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page-28 · 7 months
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the-rewatch-rewind · 8 months
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Another new episode! Getting into the home stretch!
Script below the break
Hello and welcome back to The Rewatch Rewind! My name is Jane, and this is the podcast where I count down my top 40 most frequently rewatched movies in a 20-year period. Today I will be discussing number 8 on my list: Universal Pictures’ 1936 screwball comedy My Man Godfrey, directed by Gregory La Cava, written by Morrie Ryskind and Eric Hatch, based on a book by Eric Hatch, and starring William Powell and Carole Lombard.
The rich and spoiled Bullock sisters, Irene (Carole Lombard) and Cornelia (Gail Patrick), are participating in a scavenger hunt that requires them to find a “forgotten man,” so they race to a shanty town at a city dump. Cornelia gets there first and approaches a homeless man named Godfrey (William Powell), who finds her rude and condescending and therefore refuses to take her offered $5, instead causing her to fall into an ash pile. Irene is amused by Godfrey’s treatment of her sister/rival, and after a brief conversation, Godfrey is amused enough by Irene to agree to be her forgotten man. Irene is so grateful to him for helping her win the scavenger hunt against Cornelia that she offers him a job as the butler for their wacky family, and he accepts without having any idea what he’s in for.
I remember being introduced to this movie rather early in my foray into old Hollywood back in 2002. I can’t recall my exact first impressions, but I’m pretty sure I had seen it several times and was already kind of obsessed with it before I started keeping track of the movies I watched. Once I started keeping track, I watched My Man Godfrey six times in 2003, three times in 2004, three times in 2005, twice in 2007, once in 2008, twice in 2009, once in 2010, twice in 2011, once in 2013, once in 2014, once in 2017, once in 2018, twice in 2019, twice in 2020, once in 2021, and once in 2022.
The main thing that initially drew me to this movie was its silliness. Based on the movies I’ve talked about on this podcast so far, I think it’s pretty clear that I love to watch a bunch of ridiculous characters having a fun romp, and that’s what a lot of My Man Godfrey is. Angelica, the scatterbrained mother of the Bullock family, played delightfully by Alice Brady, is one of the silliest characters in any movie ever, and when I was a young teen, all she had to do was open her mouth to crack me up. Now I find some of her antics a bit grating, which they are definitely meant to be, but some of her lines do still make me laugh every time, like, “I’m positive I didn’t ride a horse last night because I didn’t have my riding costume on!” and “If you’re going to be rude to my daughter, you might at least take your hat off!” and, in response to Godfrey saying that he sold short to save the family from financial ruin, “I don’t understand, you sold short? You mean, gentlemen’s underwear?” My brother was particularly tickled by that last one as a child, to the point that when we played The Sims together, we created a character named Gentleman’s Underwear after that line.
Angelica is far from the only silly character in this movie, and what I love about the whole ensemble is that each character is entertaining in a different way. Angelica is scatterbrained and doesn’t really care what’s going on, while her husband Alexander (played by Eugene Pallette) has lost track of what’s going on mostly because he’s so fed up with his wife’s ridiculousness. And then there’s Carlo (played by Mischa Auer) who is Angelica’s “protégé,” and I’m still not really sure exactly what that means. I can’t tell if it’s a euphemism, or if she’s like, supposed to be teaching him piano? We definitely see him playing piano, and eating, and impersonating a gorilla, and reading to Angelica, and that seems to be all he does. So unclear what his purpose is, but he is amusing. On the other hand, Molly (played by Jean Dixon, who also played Edward Everett Horton’s wife in Holiday) has the very clear purpose of being the Bullock family’s maid. Her dry, sarcastic wit is amusing in an entirely different way that I love very much. There’s also Tommy Gray (played by Alan Mowbray), a friend of the Bullock family who also happens to recognize Godfrey from their college days. Not wanting to reveal that he came from a wealthy Boston family, Godfrey says that he was Tommy’s valet in college, forcing Tommy to try to invent a story explaining why Godfrey wouldn’t have given him as a reference when the Bullocks hired him. Tommy seems like a relatively normal guy who isn’t particularly bright. Watching him flounder in that scene could have easily become uncomfortable, but they managed to portray it in a way that’s just silly. And his invention of a wife and five children for Godfrey adds to the confusion and tension behind the main romance in the movie.
If you’ve listened to previous episodes of this podcast and have an especially keen memory, you may recall that Gregory La Cava also directed Stage Door, which was number 31 on my list and came out the year after My Man Godfrey. I’m not sure how much say he had in the casting of both of those movies, but I enjoy that there are several people who appeared in both, such as character actors Franklin Pangborn and Grady Sutton, neither of whom was credited in My Man Godfrey but both of whom make memorable appearances. The most notable cast member the two movies have in common is Gail Patrick, who was Ginger Rogers’s main rival besides Katharine Hepburn in Stage Door and Cornelia Bullock in My Man Godfrey. In both of these, as in most of her movies, Patrick’s character is rather unpleasant, but Cornelia is a bit more complex than that, and she fascinates me. She’s bitter and spoiled and mean to her sister and can’t decide if she wants to seduce Godfrey or hurt him or both. After Godfrey tells her what he thinks of her, she tries to frame him for robbery by hiding her pearl necklace under his mattress, but he manages to find it and hide it better before the police search his room. Cornelia is so insistent that it must be under the mattress that the police get suspicious and ask why she’s so sure of that, to which she responds with the amazing and thoroughly unconvincing line, “I read that that’s where people put things when they steal them!” Shockingly, even after all of this, the story actually redeems Cornelia somewhat. Godfrey is able to save the family financially by pawning her necklace, and after he reveals this he tells her that he, too, was once a spoiled child, and that she has the potential to be a good person if she so chooses. Cornelia is visibly moved by his words, and while we unfortunately never see her again after that scene, I like to believe that she takes them to heart and stops being so awful going forward.
But as much as I love all the supporting characters, I don’t think I’d have watched this movie nearly as many times if not for the leads. William Powell brings just the right combination of sophistication and jadedness to the role of Godfrey, making it easy to believe that he was once a rich man but lost everything he had to a woman he loved who betrayed him. It’s beautiful to watch him rediscover his own purpose and humanity in response to the Bullocks’ kindness and choose to focus on the positive aspects of their quirks. When William Powell was offered the role of Godfrey, he agreed to take it only if Carole Lombard would play Irene, knowing that she would be perfect, and he was completely correct. Lombard absolutely kills it as Irene, flawlessly combining the dramatic naïveté of an overgrown toddler with a genuine desire to be a good and mature person. And the way Powell and Lombard play off each other is utterly delightful. Their first conversation sets up their dynamic beautifully – he’s rather amused by her, but she takes everything he says extremely seriously. Like when she asks him, “Why do you live in a place like this when there are so many nice places?” and he responds, “It’s because my real estate agent felt that the altitude would be very good for my asthma,” she doesn’t seem to know that he’s joking, and says, “Oh my uncle has asthma!” And he just rolls with it and replies, “No! Well, now there’s a coincidence!” This is already funny as written, but their delivery and facial expressions make it so much funnier. Then probably my favorite part of the movie is when Irene is sulking and trying to get Godfrey to notice her, but she mostly just comes across as ridiculous, and Cornelia is heckling her mercilessly. Godfrey is trying to act uninterested, but it’s clear from a few of his glances in her direction that he really does want to give her the attention she craves. It’s readily apparent from all of their scenes that they both thoroughly understood the assignment and knew how to play off each other. Powell and Lombard had worked together twice before and had even been briefly married to each other from 1931 to 1933. Despite the fact that things didn’t work out between them romantically in real life, they remained good friends, and seem to have only used their history to bring out the best performance in each other here. It is kind of funny that Godfrey keeps telling Irene that she’s way too young for him because it’s like, “You clearly didn’t think she was too young when you married her five years ago!” Mostly, though, it just makes me really happy as someone who has no interest in pursuing romantic relationships to know that it was Powell and Lombard’s post-divorce friendship that led to possibly the best movie that either of them ever made. It’s so encouraging to see the evidence that sometimes the relationship between two people can actually get better when they stop trying to make it romantic.
However, it took me a while to see things that way, because in the movie itself, Godfrey and Irene do end up together romantically. Once I learned that the actors were divorced in real life, my first thought was more, “Wow, amazing that they could still pretend to be in love after falling out of love.” In more recent rewatches, I’ve come to realize that the romance in the movie is very weird – which, to be fair, is quite usual for screwball comedies – but I think as an obliviously aromantic teenager it greatly informed what I thought romance was. Irene meets a nice man who helps her win a game against her awful sister and decides to be in love with him, so all she has to do is convince him that he’s also in love with her. Not understanding that romantic attraction was a thing that I was not experiencing, teenaged me thought that was how that worked: you just pick somebody and decide you have a crush on them, and if the other person has also picked you to be their crush, romance is born. Right? Apparently not. Anyway, in more recent rewatches, when it gets to the part where Godfrey tells Irene, “You’re grateful to me because I helped you to beat Cornelia. And I’m grateful to you because you helped me to beat life. But that doesn’t mean that we have to fall in love,” I’m like, “Correct! It doesn’t mean that! You don’t have to fall in love!” But the movie implies that Godfrey is suppressing his feelings for Irene because of the previous bad relationship that led to his homelessness, and it expects us to all be on board with the way Irene follows him after he quits and basically forces him to marry her. The older I get, the more this ending bothers me. I realize that it’s meant to be part of the screwball silliness of it all, and that it was inevitable for a movie like this to make the male and female lead end up together, but it’s like, can we maybe make sure that Godfrey is on board with that first? I can very much see their marriage going the same way as that of the actors who played them, with Irene and Godfrey ultimately concluding that they’re better suited as friends than lovers. But again, as a young person watching this movie, I thought their relationship was beautiful. Soon after I first got really into My Man Godfrey, my friend had a Build-A-Bear birthday party, and I named my bear Godfrey. I can’t remember who I was talking to or how this came up, but I remember making the declaration that if I was still single at 40, I would marry that Godfrey bear. So if you’re listening to this, consider yourself invited to our wedding in seven years. It probably won’t be much weirder than Irene and Godfrey’s wedding at the end of this movie.
