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#character: qiao xi chen
certified-ajumma · 5 months
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"Beijing is too big. It makes us look so... so insignificant."
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movielosophy · 2 years
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一片冰心在玉壶 
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akatsuki-shin · 2 years
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REVIEW: 千秋 Qiān Qiū (Thousand Autumns)
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Recently finished reading Thousand Autumns, so I’d like to share my thoughts on it with everyone~ ^w^
Note(s):
(Very) long post ahead
Contains spoiler
This is my personal review and does not represent the entire audience
Summary:
“Thousand Autumns” is a danmei novel written by Meng Xi Shi. A wuxia story with profound cultivation elements that makes it close to the xianxia genre, it was published between 2015-2016 on Jinjiang Literature City (JJWXC), consisting of 128 chapters and 13 extra stories.
During a battle with the disciple of his late master’s archrival, leader of the number one Daoist sect under heaven, Shen Qiao, was thoroughly defeated in an unforeseen turn of events before the eyes of his fellow sect members and observers from the entire jianghu. He fell from great heights and sustained almost fatal injuries, losing not only his martial arts, his sight, his reputation, but also his memories.
By the twist of fate, the one who discovered him in his near-death state was the Demonic Sovereign Yan Wushi, the fearsome yet renowned leader of a notorious demonic sect.
Heartless, arrogant, untrusting to everyone but himself, the sole reason Yan Wushi took an interest in Shen Qiao was only because he wanted to see how this righteous, kindhearted man would fall into despair and succumb to evil after losing everything. Thus he ordered his disciple to bring Shen Qiao back to their residence and nursed him to health, so that he could toy with him afterwards.
What he did not expect, however, behind the gentle and seemingly gullible nature of Shen Qiao was a heart as strong as steel and ironclad will that refused to be bent, even in the most perilous predicaments.
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STORY: 7/10
Subtle, yet solid plot development with smooth story-telling.
The story flows almost like a calm river with occasional “ripples” in between where the conflicts happened. Heavier turbulence and secrets were revealed little by little one after another instead of being thrown straight to our faces since the beginning, with the biggest ones being saved to appear in the latter part of the story, slowly roping in the curious readers to follow the characters’ journey until the final resolution.
Personally speaking, I feel that the overall plot lacks intensity that could “bind” people’s hearts to stay for a binge-reading. Most parts are way too stable that it becomes a flaw, there were no mind-boggling plot twists. However, this was made up by the progressive development and fulfilling resolutions.
“Karmic cycle” is certainly one of the main themes of this story. In the beginning, we could see Shen Qiao doing good things after good things but all went unrewarded; his generosity responded with mockery, his kindness returned with betrayal, not to mention those who took advantage of his misfortunes to benefit themselves. But when he finally seemed to have arrived at a dead end, an unexpected hand came to lend him a hand and gave him another chance in life.
To be specific, yes, I am referring to how Shen Qiao gave his last remaining food to a starving refugee boy, allowing the boy to survive, and the said boy latter saved him from the brink of death after he destroyed his meridians to fight Sang Jingxing due to Yan Wushi’s betrayal. This was probably the most moving part in the entire novel for me. And starting from that point onwards, he continuously met friends and allies who admired him and were willing to help him whenever he was in need, because they already saw with their own eyes what kind of person Shen Qiao was.
The same situation also befell those whose conducts are the opposite to Shen Qiao. Arrogant villains like Sang Jingxing and Chen Gong ultimately lost their lives, possibly in the most humiliating way according to their standard—one was betrayed by the female disciple he had (cruelly) nurtured for years, the other was stabbed by a seemingly powerless little boy after having continuously took advantage of people’s situation for his own gain.
Other than reward and punishment, redemption also comes to the right characters who deserve it, namely those who are willing to look back and see the mistakes they have made. Yu Ai had committed an unforgivable aggression by betraying his own martial brother to advance his agenda, convoluting with the enemy and poisoning Shen Qiao which was the root and beginning of the latter’s misfortune. But he was not inherently evil and his intention was born from a desire to protect Mount Xuandu. Though he had made a great mistake, after experiencing himself the consequences of his decision, he returned and died to shield Shen Qiao from the real traitor, ultimately mending their relationship despite the bitter ending.
Yan Wushi, as one of the two main characters, naturally has a more apparent redemption. His arrogance was paid with (almost) dying at the hands of his enemies, him cruelly toying with Shen Qiao was paid with his life being saved by the very same man he betrayed. I think the part where his “Xie Ling” personality showed up, particularly when he crawled on the floor begging for Shen Qiao not to leave him, was humiliating enough for a man like him since we know the real Yan Wushi remembered what his other personalities did during that period.
What goes around comes around. The goods are rewarded and the bads are punished, either by fate or someone else’s hands. All the conflicts that appeared from the beginning are resolved properly, leaving no loose ends except for one little part: Yan Wushi’s past.
Originally, I didn’t think whatever past Yan Wushi has would become something significant to the current plot. One might wonder why he grew up to be someone with such a pessimistic outlook towards life, unable to believe anyone but himself and thinking that all humans are born evil, yet whether there is or there isn’t a reason for this, it wouldn’t change the present story. However, since it was shown by Xie Ling that he once possessed some innocence, and that at one point in his life he discarded the name “Xie Ling” to become “Yan Wushi”, the fact that there are barely any explanations on this made it felt like a tiny plot hole.
Other than that, the development and establishment of the main pairing, Shen Qiao and Yan Wushi, are very well written. 128 chapters are long, and the author made use of this story length properly. Nothing feels too rushed or unnecessarily prolonged for no reason. In short, it’s balanced and enjoyable to follow.
There is another aspect of the story that I quite like. It is the fact that the author was able to incorporate her fiction into a real history setting, even including actual historical figures to the plot. I also admire the wide comprehension the author possessed on the elements used to build the story’s universe. They could fully implement the concept and principles of Daoism, Buddhism, Confucianism, as well as the cultures and habits of people from the era when the story took place to create intriguing disputes and events throughout the novel. Although I am not an expert on this topic, I believe this could not be done without sufficient research and understanding into said topics.
CHARACTERS: 10/10
Just like the plot itself that flows calmly, the characters themselves did not seem to possess any “explosive” qualities that would be able to cause surprise. However, this is exactly why the characters fit so well into the story. Each and every single one of them, from the main characters to the minor/side characters have their respective roles and they played these roles accordingly, receiving just the right amount of spotlight based on how crucial their presence was. The biggest emphasis always lies with the main characters, but the side characters are not easily forgotten and the mob characters properly supported the situation instead of being annoying.
The characters’ interactions and thoughts are all perfectly in line with their roles and personality with a good amount of humor every now and then, enough to entertain but does not ruin the current mood or distract readers from the actual point being made.
Going further, there is no question that Shen Qiao has become one of my favorite characters among all danmei I’ve read so far. While he seems too “perfect” at a glance, I must applaud the author for being able to write this kind of person without making him look like a Gary Stu. He is kind and gentle, yet despite still retaining some of his gullible nature, he has integrity and is always clear about what he could and could not do. He would help others to the best of his ability, but he would not do anything that is against his principles. Even though his temper is good and his heart is magnanimous, he is not bothered by doubt to exact justified punishment to those who deserve it, such as Huo Xijing and Tan Yuanchun.
Seeing his effort and conduct, it is hard not wanting to cheer for him because he is really just that admirable. The return of his martial arts was so moving, considering all the hardships he’d gone through throughout the story. His growth was subtle, but it becomes clear when the moment comes. Like this, the positive comments made by the mob characters on him are in line with the readers’ impression on his character, so we are not being “directed” to see him as a good person. Instead, the mob characters’ comment only served as a confirmation that he was indeed a good person just as I have been thinking while following his journey.
There are many good characters out there, but one like Shen Qiao was probably quite rare.
Yan Wushi, on the other hand, was the polar opposite of Shen Qiao. He is manipulative to the core and always seeks to benefit himself and/or his sect. He is heartless and constantly looks down on others, having no compassion in the slightest bit. In fact, he enjoyed watching the suffering of other people, as evidently shown by how he played with Shen Qiao and betrayed him in such a humiliating way by handing him over to Sang Jingxing in exchange for a sword—one that he himself doesn’t really care about.
But if we look a little closer, he is actually similar to Shen Qiao, just that he stood at the other end of the spectrum. He is viciously honest and will not sugarcoat anything, clearly stating his likes and dislikes. He is arrogant, but this confidence is backed by actual skills, and he is aware if something is beyond his capability. At the same time, he will not shy away from difficult situations and face everything head on.
After his feelings for Shen Qiao changed, a lot of people may still consider him as someone manipulative who is taking advantage of Shen Qiao’s innocence, but I personally do not think so. After his view changed, all of his tricks (verbal and actions) are generally harmless in which it was just meant to tease and flirt. I think this is the only way that Yan Wushi knows how to love someone. He is a strategist and this trait he brought into his personal relationships as he would always test the water first to know how far he could go and when to pull back. And of course, he could also behave seriously when the time calls for it and Shen Qiao willingly accepts this person while knowing this.
For Yan Wushi it can only be Shen Qiao and for Shen Qiao, it can only be Yan Wushi. If I were to put it into words, I believe the scene they shared by the lake just before Yan Wushi’s battle with Hulugu was more than enough proof to show their feelings for one another.
With all that said, Shen Qiao and Yan Wushi have a good relationship dynamic. From their first encounter until the establishment of their feelings, the development is subtle but consistent, moving forward at the right pace.
