’s a bit preoccupied,” Wheein smiles, dimples poking into her cheeks. “I’ll get Hye- sorry, Hwasa for you.”

She hurries out to the back, and you can hear talking through the open door, before she comes back, the woman you presume to be Hwasa behind her.

Instantly, you’re starstruck; she’s stunning in a way that’s completely unique, long dark hair and tanned skin contrasting beautifully. The only makeup she wears is a bold red lipstick, her tank top showing the delicate tattoos she has. “Hey, I’m Hwasa,” she greets, sticking her hand out. Her nails are long, too.

“Y/N.” You accept the handshake, trying not to stare. “Uh, Solar said you were free for a consultation?”

“Yeah.” She sits at one of the free stations, clearing the things scattered on the table. “So, what’re you looking for? Do you already have a design chosen or am I freehanding?”

You fumble in your bag for a piece of paper, sliding it over to Hwasa. “Um, this is just something my friend drew up for me. I want it pretty small, on my forearm.”

The dark-haired woman shrugs, unfolding the paper. “I could do that. Is this your first tattoo?”

Nodding, you watch as Hwasa taps her long, red-painted nails on the desk. “Okay. Is this part of a sleeve or by itself?”

“Uh, how long would each one take?” To be honest, you have no idea why you said that; you didn’t consider a sleeve at all, though you considered multiple tattoos or a large one. There’s just something about the other woman that makes it impossible for you to think.

She considers the question before answering, “Depends on the size and how many small ones you want to work in for the sleeve, but I’d recommend a separate session for each small square, so maybe 8 or 10. I’ll be done with this in less than 30 minutes, though, if it’s just the one.”

To be honest, the only thing causing you to consider a sleeve is getting to see Hwasa again, and you curse your own attraction to her when you blurt, “Maybe a sleeve? I have to think about the other ones I want to work in, though.”

“Okay. I can just do the one today, and we can schedule another day for you to come in and design the whole thing,” she offers, picking the sketch up. “I’ll go make this into a stencil, then.”

“Sure.”

When she takes the sketch and walks to the back room, you slump down in the chair and pivot to look at the others. You quickly realize how long you were talking with Hwasa; Byul is already working on the coconut-haired boy, and Wheein is already done with the teenagers.

She seems to be the outgoing type, and waves at you while sanitizing her needles and packing her kit up again. “So, how did it go? Are you going to start today?”

“I am, yep. You’re already done with the kids?”

Wheein nods, placing the studs back into their cases. “Yep. They just wanted more lobe piercings, it’s really easy. I’m a tattoo artist, too, but I think the kids like me more. Except for Jungkook over here, they think Byul’s intimidating.”

“I’m not!” the other woman protests, hands still steady as she works on the boy. Her voice is deeper than you’d expect. “You literally call me a hamster.”

Flapping a hand, Wheein flashes you her dimples again. “So, what do you think of Hwasa?”

“Huh?” you blink, brain basically short-circuiting. “Uh, she’s a good artist? I saw some of her sketches, yours too; you’re all really talented.”

“No, no, that’s not what I mean. Wait, you’re not straight, are you?” she narrows her eyes at you, scanning you from head to toe. “Maybe my sense is broken, I didn’t peg you for a...”

“I’m not. Straight. I’m a lesbian.” Your cheeks burn to say it aloud, though nobody really reacts, not even Jungkook. “Are you?”

Wheein shrugs, “I mean, I’m attracted to women. All 4 of us are- Hyejin, Byul, Yongsun. Solar, to you. And we make sure everyone who comes in is accepting, we won’t serve bigots.”

For whatever reason, you’re almost relieved to hear that Hwasa’s also attracted to women in some sense, even though it doesn’t necessarily mean that she’s attracted to you. “Oh. That’s cool.”

“Yeah. So, is it just one tattoo or a sleeve?” Her knowing smile puts you off a bit; how did she figure it out? “A lot of girls who come in here change their original idea because of Hyejin-ah. You’re obviously attracted to her, to, so it’s no surprise.”

“Is it really that obvious?” you groan, surprising yourself with how open you’re being about it. “Do you think she knows?”

“Probably,” Wheein giggles, nodding when Solar pokes her head in the studio to tell her something. “Anyway. I’ve got to go, good luck!”

She waves as she leaves, the only noise left in the studio being the quiet music and Jungkook’s quiet talking. He seems just as awkward as you are, lifting his free hand in a half wave.