There is another element to My Man Godfrey besides its silliness and unconvincing romance that makes it particularly fascinating. While most 1930s screwball comedies seem to be intended to help audiences temporarily forget about the hardships of the Great Depression, My Man Godfrey uses the Depression as a big part of the plot. The rich are portrayed as frivolous and ridiculous, while the homeless “forgotten men” are portrayed as resilient and noble. Godfrey reveals to Tommy that after having his heart broken, he intended to drown himself in the river, but seeing people living at the dump next to the river, determined to survive despite their circumstances, made him change his mind. The hard times even impact the well-to-do, with Alexander Bullock nearly losing everything in bad investments. At first it seems odd that Godfrey would use the money from Cornelia’s necklace merely to help the rich snobs, but then it’s revealed that in addition to that, he converted the dump he used to live in to a nightclub, creating jobs, and affordable housing. And all of that was possible because the jobless men convinced Godfrey to keep living, then Irene was nice enough to employ Godfrey as a butler, and Cornelia was bitter enough to try to frame him for robbery. I assume that doing something like that would not have been nearly as easy as the movie makes it look, but I appreciate that instead of leaning into the pure escapism of so many films from that era, My Man Godfrey says, “Yes, times are hard, but don’t give up hope. Things can improve unexpectedly at any time. And small kindnesses can add up to make a very big difference.” And that message continues to resonate 87 years later. So while this is mostly a very silly comedy, its genuine moments showing the importance of human connection help keep it from descending into complete and utter chaos like some other screwball comedies I could name.
And perhaps it was that touch of seriousness that led this mostly silly comedy to six Oscar nominations: Gregory La Cava for Best Director, Eric Hatch and Morrie Ryskind for Best Adapted Screenplay, William Powell for Best Actor, Carole Lombard for Best Actress, Mischa Auer for Best Supporting Actor, and Alice Brady for Best Supporting Actress. This made My Man Godfrey the first movie to be nominated in all four acting categories, which isn’t saying much because that was also the first year that the Oscars had four acting categories, but it remains the only film to this day to be nominated in all four acting categories without being nominated for Best Picture. And it was the only movie to be nominated in those six categories without winning anything until American Hustle, 77 years later. Of all the people nominated for Oscars for My Man Godfrey, only Alice Brady would ever win one, for In Old Chicago the following year. The director and one of the writers would each be nominated once more, also the following year, for Stage Door. William Powell had been nominated once before, for 1934’s The Thin Man, and would be nominated again for 1947’s Life With Father. But this was the only nomination for both Mischa Auer and Carole Lombard. Lombard in particular really wanted an Oscar and moved on to dramatic roles for a few years hoping that would help, but it didn’t. So she briefly returned to comedy before her career and life were tragically cut short by a plane crash in 1942, when she was only 33 years old. So, my age. I feel like, had Carole Lombard lived longer and continued to make more films in a similar vein, she probably would have made it into more than one of my top 40. The more I rewatch My Man Godfrey, the more impressed I become with her performance. This is one of the few old movies that actually has a blooper reel available, and that shows just how different her normal speech and facial expressions and mannerisms were from Irene’s. I have watched and enjoyed several of Lombard’s other films, but a lot of them are a bit too silly even for me, and I really wish she could have been in more of the still fun and kooky but not-quite-as-screwball-as-the-‘30s comedies that were just starting to become popular around the time of her death. But at least we get to see her in My Man Godfrey. Thank you, William Powell.
My Man Godfrey was remade in 1957, and I watched that version one time in 2003, reacted with, Ew, they ruined it,and have never rewatched it. Maybe I will someday, just to see if it’s as bad as I remember it. No offense to that cast – there was no possible way to reach the standard set by the original. Sometimes remakes are great, but sometimes the original was already perfect and shouldn’t be messed with, and in my opinion, My Man Godfrey absolutely falls into the latter category. So what I’m saying is, if this podcast has made you want to watch this movie, make sure you get the 1936 version.
Thank you for listening to me discuss another of my most frequently rewatched movies. Next week I will be joined by not one but two very special guests, to discuss the longer of the two movies I watched 30 times, which is going to be very fun, so stay tuned for that. As always, I will leave you with a quote from that next movie: “Wait up! Wait for me! Not you, I don’t even know you!”
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retrorewind-kid · 3 years
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gothicprep · 4 years
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you'd think a thing like bar trivia would be fun, but then you actually attend and realize it's a 40 and above club. there are a ton of questions abt columbo and frazier and the Brady Bunch as if that shit hasnt been off the air for 15+ years
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papermoonloveslucy · 4 years
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MY THREE SONS at 60!
September 29, 1960
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“My Three Sons” was a situation comedy produced at Desilu Studios. It premiered on ABC TV on September 29, 1960 and finished its first run on April 13, 1972, with 380 episodes making it the second-longest running live-action sitcom in TV history after “The Adventures of Ozzie and Harriett” (1952-66). 
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Seasons 1 through 5 were aired in black and white on CBS.  In 1965 it moved to CBS when ABC declined to underwrite the costs of airing in color.  The series was initially filmed at Desilu Studios in Hollywood, but at the start of the 1967–68 season, the cast and crew began filming the series at the CBS Studio Center in Studio City, California due to Lucille Ball’s sale of Desilu to Gulf + Western, which owned Paramount Pictures. The sale also affected the filming location of another family sitcom, “Family Affair.”
Incredibly, “My Three Sons” ran concurrently through both “The Lucy Show” and “Here’s Lucy.” Both Steve Douglas and Lucy Carmichael (and later Carter), where single parents raising children. 
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September 16, 1965 was a big night for CBS airing the very first episode of “My Three Sons” after moving from ABC titled “The First Marriage”. It was also the first episode of the series broadcast in color, something “The Lucy Show” did three days earlier with “Lucy at Marineland” (TLS S4;E1). The premise of the series is a widowed father (Steven Douglas) raising his three boys with help of his extended family.  Initially, the three sons were Chip, Robbie, and Mike, but in 1967 Mike was written out and replaced by Ernie, whom Steve adopted.  The extended family at first consisted of Bub, Steve’s father-in-law and the boys’ maternal grandfather, but in 1964, that character was replaced by Uncle Charley, Steve’s uncle and Bub’s brother. 
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The leading role was played by film star Fred MacMurray, who the series was built around - including his hectic schedule. To suit MacMurray, scenes would be shot out of sequence and even alone on a soundstage and later edited to create a complete episode.  This was not MacMurray’s first time at Desilu. In 1958 he played himself on the “Lucy-Desi Comedy Hour” in “Lucy Hunts Uranium” set in the Nevada desert outside Las Vegas. He was joined by his second wife, actress June Haver. MacMurray (1908-91) appeared in over 100 films in his career but is perhaps best remembered for the film Double Indemnity (1944), which Lucy references in this episode. MacMurray’s name was first mentioned by Ethel in 1953 in “The Black Eye” (ILL S2;E20) when flowers arrive for Lucy mistakenly signed “Eternally yours, Fred.”
Although Lucille Ball was their landlord (and ultimate boss) she never acted on the show, but many of the actors who appeared on Lucille Ball’s sitcoms did appear on “My Three Sons”.
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From 1960 to 1965, MacMurray was joined by William Frawley as Bub O’Casey, the family’s live-in maternal grandfather. Of course, Frawley came to fame on “I Love Lucy” as the crusty landlord Fred Mertz. Frawley had worked with MacMurray in the 1935 film, Car 99. When Frawley had to leave  the show due to ill-health (and it was too costly to insure him) he was replaced by another Desilu alumni, William Demarest, as Uncle Charley. Like his previous co-star, Vivian Vance, Frawley was not especially fond of Demarest personally or as an actor. Demarest had, however, done three films with Lucille Ball. Frawley kept watching “My Three Sons” on his TV set bitterly. He never really got over being replaced by Demarest. On March 3, 1966, Frawley died of a heart attack.
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For Christmas 1959, Frawley and Demarest both appeared with Lucy and Desi in “The Desilu Revue” (above with “December Bride’s” Spring Byington). At the time, Demarest was working on the Desilu lot appearing in NBC’s “Love and Marriage.”
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On “My Three Sons” two of  Steve Douglas’ boys had been seen on “The Lucy Show”: Don Grady (Robbie Douglas) had played Chris Carmichael’s friend Bill and Barry Livingston (Ernie Douglas) had played Mr. Mooney’s son Arnold. Ted Eccles, who assumed the role of Arnold Mooney when Barry Livingston was busy on “My Three Sons,” also did an episode. 
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The children of “The Lucy Show,” Ralph Hart (who played Viv Bagley’s son Sherman), Jimmy Garrett (Jerry Carmichael), and Candy Moore (Lucy Carmichael’s daughter Chris) were also on episodes of "My Three Sons.”
