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#characters interacting with characters that hadn't in the previous anime or manga
rennyrose · 7 months
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just wanted to say your razlo/meryl art is soooo good!! like even the idea of the pairing drives me a little nuts i love them so much lol and then your art of them is just *mwah* chef's kiss love the dynamic love their interactions love everything all around!
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Yessssss these two are so fun to come up with stuff for-
Since Razlo comes off as the type who loves getting a rise out of people and since Meryl is so easy to piss off a good chunk of his time is spent getting under her skin- but make no mistake that Meryl will take any and every opportunity to get one over on him- mutual goal of annoying the hell out of each other, but if there's a third person they both dislike they get real catty real quick pfffffft
But also the dynamic of two people who care a great deal for each other but neither will ever admit it hhhhh
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aot-snk-4238 · 3 years
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SNK Meta Part 2: Ymir
In my previous post, I talked about my feelings regarding Historia's character this final arc. Now I'm going to talk about Ymir, her relationship with Historia, and my feelings about her send-off.
Was Ymir a good character?
In my eyes, yes. When she was first introduced, it was clear that she had feelings for Historia, making her one of the only canon queer characters in the series (assuming Historia reciprocated those feelings, which I'm pretty sure she did). She also appeared very snarky and cynical, but us readers came to learn later on that there was a much softer, sensitive side to her deep down that Historia would be the first to witness. These revelations, including her backstory, helped flesh out her character in a way that made her very interesting and mysterious for me. I especially loved how sharp and intuitive she was. I'm going to quote the wiki on this part, because I think it does a great job explaining her impressive observant abilities. "Ymir was extremely perceptive and could discern the nature of the people around her with alarming accuracy, such as Historia's martyrdom mentality, Reiner's split personality disorder, and Sasha Blouse's desire to look good in front of her peers by hiding her native accent and developing an extremely formal way of speaking. Due to her experiences and belief in self-pride, she tended to rudely criticize people for being untrue to themselves. Furthermore, Ymir was very reasonable, as she knew what to do during her kidnapping situation and reconsidered her options to accomplish her goals." I also enjoyed her interactions with other characters besides Historia. Take Connie, for example. When he lamented over the possibility of his mother being stuck as a mindless titan, Ymir tried to distract him, albeit not in the most appropriate way (ch. 38).
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Connie complained about this behavior later on, but Historia defended her, explaining that she was only trying to stray his thoughts from that traumatic discovery. There were a few more moments between these two that were fun to see as well.
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😂😂😂. Ymir's looking at him like, "You ruined it, Connie..."
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I love the way she pats him on the head. Knowing how much taller Connie's gotten I don't think she'd be able to do that anymore.
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This becomes one of the many times that Connie calls her "ugly" when she's in her titan form. Too bad she couldn't talk very well as a titan or else she probably would have had a smartass remark to throw back at him. It's looking back on scenes like this where I wish we could have gotten more out of these two. You can tell she cared for Connie and I know he also cared in his own way.
We only saw her together with Eren once when Reiner and Bertholdt captured them, but it was very interesting to see their perceptions of each other.
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Eren found Ymir to be mysterious and wasn't sure if he could trust her, which isn't surprising considering this was the only time they ever spoke to each other. One detail that he couldn't miss, however, was Ymir's undying determination to protect Historia, a goal they would both come to share later on. Meanwhile, Ymir couldn't trust Eren because she found him to be too reckless and hot-headed.
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These were my favorite qualities from Ymir, although to this day I still question the rationality of leaving Historia behind considering the situation she's currently in. Historia herself called her an idiot after reading her goodbye letter. Now that I've covered my reasons for liking Ymir as a character, let's move on to her relationship with Historia.
Ymir and Historia
I've loved these two together since the beginning for their complex and amusing dynamic. On the surface, you had the selfish, confrontational tomboy and the girly, kind and beautiful goddess. But underneath were two young women who were dealt a dirty hand early in their life and lead empty lives as a result until they found each other. Their story arcs throughout the Clash of the Titans arc were beautiful and complimentary, and it's part of the reason why it's actually my favorite story arc in the series. Everything from Ymir seeing through Historia's charade and urging her to live her life with pride to Historia telling Ymir her real name and the two of them fighting side by side in chapter 49 was some of the most empowering moments for me and I will forever cherish those parts of the story.
Ymir's departure
And now the part I've been most excited to talk about! Ymir's glorious, memorable and emotional departure.
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Her ending...was not what I expected it to be. She left Historia at the very last second and gave herself away to the enemy because she felt guilty for something that was not her fault. Now as we know, Ymir is selfless at heart and she felt indebted to Reiner and Bertholdt for inadvertently helping her return to her human form after 60 years of wandering the earth as a mindless titan. She also decided that Historia might be safe after all after learning that Eren possessed the coordinate. I understand all of that, but what I don't understand is...well...everything else.
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This was Ymir's last real appearance. We see that Ymir has willingly chosen to accompany Reiner and Bertholdt back to Marley to give up her titan powers at the cost of her life. Many people weren't so sure if that was truly the last of her though, because her death was not explicitly confirmed for a long time. We spend the next 33 chapters hoping to get something more, and then this happens...