You’re saved by Hwasa returning with a stencil. “Here. Does that look good?”

She’s modified the original design just the tiniest bit, making the lines a little bit darker and the shading simpler, and it looks... “Perfect.” You grin, a weight on your chest lifted by your conversation with Wheein. “Should we start?”

“Sure.” She brings you over to one of the actual tattoo stations, the seat already smelling sanitized. You can barely listen as she explains what the process will be like- cleaning, the actual tattooing, pain; you finally come to when she asks, “Are you ready?”

“I... yeah. I am.”

It’s quiet until the buzzing of the tattoo gun brings you to life, the tiniest bit of fear sour on your tongue. Hwasa looks concentrated as she peels the stencil off, not exactly reassuring, either. “So. Is there a meaning behind this?”

“Uh, not really. Are there meanings behind yours?” You gasp when the needle first touches your skin, the cold wipe taking off excess ink.

“I have some matching tattoos with Wheein,” Hwasa explains, smiling at the mention of the other girl. “Uh, one is Maria, my Christian name. Wheein has more, but all of us have some kind of meaning behind ours. It’s not bad to have no meaning, though.”

You wince as she continues with the linework, slowly getting used to the pain. “Are you and Wheein...”

She looks up, raising an eyebrow. “Together? No, we’re best friends. I haven’t been with someone in a few years.”

“What’s stopping you?”

Hwasa laughs, wiping your arm once again. “Nothing, I guess. I’m just patient enough to wait for the right person.”

“Patient. Right.”

Conversation flows smoothly, mostly light topics. You learn each other’s ages, and you’re told to call Hwasa ‘Hyejin’ instead. You learn when she got her first tattoo, and when she learned to tattoo others. The more you talk, the more drawn in you are, fascinated by her every word.

The half an hour is over far too fast. “Done,” she announces, smiling as she turns off her gun. “Take a look.”

It looks gorgeous, as expected, though Hwasa plays off your barrage of compliments. “Uh, should I pay now?”

She shrugs, placing saran wrap over your arm. “We’ll go talk with Solar about that, she’s better with pricing than I am. But it probably won’t be much.”

“What? Why?” you frown, examining the tattoo. Usually, discounts only happen when something goes wrong, or you have a coupon. You’re pretty sure neither of those things apply.

Hwasa pauses, turning to send you a small smirk. “Well, the cute ones usually pay less.”

Your heart practically stops, though you force yourself to walk to the front with her. “Besides, you’re probably coming back again soon, right?”

“Oh! Uh, yeah. I think so. When will that be? The next session, I mean.”

She frowns, tapping at the tablet Solar hands her. “You can come in as soon as you’re free to design it, if you want, but you have to wait a bit for the next session, especially if you’re doing the things close together. If you want, I can give you my number.”

At your stricken expression, Hwasa’s lips curve into a knowing smile. “So you can send me ideas, for the sleeve.”

“Ah, of course.” Your cheeks burn as you take out your cash, counting out a surprisingly small amount. “That sounds good. I guess I’ll just have to be patient, then.”

“I guess so. Call me, Y/N,” she smiles, handing your phone back with a new contact in.

Being patient is going to be so damn hard.

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plasticbattleaxe · 6 years

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A BASIC GUIDE TO DIGITAL ART ON PROCREATE

okay so i joined the digital art scene about a year or so ago and it has been a total whirl! there’s so much stuff that’s so confusing and hard to understand at first. And that’s okay! A stupid amount of what constitutes as “good” or “complex” art is to do with layers, patience and experience.

and because literally every tutorial on here is for Paint Tool Sai i thought it might be useful for those of us using Procreate! because i don’t have sai and i have a relatively shit laptop by comparison to my Ipad.

so without further ado - here is how to make a KICKASS piece of art on procreate

1. REFERENCE + SKETCH

the first thing you're gonna wanna do is collect any references you need for thing youre tryna make. you can collect references by finding stock images, using other artists work (i use these mostly for colour refs cause i SUCK at finding good colours). however when i make art nowdays i usually just snap a selfie and use that. for this work i did the last option (see below)

after grabbing my reference i decide on the style i wanna use. for beginer artists what i suggest doing is just pasting the image onto your canvas, opening layers and adjust the opacity to around 20% by clicking on the little N on your layer with the photo. then once thats done add a new layer by clicking the + and work over that

for more experienced artists experimenting with style just stick that bad bitch reference in the corner, then open a new layer and sketch in your own style.

when it comes to sketching i usually do little flicky lines. i do this with a mid grey (like 50% white 50% black) i recommend the “Narinder pencil” which you can find by clicking the little brush at the top, selecting sketching and then selecting that bad boy. you can adjust size and opacity using the sliders to the side of the screen.

when sketching you just wanna get a rough idea of where you’re gonna do your eventual lines - don’t worry about it being smooth or anything just get down where everything goes

once you’re done you might have something like this:

this brings us too...

