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prof-peach · 3 years

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Hey prof, I'm not in a great place right now. my partner pkmn, a torterra who ive had sense it was a turtwig and I are having a literal problem of fitting together anymore. i live in a dorm and between me, my roommate, and our partners its very tight. My torterra does not like being in his pokeball. there are some accommodations on campus for larger ‘mons but we can’t always get to those places regularly. it would break my heart but should i just leave him home until i graduate? thank you

I’m sorry you’ve gotten to this point, it’s never easy to admit that it may be time to part ways with a friend, even if only temporarily. Now just some things about torterra that may help you decide wether or not it’s the best move.

So torterra are often happiest, both mentally and physically when with others of their kind, they are herd species, moving around their large territories in groups anywhere between 4 and 30 strong. They groom each other, have quite gentle ways of nurturing young, and passing on their skills, and seem to not be bonded by blood, but by their social group and the members within it. They don’t disguard the youngsters that aren’t theirs, they simply add them to their brood and continue caring for them. Older species share their wisdom, and mid evolutions are often the more rumbunctious of the trio. When isolated or left away from their own, they can lose their gentle natures, and it can take a little while to ease them into a large herd if they’ve never really interacted. This all requires specialist care and time, of which many regional specialists can cater to, our island included.

It’s worth noting that torterra are also quite happy simply around others of their typing, and can find great joy in friendships made with others who share their interests. Now you are studying, in a dorm, this is pretty common, and first before you send them away I’d suggest looking for local community gardens, estates with large grounds, and places of marked interest such as botanical gardens and local heritage sites with woodland. Many offer a temporary housing opportunity for Pokemon they can handle. Some have lakes, others woodland, not all can handle Pokemon of such size, but some certainly can! If your partner is well adjusted, calm enough and listens to others should they need them to move or simply help a little, then they stand a good chance to get a place at one of these unique areas. Not only that, many regions have reserves, and though most of these are for wild Pokemon, some have enclosed trained Pokemon housing facilities. I suggest this option over sending them to your family home, for their own sanity and wellbeing. They do very well with company, many do not like the pokeball constraints, and often they’re agreeable enough to be housed quite close by. If they can be part of local allotments or even spend time in an old family garden, should it be large enough, it would give the opportunity to make friends and be safe at the same time. Many homes rent this space to Pokemon of trainers who are travelling or studying, so keep your eyes peeled. Now, should you truly have no where else to go, sending them home is fine, but do be aware that your family will have to give them their care, and if they’re alone they may become restless and somewhat isolated, which could lead to mood issues and temperamental behaviour down the line. At least if there’s a local park or area locals garden at, they can do odd jobs to keep busy, or spend time in an area that’s comfortable, AND you hopefully are closer to them than if you sent them home to the fam. I’m not sure about your entire situation but if they’re good natured, there’s a lot more options probably far closer to you than you realise. Some folks even borrow Pokemon for work or even just company, and send them back to you for weekends or holiday times, which can be quite agreeable to some. Kind of like a part time partnership during terms.

If you can bare to, you can also send them to resorts, labs, and places much like our island, which offer bed and board in exchange of data (often gained by simply collecting fallen items, soil samples, and observations) and this provides them with huge areas to roam, friends, a herd, plenty to eat and all the exercise they need. Many of these places do not keep Pokemon in pokeballs, it’s not healthy, and many dislike it. Phone calls home and video chats are encouraged often, and plenty have room for the Pokemon boarding with them to have keepsakes, items from home that remind them of their trainers and friends, in a secure space, safe and sound.

This is not an easy choice, but I’d highly suggest talking to your buddy first, and searching the direct local area, heck even schools have little gardens for kids to grow their Lima beans and sunflowers, this may be the right size for your Pokemon. Think outside the box, but it’s quite clear that the dorm is not healthy for them, and long term it’ll bring about bad moods, potentially a lack of light, nourishment from the soil, and not enough time out in fresh air, exercising. Be honest with each other, take your time, but also it’s fine to spend time apart, it’s not forever and there’s plenty of ways to show them you’re still there for them, despite distance. You can have very healthy well rounded relationships even if you’re not geographically close at all times.

#pokemon #prof.peach #peach talks

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a-woman-apart · 5 years

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Don’t Go Alone

I’ve been thinking about Ecclesiastes recently. Yes, the “Vanities of vanities, all is vanity” and “there is nothing new under the sun” Ecclesiastes. Pretty much the most nihilistic book in the entire Bible, even though it tries to redeem itself in the end by saying that obeying God and keeping His commandments is “the entire duty of man.”

There are a lot of interesting concepts presented in the book, though. I will go ahead and quote some passages here from the 4th chapter (emphasis added by me).

Then I returned, and I saw vanity under the sun:

There is one alone, without companion: He has neither son nor brother. Yet there is no end to all his labors, nor is his eye satisfied with riches. But he never asks, "For whom do I toil and deprive myself of good?" This also is vanity and a grave misfortune.

Two are better than one, because they have a good reward for their labor. For if they fall, one will lift up his companion. But woe to him who is alone when he falls, for he has no one to help him up. Again, if two lie down together, they will keep warm; But how can one be warm alone? Though one may be overpowered by another, two can withstand him. And a threefold cord is not quickly broken. (Ecclesiastes 4:7-12)

While it is true that you remain the person primarily responsible for your own life, that self-love is important, and that when it comes down to the quality of your life, your choices matter the most, there is a reason why human beings have a general tendency towards forming groups. Human babies who were deprived of human touch can experience poor health outcomes and even death. Even if many of us need far less interaction than others (i.e. introverts), we still need to bond and connect with other human beings on some level.