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A glimmer of hope. Finally there's a real chance we'll hear from her again, and it's got a lot of people buzzing with excitement. Sure enough, we finally get to see what's in that letter a few chapters later and are given Ymir's backstory. Here's where the disappointing part comes, though. Ymir makes it clear at the beginning of her letter that she will be dead by the time Historia receives it, meaning that this is the only goodbye they're gonna get. The last time they saw each other, Ymir wasn't even in human form. Instead of a proper goodbye, all we get is a short letter. The anime even tried to fix this by giving us Ymir's backstory earlier, but by doing that, her letter was cut short by a lot. All that was really left was, "Hi babe, sorry I left you like that. Oh well, I'm about to die anyway. Sorry we couldn't get married." And then this happened:
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Historia touches Ymir's letter and is suddenly bombarded with visions of Ymir's past, including her chained up and about to be eaten. That is definitely not what happened in the manga and its honestly very confusing to me. How was she able to see all of that just by touching the letter? I get that she has royal blood and was able to access memories when she touched Eren, but Eren is a human who just so happens to possess the founding titan. The letter is just a piece of paper. Also, I'm guessing the last thing Historia saw was Ymir chained up so that there will be no need to bring her up again like Reiner and Porco did in chapter 93. I don't blame the anime team for making that change because I'll be honest, when we saw that one panel of her in her death chamber it felt very out of nowhere and I had a hard time concentrating on the rest of the chapter after that. So here are my main problems with her death:
1. It was off-screen
If I recall correctly, Ymir is the only major character in the series whose death was off-screen. All we got were her final moments, and there wasn't even any dialogue. That part especially bothered me because you can see that Ymir and Porco are looking at each other and Ymir's mouth is slightly open, implying that she's speaking. But what was she saying? You seriously don't mean to tell me that they both just sat there and stared at each other the whole time. She must have had some last words, but for some reason we never got to know what they were. At one point I even thought that Historia and Porco might cross paths at some point and he would be able to give her closure that way but no. No closure, just a last minute goodbye letter and a glimpse of her final moments that I now consider completely useless and unnecessary because we never got more out of it. I mean really, we even got closure and an on-screen death for Marco for crying out loud. Why give him that kind of attention and not Ymir? Not to mention one of the more recent guidebooks. Her character has the diceased sticker and it talks about how she went back to Marley with Reiner and Bert, but that's it. Not even the guidebook makes it clear what happened next. Yeah she died, but did anything else happen before then? That's what I wish we could have gotten more details on like, I don't know....her final words???
2. It was anticlimactic
We didn't get enough focus on Ymir's point of view after leaving Paradis in order for her death to have any kind of lasting emotional impact. As I mentioned above, it just felt out of place and messy. There was nothing memorable about her death either. It was quite simple and boring.
3. It contributed to an ongoing literary issue that has anti-LGBTQ roots
Yep. I'm talking about the infamous Bury Your Gays trope. Now before I go any further, I am not accusing Isayama of being anti-LGBTQ, I'm just shedding some light on something that's been continuously repeated in countless forms of media, not just anime and manga. Truthfully, I hadn't heard about this trope before reading Attack on Titan, but when I did hear about it, it only made Ymir's death even worse for me. I'm not surprised that it exists and I realize that this is a manga where death is inevitable, but keeping both women alive in the end would have certainly been very refreshing. At this point, all I could ask for is that Ymir and Historia get to see each other one last time. Obviously since Ymir is dead it will have to be through other means and I don't care how it's done. It can be in a dream, a vision or through Paths (which I think would work best). Seriously, there's nothing I've been more curious about than how Ymir would react to Hisu's current predicament and what she would say to her. It would just be great for them to have one last conversation face to face because for me, the letter just wasn't enough. Of course I'm hoping for too much, though. We've only got 1-2% of the story remaining, leaving no room for further closure. It's disappointing and frustrating, but no story is perfect. I'm grateful for the content that we did get, but I hope one day I can find a story like this one where the queer characters get to live for once. I'm aware of other shows like Steven Universe, Adventure Time and Yuri on Ice that give them good endings, but those shows are much friendlier towards younger audiences and aren't nearly as dark and grim.
Conclusion
Ymir was a very intriguing character while we had her, but her death was unsatisfactory and only left us with more questions. I am not going to trash Isayama for it, but I will leave this critique here so I can unload all my thoughts for others to read if they wish, or possibly share their own thoughts. We are coming close to the end of the manga, so now would be a great time to reflect on what we read and enjoy what's left of it.
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kohki3325 · 2 years
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Genshiken (ep. 1 - 9) and Fiske's "The Cultural Economy of Fandom"
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Genshiken is certainly not an anime I would've watched if it hadn't been for this class. It's in the weird uncanny valley of realistic setting, characters, and plot (or lack of plot) and at the same time depicts anime moments that I personally can't imagine happening in real life. In fact, I was even a little confused as to who the intended audience was for this anime/manga. That isn't to say though that I didn't enjoy it. I did.
The reading was also fairly interesting, making observations such as how fandom empowers those who are disempowered by "official" culture and society. This was something I had never really considered before because until now I thought most members of a fandom were just people with too much time on their hands (i.e. in a privileged position in society), but as Fiske states, class is not the only source of social discrimination.
The show illustrates in tangible form the discrimination and distinction between the inside and outside of otaku culture, and perhaps pushes the message that otaku culture shouldn't be viewed as just a subculture, but an entirely different thing. I can't say that this is productive for bringing society together as a whole, but in my opinion some of the traits of otaku culture such as obsession with sexualizing anime women will never (and probably shouldn't) mesh with the "official culture" that Fiske speaks of. And this is why, as the previous reading by Azuma mentioned, that most otaku are not actually pedophiles, rapists, and in general bad people.
One final point: Haraguchi, the president of the manga club, was overall a pretty unpleasant guy, but one thing he said stood out to me, which was during the Comic Festival, where he explained that the culture of manga and the manga club these days encompasses other related things such as anime and games anyway so there was no need for the Genshiken. This reminded me of our current world where the internet has connected so many things together, and people are generally no longer just defined by one group. How often have you been surprised by a content creator on YouTube, Twitch, etc. interacting with another content creator in a seemingly completely different "community"? In this way, I would say that the discrimination by different fandom communities has been weakening over time.
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