Sleep deprived in the airport so I’m gonna be Richard Siken posting. So this quote from one of his interviews (that he referenced in his tweets) is interesting to me because it begs the question- if we move something to the erotic to then pull back in order to find tenderness, how then do we apply this to sapphic relationships? Erotic relationships between women are fetishized by cisheteropatriarchy. So how then do we push forward in order to pull back? If we push into an erotic that is already co-opted and fetishized by patriarchy, how do we push further?
Perhaps this explains the prevalence of sapphic horror. The worst thing sapphic women can be in the eyes of cisheteropatriarchy is not erotic, but horrific. Taking something fetishizable and make it gross. And only then, now that we have pushed past what is desirable to cisheteropatriarchy, can we pull back and find tenderness free from the partrarchichal gaze.
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someone has to leave first. this is a very old story. there is no other version of it.
rien ne va plus - margarita karapanou / ghost, zero, suitcase, and the moon - richard siken, beginners (2010) dir. mike mills, glue - richard siken, beginners (2010) dir. mike mills, the absolutely true story of a part-time indian - sherman alexie, tumblr user lalallorona, fuck it i love you - lana del rey, the worm king’s lullaby - richard siken
buy me a coffee? <3
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real estate, richard siken (2020)
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oh my god
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it truly is so strange that richard siken's work in tumblr/queer circles is known for this sort of pure yet devoted gay love when the devotion is actually obsessive and the purity is nonexistent. i half wonder if half the people who claimed to be fans of his poetry have not actually read crush or war of the foxes, just seen the bits about being in a car with a beautiful boy, and wearing the boy's jacket, or the inability to touch the stars. but have you actually read "you are jeff?" did you read all twenty four verses and the part about confusing the intimacy of a father, an uncle, a lover? did you read the part about a fraternal brawl on the side of the highway, the refusal to watch it from the inside of a car, the comparison of love to cancer? or did you take the entirety of crush to be a story about not being able to tell someone you love them? because yes, that's important, but the violence of the entire poetry collection has somehow been lost to the internet. crush's cover is a man wiping blood from his lips. the collection is about grief, love, obsession, violence, youth, self-destructiveness, mental health. it's not just "gay yearning" and god if that implication hasn't messed up so many people's goddamn perception.
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Piano Lesson, Richard Siken
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(x)
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The future is fast coming
@demiiwhiffin quoting Richard Siken, snow and dirty rain / @yesterdaysprint / @archibaldtuttle / Emily Horne and , a softer world
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[transcript: 1. “god is fucking with my oblivion. if he wants forgiveness, he shouldn’t have given us memory.”
2. “your god comes and he is ordinary and terrible. he confers with the doctors at your kitchen table and tells you to eat….”
3. “our father who art in heaven. our father who art buried in the yard.”
4. “at the trial of god, we will ask: ‘why did you allow all this?’ and the answer will be an echo: ‘why did you allow all this?’”
5. “i don’t believe in god as much as i believe in the interrogation room. i believe in someone placing a loaded gun on a metal table between me and a door. who gets to be god then? will god be the bullet or the table or the door.”
6. “every spy knows this. some say god is where we put our sorrow. god says, which one of you fuckers can get to me first?”/end transcript.]
vi khi nao— fish in exile/leila chatti— portrait of the illness as nightmare/richard siken— snow and dirty rain/ilya kaminsky— a city like a guillotine shivers on its way to the neck/hanif abdurraqib— all the tv shows are about cops/richard siken— war of the foxes
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richard siken, clementine von radics
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