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#but I could make a whole post abt this bc the hunger games IS the blueprint like when u go back and engage with it you realize how much
kazbiter · 1 year
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i feel like bc the hunger games was so massively popular that we talked abt it so much ppl just never discuss it anymore but I have to speak my truth that line in the epilogue of mockingjay that's like "what I need to survive is not gale's fire, kindled with rage and hatred. i have plenty of fire myself." hits me like a PUNCH literally every time I read it
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yknow. while theres obvs a whole host of deliberate references saltburn pulls from mythology and classic literature, theres a lot of more contemporary, probably unintentional parallels i noticed could be drawn as well! (mainly my own faves bc my favorite hobby is projection)
so, in no particular order:
saw 2004. this ones a bit of a stretch but i mean, cmon. homoerotic bathtub. also the twist villain (ish), themes of vouyerism, playing games with peoples motives, pitting people against each other and exploiting power dynamics+dirty laundry. and the class disparity between the two love interests (yes saw is also a gay romantic tragicomedy to me. sorry)
dark shadows (the movie not the show) oliver is very vampire coded (i need to make a whole separate post abt that tbh) so hes barnabus collins. pamela is the redheaded dr. cotton whose overstayed her welcome. "the eggs are made for you. everything else is on the side"🤝"we dont have horses. we have a chevy". tragic gothic murder-(almost)-suicide romance. ig this makes felix josette, venetia carolyn, and farleigh the spooky little kid who can talk to ghosts,,,,,? eh yea ok its not a 1:1 ratio
hereditary. elspeths scream finding felixs body in the morning. the tendency to just fully suppress trauma until its impossible to ignore at which point it spills out in the most ghastly ridiculous ways. the undercurrent of intergenerational mother-son trauma. the way they both seem to juggle two focuses at once, one focus being interpersonal dynamics, the other being class commentary (or supernatural horror in hereditary, though id argue saltburn succeeds at this where hereditary falls flat) also the twist that its not in fact the family thats scary and culty and weird and ultimately the biggest threat, but an outsider (hated that twist in hereditary, loved it in saltburn)
sucker punch. again the theme of vouyerism! also consent, sexuality, and hypersexuality, getting by on charisma in a losing battle when surrounded by those with systemic power over you (farliegh ily mwuah), the fine line between desire and glorification and dehumanization, and how it forces the audience to do the uncomfortable work of reconciling our desire to take the eroticism presented to us at face value and sexualize the characters and their relationships, with the power imbalances and therefore inherently dubious consent between them (and us, the audience)
a girl walks home alone at night. this ones mainly just the title, but again i just really like the subversion of expectation that oliver is gonna be the one helplessly sucked into this whirlwind of danger, when in reality, hes the threat. and both the cattons and we ourselves as the audience wholly underestimate him due to the implicit biases it forces us to reconsider
the hunger games. more vouyerism, the way it catches the audience in wanting to focus on the romance because its comfortable and what we're used to, rather than actually look beyond the surface and engage with the power imbalances, particularly the classim and racism commentary. also that scene where oliver looks out the cab window and sees saltburn for the first time reminded me a lot of peeta and katniss looking out the train seeing the capitol
euphoria. ik yall noticed the jules and felix parallel w the angel wings, and duh jacob elordi is in both. but can i also pose that they both have themes of coodependancy and love as addiction and favorite persons and not loving someone as a person but simply loving to be loved. and also body glitter and cocaine
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petruchio · 3 years
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Im rereading thg and just read your post abt mockingjay right as gale tells katniss he loves her in the second book. And I gotta admit, I understood why ppl thought that katniss and peeta were good together, I agreed. But I still thought that gale and katniss should’ve gotten together. Yet, idk how I missed that gale /doesn’t see all lives as equal/. Like yeah it’s right in my face and shit, unfortunately I’ve never been the most observant. Your post though, has just changed my whole view on the love angle, bc peeta is the exact type of person katniss needs to help free her from the whole social divide. So like, thx so much.
