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#based on play by eden phillpotts
byneddiedingo · 1 year
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Early Hitchcock
Ian Hunter, Carl Brisson, and Eugene Corri in The Ring
Lillian Hall-Davis and Jameson Thomas in The Farmer's Wife
Anny Ondra, Carl Brisson, and Malcolm Keen in The Manxman
The Ring (Alfred Hitchcock, 1927)
Cast: Carl Brisson, Ian Hunter, Lillian Hall-Davis, Forrester Harvey, Harry Terry, Gordon Harker. Screenplay: Alfred Hitchcock. Cinematography: Jack E. Cox.
The Farmer's Wife (Alfred Hitchcock, 1928)
Cast: Jameson Thomas, Lillian Hall-Davis, Gordon Harker, Louie Pounds, Maud Gill, Olga Slade, Ruth Maitland. Screenplay: Eliot Stannard, based on a play by Eden Phillpotts. Cinematography: Jack E. Cox.
The Manxman (Alfred Hitchcock, 1929)
Cast: Carl Brisson, Malcolm Keen, Anny Ondra, Randle Ayrton, Clare Greet. Screenplay: Eliot Stannard, based on a novel by Hall Caine. Cinematography: Jack E. Cox.
These nicely restored silent Hitchcock films don't have a lot that's "Hitchcockian" about them except his ability to tell a story visually. Even compared to his other silents like Downhill (1927) and especially The Lodger (1927), they feel a little routine. What sets them apart from his later work is the focus on working-class people: carnival workers, farmers, and fishermen. Two of them are romantic melodramas involving a love triangle, the other a comedy about a widower in search of a wife. The Ring is the liveliest, with an impressive opening sequence that establishes the carnival setting with some kinetic camerawork and introduces the hero, "One-Round" Jack Sander (Carl Brisson), a carny boxer who takes on all comers, with the promise that anyone who lasts more than one round with him wins a pound. His girlfriend, Mabel (Lillian Hall-Davis), is the ticket-taker, and our first sight of Jack in the ring comes as she pulls up a flap between her booth and the interior -- a characteristic Hitchcock point-of-view take. Hitchcock also doesn't show the fights at first, only the boastful contenders being knocked back by Jack's punches, until his real antagonist, the professional fighter Bob Corby (Ian Hunter), puts up a real fight. From there, it's a story of Jack's rise as a pro and Mabel's increasing infatuation with Corby, even after she marries Jack. This is the only film on which Hitchcock took a solo credit as screenwriter, and though it's an entirely predictable plot, it's a workable one. Brisson, the handsome Danish actor who plays Jack, returns in The Manxman, which is somewhat overplotted -- it's based on a popular novel. Once again, he's on the outs in a marriage. Pete (Brisson), a fisherman, loves Kate (Anny Ondra), a publican's daughter, who agrees to wait for him while he earns his fortune on an overseas voyage, but she also loves Philip (Malcolm Keen), Pete's best friend, a lawyer with ambitions to become a "deemster," the name for a judge on the Isle of Man. And when a report comes that Pete has been killed, she and Philip feel free to indulge their love, though his family opposes their marriage as destructive to his ambitions -- apparently Philip's father damaged his career by marrying beneath him. When Pete turns up very much alive, he marries Kate, who is pregnant with Philip's child, whereupon much anguish ensues. Eliot Stannard wrangles the material from the Hall Caine novel into something coherent, but Hitchcock rarely seems terribly interested in it. The Farmer's Wife gives Hitchcock a chance to show off a talent for comic pacing that he rarely exhibited in his later career except in the "lighter side" moments of his thrillers and in such marginally successful comedies as Mr. & Mrs. Smith (1941) and The Trouble With Harry (1955). The film opens with Farmer Sweetland's (Jameson Thomas) wife on her deathbed, followed shortly by the marriage of their daughter, leaving the farmer open to suggestions that he needs to take a new wife. Completely, and somewhat illogically, ignoring the pretty housekeeper, Araminta (Lillian Hall-Davis), he courts -- disastrously -- some obviously unsuitable local women before realizing that Araminta is the one for him. A hint of misogyny pervades The Farmer's Wife in the comic portrayals of the mannish Widow Windeatt (Louie Pounds), the prudish Thirza Tapper (Maud Gill), and the hysterics-prone Mary Hearn (Olga Slade). It could be said that a similar misogyny colors the portrayals of Mabel in The Ring and Kate in The Manxman, women who seem to have no fixity in their affections. But Hitchcock was never the most "woke" director when it came to the treatment of women in his films.