We live in a highly individualistic society that is ruled by capitalism. Profit—and by extension, individual productivity—is prized above all else. This fosters a spirit of unhealthy competition that can often drive a wedge between us and our peers. Our worth is based on our physical, academic, or corporate achievement. We are expected to sacrifice our health, time, and current desires in order to one day earn the right to lead our own lives. This right—known for many years as “retirement”— has grown further and further out of reach for most Americans. This isn’t that one bicycle-riding-electricity-generating episode of Black Mirror, but sometimes it really feels like it.

What I am starting to realize, is that without a sense of togetherness and belonging—regardless of whether it is experienced in a small community or a big one— life quickly begins to lose its luster. It’s great to keep yourself as no. 1, but in the end, we all need to depend on others for support. It doesn’t matter if that support is financial, emotional, or physical.

Also, let’s talk about the Happiness dilemma. It feels like the more your try to pursue things that make you happy, the more elusive happiness becomes. Mark Manson discusses this at length in “The Subtle Art of Not Giving a F*ck”. He came to the conclusion that Happiness is not something that you “arrive” at through achievement or by acquiring a predetermined number of things or a specific assortment of relationships, but rather happiness is in the small moments. You feel happy when you are having ice cream with your kids, feel the wind on your face in autumn, or you’re allowed to leave work early. It isn’t a destination that can be reached through pure effort. It comes effortlessly. You just have to enjoy it while it is there and then be prepared to move on from it. It is temporary and fleeting, but it is tangible. You know it when you feel it.

Learning to recognize and embrace the joy in small moments helps make the long stretches of sadness and mediocrity more bearable. When I look back at my own life, I see how many of those moments were shared with other people. I remember my brothers and I making dumb jokes out of serious movie quotes, playing video games with my sisters, family movie nights, etc. My childhood was far from ideal, but, if I look back there are still joyful things to remember. There are highlights. Getting my first drivers’ license, passing the GED, and so on; these were things that would’ve been much harder without the support of my parents.

We live in an imperfect world with imperfect people. Until we can learn to accept the imperfections in others—and in ourselves—we may find ourselves feeling incredibly isolated from other people.

Even as I emphasize the importance of human relationships, I am aware that throughout history there have been those who have sought to isolate themselves for others for religious or spiritual reasons. Even many of these people, however, still interacted with other humans on some level. In fact, I would almost venture to say that the stereotypical view of hermits who stayed in caves and did not interact with anyone else for the remainder of their lives, is somewhat of a mythological concept. Even the most strictly disciplined monks and nuns of varying religions still form groups or look to the outside world for support. Their stories demonstrate to us that even when we are deprived of most of the material pleasures of life, we can still find meaning through sharing a spiritual practice with others.

As an atheist—who is also wrestling with whether or not to have a spiritual practice—I have found myself feeling incredibly othered by my peers. While around 22.8% of the U.S. is “religiously unaffiliated”, only 3% of that group call themselves atheists, with another 4% claiming agnosticism. The world as a whole is only 16% “nones” (religiously non-affiliated) with an unknown—but lower—number being full atheists (Stats from “Irreligion in the United States” and “Demographics of Atheism” on Wikipedia). I am already in a very small minority, but it is further complicated by the fact that my atheism still involves some belief in unseen forces (e.g. chi or some other inexplicable life-giving force in the universe).

My saving grace is being able to absorb some atheist content on YouTube, talking to atheist and agnostic friends and family members, and the increasing openness of [some] religious people to at least consider the concept of a world without God. Sadly, though, I haven’t been able to find a community as wide as the community I had when I was an actively practicing Evangelical Christian. I am, however, learning to compromise and practice gratitude for the equally strong—albeit smaller—community that I have now. I have people in my life who love, accept, and support me, and every single one of them matters to me.

A lot of people find their community online. There are people in fandom communities, online gaming communities, etc., who have found lifelong friends and even spouses by participating in online communities. Hell, I found some of my closest friends—two of whom I am still in touch with—on sites like Fanfiction.net, Fictionpess.com, and Gaia Online. Yes, it was years ago, and yes, those sites aren’t what they used to be, but without those friends I would not have made it through my teenage years.

Your communities can form around literally anything—games, knitting, quilting, coffee, whatever. You just need to go out there and find your tribe. You may even have an online tribe already, and while there is no substitute for face-to-face conversation, your tribe is valid.

Anything that gets you outside of yourself—as long as it isn’t hurting anyone—is good. While having people physically near you is ideal, sometimes just having them be a part of your day remotely is a big help. My best friend and I live thousands of miles apart, but something as simple as being able to text him a screenshot of something I think is funny or rolling my eyes when he sends another YouTube video to me in the middle of the day, really makes my day much easier. Same goes for going with my family’s group chat; we post some pretty cringey memes on there and it’s life.

Look into yourself and see how you feel when you’re participating with others. If you’re happy, that’s good. If there’s another emotion going on there, it may be something to look at. You may not be receiving the support you really need.