But I would like to ask, how does the capital NOT benefit from the games? Is it bc they just give the districts even more fuel for the rebellion? Or am I missing smth else? Once again, thank you for that wonderful post!!
what a kind ask!!!! i’m so so so glad that you liked my post anon!! literally i had to stand up and walk around my room before i could answer because this made me so happy hahaha. (and i don’t think it’s a case of being unobservant necessarily!! i think mockingjay is really subtle in its commentary at times and it can be really confusing.)
i think that the captiol doesn’t benefit from the games for a few reasons.
the first reason is the one katniss lays out in her quote during her recovery: “i think that peeta was onto something about us destroying one another and letting some decent species take over. because something is significantly wrong with a creature that sacrifices its children’s lives to settle its differences.” i think this is really one of the key quotes in the entire series and one of the things that the movies really warped by casting adults--that katniss and peeta and gale and all the tributes who get involved with this are just kids. and i think the point more broadly is that any society that can so easily detach itself from the lives of its children in the name of entertainment is so morally corrupt that it cannot hold. so the captiol citizens really aren’t benefitting. they’ve been brainwashed to believe that the lives of children are expendable in the name of entertainment--they’re disgraceful in the callousness, to be sure, but it’s also a tragedy to imagine that they don’t even see this as wrong. (and i’m talking here about the regular citizens of the captiol. not the gamemakers, but the people who watch the games without considering the deeper implications of what they’re watching. they’re not benefitting from being able to view human children and their deaths as vehicles for entertainment. i think, morally, they’re suffering.)
the other thing i would argue about the captiol is: are the citizens of the captiol happy? the thing is--i don’t think they are. i think the implications are subtle, but one thing i would argue (somewhat controversially) is that many of the captiol citizens are as much victims of this system as those in the districts. to be clear, in no way am i saying that the citizens of the captiol are right, or deserve our sympathy more than the citizens of the districts. but they are still slaves to the system in their own right. i think all the scenes where katniss is getting “beautified” kind of exemplify this, but i think it’s harder to see this because for most of us, what katniss is going through isn’t that strange. but thinking about when she gets her legs waxed, or her eyebrows done, and she hates it. like it’s uncomfortable, it hurts, it makes her feel terrible. and that’s just something that’s just normal for the citizens of the capitol. so is that good? is a society good that commands us to rip ourselves to shreds in the name of beauty? that commands our children to tear the hair out of their bodies so that the adults around them can find them more beautiful? 
i think it’s really hard to read the hunger games this way, because that doesn’t seem strange to us. our modern celebrity culture nearly demands it. it doesn’t seem odd that britney spears, at age 16, was asked about her virginity by 30 year old paparazzi. it doesn’t seem odd to us that millie bobby brown was wearing strappy heels and black satin dresses and smoky eye looks to awards shows before her 15th birthday. because that’s the society we live in. the capitol seems terrifying until we realize that we’re not that far off from it. katniss talks about people dyeing themselves blue, implanting things into their bodies, and tattooing themselves all over in the name of beauty--painful procedures that warp their appearance and make them nearly unrecognizable. 
and so, i think, the hunger games asks us to think twice: is this worth it? is it all worth it to say, simply, beauty is pain? to place so much value on external appearance that we forget our very humanity? the citizens of the captiol are not benefitting from this kind of society. they’re suffering from it. and so are we.
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ITS HECKIN TWISTED APPRECIATION WEEK SO YOU KNOW WHAT THAT MEANS (part 1/2)
“YEAH THAT’S RIGHT I’M GONNA YELL ABOUT THE SOUNDTRACK LIKE I DID LAST WEEK BC TWISTED IS A GOOD HECKING MUSICAL WITH A GOOD HECKING SOUNDTRACK
(Now with favorite lines! bc why not, right?) (favorite lines either there bc I like the lyrics in that part or I really like how it sounds within the song)
I’m not a professional music person (I’ve been in band for several years and I’m pretty good, but I don’t know anything about music theory or anything abt singing) but AH WELL, I LIKE RANTING ABT MY SPECIAL INTERESTS AND THE INTERNET IS A GOOD PLACE TO FEEL LIKE I’M TALKING TO SOMEONE, SO HERE WE GO
(also there’s definitely going to be Twisted spoilers under the cut (for act one, at least), so watch out if you haven't seen it)
(also also I split this into two parts bc it’s getting late and as you can see by how this progresses, I got sleep deprived quickly plus it got way too long. This is part one with all the first act songs, part two will have the second act songs and should be up by tomorrow.)