2. LINE ART

for beginners - lineart is just a sexy word that means a clean drawing with hard lines so you can colour it easier and it looks prettier. you want to do this on a new layer so you can delete the sketch one later.

your goal with lineart is to make it three things: 1) its gotta be seamless so you can select the insides, don’t leave little gaps between lines 2) its gotta be smooth! jagged lineart isn’t NEARLY as sexy as smooth curvy lines 3) this one is more of a tip - but lineart generally looks better if you do thinner lines inside your shape with a slightly thicker border line. again this isn’t essential but i find it looks cuter

the way i get my lineart all cute is by using the monoline brush (found in calligraphy). sometimes i use my own modified version of the Technical Pen (found in Inking) but mostly monoline is pretty neat. You can use whatever brush you want but mostly you just wanna ensure that its nice and smoooooth. you can do this by selecting the brush and then clicking it again. this will bring up a popup menu like this:

most of these brush settings are complicated and stupid and i’ll do a big post about it later. the only one that really matters here is streamline. if you wanna use a different brush for lineart just wack that slider up between 80-100% and you’re set.

once your lineart is finished on a seperate layer go to your layer menu and unselect the little tick on your sketch layer. you should be left with something like this.

3. ADDITIONAL DETAIL LINEART + MONOCHROME BASES.

once your focus lineart is done you can add detailed lineart by repeating the same process with sketching and lineart i described above. i like to do details separate because if i dont like it i can just delete the whole layer without destroying my focus.

what i find important in these now is using my favourite fuckin tool in this whole program. you can find it here:

Only start using this once youre 100% done with your lineart. once thats done - make sure youre on the lineart layer and click that weird little s at the top of the screen. go to the bottom and click automatic. then select somewhere INSIDE your lineart. it should do something like this:

don’t freak out! what that blue stuff means is that you've just selected the inside bit of your lineart. continue selecting until your subject is 100% coloured in.

MAKE SURE THE BACKGROUND/STUFF OUTSIDE YOUR LINEART ISN’T SELECTED. ALSO MAKE SURE YOU’VE SELECTED THE LINES THEMSELVES. THEY WILL TURN WHITE ONCE THEYRE SELECTED. if u fuck up and select something by accident that’s all g, theres a little undo button on the bottom. if you click on the paint brush or another tool and you cant add stuff to your selection you can reload the mask by holding down on the weird s and the selection will reload. If there are certain bits of your work that you’re struggling to select with automatic selection that’s also not an issue. just click the “freehand” setting next to the automatic setting on the bottom and you can now use your stylus to draw around what you want to select.

once you’ve selected your foreground in its entirety - THEN click the layer button. insert a new layer underneath your lineart layer. Using literally any brush (works best if you get one from the painting section) colour EVERYTHING white. just get round brush and colour all of it. you wanna keep your line art layer separate over the top.

once all of it is coloured hold down on the weird s tool until it reloads the selection. then look along the bottom of the screen and click the little button that looks like 2 arrows pointing at each other. THIS INVERTS YOUR SELECTION. Open a new layer and make this entire thing a grey. THIS IS WHOLE STEP IS OPTIONAL BUT ITS SUPER USEFUL AND THE SELECTION TOOL IS SUPER HELPFUL FOR GOOD ART. DOING THIS WILL BE SUPER USEFUL WHEN YOU COLOUR STUFF LATER.

once you’re done it should look something like this:

4. BASE COLOURS

okay so this is where shit starts to get real. The goal of putting down base colours is to make is easier to add eventual shading to your piece and decide your colour scheme. This is where the white layer you just used is gonna become your BITCH.