Other “Lucy” performers who were on “My Three Sons” include: 
Mary Wickes ~ Jeri Schronk (1964)
Doris Singleton ~ Helen & Margaret, 8 episodes (1964-70)
Shirley Mitchell ~ Sally, 2 episodes (1968) 
Barbara Pepper ~ Mrs. Brand (1966)
Verna Felton ~ Mub (1962)
Kathleen Freeman ~ Lady Checker (1967)
Jerry Hausner ~ Various Characters, 2 episodes (1964 & 1966) 
Reta Shaw ~ Various Characters, 2 episodes (1962 & 1965) 
Elvia Allman ~ Maude Prosser (1967) 
Eleanor Audley ~ Mrs. Vincent, 9 episodes (1969-70)
Burt Mustin ~ Various Characters, 5 episodes (1962-70)
Olan Soule ~ Various Characters, 5 episodes (1963-70)
Alberto Morin ~ Professor Madoro (1967)
Herb Vigran ~ Caretaker (1967)
Maurice Marsac ~ Various Characters, 3 episodes (1964-72)
Tim Mathewson ~ Various Characters, 3 episodes (1962-63)
Bill Quinn ~ Doctors, 4 episodes (1964-66)
Barbara Perry ~ Mrs. Thompson & Mrs. Hoover, 3 episodes (1964-72)
Nancy Kulp ~ Various Characters, 2 episodes (1962)
George N. Neise ~ Various Characters, 2 episodes (1960 & 1967)
Maxine Semon ~ Various Characters, 2 episodes (1964 & 1967) 
Roy Roberts ~Various Characters, 2 episodes (1965 & 1967) 
Lou Krugman ~ Various Characters, 2 episodes (1966 & 1967)
Richard Reeves ~ Various Characters, 2 episodes (1962 & 1965)
Dorothy Konrad ~ Various Characters, 2 episodes (1961 & 1962)
Ed Begley ~ Various Characters, 2 episodes (1962 & 1968)
Gail Bonney ~ Various Characters, 2 episodes (1965 & 1970)
Rolfe Sedan ~ Various Characters, 2 episodes (1968 & 1971) 
Tyler McVey ~ Various Characters, 2 episodes (1962 & 1967)
J. Pat O’Malley ~ Various Characters, 2 episodes (1963 & 1964)
Paul Picerni ~ Various Characters, 2 episodes (1965 & 1967)
Sandra Gould ~ Various Characters, 2 episodes (1963 & 1964)
Richard Deacon ~ Elderly Man (1960) 
Mabel Albertson ~ Mrs. Proctor (1964) 
Joan Blondell ~ Harriet Blanchard (1965) 
Leon Belasco ~ Professor Lombardi (1966) 
Dayton Lummis ~ Dr. Blackwood (1963) 
Lurene Tuttle ~ Natalie Corcoran (1968)
Robert Foulk ~ Pop Action (1962) 
Dick Patterson ~ Bunny Baxter (1963)
Jamie Farr ~ Itchy (1964)
Larry J. Blake ~ Policeman (1968) 
Amzie Strickland ~ Cora Dennis (1968) 
Barbara Morrison ~ Mrs. Murdock (1969) 
Louis Nicoletti ~ Caddy Master (1962)
Frank Gerstle ~ Policeman (1964)
Gil Perkins ~ Painter (1963) 
Tommy Ferrell ~ Mr. Griffith (1964) 
Eve McVeagh ~ Clara (1966)
Remo Pisani ~ Pepe (1970) 
Dub Taylor ~ Judge (1963)
Frank J. Scannell ~ Emcee (1968) 
Ray Kellogg ~ Henshaw (1965) 
Romo Vincent ~ Charley (1964) 
Stafford Repp ~ Sergeant Perkins (1969)
Jay Novello ~ Vincenzo (1966) 
Leoda Richards ~ Restaurant Patron (1966)
CHILD STARS!
Other child stars who appeared on “My Three Sons” included Butch Patrick (“The Munsters”), Jay North (“Dennis the Menace”), Oscar-winner Jodie Foster, Angela Cartwright (“Make Room for Daddy”), Flip Mark (”Lassie”), John Walmsley (”The Waltons”), Tony Dow (“Leave It To Beaver”), Erin Moran (“Happy Days”), Maureen McCormick (”The Brady Bunch”), Ann Jillian (Gypsy), and Heather Menzies (The Sound of Music). 
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On November 22, 1977, ABC TV (and Dick Clark Productions) brought together a reunion of two of television's favorite sitcoms "The Partridge Family" and "My Three Sons." Hosted by Shirley Jones and Fred MacMurray this would be the only time that the surviving cast members would get together to celebrate the series which included clips, a song from David Cassidy, and an update of what each cast member was doing in 1977.
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Also in 1977, some of the stars of the series reunited on a morning program titled "The Early Show", including Stanley Livingston (Chip Douglas), Barry Livingston (Ernie Douglas), Tina Cole (Katie Miller Douglas), and Don Grady (Robbie Douglas).  
TRIVIA
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In “Lucy Helps Danny Thomas” (TLS S4;E7) in 1965, there is a large framed photo of Fred MacMurray in the studio hallway.  He is joined by other Desilu stars like Jim Nabors (of “Gomer Pyle USMC”), Andy Griffith (of “The Andy Griffith Show”) and Danny Thomas (of “The Danny Thomas Show”). 
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ishippedsohardisunk · 3 years
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I just had the unique experience of being a part of a Zoom birthday party where a nine-year-old girl beat actual Bobby Brady at Brady Bunch trivia. These are wild times we live in
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mrmallard · 3 years
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I recently looked up Robert Reed, the man who starred as Mike Brady in the Brady Bunch. Someone mentioned the revival movies, and looking at the IMDB trivia made me think of him.
Despite seeming to hate the show, he had a great relationship with the child actors and they tended to mention how much they liked him in cast interviews and retrospectives. He also never turned down an appearance - why decline a cash cow, I suppose - and while he seemed to really dislike his role in it, he discussed his feelings on acting and the role of the show in a really lucid sort of way. He'd write these long, frustrated letters to Sherwood Schultz, the franchise's producer, about the content of the scripts - and Schultz tolerated this because more often than not, Reed's intuition turned out to be right.
But the thing about Robert Reed is that - to my understanding - he spent his entire life in the closet. Reed was a gay man, and while consensus among the cast seems to indicate that people knew, there was a very real risk of his career tanking if that ever got out, as well as that news condemning the show. So up until 1992, Robert Reed lived as a gay man in private and never told another soul.
But in 1992, a few days before his death, he called Florence Henderson to tell her that he was terminally ill with colon cancer. And while I'm having trouble interpreting what I've read, I think this includes the fact that he had been dealing with HIV. I only read the IMDB and Wikipedia pages for him, so if there's more information I apologize, but I suppose that it was a week or so before his death that the nature of his sexuality and his illnesses came out.
He had HIV when he died - it hadn't evolved into AIDS. The ultimate cause of death was colon cancer.
Something that struck me about what I read is that according to eyewitness testimony, people seemed to understand. They saw how unhappy he was, they saw how he fought with the producers over scripts, and there was an implicit understanding of his sexuality and how that informed his behavior. But for all of the unhappiness he felt, he was also a kind and generous man, taking the child actors on outings and looking out for them. To this day, he tends to be fondly remembered by the actors who played the Brady kids.
Robert Reed was almost certainly unhappy throughout a lot of his career, due to the repression of his sexuality and his reputation as the squeaky clean Mike Brady which embarrassed him greatly. But for all his resentment and conflict over the role, he didn't let that poison the kids on the show. He was a role model.
It's telling that despite his openly disdainful opinion of the Brady Bunch, people maintained for years after his death that he was a kind and beloved man. He had issues, and his relationship with the show and its producers was complicated. But as a person, as an actor, he set a positive example and he maintained the bridges he built in that show for years afterwards.
Robert Reed was a gay man in the 60's and 70's, known for playing the most sanitised live-action husband in the modern lexicon. He lived with unhappiness and disdain over that for decades, and how that image made it hard to live freely as himself. What we know today is because he only spoke about it to one person, days before he died.
I have a deep affection and respect for Robert Reed after what I read. From what his co-workers say, he was a good man wrestling with demons which were empowered by forces beyond his control, and that informed his life for entirely too long. He seems to have been a very private person, so without adequate insight into his personal life or relationships, I can't make a definitive comment one way or the other.
But I want to say - I hope that throughout his life, up until the end, he was loved. He was beloved by people who knew him, but I sincerely hope that he had people to take comfort in throughout his life, who validated his sexuality and gave him a degree of love and acceptance that he hadn't been able to find in the limelight.
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kwebtv · 4 years
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Character Actor
Robert William "Dabbs" Greer (April 2, 1917 – April 28, 2007) Character actor who performed many diverse supporting roles in film and television for over 50 years. With hundreds of guest appearances on episodes of numerous television series, Greer may be best remembered as a series regular as Coach Ossie Weiss in the sitcom Hank and as a series regular as the Reverend Robert Alden in Little House on the Prairie. Greer may be better known to later audiences as the 108-year-old version of the character played by Tom Hanks in 1999's The Green Mile.
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Trivia:  Greer portrayed the ministers who married Rob and Laura Petrie on the Dick Van Dyke Show as well as Mike and Carol Brady on The Brady Bunch. 
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criticalangst · 5 years
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SHAPPY’S 10 AMAZING FACTS ABOUT KINGS ISLAND -- THE BEST AMUSEMENT PARK EVER
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10 COOL THINGS ABOUT KINGS ISLAND AMUSEMENT PARK IN THE 70s & 80s 
By Shappy Seasholtz
1. When you walk through the entrance, you are greeted by Fred & Barney, Scooby-Doo, Hong Kong Phooey and half of The Banana Splits in front of a dancing water fountain in front of a fake Eiffel Tower!
2. In 1975, Evel Kneivel jumped over 14 Greyhound buses in the parking lot setting a new world record!
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"Wooden Roller Coaster - The Beast at Kings Island Theme Park" by Warren County CVB is licensed under CC BY-NC-ND 2.0
3. It has THE BEAST! The biggest, baddest, longest, fastest, wooden roller coaster in the world! On one of it's test runs it ripped the head off a dummy! (Or was it really a human being?)
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4. Both The Brady Bunch and The Partridge Family shot episodes there!
5. When you rode The Screamin' Demon, one of the world's first looping roller coasters, it would stop mid-loop and people's wallets and sunglasses would fall out on to a little island full of monkeys in front of the Wild Animal Safari. The monkeys would throw all the tourist flotsam and jetsam at each other like their own poop!
6. Crafty lions and leopards kept finding ways to break out of the Wild Animal Safari which added a real sense of danger to that area of the park!
7. They sold fruit drinks in molded plastic fruit that represented whatever flavor you were drinking. Grape juice in grapes, orange drink in oranges, etc. As a kid I thought this was marketing GENIUS!
In The Happy Land Of Hanna-Barbera they had a ride called the Enchanted Voyage which was an air-conditioned boat ride through a giant television set.
8. They had an old-timey locomotive train ride that took you back in time to the pioneer days and real cowboys and indians used to jump out of the woods and on to the moving train scaring the crap out of little kids (including me)!
9. TimberWolf Theater got cool bands to play! I saw The Four Tops & The Temptations with my mom & dad! My first concert! Over the years I see Huey Lewis & The News, .38 Special, The Go-Go's, Paul Young and Tears For Fears! Shout, shout, let it all out!
10. In The Happy Land of Hanna-Barbera they had a ride called Enchanted Voyage (see a vintage home movie below) which was an air-conditioned boat ride through a giant television set. While you waited in line they played all the theme songs to my favorite Hanna-Barbera shows! I must have taken this Enchanted Voyage a hundred times! When you floated in there were all of your favorite cartoon characters come to life! The Hillbilly Bears! Wacky Races! Squiddly Diddly! At the end of the ride you entered a Scooby-Doo style haunted house and then spat out into some sort of psychedelic circus. Then they changed it to The Smurfs in the 80s and harshed my mellow. But I remember that ride like I just got off the boat and back in line.