OK THE OPENING NUMBER RIGHT?? THE INSTRUMENTALS?? THE HARMONIES??? THE GENERAL SAJKFDASJKFHDSJK???!?!? Like, it literally sounds like a Disney song but they cuss! It’s amazing!! (And all the citizens?? Comedy gold, every one of them, I swear) (AND THE FUCKINGJDSJKJDSKL SOPRANO PART???!? I’M C R Y I N G I FORGOT WHAT HER NAME WAS BUT SHES SUCH A GOOD SINGER THANK YOU FOR YOUR VOICE)
Favorite lines: 
“May the Rats ejaculate upon you!” “Thank you, thank you very much!”
“Why is everyone in the kingdom white?” “Uhh... Jafar?” 
“But ugliness permits a man to use his wits, ‘cause pretty people never have to try”
“UGLY OLD JAFAR!!”
pretty much  the whole song past the line “Why am I the only one who sees things as they are?”
Specifically “I want to be a cat!” “Wha-” “FUCK YOU!”
But more specially “Whistle while you swallow a spoonful of sugar and your dreams will come true upon a star!!!!” bc OH MY GOD IT’S BEAUTIFUL
Everyone listing how they want Jafar to die
ALSO SPECIALLY THE LAST 30 SECONDS BC AHJSAHJKADS (everything at and past the lines “and if we dream a little harder/ our patience and our honor...” etc.)
OK I STEAL EVERYTHING TIME! ULTIMATE CHAOS SONG, AND I LOVE. BE THE EVIL GREMLIN YOU WANT TO SEE IN THE WORLD. Also: the jazziness?? the opening instrumentals??? it’s so good. To the people playing the instrumentals for this musical: ,,,thank you,,,.,. (Also I learned recently that most of Jeff’s songs are in my range so guess who’s gonna try and learn this song?)
Favorite lines:
“Fetch, ya fucks!”
Did I mention the instrumentals?? bc hfhhhjdklsajk They seem simple but they’re also going ham and I love it
“Monkey thought we should just kill you, but I said ‘No, monkey, that’s crazy’ but now I’m thinking, yeah, no more fucking raisins...’“
“Thanks but no, thanks, ‘The Man’“
Honestly every line in this is golden, but I can’t put them all in and that sucks
“You’re only in trouble if you get caught!” “Aladdin?” “I’m in trouble!”
“Just one question, why, man?” “’Cause you stole my daughter’s hymen!” “That’s completely fair, but, in my defense, dude, your daughter’s hot!”
EVERYTHING AND MOOREE!!! SHE WANTS IT ALL AND I’M CRYING BC SHE SOUNDS BEAUTIFUL WHILE DOING SO. (I just realized that there’s 14 songs on this soundtrack and I’m sorry in advance for how long this post A) already is and B) is going to get) This song is so dramatic and that somehow fits the mood of her character and I love it so much and just ahdshjkds. Also it’s just?? So pretty????
Favorite lines:
“But it’s just like, whatever”
“I just want to be free so badly! You slaves could never understand. :(”
“You’re probably thinking, she’s got everything. Well, it’s true, ‘cause I do, but so the fuck what?”
“I WANT THE MOON! I WANT TO LIVE ON THE MOON! And eat it in a pie! And keep it as a pet! and wear it like a gemstone in my hair!”
“As I laugh in their faces of moonbeam pie!!”
“It’s enough to make me with I were lowly and poor... But like... with money!”