TECHNICAL ASPECTS: 7/10
The descriptions of environments are vivid and beautiful. The way scenes and actions are being described makes it easy for readers to visualize. It is especially exciting whenever a battle is involved, especially one like the scene when Shen Qiao had to battle two elders of the Hehuan sect while protecting two children at the same time to escape the city. Through words, the intensity and exhaustion coming from the battlefield can be properly conveyed to the readers while at the same time, the smooth story-telling makes it easy to follow the plot without worrying too much about missing some details.
There are a couple of technical issues that I would like to address. Nothing major, to be honest, but probably worth mentioning.
In regards to descriptions in the narrative, while the use of imagery is beautiful, I feel that it is a bit excessive, particularly during battle scenes. Imageries could help to describe how powerful the characters are, but if used too much, it only ends up blurring the actual actions being done. After all, if every swing of sword and fist could “bring down the mountain and split the sea”, the jianghu would have fallen into ruin after the first three battles.
Information on people, groups, and certain terms are often all over the place with no clear structure, especially in the earlier parts. Sometimes, explanations are placed during inappropriate timing/location and end up slightly disturbing the set mood.
A few character introductions are also insufficient. Very often, a new character would just appear and have their name mentioned in the narration without prior introduction or hint as if the readers are expected to already know who was speaking. There are too many info dumps towards the latter part of the story on characters whose roles actually are not that significant. Because of this, it looks as if they are important characters although in reality, they might only appear for 1-2 chapters at most (e.g. Shen Qiao’s third disciple).
Furthermore, there are repetitive explanations/reiterations of things already elaborated multiple times before, becoming extremely redundant.
OVERALL SCORE: 8/10
A beautiful story of two different people who find their soulmate in each other’s existence, a lesson that there is good in evil, as much as there is evil in good.
Thousand Autumns is a classic wuxia with gentle, yet solid flow that is enjoyable to follow. The chapters might be rather long, but the plot itself is not too heavy with intriguing main characters and many likable supporting roles.
It might be a bit difficult for those who aren’t familiar with Chinese novels of this genre to digest the narration, what’s with the strings of idioms, imageries, and topics heavily referencing Chinese history and cultures, but other than that, it’s a very satisfying story overall.
In fact, had it not been for this, I would've said that Thousand Autumns is quite a great start to those who want to start reading danmei novels.
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Remembrance of Things Past - Eps 1-10 Impression/Rant
Not really a first impressions post since there are only 2 episodes left, but as I’m waiting on the last few episodes, I thought I’d rant a bit about the drama here. 
First of all, I agree with everything that AvenueX said in her review of the first 6 episodes. Her review is what prompted me to start the drama. I needed a realistic slice of life drama to balance out the idol drama that is You Are My Glory (which I’m also waiting on for new episodes), and ROTP seemed to fit bill. ROTP is just so good.
I binged ROTP in 3 days. It could have been 2 days, but I started it at 2am on a Wednesday night, so I didn’t get very far the first night. Each episode is about 75 minutes long, so almost the equivalent of 2 regular lengthed episodes, but not quite. 
I cried during the first two episodes. The character development is just phenomenal. You really feel for Jing Jing’s character even though you’ve only seen her character for an hour. There are little moments throughout the drama that made me tear up too, like when the girls were celebrating Nan Jia jie’s 36th birthday and I got emotional over how close their bond is, or moments when the girls reflected on their aging parents and how we often take our parents for granted. 
Plot pacing and structure
The plot is tight and well-paced, and each girl’s storyline is interwoven well. Sometimes they’d cut between simultaneous scenes between the girls to compare and contrast what they’re each going through. For instance, when Xu Yan is having an argument with her boyfriend, the drama will also cut and flip back and forth to Qiao Xi Chen going through problems at her workplace. When Xu Yan makes up with her boyfriend, the drama cuts to QXC and Nan Jia being romantically pursued by Jian Yi Fan and Ou Yang. It’s interesting to see how their lives mirror and differ from each other. 
Because the storylines between the girls are so interwoven and keep flipping back and forth between each other, it makes it hard to skip scenes because you can’t just skip an entire segment or else you’ll miss something important in all 3 storylines. I can see that this might be a little annoying if you have a preference for one of the girls and want to skip someone else’s storyline. But I actually like seeing all 3 of their stories play out, so I’m not bothered by it. 
Another aspect about the plot’s structure that I appreciate is how they use the mystery behind Jing Jing’s suicide as a throughline for the drama. Up until episode 8ish(?), each episode ends with a question about Jing Jing’s life prior to her suicide and the next episode opens with the girls trying to find an answer or a clue to it. The girls and we the audience learn more and more about Jing Jing with each episode. However, episodes 9 and 10 deviate from the structure a bit and so the drama has recently been less and less focused on Jing Jing’s story, especially after they found out that she had depression. The drama seems to imply that her depression due to the stress of living in Beijing was the main factor that led to her suicide, while the successive unfortunate events that happened on her birthday was the trigger. 
Characters
I like all the main characters in the drama, albeit some a little more than others, which I’ll explain. I think the 3 male love interests are a little too perfect though, and so I guess this slice of life drama is actually a little idealistic after all. 
Xu Yan - My least favourite of the four girls. She’s materialistic, but not as spoiled as I though she would be. But it does annoy me how she keeps picking fights with Shen Zi Chang, when he’s just trying his best. He’s so tolerant and patient with her. He apologizes, they make up, and then the cycle repeats. It’s just a very unhealthy relationship, and I’m tried of seeing them fight and make up. 
EDIT: So, I started writing this review when I had only watched up until episode 9, but now that I’ve finished episode 10, um, wtf?? Xu Yan made a bad choice and got scammed of all her money, her friends try to comfort her, loan her money, and tell her not to repress her emotions like Jing Jing. And then she just lashes out at them saying they have no right to comfort her because they were the ones who caused Jing Jing’s death. Xu Yan starts off blaming QXC for not knowing that Jing Jing had a crush on her boyfriend, and then she blames Nan Jia for being a bad older cousin. She blames both of them for being ignorant of Jing Jing’s depression and only caring about themselves. QXC (rightfully) retorts back than Xu Yan knew all along that Jing Jing had a crush on her boyfriend, and yet Xu Yan never told anyone, so she’s just as guilty as all of them. Honestly, I was sympathetic towards Xu Yan before, but she was just so ungrateful and entitled in that scene. What right does she have pointing fingers and assigning guilt to people? And to weaponize Jing Jing’s death against them? That’s just cruel. The argument between them in that scene at the end of episode 10 just felt so random and out of place. All of a sudden, Xu Yan points out all of these problems she has with QXC and Nan Jia, when all they’ve ever done is pamper her. Also, you can’t blame QXC for dating Lin Rui even if Jing Jing liked him first, and not to mention that QXC wasn’t even aware. QXC might not have even chosen to date Lin Rui if she had known. But it happens all the time between friends where your friend might date someone you like. All’s fair in love and war, and there’s no first come first serve rule when it comes to dating.
Jing Jing - She becomes more complex as you learn more about her. She puts her friends first and is fiercely supportive and protective of them. We get a glimpse of how far she’s willing to go for them she pulls a butcher knife from the kitchen and points it at QXC’s debt collectors in the first episode. Her friends see her as being really open, expressive, and bubbly. She’s the first one they each go to whenever they need help with a problem or want to show off an achievement. But in reality, she’s really secretive. She hides her feelings to keep her friends happy, and when they slowly uncover her secrets, she becomes less and less recognizable to them, as though she’s been living a double life all along. 
At the end of episode 10, Jing Jing is described as the “hole in the tree” that everyone goes to to share their secrets, but they forget that she’s also a person with her own secrets to share, and she’s not just a tree hole to serve others. Can we blame the friends for not paying enough attention to Jing Jing and only using her for emotional support? Yes and no. It’s complicated. We should always do more to try to care for others and to be more attentive to them, but at the same time, it’s impossible to completely know a person. I purposely hide parts of my life from my friends because I don’t want them worrying or judging or commenting. So I would never expect them to be able to figure it out, and neither do I want them to figure it out. I think it’s interesting that the drama is exploring the friends’ self-imposed guilt, but I don’t agree that Xu Yan should be the one to point it out them and to be Jing Jing’s spokesperson. Xu Yan positions herself as Jing Jing’s heroic and righteous advocator, when really Xu Yan is the most problematic person out of the three remaining friends. 
Also, after seeing how the friends interact, they don’t feel narcissistic. Yes, they each readily vent about their problems to each other, but they also ask about the other person. It’s not one-sided. Xu Yan talks about her problems with her boyfriend, but she also asks and cares about what’s happening in QXC’s life and vice versa. Nan Jia is more mature and is busy with her business, but she always takes the time and effort to help her friends. All of their conversations are reciprocal and they are genuinely interested in each other’s lives. So, I don’t think they have a major communication problem or that they don’t care or that they’re ignorant. Which again, makes Xu Yan’s accusations in episode 10 feel even more unfair. 
Ji Nan Jia - Jing Jing’s cousin and also the oldest of the three girls (about a decade older). Sassy, witty, unapologetic, confident. She’s who you’d think of when you imagine a successful, independent, career-driven woman. She’s extremely annoyed by her mother’s nagging to get married. But she herself is trying to figure out whether she actually wants to find someone to settle down with or if she just wants to beat her biological clock and have children while she still can. She’s pursued by Ou Yang, ten years her junior, and he’s absolutely enamoured with her. He seems to be unconditionally in love with her, which is what I meant when I said that the male leads in this drama seem too perfect and idealistic. But I like Ou Yang though. He’s adorable. 