P.S. If you’re tired of living alone, but you don’t know anyone who you can move with, there are still options for you. Lots of millennials have been moving into rooms that are rented out by older homeowners, and while this sounds like a net loss, the relationships that form in these kinds of situations can be beneficial. The millennial has an affordable place to live and someone to share meals with, and the senior has someone to help with chores and keep them company.

Also, more and more cohousing communities are popping up throughout the country. They allow families to live together in a close-knit community. There are also other communal living situations in which one rather large home is rented out room by room. Each person has their own bedroom and shares bathrooms with a limited number of fellow housemates, but the living areas and kitchen are shared by everyone. These “non-college dorms” allow people to support each other socially and financially and live together affordably.

Of course, safety first! Do your due diligence and make sure that the place you are moving to is safe and that your rights are being respected.

Happy hunting!

#loneliness #building a community #fighting loneliness #the importance of human connection #individualistic society #getting to know people #finding your tribe #dealing with isolation #moving outside your comfort zone #living with other people #cohousing #communal living #capitalism #anti-capitalist #Living with Depression #online communities #AngieSpeaks

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comicteaparty · 6 years

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August 9th, 2018 CTP Archive

The archive for the Comic Tea Party chat that occurred on August 9th, 2018, from 5PM - 7PM PDT. The chat focused on Himawari Share by Harmony Becker.

Featured Comment:

Chat:

✨🐱 RebelVampire 🐱✨

COMIC TEA PARTY START!

Good day everyone~! This week’s Comic Tea Party is now officially beginning~! Today we are discussing Himawari Share by Harmony Becker~! (https://tapas.io/series/Himawari-Share) For those new or in need of a reminder, discussions about the comic are freeform, so please feel free to bring up whatever you wish. However, every 30 minutes I will be dropping in a discussion question to help those who would like a prompt. These questions are totally OPTIONAL to answer, and you can pay them no mind if you wish. If you miss out on any though, they’ll be pinned for the duration of the chat once they’re posted~! Remember, constructive criticism is allowed, but the primary focus here is to have fun and appreciate the amazing comics that the community makes~! As a bonus, each chat a top comment will be picked and featured in the archives and on an ad for CTP! All that being said, let’s get started and have a great discussion!

QUESTION 1. What is your favorite scene in the comic so far and why?

snuffysam

It's really hard to pick, but I'd say the Hyejung-focused parts (chapters 5 & 6) were my favorites. Focusing on her studies, not knowing what she wants to be, tearing out her roots to move to Japan, getting homesick and feeling guilty for it.

Superjustingo of ✨Time🕑&Space☄✨

Hello!

snuffysam

like, emotions and stuff

also hello justin!

✨🐱 RebelVampire 🐱✨

hey~!

yeah heyjung's backstory is a lot more tense than i was expecting. but i loved how everything was visually framed

although my favorite moment had to be when she went to that counselor and she just flat out couldnt say what she wanted to do with her life

cause man have i been there and that moment so purely relateable

snuffysam

yeah that was a big turning point, and my favorite moment in her backstory

Superjustingo of ✨Time🕑&Space☄✨

Thanks for the greeting~

I have to run a quick errand but I'll be back!

✨🐱 RebelVampire 🐱✨

i also loved the aftermath though of all the others bringing her stuff for her hangover. like that was just sweet and heartwarming.

snuffysam

sweet and heartwarming seems to be the general theme

for example, the scene where tina brings nao a soda

✨🐱 RebelVampire 🐱✨

yes. also a great scene. but also that scene made me like tina a whole lot. it had that element of goofiness (since she just picked her favorite) but had that immense kind-hearted underbelly. because i mean really, i dont know anyone who would bring me a soda to congratulate me on my first day of school.

i think my personal fave scene is actually when nao and masaki are walking together and each just having these thoughts about how they should interact and the various scenarios. especially nao imagining the music would bond them as friends while masaki is like "oh no i will be looked down upon for liking lady gaga."

snuffysam

and then they both end up too afraid to talk to each other lol

relatable scene, and i love how it helps build the characters of nao and masaki

✨🐱 RebelVampire 🐱✨

yes. i also love that it shows a good side to masaki in that hes basically just an average, socially awkward dork who is probably having some language and cultural gap problems. since ya know, our first impression of him was just rudeness otherwise.

i want to say in general i really love this comic's pacing though. like i always feel like the emotions are given time to be showcased but dont drag on too overly much.

snuffysam

the pacing is a real strong suit of the comic, agreed

were we ever told what masaki and shinichi's nationality/native language was?

✨🐱 RebelVampire 🐱✨

no albeit i assume for shinichi its japanese since he doesnt seem able to really do english and speaks quickly. which generally if youre a native, the quicker you speak. at the very least theyve gotta be fluent.

snuffysam

wait, i guess they aren't international students, because the comic description only says there are three

so they're just two japanese brothers who happen to live in the same house as three international students

✨🐱 RebelVampire 🐱✨

yeah. for reasons O_O. although i am curious if anyone else lives there. cause nao asks tina who the curly haired guy was and tina was like "hmm maybe masaki" and then nao had to say rude for tina to be sure

so either this is just a writing goof or its implied more ppl live there?

snuffysam

yeah you'd think if it was only the five of them, "curly haired boy" would narrow it down quite a bit

also i think we ignored @Sa💅

hello Sa!