THA GOLDEN FUCJKLCIODIGN RULE. LIKE HOLY SHIT I LOVE THIS SONG SO MUCH. AND THE DANCING THEY DO WITH IT IN THE SHOW ITSELF??? IT’S THE BEST. THE FIUCUING BEST. I’M CRYING. THE DANCING IS SO  GOOD. AND SO IS THIS SONG. Also, it’s the #1 Starkid song I’d be comfortable showing to my mom, which is a definite plus! (I could also show this to my church pastor and he’d?? definitely like it, so that’s also a definite plus) And everyone’s so nice to Jafar, espically compared to the opening number and it just makes me so sad and let me give Jafar a hug, goddammit. ALSO also please let me meet the saxophone player and shake his hand, I don’t play saxophone but what he’s doing here is amazing. WAIT ALSO ALSO ALSO MAY I MEET THAT FLUTE PLAYER BC I’M JUST NOW HEARING THE FLUTE (AND HOW DID I NOT NOTICE IT BEFORE, I PLAY THAT INSTRUMENT???) AND I’M FUCJKIGDFONG HOLY SHIT JSUT FUCKINGJDSJKL ;BOUNCE AROUND ON THOSE NOTES WHY DON’T YOU I’M SAJDSKCDSJS
Favorite lines:
“Why it’s as easy as a 1,2,3,4!”
“Always treat others like sisters and brothers!” 
all of the lines just sound so good, I can’t choose 
The way Dylan Saunders says “Man” that that first time, like holy shit
The whole conversation between Omar and the thief
[completely monotone] “My hunger blinded me and forced me to act like an animal.”
AND THEN OMAR AND THE THIEF SING THE PART AND IT SOUNDS SO GOOD
The “boop boop bop doop zeep do-wow!” in the background during that part
“Good luck Jafar! And! Re! Mem! Ber!”
And then the whole ensemble sings it and it sounds so good
oh good god we’re not even 5 songs in yet i’m so sorry 
GOLDEN RULE: EVIL REPRISE, OR, AS I CALL IT, “GOLDEN RULE WENT EMO BUT I STILL LOVE AND SUPPORT THEM”. Those dissonant sounds at the beginning? beautiful. All the random evil laughter? amazing. Whatever the heck the saxophonist is doing at the end? breathtaking, give me more. Joe Walker’s voice?? just fucking dhdsfjkfdlashjdsfklhfdsjkl
Favorite lines:
“Lets him rule the land WITH an iron fist!”
“The prize for winning? MORE GOLD, HAHA! And the game begins again!”
[sarcastically] “’Follow the golden rule’? Boy don’t be such a fool!”
“Follow the gold! Follow the gold! Follow the gold!” “AND RUUULE!!”
DID I MENTION THAT FUCKING SAXOPHONE PLAYER BC DUDE FUCKING AHSDJKDFS
the final “And Rule!”
Don’t be fooled bc this one is so short, it’s nearing midnight for me and also this song is really short. In reality, I fucking love this song and it’s one of my absolute favorite starkid villain songs and also one of my absolute favorites from this musical.
A THOUSAND AND ONE NIGHTS IS SOME FUCKINGNDSKLJ; GOOD SHIT I’M. Also, I don’t listen to it enough, so I’m giving y’all a running commentary as I listen to it for the first time outside of watching the whole musical 1) I love accidentals and key changes, and i’m,,, crying just the first verse is so good already, why haven’t I listened to this song enough 2) I’M CRYING I WANT TO KNOW THEIR STORY TOO THIS IS WHAT LOVE IS I’M CRYINGHJFDSJKSD 3) they keep using the word “’twist” and i’m ahsdhjkds bro 4) DYLAN YOUR VOICE. YOUR VOICE, IT’S TOO GOOD. IT MUST BE STOPPED, YOU’RE TOO GOOD, DYLAN 5) “LINGER OVER EVERY PART” OH MAN IT SOUDNS SO GOOD. SO GOOD. AHHHHHHDSHJDSFKLHJK 6) OK I’M LIKE ACTUALLY CRYINGN NOW THEY’RE IN LOVE. THIS IS WHAT LOVE IS. OH  GOD OH FUCK 7) AND THEY SOUND SO GOOD, TOO, WHY HAVEN’T I LISTENED TO THIS SONG ENOUGH AHDHJKLDAS
OK I haven’t listened to this song enough to have favorite lines just yet, also I want to at least get to the end of the first act before I go to bed and it’s already midnight rn, so we’re going ahead and moving on (so sorry!)