Qiao Xi Chen - The main character of the four main characters. Like Nan Jia, she’s also quite sassy. In some ways, she’s like a younger version of Nan Jia. QXC is also very career driven and competitive. She’s confident and believes in her abilities, but she also gets easily overwhelmed and emotional (like when her stress and nervousness prevented her from being able to give her proposal presentation and she ran out of the room. I’ve definitely felt that way before my committee meetings). QXC is a character you can self-insert as because she represents the everyday employee who struggles with the long commute to work and tries to stand out and make a name for herself in the company. QXC is also extremely paranoid, which is understandable when you’re a woman living alone in the city. I know what it’s like to have to briskly walk home late at night and constantly having to look over your shoulder to make sure no one’s following you, or having to check your hotel room before you change, or having to make it seem like you’re not the only one living in your apartment. QXC is smart, logical, helps people when she can, but is also reasonably selfish when she needs to protect herself, like when her co-workers try to take advantage of her or throw her under the bus. She’s a character everyone can relate to.
She and Jian Yi Fan also make such a cute pairing. I love all their interactions. I love how Jian Yi Fan can’t help but smile when he’s with her, but he tries hard to clamp it down. I love how QXC is aware of her own attraction and easily admits to to Xu Yan that she does have feelings for him instead of beating around the bush. And I especially love the awkward but adorable confession scene in episode 8. Such great banter and play on words (”你是什麼意思” “沒意思” “你對我是不是有意思?”). The drama did a great job of depicting the frustration of trying to guess whether someone likes you when they seem to be sending mixed signals. A lot of dramas that don’t focus on romance seem to do a better job of showing romance than idol dramas that focus on nothing but romance. I grew up with TVB dramas, and in most of them, romance is usually secondary to the main plot, but I always loved the romances in those dramas.
Like Ou Yang, JYF is such an idealistic love interest. He’s so supportive of and attentive to QXC. I haven’t watched too many slice of life dramas, but To Dear Myself and My Best Friend’s Story both had flawed (and sometimes even irredeemable) male love interests. This drama’s rose-coloured glasses definitely reduces the amount of performative angst, but it also makes the drama a little less realistic. The men in Jing Jing’s life aren’t villainized either even when you expected them to be sinister. I think the most antagonistic character is Lin Rui, but even he’s made to be sympathetic. In fact, nearly all the characters in the drama are sympathetic characters because many of the choices they made were forced because of the situation they found themselves in, and what they did was an act of self-preservation. And so, you can’t hate them or blame them. 
Acting and Dialogue
I mean, what’s there to say? The acting and dialogue just sucks you right in. I love it so much. The characters are so animated and charming because of how well the actors delivered their lines. I’m not a mandarin speaker (I’m a cantonese speaker but learned mandarin afterwards), but even I was able to notice the colloquialism and slangs and idiosyncratic ticks in speech that made the dialogue feel so real and alive. The actors had great comedic timing, and when they cried, you could feel how vulnerable they are. 
Lastly, I also like the little “life lessons” they include at the end of the drama where there’d be a voiceover by one of the actresses and they’d muse about life. One of my favourite musings when when they talked about what it means to have a sense of security. For some people, having a sense of security is about having a certain amount of money in your bank account, or having someone waiting for you to come home, but a sense of security isn’t something tangible or physical that you can achieve or possess. It’s a belief. It’s a belief that you’re able to face any problem and that life will go on. It’s a belief that the one that you love will be faithful and supportive. It’s a type of belief that allows you to be confident to face uncertainty. And thus, a sense of security is something that only you can give yourself. I really like that little food for thought because it’s a great reminder to be self-dependent and to not rely on external gratification. Que sera sera. What will be will be. Don’t get too hung over on failure and don’t let stress dominate your life. 
Note: Watching this at the same time as You Are My Glory is extremely humbling. YAMG is an idol drama, and so they make the romance look so easy. Heck, idol dramas make being a protagonist easy. The protagonist is destined to stand out from the crowd. It’s easy to be noticed. It’s easy to cause a change in the status quo. But ROTP is a reminder that we’re all practically nobodies in the big city. It feels impossible to make an impression when there are millions of other people living almost the same life as you are. There’s nothing special about you, and it’s hard to find meaning and purpose. Obviously, the drama shows that even when it feels like you’re trying to swim upstream in a big city, we each have a life worth living. We may feel insignificant in the grand scheme of things, but to our friends and family, we’re their world and they’re ours. I think it was Camus who said that we should find meaning in the face of absurdity. Live in spite of how absurd and meaningless things feels. Anyway, this drama gives you a lot to think about, even though I don’t really like the melodrama they’ve recently added to drag the plot (*cough cough* that explosive argument scene at the end of episode 10 that I keep ranting about). You’d think that a 12-episode drama wouldn’t have filler, and yet here we are. 
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rorodawnchorus · 3 years
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C-drama rec: 《我在他鄉挺好的》 or Remembrance of Things Past
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The literal translation of the title is "I'm doing fine in this place away from home." But I think the English title was well chosen and quite relevant to the core of the series. It's only 12 episodes (which is too short when it's such a good one!). I'll try to give away as little spoilers as possible.
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[TW: Suicide]
Before anything else though, I'd like to add a very big trigger warning of suicide because the series opens to the scene of a girl jumping off a bridge. This girl is one of the 4 main characters; her name is Jing Jing. The series then follows the story of these four characters with them often recalling memories of Jing Jing as they stumble through life in Beijing city. Their struggles are very relatable and perhaps all too realistic. If you're looking for a feel good, escapist story that will lift you up, maybe this isn't the one. But I can tell you it's a great drama with well-written characters and a realistic and sensible plotline. Also, I ditched every other series I was watching just to watch this.
(Where to watch: Links at the end of post)
If I were to liken this to any other story that I know of, this series does remind me a little bit of the book by Celeste Ng, 'Everything I Never Told You'. The 3 characters and also one of the male characters grapple with the trauma of Jing Jing's death. For the 3 female characters, they're Jing Jing's closest friends and also one of them is her older cousin sister. (In China, as I've observed, cousins tend to be addressed as their own siblings and some of them do share very close bonds.) The story follows these characters as they go on with life but also each episode reveals a little bit about what might have led to Jing Jing's death. They realise how much they do not know of Jing Jing and each episode, they discover something or someone they'd never known. It prompts its audience to think, you may know someone and you may think you know everything about them but things may just turn upside down when you least expect it. And you won't even know what went wrong, who this person that you love so much was, and how people left behind deal with the trauma.
One of our main characters, Qiao Xi Chen (Qiao), works in the marketing department of a coffee company. She works hard when she has to, is very competent and smart, and is very confident in her work. But office politics throws things off balance. She then gets into a series of unfortunate events. The first one being swindled of her half year rental fee which she gave to the agent. She was kicked out of her house and it's honestly the most horrible and terrifying thing to lose a place to live in overnight. For those who might have rented rooms or houses in cities, you might have had some experience that are bad or your worst living nightmare. I personally have had a series of those. Her story is also very relatable for young women who live alone and work in a big city.
Jing Jing's other best friend is Xu Yan and she works at a company's customer service department. All day, she deals with phone calls of grumbling customers complaining about the products. She sometimes have to deal with calls from customers who speak with a heavy accent or dialect but she does her job pretty well too. However, her story arc is less relatable to me personally. She has an unhealthy obsession with branded handbags and items. She and her boyfriend are the typical "Moonlight Clan/Generation" who barely manages to have any savings because they're spending on rent, bills and all the miscellaneous luxury goods that are trending. She struggles with her self image because of her work environment and feel pressured to keep up with fashion trends or a lifestyle that she can show online. I don't think it's inherently wrong to want to pursue such a life. Enjoyment and leisure can be very different to many people even if it doesn't appeal to all. She may appear a little childish but she isn't actually hateable.
Jing Jing's cousin is the oldest in the group and they all call her "Nan Jia jie" (older sister). She's an entrepreneur who started her own events management company in Beijing. She's 35 and she's pressured by her mother to quickly get married. Problem is, her mother thinks she should just get married to anyone (literally ANY MAN) who is willing to marry her. She also considers purchasing a house but property prices in Beijing are impossibly high and she barely manages to put together money for her first instalment. I think we're living in an era which has made property ownership impossible difficult. And capitalism may still want you to think that you must own a house, this may not necessarily be the case anymore.
I really like all the tiny details of this story. The way everyone finishes work late and each go their own way because sending your colleague home at 3 or 4am across the city would mean you basically do not get sleep (like you might as well just stay in the office), or how you live further away from your workplace because you can't afford a place nearer. The commute to and from work during rush hour. The list is endless. But this feels like a story that is close to the hearts of many, it tells the tale of the average salaryman living in a metropolitan city (especially in Asia).
It's the kind of drama that will leave a mark on me for life, and in a good way. I feel like part of it is already engraved in me. The cast is also doing great at stringing you along in sharing their emotions (I don't think I've cried this many times at the very beginning of a series). The writing and pacing are all great. Characters are also very well written. I do have some qualms with certain characters and their actions but... Not too big and they aren't grave sins.
I also don't think they're doing the best job at depicting trauma of witnessing a suicide and dealing with the aftermath of the suicide of a loved one but, to me, it's handling these issues quite well. At least the story is indeed about them coming to terms with the suicide of Jing Jing and them trying to make sense of what led her to this end.
Where to watch Episode 1:
Remembrance of Things Past - MangoTV
On their Official YouTube Channel
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japaneseadventures · 4 years
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Prince of Tennis (2019) Characters
This list was made based on the Chinese and Japanese Wikipedia entries for Prince of Tennis (2019), and the Dramawiki for the names of most of the actors. Please let me know if you spot any mistakes/ have any more to add!