you wanna start by duplicating your white layer you just made. You do that by opening your layer menu and swiping that thot to the left. this is what should happen:

click duplicate. Select the top duplicate you just made and select our favourite weird s tool. click inside your shape and the whole white shape should go blue (become selected). next, open a new layer on top of the white layer. colour in your base colours and now none of it can go outside the lines. you didn’t even have to do a billion selections. you just select inside the white blob on the layer we made the step before, opened a new layer and started colouring. fucking superb. so much time saved. DO YOU KNOW HOW MUCH I USED TO SUFFER BEFORE I THOUGHT OF THIS. HOW LONG I SPENT SELECTING AND RESELECTING I CANNOT

A TIP FOR PEEPS NEW TO THIS PROGRAM - if you use your finger and hold down on a colour you’ve just used it acts like an eyedropper tool so you can pick up any colour you want. like this:

once you got your base colours done you can either: 1) go to your grey layer you made in the last step and select the tick next to it. once you’ve done that scroll to the bottom of your layers and select background. it will open a colour wheel. pick your background colour. 2) you can use my second favourite tool from this program! go to your grey layer you made in the previous step. click on it, then click on it again. (not the little n just click the whole layer) this menu should pop up:

oh MAN okay so. “alpha lock” pretty much means that it locks whatever is on the layer. when you get another brush and go over a layer with alpha lock turned on you can only paint over what you have previously put on the layer before turning on alpha lock. Its like automatically selecting everything on the layer. its fucking brilliant. anyway. scribble over your grey layer (once alpha lock is on) and boom you have a base for your background.

NOW YOU KNOW ABOUT ALPHA LOCK YOU GO BACK TO YOUR LINEART LAYER. SELECT ALPHA LOCK. COLOUR IN YOUR LINES ROUGHLY 2 OR SO ISH SHADES DEEPER THEN YOUR BASE COLOURS

(minus eyes i like to keep the lines around them black.) this will make your art like 100000000 times nicer (majority of the time)

once you’re done you should get something like this:

this brings up to...

5. SHADING!!!!!!! this is my favourite step tbh.

what you wanna do is chuck on a new layer over the top of your base colours. and go into your brushes. pick up your basic bitch “round brush.” this is (in my opinion) the best painting brush in the program. Its the thing you can do the most with. so what you wanna do it get a slightly deeper colour from your colour wheel by yeeting your colour selection slightly more saturated and slightly more dark. dont just make it blacker move your colour selector on a diagonal to get a nicer colour. (i’ll eventually do a colour theory ref but today is NOT that day.)

i like to do colouring in short, light strokes. DON’T PRESS TOO HARD. you wanna get that cute little gradient.

A THING FOR BABY ARTISTS: on every art program i have ever used, the blending tool SUCKS. it makes paintings UGLY AF. (wow another tutorial i have to do at some point. i HATE the blending tool. SO HERE IS HOW I COLOUR MY ART TO MAKE IT LOOK, YKNOW, GOOD:

Unless you’re drawing something SUPER freaking smooth like a bubble or some shit. when you wanna blend colours what you gotta do is: 1) put in your darker colour. 2) use your finger to bring up the eyedropper tool to select a mid colour of the colours your blending together - a mix between your lighter and darker colour. (remember that tool? it looks like this)

3) Paint the colour you just made in the middle of your lighter and darker shades. REPEAT THIS PROCESS ON EITHER SIDE OF THE COLOUR YOU JUST PUT DOWN TILL IT LOOKS GOOD. The result is an WAY sexier piece of art.

once you’ve put in all your shadows repeat the same process with highlights.

FUN TIP: if you decide you dislike a colour or want to change the colour you already did all the shading for you can change the colour without any major drama. You can do this by select ing the colour on your colour wheel you would like to change your already shaded work too. (make sure you’re on the right layer.) then hold down on the colour dot on the top bar (next to your layer settings) and drag it to whatever you want recoloured. let go of the dot and it should recolour your work (including all the shading you’ve done granted that its on the same layer) like this:

once you’ve got all your shading done it should look something like this:

6. background and pretty bits

so! youve got this kickass work but nothing surrounding it. lets fix that.