not really a scene per se, but i really like the way the comic scratches out words that aren't understood

like this page: https://tapas.io/episode/756155

✨🐱 RebelVampire 🐱✨

ah i just thought it was a reply to the hellos. welcome @Sa💅 if you felt ignored O_O;;;

of all the things that is my fave part

cause i was skeptical on the language thing when i read the description

but man do i think it actually captures the language gap well

since it is what happens

you know lots of words but then theres always those difficult ones where youre like "omg wtf was that"

snuffysam

hamini really delivered in terms of showing how second languages work

✨🐱 RebelVampire 🐱✨

i also selfishly enjoyed that nao and i are decently close in japanese language understanding cause i wound up reading a lot of the japanese she could understand.

but then kanji

always kanji everywhere all the time

snuffysam

i took a semester of japanese four years ago and flunked lol. i can get through "はい " and that's about it.

i'm a bit better with spoken, but not much

✨🐱 RebelVampire 🐱✨

hey its something.

this reminds me, i really liked that scene where tina applied language knowledge to figure out vacuum

snuffysam

that was a really cool moment!

as were the rest of the parts where tina had to figure out the instructions given to her

✨🐱 RebelVampire 🐱✨

yes. like man do i give tina all around props for that. i would have left crying cause new jobs are stressful enough without adding a language deficiency to the mix

QUESTION 2. Of those staying in Himawari Share, Shinichi and Masaki are the two we know least about in the current story. Do you think there’s any particular reason the two are staying at Himawari Share, or does it just happen to have a convenient location for them? Like the other characters, do you think they have personal histories or pasts that will come to light? Do you think that it is significant in some way that Shinichi and Masaki are mentioned to be brothers? As time goes on, do you think the others will bond with Masaki, or will the language and culture gap keep interfering? What about Shinichi? Will Nao, at least, become able to understand him better, or will his fast talking still prove too much?

i want to go out on a limb and just say theyre there cause convenient location. but i do think they got some sort of hidden past history. cause at the very least shinichi and masaki dont really look like theyre related. so it makes me wonder if this is maybe a half-sibling relationship going on

snuffysam

oh theory time?

i think they are actually brothers, they just happened to look different. that's how it goes somethimes

i think himawari share is a convenient location for them, but i have no idea what it would be convenient too. like, what are their jobs?

also, my guess - nao is going to start understanding what shinichi is saying, but at first it'll only be, like, she catches every other word.

✨🐱 RebelVampire 🐱✨

yeah im confused at what the share is. cause the girls make it look like its like a special house dorm house for international students who are coming to work and learn in japan. but shinichi and masaki definitely dont appear to be international, so what are they doing there? now its possible they are also going to college in some fashion. but im not entirely sure since it still seems weird to have potentially two natives with three international students.

but to be fair, maybe they own himawari share

cause shinichi and masaki are def both first name

snuffysam

yeah maybe that's just their family home that they rent out

perhaps there are plenty of other people there, and the girls just don't hang out with them because they don't relate as much

international students sticking together and stuff

✨🐱 RebelVampire 🐱✨

yeah that could also be. although the house seems in a residential area so there cant be too many

alternatively

theres only one other dude living there and hes a shut in that you see once in a blue moon

and theres gonna be some other festival and suddenly hell come out and nao will be le gasp

snuffysam

that sounds about right, yeah

and it would explain tina not knowing who nao was talking about

✨🐱 RebelVampire 🐱✨

alternatively alternatively, it is just the 5 of them and tina just happens to know a lot of people who look like masaki and forgets who even lives with her

snuffysam

maybe masaki doesn't live there, he just really likes the bathroom

✨🐱 RebelVampire 🐱✨

masaki lives never door but his bathroom broke and hes too lazy to fix it. comes over to his brother's place all the time.

i really hope we get to see more of shinichi cause of all the characters he seems the most one note atm. and idk what to make of him. although i do like that hes kind of like their tour guide who take sthem to festivals

snuffysam

i think it's just that the comic isn't particularly long yet and shinichi isn't one of the main characters

the description says romance is in the cards, but it doesn't say between whom

that may be where shinichi gets some development

✨🐱 RebelVampire 🐱✨

it could be. and to be fair, shinichi's mystery kind of suits the fact that theres the language gap cause he clearly doesnt know english well or at all. so its hard to get to know someone well when theres only so many words shared between

like how that convo between nao and hyejung was really formal and stifled before they realized they both spoke english

snuffysam

well, hopefully shinichi is more open to talking about his interests than his brother

✨🐱 RebelVampire 🐱✨

yeah. although backing up the train for a moment, id like to know why both brothers seemingly dont seem to know any english. cause english is generally required learning in japan and while a lot of ppl arent good at it, theyed probably at least know a few basic phrases. so it strikes me as interesting neither has attempted that much. tho tbf has masaki even said anything?

snuffysam

i think masaki corrected the neighbor lady about his name

but that's it

we don't know if they can speak english or not, i think

✨🐱 RebelVampire 🐱✨

yeah i mean they could. but i could also see them choosing not to since the girls are all there to kind of learn japanese

snuffysam

oh no wait, there is a page where it's shown shinichi doesn't understand english

https://tapas.io/episode/839877

✨🐱 RebelVampire 🐱✨

QUESTION 3. One of the comic’s themes revolves around finding yourself, and this issue has given many characters quite the obstacle. In the case of Nao, do you think she will come to terms with that missing part of herself by being in Japan, or will there forever be a gap no matter how much time she spends there? As Nao spends more time there, do you think she’ll feel the culture gap grow or shrink, and how might that affect her? In the case of Hyejung, do you think she’ll figure out what she wants to do with her life, or do you think that still might remain elusive? Additionally, do you think she’ll be able to reconcile with her family? Lastly, in the case of Tina, do you think her part time job will work out, or will the language gap make things too much of a struggle? If she does lose her job, what do you think she’ll do and how might this affect her reasons for being in Japan?

snuffysam

do we know why tina is in japan?