Legend: [CHN Character name] [Name in Chinese characters] (Actor): Original JPN Name Names with readings I'm not sure of are in italics
Yu Qing 育青 / Seishun Academy
Lu Xia 路夏 (Peng Yu Chang): Echizen Ryoma
Mu Siyang 穆司陽 (Xie Bin Bin): Tezuka Kunimitsu
Qiao Chen 喬晨 (Dong Li): Momoshiro Takeshi
Chi Dayong 池大勇 (Zhu Zhi Ling): Oishi Shuichiro
Zhuo Zhi 卓治 (Zhang Yi Jie): Fuji Syusuke
Tang Jiale 唐佳樂 (Xu Ke): Kikumaru Eiji
Yan Zhiming 嚴智明 (Li He): Inui Sadaharu
He Xinglong 賀興隆 (Fan Lin Feng): Kawamura Takashi
Zhang Baiyang 張百揚 (Wu Xu Dong): Kaidoh Kaoru
Qi Ying 齐瑛 (Song Yi Ren): Ryuzaki Sakuno
Peng Shang 彭湘 (Lu Jia): Osakada Tomoka
Huang Jing 黃靖 (Yu Kai Ning): Combination of Arai, Sasabe, etal
Ma Xiuwen 馬修文 (Zhang Ke Yuan)
A Mu 阿穆 (Li Jun Zheng)
Qi Na 齐娜 (He Jia Yi): Ryuzaki Sumire
Lu Xiangqian 路向前 (Wu Qi Jiang): Echizen Nanjiroh
Hao Dahe 郝大河 (Jin Yu Bo):  Yamato Yudai
Yu Hang 育航 / Gyokurin
Bu Zhongchuan 钟歩川 (Jin Hao Chen): Fukawa Kimiyoshi
Wu Quan 吴泉 (Zhang Hang [YOUNG-G]): Izumi Tomoya
Yu Feng 玉峰 / Fudoumine:
Xu Ziping 徐子平 (Chen Shang Ze): Tachibana Kippei
Yan Jiang 燕江 (Wang Yong Feng): Sakurai Masaya
Shi Tienan 旋铁男 (Yang Chen Yi): Ishida Tetsu
Sima Yiwu 司马亦武 (Kong Chui Nan): Ibu Shinji
Shen Weiming 申伟明 (Liu Cheng Lin): Kamio Akira
Chen Desen 陈德森 (Gu Yu): Mori Tatsunori
Wei Kefei 韦克飞 (Ming Peng): Uchimura Kyosuke
Xu Xingzi 徐杏子 (Sun Jia Yu): Tachibana An
Xing Yao 星耀 / Hyotei Academy
Ji Jingwu 纪景梧 (Ren Yan Kai): Atobe Keigo
Hua Chonghong 华崇宏 (Yu An): Kabaji Munehiro
Hu Liangliang 胡亮亮 (Yang Ze): Shishido Ryo
Song Ci 宋慈 (Shi Zi Xun): Akutagawa Jiroh
You Shixing 游世星 (Fan Xiao Dong): Oshitari Yuushi
Yue Yang 岳阳 (Gao Xin): Mukahi Gakuto
Ji Nuo 吉诺 (Jiang Xin Qi): Hiyoshi Wakashi
Feng Zhiyuan 冯志远 (Jin Zhong Xi): Ootori Choutaro
Coach Fu 付教錬 (Tian Jia Da): Sakaki Tarou
No. 3 (Shisan) High School ��三 / Yamabuki
Ya Jiuxin 亚久辛 (Wang Yan Yang): Akutsu Jin
Shen Qianshi 沈千石 (Lou Ming): Sengoku Kiyosumi
Nan Jianzhi 南建知 (Liu Yu Feng): Minami Kentarou
Tan Yitai 谭一泰 (Huang Xing Yuan): Dan Taichi
Fang Yadong 方亚东 (Peng Gang): Higashikata Masami
Ma Lintao 马林涛 (Zhang Yuan Kun): Muramachi Tohji
Coach Tian 田教練 (Hong Wei): Banda Mikiya
Chen Huijing 陳慧敬 (Yang Cai Ying): Akutsu Sayuri
Guo Zi 國子 / St. Rudolph
Zhuo Yu 卓宇 (Zhao Zi Qi): Fuji Yuuta
Guan Yue 关岳 (Lan Bo): Mizuki Hajime
Qiao Ze 乔泽 (Liu Ming Kai): Akazawa Yoshiro
Ling Tian 梁田 (Jerry Chang): Kaneda Ichiro
Liu Zecheng 刘泽成 (Tang Xiang En): Yanagisawa Shinya
Qin Yifei 秦一婓 (Deng Zhi Yuan): Kisarazu Atsushi
No. 6 (Di Liu) 第六 / Rokkaku
Kui Jian 奎建 (Lei Ming): Aoi Kentaro
Yu Zifeng 余子风 (Fu Yan Zhang): Kurobane Harukaze
Lin Xiyan 林希彦 (Yao Jun Zhe): Itsuki Marehiko
Tian Ye 田野 (Wang Hao Yu): Amane Hikaru
Zuo Xiaohu 左小虎 (Li Zheng Jun): Saeki Kojiro
Mu Jinliang 穆金亮 (Zhai Xu): Kisarazu Ryo
Liu Muyun/Mr. Six 劉牧雲/六爷 (Hou Tong Jiang): Oji
Hai Guang 海广 / Rikkaidai
Bai Shiting 白市廷 (Ren Yun Jie): Yukimura Seiichi
Tian Zilong 田子龙 (Xiang Yun Long): Sanada Genichiro
Ke Jie 柯杰 (Tan Xu): Jackal Kuwahara
Liu Lian 柳濂 (Wang Yi Bo): Yanagi Renji
Jin Wentai 金文太 (Cao Jun Xiang): Marui Bunta
Yuan Chi 袁驰 (Shen Qi): Kirihara Akaya
Wang Yaren 王雅人 (Xu Rui Lin): Nioh Masaharu
Lu Sheng 吕胜 (Li Shu Ren): Yagyuu Hiroshi
Ying Cai 英才 / Ginka
Xiang Jingtian 向静天 (Chen Peng Wan Li): Fukushi Michiru
Chen Dahai 陈大海 (Ma Wenchao)
Lin Ye 林叶 (An Zi Yang)
Other Characters
Sha Sha 沙莎 (Liu Yong Xi): Shiba Saori
Li Na 李娜 (Li Na) [Bookstore owner]
Jiang 姜 (Jiang Shang): Tatsugoro [Racquet repair man]
*(2020.03.11) Fixed typo on Bai Shiting's actor name. Thanks to @tsunaminh for pointing it out!
*(2020.03.16) Fixed Ji Nuo's name! Thanks to @rlkkai for pointing it out!
*(2020.04.08) Fixed typo in Lu Xiangqian's name
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sifeng · 4 years
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Love Triangles
I was thinking the other day, about what determines the second male/female and what determines the main male/female lead. And then I was thinking about which romantic dramas don’t involve love triangles and I... couldn’t think of any. So today I will analyze one, love triangle tropes, and two why dramas always include love triangles.
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The love triangle in A Love So Beautiful (致我们单纯的小美好)
Types of Love Triangles
There are three main types of love triangles:
A - when the male/female lead has loved both persons in the love triangle
B - when both members of the love triangle have their moments with the male/female lead
C - when its obvious that one member of the love triangle is seen only as a “friend” or “sister” or “brother” (aka has no chance)
Some dramas feature love triangle B and love triangle C at the same time, here are some examples:
Ashes of Love (香蜜沉沉烬如霜)
Love triangle B: Xu Feng (旭凤) - Jin Mi (锦觅) - Run Yu (润玉)
Love triangle C: Sui He (穗禾) - Xu Feng (旭凤) - Jin Mi (锦觅)
Blossom in Heart (海棠经雨胭脂透)
Love triangle B: Lang Yuexuan (朗月轩) - Gu Haitang (顾海棠) - Lang Yueming (朗月明)
Love triangle C: Long Mohua (龙莫婳) - Lang Yuexuan (朗月轩) - Gu Haitang (顾海棠)
Legend of Yunxi (芸汐传)
Love triangle B: Long Feiye (龙非夜) - Han Yunxi (韩芸汐) - Gu Qishao (顾七少)
Love triangle C: Baili Mingxiang (百里茗香) - Long Feiye (龙非夜) - Han Yunxi (韩芸汐)
Some feature both love triangle A and love triangle C as well:
Put Your Head on My Shoulder (致我们暖暖的小时光)
Love triangle A: Gu Weiyi (顾未易) - Situ Mo (司徒末) - Fu Pei (傅沛)
Love triangle C: Xie Yuyin (谢雨吟) - Gu Weiyi (顾未易) - Situ Mo (司徒末)
Princess Agents (楚乔传)
Love triangle A: Yuwen Yue (宇文玥) - Chu Qiao (楚乔) - Yan Xun (燕洵)
Love triangle C: Yuan Chun (元淳) - Yan Xun (燕洵) - Chu Qiao (楚乔)
The Story of Yanxi Palace (延禧攻略)
Love triangle A: Qian Long (乾隆) - Wei Yingluo (魏璎珞) - Fucha Fuheng (富察傅恒)
Love triangle C: Chun Fei (纯妃) - Fucha Fuheng (富察傅恒) - Wei Yingluo (魏璎珞)
Rookie Agent Rouge (胭脂)
Love triangle A: Zhou Yuhao (周宇浩) - Lan Yanzhi (蓝胭脂) - Song Mian (宋勉)
Love triangle C: Feng Manna (冯曼娜) - Zhou Yuhao (周宇浩) - Lan Yanzhi (蓝胭脂)
As you can see through these seven shows, commonly the main love triangle is composed of two guys one girl, while the secondary “love triangle C” is composed of two girls and one guy. 
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The love triangle in Heavenly Sword and Dragon Sabre (倚天屠龙记) and one of the few love triangles not to follow the two guys fighting for one girl triangle. 
