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theinvisiblemuseum · 1 year

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how about......people demanding wlw rep then never actually engaging with it because the only thing they care about is woke points☕

this really was the wrong day for me to rb this game because i'm seriously genuinely going to be a major cunt about it and i dgaf. that's your warning.

so. here's what i think. in very general terms.

if you don't want to read below the cut (valid) here's all i'll say: stop, actually. i don't want need or care about the megaviral wlw fanfictions of your dreams, because that's not how i choose to engage with fandoms. i already make and engage with the kind of content i want to see which (surprise!) includes a lot of wlw content, but i don't see the need to force moral superiority down people's throats over it. i don't give two shits if anyone other than me is making wlw content. this is fanfiction. fanart. etc. people are allowed to write or engage with whatever they want, HOWEVER if you're throwing a fit over not having enough wlw content and can't name a woman off the top of ur head, that seems like a you problem, idk. basically i choose to actively NOT engage with the type of people screaming crying and pissing themselves over content that already exists that they can't be bothered to look for because appearances and #feminism are all that matters.

if you're here, i'm going to get more cunty, not sorry, you were warned.

the demand for wlw rep is absolutely just dog whistling to seem holier than thou, and like, whatever, most of this shit originates on twitter and tiktok and i've never listened to a word a twitter or tiktok user has said and i won't start now so on the whole i can just put my metaphorical headphones on and tune it out and keep doing my thing, yk? but when it permeates my little den of horror and my brain starts scratching itself, well, i find that sometimes i need to be an asshole and sometimes is right now.

it's not actually a fandom sexism/misogyny issue it's an issue of wanting validation to enjoy certain things, because those things are only cool if the hivemind says so, right? i'm no political expert but i know enough to know that cultlike thought patterns don't lead anywhere good. i've seen zombie movies. i live in america. LOL.

i always joke about how i'd rather die than have my favorite ships become popular (i.e. pandalily, bartydora, lilycissa, etc) but the reason i say that is because a. it breeds discourse that i don't care about, and b. i don't want a bunch of people engaging with content they're not actually interested in just to seem woke or stay on top of trends. it just makes things worse for the people who actually enjoy it.

and while i have your attention, and while i'm being a bitch, wanna know one of the big reasons i think people are crying and whining about the 'lack of wlw rep'? they want other people to care so they don't have to. of course, they don't realize other people already dooooo care, because they're too terrified to sort by anything other than hits on ao3, but that's neither here nor there. no, what they want is for some big strong heavenly god to bite the bullet and characterize these women that, let's be frank, are names on a page and nothing more, so they don't have to. so they can keep on keeping on with the characters they DO care about and toss something around every once and a while about (insert megaviral wlw fic that doesn't exist) to avoid claims of sexism & lesbophobia. AND AS A DISCLAIMER! i don't think people should feel the need to care about a bunch of random characters if they don't want to. once again, this is fanfiction. do whatever the fuck you want. i promise it makes things so much more fun and chill. just because i wanna characterize the shit out of pandora fucking lovegood, i'd never demand anyone else does, and that's the crux of it, isn't it?

this is why it also bugs me when i see posts like 'omg i don't even care who the ship is, i just love sapphics!' or smth along those lines because like, yeah, i love women and i love when women fuck each other and love each other, but i'm not just gonna care about a ship because it's two women. if i did, i'd be more than happy with the pg spoonfed #girlcore sapphic representation in mass media, because half the time it's just two white girls named rachel and brookleighanna whose only defining character traits are that they're gay. nothing more. and sorry, but i'd rather have no wlw content than that. i can't enjoy a ship if i haven't rotated them to hell and back like a rotisserie chicken in my silly little head, often before i've even consumed any content about them. that's the fun of it! i sent like 12 voice messages about a ship i don't even care about that much one time just because i took a shower and had a lot of thoughts. does that mean i'm going to attempt to make them a cornerstone of the Fandom As A Whole and be treated like a celebrity over it? fuck no. i'm just here because i like to have fun and talk to people about characters we all enjoy and create so much lore in my head that only 2 people will ever know about simply because i'm passionate about it and that passion is really enjoyable to me. fandom is a community to me, not a hierarchy, like tiktok or twitter would have you believe, and i think that's what this whole conversation about wlw rep is missing right from the jump. (ta da! i circled back to the point at hand in the end. my tangent had a point!)

yeah so that's my two cents. lol.