It might have been the closest thing to nirvana I have ever experienced.
Shappy Seasholtz has an extensive 8-Track tape collection, an impressive selection of View-Master reels, a vast array of plastic figurines of old advertising mascots and far too many long boxes of comic books. Shappy is a National Poetry Slam Champion and is the creator of the Nerd Slam, a poetry competition that is half nerd poetry, half trivia-off. He has appeared on CNN, MTV and HBO's DEF POETRY. His most recent collection of poems, SPOKEN NERD REVOLUTION was published by Penmanship Books in 2011 and his work has appeared in several WRITE BLOODY PRESS anthologies. He is currently in Michigan working on his poetry memoir -- AMERICAN BUCKEYE.
Enchanted Voyage home video from 1980:
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Commericals from the Smurfin’ Time era:
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vozpit · 5 years
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Top 10 Most Annoying Cartoon Characters
Cartoon characters can be funny. They can be heroes. And yes, they can be annoying. Here are the most annoying characters in the history of animation. 10) Spongebob Squarepants: Spongebob Squarepants
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Spongebob is different than the others on this list for one reason. He was created to be annoying. Even his theme song was created to be loud and obnoxious, so as to wake up parents, as the kids screamed bounced around the room, singing about a freaking sponge! There have been questions about Spongebob's sexuality. People wonder if he is gay. I have the answer. Spongebob is a FUCKING SPONGE! 9) Olive Oyl: Popeye Cartoons
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Besides having an annoyingly annoying voice, Olive's sole purpose in her cartoon life is to get Popeye to fight with Bluto. I mean the poor guy's got a fucking eye missing. I don't even think he has any teeth. He's bald smokes a cheap ass corn-cob pipe. Bluto comes along and wants her scrawny ass. He's huge, muscular, has a nice head of hair and can bend steel bars without the aid of a can of spinach. He can get any babe he wants. Yet he wants Miss Stringbean here. She's happy to go with Bluto, but in her evil mind, she knows she's gonna piss Popeye off & force him to chew on that disgusting veggie. He'll then pummel poor Bluto into a pulp. And like a dope, Popeye accepts the fact that she used Bluto to make him jealous. She's evil & annoying. A bad combination. 8) Orbity: The Jetsons
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Do you remember the Brady Bunch? Do you remember when the show was nearing the end & they brought in the Brady cousin Oliver? You know, the blond kid with the big glasses. He had smart ass remarks & was un-Brady like in every way. Do you remember what happened to the show after Oliver's first appearance? Yes, it went right down the shitter. Well, in the world of the Jetsons, they had a cousin Oliver & his name was Orbity. Orbity was a little alien that had springs for legs. He made little stupid noises instead of talking. Orbity made his appearance when the Jetsons came back for all new episodes almost 20 years after their first run. The show ran straight for 18 years with only 24 episodes. Yet, they decided that the Jetsons needed a new character to bring it into the "future" of television. Sure, the Jetsons had a pet already, but he was just a dog. A dog that talked! Sure, he talked like he had a mouth full of buffalo balls, but he fucking talked! Orbity couldn't do that. He bounced around & got into trouble. Oh Orbity, you little minx. You're so cute...and annoying. 7) Snarf: Thundercats
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Snarf snarf snarf! Snarf Snarf! Yes, if you know the name, you know the annoying way he said "Snarf!" every three seconds. Snarf was the "bodyguard" of a young Lion-o. Lion-O was just a kid, when the show started, but less than an episode later, he would be full grown & become the leader of the Thundercats. Lion-O could kick major ass with his sword, yet Snarf was always there following him around. "Snarf! Snarf snarf!!" There's a famous tape going around of bloopers from the Thundercats. In one of them, Snarf is talking to Lion-O. "But Lion-O, what are we going to do? Snarf!" To which Lion-O answers, "Shut the fuck up." Yes Snarf, shut the fuck up. 6) H.E.R.B.I.E.: The Fantastic Four
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Sure, lots of people hate the recent Fantastic Four movies. But you must be thankful that H.E.R.B.I.E. the robot wasn't in either of them. H.E.R.B.I.E. was added to the FF for their 1978 cartoon series. They needed him to replace the Human Torch, as the Torch was going to be used in a separate tv series, which never aired (and not for the rumored reason that little dumb kids would light themselves on fire). H.E.R.B.I.E. stands for Humanoid Experimental Robot B-Type Integrated Electronics. Kind of stupid, isn't it? But not as stupid as H.E.R.B.I.E.. Yes, even the idea of a robot given a Jewish name was not original (Get Smart had Hymie), but I just wonder who decided to replace the Human Torch with a robot. And not even a cool robot. He had no friggin powers!! He floated around and was supposed to be some sort of genius. Excuse me, but Reed Richards is a SUPER-GENIUS!! Annoying & useless. 5) Orko: He-Man & the Masters of the Universe
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Okay, so take Snarf. Make him float. Give him a wizards cap & cloak, but take away his face. Now, give him magic powers that are utterly useless. Oh, the hilarity! Oh, the annoyance. Orko had a voice that was kind of like Alvin from the Chipmunks, if Alvin had gargled with liquid helium. Throw in the fact that he was comedy relief that was neither comedy nor relief and you got #5 on the list. 4) Newton: The Mighty Hercules
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"What are we gonna do now? What are we gonna do?" The Jimmy Two-Times of the cartoon world. Newton was a centaur who used to follow Hercules around. Naturally, he'd get in trouble and Herc would have to save his horse's ass of an ass. Now sure, we have tons of shows where the comic relief character would have to be saved by the hero, but almost none as annoying as Newton (check out numbers 2 & 1 for the winners in this category). Not only did Newton have this double talk, but he seemed to run into trouble, although he should have seen it right away. Later on in the series, they introduced Newton's partner, Toot. Toot was a satyr who, instead of speaking, would toot on a little pan flute. Now, you would think that Toot would beat Newton when it came to being annoying. But Toot was actually helpful in most cases. Although I will never forgive Toot for the time when he woke up a knocked out Newton, by splashing water in his face, by spitting it out of his flute. Let Newton sleep Toot! Let him sleep!! Trivia: Newton was voiced by Jack Mercer, who also voiced Popeye. Why, Jack, why? 3) Scrappy Doo: The Scooby & Scrappy Doo Puppy Hour
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Pu-pu-pu-puppy Power! Pu-pu-pu-piss!!! Oh look! He looks like Scooby Doo, but smaller! He's cute! Oh, I just want to squeeze him until his fucking eyeballs pop out his head! Look, everyone hates Scrappy Doo. Jar-Jar Binks hates him. Even Scooby & the Gang hates him. And the reason is simple, he did not partake in the herb! We know Scooby was smoking up! He & Shaggy would go looking for snacks, while Scrappy was just interested in solving the case & kicking ass. The problem was Scrappy just wouldn't mellow out with a few trees. Puff puff puffy power mutha fucka! Every episode I waited for someone to punt that dog like a football. He was even the same color as a football, shit brown! 2) Uni: Dungeons & Dragons
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Waaaaaaaaa! I hate Uni. I hate you Uni. I want Uni to die. I want Uni to die a slow painful death. Uni is the champion of annoying characters that would get into trouble to have to be saved by the kids. The whole show was based on the story that the kids were trying to get home to the real world. This fictional piece of shit would constantly ruin their chances, time & time again. He was a mythological creature! Kill him! Kill him!! Right behind Uni was an almost equally annoying character, Bobby. Bobby was a Barbarian. Bobby would do anything to protect this flea ridden diaper eating pointy headed horse. Even ruin the chance for his friends to get back to their homes. Fuck you Bobby, & fuck you Uni. Die! Die! Die!
1. Elmyra: Tiny Toon Adventures
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Remember how I wanted Uni to die? Well, I want to cut off Uni’s horn & impale Elmyra right in her goddamn face. Easily the most annoying character ever created with the most annoying voice ever. Spongebob was created to be annoying, but he was funny. Elmyra was created to be annoying & I’d like to kick her head off her neck like a football. She’s not funny. She’s not amusing. She’s horrible. I hope the person who created her is dead. I hope the person who voiced her is dead. Can you tell I don’t like her?
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retrorewind-kid · 3 years
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dclreturn · 2 years
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Day 7 - Friday, October 22, 2021 - Nassau
Chilling out...
Like most, we intended to remain on the ship. It was the only morning docking truly woke me (before 8am) as it seemed to take forever. There is a bit of an inlet to the Nassau dock and there ended up being at least 3 other ships all at our same dock location.
FYI this is the only day the weather was less than ideal. About an hour before our departure from Nassau, the sky opened and let loose. We watched - from our dry verandah - guests, mostly on the other ships, getting drenched on their way back to the ships. (This is why I ALWAYS advise bringing raingear!) You can see here Nassau is purposefully and significantly increasing their dock space. This area is 3 ships worth of width from land. Good for them in trying to increase tourism. However, most Disney Cruisers don’t leave the ship at this port.
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Not hungry Kara prompted us to a 9:30am breakfast in Cabanas. We ran into our Server, Tony, in a white jacket & tie, which means something very different! We learned he is training and awaiting a promotion as soon as a position opens (possibly on the Wish) and that one of our first and favorite servers, Plamen, from many cruises ago, helped him progress up in this career. A small world indeed!
At noon we played Disney Cruise Line trivia. We didn’t win this time, as I didn’t study and they asked harder questions. (Now I have a study guide for January.)
Still having mini golf on the list, we handled the fun 9 holes when it opened at 1pm. I believe I won 26 to 29.
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The dog collar is in honor of Sir Kona, Kara’s Mini Double Doodle, who was sadly at home.
Next at 2pm we finally saw Shang-Chi and The Legend of the Ten Rings. It was something we’d planned to do on the cruise, as we felt safer seeing it here than “on land”. 
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While we endured having to wear masks the entire time, the “3 seats between each party” was nice. Too bad they don’t have our AMC recliners. This was actually tough to put in our week, as it was showing at either 11:45pm or during our dinner. It was also showing far fewer times than Black Widow, which we thought was odd since Shang-Chi was the more recent release.
Afterward we got ready for dinner and headed to Guest Services to add to the standard gratuities. Dinner was back in Enchanted Garden and another menu we weren’t excited about. 