Characteristics of Love Triangles
Almost always, the two members vying for the affection in the triangle are foils to each other. Examples:
A Love So Beautiful (致我们单纯的小美好)
Jiang Chen (江辰) - mature, cold and extremely smart
Wu Bosong (吴柏松) - careless, kind and bad grades
Ashes of Love (香蜜沉沉烬如霜)
Xu Feng (旭凤) - arrogant and proud
Run Yu (润玉) - quiet and calm
Heavenly Sword and Dragon Sabre (倚天屠龙记)
Zhao Min (赵敏) - clever, manipulative
Zhou Zhiruo (周芷若) - “innocent, selfless” (I mean she technically is worse than Zhao Min, but that’s not the mask she puts on)
In school dramas you typically have the smart guy and the dumb girl pairing that eventually wins out:
A Love So Beautiful (致我们单纯的小美好)
Jiang Chen (江辰) and Chen Xiaoxi (陈晓希)
When We Were Young (人不彪悍枉少年)
Hua Biao (花彪) and Yang Xi (杨夕)
With You (最好的我们)
Yu Huai (余淮) and Geng Geng (耿耿)
Le Coup de Foudre (我只喜欢你)
Yan Mo (言默) and Zhao Qiaoyi (赵乔一)
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The love triangle in Meteor Garden 2019 (流星花园) - can you guess (if you’ve never watched this show) who the winning couple is?
You may also have the celebrity/popular/rich kid with a poor/hardworking person pairing:
Meteor Garden (流星花园) - Daoming Si (道明寺) and Shan Cai (杉菜)
Accidentally in Love (惹上冷殿下) - Situ Feng (司徒枫) and Chen Qingqing (陈青青)
My Little Princess (亲爱的, 公主病) - Lin Xingchen (林星辰) and Jiang Nianyu (江念雨)
Boss and Me (杉杉来了) - Feng Teng (封腾) and Xue Shanshan (薛杉杉)
Blossom in Heart (海棠经雨胭脂透) - Lang Yuexuan (朗月轩) and Gu Haitang (顾海棠)
In most dramas you also have the “cold” second/main male lead:
A Love So Beautiful (致我们单纯的小美好) - Jiang Chen (江辰)
Princess Agents (楚乔传) - Yuwen Yue (宇文玥)
Goodbye My Princess (东宫) - Gu Jian (顾剑)
Often there’s also the “childhood friend” aspect, and while that particular trope usually looses out there are some exceptions:
A Love So Beautiful (致我们单纯的小美好) - Jiang Chen (江辰) - main lead
When We Were Young (人不彪悍枉少年) - Li Yu (李漁) - second lead
Heavenly Sword and Dragon Saber (倚天屠龙记) - Zhou Zhiruo (周芷若) - second lead
Goodbye My Princess (东宫) - Gu Jian (顾剑) - second lead
Put Your Head on My Shoulder (致我们暖暖的小时光) - Fu Pei (傅沛) - second lead
In some dramas, almost any male character that appears is in love with the female lead:
Princess Agents (楚乔传) - female lead gets the love of:
Yuwen Yue (宇文玥)
Yan Xun (燕洵)
Yuan Song (元嵩)
Xiao Ce (萧策)
Journey of Flower (花千骨) - female lead gets the love of:
Bai Zihua (白子画)
Dongfang Yuqing (东方彧卿)
Meng Xuanlang (孟玄朗)
Startling With Each Step (步步惊心)
Yin Zhen (胤禛)
Yin Si (胤禩)
Yin Ti (胤禵)
Yin E (胤䄉)
The male leads in Startling With Each Step/Scarlet Heart were lucky! They all got something with the female lead:
Male lead: Yin Zhen (胤禛) - is the true love/soulmate
Second male lead: Yin Si (胤禩) - gets her love in the first half
Third male lead: Yin Ti (胤禵) - gets to marry her
So What Differentiates the First and Second Male Leads?
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The love triangle in Goodbye My Princess (东宫) - can you guess (if you’ve never watched this show) who the winning couple is?
Typically the female lead just likes one of them and you can’t really give a reason for why the first male lead is better than the second one. However, some dramas do a good job of creating a jerk second male lead that makes the decision sufficiently easier for our female lead:
Princess Agents (楚乔传)
Second male lead Yan Xun (燕洵) kind of goes insane after his entire family is slaughtered and becomes obsessed over revenge. He looses all the qualities our female lead fell in love with him for.
Put Your Head on My Shoulder (致我们暖暖的小时光)
Second male lead Fu Pei (傅沛) is a literal jerk. He takes our female lead’s love for granted and constantly abandons her when she needs help.
Bloody Romance (媚者无疆)
Second male lead Gong Zi (公子) treats people like chess pieces instead of real humans, and is willing to kill or manipulate anyone. Our female lead, being kind and unwilling to kill anyone, obviously would never fall for him.
My Little Princess (亲爱的,公主病)
Second male lead Zheng Chuyao (郑楚曜) is childish and immature. He is unwilling to confess his love for the female lead and constantly embarrasses her instead. 
However, in most other cases, there is never a clear difference between who wins out in a love triangle. One similarity most share is that the first one to speak with the female lead wins out:
Bloody Romance (媚者无疆)
A Love So Beautiful (致我们单纯的小美好)
Accidentally in Love (惹上冷殿下)
Ashes of Love (香蜜沉沉烬如霜)
Blossom in Heart (海棠经雨胭脂透)
My Little Princess (亲爱的,公主病)
Love O2O (微微一笑很倾城)
The Princess Weiyoung (锦绣未央)
The Story of Minglan (知否知否应是绿肥红瘦)
Lucky’s First Love (世界欠我一个初恋)
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The love triangle in Ashes of Love (香蜜沉沉烬如霜) - can you guess (if you’ve never watched this show) who the winning couple is?
Usually, the second male lead is the type of person who will forever watch over the female lead, caring for them are a subtle way. They are kinder, calmer, and perhaps more down to earth and human:
A Love So Beautiful (致我们单纯的小美好) - Wu Bosong (吴柏松)
Meteor Garden (流星花园) - Hua Zelei (花泽类)
Goodbye My Princess (东宫) - Gu Jian (顾剑)
Ashes of Love (香蜜沉沉烬如霜) - Run Yu (润玉)
Accidentally in Love (惹上冷殿下) - Gu Nanxi (顾南锡)
When We Were Young (人不彪悍枉少年) - Li Yu (李漁)
Legend of Yunxi (芸汐传) - Gu Qishao (顾七少)
In cases of the above, the male lead is usually more cold or immature:
A Love So Beautiful (致我们单纯的小美好) - Jiang Chen (江辰)
Meteor Garden (流星花园) - Daoming Si (道明寺)
Goodbye My Princess (东宫) - Li Chengyin (李承鄞)
Ashes of Love (香蜜沉沉烬如霜) 
Accidentally in Love (惹上冷殿下) - Situ Feng (司徒枫)
When We Were Young (人不彪悍枉少年) 
Legend of Yunxi (芸汐传) - Long Feiye (龙非夜)
With second female leads, the similarities are rather obvious. They think they “deserve” the love of the male lead because they either grew up together or they have the same social standing:
Goodbye My Princess (东宫) - Zhao Sese (赵瑟瑟)
Ashes of Love (香蜜沉沉烬如霜) - Sui He (穗禾)
Legend of Yunxi (芸汐传) - Baili Mingxiang (百里茗香)
Love O2O (微微一笑很倾城) - Meng Yiran (孟逸然)
Blossom in Heart (海棠经雨胭脂透) - Long Mohua (龙莫婳)
Boss and Me (杉杉来了) - Yuan Lishu (元丽抒)
While the male lead often sees his excess admirers as “sisters” the female lead simply friend zones them. 
Often, the male lead is also somewhat of a foil to the female lead:
Boss and Me (杉杉来了)
Xue Shanshan (薛杉杉) is innocent, a little stupid and cute
Feng Teng (封腾) is mature, intelligent and cold
Ashes of Love (香蜜沉沉烬如霜)
Jin Mi (锦觅) is unaware of love and a little stupid
Xu Feng (旭凤) is fully aware of his feelings and smarter
Goodbye My Princess (东宫)
Qu Xiaofeng (曲小枫) is innocent, kind and longs to go home
Li Chengyin (李承鄞) is cold, cruel and willing to do anything to keep Xiaofeng by his side
If you really just want to tell who’s the male lead, I’ll tell you an easy way to find out: he’s going to be played by the guy who’s more famous. 
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The love triangle in Startling With Each Step (步步惊心) - can you guess who’s the first, second, and third male leads are?
So Why do Dramas Love Love Triangles?
Not to say TV shows have lazy writing or anything, but I feel like love triangles are an easy way to make both male and female leads realize their feelings. For instance, in Boss and Me, when our female lead (Shan Shan), sees our male lead (Feng Teng) dancing with another girl, she gets jealous. That makes her realize her feelings. Love triangles can also stretch out a TV show longer. A show that might only have 24 episodes can probably be stretched to more than 30 just due to love triangles. 
On a level of characterization, when a character has many admirers, we, as watchers, can infer various things about them. Either they are one, amazingly beautiful or successful, or two, amazingly unique. For example, Chu Qiao in Princess Agents is strong and intelligent and for that reason, almost every guy she comes in contact with falls head over heels for her. This can show you that she is one of a kind in this world. Very few women in Princess Agents are as straightforward of their power, and so she really is unique. Xiaofeng in Goodbye My Princess has admirers because she is kind, innocent and selfless. Her bright and cheerful personality contrasts heavily with the political and dark atmosphere of the palace. So, when a character is entangled in many love triangles, you can infer there’s something special about them, and use that hypothesis to further infer something about the world in which the television show takes place. 