#organ donations #yizyaz #if you read all this sorry #or you're welcome #take your pick

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theseerasures · 4 years

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Frozen 2 Reactions, Pass #2

went to see the movie again yesterday, which helped solidify a few more thoughts percolating in the back of my head. i don’t think this one will be QUITE as long as the first, but everything’s going under a cut anyway because i’ve met me

tbh most of this is just me dunking on Elsa

one of the things that i think both helped AND hindered the movie is that they really did make an effort to make the sequel its own separate story from the original--hence the timeskip, the retcons, and so forth. on the positive end of things there’s obviously a much lower barrier of entry for the like...three people who never watched the first movie, and the characters get to feel more grown up while remaining (thanks no doubt to the writing team remaining much the same) consistent enough that the changes to their personalities still make sense. it never feels like it’s retreading old ground, and if fans want to connect the new ideas and themes to the older material (and i count myself among those, what with my first fic in almost four years being about exactly that), there are plenty of kernels with which to do so.

on the other hand: some of the new plot stuff really just DOESN’T work with what’s already been established. chief among those is the idea that ~~~the story of the enchanted forest with requisite creepy lullaby~~~ is a well remembered bedtime story for BOTH Anna and Elsa?? like what does this imply about their childhood? that their parents told them this same bedtime story over and over again, but separately in their own respective rooms? that Elsa got charming bedtime stories about magic-based conflict and war???

(”yeah papa!!! please tell me again about how magic can not only kill people but also SUNDER AN ENTIRE LAND FROM REALITY, that story’s my favorite!!! looking forward to some really spirited nightmares tonight!”)

or are we supposed to assume this is like. the thing bad Batman writers try to do where everything poignant that has ever happened to Bruce happened the night his parents were murdered? that Elsa and Anna remember the story only because it was the night of the Accident (tm)? because that’s...also stupid, i gotta say.

i love that Elsa’s verse in this song start with “the winds are restless” bc it’s exactly the way i imagine her starting conversations with her hapless subjects. “good morning, Your Majesty! how goes the kingdom?” “the winds are restless” “...” “...” “...yes. that was...something i noticed as well”

Local Sisters Make Every Time They See Each Other in Town a God Damn Event

ever since @professorspork pointed out how stupid the “and i promise you the flag of Arendelle will always fly” line is in Some Things Never Change i haven’t been able to stop laughing about it. it’s just such a BLATANT telegraph: “whooo!!! yes! Arendelle!!! we all love that place and want to save it, and you can tell because the song said so!”

the Friends shot of them all walking back to the castle and Anna has kicked her heels off is great though i love it

also love the multitude of shots where it’s Elsa and someone else and we get a peek at her silent reactions to whatever the other person is saying. not since Legolas have we been blessed with so many memeable dumb faces

“ah yes, Mama’s words! cuddle close, scootch in! you remember her saying that all the time right Elsa?? after all it’s not like you have any decade-long baggage about not being able to be near anyone, most especially family members, because you were deathly afraid that you’d instantly murder them”

more thoughts on why Into the Unknown stands out so vividly in my mind: the first movie’s songs by and large did a VERY good job of moving plot around while still exploring character emotion. Do You Want to Build a Snowman moves us through ten YEARS of story, while still leaving space for long, unsung moments where we just get to process what’s going on between the sisters as they grow up. For the First Time in Forever catches us up with the sisters, gets the gates open, and has Anna meet Hans at the end, a pivotal moment for both her and the plot. Love Is an Open Door has them get engaged and sets up the rest of the story. Let It Go is Elsa’s big character shift and sets up the goal for the other characters: the ice palace is where they all need to go to bring back summer. the FtFTiF reprise begins the endgame. the other songs are all more fluff pieces that JUST serve to introduce characters, which is why they’re...not as good, and most people don’t really care about them, but we can accept that they’re there because the strength of the other material.

with Frozen 2...Into the Unknown is pretty much the ONLY song that fits into the first category: Elsa works through her conflicted feelings about wanting to explore the unknown, AND wakes up the spirits (sidebar: her pure joy at using her powers to communicate with the spirits is SO GOOD, guys. it gets me every time). the other ones just kind of transporting their singers into the Emotional Expression Dimension for them to do their thing. sometimes the songs transport them to the next plot point while they’re singing, but nothing really happens DURING them. i can give Some Things Never Change a pass on this because it’s supposed to be about stasis (and because i’ve bitched about it enough on other fronts), but much as i love Lost in the Woods and Next Right Thing for their character exploration they’re really just music videos to get us to the next scene. Next Right Thing is particularly egregious about locking the plot in the boot--the ENTIRE sequence is just Anna climbing or slumping against random rocks until the song ends and she can actually move the story along. one could make an argument that Show Yourself does get stuff done, but it’s still mostly Elsa running around in a cave for three entire minutes before we get to that point

i don’t think Get This Right is perfect but it DOES pull off the multitasking well, and it would have not only resolved the torturously stretched engagement subplot early on but creates a nice thematic echo to Love Is an Open Door: she really knows Kristoff, she really loves him, and she proposes. it’s her choice.