IF I BE-FUCKIN-LIEVED. OH GOD. THIS ONE. THIS ONE IS SO GOOD. I LOVE IT SO MUCH. THE FLUTE, THE WORDS, THE SINGING LIKE GODDAMN. This one is also kinda within my range so I’m also trying to learn to sing it bc it’s just that good (cons of being a contralto: you get no female songs in musicals, pros of being a contralto: you get all the cool higher tenor songs) The raw emotion in his voice??? I’m crying??? The strength and soul and beauty and just ashjdskl;jdsfkl; it’s so, so beautifully and wonderfully amazing
Favorite lines:
“Science says you’re dead and gone forever! Reason says I’m talking to the air! But something in my heart, some secret, hidden part, illogically insists that you are there! Somewhere!!”
“Perhaps it’s not too late, to change the course of fate?”
“‘Cause after all, I must be pretty great... if you believed in me...”
Again this song is really short and there’s not a lot of lines to choose from and also I love them all and dfhjskdskjl this is just such a good song
I’m still crying
ORPHANED AT 33!!! [insert Peggle 2 gif] CHAOS... T W O!!!! HE’S MR ORPHAN, AKA CHAOS MAN (NOW WITH A MUSICAL NUMBER!) (I’m also trying to learn this one bc let me splurge in trying to teach myself Twisted songs, ok?) He’s being tragic and over-dramatic and it’s a beautiful song! and I also love how in the studio version, he doesn’t mention that they died earlier that year, so it almost comes as a shock when he says “when I was orphaned at... thirty-three” and it just makes the song that much funnier, trust me
Favorite lines:
I know I said this abt most of the other songs up to this point, but can I say all the lines? because all the lines
“[My parents are] dead... that makes me an orphan :’(”
“‘Cause my story’s just too saaad!”
“They call me a jerk off! a burn-out! A punk! But I can’t let that stuff in my head!”
“All things considered, I think I turned out pretty good! I pulled myself up by my bootstraps and started s t e a l i n g  a l l  I  c o u l d!”
”I’ll make it through somehow, despite being so sadly and crushingly all alone...”
“I’ll BREAK THE CHAIN!! YOU’LL SEE!!! I’M GONNA L I V E  F O R E V E R!!!!1!111!”
The last “thirty-three” bc Jeff oh my god what is that voice
HAPPY ENDING TIME, HECK YEAH!!!!! THIS SONG,,,, SO, SO GOOD, I’M A FUCKING SUCKER FOR SONGS WITH MORE THAN ONE PART THAT ALL END TOGETHER IN A HARMONY. THAT IS PEAK MUSICIANSHIP AND JUSTHSDHJFKSAD Also someone pointed this out to me, but the way to goes from Aladdin’s weirdly horny lines straight to the princess going “oh Aladdin, you poor, innocent soul :(” is just the funniest thing to me. And how it calls back to thier own solos, I’m???!? OH AND INSTRUMENTALS AGAIN. THE BAND FUCKING KILLED IT WITH THIS MUSICAL, IT’S SO, SO GOOD JUST AHDSJKLAKKFAnd the energy in it?? The excitement for the next act??? I’m pumped!! Are you pumped?? WELL GET READY BC YOU WILL BE
Favorite lines:
Yet a-fucking-gain I love every goshdarn line in this song, it’s just too good
“They’ll throw a parade in my honor, with peacocks and monkeys galore!”