In procreate there is SO MUCH you can use to spice up a work. a SCARY amount even. this is when layer settings are gonna start to come in handy.

ill do a masterpost on procreate brushes for backgrounds later, but for this piece what im gonna do it head over to the Luminescence section and pick up a “nebula brush”. this makes a complex galaxy kinda design in a randomised stamping pattern that is frankly SEXY AS ALL HELL. Select a layer below your base colours but above your background colour. IMPORTANT NOTE: this brush’s blend mode is autimatically set to “add” (ILL DO ANOTHER POST ON THAT LATER)which means if you go over the same spot heaps of times it will eventually go a bright white. This can be nice, but its not really what i want cause its kinda intense. to make this thing go glowy but not ~too~ glowy im gonna lower the brush opacity (the bottom slider) to around half way. i set my colour to a light yellow and a darkish pink and put in some nebulas!!!! once that was done I wantd to add some more colour variation so i popped open a new layer - selected the lightleak tool and lowered the brush opacity using the slider to around 20% just to spice some shit up

you can kinda do whatever you want for your background. sometimes its nicer just to go into artistic, select a random brush and draw a square underneath what you were doing. backgrounds can be super detailed or super easy it doesn’t really matter to be 100% honest.

THE PART 2 OF THIS STEP WILL ADD HEAPS OF DIMENSION TO YOUR WORK AND MAKE IT SUPER PRETTY: adding light effects over the TOP of your main subject often creates a more realistic sense of depth. In simple terms it just makes the thing look more 3D and nice. to do this, get a random brush with a nice (preferably light) colour. i picked up a “bokeh brush” from the Luminescence section. make this pretty big. sprinkle your brush across the page on a NEW LAYER above all of your work so far, including line art! Then open your layer menu and click that little n in the corner again. Remember this one:

click the little n. then go down to the bottom and select a layer setting from either of the 2 groups circled (i normally like overlay for this type of thing) you can mess around with layer settings and opacity till you find something that looks super nice. My piece now looks like this:

pretty cool right. now we’re gonna make it EVEN COOLER.

7. LIGHT FILTERS

this is something i picked up from artists like softmushie and cryptidw00rm. (not gonna @ them here cause they probs dont wanna get tagged in my shitty tutorial thing but yeah i owe so much to those two especially)

for those unsure of what im talking about: light filters are layers you add over work to make the lighting on it seem more natural and pretty. you do this by colouring over your natural highlights and shadows with different colours and then messing with the layer settings to make it seem like its being hit by sunlight. these layers go BELOW your foreground stuff (the bokeh lights from step 6) but ABOVE your lineart.

start by opening a new layer. select a colour similar to where the green outlines are here:

now on this layer paint over anywhere where the sun or other light source would be normally hitting (like cheekbones hair etc.) this can be kind of like shading. dont worry if it looks shit at first we’re gonna change it.

open a new layer beneath the one you just made. Using a colour similar to one circled in purple above colour over all the shadows in a piece. it should now look like this:

now open your layer settings on the purple/darker layer by selecting the N like we did with the foreground layer before. you can play around from here by setting the layer mode to anything from the “darken” or “contrast” menu. For this work i chose overlay. I then lowered the opacity until it looked nice.

Repeat the step above with the lighter highlight layer. when adjusting this one make sure you set the layer mode to anything from the “lighten” or “contrast” menu. For this work i did hard light.

your peice should now look kind of like this:

AND YOU’RE DONE!!!!!!!!

look at that sexy thing you just did. Congrats on creating an awesome peice of art!!!!!!

if you guys are interested in more tutorials like these or have any reqs for similar stuff send me a question or a dm to my blog @plasticbattleaxe

if you create anything by following tutorial that you want me to see don’t hesitate to tag me or submit it to my blog!!! i love seeing y’all make art

also - i know it’s annoying - but reblogs > likes. thanks for your support

i hope someone finds this useful!!!!!

#reference sheet #art reference #reference #art ref #procreate #procreate ref #zoeyeets #plasticbattleaxe #plasticbattleart #layer ref #art tutorial #art studyblr #art tips #ref artist #tutorial

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lasersheith · 6 years

Note

for prompts: mutually pining Keith and Shiro with matching tattoos (something that’s meaningful to them specifically)... that they got separately, without realizing they were getting matching tattoos 🙌🏼

I love this prompt SO much! Thank you for sending it! It got pretty long, so I’m gonna make a part two later. It’ll probably eventually end up on AO3 at some point.

A lot of people asked Allura why she became a tattoo artist of all things. Her mother and father, with their high ranking offices and political connections had always expected her to follow in their footsteps, but loved her and supported her decision even if they didn’t understand it. When she first became interested in art and design, her uncle, with his veritable fashion empire had been especially keen to take her under his wing, but still offered her his critiques and praises for her beautiful work. Her friends from the ivy league school at which she’d gotten a full ride for a business degree pretended they didn’t turn up their noses at her chosen career, but it didn’t bother her in the slightest. Especially not when a familiar handsome face walked into her quiet little shop.