Love triangles can also lead to more character development. In trying to get girl (or very rarely guy), the admirers must rise to become a better version of themselves. For example, in Meteor Garden, Daoming Si goes from being bratty and immature to being (relatively more) mature and understanding. In A Love So Beautiful, Jiang Chen goes from being a guy that’s cold and pushes people away to a guy who is more open about his feelings and love. 
So, while in some shows, love triangles exist purely to elongate the show, in other shows we can use love triangles as a way to investigate the society we are plunged into at the start of the show. 
Notes:
Would you say Go Go Squid (亲爱的, 热爱的) has a love triangle. That weird press lady likes the male lead, but she has like four scenes in total. 
Here’s another thought I had about love: the ability of a character to admit their feelings often reflects upon how they’ve lived up til that point. Characters that do not understand their feelings could either have grown up isolated, never been in a relationship or have been fed a pill by their mother that takes away their ability to love. Characters who confess more easily were probably raised with loving parents in a loving household with loving friends surrounding them. Characters that understand their feelings at once know themselves well, and they can understand love. They either were raised in a loving family, or have been in love before. Love is a strange concept, sometimes we can’t handle it, and a lot of times we can’t understand it. TV shows feature humans (or at least things that look like humans) and so they deal with that aforementioned problem too. 
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waterspirit6x8 · 6 years
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The MALineage Project Site
The Martial Arts Lineage Project website had attempted to collect lineage history and details of any martial art or person; unfortunately it is not always accessible; it partially appears on its Facebook site.
Martial Arts Lineage Project-1 http://www.malineage.com/styles/Liuhebafaquan http://www.malineage.com/node/16502/edit
Philosophy Submitted by: dr_k_conor
There exists four 'documents', each carrying traits of history and philosophy principles that are generally presented to explain and teach LiuHe BaFa and boxing. The First I will call the 'Cave Codex' alledgedly from found within a Mt. Hua Yo Shan 華嶽山 grotto 洞. Note that the Taoist Canon is divided into three dong 洞, "caves", "grottoes". The Second is usually called the 'Five Word' verses or 'songs' 拳學 五字 歌訣; these are generally refered to as: quan2 xue2, 拳學, boxing knowledge in verse format, wu3 zi4 五字 5-character-word in length, and ge1 jue2 歌訣 'secret' verses of farewell.[this is often mistranslated as 'song']  The 'said' author is given as Li, 'East-wind' 李東風 Li Dong-feng whose name does not appear in any archaic Song Dynasty document. However, some LHBF student place great value in them. The Third 'document' the actual exercise names, for the Nanjing 66-form series of Wu Yi-hui 六十六 起式 easily can be seen as differing and each form naming demonstrates the academic proficiency of Wu as a man of the arts. Some of the 66-lines of 5-characters each also includes Chinese idioms and references to history, art, and music. http://www.silkqin.com http://waterspirit6x8.tripod.com/id11.html
The Fourth 'document' collective are the commentaries written from various teachers to explain via verses; there are either simple two-word idioms, or longer 5 or seven word explanations.
The Six Combinations [also called 'harmonies' as unified concordances], LiuHe 六 合  are as follows: >1. bodys' structure harmonizes with the minds' awareness, >2. minds' awareness harmonizes with innate 'intent', >3. intent harmonizes with the chi (energy-flow), >4. chi harmonize with the 'spirit', >5. spirit harmonizes with 'motion', >6. motion harmonizes with the 'everywhere', [ Note: that there are actually seven factors, Ti, Xin, Yi, Qi, Shen, Tung, Kung. ]
The Eight Methods [also called 'laws' or regulations], BaFa 八法 are as follows: >1. Qi-Fa =Flow: Move the chi and concentrate the spirit >2. Ku-Fa =Bone: Genuine-structural energy when bones are correct >3. Hsing-Fa =Form: Shapes exchange freely, follow a model, pantomime >4. Sui-Fa =Following: Flexible, adaptable, and coordinated in union >5. Ti-Fa =Lifting: Lift the head upward as if suspended from space >6. Huan-Fa =Reversal: The interchange of motions reverses and reciprocates >7. Le-Fa =Limit: Restraint is needed to harness the dynamic forces >8. Fu-Fa =Hidden: The intrinsic force arises from natural obscurity without method. http://waterspirit6x8.tripod.com/id11.html http://waterspirit6x8.tripod.com/id55.html
One of the often addended 'Fourth Document' ideas, is not from LiuHe BaFa at all, they are from late 1800's to 1900's codification of bodily anatomy often used in the zhan zhuang 站樁 'standing post' of Yi quan 意 拳  from Wang Xiang-zhai who was 'friendly' and respectful to Wu and also from some teachers of Ba-kua-palming. These are often unnecessary and may also be misleading. http://waterspirit6x8.tripod.com/id12.html A more relevant added teaching is from Huang Shou Ting, 黃手庭 of the Shanghai Wu Shu Association, who studied with Song Guang-yu 宋关羽 in Xu Shou; he discusses 8-physical aspects differently : > Qi-Luo: 起 : 落 rising + falling > Dong-Jing: 動 : 靜 moving + stillness > Jin-Tui: 進 : 退 advance + retreat > Kai-He: 開 : 合 open + close > Yin-Yang: 陰 : 陽 in+out, soft+hard > Xu-Shi: 虛 : 实 empty + full > Wa-Qiao: 跃 : 远 jumping + bridging > Liu-He: 六 : 合 internal six-pairs in harmony http://waterspirit6x8.tripod.com/id11.html
Waterspirit6x8 Teachings; http://waterspirit6x8.tripod.com/id11.html Liuhebafachuan; http://www.liuhebafachuan.com/ Liuhebafa verses; http://trinity.psnw.com/~dlmurray/6h8m1.html
Martial Arts Lineage Project-2 http://www.malineage.com/styles/Liuhebafaquan http://www.malineage.com/node/16502/edit
LiuHe BaFa quan Submitted by: dr_k_conor LiuHeBaFa, LiuHe BaFa, Lok Hop Pat Fat, Six-harmony, Eight-methods Boxing Exercise http://waterspirit6x8.tripod.com/id37.html LiuHe BaFa 六合八法 is a collective of martial concepts and boxing exercises. http://waterspirit6x8.tripod.com/id21.html LiuHe BaFa 六合八法 is also a collective of verse of concepts, the Six Harmonies 六合, obtainable by an understanding the utilization of Eight Methods 八法; each aspect is derived from archaic Chinese exercises and pugalisms. The LiuHe BaFa boxing is not directly derived from the modern versions of Tai-chi-, Xing-yi-, or Ba-kua-palm boxing. http://waterspirit6x8.tripod.com/id11.html The verse name is often abbreviated in non-Chinese as LHBF or LHPF. The core concepts and methods of the LiuHe BaFa are known to be derived from the 1900's manchurian Wu Yi-hui 吴翼翚 (1887-1958) who learned them from three differing teachers; Wu first taught them in Shanghai and later at the Nanjing National College of Martial Arts founded in 1928 and later became the Dean of Studies in 1936 [closed 1948].
Although many exercises and concepts are claimed to be from the real-life Song Dynasty Court Taoist Chen Tuan [ Bo ] 陳摶 , aka Chen Xi-yi 陳希夷 [d. 990] who was associated with the military General whose abilities made him the First Emperor of Song, Tai-zu, there exists no official or other records to support the common claim that the LiuHeBaFa- or its principle 'water' flowing or its' verse principles factually originated from the Court Taoist Chen Bo nor from his said mountain residence at Mt. Hua Yu 山 華嶽 in Shenxi Province. http://waterspirit6x8.tripod.com/id9.html
Popular naming has resulted in addending the syles' name to include this mythology: as the Chen Xi-yi Men 'sect' 華嶽希夷門 Hua Yue Xi-yi with LiuHeBaFa Boxing principles becoming: 華嶽 希門 (+) 六合八法拳.
The bonefide utility of the core LHBF verses, is that they are succinct and are applicable to all of other Chinese Internal martial arts. Although form and principle aspects of these internal martial arts [Tai-chi-, Xing-yi-, and Ba-gua-] are evident in the LHBF, there is a popular trend to classifiy the LHBF exercise as a 'fourth' art which it is not; the Chinese Martial Arts Association classifies it as a sub-style of Tai-chi-boxing. Perhaps in keeping with this method of distinction, some teachers have named their styling as a Hua-Yu Tai Chi-boxing exercise. http://waterspirit6x8.tripod.com/id58.html
There also now exists absorption of Yi-chuan, 'intuition' boxing fundamentals as set forth by founder Wang Xiang-zhai 王薌齋, (1886-1963), and his students in the LHBF system; this again results in further name changes and ,mixings with the applications of LiuHeBaFa-. http://waterspirit6x8.tripod.com/id5.html Wang Xiang-zhai is known to have interacted and cross traded to other system styles while he was a teacher at the Nanking Martial Academy [Shao-lin, tai-chi, xing-yi, etc].