✨🐱 RebelVampire 🐱✨

i dont think so. and if you dont think so, im gonna feel safe in saying we havent been told

although tina seems like the type to just like adventures

although whereas nao and hyejung give me the impression that they might someday go back to their home countries, tina gives me the impression that this is a permanent thing

at least compared to hyejung, tina seems to care the least about reliving her own culture persay

snuffysam

i think it's not going to turn out how any of the girls' plan. maybe hyuejung finds her purpose is back in korea, maybe it's in japan, etc.

nao is here to reconnect to the missing part of herself and re-learn japanese. while she may end up learning japanese, i don't think reconnecting with her past will happen so much.

she'll see a large culture gap, or get distracted with something else

Superjustingo of ✨Time🕑&Space☄✨

I'm back!

snuffysam

hi justin!

Superjustingo of ✨Time🕑&Space☄✨

Hey Snuffy!

✨🐱 RebelVampire 🐱✨

wb!

Superjustingo of ✨Time🕑&Space☄✨

Thanks!

Ooh, a Japanese festival?!

✨🐱 RebelVampire 🐱✨

there was one in the comic, yes already, yes.

tbh i do think hyejung isnt going to find exactly what she wants. because i feel her desire to go to japan was driven more by a desire to escape her reality versus thinking "yes this is the place where i can find myself"

and shes the one who seems most homesick as well

not ot say i think the journey will be in vain

and i think shell at least learn things about herself

like how to live independently for herself

away from the parents

in nao's case, i think shell...come to terms that she cant have a different past. im actually thinking whats going to happen is shes going to run into something that makes her go "whoa wait america was way better in this aspect" and then shell realize that if she had stayed in japan, she also wouldnt know the american culture she grew up in.

Superjustingo of ✨Time🕑&Space☄✨

Perhaps

snuffysam

at some point nao likened it to having a twin that was separated from her at birth. and i think her journey will involve coming to terms with the fact that she can't recover that lost twin. she's gone forever.

lots of great metaphors in this comic btw

Superjustingo of ✨Time🕑&Space☄✨

I thought Nao was from Korea.

snuffysam

no you're thinking of hyejung

nao is the one who was born in japan but grew up in america

Superjustingo of ✨Time🕑&Space☄✨

Oh right, my bad I saw this page and I thought wrong because of it https://tapas.io/episode/1021922

snuffysam

yeah that chapter follows hyejung

Superjustingo of ✨Time🕑&Space☄✨

aye, thanks

✨🐱 RebelVampire 🐱✨

yeah i do think thats the case with nao. shes going to have to realize that she cant have two pasts or that other half. but i do think being in japan will be both good and bad for it. cause on the plus side, she gets to see what she missed out on, but on the otherhand shes also going to feel the sting of that gap cause im sure shes gonna run into a festival where shes plain just like "i dont understand this"

although assuming her mom is still alive(?) then itll be interesting if she can talk to her mom in japanese again or something

Superjustingo of ✨Time🕑&Space☄✨

Yeah.

You know, reading this comic made me remember how much I thought it'd be cool to visit Japan back in high school and planned to go there as a graduation present. How wrong I was.

✨🐱 RebelVampire 🐱✨

this comic gives me the should go to japan itch again. especially to eat the food

which im glad food is involved a lot

Superjustingo of ✨Time🕑&Space☄✨

Mmm

✨🐱 RebelVampire 🐱✨

cause thats a huge facet of the culture

Superjustingo of ✨Time🕑&Space☄✨

I wish I loved Japanese food.

more than I do now

✨🐱 RebelVampire 🐱✨

on a side note

i loved that little moment where hyejung bitched that the kimchi wasnt even spicy

and how it was made by a japanese run restaurant

cause i liked that detail that just how america amercanizes certain foods, other countries do the same

or at least japan does for sure XD

their mcdonalds are crazy

Superjustingo of ✨Time🕑&Space☄✨

lol yeah

This hit home for me, in a way

like it's not "authentic"

snuffysam

I’ve had Korean food in a restaurant owned by Korean people. And yeah, it’s a lot spicier

I don’t blame Hyejung lol

✨🐱 RebelVampire 🐱✨

nah i dont blame her either. cause regardless if you grow up used to one flavor, you probably arent gonna be a fan of change

QUESTION 4. Given the focus of the comic is on international students and cultural gaps, to a degree, there are lots of interesting potential scenarios. Did you find the comic’s unique method of showcasing language gaps interesting? How did it change how you viewed the characters’ experiences? Are there any cultural experiences that you’re looking forward to seeing the characters experience? If so, why? Do you feel our heroines will continue to be able to wing it, or will they commit some sort of cultural blunder? If the latter, how do you expect that to play out and emotionally affect the culprit? On a more character oriented level, what other struggles do you think the characters might have in their everyday, personal lives? Do you think everyone will continue to get along, or might tension in Himawari Share grow for some reason? Lastly, do you think romance might be in bloom with any characters?