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lostgoonie1980 · 3 years
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16. A Mulher do Fazendeiro (The Farmer’s Wife, 1928), dir. Alfred Hitchcock
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elmidol · 4 years
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Error: Program Not Found - Eleven (NSFW)
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Summary:  You are in charge of programming the droids that work most closely with both General Hux and Kylo Ren. Unbeknownst to you, each of these two men have it in their heads that your relationship extends beyond the workplace. This causes things to escalate quickly when your two apparently secret boyfriends compare notes on their respective partner who is far too similar for their liking.
Read on AO3
Chapter Warnings: sexting; masturbation
“The world is full of magical things patiently waiting for our wits to grow sharper.” - Eden Phillpotts
 Eleven: Golden
 Eddard was entrusted with caring for TeeArr during the meeting with the First Order supplier. He was one of the few you knew for a fact would be capable of handling the droid’s personality quirks without it interfering with his duties. As for the MSE droid, you had temporarily disabled it until your return. This was the safest route given its glitches and previous programming errors. Along with General Hux, Kylo Ren, Aelin, and you, the three other members to join were among the top in their fields. It did not escape your notice that Captain Phasma was absent and that there was not a representative for the stormtroopers. The issues regarding subpar equipment that the stormtroopers faced were near identical enough to what Kylo Ren and First Order officers had dealt with. Thus their presence would have been redundant. Regardless there were a handful of stormtrooper guards that were assigned to the ship and officers, although this was nothing different than what was to be expected.
 The ride on the Command Shuttle had been somber, limited conversation passing amongst the group. Kylo Ren did not utter a single word, whereas General Hux confirmed that you were comfortable in your seat before speaking with the officer seated on his left. Aelin dozed off and on. He leaned his head on your shoulder during sleep, an action that caused you to smile and relax as well. Though you did not lose consciousness, you were able to get ample rest and thus feel refreshed once the Command Shuttle had landed on the planet’s surface.
 Four humans met the entourage that you were a part of to offer salutations from their superiors prior to providing the location of the rooms that had been made ready for the duration of the stay. There were two or three beds per room aside from the two single-bed accommodations that were naturally for General Hux and Kylo Ren. Aelin was quick in offering for you to bunk with him. Grateful for this, you accepted with a smile and headed with him towards the room while one of the four humans--they had not given their names--led you once more. It was unnecessary and, in your opinion, bothersome that you were not allowed to walk alone. The rooms all shared a common area that was secluded from the remainder of the building and wherein all members of the First Order could speak.
 It likely has surveillance, you thought, lips pinching together at the sense of violation that rolled through you. Properly private communications would take place via messages on datapads, although this could well be accomplished in the common room to offer body language as an additional form of communication.
 “Do you think they will charge us for room service?” Aelin asked after his stomach growled rather noisily. You blinked while considering his question. Those hosting the meeting were being generous with providing a place to stay without charging the First Order; they were buttering you all up, however you sincerely doubted that they would spend more credits than necessary to secure the deal. This was about profit.
 You shrugged. “I would ask General Hux if food has entered any of their discussions.” Aelin gave an exaggerated sigh that had you rolling your eyes and shaking your head. He could be theatrically dramatic when he wanted.
 After you deposited the bag that you had brought with you for the duration of your stay on the floor by the bedside table, you knelt in front of it and began to rummage through your belongings. This setting allowed one to dress in nonstandard clothing while not in the meeting. There was no way that you were going to give up the chance; it was a rare occurrence since you had started working for the First Order. You selected a shirt and lounge bottoms, bundling them into your arms and then walking into the bathroom to change. Aelin had already plopped down on the bed he would be using for the stay. He had discovered a menu on the small round dining table that was tucked off in a corner of the room. You trusted him to learn if food was to be included as well as pick a location to eat if it was not.
 Once dressed, you settled down on your bed with your datapad, which had been blinking to indicate a new message. Aelin was working on acquiring more information regarding food since thus far he had been offered mixed messages. He left the room just as you rested your head against the bed’s headboard. Your fingers worked quickly on typing in the passcode for your device; you had added this as a precaution now that you were on planet and away from the increased security offered by the First Order when on their bases or ships. The majority of your project notes were locked away with your other possessions rather than being brought to this planet. When the message was brought it, the sender was anonymous. You furrowed your brow at that. Few possessed your contact information on the server.
 With a roll of your shoulders, you decided to play along with whoever had sent the message upon reading its contents.
 [There is time to play between work hours. Can you guess my favorite beverage?]