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For appetizers Kara got the shrimp & jambalaya rice, while I tried raw salmon (for the first time ever!) with a bit of honey mustard sauce. It needed a lot more sauce! (It reminded me of Chick-Fil-A sauce! LOL!) It was good, but by the end it reminded me a bit of bologna, weird I know.
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For our Mains we both got the Grilled Turbot over mashed potatoes, which seemed like a weird combo. The couple next to us remarked about our cookies from last night too, so they got a takeaway batch as well. We got to learn about NeiNei’s upbringing & home in South Africa and career choices with the cruise line.
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I prompted again to get the cookie vendor. It seems Tony went to the lower deck freezer to take a photo of the label and then AirDropped it to me! Then Hasan offered to have more cookies delivered to our stateroom. I almost stupidly declined. Almost.
Next was the now nightly stop at Sweet on You, where Kara got Mixed Berry gelato (that she proclaimed was better than Palo - gasp!)...
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...and I got a 50th Birthday Mickey cupcake that was chocolate cake with Chocolate mousse (which was dry). It was tough to both get out of the box and to eat with a tiny wooden spoon.
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Kara wanted to go to 7:45pm TV Quotes, which I didn’t understand. (I thought we were going to the 7:30pm TV Tunes trivia.) We did just a respectable job here and will always remember the Welsh host offer a clue of, “Mar-cea, Mar-cea, Mar-cea” in her Brady Bunch attempt!
And because you rarely get the shot of an empty hallway (& we took plenty more like this)!
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We decided to go ahead and see Disney’s Believe tonight (night 1 of 2), knowing how crazy busy tomorrow will be. Original Disney productions are unique to the cruises, so even if this isn’t our favorite (& we forgot about recycling the genie from Aladdin), we’re still glad we went.
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We haven’t mentioned our nightly towel animals. Tonight was a new one for us and definitely our fave: Ms. Giraffe!
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Disclaimer: Gayle is a travel agent with Authorized Disney Travel Planner agency - Off to Neverland Travel. Contact her today for a no-obligation quote!
Next up: Our first Double Dip; it’s back to Castaway Cay!
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hardyharharcomedy · 3 years
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Sometimes girls who love hanging in cemeteries also love cheesy 70s sitcoms as well as their 1990s parody movie counterparts. Comedians Lauren-Blair Donovan and Roz Stanley visit the iconic Brady Bunch House and butcher trivia about the show, give free comedy lessons, and talk about how Jennifer Elise Cox (Jan Brady in the 90s movies) is such a comedy gift and hero to the world. Basically we geek out but if you're a fan of this franchise you'll enjoy every moment! Please like and subscribe to Hardy Har Har Comedy!
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papermoonloveslucy · 6 years
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LUCY & HENRY FONDA ~ Part One
1935-1968 
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Lucille Ball and Henry Fonda were more than just co-workers. When Lucy first got to Hollywood, the two actually briefly dated. Lucy remembers,
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"We worked long and hard, Ginger [Rogers] and I, in front of our mirrors. We used eye shadow, plenty of mascara, pancake [make-up], deep red lipstick, rouge, everything we'd been taught in the studio cosmetic department. Then we went out to Brentwood, that's where the boys lived. My date was Fonda. Ginger's date was [Jimmy] Stewart. Henry cooked the dinner, and after we ate, Ginger and the boys turned on the radio in the living room and Ginger tried to teach them ‘The Carioca.’ I was left doing the dishes. When I finished, we went out dancing at the Coconut Grove. Freddie Martin's orchestra. There we were, Ginger and I in our long organdy dresses, looking just as summery and smooth as we could. The date stretched into daybreak. We'd had a hilarious, wonderful evening that came to an end at Barney's Beanery. Well, it was dark and we went in and light when we came out. Hank and Jim took one look at us and said, 'What happened?' We said, 'What do you mean what happened?' And Jimmy Stewart said, 'Well, your nighttime makeup is on awful heavy for this time of the morning.' And Henry Fonda said, 'Yuk!'"
In 1975 Fonda told this story at “The Dean Martin Celebrity Roast” for Lucille Ball. Ginger Rogers was also in attendance. He added that "If I hadn't said, 'Yuk!', if I'd behaved myself, they might have named that studio Henrylu, not Desilu."
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Perhaps it is a good thing that Fonda and Ball never married as genealogists point out that they are related - 8th cousins. The pair acted in three feature films together and made numerous television appearances opposite one-another. Curiously, although he was sometimes mentioned, Fonda never guest-starred on a “Lucy” sitcom.  
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I Dream Too Much (1935)
Producer: Pandro S. Berman Director: John Cromwell Choreographer: Hermes Pan Screenplay: Elsie Finn (story), David G. Wittels (story), Edmund North Songs: Jerome Kern and Dorothy Fields 
Cast: Lily Pons (Annette Monard Street), Henry Fonda (Jonathan Street), Eric Blore (Roger Briggs), Osgood Perkins (Paul Darcy), Lucien Littlefield (Hubert Dilley), Lucille Ball (Gwendolyn Dilley)
Synopsis: Annette Monard Street (Lily Pons) is an aspiring singer, who falls in love with and marries Jonathan Street (Henry Fonda), a struggling young composer. Jonathan pushes her into a singing career, and she soon becomes a star. Meanwhile, Jonathan is unable to sell his music, and he finds himself jealous of his wife's success. Concerned about their relationship, Annette uses her influence to get Jonathan's work turned into a musical comedy. Once she achieves this, she then retires from public life in order to raise a family.
"Lucille replaced Betty Grable, an eighteen-year-old stock player... in the minor role of Gwendolyn Dilley, a bleached-blonde gum-chewer visiting Paris with her parents and little brother.” ~ Kathleen Brady, Lucille
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Gwendolyn Dilley (Lucille Ball): "Culture is making my feet hurt."
TRIVIA
At this point in her career, Lucy was a platinum blonde. She had dyed it from her natural mousy brown to get more attention from casting agents and producers. She did not begin coloring her hair its trademark red until the technicolor film Du Barry Was A Lady in 1943.
A brief clip of Lucy in the film is included in “Hollywood the Golden Years: The RKO Story: A Woman's Lot” (1987).  
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The Big Street (1942)
Producer: Damon Runyon Director: Irving Reis Screenplay: Leonard Spigelgass, based on the short story “Little Pinks” by Damon Runyon
Cast: Henry Fonda (Little Pinks), Lucille Ball (Gloria Lyons), Barton MacLane (Case Ables), Eugene Pallette (Nicely Nicely Johnson), Agnes Moorehead (Violette Shumberg), Sam Levene (Horsethief), Ray Collins (Professor B)
Uncredited actor Hans Conried played a waiter. On “I Love Lucy” he played Harry Martin in “Redecorating” (S2;E8) and Percy Livermore in “Lucy Hires an English Tutor” (S2;E13), both in 1952. He also did two episodes of “The Lucy Show,” both as her music tutor Dr. Gitterman in 1963.  
'Queen of the Extras' Bess Flowers made numerous uncredited background appearances on both “I Love Lucy” and “The Lucy Show.”  
Uncredited actor Gil Perkins (Mug) later turned up on a 1970 episode of “Here's Lucy” (S2;E21).  
TRIVIA
During filming, Lucy's new husband Desi Arnaz felt so insecure about leaving Lucy and Fonda alone together that he’d often pop by the set to keep an eye on them. His paranoia so exasperated director Irving Reis that he finally banned him from the set.
This was Lucille Ball's favorite of her nearly 80 films. She felt her performance was unjustly ignored by the Academy.
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Damon Runyon also created the source material for the hit Broadway musical Guys and Dolls (1950), which starred Robert Alda, who went on to make several appearances on “The Lucy Show.” The two stories share the character of Nicely Nicely Johnson. When the film version was made by MGM in 1955, Lucy and Desi were also under contract to the studio. A brief clip of the film was inserted into the middle of an episode of “I Love Lucy” called “Lucy and the Dummy” (S5;E3), although the clip was removed after its initial airing. Further, when Lucille Ball first came to Hollywood, before becoming a contract player at RKO, she worked for Sam Goldwyn as one of the Goldwyn Girls. In Guys and Dolls, the Hot Box Girls are played by the Goldwyn Girls.
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Gloria Lyons (Lucille Ball): “Love is something that gets you one room, two chins, and three kids.”
A brief clip from the film is seen in “Lucy and Desi: A Home Movie.”
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“The Good Years” (January 12, 1962)
Produced by: Leland Heyward Directed by: Franklin L. Schaffner
Cast: Lucille Ball, Henry Fonda, Mort Sahl, Margaret Hamilton (Narrator)
Characters included Teddy Roosevelt, Sandow the Bodybuilder, the Wright Brothers, J.P. Morgan, Lizzy Borden   
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TRIVIA
This CBS special was billed as 'Lucille Ball's return to television' after leaving Lucy Ricardo behind in April 1960. It would be several more months before the debut of “The Lucy Show” in Fall 1962.   
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Based on a best-selling book by Walter Lord first published in 1960 about the years leading up to World War One, the special was a hodge-podge of sketches and musical numbers about the time period 1900 through 1920.
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Mort Sahl: “Lucille Ball came into rehearsal. She had a later call and a lot of doubts about the script.”
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The 90-minute special was a critical failure and has largely been forgotten. There are few photographs and video copies are held at the Museum of Broadcasting. 
“All About People” (1967)
Director: Saul Rubin
Narrators: Lucille Ball, Henry Fonda, Jack Benny, George Burns, Carol Channing, Eydie Gorme, Charleton Heston, Eartha Kitt, Burt Lancaster, Edward G. Robinson
TRIVIA
This was a 30-minute black and white documentary made by the United Jewish Welfare Fund about its history. 
After marrying Gary Morton (nee Morton Goldapper), Lucille Ball was active in Jewish charities. On December 9, 1961, Lucy had appeared on the “Twelve Star Salute to the Federation of Jewish Philanthropies.” 
Burns, Benny, and Gorme, all later made appearances on “Here's Lucy.” Edward G. Robinson did a cameo on “The Lucy Show.”  
Although Ball and Fonda are both involved in the project, they likely recorded their narration separately. 