To further complicate understanding, Wu Yi-hui, from his earliest martial studies, learned a shaolin-related boxing called Lu Hong Ba Shih 呂紅八勢 sometimes also called Lu Hong boxing 呂紅拳. A careful study of Wu's 66-form version made during his time in Nanjing, does shows evidence of being embedded. The LHBF core exercises are called zhu zi 築基. http://waterspirit6x8.tripod.com/id52.html
LiuHeBaFaQuan;  http://waterspirit6x8.tripod.com/ Liuhebafachuan;  http://www.liuhebafachuan.com/ Lu Gui-yao, Chin Wo Athletic Assoc, Foshan PRC;  http://www.liuhebafa-lgy.com/ Wu Ying-hua, S. China Institute Huainan, Anhui PRC;  http://lhbflm.com/index.asp Kam Tung, LHBF Academy,Hong Kong; http://www.liuhebafa.com.hk/ Liu Xiang-ling, Takoma PK, MD, USA; http://wudanglongmen.com/form.html
Martial Arts Lineage Project-3 http://www.malineage.com/node/16502/edit
Informational Links
Google Search https://www.google.co.th/search?q=Liuhebafaquan&gws_rd=cr&ei=t8wAWOrkFcjovgTHw4-ICA 六合八法拳 六合八法拳 pdf 六合八法拳技 六合八法拳 金童 六合八法拳 金彤
Related Books Related Videos
Related People Style: Liuhebafaquan;  http://www.malineage.com/styles/Liuhebafaquan Martial Artist: Wang Xiangzhai; http://www.malineage.com/martial-artists/Wang-Xiangzhai Style: Yao's Modern Yiquan; http://www.malineage.com/styles/Yaos-Modern-Yiquan Links; http://www.malineage.com/styles/Liu-He-Ba-Fa-Chuan-nid26156 Teacher; http://www.malineage.com/martial-artists/Wu-Yi-Hui http://www.malineage.com/martial-artists/Li-Dao-Li http://www.malineage.com/martial-artists/Liang-Qi-Zhong http://www.malineage.com/martial-artists/Liang-Zipeng http://www.malineage.com/martial-artists/Moy-Lin-Shin http://www.malineage.com/martial-artists/Li-Chung http://www.malineage.com/martial-artists/Huang-Wei-Lun > https://www.google.co.th/?gws_rd=ssl#q=Huang+Wei+Lun > http://slantedflying.com/master-wei-lun-huang-passes-away/
http://www.malineage.com/styles/Liuhebafaquan?section=schools http://www.malineage.com/styles/Liuhebafaquan?section=videos http://www.malineage.com/styles/Liuhebafaquan?section=photos http://www.malineage.com/styles/Liuhebafaquan?section=history http://www.malineage.com/styles/Liu-He-Ba-Fa-Chuan
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Top 10 completed Chinese novels to read in Quarantine .Reading unfinished novels is very frustrating as you have to wait for it same goes for not completely translated ones as so here goes a list of the top 10 you can read as they are finished and completely translated .☺️
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ll Marks Hidden Marriage: Pick Up A Son Get A Free Husband summary:
After five years, Ning Xi has returned and is out to take revenge on the sister who turned her parents against her, and the childhood sweetheart who betrayed her for her sister. She aims to fulfil her childhood dream and become a famous actress. However, her sister is still out to get her and she has to avoid all her underhanded schemes. One day, after falling into one of her sisters' schemes, she meets an adorable kid and saves him. This was how Ning Xi found herself staying at the mute little kid's house to help him come out of his shell. Slowly, his father Lu Tingxiao starts falling for her too.
You can read it :
2-A billion stars can't amount to you
Time stopped at eighteen for Ji Yi, and now all she wants to do is pick up from where she left off. Her career depends on it, and on top of that, she has to survive a fake marriage turned real! Some missed opportunities are irreplaceable, and some misunderstandings between them have proven near-fatal, but for He Jichen, he isn’t just a pretty face—he’s an opportunist. They may have lost their prime years together, but He Jichen is more than willing to spend his remaining years with her. If only she would just trust him… Will Ji Yi be able to find true love in this life? Can she outmaneuver all the snakes plotting her downfall? Only time will tell...
You can read it in :
3-Bringing the nations husband home
Bringing The Nation's Husband Home summary:
Qiao Anhao and Lu Jinnian had secretly longed for each other for thirteen years, and now that there's a possibility for them to be together, even though the circumstances may be unconventional, neither one can refuse their inner desires any longer. Hurled into a false marriage, Qiao Anhao treads carefully towards the cold and reclusive Lu Jinnian, but after years of near-missed opportunities and deep misunderstandings, how could their last shot at love possibly run smooth? **"Nation Husband" is a Korean term awarded to a man who is perfect in the eyes of the public - an ideal husband.
You can read it in :
4 -Husband is a great black belly
Description
“You can think of Man as a dog, but can you make a dog into man?”
“If my future love rival is a dog, how can I live?”
“You have terribly ugly handwriting, better go home and practice. If in the future you need to sign into the “my spouse” Column (Marriage certificate), I would be embarrassed.”
“Stupid, didn’t you see that I tried to bribe my future mother-in-law? Such a big bed you are sleeping like this, later on I need to buy a bigger bed so that I would be able to have space to sleep!”
“Listen, you got my permission to love me, but it should be until our hair turns white (until death do us part) or else you don’t have any option to choose!”
In addition to the above, Ou Yang Yan Yan— The twin sister of the female lead has observed Kang Yu: Big sister, Kang Yu seems to have good eyes color alike healthy yellowish clear urine, but when looked at your eyes it alike clear saliva dirt with mud eyes.
Although the way of describing are shocking, but it really right. hence, the gorgeous female lead Ou Yang Miao Miao is abducted….
This novel might typical rom-com genre filled with many funny things.
The Female lead is Ou Yang Miao Miao who is dog lover, class leader, and is very good at academics.
Male lead is Kang Yu who hates dog so much (because particular reason) and the worst thing, his love rival is a dog.
You can read it in
5-Doomed to be a cannon fodder
You can read it at :
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She’s somehow ended up transmigrating into the book as the supporting female lead, who was beaten to death! Deeply in love with the male lead, she’s fated to be beaten to a bloody pulp before even holding hands with him?!
First things first, she needs to survive and latch onto the big thigh of a patron. But the supporting male lead is a true gentleman and feels nothing for her stunning, alluring body. That’s alright! She’ll latch onto the old madame or the male lead then!
But why does the supporting male lead look at her with increasingly odd eyes? And what of that Wulin Alliance Head with the personality disorder? You’re just a random bystander, what are you getting involved for??
Finally, the male lead could bear it no longer and dragged her back to the Prince Li Manor…
Seven years ago, after their breakup, he disappeared without a trace.
Now, he reappeared on the eve of her wedding, sparing no means in forcing her to marry him…
6-Avoid the protagonist
As tragedy befalls Xin Siyue, she soon finds herself transmigrated into a novel world as a character. To her disappointment, she became the villainess who obsessively chased after the male protagonist while scheming to tear apart his relationship with his beloved.
To avoid her death route, Xin Siyue carefully avoided the male and female protagonists at every turn. Instead, she went off on her own to enjoy life. But somewhere along the way, she made a mistake– the male protagonist took notice of her!
Xin Siyue’s eyes teared up as she was being kissed in Chen Sinan’s arms. ‘No! This wasn’t in the plot!’
You can read it in :
With a certificate of marriage, he bound her mercilessly to his side.
From there, this “Cinderella” began her journey as a wife to the heir of a business empire…
Mrs Huo – composed, sharp-tongued, and freakishly smart.
Mr Qin – wife-spoiler to no end and a complete “slave” to their daughter.
Quality love story, one on one. You are welcome to get hooked on this story with us.
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linchan637 · 7 years
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I’m in Love with Lost Love in Times
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I’ve been trying to find a really good C-drama since Scarlet Heart with the right blend of fantasy/history, heartache, and story, and I think I’ve found it in Lost Love in Times. It is, without a doubt, the most engaged I’ve been with a C-drama in a long time - let’s hope it continues to be that way.
Mild spoilers ahead.
Story
Qing Chen is a Mage, a magic user sworn to protect the Wei State. Yuan Ling is the 4th prince, a general meant to bring peace to his people. After being saved by Qing Chen, Yuan Ling takes over the throne and is determined to marry her. However, nothing good can come between the union of the Grand Sorceress and the Emperor. When Yuan Zhan, the 7th prince, throws a coup on the couple’s wedding, Qing Chen is forced to cast a spell to reset the world, where she will make things right and swear to not be the cause for her love’s downfall.
Comments: The first five episodes go by so fast that if you blink you might miss it. But once we get to the altered timeline where the meat of the story is, it keeps going at a brisk, refreshing pace. Conflicts arise and get solved within the next episode or two but there are always consequences so it never feels like things just happen for no reason. Honestly, it’s been a while since I’ve watched a drama where there is a logical progression of story where events scaffold on one another, where the big event everything leads to actually meets and exceeds my expectations. I really hope for this pacing and story to continue as it has because it’s great so far.
Characters
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Qing Chen (Cecilia Liu) is a wonderful mix of intelligent, cunning, and proactive. She initiates a lot of her interactions with the other characters and is always doing something to move the story forward in a transparent way. For example, when she is investigating a brothel that’s a cover-up for a cult of Dark/Black Mages, she goes to ask Yuan Ling for advice because he had looked into them before. There is no time for any shenanigans here, no “I can’t tell him I’m doing this thing because I’m a noble idiot” that so many other dramas do. I love it.
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Yuan Ling (William Chan) is aloof, serious, and confident. Like Qing Chen, he’s very proactive in the story and doesn’t bother trying to play games. It also helps that he acknowledges the females around him as equals in intelligence and physical strength. When the other mages (who are female) help him during an ambush, he doesn’t brush them off but kindly says thanks and that’s that. No need to act macho or anything.
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Yuan Zhan (Xu Hai Qiao) is calm, refined, and loves music and flowers. At first, he’s not into politics and wants to stay out of it. But when his mother kills his brother to frame Yuan Ling, he goes straight into action and is shown to have a strong sense of morality. He’s a nice foil to Yuan Ling as an intellectual and more emotional partner to Qing Chen.
The whole cast of characters are well put together. It helps that each one feels like they have lives outside the main story and are shown to be just as competent as the main trio. The villains' plans are thought out and their motives aren’t just petty things. The other supporting characters have just enough screen time to showcase their abilities and honestly do a lot for the main story.