 Your tongue flicked along your lips, wetting them, and you narrowed your eyes while contemplating your answer. If this was General Hux, it would be tarine tea. If it was Kylo Ren, you were unsure. Worse, if it was someone else completely, you did not want to participate in this game. You toyed with your lips, pinching them between three fingers, tapping them, and at last releasing them. A light clucking noise issued forth as you pushed your tongue against the roof of your mouth. There was no reason that you had to give an immediate answer, however you were curious just how swiftly the individual would respond in turn.
 [I was debating catching up on some R&R between work hours. A pop quiz may not fall into that category.]
 It was not an outright rejection and should serve its purpose of deterring the individual from contacting you further unless they were serious. In which case your belief that either General Hux or Kylo Ren were behind this would be more substantiated. There was no shying away from the thrill that developed at the thought of flirtatiously messaging with either of those men. You were more in your element over the messaging system, more in control, and the ability to duck out of it should things prove too intense was less awkward than dismissing yourself when face to face. The relaxed atmosphere of the planet, of this room that you were sharing with Aelin, further allowed you to feel at ease with this idea. You found yourself dreading proof that it was neither General Hux or Kylo Ren that had messaged you.
 Aelin called through on your comm unit while you waited for a reply. The sound of its chime had caused your limbs to jerk towards your stomach, and you rolled your eyes as you recovered from having been startled. “Still unsure if food is included and I’m famished. I’ll bring back something for the both of us. You can pitch in for breakfast.”
 “That sounds just fine,” you replied whilst tapping your finger against your datapad. Another message had come in, albeit from a different sender. In place of Anonymous the sender was Unknown. You squinted. “What is the most popular beverage on this planet?” There was a pregnant pause before Aelin offered the response of a tea that was made from an indiginous fruit. “Would you mind bringing me one?” There was no question as to why you wanted it, only an affirmation that he would purchase the drink if it was readily available wherever he went for food.
 Disconnecting from the conversation on the comm link, you brought up the message from the new sender. It was similar in tone to the one from Anonymous, and you considered that they might be one person rather than two.
 [Our hosts have ensured periods of idleness. How shall we indulge ourselves?]
 It would not be difficult to copy the message that you had sent to Anonymous as the reply fit this message as well. The idea that it was lazy prevented you from resorting to that. You were touchy on such matters ever since you had to endure being tested by Kylo Ren when it came to the training droids. Bitterness threatened to flood through your veins at the memory, and you shoved those thoughts aside, opting to instead focus on the message and what reply you would compose. It would have to be similar to the previous one, you thought. Not an outright rejection, but also not something completely warm and inviting. You puckered your lips forward into a sort of fish-faced expression while beginning to type.
 [The lapses in work offer opportunities for rest and brainstorming. Responding to questions is not high on my list of activities.]
 You bit down on your bottom lip. That text was rather rude in tone. You debated deleting it then shrugged and sent the message. Not two seconds later you received a new message from Anonymous.
 [Forgive me, I had not realized that I would be intruding on your rest.]
 The line was afforded a sarcastic tone in your mind as you read it through twice. It was suggestive of either man still, which did frustrate you. They were similar but different. This was another motivation for engaging at all; your conflict could be settled with interactions that had nothing to do with work. There was no risk of kissing them, of them kissing you. Your next response would have to be a little warmer unless you wanted the individual on the other side to end communications.
 [There is a high probability that I am hangry, which leads to increased irritability when questioned on beverages. The most popular drink on this planet is a fruit tea, did you know that?]
 You clicked the send button and preempted the incoming reply from Unknown by immediately afterwards returning to the inbox.
 [What if the inquiries revolve around the projects that have you brainstorming?]
 This individual was tenacious and not easily swayed. It was nice, you thought. You needed someone who could deal with you on good days and bad. Your workload oftentimes increased without proper notice, and as such you were stretched thin mentally and emotionally. Until recently, you had never snapped at either General Hux or Kylo Ren. That would have been entirely unprofessional. Perhaps suicidal in the case of Kylo Ren. You suppressed a giggle at the thought; it had been an electrifying experience in the training room that day. Your lips tingled at the memory. Next your throat as your mind conjured up the other man that had recently kissed you.
 [That might be helpful. What if all projects aren’t work related?]
 You curled your toes at the thought of potential responses to that. As time dragged on you were realizing that you wanted to flirt more openly with Kylo Ren and General Hux on this messaging system. You wanted them to say something that would take your breath away. You could reciprocate here where you were safely hidden behind a screen. Maybe the two of them realized that already. Perhaps that was why they had reached out in this way. It was them, wasn’t it? The idea that it was anyone else made your stomach churn. If it was, though, you could pretend. How stupid would that be, you thought as you again rolled your eyes. You did not want anyone to catfish you. Did not want to emotionally open up in this way only to be hurt.