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Yours, Mine and Ours  (1968)
Producer: Robert F. Blumofe Director: Melville Shavelson Screenplay: Melville Shavelson and Mort Lachman, with story by Bob Carroll Jr. and Madelyn Davis (Lucy’s TV writers), based on the book Who Gets The Drumsticks? by Helen Eileen Beardsley
Cast: Lucille Ball (Helen North Beardsley), Henry Fonda (Frank Beardsley), Van Johnson (Darrel Harrison)
Nancy Howard (Nancy Beardsley) made three appearances on “Here's Lucy.” Tim Matheson (Mike Beardsley) made an appearance on a 1972 “Here's Lucy” playing Kim Carter’s boyfriend. 
Uncredited extras Leon Alton, Paul Bradley, Charles Cirillo, George Boyce, Paul King, Joseph LaCava, and Leoda Richards all made numerous background appearances on “The Lucy Show” and “Here's Lucy.”
Synopsis: A widower with ten children falls for a widow with eight, and they must decide about forming a huge, unconventional family.
TRIVIA
Jane Fonda claimed that her father was deeply in love with Lucy and that the two were "very close" during the filming of Yours, Mine and Ours but that Lucy wasn't in love with him.
After purchasing the rights to the book the film was based on, Lucille Ball became very close to the real Beardsleys and even treated the whole family to a vacation at Disneyland. 
In 1959, Lucille Ball and Desi Arnaz, still affiliated with MGM, were going to star as Frank and Helen Beardsley but the studio had trouble with the casting until the late 1960s. In addition, their marriage was then on the rocks, a situation which would have made working together on the optimistic comedy somewhat problematic.
Lucy's old friend John Wayne was initially considered to play Frank Beardsley. The role was cast with Fred MacMurray, but he was replaced by Henry Fonda.  
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Frank (Henry Fonda): “I don't quite understand. Am I being stupid?” Helen (Lucille Ball): “No, you're being a man. Which is sometimes the same thing.”
Lucille Ball co-produced the film under her company, Desilu Productions. When the film became a surprise smash hit grossing over $17 million on a $2.5 million investment, she hadn't anticipated the film's huge box-office success and failed to provide a tax shelter for her personal profits, resulting in most of her earnings going toward taxes.
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The success of the film led to Lucy being considered to play Mrs. Brady in “The Brady Bunch,” a TV sitcom with a similar story of a blended family. Lucy decided to do her own sitcom, “Here's Lucy,” instead.
In 1968, Van Johnson guest starred on “Here's Lucy” as both himself and an impostor look-alike in “Guess Who Owes Lucy $23.50” (HL S1;E11). The dialogue contained references to Yours, Mine and Ours and their co-star Henry Fonda.
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Van Johnson Impostor: “I loved working with that kooky redhead.” Lucy Carter: “Personally, I thought she was much too young for Henry Fonda.”
Johnson was in the cast of Too Many Girls, the film which introduced Lucy to Desi in 1940. Johnson also guest-starred on “I Love Lucy” in “The Dancing Star” (S4;E27) in 1955.
Click Here for Part Two: 1975 to 1979!
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Notes taken during Super Bowl LII
KITTEN AND PUPPY BOWLS
Is this the first-ever Kitten Bowl to go to overtime? Tied at 28. Feline Manning throws deep. Macaroni grabs it in the end zone. Touchdown! 34-28 Panthers, final score.
I've never thought much of Feline Manning in the regular season, but you can't argue with his results in the Kitten Bowl.
There's a new Puppy Bowl stadium? This is embarrassing. The taxpayers are getting fleeced again.
OH HELL YES. THE REFEREE AT PUPPY BOWL IS A SLOTH.
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Update: Puppy Bowl is tied at 14 after a quarter. It's anybody's game.
Dammit. Should have called it a pupdate.
Puppy Bowl is 24-21 in the second quarter. It's quickly becoming apparent that dogs can't play defense.
Pupdate: Fluff 28, Ruff 24. Presumably, we're deep into the second quarter.
Now it's 31-28 Ruff. Still in the second quarter. I'm sure Puppy Bowl XIV is on track to destroy the all-time record for total points scored in a single game.
Last second touchdown! Fluff pulls off a 52-47 win over Ruff!
PREGAME
Okay, I've got a beer, dinner is on its way, and I'm settling in to finish this project. The only reason I've finished this is that I'm a stubborn SOB. This hasn't been fun for about 6-7 months now.
A feature about Tom Brady's mom. She had cancer in 2016 and was only able to be at one of his games, Super Bowl LI. A nice story.
Oh, cool, now Dan Patrick asked Brady when he knew he could be great. It's no longer a heartwarming story about his mom, now it's about slurping on Brady.
Patrick comparing Brady to Michael Jordan. Brady says he doesn't think about that very often. Could never be compared to his childhood heroes.
Brady has no idea how he'll fill the void when he retires. Maybe coach his kids. He's happy his kids are old enough to see him play. His son didn't pick him in fantasy football. Took Cam Newton instead.
You know what NBC should do more of? Talk about Tom Brady. I wonder where they rank him on the all-time list.
Now it's a feature about the Eagles defense. Not a ton of big names, says Chris Long, but they have a bunch of good players.
And then they end it with more about Tom Brady. Good. More of that, please. I never get sick of it.
One thing I've noticed, in watching all these Super Bowls, is that the team with the better defense wins more often than you'd expect. If one team is offense-reliant and the other is defense-reliant, the defensive team wins a bunch of games. That would be the Eagles here.
Rodney Harrison: Patriots will run short passes and screen passes to avoid the Eagle pass rush.
Commercials. Zelle. Applebees has a quesadilla burger. George Washington crossing the Delaware Turnpike for Geico. Turbotax. Promo for a new NBC series, Good Girls. It's not about puppers, unfortunately. Promo for the Olympics.
NBC bumps in with a bunch of sound bites from Eagles and Patriots fans. The Patriots remain the worst. I hope this old guy gets to see an Eagles championship.
Rodney Harrison: Tom Brady gave me a hug, told me he loves me, and gave me a little wink. I've seen that wink before. That means he's going to have a big game.
Dungy and John Harbaugh talk about how loose and calm the Eagles seem. Harrison says the Patriots need to come out and start fast. Can't fall behind the Eagles like they did last year against Atlanta.
Harrison picks the Patriots. Harbaugh picks the Eagles, says they'll hold New England under 24. Dungy picks the Eagles, says he's fallen in love with Nick Foles. Dan Patrick doesn't pick anybody. It's good to be the host.
Commercials: HQ trivia. You can watch the game in Spanish on Universo. Local ad for Tim Hortons. Local ad for Columbus Cyberknife prostate cancer treatment. State Farm insurance. State of Ohio PSA saying you shouldn't drive drunk. YoutubeTV. The commercial for Youtube TV includes a bunch of NBC programming.
Time for the "Youtube TV kickoff show". Starts with a Carrie Underwood song. Great. This is where I need a fast forward button.
There's a rap breakdown in the middle of this Underwood song. They show Super Bowl legends including Roger Staubach during that part of the song. Staubach has been one of my absolute favorite players to watch in these Super Bowls, but he is the least "hip hop" person on earth.
Al Michaels: This is a league built for parity and the Patriots are on the cusp of their sixth championship in 17 years. Eagles have a history of success, but have never won a Super Bowl.
Cris Collinsworth: Everybody knows Tom Brady, but not Nick Foles. But Foles is capable of having a tremendous game. Had one of the greatest seasons in NFL history in 2013. Chip Kelly says you're welcome.
Commercials: A really long commercial for Mass Mutual that involves people singing a Pretenders song. Red Sparrow.
Eagles walk out to the field. NBC runs a montage of their players introducing themselves. "Donnie Bag of Bones Jones" is the punter.
Patriots now. "Chris Hogan, Penn State lacrosse." I wouldn't want to be associated with their football program either. (Also, he didn't play football in college.)
It's very clear very early who the fans in the stadium want to win. The Patriots are loudly booed as they take the field.
Commercials: Kraft, US Bank, Mercedes Benz, Terrell Owens for Pizza Hut, Winter Olympics Promo.
Walter Payton NFL Man of the Year Award. J.J. Watt, unsurprisingly. He did a ton of work to raise money for hurricane relief after Houston got leveled.
America The Beautiful. Leslie Odom Jr. I genuinely have no clue who this person is. He can sing, though. He nails it.
It turns out Leslie Odom Jr. played Aaron Burr in Hamilton. This would explain why I don't know who he is.
The Star Spangled Banner. Pink. She also nails it.
Commercials. I spaced out and may have missed one. The Quiet Place. Lionel Richie for TD Ameritrade. Big Mac.
Michaels: What's the most likely way the Eagles win this game? Collinsworth: The offensive line and defensive line. They need to be able to run the ball and they need to be able to pressure Brady without blitzing him. It's hard to imagine that this game could come down to anything other than Tom Brady.
Coin toss: Medal of Honor winners. Very cool. Herschel "Woody" Williams will toss the coin. Won the Medal of Honor for valor at the Battle of Iwo Jima in World War II.
The referee called him Willie Williams. Oof.
Now he called him Corporal Wilson.
Eagles call tails. It's heads. Patriots defer, Eagles will receive.
Michele Tafoya: Eagles coach Doug Pederson told Nick Foles "You're not Tom Brady. Be Nick."
Commercials. I spaced out again. Is there a new Jurassic Park movie? There was a thing for that. Also YouTube TV.
NBC bumps in from commercial with a bunch of sound bites from past Super Bowl heroes. Staubach, Namath, Hines Ward.
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FIRST QUARTER
Okay, kickoff time
Line-drive kickoff. Clement takes it out to the 25.
First play, pass right to Agholor. 5 yard gain.
Agholor for 2 more yards on second down. Michaels says Foles completed 15 passes in a row at the end of the NFC championship game. It's 17 in a row now.
18 in a row. Foles buys time on third down and hits Alshon Jeffery for 15 yards or so.
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Well, there's an incomplete pass. Torrey Smith can't come up with the ball on a 2nd and 12 downfield pass.
Smith more than makes up for the incompletion - goes up the ladder to make a 15 yard catch on 3rd and 12. Eagles approaching field goal range.
Eagles running a bunch of "RPO" plays. (Run-pass option.) Ajayi runs for six on first down. Next play is a screen pass to Corey Clement. Takes it to the New England 5. The Patriots were blitzing and got burned. First and goal.
2nd and goal from the 2. False start on tight end Zach Ertz. Ouch. Offensive penalties inside the 5 are brutal.
Yep, that false start penalty was a killer. After incomplete passes on second down and third down, the Eagles will attempt a field goal.