Superjustingo of ✨Time🕑&Space☄✨

It's certainly very interesting and it shows up the potential troubles of going out into a whole new world

snuffysam

Everyone gets along so well, I just know someone’s going to mess up

Call me a pessimist lol

Superjustingo of ✨Time🕑&Space☄✨

lol

✨🐱 RebelVampire 🐱✨

snuffy, youre a pessimist

but no i agree

they have been getting along real well

and at some point theyre going to fight

cause at the very least living together isnt easy

cause everyone has different habits

and call me biased, but pretty sure if its a living together thing tina is gonna be the cause of it just cause she has the most unreserved personality

Superjustingo of ✨Time🕑&Space☄✨

Yeah.

Eventually all that rage and stress will just need to be all let out.

✨🐱 RebelVampire 🐱✨

one thing i didnt mention about the language thing was that i was glad to see there was a difference between nao and tina. cause tina clearly has a better grasp and that shows, both in how much she understands and how she has learned to learn via context clues.

snuffysam

yeah there's a clear difference between everyone's skill level

even just the "yeah it took me a while to get used to shinichi talking" is an example of that

Superjustingo of ✨Time🕑&Space☄✨

It's great seeing everyone talking in all the different languages(edited)

Especially since it's not easy to do Japanese and Korean in comics unless you're overly familiar with the language yourself (or have a translator)(edited)

✨🐱 RebelVampire 🐱✨

yes thats also true with the shinichi talking part. i really felt for nao in that moment.

cause its an easier said than done thing

im gonna ship nao and masaki. thats where im putting my shipping chips

snuffysam

perhaps a source of conflict comes from romance coming about with an odd number of people in the house?

MathTans the super Pun 👑Prince👑

I made it for the last bit. O.o Though you mentioned a lot of the stuff I liked in the first half hour already, I'm noticing. The bit where Tina brought the soda for Nao and the bit where the two characters were having different music conversations in their minds.

Superjustingo of ✨Time🕑&Space☄✨

eey Math

MathTans the super Pun 👑Prince👑

I enjoyed those two. The Hyejung at the end, I can see how it's very relatable, and it was emotional, but I guess I just like a bit of funzies in my fave scenes. ^.^(edited)

I'm gonna ship Nao and Tina, because you KNOW me.

✨🐱 RebelVampire 🐱✨

hi math~! was even just thinking "aww i guess math isnt coming after all."

plz math

Superjustingo of ✨Time🕑&Space☄✨

mmm, ships

✨🐱 RebelVampire 🐱✨

clearly tina and hyejung are the ship

they have more history

MathTans the super Pun 👑Prince👑

That's just it, they haven't fallen in love yet. Chips go on the new relationship.

Also, related to what SJ was saying before, the author must be very good with languages or know many herself... I have zero clue if it's right or not, but it's a pretty gutsy venture.

snuffysam

yeah either the author knows three plus languages, or has some really good friends

✨🐱 RebelVampire 🐱✨

the japanese is correct from what i can tell. at least the parts i could read.

MathTans the super Pun 👑Prince👑

There's also those little things that can trip one up in translation, like the "Let's Eat" kind of being the Japanese thanks for the food thing. I think the author even pointed it out once, with the part time job, both of them thanking the other for working, not really being an English thing.

Superjustingo of ✨Time🕑&Space☄✨

Yeah, I wouldn't ever think to do a foreign language in something of mine unless I rely on a translator.

MathTans the super Pun 👑Prince👑

I didn't totally pick up on the skills of the individual characters either, but since you did, it's cool that it can come across too.

Superjustingo of ✨Time🕑&Space☄✨

Yea

MathTans the super Pun 👑Prince👑

I'm bilingual for English and French and even I'm not sure I'd want to do it.

✨🐱 RebelVampire 🐱✨

what you mean you dont want to do a strip where all the tans start speaking french? XD

i feel like shinichi would be the one to bring a relationship in from the outside

MathTans the super Pun 👑Prince👑

Not so much, no.

Yeah, we haven't seen much of the guys (which I notice you mentioned earlier)... honestly, I'm okay with that. I like the focus on the women (and not just because I ship that way) as they all have sort of a bond.

snuffysam

shinichi seems a bit more outgoing, so i wouldn't be surprised if he turns out to already be in a relationship

MathTans the super Pun 👑Prince👑

Oh, and the speed-talking thing was well portrayed.

I also want to say it was neat having that character who lives across the street come back in a later scene, when they were going to the post office. Helps make things extra real, incidentals like that.

snuffysam

i liked how she didn't know masaki's name lol

Superjustingo of ✨Time🕑&Space☄✨

Lol

snuffysam

he might not get out much

MathTans the super Pun 👑Prince👑

Could be to avoid talking. And just not wanting to talk even to strangers for fear of making a mistake.

Maybe that explains the rudeness too.

✨🐱 RebelVampire 🐱✨

to be fair, i dont know a single one of my neighbors. and if you dont interact with your neighbors, you dont know their names

MathTans the super Pun 👑Prince👑

If you start with rudeness, people won't talk to you either, and you won't have to interpret. Yeah, I don't know my neighbours either. ^^;;

Superjustingo of ✨Time🕑&Space☄✨

I don't even have any neghibors

MathTans the super Pun 👑Prince👑

Final thought, super impressed by the translation stuff. Including the blurring of just some words, which was also pointed out earlier. I don't think I've seen anything like that.