 The responses arrived at nearly the same time as one another. You stared at them in the inbox without opening either. Was the same man--person in general--behind both accounts? If was the two of them, separately, messaging you, which did you prefer? Enjoying both was such a problem. You shoved away that negative line of thinking and opened both messages, each taking up half the screen.
 A: [Yes, I had heard. The tea itself is said to be rather sweet. Is that something you prefer?]
 U: [Are any of the non-work related projects to do with self-improvement? Your physicality, perhaps.]
 Two very different responses that were both flirtatious in your opinion. You glanced at your comm link then the chrono that was in the room. Aelin could return at any moment. Your mouth watered at the thought of food. You did not salivate any less upon looking once more at the messages. You readjusted your posture so that the screen of your datapad was not easily visible to anyone who might come through the door.
 To A: [I will, hopefully, learn soon enough if it is something I prefer. Are you opposed to sweets?]
 To U: [Should I be offended that you find my body in need of improvements?]
 Your heart stuttered in your chest at the thought of how they might respond. The questions you posed would hopefully assist you in determining which man was which. You were under the assumption that Anonymous was General Hux and Unknown was Kylo Ren. That being said, you clearly had a skewed perception of how they interacted with others given that you had not known they considered themselves in a relationship with you. It would be just your luck to have their identities swapped.
 A: [I am not opposed to them, nor do I seek them out. I eat to sustain myself. If you recall, the First Order is not rich in food beyond basic provisions.]
 U: [I was leading into the benefits of sex.]
 Your jaw dropped as you read the reply from Unknown. This individual was a lot more forthcoming than you had believed either of them would be. Heat seeped into your cheeks, and you found yourself pressing your legs together. How far were you willing to go with these chats? At one point in time you had been engaged in a long distance relationship. Sexting, masturbating over video and/or voice chats, you had done it.
 To A: [I will have to indulge quite a bit on this trip between meetings then.]
 To U: [That is quite forward of you. I am less concerned about insult than I was before.]
 The next message you received was voice-based from Aelin to inform you that he was waiting for the food to be prepared. The delay in his return would be approximately half an hour. Your heart stuttered in your chest here. Licking your lips, you decided to not wait for a response from either sender. Some might consider your behavior scandalous. It hardly mattered when they proved that they would gossip no matter your true actions or intentions. There was no way you were going to let that stop you from enjoying yourself here.
 To A: [If you were able to have your way with me, what would you do?]
 To U: [What position would you want me in during sex?]
 It felt like all air had been siphoned from your lungs the minute both of those messages were sent. A shiver ran down your spine. This was not regret so much as anticipation. You waited with bated breath for the answers. Each second that ticked by drove you insane. It was counting down the time you had left until Aelin showed up. Maybe counting the minutes then hours that you received no response at all. Would you get written up? Be rightfully accused of abusing the messaging system?
 A: [I would restrain your arms behind your back while you were on your knees, my cock in your mouth.] You slipped under the covers, bending your knees and parting your legs, to give you some form of privacy should Aelin enter before you were done. Your fingers danced along the hem of your bottoms. [I would fuck your mouth, but I wouldn’t cum in it. I would shove you onto your back, keep your arms pinned. Open up that tight cunt of yours with my fingers and tongue. Taste how wet I make you.] Swallowing thickly, you slid two fingers along your slit, feeling your body responding to the words you were reading as much as your own touch. [Then I’d fuck you so hard you would barely be able to stand. You’ll feel so empty when I’m not inside of you.]
 “Fuck.” You dragged your juices up towards your clit, circling it, letting it slip away from your touch before pinning it between two fingers.
 U: [Bent over the table so that I can fuck you while those annoying senators and businessmen watch. You’ll be an incoherent mess as you cum on my cock.]
 The second message had been shorter, yes, but it had given you as vivid an image as the first. You closed your eyes while picturing both scenarios. Moving back and forth between the two. General Hux restraining your wrists with a belt, his cock down your throat as you moaned around him.
 You moved your fingers into yourself, thrusting them slowly, curling and uncurling just the tips.
 Next it was Kylo Ren using the Force to keep your arms in place. You would be completely unable to move as he held onto your head with both of his hands and pounded into your mouth.
 You added a third finger while imagining, in alteration, the two men bended you over the table during the meeting. All faces were blurs, the very idea almost too much for you though it made you hot all over. Arousal flooded through you in electrifying waves. You slid your other hand under the sheets to toy with your clit without removing the first from inside your cunt. You fucked yourself harder, picturing them. Their thick cocks inside of you, your walls clenching around them. Words of praise spilling from your lips in sloppy, incoherent whines. You gasped aloud, rolling onto your front, onto your knees, and burying your face into your pillow, your fingers moving faster and faster. You could feel yourself growing closer. Could feel the scream of pleasure that threatened to erupt.