Got it. A chip shot field goal ends a 14-play game opening drive. 3-0 Eagles. NBC bumps out to commercial with "The Underdog" by Spoon, which is cool.
Commercials: Toyota supports the Paralympics. Sprint has a Westworld parody
Eagles kick off. It's a touchback. Then more commercials.
Commercials: Solo, a Star Wars story. With Donald Glover! Nothing brings it down quite like Dr. Oz in the next commercial. Ugh. Go away. Turkish Airlines. He is Turkish, so there's that. Promo for a new show called Rise. Looks like a musical. Great.
Stop me if you've heard this before. Brady completes a short, outside pass to James White for a first down. 15 yards. Next play is a pass to James White. Because all he does is catch passes in the Super Bowl. That play's wiped out after a 12 men on the field penalty on the defense.
Brady to Chris Hogan underneath, coming across the middle, for a gain of 28. They're inside the Philadelphia 30. Next play is an end around to Hogan for four yards.
Brady to Gronkowski coming across the middle. Another completion, another first down at the 14.
Oh, hey, it's a completion to James White. Gains six yards, down to the 8.
NBC is using a white line to mark the line of scrimmage which is horrible and I hate it. I can't tell which is the line of scrimmage and which is the 10 yard line. Brady throws behind Gronk on third down and the Patriots settle for a Gostkowski field goal attempt.
Yup. 26 yard field goal for Gostkowski. 3-3, late first quarter.
Commercials: Bud Light with a Dilly Dilly ad that I've seen before. M&Ms. The red M&M turns into Danny Devito, who walks down the streets of New York asking if people want to eat him. Promo for the halftime show. Justin Timberlake. Winter Olympics promo.
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Kenjon Barner with a decent kickoff return. Kenjon is my dude. Thrilled that he's had an NFL career. Incredibly cool guy.
Big, big run for another Duck, LaGarrette Blount. 36 yard rumble into New England territory. Collinsworth says the Patriots asked Blount to take a pay cut, he said no, and went to the Eagles.
TOUCHDOWN! Foles deep to Alshon Jeffery, who makes an incredible grab in the end zone.
Ugh, they blew the extra point. 9-3 Eagles.
A good article about Barner. He studied, among other things, ballet dancing at Oregon.
Commercials: Ram trucks, Wendy's. Tonight Show with Jimmy Fallon.
HEY, JEFFERY. NICE CATCH, JEFFERY.
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Commercials: A Hulu show from Stephen King and J.J. Abrams. Heroes Arena mobile game. Olympics promo.
The Patriots look very human at this point. Which, yeah, it's the first quarter of the Super Bowl. Gronk false start, Brady overshoots Hogan, and it's 3rd and 7.
Hey, you guys? You might want to cover Danny Amendola. Amendola is wide open deep and Brady hits him. First down at the Philadelphia 29.
Collinsworth: Eagles defense led the league in highest percentage of threes-and-out in the regular season, but they're struggling with New England's fast-paced offense.
First quarter ends. Philadelphia 9, New England 3.
Commercials: Peter Dinklage for Doritos. Morgan Freeman for Mountain Dew Ice. Both are lip-synching rap songs. David Harbour for Tide. Skyscraper starring Dwayne Johnson.
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289 yards of total offense in the first quarter between the two teams.
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SECOND QUARTER
Third down, Brandin Cooks on a jet sweep. Tries to jump over a tackler but can't get that done.
New England botches a field goal attempt. Holder drops the ball, Gostkowski has to stop, then start, then drills it into the left upright. Big break for Philadelphia.
Foles with a nice move to avoid a sack on third and long. Probably could run for a first down but throws to Ertz. Incomplete. Donnie Bag of Bones Jones to punt.
Fair catch at the 37.
Commercials: Another Dilly Dilly ad for Bud Light. ETrade. A movie. I was looking away. Mission Impossible? Is there one of those? Olympics promo. After the game, "This is Us".
Brady to Cooks downfield for 23. Gets absolutely annihilated by Malcolm Jenkins and he's not moving. There was a bit of helmet-to-helmet contact. Commercial time.
Commercials: Rocket Mortgage. Avocados from Mexico. The Cloverfield Paradox.
We're back from commercial. Cooks has been taken to the locker room. There was no penalty on the hit because he was a runner and not defenseless.
Third down, the Patriots run a reverse/throwback play, a pass to Tom Brady. Incomplete - Brady dropped the ball. They go for it on 4th and 5 from the 35. Incomplete pass. Turnover on downs.
Commercials. Diet Coke with Mango, Jeep, Tide, WeatherTech. Halftime show promo.
Michaels: Patriots DB Malcolm Butler has played zero defensive snaps today. The team says it's "a coach's decision".
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Foles downfield to Zach Ertz, First down at the New England 43.
Great throw and catch from Foles to Jeffery downfield. 22 yard gain.
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Next play, LaGarrette Blount! Blows through the defense for a 21 yard touchdown. 15-3 Eagles. They go for two, which I absolutely hate. Incomplete pass. It's still 15-3.
Commercials: Pringles. Febreze. Chris Pratt for Michelob Ultra.
Anyway, back to the "going for two" thing. I wouldn't do it until I absolutely had to. The second quarter is not that time.
NBC graphic: Most championships by a coach/QB combo: Belichick-Brady and Lombardi-Starr are tied with five.
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Cutaways: Jennifer Lopez and Alex Rodriguez. Mike Trout, who Al Michaels calls a California Angel. Missed it by a couple decades, Al.
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Big play from Brady to Burkhead. A screen pass - he nearly breaks it for a touchdown. Gets it to the Eagles' 29.
Third and 8, the Eagles completely blow up a screen pass with backfield penetration. Brady throws it away. Gostkowski kicks a 45 yard field goal. 15-6. And that's why you kick the extra point. A ten point lead is so much better than a nine-point lead.
Um, hello? The screen has gone black. I don't know what just happened. No commercials. They go back to the stadium after 10-15 seconds.
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Tafoya: Brandin Cooks will not return. He has a "head injury". Patriots now have a total of three wide receivers available.
Michaels: Foles nearly retired when he was released by the Rams. Decided there was only one coach he'd play for, Andy Reid of the Chiefs. Reid wanted him.
Collinsworth: I love what Nick Foles is doing. When the Patriots blitz, he's throwing the ball to the area vacated by the blitzer.
Big run from Ajayi on third and 4. Inside handoff, looks like he's in trouble, and he bursts through the hole to the New England 43.
Huge break for the Patriots. Alshon Jeffery makes a one-handed catch downfield inside the 10 but the ball squirts loose, hits him on the other hand, and bounces to a New England defensive back for an interception.
Commercials: Squarespace, Dodge Ram uses a Martin Luther King speech to sell trucks, which is unbelievably gross.
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Gross.
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Brady deep to Chris Hogan inside the 30. Next play, James White breaks about eight thousand tackles on a 26 yard touchdown run. Patriots doing Patriots things right before the half.
Gostkowski blows the extra point. 15-12 Eagles as we hit the two minute warning.
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Nope.
Huge play for the Eagles on third and 3. Corey Clement runs a swing route down the right sideline and Foles lofts it to him for a 55 yard gain inside the 10.
Next play, Clement powers up the middle to the 2. Nice power run from a third-down back. Clement again on second down. Up the middle again, gets to the 1. Patriots call timeout. 0:40 left.
Good lord, Alshon Jeffery got tackled in the end zone before the ball got there. Incomplete pass. They'll line up to go for it on fourth and goal.
Timeout, Eagles. They want to think about this. The offense is back on the field.
OH WOW. OH WOW.
Direct snap to Clement, flips it to Trey Burton, who throws to a wide-open Foles in the end zone. Touchdown. 22-12 Eagles with 0:34 left in the half.
Once again, Al Michaels says Mike Trout plays for the California Angels.
Patriots have the ball at midfield with 0:03 left. They're lining up for a Hail Mary.
They don't run a Hail Mary. They throw a swing pass to Amendola, who gains 20 yards as the half ends.
At halftime: Philadelphia 22, New England 12
Eagles coach Doug Pederson on the fourth down call at the 1: Our guys marched downfield and I wasn't going to let them get stopped at the one.
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HALFTIME
There are commercials happening, but I'm going to grab a snack and a drink. It's a local break anyway.
Commercials: "Unsolved" on USA Network. Pepsi.
Halftime show. Justin Timberlake. Opens with an unbelievably cool laser show under the stage. Now he's coming upstairs into the stadium. Not sure what's with the wardrobe choice. A black leather jacket with fringe and a bandana tied around his neck.
Justin Timberlake isn't my thing musically, but this has been a good halftime show. Better than the Coldplay/Beyonce thing. Better than the Black Eyed Peas. He seems to be changing stages for every new song.
Timberlake doing a "duet" with Prince, which is something Prince was pretty adamant about opposing when he was alive.
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Mental note: Make a GIF of the saxophone guy Timberlake walked by just now.
I remembered. Look at sax guy on the left. He's the new Left Shark.
Okay, halftime show over. It was good. Not the best I've ever seen, but solid.
Commercials: A "Jack Ryan" series on Amazon, which seems like exactly the sort of show you'd make if you didn't want me to watch it. Verizon.
Dan Patrick: This is the first game in NFL history to be 22-12 at halftime.
Commercials: Promo for The Voice. Spectrum cable. Giant Eagle. This is obviously a local break. PSA about drinking and driving.
This is the first Super Bowl in history where both QBs were over 200 yards passing in the first half.
Tafoya: Asked Belichick why Butler wasn't playing. He said he makes decisions to give his team the best chance to win. Belichick says they need to do everything better in the second half.
THIRD QUARTER
First play of the second half, Brady misses a wide open Gronk.
They connect on the second play of the half. 25 yard completion downfield to the 50. Next play, Brady to Gronkowski again. 24 yards this time, to the Philadelphia 26.
3rd and 6, Gronkowski again. First and goal at the 8.
It's all Gronk, all the time. Brady zips it to Gronkowski in the end zone on second and goal. 22-18, pending the extra point.
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This is not optimal defensive positioning.
Got it this time. 22-19 Eagles. Brady up to 344 yards passing with more than 12 minutes left in the third quarter.
Commercials. Anheuser Busch. Turbotax.
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My dude.
Eagles called for a block in the back on the kickoff return. They'll start this drive inside their 20.