“The people will cheer!” [cool guitar bit]
[Jafar’s relatively calm part ends] [electric guitar starts back up and Aladdin jumps on stage] “I CaN’T wAiT tO bE A RicH DUdE!!!11!1!″
“Stealing is so much easier when you’ve already got tons of gold!”
“I’ve got my eye! On what money can’t buy! ‘cause that princess is OH! Hella tight! I’ll be the one who plunders her cave of wonders! I’ll get my happy ending tonight!”
“My innocent Aladdin!”
Yes i’m fully aware I put pretty much Aladdin’s full part in there, stop judging me, it’s a good part
“It puts a damper on our love if you don’t have a head” 
“So with with your permission, I’d like to bring back your bride!”
just. Jafar’s whole fantasy where he’s happy with his wife. I’m crying again, please just let him be happy
THE ENDING PART WHERE THEY ALL START UP AND BRING UP THIER OWN HOPES FOR THAT NIGHT AND THEY SING THE FINAL”TONIGHT!!!” ALL TOGETHER AND THEN THERE’S THAT COOL LITTLE 2 SECOND INSTRUMENTAL BIT AT THE VERY END IT’S JUST,.,, SO GOOD I’M DSJHDASHJKSDJK
Ok yeah that’s the end of the first act of songs! I should have the next part up by tomorrow, so get ready for more capslock and keysmashes and me generally being excited abt music bc MUSIC HECK YEAH DFFHADSJKHDAS
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intoxicatingswift · 4 years
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the 1:
God the line if my wishes came true it would've been you OK THAT HIT
this feels like a iftye but like folklore version
UGH THE BRIDGE ACTUALLY HIT why was this my exact mood yesterday I already called it I knew I needed this album
cardigan:
can i just say im here for taylors lower tone
A FRIEND TO ALL IS A FRIEND TO NONE ok facts
the Peter losing Wendy line really got me cuz that used to be a thing w me n some1 *cries*
chasing shadows in the grocery line nooo
this is like an other side of the door but folkmore IDK IT JUST REMINDS ME OF IT
the last great american dynasty:
god i had to restart it 3 times my fam r so noisy pls.
i really feel like the stripped back style of production really allows taylors lyrics and storytelling within songs to shine. like ive got the maddest mental images of screaming matches between Rebecca and bills family and small town style rumours passing from someone to another
mental music video basically and also u can see the strength of rebecca which is only paralleled by smth ive experienced from books/TV? imagine the skill it takes to tell such a story in a few minutes that people see in 358 pages or 12 1hr installations
EXILE YES BON IVER:
can u tell im excited for this one
ughhh his harmonies are always *chef's kiss*
side note this rly is pushing me and giving me a better sense of identity for the sort of music I want to make thank u Taylor 🥺
god taylor urs and bon ivers voices go together so beautifully u both know how to make a harmony so good
the metaphors are so.... UGH I LOVE
my tears ricochet:
im in love with the vocalising in the intro omg
if I'm on fire you'll be made of ashes too yes hunger games let's go (no for real I just re read it and loved it again so)
ok no the lyrics on this one just HIT me particularly even tho I'm gonna say that on every song OK
I feel like theres a lwymmd ref in here 😶
the line I didn't have it in myself to go with grace spoke to me like i feel like that was extracted directly from my brain
still can't believe we actually got a whole album wth
mirrorball:
MIRRORBALL U COUNTRY BEAUTY
this song just feels like calm vibes as a blanket, stolen kisses
bro.... i literally wrote half a song with the lyrics that have the same gist of the bridge the whole idea of the circus no longer existing and yet u still feel like u have to perform for that one person cause u need to prove that they made the wrong choice leaving i
seven:
God her voice is hauntingly beautiful here
and though I can't recall your face I still got love for you what a beautiful way to express that you're always loved by someone even if you're no longer close, you live in memories and that's 100% enough and you're enough
THE ENTIRE SECOND VERSE IS ME AND MY FRIENDS AS TEENAGERS? God that hurt especially bc the sentiment of my prev things applies to those same people
SHOUT OUT TO INDIA TAYLOR I FEEL SO SEEN RN LMAO
august:
ahhhhh we had cruel summer and now we have august
"lost in the memory" is one of my favourite lyrics anyway and now taylors used it i
did taylor find out like the story of my life 2016- present bc like this seriously hits the "you were never mine" and the emphasis on August i
OK THE BRIDGE WAS MEEEEEE OH MY GOD how do i write my shitty album when this *gestures to entire folklore aggressively* exists.