Also, Nao + Tina.

✨🐱 RebelVampire 🐱✨

COMIC TEA PARTY END!

Unfortunately, the scheduled Comic Tea Party time is now up~! Thank you everyone so much for reading and joining this week’s chat~! We want to give a special thank you to Harmony Becker, as well, for making Himawari Share and volunteering it for our reading queue. If you liked the comic, please be sure to support Harmony Becker’s efforts however you’re able to. All that being said, if you would like to continue discussing this week’s comic, we highly encourage you to do so~!

For next week, Comic Tea Party will focus on Raison d'Etre by Cloud Fourteen (Funari and Leigh). As always, please use the next several days to read as much of the comic as you would like. We hope to see you next Thursday on August 16th from 5PM to 7PM PDT for the chat~! Until then, happy reading~! Comic: http://raisondetrecomic.tumblr.com/

#ctparchive #comics #webcomics #indie comics #comic tea party #ctp #comic chat #comic discussion #book club #bookclub #comic book club #comic bookclub #webcomic book club #webcomic bookclub

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sheminecrafts · 6 years

Text

With its goofy video loops, YC backed Splish wants to be the ‘anti-Instagram’

Is there any space on kids’ homescreens for another social sharing app to poke in? Y Combinator backed Splish wants to have a splash at it () — with a super-short-form video and photo sharing app aimed at the under-25s.

The SF-based startup began bootstrapping out of their college dorm rooms last July, playing around with app ideas before settling on goofy video loops to be their social sharing steed of choice.

The Splish app pops content into video loops of between 1-5 seconds. Photos can be uploaded too but motion must be added in the form of an animated effect of your choice. So basically nothing on Splish stays still. (Hence its watery name.) But while wobbly, content on Splish is intended to stick around — rather than ephemerally pass away (a la snaps).

Here are a few examples of Splishes (embedded below as GIFs… but you can see them on its platform here, here and here):

It’s the first startup for the four college buddy co-founders: Drake Rehfeld, Alex Pareto, Jackson Berry and Zac Denham, though between them they’ve also clocked up engineering hours working for Snapchat, Facebook and Team 10.

Their initial web product went up in March and they landed a place on YC’s program at the start of May — when they also released their iOS app. An Android app is pending, and they’ll be on the hunt for funding come YC demo day.

The gap in the social sharing market this young team reckons it’s spotted is a sort of ‘anti-Instagram’ — offering a playful contrast to the photo sharing platform’s polished (and at times preening) performances.

The idea is that sharing stuff on Splish is a bonding experience; part of an ongoing smartphone-enabled conversation between mates, rather than a selectively manicured photoshoot which also has to be carefully packaged for public ‘gram consumption.

Splish does have a public feed, though, so it’s not a pure messaging app — but the co-founders say the focus is friend group sharing rather than public grandstanding.

“Splish is a social app for sharing casual looping videos with close friends,” says Rehfeld, giving the team’s elevator pitch. “It came out of our own experience, and we’re building for ourselves because we noticed that the way you socialize right now in real life is you do activities with your friends. You go to the beach, you go to the bar, the bowling alley. We’re working to bring this same type of experience online using Splish through photo and video. So it’s more about interaction and hanging out with your friends online.”

“When you use Instagram you really feel like you’re looking at a magazine. It’s just the highlights of people’s lives,” he adds. “And so we’re trying to make a place where you’re getting to know your friends better and meeting new people as well. And then on the other side, on Snapchat, you’re really sharing interesting moments of your lives but it’s not really pushing the boundaries or creating with your friends. It’s more just a communication messaging tool.

“So it’s kind of the space in between broadcast and chat — talking and interacting with your close friends through Splish, through photo and video.”

Users of the Splish app can apply low-fi GIF(ish) retro filters and other photographic effects (such as a reverse negative look) to the video snippets and photos they want to send to friends or share more widely — with the effects intended to strip away at reality, rather than gloss it over. Which means content on Splish tends to look and feel grungy and/or goofy. Much like an animated GIF in fact. And much less like Instagram.

The team’s hope is the format adds a bit of everyday grit and/or wit to the standard smartphone visual record, and that swapping Splishes gets taken up as a more fun and casual way of communicating vs other types of messaging or social sharing.

And also that people will want to use Splish to capture and store fun times with friends because they can be checked out again later, having been conveniently packaged for GIF-style repeat lols.

“Part of the power here in Splish is that relationships are built on shared experiences and nostalgia and so while [Snapchat-style] ephemerality reduced a lot of the barriers for posting what it didn’t do is strengthen relationships long term or over time because the chats and the photos disappeared,” says Rehfeld.

The idea is a content format to gives people “shared experience that lasts”, he adds.

They’re also directly nudging users to get creative via a little gamification, adding a new feature (called Jams) that lets users prompt each other to make a Splish in response to a specific content creation challenge.

And filming actual (playful) physical shoulder pokes has apparently been an early thing on Splish. That’s the merry-go-round of social for ya.