Third and 6, Eagles trying to avoid a three-and-out. Agholor with a catch underneath, breaks a tackle to pick up the first down.
A couple of nice runs from Blount and they're into New England territory.
Collinsworth suspects something's up with Jay Ajayi and maybe it is, but Blount has been great.
Ajayi looked okay on that run. Gains 9 on 2nd and 10 and gets to the New England 40.
3rd and 1, Foles to Ertz down the sideline. Gets to the Patriots' 26.
3rd and 6, Foles throws into the end zone. What. a. throw. Corey Clement double covered and the ball is perfect. Looks like Clement bobbled the ball. It's under review as NBC goes to commercial.
Commercials: Jeep. Westworld on HBO. Turbotax.
Ruling on the field stands. Touchdown. It was a close call. Collinsworth is flabbergasted. I don't know what a catch is anymore, to be frank, but I've seen worse calls than that. Extra point is good. 29-19 Eagles.
Commercials: Kia. Blacture.com. Eli Manning mumbling incoherently for something or other. Olympics promo.
Eagles called for defensive holding. Gronk sold it well.
2nd and 8, Dion Lewis up the middle for 6. 3rd and 2 from the Eagles 45.
Brady downfield to Amendola on third and 1. Amendola to the 26 yard line. Next play, Brady to Hogan, who falls into the end zone. Got it. Touchdown. 29-25 with the extra point to come.
Extra point is good.
Commercials: Avengers. T-Mobile. Jesus Christ Superstar promo.
Cutaways: Gwen Stefani and Blake Shelton, Floyd Mayweather, Jimmy Fallon, Bradley Cooper.
Commercials: Toyota. Wix. Kraft. The Today Show.
Brady is 19-32 for 404 yards, 2 TD, 0 INT.
First play of the next drive, Folds downfield to Agholor. First down near midfield. Next play, Foles to Torrey Smith. 18 yard gain.
Jet sweep to Agholor for 9 on 2nd and 8. First down inside the New England 25.
NBC graphic: The two teams have combined for 955 total yards, the most in Super Bowl history. And it's still the third quarter.
Third quarter ends. The Eagles have a 3rd and 3 from the New England 15 yard line.
After three quarters: Philadelphia 29, New England 26
Commercials: NFL promo. ADT. Ohio Northern University. Obviously this is a local break. State Farm.
FOURTH QUARTER
Patriots blow up a swing pass to Agholor on third down. Eagles will presumably attempt a field goal after a loss of 8.
Jake Elliott drills a 42 yard field goal. Sets the record for the longest field goal kicked by a rookie in the Super Bowl. 32-26 Eagles. AND THAT'S WHY YOU DON'T GO FOR TWO IN THE SECOND QUARTER.
Commercials: Monster headphones. Michelob Ultra. Groupon.
It's a Rex Burkhead kind of drive for New England. Burkhead run for 5, then Burkhead for 9, then Burkhead for 4.
3rd and 3 for the Patriots. It's clear from motion that the defense is in man coverage, so Brady throws to Amendola. Because that's what he does in man coverage. First down. Next play is a pass downfield to Amendola. First down at the Philadelphia 20.
Hey, have I mentioned HOW BAD AN IDEA IT IS TO GO FOR TWO IN THE SECOND QUARTER?
Swing pass to Amendola for 9. Second and 1 inside the 10.
James White up the middle. First and goal at the Eagles' 3.
Brady is up to 453 yards passing. Throws incomplete on first and goal. Gronk. Brady into the end zone for his big tight end. It's tied at 32, which Michaels describes as the Patriots' first lead of the game.
Brady is now up to 457 yards and 3 TD.
Extra point is good. 33-32 Patriots.
Commercial: Amazon Alexa.
"So I said to myself 'We need that point. We have to get it back. We need to go for two.'"
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2nd and 6, Foles throws deep to Smith on a one-on-one jump ball. It falls incomplete. Weird play. It's a huge third down here.
HUGE PLAY. Foles to Ertz for 7 on 3rd and 6. Nice throw.
Clock under 7:00 as Foles throws to Clement. Seven yard gain on 2nd and 8. It's third and 1.
Eagles throw on third and 1. Ugh. It's a swing pass and it's stuffed. Pederson will go for it on 4th and 1.
WHEW. They threw the ball and picked it up. Foles to Ertz for 2. Clock below 5:00. Eagles near midfield.
Philadelphia uses a timeout with 4:52 left in regulation. They have two left.
Commercials: Coke. Peyton Manning for Universal Parks and Resorts. The World Cup on Telemundo.
Nice play by Agholor. Foles escapes the pocket and hits Agholor on the run at the sticks. First down. 3:30 and counting. First and 10 from the New England 43.
Agholor again! Foles zips it to him across the middle. There was a tiny window to complete that pass and he did it. First down inside the 25. The clock is about to become a factor here - the Eagles are likely to take the lead, barring a turnover. The question is how much time Brady will have and how many points he'll need.
Foles is up over 350 yards now. It's pretty obvious that the winning quarterback is going to be the MVP.
1,081 total yards tonight. The most in any NFL postseason game, ever.
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Foles to Agholor for 10 yards to the Patriots' 14. Forced out of bounds.
Ajayi for three yards up the middle. Patriots burn their second timeout with 2:30 remaining in regulation. It'll be 2nd and 7.
Incomplete pass on second and 7. Third and 7 here. 2:25 left. Brady's going to have some time, it looks like. If they can get 8 yards on this play, that would be perfect.
TOUCHDOWN! I think. Yeah, that's a touchdown. He had the ball, took a few steps, and dove into the end zone. Ertz took three steps before the ball hit the ground. It seems obvious that this is a touchdown. Collinsworth thinks they have to overturn it. I think he's insane.
I don't see how this is a close call. He caught the ball, started running, dove, got over the goal line, and then the ball popped loose. How is this a question?
What is Collinsworth smoking?
Yeah, they call it a touchdown. That was an easy one, I think. Collinsworth is silent.
Eagles up 38-33. They'll go for two.
Nope. Incomplete pass. AND THAT'S WHY YOU DON'T GO FOR TWO IN THE SECOND QUARTER. DAMMIT.
Brady has 2:21 to put together a touchdown drive.
Collinsworth is still talking about this?
Michaels: In all five Super Bowls Brady has won, he has come back to win them.
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Brady to Gronk for 8. 2:16.
BRADY FUMBLES! HOLY CRAP! EAGLES RECOVER.
The game isn't over, but it's damn close. Start chilling nem bottles of champagne.
We reach the two-minute warning with 1:56 left. It'll be third and 5 from the New England 26. They'll run the ball, get the clock down to 1:20 or so, then either kick a field goal (if they don't pick up the first down) or take a knee (if they do).
Blount stuffed on third down. Clock will be down to 1:10 before the field goal attempt. Eagles take a timeout with 70 seconds left.
46 yard field goal, dead center from Jake Elliott. Eagles up 41-33 with 1:05 left. Hell of a clutch kick by a rookie.
Patriots try to run a trick play on the return, but Burkhead is stuffed at the 9. Brady needs to go 91 yards in 58 seconds.
1st and 10, incomplete to Hogan.
2nd and 10, incomplete to White. 0:48 left.
3rd and 10, Brady under pressure in his own end zone, gets the throw off. Incomplete. It's 4th and 10. Now or never.
Complete to Amendola for 12 yards. They spike it with 26 seconds left. They still need 78 yards.
Brady to Gronk. Gets out of bounds at his own 33. 0:20 left.
Brady to Gronk for another 16, gets out of bounds. Near midfield. 0:13 left.
Eagles take their final timeout to talk this over.
Incomplete pass on first down. 0:09 left.
Next play, Brady buys time, chucks it deep, and it falls incomplete in the end zone as time expires.
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THE EAGLES HAVE WON THE SUPER BOWL.
THIS ONE'S FOR PHILLY BOY ROY.
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Final score: Philadelphia 41, New England 33. Nem Eagles got it done.
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POSTGAME
Commercials: Scientology.
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Yes, I’m curious. Where’s Shelly Miscavige? Why has nobody seen her in public in more than a decade?
Tom Brady threw for 505 yards, three touchdowns, and zero interceptions. And lost.
Brandon Graham: We are the world champions because we worked our butts off.
The Patriots punted zero times. And lost.
Collinsworth: Nick Foles was unbelievable tonight.
Trophy presentation. Darrell Green carries the Lombardi Trophy to the stage. Weird that they'd have an NFC East great who didn't play for Phiadelphia do this. Apparently he had a big game in Super Bowl XXVI. I contend that game never happened, which is a shame because the Bills were supposed to be in it.
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Eagles owner Jeffrey Lurie: For Eagles fans everywhere, this is for them. This is the most unique, together, group of men I've ever been around. An incredible group of men, players and coaches. Attempts to dedicate the win. Dan Patrick blows through that, but Lurie somehow gets the microphone from him and dedicates this championship to Eagles fans around the world and especially to his mom and dad.
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Doug Pederson thanks Jesus. Praises his players. Has the best players in the world, loves the coaching staff and the owner. Has the best fans in the world.
Pederson: Wanted to stay aggressive with Foles. That was the plan coming in.
Ertz: No doubt that it was a touchdown. No telling what would have happened in the city of Philadelphia if it had been overturned.
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Nick Foles is the MVP. Jokingly says it was just another game. His infant daughter tries to grab the microphone. Foles says he's very blessed.
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Commercials: Motorola with Amazon Alexa. H&R Block. Discover Card. McDonalds. Eagles championship gear at NFLShop dot com. Xfinity.
Dungy: Foles made big plays all night, but when he needed a touchdown, he went to Ertz.
Harrison: Said Graham would make a difference on defense for the Eagles, and he made the big play late in the fourth quarter.
Bill Belichick: I obviously didn't do a good enough job coaching. We missed a lot of opportunities in the first half. Not good enough on defense. Not good enough in the kicking game.
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Harrison: If the Patriots are going to come back to this game, they'll need to improve that defense. Just not enough athletes.
Dungy: Foles knows this is Carson Wentz's team, but was ready to go tonight.
Michaels and Collinsworth awkwardly fist bump.
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thelifeofallyson · 4 years
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The Brady bunch playing self isolated trivia together 👏🧼😜 https://www.instagram.com/p/B-BB06LheV2/?igshid=1h6932h1ovyc8
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