oh the outro :( whoever said this is taylors melodrama was onto smth fr
this is me trying:
just looking at the lyrics is this ootw; the next chapter 👁️👄👁️
this is so beautifully sad
you're a flashback in a film reel on the one screen in my town okkkkkkkkkkk wow 🥺
illicit affairs:
why do i feel like this is joe and tays story post met gala👁️
YOU SHOWED ME COLOURS IS SUCH A METAPHORICALLY DEEP AND BEAUTIFUL LINE HI OOTW REFERENCE
invisible string omg OK I claimed this one pre listen:
oh crap the colour references already spoke to me bc long ago I had a concept to link songs to colours
also the idea of storybook romance as well with the "used to think I'd meet somebody there"
i love the invisible string theory also oh my god
BAD BLOOD OMG this is such a random detail abt how Joe heard bad blood the first time he was in LA and I love it
LMAO not taylor getting recognised on their anniversary trip 😭
also can i just say the plucking strings keeping the same rhythm/volume the way through somehow contributes to the invisible string theory i loooooveeeeee the lyric/music matching here (did i just somehow compare this to vq matching? think so ok maybe there's hope for me as a medic yet 💀)
taylor rly said fuck adam tom and whoever else Joe is it
OK THE REFERENCES TO GOLD HI DWOHT
ALSO PURPLE PINK SKIES HELLO INTHAF AKA MY STAN SONG WHICH EVERYONE SLEEPS ON
safe to say i made a correct choice stanning this song pre listen ahahaah
mad woman:
the chords on this i am in love, the chaos of the string instruments yessss
here for the strength lol
this is i did something bad but quiet scary angry version
CALLED IT HELLO IDSB REFERENCE
ugh the delicacy in how the words are pronounced in the second chorus shows how hurt and strong u can be simultaneously
mirrored ofc by the soft piano and percussion of hand claps ugh taylor im so happy u made this album
epiphany:
im getting let it all go vibes from this also bon iver
oh it's coronavirus :( yeah
side note wear a mask this seriously was unprecedented and ik at my work (icu) while I was FT we had a couple boxes of antiviral ppe and I did a shift just as things got bad here and it was all completely gone. at the time we'd only had a couple query covid cases so pls. WEAR A MASK ESP U LOT ON THE TUBE/TFL RAIL
i feel like this song reflects how slow the pain can be when ur losing someone like literally watching their breaths slow and also the emotional pain.
betty:
omg this is one of the teenager love story three aaahhhhh it's so cute BUT I SERIOUSLY REMEMBER THE TEENAGE ANGST oh man i Really do
also hello country tay
ugh all ur stupid friends it seriously sounds like 17 year old boy 😭
peace:
LOVE THAT GUITAR RIFF YES AM SO HERE FOR THAT
I made good choices in the songs I chose pre listen all of this is literal poetry and I'm so glad I can focus on the lyrics more because of the production yes i know I already said that
DREAMSCAPES I LOVE THAT WORD I WAS JUST THINKING I NEED TO INCORPORATE IT INTO A SONG
the i-i-id in I'd swing with you for the fences, the delicacy in "give you a child"
now I see your brother as my brother hello paper rings reference (it's not even but yall know)
the rain (paps/media) can well and truly fuck off
"would it be enough if I could never give you peace" actual poetry.
hoax:
i love the dainty piano ugh that HIGH night
the octave differences on the chorus
don't want no other shade of blue hello paper rings
OK this one has a lot to unpack tbh i probably will pore over this like the English poetry i missed out on by choosing stem
also fuck kimberly lmao
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