Being a fair march north of Splish’s target age-range, I have to confess the app’s loopy effects end up triggering something closer to motion sickness/vertigo/puking up for me. But words are my firm social currency of choice. Whereas Rehfeld argues the teenager-plus target for Splish is most comfortable with a smartphone in its hand, and letting a lens tell the tale of what they’re up to or how they’re feeling.

“We started with that niche first because there’s a population in that age range that really enjoys this creative challenge of expressing yourself in pretty intuitive ways, and they understand how to do that. And they’re pretty excited about it,” he tells TechCrunch.

“There’s also been a little bit of a shift here where users no longer just capture what they have in real-life using the camera, but the camera’s used as an extension of communication — especially in that age range, where people use the camera as part of their relationship, rather than just capturing what happens offline.”

As with other social video apps, vertical full screen is the preferred Splish frame — for a more “immersive experience” and, well, because that’s how the kids do it.

“It’s the way users, especially in this age range, hold and use their phones. It’s pretty natural to this age range just because it’s what they do everyday,” he says, adding: “It’s just the best way to consume on the phone because it fills the whole screen, it’s how you were already using the phone before you clicked into the video.”

Notably, as part of the team’s soft-edged stance against social media influencer culture, Rehfeld says Splish is choosing not to bake “viral components” into the app — ergo: “Nobody’s rewarded for likes or ‘re-vines’. There’s no reblog, retweet.”

Although, pressed on how firm that anti-social features stance is, he concedes they’re not abandoning the usual social suite entirely — but rather implementing that sort of stuff in relative moderation.

“We have likes and we have a concept of friends or follows but the difference is we’re building those with the intention of not incentivizing virality or ‘influencership’,” he says. “So we always release them with some sort of limit, so with likes you can’t see a list of everybody who’s liked a post for example. So that’s one example of how we’ve, kind of, brought in a feature that people feel comfortable with and love but with our own spin that’s a little bit less geared towards building a following.”

Asked if they’re trying to respond to the criticism that’s been leveled at a lot of consumer technology lately — i.e. that it’s engineered to be highly and even mindlessly addictive — Rehfeld says yes, the team wants to try and take a less viral path, less well travelled, adding: “We’re building as much as possible for user experience. And a lot of the big brands build and optimize towards engagement metrics… and so we’re focused on this reduction of virality so that we can promote personal connections.”

Though it will be interesting to see if they can stick to medium-powered stun guns as they fight to carve out a niche in the shadow of social tech’s attention-sapping giants.

Of course Splish’s public feed is a bit of a digital shop window. But, again, the idea is to make sure it’s a casual space, and not such a perfectionist hothouse as Instagram.

“The way the product is built allows people to feel pretty comfortable even in the more public feeds, the more featured feeds,” adds Rehfeld. “They post still very casual moments, with a creative spin of course. So it’s stayed pretty similar content, private and public.”

Short and long

It’s fair to say that short form video for social sharing has a long but choppy history online. Today’s smartphone users aren’t exactly short of apps and online spaces to share moving pictures publicly or with followers or friends. And animated GIFs have had incredible staying power as the marathon runner of the short loop social sharing format.

On the super-short form video side, the most notable app player of recent years — Twitter’s Vine — sprouted and spread virally in 2013, amassing a sizable community of fans. Although Instagram soon rained on its video party, albeit with a slightly less super-short form. The Facebook-owned behemoth has gatecrashed other social sharing parties in recent years too. Most notably by cloning Snapchat’s ‘video-ish’ social sharing slideshow Stories format, and using its long reach and deep resources to sap momentum from the rival product.

Twitter voluntarily threw in the towel with Vine in 2016, focusing instead on its livestreaming video product, Periscope, which is certainly a better fit for its core business of being a real-time social information network, and its ambition to also become a mainstream entertainment network.

Meanwhile Google’s focus in the social video space has long been on longer form content, via YouTube, and longer videos mesh better with the needs of its ad network (at least when YouTube content isn’t being accused of being toxic). Though Mountain View also of course plays in messaging, including the rich media sharing messaging space.

Apple too has been adding more powerful and personalized visual effects for its iMessage users — such as face-mapping animoji. So smartphone users are indeed very, very spoiled for sharing choice.

Vine’s success in building a community did show that super-short loops can win a new generation of fans, though. But in May its original co-founder, Dom Hofmann, indefinitely postponed the idea of reviving the app by building Vine 2 — citing financial and legal roadblocks, plus other commitments on his time.

Though he did urge those “missing the original Vine experience” to check out some of the apps he said had “sprung up lately” (albeit, without namechecking any of the newbs). So perhaps a Splish or two had caught his eye.

There’s no doubt the space will be a tough one to sustain. Plenty of apps have cracked in and had a moment but very few go the distance. Overly distinctive filters can also feel faddish and fall out of fashion as quickly as they blew up. Witness, for example, the viral rise of art effect photo app Prisma. (And now try and remember the last time you saw one of its art filtered photos in the wild… )

So sustaining a novel look and feel can be tough. Not least because social’s big beast, Facebook, has the resources and inclination to clone any innovations that look like they might be threatening. Add in network effects and the story of the space has been defined by a shrinking handful of dominant apps and platforms.

And yet — there’s still always the chance that a new generation of smartphone users will shake things up because they see things differently and want to find new ways and new spaces to share their personal stuff.

That’s the splash that Splish’s team is hoping to make.

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theinvinciblenoob · 6 years

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