Kristoff’s line about question of how/question of whether works great for highlighting his continued insecurities, but again: either we’re supposed to think he’s wrong and Anna has ALSO been thinking in terms of how and she’s just been too busy in sister-drama-land, and this whole plot should have been resolved early, or we’re supposed to think that Anna really ISN’T on the same page, in which case they...probably should have a serious conversation about where they see their relationship going and not just get engaged at the end because Elsa made a new dress

as soon as an HD version comes out i demand a gifset juxtaposing Anna slumped against a rock with Anna slumped against Elsa’s door at the end of Do You Want to Build a Snowman, because this whole sequence is where the distance between sequel and original really WORKED. Anna is singing about how alone she feels, how she’s never felt such darkness before, when we know that that’s...not true. she's felt pretty close before--not long ago that was her whole LIFE. it’s natural for her to feel this way, because being knocked off your happiness always hurts more than never having it in the first place, but we the audience get to have faith in her, because we remember. eventually she does too, and now she knows exactly how resilient she can be, exactly how strong she’s ALWAYS been.

the animated faces are SO GOOD. we see Anna flicker through seventeen feelings at once when Kristoff rescues her from the dam: delayed fear, relief, and--this is the crucial one for me--horror that she survived, because that means she’s going to have to live with the fact that Elsa didn’t.

Elsa riding into the sunset of her sapphic life is great obviously but every time i see it i worry that the movie is going to end with the same face smear effect as the Prisoner of Azkaban movie

#disney #frozen 2 #helen writes meta

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diningpageantry · 6 years

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writer’s tag

i was tagged by @basic-banshee (thank you for the tag!!!)

1. how did you start writing?

ooh boy this is a Story. okay uhh i was raised in this cult thing (long story that i’m willing to tell ltr) and part of our education process was writing books so uh i wrote a full length children’s book at like 6 y/o (maybe 5? i think i was 6 tho) and i wrote a couple more before we left. i kept writing tho and i’ve always sort of creatively wrote for myself, then at the end of 6th grade into 7th grade i found the wonders of fanfiction and i was like holy shit so i started writing johnlock fanfics (oof) and uh here i am now

2. what was your first writing project? tell us a little about it.

it was uh about some horses and girls and i’m not saying it was horseland but it was basically horseland. i don’t remember much except one of them nearly died after falling into a ditch because i was a dark and disturbed child (and an even more dark and disturbed adult now tbh) but there was that happy ending. so yeah. that.

3. what is your preferred mediums for writing first drafts?

word docs. i usually move it to a good doc after i’m done, but i like starting with word

4. what rituals or habits do you have around writing?

there’s a good couple. i usually get ideas on a whim, so i do a shitty outline on my phone (honestly it’s laughable if you look at them. i showed a friend a plan list and she started cracking up because most of it is just “??????”) and try to set up a plot flow first before writing. for original works, i actually draw the characters first so i can kinda have a fully put together mental image before i work. while writing, i put on (typically instrumental) music that goes with the mood of the fic (for example, for my demon fic, i put on The Hobbit: An Unexpected Journey album) whenever working to kinda put myself in the mindset.

5. we all have a “type” - of character, plot, theme - what is yours?

oohh boy. uh, pain. i like writing people hurting and in distress. angst? hell yeah baby. character wise i write a lot of kinda bitter or sarcastic queer people who are secret softies. plot wise i usually go with a “man vs. self” shit. love that internal struggle.