And FOR ONCE, there isn’t an evil, jealous girl who’s out to get our heroine or do stupid things to get our heroes’ attention. Like, thank you.
Technical Stuff
The costumes are well put together except for a few choices of head pieces. Lots of flowing sleeves and soft fabrics, which is my type of thing. I couldn’t be happier.
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Cinematography is done well here, as well as integration of CGI. When we’re in a more fantastical setting, you can tell, but it’s not so much in your face. Also, no CGI talking animals so far, so everything’s alright with me. There is a little too much sparkle for me, but that’s more of a personal preference.
Stunt work is done well and integrates the magic nicely when we need it. There are a few nonsense hand motions that I find cheesy, but nothing that takes away from the story.
Overall, I like the way the drama looks. It adds more to the story than it takes away.
Ramblings - Female Characters and Complex, Mutual Relationships
I love how equal men and women are in Lost Love’s universe. The Mages, for the most part, are all female and are treated with just as much respect as the trained warriors (because that’s what they are). The relationships we see between men and women are generally mutual and based on admiration and acknowledgment of the other’s strengths. Even when relationships aren’t mutual, there’s a common understanding of why. This makes for more interesting conflicts down the road and more complex relationships.
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The first couple we actually see on screen is Xi Xie and Tao Yao, two top-ranking Mages. The former is Qing Chen’s mentor and father figure. The latter is her senior and mother figure. They’re clearly a couple, but never act on it because of their devotion to the Wei and the Mages. They both understand where the other is coming from and would do anything to protect what the other wants. At the same time, they aren’t completely dependent on the other. Tao Yao is competent in her own right and is shown coming up with her own strategies and fending for herself quite well. In the altered timeline, Xi Xie is missing but that doesn’t stop Tao Yao from protecting the other Mages by basically building an underground city. She loves Xi Xie, sure, but isn’t going to let that stop her from defending her sisters.
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Another great female character is Princess Duo Xia of the neighboring A-Chai tribe. She is first shown on screen commanding her own small army to free the captured Mages so they can help her people. Later, she fights Yuan Ling and is bested by him. It is then that she decides she wants to marry him, but she explains that her reasons aren’t just that he beat her in martial arts or that he’s handsome. She knows of his reputation as a general and thinks that that’s what the A-Chai need. She isn’t being petty or single-minded. She’s thinking of all sides of her situation and picking the best option. When she confesses later and guesses Yuan Ling loves Qing Chen, and instead of plotting to murder Qing Chen (which is soooo refreshing for a second female lead in these kinds of dramas), she acknowledges Yuan Ling’s feelings for another and doesn’t try to push the issue. Then she challenges Qing Chen because she KNOWS Qing Chen loves Yuan Ling but won’t act on it. There is a mutual understanding of feelings, and that makes Duo Xia’s relationship to both so much more fun to watch.
Honestly, I can go on and on, but I’m gonna stop there because I think you get my point.
Conclusion and Recommendations
Because of the great characters, interesting story, and visuals, I’m gonna stick with this drama. It’s the only one so far that’s managed not to play into too many annoying cliches and stands out from the plethora of historical, fantasy romance I’ve seen so far.
If you’re also looking for a C-drama with smart characters, a faster pace story, and beautiful visuals, this is one to watch. Just hold out through the first five episodes and I swear it’ll be worth it.
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hyokas · 7 years
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全职高手 (Quan Zhi Gao Shou/The King’s Avatar) Production Staff and Voice Actor Info
List of production staff and voice actors under the cut.  I might update the voice actors as the season progresses, we’ll have to see.
制作人员
Production Staff
导演:熊可
Director: Xiong Ke
编剧:梁莎
Screenplay: Liang Sha
出品:阅文集团;企鹅影视;东申影业
Produced by: Yue Wen Group (aka China Reading Limited); Qi E Pictures; Dong Shen Pictures
联合出品:bilibili
Co-produced with: bilibili
出品人:罗立;王娟;李国栋
Producers: Luo Li; Wang Juan; Li Guodong
总监制:陈坤
Executive Producer: Chen Kun (aka Aloys Chen)
总制片人:王芸;金文君
Executive Editors: Wang Yun; Jin Wenjun
制片人:高丽华;郝博;佘媛媛
Editors: Gao Lihua; Hao Bo; She Yuanyuan
原著:蝴蝶蓝
Original Novel by: Hu Die Lan (aka Butterfly Blue)
执行监制:姜博文;李绍堂
Production Managers: Jiang Bowen; Li Shaotang
文学统筹:颜欢
Literary Coordinator: Yan Huan
商务:张天文;李茜茹;孙晨璐;赵莹;武冕
Commerce: Zhang Tianwen; Li Qianru; Sun Chenlu; Zhao Ying; Wu Mian 
市场宣传:霍亚男
Marketing: Huo Ya’nan
内容支持:杜剑波
Content Advisor: Du Jianbo
美术支持:刘黎明;张天文;陆艺艺;陈晨;周丽娜;李洁
Art Advisors: Liu Liming; Zhang Tianwen; Lu Yiyi; Chen Chen; Zhou Li’na; Li Jie 
游戏支持:马自军;田震;屈轶;宋霄;林睿;魏翼飞;刘泽
Game Advisors: Ma Zijun; Tian Zhen; Qu Yi; Song Xiao; Lin Rui; Wei Yifei; Liu Ze
原案设计:炎铃;夜光虫;sanama;高登七六;Mus;品奇;冰糖雪梨;御涵;查查
Adaptation Design: Yan Ling; Ye Guang Chong; sanama; Gao Deng Qi Liu; Mus; Pin Qi; Bingtang Xueli; Yu Han; Cha Cha*
音响监督:陈雨佳
Sound Director: Chen Yujia  
作画监督:申琳
Animation Director: Shen Lin
配音导演:张杰
Dubbing Director: Zhang Jie
腾讯制片代表:金文君
Tencent Production Representative: Jin Wenjun
阅文制片代表:高丽华
Yue Wen Production Representative: Gao Lihua
动画制作:视美动画
Animation: Shi Mei Animation (aka G. CMAY Animation & Film)
角色配音
Voice Actors**
角色名称                                            配音演员
Character Name***                         Voice Actor****
叶修                                                  张杰
Ye Xiu                                              Zhang Jie
苏沐橙                                               C 小调
Su Mucheng                                   C Xiao Diao
孙翔                                                  刘三木
Sun Xiang                                       Liu Sanmu
刘皓                                                  赵毅
Liu Hao                                           Zhao Yi
崔立                                                  商虹
Cui Li                                              Shang Hong
吧台小妹                                            久任
Receptionist                                   Jiu Ren
陈果                                                  季冠森
Chen Guo                                       Ji Guansen
月中眠                                               王晨光
Yue Zhong Mian                             Wang Chenguang
阳关                                                  李进
Yang Guan                                      Li Jin
柳色                                                  龙吟
Liu Se                                              Long Ying
渭城                                                  小蛇
Wei Cheng                                      Xiao She
暮云深                                               王敏纳
Mu Yun Shen                                  Wang Minna
田七、云归                                         傅晨阳
Tian Qi/Yun Gui                              Fu Chenyang
浅生离                                               飞大团
Qian Sheng Li                                Fei Da Tuan
灯花夜                                               森中人
Deng Hua Ye                                  Sen Zhong Ren
系舟                                                  刺儿
Xi Zhou                                           Ci Er
雷鸣电光                                            张赫
Lei Ming Dian Guang                    Zhang He
蓝河                                                  杨天翔
Lan He                                            Yang Tianxiang
知月倾城                                            咩咩
Zhi Yue Qing Cheng                      Mie Mie
唐柔                                                  乔诗语
Tang Rou                                        Qiao Shiyu
夜度寒潭                                            郭浩然
Ye Du Han Tan                               Guo Haoran
车前子                                               凌振赫
Che Qian Zi                                    Ling Zhenhe
包子入侵                                            藤新
Baozi Ruqin                                   Teng Xin
旁白、电视播音                                   李龙滨
Narrator/TV Broadcastor               Li Longbin
NPC                                                  小蛇、北辰、草摩琅琊、傅晨阳、飞大团、                                                                                           李进、森中人、周湘宁
NPC                                                 Xiao She, Bei Chen, Cao Mo Lang Ya,                                                             Fu Chenyang, Fei Da Tuan, Li Jin,                                                                   Sen Zhong Ren, Zhou Xiangning
*translator’s note: I’m 99.9% sure these aren’t real names
**translator’s note: I will try to update this list as the series progresses (NO GUARANTEES)
***translator’s note: some of these characters have yet to appear (as of episode 2).  I’ve put the names of the characters in pinyin for now, if I have time to read the English translation of the novel I might add their English names on there, but this is all I have for now.
****translators note: again, some of these names are not real names
All the names listed above follow the format of a typical Chinese name (surname, first name).
for @kingsavatar-fan
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twocentertainment · 7 years
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[Drama News] Male Lead Peter Sheng Talks About His Character in Picked Flowers 十里洋场拾年花
[Drama News] Male Lead Peter Sheng Talks About His Character in Picked Flowers 十里洋场拾年花
Peter Sheng Yi Lun (Pretty Li Hui Zhen) is confirmed as the male lead of upcoming mega republican era drama Picked Flowers (十里洋场拾年花) and it is expected to air sometime in 2019. The cast includes Ma Su, Chen Zi Han, Bobo Gan, Monica Mu, Pan Chen, Xu Rong Zhen, Qin Hai Lu, Aaron Wang Ming Duo, Li Zong Han, Zhang Tong, Liu Guan Xiang, Lawrence Shi Fan Xi, Zhao Bin, and Ding Qiao. They are currently…
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