“Keith! Back again, are we?” She greeted him with a smile. “You’ve turned me into an addict, Ally. Can’t stay away long.” He replied, returning her smile and dropping a sheet of notebook paper in front of her on the desk. The page was filled with pencil sketches. There was a large, black panther in the middle with an inscrutable expression, poised to pounce. Along the edges there were more sketches of large cats; a few leopards, a cheetah, another panther. The one that caught her eye the most, however, was the lion. It stood serenely, facing just slightly left of center, windswept mane appearing to billow in an unseen breeze. It exuded a certain dangerous quality that Allura couldn’t quite name. As though it were standing there just to observe, but it absolutely wasn’t to be trifled with.

It was perfect for Keith.

“I think this one.” She said, pointing at it. Keith hummed in approval. “Not the panther?” He asked tentatively. “Well it’s your body, so we can do the panther if that’s what you’d like.” She started tactfully. “But I think the lion suits you better.” He nodded, deep in thought. “I do think you’ve just about run out of room on your arms and chest, though.” She added with a teasing smile. “Where is this one going?” He turned around and hooked a thumb over his shoulder. “I was thinking in between my shoulder blades, pretty big. Dinner plate sized, maybe?” Allura narrowed her eyes and looked between the spot where he was pointing and the paper. She held the drawing up, first looking at the panther and then the lion. “That should work.” She finally said after a brief pause, twisting the paper a few ways to gauge where each drawing would look best.

“Let’s do it then,” He said decisively, “The lion.” Allura nodded with a smile. “Alright then, let’s get started.”

2 hours later, all of the outlining was finished and looked absolutely perfect to Allura’s eyes. She held up a mirror in front of Keith as he studied the fresh tattoo from the larger wall mirror’s reflection with a wide smile. “I think this is my favorite one yet.” He said, looking up at her. She grinned back. “Excellent!” She replied triumphantly. “I think we should wait 10 days, maybe 2 weeks for the rest. Let you heal up and rest, this piece is pretty big.” He nodded. “Same time, Saturday after next?” She pulled out her phone and put his next appointment in her calendar. “You’re booked. Let’s get you covered up and checked out, then.”

Some days Allura regretted her walk-in policy; there was always the danger of people coming in to get something on the spur of the moment and being angry when they regret it, inebriated college boys who don’t understand how bleeding works and why she won’t tattoo them when they’re nearly black out drunk, and kids who come in pretending they “forgot” their ID at home. Other days, ridiculously tall and muscular, handsome, one-armed strangers waltz in wearing leather jackets, tight jeans, and boots that make her mouth drop open and she didn’t regret it at all. He smiled shyly at her as he approached the counter. “Hi there, how can I help you?” She asked with her best charming smile. The man returned it politely and pulled an unevenly folded sheet of notebook paper from his pocket, slightly poking his tongue out between his pursed lips as he struggled to unfold it with one hand. Allura waited patiently, sensing that he would be put off by an offer of assistance. “I was hoping to do a consultation to maybe get one of these done on my chest.” He said, having finally opened the page flat on the counter.

The lions littering the page were Keith’s work. There was no doubt in her mind. Allura had tattooed enough of his drawings on his own skin that she’d be able to pick them out in the dark if the lines were drawn hard enough. “Where did you get this?” She asked, trying not to sound hostile. Art theft was rampant in the tattooing community and she wouldn’t let it happen to one of her best customers, especially since she also considered him a close friend. The man’s cheeks went pink and he stuttered a bit. “My friend is an artist.” He started, clearing his throat before continuing. “We went to the zoo and he was sketching, so I asked him to draw some of the lions for me.” Allura eyed him suspiciously for a moment. “Does this friend have a name?” She asked. The man looked immediately affronted. “Keith.” He said plainly. “Look, I can go somewhere else if you want.” His voice took on a hardened edge.