 Darkness crept along the corners of your vision, your eyelids fluttering repeatedly as the dam of pleasure broke and you spilled around your fingers. You moaned loudly into your pillow then bit down on it. Muffled yourself as best you could, riding out your orgasm, rocking your fingers against your clit to prolong it. Your body trembled at the additional stimulation. All the while your mind kept the pictures of General Hux and Kylo Ren fucking you playing and replaying. The memories of how their mouths felt on you. You collapsed against the mattress, rolled onto your side. Curled enough to locate your datapad, which continued to display both messages. It also showed the time. Aelin would be returning any minute.
 Feeling only partially satisfied, you went into the bathroom to clean yourself up. After returning to the room, you lifted your datapad and typed out a quick message that you copied and pasted for both.
 [Thank you. I needed that.]
 The heat in your body had not fully abated when you exited out of the messaging center. There was no more time to recover, however; you could hear Aelin’s footsteps on the other side of the door. Could smell the delicious food that he had brought with him. You hoped that Anonymous and Unknown would send you more messages while you were on the planet for the meeting.
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Guest Blog: Joan Stanford on Creative Expression
https://healthandfitnessrecipes.com/?p=4227
Joan Stanford, author of "The Art of Play," has graciously written a guest blog for Adventures in Art Therapy!  Read ahead for her wisdom and insight about the importance of expression through artmaking.
The universe is full of magical things patiently waiting for our wits to grow sharper.
—Eden Phillpotts
I recently attended the NORCATA (Northern California Art Therapists Association) conference in Berkeley and just watched A Beautiful Remedy, a documentary on PBS about arts in medicine so am feeling very connected to the healing power of art expression. While I have worked with various populations (and for several years in the local public schools) I now work mostly for and with people without a client/patient designation. I offer play shops and creative retreats. My intent is to invite anyone to explore with playful art making and through that to connect to themselves, to others and to the world around them with more authenticity and compassion. My book, The Art of Play, released this June, relates my story: how I, a busy innkeeper, wife, and mother found my way to expressive arts and how that opened up a whole new world.
Many of the people who play with me have not touched art materials since preschool or elementary school. Some were more actively engaged previously in some “artistic” pursuit but abandoned that as their adult working lives took over and, now, jump at the chance to reactivate those interests. Others are just curious.  Some consider themselves totally “non-creative” but want to see if they can discover something new. Of course, signing up is completely voluntary so that is a huge plus. We have all encountered resistance when clients are mandated to work with us. But my playmates bring their own fear-based resistance. Facing a blank page creates anxiety for most of us. Being asked to trust the process, to let something emerge from within is not easy. That is why I use the word “play.”
We begin with conversation; they may say why they came and what they hope for from the experience. I always stress that play is experimentation—there is no judgment, no mistakes. I offer total permission with the hope that the carefree child part will join in with a sense of curiosity and excitement. We do some warm-ups to stimulate free association, to activate imagination. This allows a shift—visibly sensed—from the outer world to the inner that the safe space provided facilitates. Safety allows risk-taking and the experimentation necessary for discovery. I display a variety of art materials to entice engagement of the senses by attracting the eye and piquing interest.
Self-expression through art making is a birthright of all and evident in the first traces of human existence. I want to help make the process accessible and available so people have a tool for introspection that they will turn to as easily as journaling. When we allow imagery to speak to us we learn something new. Images are our first language and evoke feelings, memories, and associations that our analytical left-brains may not have access to.
My personal practice is creating spontaneous collages in a small six-by-six spiral bound journal. I paste the collage on the right side, and then record the conversation on the left. I might ask, “Who are you?” or “What do you want me to know/remember?” Sometimes I create the collage in response to something happening in my personal life or world events. 
After the Paris shootings I did this:
And, later, after the Orlando shootings:
When strong feelings of grief, sadness, helplessness, or anger overwhelm me, the page is a good container. As I create these, the energy is released and can be transformed.
Another more playful image:
People I work with often cannot commit a lot of time or space to playing with imagery so this is a doable option. Tearing words and images from magazines is easy and can be done anywhere—even on a plane. No fancy materials are needed so there are fewer excuses, less avoidance. The words that come are surprising, often poetic and insightful.
As I just read, “The world speaks to us. We just need to learn how to become better listeners.” —Steven D. Farmer, Ph.D.
Hopefully by stressing the playful nature of this powerful work I can invite the wider population to try expressive art making. I know for me it is the key that unlocks insight, healing, and joy!
Credits: Original Content Source
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