6. introduce us to one (or more!) of your OCs!

heheh okay uhh i’ll start with my current project, a sapphic graphic novel i’m working on. there’s Summer, who’s a high femme lesbian. she’s like... the proper looking girlfriend who likes sweaters and long flow-y skirts and makeup but she’s the rebel and gets into trouble and smokes and gets fucked up on stolen vodka way too often. she’s short and a lil chubby and she’s just the problematic fave. her girlfriend, (who’s actual name is still up for debate, but i just call her Matchstick because she dyes her hair bright/unnatural red and that’s what Summer calls her) rides a motorcycle and wears leather and jeans, but she’s a straight (heh) A student who meditates in the morning and writes sappy poetry for her girlfriend. she’s like... average taller and kinda awkwardly lanky in that way, too. this is set in suburban New Jersey and Summer has a thick NJ accent while Matchstick moved around most of her life because her dad was military (nasty divorce about 3 years prior to when the story is set) but she finally settled with her mom and little brother.

i have another OC that i abandoned that i might bring into the graphic novel (despite her having her own story that i don’t quite know if i’ll finish? it was something i started working on like 3 years ago and abandoned because it’s a tad cliche). her name is ayala and she’s a mixed jew (half ashkenazi, half mizrahi) who’s got a grunge punk aesthetic and she’s the classic bitter bi bitch who just drinks black coffee and complains. honestly? light of my life. she sneaks butterfly knives into NJ and takes a grater to her jeans and just ugh. fave.

7. what’s your favorite genre to read?

fantasy, sci-fi, mystery, and queer YA romance (i have a building library of these)

8. favorite genre to write?

fantasy, queer YA, and not exactly horror but dark stories (i’m writing a morbid children’s storybook rn to just str8 up submit to college board for a drawing portfolio)

9. how do you conduct your authorial research?

hah. google, usually. sometimes i ask my roommate shit, like once i leaned over my bed, looked at him and said “do demons have lairs?” and he thought i said layers so he looked at me, squinted and said slowly “like ogres?”

10. what does your editing (gasp) process look like?

hahAH nah it’s usually me writing shit out, like SLAMMING that shit out, then sometimes reading over it before i put it on my doc to edit. once it’s on the doc, i set my betas to it (sometimes more than my usual beta or two) and i usually read over it while they’re reading too so i edit then too? once they’re finished, i edit whatever suggestions. then i usually do another comb through, looking for little shit, then i share that shit.

11. what are your favorite tropes?

*chanting* MAN VS. SELF MAN VS. SELF MAN VS. SELF i love me some internal struggle. that and miscommunications and poor communication. basically anything that creates angst.

12. show off your writing space

i’m too tired rn but it’s just my loft bed. that’s it. it’s an ikea bed with a bunch of pillows and blankets on it, fairy lights wrapped around one side, and a shelf next to my head for my laptop/food/drinks/anything else i need

13. what is the most useful piece of writing advice you’ve ever used?

it’s odd because it isn’t exactly writing advice, but i use it in reference to my writing. i’m told that i tend to over-complicate shit, that i explain too much and i need to take a step back, and i kinda use that in my writing. it makes me look over paragraphs sometimes and just cut it because hey, that’s either not needed or i can explore the character in other ways than just saying how they’re like. i feel like it really helps because rather than saying shit about the character, i try to make them show it in their actions. it helps, i suppose.

14. what’s the least useful piece of advice you’ve ever ignored?

“do they have to be gay?”

15. your writing beverage/snack of choice?

oh boy okay this really depends on when i’m writing. if i write during early/mid-day, it’s usually a huge mug of breakfast tea with two spoonfuls of sugar, milk, and some kedem tea biscuits (usually original, but sometimes vanilla). sometimes i’ll make myself some instant noodles, if i’m really hungry. if it’s night time, it’s black coffee, and a lot of it.

16. how do you compile your ideas?

fffff uhhhh my note app on my samsung akdsfdsh okay i hate me too but all my ideas go into at least 3 unorganized note files because they always come to me in a whim and i don’t like putting a plot note with a summary note, so i have different note pages for different elements of the story.

17. what are your controversial opinions™ on the craft of writing?

oof uh... don’t write any romance that’s unneeded. also making characters do something shocking doesn’t make the story interesting. writers who feel the need to make a shocking twist aren’t good writers, because if that’s all that’s keeping readers entertained, then it’s not the writing itself, it’s them just trying to figure shit out. i’m not referencing horror or suspense, but let’s say a character who’s known for being aggressively loyal suddenly cheats on their partner for no truly viable reason, then that just feels like sloppy and boring writing that’s supposed to be interesting but isn’t. so, controversial opinion, but if you’re a good writer, you don’t need that kinda shit.

tagging @jessethejoyful @ravenclawbaz @angelsfalling16 @bazypitchandsimonsnow and any other writers who wanna do this (just tag me because i’d wanna see it!!!)

#tag meme #tag game #anï rambles #i wrote a lot oh my lord #i like talking im sorry oml

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