Everything clicked into place for her with that. The leather jacket and jawline that could cut glass should have clenched it immediately, but she was an artist not a detective. The new “friend” Keith had mentioned spending time with, the one he’d been going on and on about how sweet and kind and strong he was. He’d mentioned their date to the zoo to Allura during his last tattooing session, having absolutely denied it was a date, because “there’s no way someone like him is into someone like me, Allura, come on.” She held up her hands, “No, no, I’m sorry. Keith comes here a lot is all, I recognized his work and wanted to make sure you hadn’t stolen it.” His eyes and his posture softened at her words. “Oh, ok. Well that’s really cool of you, actually.” He said with a faraway smile. “His work is pretty one of a kind, isn’t it?” Allura tried hard not to giggle. He was absolutely done for and it was painfully obviously written clear across his face.

“It is absolutely unique and gorgeous.” She agreed. “And I think any of these would look great on you, which one’s your favorite?” She asked, the vibe of the conversation having eased back into a much more friendly one. “I was thinking this one.” She smiled as he pointed at a drawing that was very reminiscent of the one she’d just done on Keith. The lion was sitting in this one, not standing, facing slightly to the right this time. His mane was fluffed and blowing in the breeze, and he had that same hint of dangerous, predatory energy while still appearing aloof and regal.

“Great choice.” She replied sincerely. “I’ve done a lot of Keith’s work, I’m more than comfortable freehanding it, but I’m happy to use a stencil if that’s what you’d prefer.” She pulled a binder out of the desk drawer and laid it on the table, hundreds of small photos of her previous work was lovingly arranged in the plastic sleeves. The middle had a divider. “Up here is stenciled work, and the back is freehand. Feel free to take your time looking.”

She observed him as he poured through the book, comparing several pictures from the front and back in turns. Keith had described him as breathtaking, and he certainly wasn’t wrong. The scar across the bridge of his nose only made him more handsome, somehow sharpening his features even further than nature already had. She had to stifle a laugh as she noticed him clack the barbell in his tongue against the roof of his mouth while deep in thought. Keith had never stood a chance. He looked up at her with another polite smile. “I think freehand is fine. Your work is really incredible.” Praises for her art were the quickest path to excellent service. She’d gladly bend over backwards for a polite customer who claimed to be a fan.

“I’m so glad you think so.” She answered with a bright smile. “When were you thinking?” He pulled out his phone and opened his calendar. “When’s your next available appointment?” She pulled open her own shop calendar and hummed in thought. “Well, I have a Tuesday at 4:30. Or if you’ve not had any aspirin or alcohol in about 12 hours, we could do it now. I don’t have anyone else scheduled for 3 hours. That should be plenty of time provided it’s going in this area.” She made a circle with her hands in the air around one of his pecs. His eyes widened a little. “Or if you need more time to think about it. No rush.” He smiled wide.

“No, now is perfect. Keith’s away for work, so I’ll be able to show it off all healed up by the time he gets back.” Allura returned his grin and had him sign all the usual paperwork. He finally introduced himself as Shiro. She couldn’t wait for the frantic messages from Keith when he finally saw Shiro’s tattoo of his drawing. Allura led him back to the sterile tattooing room trying not to snicker about Keith’s reaction, it was sure to be priceless.

“Oh uh…” Shiro started, clearly nervous. He shrugged off his jacket and hung it on the hook next to the door. “Before we get started. There’s um. There’s kind of a lot…” Allura waited patiently again as he tried to find the right words. “There’s a lot of scarring. The spot I want the ink doesn’t have much, but it might be hard to look at.” He wouldn’t meet her eyes as he spoke. “Don’t worry about that at all. I promise there’s nothing you can show me that I would run from.” She meant it sincerely, and he appeared to not mistake it for a platitude, offering her a kind smile in return. “And, if I may be so bold.” She added quietly. “I’m sure I’m not the only one who feels that way.” Shiro knew, of course, who she meant. A dark blush spread its way across his cheeks. “Here’s to hoping.” He replied with a slight chuckle.

He pulled the white shirt up over his head and with a practiced motion. She took in the scars around his missing arm first, they looked faded and pink- clearly an old injury. There were several other scars across his chest and stomach, some deep and still an angry purplish color, others not as severe and closer to the tone of his skin. “Not even close to the worst thing I’ve seen.” She said as she pulled on her gloves and set about opening all of the fresh packages. “Let me tell you about the ridiculous frat boy that came in a few years back.” She started her story as she set about preparing his skin for the ink. “You’ll NEVER believe what he wanted.” She pulled back and made a disgusted face. “Or where.” Shiro visibly relaxed and laughed a bit, coaxing her for the rest of the story as she started.

TO BE CONTINUED

#samwrites #sheith #tattoo AU

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